#he says 'power' in the original i believe--

[knizuu]

Insert myself being feral for my fandoms/silly

Below is just me yapping about them all dksjnvkfnrg-💞

LOOK AT EMM!!!! Lmao I keep referring to “Past, Present, and Future” because GxK already came out, S3 should be out this year, and DM is next year :3 !! +THE BLUE TRIO [Godzilla had blue as radioactive energy beforehand-I just wanted a more fitting picture, therefore, using the powerful goji right there :D]

THEN THE ORANGES…that I originally labeled as the children cough idk why all of them are orange coded but THE MORE SIMILARITIES THE BETTER [Since Lil Petey hasn’t been apparent in the movie so far, the best I have is the image he has in the DM art book ^ ^]

Pfft…ok so I was gonna say “Kong and Knuckles at some point believed they were the last of their kind ALONG with having that warrior aspect…and Knuckles ties with Sarah purely from their red hair complexion✨/silly” but they’re all important side characters that were introduced really closely with the main!

Then the character that [as I remember] have a longer relationship or at least been established a strong dynamic with the main boyo? XP either way, I see them to be an over-looker for the main character :> [Lmao the way I wanted a better image for Tom but IT WAS THE BEST I COULD GEt without using other movies of course :3]

hehe THE SCENE WHERE THE INITIAL ANTAGONIST SHOWS OFF THEIR ✨very rad✨ EYES [Now that I notice more, Skar has blue eyes-Shadow has red-and Petey has green…RGB JUMPSCARE/silly]

-

Overall I’m so excited to see my three fandoms have their movie trailers :D !!! <33

[oscconfessions]

Now that the askbox is back open and it has been a couple weeks:

The II twist is good and you all are misinterpreting it

When Steve Cobs said 'Mephone didn't just make the show, he made you' he means that Mephone created the contestants as real living people of whom are equitable to original characters

This means YES you CAN SHIP MEPHONE WITH HIS CONTESTANTS as that's just like you shipping yourself with your oc.

THIS ACTION THAT MEPHONE DID WAS SOMETHING HE DIDN'T REALIZE HE WAS DOING. He unintentionally created the contestants with his powers. This is why when he is asked by Cobs 'Why (he) did it', he responds with a very confused sounding '...What?'. That means he didn't put thought into their flaws and attributes, all of those things were unintentional.

AND MOST IMPORTANTLY, THIS MEANS THAT ALL THE CHARACTERS ACTIONS ACTUALLY DO MATTER. They all ARE real people. The show IS REAL. Just because Cobs told them that Mephone created them doesn't mean that they are not real in universe.

ANOTHER THING!!! WHEN COBS IS TALKING ABOUT MEPHONE AS IF MEPHONE IS A CHILD, THIS IS A TACTIC USED BY ABLEIST PARENTS TO MAKE THEIR ADULT CHILDREN SEEM AS IF THEY NEED TO BE CONTROLLED BY THEM. THIS IS LITERALLY AN ABUSE TACTIC. Yes there are people who do need to have support from their parents but Mephone4 has been proven to be able to function without the help of Cobs. That being said, IF YOU BELIEVE MEPHONE IS A CHILD, YOU ARE BEING MANIPULATED BY STEVE COBS TOO!!! YOU ARE BELIEVING HIS LIES!!! Yes, Mephone4 has done actions that are very immature, but, get this, Mephone4 is very developmentally disabled!!! It's literally shown to be a trait of his throughout the entire show!!! He can't do the things other Mephones are able to do while at the same level as them! Mephone4 is developmentally disabled, and Steve Cobs is using that flaw to make it seem like he's a child, WHICH HE IS NOT, in order to gain control over him.

Now, onto my theory for the next part of ii16;

Cobs will use this information against Suitcase and Knife. Cobs will most definitely make it seem like Mephone has been lying to them all this time about the competition. Cobs will most definitely try to manipulate them to get what he wants; control over the show and therefore Mephone4's actions. Now I know for sure Knife will not get this easily swayed by Cobs; Knife's entire arc in season 2 has consisted of trying to get people to stop being manipulated by others. Suitcase however... as strong as she has been throughout the season and as strong as she's slowly gotten, I am still unsure on whether or not she'd be able to see through Cobs. Part of me believes that she'd immediately believe him and decide that the only good way things can 'end' is if Cobs has control over Mephone4.

