#he wants to be POWERFUL! he wants to HURT PEOPLE!! he wants to be USEFUL!!! hes ANGRY ALL THE TIME

[wilwheaton]

In a new interview with the New Yorker ahead of his 70th birthday on Monday, the comedian explained his theory about why there’s no “funny stuff” to watch on TV anymore. “Nothing really affects comedy,” he said, “People always need it. They need it so badly and they don’t get it.” Instead of getting sitcoms like M*A*S*H, The Mary Tyler Moore Show, and All in the Family, audiences miss out, he said, as a “result of the extreme left and P.C. crap, and people worrying so much about offending other people.” [...] A look back at some of his earlier comments on a similar subject adds some context, if not clarity. In 2015, Seinfeld sat down for an episode of The Herd with Colin Cowherd podcast, where he explained his aversion to performing stand-up on college campuses. “I don’t play colleges, but I hear a lot of people tell me, ‘Don't go near colleges. They’re so PC,’” he said on the show. After giving an example of his teenage daughter using the word “sexist,” he concluded that young people “just want to use these words: ‘That’s racist’; 'That’s sexist’; ‘That’s prejudice.’ They don’t know what they’re talking about.”

Jerry Seinfeld Draws Right-Wing Praise for Comments on ‘Extreme Left’

This is such a bummer. Tell me you’re a privileged, entitled, myopic Boomer without telling me you’re a privileged, entitled, myopic Boomer.

It’s interesting to me that he says these legendary sit-coms, none of which were cruel, punching down, or hurtful, but were actually satirizing power, celebrating women, changing societal norms through representation, and using comedy to do it all, wouldn’t exist if “the extreme left” had anything to do with it.

Umm. Who does he think created these shows? And is he really that ignorant? Has this guy never read a single interview with Norman Lear? Or literally anyone in the cast of Mary Tyler Moore? I mean. Come on, man!

Teenagers and college students don’t know what they’re talking about when they tell a privileged, entitled, multimillionaire Boomer that his “jokes” can be hurtful, and maybe he could use his tremendous talent to do comedy that is just as funny without being hurtful. Okay. Got it. Keep saying that, and see how far it gets you, buddy.

Hey, Jerry Seinfeld: when blue checks on Twitter are celebrating you being a dick, it’s not because you’re so funny and such a brilliant comic; it’s because they love how you’re validating what garbage they are. You can’t see that, or don’t care, and that’s such a huge bummer.

[bicheetopuff]

(Ch. 336)

You know, this panel has always made me a little curious. Every other time we saw Izuku sparring with Katsuki (before the war started at least), he’d use blackwhip to defend himself, hence ‘catch-a-kacchan’ so I found it weird how Izuku didn’t even try to grab Katsuki. For like 100 chapters prior to this, he used blackwhip for everything and would eventually just leave it out incase he needed it quickly kinda like how Hawks utilized his feathers (when he had them) so I kinda just made a mental note about how weird it was that Izuku chose to evade instead of defend when he easily could’ve.

I also found it weird how quickly Izuku wanted to change the topic along with the distress on his face. I thought it was just a cheap and ooc way of explaining Todoroki’s new power quickly but, since it’s now confirmed that Izuku has PTSD about Katsuki’s sacrifice, what if Katsuki’s cluster move triggers that trauma response too?

The next time we see cluster used with Izuku present, Izuku actually does respond with blackwhip.

(Ch. 404)

He doesn’t use it in defense though, he uses it in almost possessive way by securing their hands together with it. But also, he doesn’t speak for this entire chapter. It could be explained away by the side effect of using gearshift and him not being able to breath but before now, he’s been more focused while in distress and was also speaking just fine before. Though, in these panels, and through the entire chapter, he seems almost delirious and in shock. He’s not even reacting to the lack of oxygen anymore.

He even starts ignoring Shigaraki in these moments. He’s stunned and mesmerized but now I’m starting to question whether he’s amazed or scared out of his mind for what might happen. With that uncertainty, all that I can say confidently is that he’s distracted.

