#he doesnt even SAY ANYTHING

[werebutch]

My dad will come into my room just to open the door and leave

[ruporas]

thinking about wolfwood (ID in alt text)

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[corviiids]

(more persona 5 / persona 5 royal spoilers again)

(this one has art by dotdotdotukno on twitter please view)

compilation of specifically my obsession with ryuji and goro being terrible... friends??

[lilyimmsim]

the crows would have absolutely loved monopoly

[fob4ever]

mmy review, billboard / mmy, youngblood chronicles / ybc commentary, vh1 / patrick, ap.net 2008 / miss missing you / pete's blogspot, 2005 / pete's twitter / pete, 2015 / mmy, youngblood chronicles / mmy ybc monologue/srar album text / miss missing you

[dhmis-autism]

been thinking about them lately ok

[starry-bi-sky]

Who is the more well-adjusted twin; Damian, or Danyal? Why, it's Damian, of course!

And I have an explanation for this! But first I wanna preface this that this is just me like, rambling about this thought I have and it's not an attack on the trope as a whole. I love the Danyal Al Ghul au which is why i'm so deeply passionate about it, because I think it has a lot of potential to be explored. It's no secret that I've mentioned before that I think Danny's psychological development tends to get overlooked and underutilized in DAG aus, and the impact that growing up in an assassin league often goes ignored. This is just me further expanding on that.

Now lets set the stage! This is specifically for Danny who is adopted by the Fentons later down in life. Lets go twin au. At 10 years old, Damian goes to the Wayne Family, Danny is adopted by the Fentons (regardless of their affiliation with the League). By 14 years old, who ends up the better adjusted, more socially aware, spiritually in-tune with themselves, sibling? Why, Damian is! Why is that?

Because he has the actual support he needs compared to Danny. And I'm not talking about good or bad parents Fentons, because either way my opinion doesn't change. Damian would end up the better off twin, because, frankly, his family knows his background. They know he grew up in the League, they know what the League's teachings are, and they know he's a born and raised assassin. Knowing this, they can then help tackle and dismantle the teachings and lessons he has been given and ingrained into by the League. They may be a dysfunctional family, but they're functional enough to at least actively help deprogram all of the League's teachings that have been ingrained in Damian throughout his childhood.

Can't say the same for Danny.

Lets say Fentons here don't know his background -- and even if they do, the results may just stay the same if they play their cards wrong, -- Danny's now just been thrown into the deep end of a pool and is essentially being told sink or swim. Regardless of how he got there -- undercover, faked death, etc -- he has no proper support. He knows the League is meant to be secret, he's not gonna speak on it for various reasons. Whether it be some still lingering loyalty, fear of harm, or whatever. Whatever the reason is, he does not have a proper support system in the Fentons, no matter how nice they are. They can only tackle the surface level stuff and whatever Danny allows them to see -- if Danny ever lets them see it at all. For what do assassins do when they don't want to be caught? They hide. Sometimes in plain sight.

"But Jazz--" Jazz is a child. She is 2 years older than Danyal and no better at giving him a proper support system than the two adult Fenton parents, even with parentification. We don't know when she got into psychology or how long she'd been studying it by the time Danny's 14. We just know she's really into it. Even then, Jazz is not a licensed or reliable therapist, or even an experienced or implied good therapist, and should not be used as one either. It's a disservice to her character to reduce her down to 'supporting female emotional crutch'. Besides, therapy only works on people who want to get better. Danny, who'd be hiding who he really is, has very little incentive to want to, or to even think something is wrong with his way of thinking, even with exposure to the outside world.

When people's beliefs are outright challenged, they tend to double down on them, and Jazz canonically has a habit of psychoanalyzing her family and declaring what she thinks is the problem -- regardless of whether or not she's right about it. Jazz would get into psychology, try and psychoanalyze Danny, and all it would do is cause him to clam up, shut into himself further, and throw up even more walls so that she can't figure out that he has been lying this whole time. It would do more harm than good, and would actively hinder any progress he'd make in trying to open up to them. Roads and good intentions and all that.

That being said, I think Danny's development and dismantling of the League's teachings would be slower than Damian's. Much slower. Because he would be the one having to pick apart everything and figure out what is right, what is wrong, what he wants to keep, and what he wants to toss. Everything he unlearns would be stuff he has to unlearn himself. If he even gets to that point at all -- depending on his experiences, he very well could not change at all, or change very little. The League acts as a purge for humanity, meant to reign in their hubris and retain balance, they just also happen to be assassins for hire. Danny's time spent in Amity Park could as well strengthen his belief in their teachings just as much as it could weaken it, especially if it goes as canon and he gets bullied.

Regardless, being tossed to a civilian family as someone who is very much not a civilian, without any support, would be actively detrimental to Danny's overall mental health and development. Especially to strangers like the Fentons. Damian was closed off and standoffish even with blood family, and it took him time to open up to them -- Danny, with the Fentons, would be even more so. He doesn't know them, he doesn't trust them, he has no rhyme or reason to open up to them, and since the Fentons don't actually know him, they can't help him the way he needs. Once "Danny Fenton" is made, he has even less reason to open up. So long as Danyal allows it, they will only ever know Danny, and they'll never know Danyal.

TL:DR the Fentons aren't the better family option just because they're civilians, and actually that makes them the worser option between the two because they can't give Danny the proper support he needs. You can lead a horse to water, but you can't make it drink.

[dukeofthomas]

I hate the insistence in pushing Jason into the batfamily.

If he doesn't wanna go to dinner, he doesn't have to. If he doesn't wanna hang out with them, he doesn't have to. If he doesn't want to see them, he doesn't have to. If he doesn't even want to contact them, he doesn't have to.

It's so annoying to read fic and always see it presented as his Family Knows Better. Jason is just being silly by not realizing how much they love him and he just needs to let them break into his home and comms and life because they want him there.

[rhapsoddity]

so Mumbo over the years,, am I right?

[ganondoodle]

man, totk has truly broken something in my love for the zelda franchise, saw the new title announcement and didnt feel anything :I

[rbtlvr]

(text from this post, fic is little kid with a big death wish by @remedyturtles)

i'm genuinely not sure where to start here - ig first of all this fic is absolutely incredible and if you somehow haven't read it yet you absolutely should!

okay. man. rem, this fic means so so much to me and i'm so glad i got to be here for it. i think this is one of those fics that'll stick with me years down the line even if one day i'm not into tmnt anymore, one i'll come back to over and over again

your writing has touched so so many people myself very much included, and i just. want to thank you so much for writing this fic and thank you for sharing it. you're an amazing writer and an amazing person and i'm lucky to know you. i can't wait to see what you do next

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[delicatepointofview]

gonna have to deal with people missing the point of louis singing 1d songs in festivals... don't get me started on the other covers

[lilithofpenandbook]

Literally how do you even respond to that?

[vigilskeep]

what does cullen say about oghren in dao?

Oghren: I think you need a tall mug of ale to calm you down, lad. I may need one myself come to think...

Cullen: That was inappropriate, dwarf. But what more could be expected from an ignorant, cave-dwelling heathen?