Anyways. Really needed to get this off my chest bc Jesus mcfucking christ ppl's media comprehension is TERRIBLE!!!!!! Go outside and touch some grass!!!!!

thank you anon for saying what needed to be said-📻

[justjudethoughts]

In Defense of Peter Pevensie. Originally written in response to accusations of Peter being "less complex" than other Narnia characters

If King Lune is the embodiment of masculinity as father, then Peter is the embodiment of masculinity brother. As High King, he becomes the brother of his people, but those seeds were sown in his own family. 

From the very beginning of the story Peter is the leader of the Pevensie children, a job he evidently takes very seriously. But, unlike a lot of eldest siblings, he doesn’t use his status and power as a means to swagger around and lord it over the others. Quite the opposite, actually. It is immediately clear that one of Peter’s main functions in the Pevensie family is cheerleader of his siblings. This is shown not only in his open praise of their talents (for example, he hypes up Susan’s talent of archery in PC and cheers on Lucy for having been right after none of them believed her), but also generally tries to keep them in high spirits. 

Take the context of LWW. The Pevensies are sent to the countryside because of air raids. They are going into a strange house with a strange man because the Germans are obliterating everything the children have ever known or called home. All of them are scared, Edmund’s bullying Lucy, and Lucy may or may not be going insane. But Peter can’t show any of them that fear, because he’s the oldest. They can’t know he’s scared, so he puts a bold face on it. One of the first things he says in LWW is “We’ve landed on our feet and no mistake” when he looks at the big house. He argues they are going to have a delightful summer after all. The next day, when the others are disheartened by the rain, he suggests they explore the house.

As the years go on, Peter earns the title “Magnificent.” In this, Peter truly embodies the  JPII quote, “the ultimate test of your greatness is the way you treat every human being.” He has a bleeding heart for the least of these, but in an unassuming, humble way. Peter is not a man of pomp and circumstance. He has a servant’s heart, perhaps most evident in PC. 

Upon returning to Narnia and learning of Caspian’s plight, he immediately makes it known that he has no intention of replacing Caspian. “I haven’t come to take your place, but to put you in it” is among the first things he says to his new friend. This isn’t about winning fame or glory or reliving the old days. This is about making right what was wrong. 

He is generous with the Narnia creatures, even when they are a bit silly. When trying to pick a Marshall, he suggests the Giant Wimbleweather. Caspian warns him that the giant isn’t very smart, to which Peter responds, “Of course not. But any giant looks impressive if only he will keep quiet. And it will cheer him up.” Part of his reasoning is simply the injured feelings of poor Wimbleweather who earlier entirely messed up an important battle.  The following conversation also takes place while they are searching for a Marshall. Reepicheep offers his assistance:

"I am afraid it would not do," said Peter very gravely. "Some humans are afraid of mice——"

"I had observed it, Sire," said Reepicheep.

"And it would not be quite fair to Miraz," Peter continued, "to have in sight anything that might abate the edge of his courage."

Instead of embarrass and insult Reepicheep by explaining that he is far too small and unassuming for such a job, he appeals rather to humans' fear of mice. Even while battle prepping, his is concerned about the hearts of his people. Bulgy Bear, too, he allows to be a Marshall, as it is the right of bears, no matter how silly they are. 

Peter understands that duty means doing what is right, regardless of how it makes you feel. His first battle happens because Susan and Lucy are being chased by the wolves. When he hears Susan’s horn, he runs to help her. The book says, “Peter did not feel very brave; indeed, he felt he was going to be sick. But that made no difference to what he had to do.” His sisters needed him. And so he showed up. The same is true in PC, when he engages Miraz in single combat. Edmund asks if he can beat Miraz. Peter responds that he is fighting to find out. He goes in completely unsure that he is ever going to see his family again, but he does it anyway. Because Narnia needs him. Caspian needs him. His people need him. And his feelings aren’t the deciding factor. 