(Season 7 ep. 4)

Arguably after chapter 404, he stops thinking straight and, honestly, gets a little sloppy. A few chapters after this, is when gets danger sense stolen and starts getting truly injured. He makes the decision to give away OFA and loses his arms. He reverts right back into his “I don’t care what happens to me” mentality that his class has been trying to get him to grow out of for a while.

He wasn’t mentally prepared for something to go wrong in this fight. He wasn’t mentally prepared to be pulled away, leaving Katsuki with Shigaraki. I thought it was just iffy writing that he’d mentally regress after Katsuki woke up instead of before but, it honestly makes a lot more sense now. He cared about what happened to himself because he needed to stay alive to ensure Katsuki’s revival. Once Katsuki woke up and he watched him fight AFO, he started being reckless again. He went back to viewing himself as nothing but a vessel for OFA because he believes OFA is the only thing that can beat AFO, hence why he trusted the vestiges when they said “we can fight him from the inside” (which I think was a silly decision. It’s noble in theory but it amounted to nothing because Izuku can’t win in this regressive state of self sacrifice anymore. Or at least, he shouldn’t since it’s such a big part of his arc.).

And now, with the most recent chapter with most of his classmates present it seems like he’s regretting that decision because he’s being reminded that people care about him. They showed up to support him regardless of already being hurt because he can’t win on his own. Eri mutilated herself to help him and if that doesn’t tell him that fighting without the intent of not dying is stupid, idk what will.

(Ch. 421)

He was about to just throw himself back into the fight with the same mindset as before if Aizawa didn’t stop him. He looks frustrated because he realizes the weight of what he’s been doing and how looking up to AM and the previous vestiges shouldn’t be his role models right now considering all of their fates. He’d just be continuing OFAs curse like Katsuki’s been worried about for a hundred something chapters.

In conclusion, this post was very unfocused but I can’t wait to see Izuku kick ass and for Katsuki to show back up because with the impact he’s had on Izuku, I DESPERATELY need them to talk. Most of this post may have very well been a stretch but, let me be delusional please.

[essektheylyss]

for the ask game: 🧡🖤💚

🧡: What is a popular (serious) theory you disagree with?

Until I see definitive proof that Ludinus is in fact as old as he wants people to believe he is, I will not believe it. I don't even really have an opinion on how old he is; I just don't think he's as old as he tries to suggest. And lest it be said that I am playing favorites, the thing about Ludinus is that he talks the way Essek talks in 91—and there are a lot of things Essek says at that dinner that I take with a good heaping of salt. It's this sense that they're talking around things that they would rather people not question; they're both very skilled at talking around things in a way where they aren't outright lying, but they'd rather you not think too hard about it because there's shit they're not saying. To be clear I also won't be mad if there does turn out to be some evidence in canon that he is that old, but thus far, there is nothing definitive, and I do not take the word of unreliable NPCs at face value.

🖤: Which character is not as morally good as everyone else seems to think?

I don't think this is really an unpopular opinion at this point, but Jester. Nice =/= good. I don't think she's evil, by any means! But her morality is a lot more complex than it's given credit for and I think it's one of the things that is most interesting about her. I'd actually consider her largely amoral; it's just not really an axis of consideration that she worries about. She doesn't want people to hurt her or her friends and she doesn't want something to destroy the world, but otherwise she doesn't really care much about what someone's morality is. "Just don't be evil to me" is an incredible sentiment for a reason. She cares more that Essek said they were his friends than the fact that he's the traitor they've been looking for. Ludinus is so insignificant to her despite his literally world-spanning evil plots that she has basically forgotten him six years later, even though two members of her friend group have spent the last six years trying to pin him down. Jester is hilariously amoral and I love that for her.

💚: What does everyone else get wrong about your favorite character?

[cracks knuckles] OKAY, this is where I've got receipts, because hooo boy do I have an opinion and I will be proving it.