When he makes mistakes, he owns up to them. In LWW, when the children plead before Aslan on Edmund’s behalf, Peter blames himself for being too hard on Edmund. In PC, when they finally see Aslan, he apologizes for having led them wrong the whole time. He is always trying to do his very best and falling short like the rest of us. But he accepts his fault with humility, gets back up and tries again. 

By the Last Battle, we get to see Peter in his truest form. Even though he has been in England for years, when the seven friends see what looks like a ghost, he is the one who stands up and orders it to speak. Clad in his suspenders and button-down shirt, Peter is once more High King. “Shadow or spirit or whatever you are," he says, "If you are from Narnia, I charge you in the name of Aslan, speak to me. I am Peter the High King." And when night falls on Narnia for the last time it is Peter, once so scared to speak to Aslan (and even attempted to make Susan do it for him) that shuts the door. It is Peter that jests with Lucy when she weeps for Narnia, trying to lighten the mood. It is Peter that she turns to, time and time again, with her questions. It is Peter that Lucy, and all of the other friends of Narnia, trust to lead them. 

It is also Peter, who, “shortly and gravely” tells Tirian about the fall of Susan. Because he has to. Because here he is, once again, the eldest, the leader. Here he is once again faced with the unpleasant task of shouldering the burden for others. But he won’t make Edmund or Lucy explain (in fact, they don’t say anything about Susan). Peter takes that pain for them, forces himself to form words. Perhaps, deep down, he blames himself. He always was a bleeding heart. 

There are so many other things I didn’t include. I could talk about how Peter immediately offers to help Tumnus, simply because he did the decent thing and didn’t kidnap Lucy. Or his beautiful, redeemed relationship with Edmund. I could talk about all the times he is a rock for Susan, or his steady leadership despite his own hesitation. But really and truly, my point amounts to this: Peter is a brother. He is steady and humble and down to earth. He is brave. He is chivalrous and courteous and overflowing with affirmation for those he loves. He is a servant heart. 

When I think of Peter, I think of carpentry and the honesty of working with your hands. I think of campfires and a night sky full of stars, and the feeling of warm flannel. I think of laughter and 19th century books for boys, and tomes upon tomes of Latin. I think of warm drinks, hot cocoa or coffee or tea, and the safety of home. It is home I think of most of all. 

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[lulu2992]

Greg Bryk was in episode 25 of Podcast141, co-hosted by Marwen Heni, Mars Lipowski, and Jim Boeven, to talk about his acting career in general, but also and mostly his role as Joseph Seed in Far Cry 5.

Since he’s already shared a lot of anecdotes in interviews and live videos on Instagram, I thought I wouldn’t learn anything new... but I did, so here’s a summary of what he said about his experience playing the Father.

We knew that the dev team (he specifically mentioned Dan Hay and Drew Holmes) had struggled to find the “right” actor for the role, but what I don’t remember ever hearing before is that, after two years of unsuccessful search, the project was almost cancelled for this reason!

Thankfully, that was when Greg Bryk auditioned. He had already said the script they gave him (and that he thought was “amazing”) was what became Joseph’s monologue in the mission “We Must Be Strong”, but he gave more details about what was originally in it. In this early version of his backstory, Joseph was 23 years old and working two jobs to support his family. One night, exhausted, he fell asleep on the couch as his pregnant wife went out to get ice cream. He was then awoken by a knock on the door, told she had been in an accident, and taken to the hospital. The rest of the story is what he says in Far Cry 5: when he arrives, his wife is dead, their premature daughter is “stuffed with tubes”, he hears God’s calling, and understands he has to make this sacrifice.

So he got the role, and when they called him again to record a sermon (my guess is it was this one, but I’m just speculating), he saw what the game looked like and thought everything and everyone was “incredible”. Over time, as they got to know him, they even changed the character and partly rewrote the Father specifically for him.