Essek does not have an opinion on the Prime Deities. He does not really have much of an opinion on religion. He actually does not by the end of the campaign have any real issue with the Luxon, and frankly he primarily expressed issue with the Dynasty's worship because, until he got to Aeor, he wasn't certain that the Luxon was a real entity at all—which he contrasts against the Prime Deities, in fact!—and he seems to believe there is compelling evidence in Aeor that categorically disproves his hypothesis that the beacons are simply constructed Age of Arcanum devices.

Originally he is mostly concerned that the Luxon religion is used as a "crutch" which is "distracting them from what other good things they could do with the time and focus". He does specify that any religion can be used as such, but he only remarks upon the one he knows. His theory about the beacons, as of episode 91, is that they may be "artifacts designed in the Age of Arcanum that have been misread" that could be put to even further use.

He also does parrot the Dynasty party line in their first meeting about the Luxon being "the basis of how we've been able to free ourselves from the binds of the lineage the Betrayer Gods left for us", and while I do not take him at face value here (see the above commentary about unreliable NPCs), I doubt the truth of this statement is lost on him, considering his familial connections to Bazzoxan, which I can only imagine would not exactly endear one to the Betrayers, though this is only conjecture. If we do care to take him at his word here, it's not unreasonable, since he obviously has a lot more interest in the power offered by the beacons than anything else.

With all that being said, his tune on the Luxon itself has at least changed by the time they get to Aeor. He discusses iconography found in Aeor and when prompted by the Nein about whether the beacons were created by mortals, says, "I do not believe that they are made by anyone but the Luxon. They are of the Luxon. But they've been around since the Luxon's been in Exandria, which is the beginning."

So we started with him largely apathetic to religion, uncertain if this god was real, and by the time we circle back to him, he has now sided fairly definitively with the fact that the Luxon is an entity that has been around since at least the Founding. (For those keeping track at home, this is longer than Predathos has been around. In the Dynasty's creation myth, it may also have been around before the Prime Deities arrived, which is technically not incompatible with the creation myth of Exandria at large, but I digress.) Like most of Exandria, and as is perfectly reasonable for both his culture and his region, he probably doesn't have any love for the Betrayer Gods, but doesn't express much opinion if any on the Prime Deities. He has no time for religion, but frankly, he doesn't have time for much except for his own research, so it's hard to really ascribe any noted contempt to that.

Like, look, I've written plenty of religious trauma Essek fic, and I don't doubt that that element of it exists, but overall, in terms of canonical statements, it's pretty tame.

With that being said, I do want to fast forward a bit to draw attention to something else. Because I actually do think he ends the campaign with some measure of respect for, at the very least, the Wildmother.

In 140 after the Raise Dead fails, he talks briefly with Fjord about the unfairness of it. Fjord passively directs him to "if you were to ask my wise friend Caduceus..." Immediately after this exchange, Essek challenges Caleb to not accept defeat, and admits he wishes there was more that he or any of them could do, but concedes that, "Unfortunately, this type of magic is beyond my purview."

Immediately after this exchange, Caduceus asks for divine intervention.

Of course, he then spends several weeks gardening in a temple to the Wildmother, and seems to find some genuine clarity and perspective there, but I think this alone is enough to argue that, for a person as driven by empirical evidence as Essek, this sequence of events in 140 would be plenty to earn a wizard's respect.

So my formal belief is that Essek is not in fact anti-god or anti-religion, let alone against the Prime Deities. My opinion is that it's very easy to imagine him on his post-campaign travels leaving a small offering at any shrine of Melora he might pass, not out of actual worship but as a sign of respect.

[gatorbites-imagines]

Hii! Hope you’re having a great day :D

I was thinking about Law with a tall male reader who looks very intimidating. everyone thinks that he is the top in the relationship but Law is the one who actually tops/? Like his s/o looks like a top but is actually a pillow princess. ;)

You can take this as a request or not if you want :3

Trafalgar D. Water Law x Tall male reader

Headcanons

Guten Abend everyone, still getting dragged over the studying coals, but fuck it we ball.

No outright smut in this one, mainly just focusing on their relationship since im exhausted, but I hope its still enjoyable.

In the One Piece universe, being tall can mean a lot of things. Being taller than Law just means you have to be somewhere over 6 ft 5, or taller, if that’s what you prefer. Being intimidating isn’t too hard either, especially if you are a fellow pirate.

Seeing you two together can be a little off-putting to the people around you, at least the ones that aren’t part of your crew, who know you two on a more personal level.

No one would dare to make assumptions in the beginning of a meeting, since Law already has quite the reputation, and either your scary aura or your own dangerous reputation makes people shut up. They might have ideas to themselves, but they wouldn’t verbalize it.

It probably comes up during an afterparty of some kind, after you guys have defeated the baddie of the week and you’re all kicking back. Since Law isn’t a big fan of drinking, you would end up being the one getting tipsy out of the two of you.

At some point during the night, Kidd or others who are more comfortable with you two, would start making jabs or ask questions, as one does when you get wasted. It becomes clear pretty damn quick though, that everyone thinks that Law is the one who bottoms.

Law isn’t the type to out your guy’s bedroom life, but I could still imagine him asking, in a bit of a tense tone, why they think that. That’s when you guys get the explanation from your allies and friends. But it all boils down to you being taller, bigger, scarier and with a stronger presence. So, it just made sense to them.

It gets a bit of a laugh from you, and you can tell from the tension in Laws jaw that it gets on his nerves, maybe even hurting his ego a little. But you also know your lover wouldn’t verbalize those thoughts, not wanting to admit something like an assumption of his bedroom role would hit him in any way.

When you guys get back to the polar tang, one would assume Law would drag you off to the bedroom to show you and him that your friends and allies’ assumptions were wrong. But Law is also a doctor, so he wouldn’t want to do such a thing when you’re drunk.

Instead, he gets some water in you, gets you something to eat, helps you get washed down if that’s what you need, and then the two of you conk out in bed, Law the big spoon even if you are taller. Hes like your tattooed backpack, if the height difference is big enough.

Law doesn’t end up making a move on you in the morning either if you suffer from hangovers, instead your lover would make sure you were alright, and get you something for the hangover if its bad enough. His ego may have been wounded a little, but he’s a respectful guy, especially to you as his lover.

That evening, or the day after though, you’re all his, not that you mind though. Seeing as all your crewmates are most likely still out partying or suffering from hangovers, you two have the polar tang all to yourself.

As you enjoy laying back and receiving pleasure without doing much in return, Law gets to do most of the work. He doesn’t need the same in return, as giving you pleasure is satisfying for him. Being in charge would feel quite nice for him, as it allows him to have an eye on the entire situation and what’s going on.

Law would definitely also use his devil fruit power when you guys are together, since it would make it easier for the both of you, and with his devil fruit he’s able to reach parts of you no one else can.

In the end, people you meet, and probably most of your friends and allies, think you are the top still, but Law wouldn’t mind too much after you show him that you don’t think lesser of him or let other people’s assumptions bother you or your relationship.

[lani-heart]

|| series masterlist || next // previously

parings -> ( eventually ) enhypen x reader genre -> soulmate au, fantasy au, angst warnings -> angst, self-harm word count -> 1.9k

abstract -> "If you treat him like a monster, he’ll turn out to be one"

y/n's perspective

“Why did you help, Jake?” I heard and I saw Jay behind me. How did he find out?

“What?” I asked in hopes of clarity. “Heeseung told me you helped Jake with a human potion… did he force–” “He didn’t… he begged to understand how to feel human so I gave a potion to K to give to him and– he asked for help to be human and that it” I said now panicked and he sighed

“He went off to tell Jungwon, Sunoo, and Niki now,” he said and I sighed. “He asked me not to tell you guys… is… he okay?” I asked and he shook his head. 

“The potion is wearing off so he'll be better but he used his fire and burned his arms. They're treating him right now in our dorm so he doesn't get in trouble and neither do you” he said and I sighed. 

“I can help–” “Why are you asking to help? He hurt you,” he said and I smiled softly. “It's my magic, and besides he apologized and explained. He’s learning control… and he's also a neurotic vampire. It's why he's so hyper and why his emotions get the better of him” I said and only hugged me. 