The team was also very accommodating. For example, the scenes are usually shot in the huge performance capture studio, but for the Heralds’ eulogies, which are much more intimate, they built a small room so he felt like he actually had something around him instead of a big, empty space.

A day before the game came out, the cutscenes were already available online and he watched some of them. He was very impressed by the last eulogy (or, as he calls it, “snot monologue”) in particular because of how “vivid” and “human” it felt. It brought tears to his eyes and he recalls his wife was “blown away”; it was “special”.

As for the fans, he thinks they’ve been very supportive and welcoming. Some have told him they felt heard and seen by Joseph, and he believes it’s because he’s a character who loves people for who they are. At this point, he and the co-hosts agreed that being an actor was a gift because it gives an opportunity to make people’s lives better, especially in video games because there’s a unique connection that doesn’t really exist in movies or TV series.

Marwen Heni mentioned that, while most villains want you to hate them, Joseph, on the contrary, wanted you to reflect and think that he might be right. Greg Bryk admitted that he believed everything he said, especially about family and technology. Sometimes, people are isolated or only have online connections, so having someone tell them, “I see you and I love you for what you are” is powerful. In his opinion, this message resonated with a lot of players because it’s a simple truth and we all want to be part of a family.

Joseph doesn’t control his followers with fear, Marwen Heni commented, but with devotion, and that too makes him compelling. As he was playing Far Cry 5, he started questioning whether or not he (as the Deputy) was right for opposing the Father, which is something Greg Bryk says he saw a lot in comments. He believes there’s “an intimacy to the relationship” between Joseph and the player, a “seduction” in the sense that we all want to belong. He’s humbled by the impact his work had on people.

When asked if he would be open to reprising the role, this time, he answered, “Absolutely”. In fact, and this is news to me, he revealed there were discussions about turning Far Cry into a TV show, and the different games would have been standalone seasons. That said, he added that, at a certain point, it’s necessary to let characters go and that he was grateful for what he had already experienced playing the Father.

Marwen Heni then asked if Joseph, who is very complex, was entirely fictional or if it was Greg talking through him. He answered his characters are always him, to a degree, because he wants to connect with the material so he never lies and can work from things that matter to him. He never judges them and tries to think about what he wants to express through them. He’s interested in their humanity and what motivates them. “We’re all broken,” he said. “Some are much more broken than others, and sometimes those broken pieces are very sharp and jagged, and they lash out.”

He also revealed he had “very specific rituals” to help him become a character and then let them go. He mentioned a few prayers that one of his friends, who is a Wiccan, taught him. In fact, and all the co-hosts agreed, it can be very hard to “disconnect” from a character sometimes because actors aren’t just pretending; they’re using real emotions.

He had already said his son Dempsey had done the mocap for John and Jacob in the Collapse DLC and that he felt carrying Ethan’s body in New Dawn was a way for him to honor his “boy”, his dead dog Lucky, since he deeply regretted that he couldn’t be there to take him to the veterinarian the day he passed. What I didn’t know, however, is that it was Greg himself who had asked if Joseph could carry Ethan, and the team made it happen. He also explained that, when it was time to play this scene, he tried to imagine what it would be like to actually lose his son.

But who is Greg Bryk’s favorite Far Cry villain? Well, when he auditioned and started researching the franchise, he was interested in Vaas because of Michael Mando’s performance. He still doesn’t know him personally but has a friend who worked with him and who spoke about “how electrifying his talent was”. There’s something “unhinged” and “primal” to him as a performer; he’s a “wild” and “special” actor.

Finally, when told he was born to play Joseph, he confessed he felt he was indeed “called” to play this part but wants to give credit to Dan Hay, Drew Holmes, and Jean-Sébastien Décant for creating such a “terrifyingly human” antagonist in the first place.

[warning-heckboop]

I really love your changeling dev au 🤌✨️, i was thinking does this make dev the youngest in fairy world ? then that means there is a fairy who accidently had a baby but beacuse of da rules, it cause them to give it to dale as a gift? Im sorry don't know how the gifting works 😅

Okay, first off. Apologies for the late reply. Writing the fic on top of work and other plans took a lot out of me.

On to the actual question! To be honest, I hadn't actually thought too much about Dev's origins regarding who his actual fairy parent(s) would be. So let's brainstorm now, shall we? I'll be putting this under read more, because it got kind of long :')

Full disclosure, I never watched the entirety of the original FOP, especially after Poof/Peri was born, so I don't have a full grasp on the canon lore. I know before Peri, fairy babies were against the rules for thousands and thousands of years, but I guess I kind of assumed that after the dam was broken, they just kind of let fairies have babies whenever they wanted again--especially considering there's a "fairy shortage" in the later episodes (that's my understanding, at least, from what I've read. Again, I've never watched the later episodes, especially not the really later ones with Chloe). Even if this wasn't necessarily canon, I consider it canon in my head, especially since I like seeing people's OCs who are younger fairies born after Peri! Just gives more possibility for world building, I guess.

Regardless of the above, however, I think I'm leaning towards going more the route of Dev being an especially unique case. As I mentioned in my previous posts, Dev was given to Dale as a sort of compensation for Dale's lost childhood, where a fairy could have intervened and helped him escape Vicky's wrath, but he was just somehow overlooked. As I mentioned as well, I see this as a sort of cover-up that would have been handled very high-up in the fairy hierarchy, possibly by the Fairy Counsel themselves. Not only is giving a human a Changeling Baby an outdated and frowned upon practice that they want to limit the number of fairies knowing about, but I also think they'd just want to hide the fact that they so largely failed Dale (and the other children who worked with him) to begin with. They can't let the populous know that their all-powerful and all-knowing leaders screwed up like that, so instead they'd rather just pay off those affected in secret, and pretend like it never happened.

(Does this imply that there might be more changeling kiddos out there that were given to the other kids who suffered under Vicky alongside Dale? Maybe. I'm probably not going to ever expand upon that myself, but if that piques anyone's interest, feel free to build on it yourself!)

Based on this line of thought, I don't see this as a scenario where Dev was born first and then they decided to give him to Dale afterwards. I think Dev would have been created specifically for Dale. We've seen that fairies can reproduce like humans do through birth, obviously, but since they are magical creatures, who's to say there aren't other methods of creating more of their kind?

A fairy's human form appearance isn't completely detached from their natural form appearance (based on my own headcanons which are based on those created by @bunnieswithknives, who originated the 'natural form' concept I'm using in this au, for context), so in this case, in order to create a child that the world and probably even Dale would truly believe is his own flesh and blood, they'd have to create a fairy who would have traits that resemble Dale's. Maybe it was even a process of using magic combined with something of Dale's, like a lock of hair or something like that, to create a fairy child that to some extent really is related to Dale, although less in a "biological child" sort of way and more in a "slightly-modified-by-magic clone" sort of way.

I guess that's all just a really long-winded way to say: I don't think Dev has fairy parents! He's just a product of magic, and the closest thing he'll ever really have to a technical parent would, in fact, be Dale. I hope that's not a disappointing answer, haha.

[thedarkone121]

So… Those previews with Dracula, huh?

So, funny story. All the way back in July 8th — according to Discord — I admit an idea that was running around in my mind ever since I first heard the title of “Dr Jekyll and Mr Hyde meet Dracula” and me, coming off the novel of Dracula, wanted some angst. Just to be clear, this was well before the previews came. As Quill put it, I was given he power of Apollo 🤣

Anyway, onto the idea! Some of these are posted from Discord so keep that in mind!

Some heads up, this is a little angsty and very spoilers to the original Dracula novel but basically, here’s my vampire idea; in the midst of the Lodgers turning against him and having to deal with Frankenstein, Jekyll ends up encountering a wealthy aristocrat (ie, Dracula) at a party. The man offers to help fund the society… If Jekyll could stop by his new house and tell him about London. And Jekyll does.

And it works. They’re able to keep the society running. No one is getting kicked out. …But Rachel and Lanyon begin to notice how pale Jekyll has gotten. How he seems more tired than before. How hungrier he gets. How much rawer his food has gotten. It’s so bad than even the Lodgers notice.

Basically, the idea is based on Jekyll taking Lucy Westenra’s place as Dracula’s victim. We’re watching this man slowly lose some of his blood and become a vampire.

To add onto the angst, I also thought of Dracula — while he’s draining Jekyll and hypnotizing him — would slowly turn Jekyll against his friends. Keeping him isolated and not go for help. So even when the others are trying to help him, he wouldn’t listen.

The person who can probably get through to Jekyll is Jasper, because even though he is considered one of the lodgers, Jekyll does remember Jasper standing by him.

I do have an idea in my head where everyone is staging an intervention where they’re trying not to let Jekyll go out and see this Dracula guy anymore. Like Rachel and Robert are trying to tell him he’s been getting worse since these visits, Jasper trying to tell him that something’s not right, even other the Lodgers chiming, saying that they’ll help with the exhibition if he would just PLEASE not go there… Only for Jekyll to say: “What exhibition?”

…At that point, everyone realizes they can’t reason with Jekyll and are forced to keep him confined at the Society. Hoping to starve off the vampirism within him by keeping garlic around him, slowly giving him proper meals again. Also giving him blood transfusions as well.

But Jekyll is completely feral at this point. Even though his heart beats, his mind has been taken over by a ravenous beast. And Dracula has noticed his favorite snack hasn’t come by in a while…

And that’s it! My wonderful angsty idea of a vampire Jekyll. Believe me, I can never look at vampires the same after reading the novel for Dracula. Just the horror of the slow transformation for Lucy… It’s wonderfully angsty and I needed to share that with Jekyll!

Hope you all enjoy it!

[radiance1]

Vlad has been asleep for a few centuries now, in a goddamn coffin that he specifically made just for that like the weird rich person he is. He was also, the phoenix king.

Or at the very least, one of them.

Honestly, Danny couldn't give less of a flying cheerio how long Vlad would sleep for if it wasn't an inconvenience to it.

But it was.

You see, he's the ghost prince, prince of the infinity realms, dragon of infinity, son of war and ward of time, etc, etc.

And somehow, he has bloody paperwork.

Even though the Infinite Realms fell into Anarchy eons ago.

So he honestly doesn't know why he has paperwork, and it's so much that Danny has been spending centuries doing it and he's so tired of it and then he remembered, hey? Who likes can do mountains of paperwork without breaking a sweat and could finish this way better than Danny could?

Vlad Masters.

Hasn't seen the guy after his mother died, don't know where exactly he is, but he isn't in his lair (yes Danny managed to get in, don't ask how) and Danny is going to find this man by the Ancients because he cannot deal with those anymore.

He barely even made a dent!

Anyways, so Danny goes over to Earth because he hasn't been there for a hot minute, and that's probably where Vlad is and uh, woah there is this really Earth cause it's lookin mighty different to how he saw it last time-

Why was the Earth currently covered in flames? Black flames that look mighty familiar to someone else's that he knows actually. You know, someone who should have been sleeping the centuries away instead of, oh he doesn't know.

Taking over the mortal world?

It even seems that Vlad got himself a goddamn cult too! How neat! How much time did it take you to assemble all these people Vlad? You even gave out pieces of your power when you could've been, oh, he doesn't know.

Helping him with paperwork?

So, he's kinda mad about this, pissed, actually. So, he goes to find where exactly Vlad is in this reign of madness, finds a literal crack in reality and just heads on through because he couldn't care less about that actually.

What he finds is not what he expected.

Cause you know Vlad? Phoenix king who is probably trying to take over the mortal world instead of helping him with paperwork and was supposed to be sleeping inside a coffin?

Yea scratch that. Because that isn't a coffin.

When the hell was Vlad sleeping inside a magical barrier-

And who the heck was that spamming Vlad's signature black flames while laughing manically, and who in the infinite realms were those guys who were currently fighting said spammer.

"What exactly, in the Infinite Realms, happened while I was doing paperwork?"

===

So, the Justice League is now combating a new world ending threat. Some cult who wants to cleanse the world in the name of their deity so they could hand it to him once he reawakens.

Which, apparently, might've been around for centuries, slowly preparing for this day which, dedicated, but not the good kind of dedication really.

So, back to the fight, they're fighting this possible immortal who's been taking over the bodies of each new head of the cult for centuries and, well, he genuinely had power to back him and his cult up.

Not really a shock there, to be fair, since he claimed his powers to originate from the sleeping deity who blessed him with a portion of his power.

Vlad didn't, bro just stole a portion of his power and claimed it as a blessing lawl. Not that the cult knew that-

So the Justice League managed to break their way into the place holding said sleeping deity that also acted as the base for the cult leader and, well. Yea he truly does have the power to back himself up and, if the magic users had anything to say about, a very magically powerful deity he follows too.

So they're kinda screwed if said Deity wakes up, they don't even know when he will actually, neither did the cult leader. He just will 'eventually' which isn't as descriptive as some (read: Batman) would like.

First things first, beat up and disband the cult, figure out a way to prevent the sleeping deity's awakening later.

So they were fighting a battle (shocker I know) with their forces spread between their world and the pocket dimension and things weren't looking quite as good as they hoped. Lots of causalities, both civilians, heroes and even villains alike, a whole lot of magic and powers being thrown about and the monologuing of the cult leader who was floating above said sleeping god.

You could even think it to be symbolic in some way, that he thinks himself above a god.

So, safe to say, in all of this chaos they weren't exactly expecting a new voice to join the fray.

"What exactly, in the Infinite Realms, happened while I was doing paperwork?"

And the owner of said voice, to be a goddamn dragon.

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[pulchrasilva]

Nobody fucking talk to me i just finished rewatching arcane and it was DEVASTATING I need to KILL

[maximura]

[dbphantom]

you know if you guys voted for stretch armstrong i probably would have shut up a lot sooner tonight

[vaugarde]

so dont get me wrong, “iris and the rogue dragonite” is a really, REALLY good episode. it does wonders for iris’s development and shows that she’s more in tune with her dragon powers, and she gets a new member on her team that’s finally a new dragon type. but i’m sorry, the episode and iris’s overall team would have worked so so much better if it was a hydreigon instead of a dragonite. im willing to die on this hill

[rugessnome]

B/

I hate this canon (affectionate) but what I really loathe is the expectation to emotionally process new additions that I won't like (derogatory)

[katoska]

Am I the only one who thinks the Master might be a bigeneration of the Doctor from back when before the Doctor was The Doctor? Like, to quote Twelve: "She is the only person who is even remotely like me." Yeah, maybe there's a reason for that?

And yes I know that the Master ran out of regenerations in Classic Who, but the thing is, so did the Eleventh Doctor. The Time Lords sprinkled some fairy dust on him to get him to regenerate, but we now know he would have successfully done it on his own eventually once his body had degraded enough from age for it. That is, if he didn't supress the process, which we've also seen him do.

So maybe the initial 13th regeneration of the Master - the one who spent some time as a burnt husk - let his "last" regeneration energy heal him up just enough to keep him functional, but he cut it off before the "burn-and-replace" stage because, to his knowledge, there would be no more replacing; if he let his body try a full regeneration, he'd die.

Also, the Doctor said that he'd thought bigeneration was a myth. But since it's both definitely a real, albeit obviously rare, phenomenon and part of Time Lord lore, it must have happened before, enough Time Lord generations ago that it would turn into a myth for them. Who else would be the root of that myth? It's always the Doctor.

[severepink]

Observing Adam

Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.

Okay, so you'd think with how Adam talks he's just a typical misogynist, right?

This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.

All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.

He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.

If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.

Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.

I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.

I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.

Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.

Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.

Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.

Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.

Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.

Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.

Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.

I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.

Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.

We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.

I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.

Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.

Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.

I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.

It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.

3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))

Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.

Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.

Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.

Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?

I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.

And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.

Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.

At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.

I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.

He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.

Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.

Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.

I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?

I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.

Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?

I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.

This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.

But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.

This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.

And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?

Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.