“You’re too kind for your own good,” he said and I hugged him back. “I… really wanted to continue what I had with Sooha, but you still forgave that I was split,” he said and even tightened his grip.

“Just don’t let people exploit it,” he said and pulled away. I offered him a smile…

“Lets go help, he’s still your friend after all” 

When I entered the dorm I could hear cries. 

“Ah! y/n!” I heard as I saw… Sooha. I’m glad he had her helping him. “Can you help, please he's in so much pain I don’t know what got to his head!” she pleaded and I nodded. 

I then freeze. 

“Uhm… Sooha, Jay can you leave the room?” I ask and they look at me confused. “I have to..” I trailed off while I brought a pinout. “Jake isn't good with control–” “I’ll be fine, I can take away his thirst while I'm here,” I said and he nodded and went outside the room I'm assuming only outside the door. 

“Go away” he cried while curling himself up in a ball. Sooha tried to bandage his arms. His shirt was off when I saw the burns even exceeded his shoulders. 

I pricked my finger letting the blood smear whilst his body shook. “I can’t do anything right,” he muttered. “Ja–” “Sooha just go away… please” he pleaded. He thought I was... 

“You don’t understand… What I did to those people hurt as much as what I felt, What I did to her was worse than what I feel” he cried out. 

“Jake,” I said and he turned his head slightly from the corner of the couch to see me. I felt my vision blur… just a bit. “Why… why are you here?” he asks and I sigh. 

“Well, I warned you not to use your powers,” I said and he only cried more. “I needed to know…  I-I’m sorry! I… why… why are you bleeding” he sat up when he saw my hand and shuffled away from me. 

“Jake, I'm gonna–” “No! Stay there,” he said when I tried getting closer. 

“I’m gonna do a spell… it’s gonna turn you back–” “I’ll hurt you again, just leave!” he yelled and I shook my head. “You won’t feel thirsty until I leave” I explained and he shook his head. 

“Jake. I forgive you, okay? So please trust me for now” I asked and he froze. I tried to get close when he started telling me the same thing. 

“Ah… Heeseung'' I said while looking at the door. Jake turned when I tackled him and got on top of him, catching him by surprise and doing my spell quickly. “You lied!” he said as I muttered my spell. He then winced when I saw his fangs were coming out. I cut my palm a bit to feed him my blood and did another spell so he wouldn’t turn me into a blood bag. 

“Are you crazy! I’m a vampire, I could kill you!” he yelled as he sat up again and gripped my shoulders. “But you don’t feel the bloodlust right?” I asked and he froze. “You’re insane… Why would you do that! And you lied about Heeseung there!” he whined, making me laugh. 

“But… Thank you for helping me. It doesn't help my emotions' ' he said, his pain is gone but not his guilt. “Jake, you can only do one thing to improve this, '' I said and he stared at me, eager to fix his mistakes.

“Live in fear to commit the same mistakes, Choose to live in bloodlust, or actually improve. To improve you need to accept being a vampire and your mistakes. You need to forgive yourself” I said and he couldn’t say a word. 

“What you did was stupid” I heard and this time it was Heeseung. “The blood spilled in your hand would have driven him–” “You need to give him more credit than that. If you treat him like a monster, he’ll turn out to be one” I said and he looked at me dumbfounded. 

“But it doesn’t mean he is. I get told how much of a freak I am by the humans… vampires, and hybrids because I use magic. It doesn’t make me one, though” I said and he stayed silent. 

“If you need help, my doors are open,” I said to Jake and I noticed a weird position. 

“Uhm! Sorry for this by the way” I said and ran for the door. 

“Blood!” I was now surrounded… this time by my mates and Sooha waiting outside the door. “Sooha, go inside,” Sunghoon said as he grabbed her shoulders and pushed her inside with him. “I… think I'm going too,” Niki said.

Left with three. “You’ve got a lot to explain,'' Sunoo said and I smiled nervously…

Where do I start?

jake’s perspective

When she left, Heeseung said nothing. Instead of going to his room, I then noticed Sooha, Sunghoon, and Niki enter. She was still bleeding. 

“You did not drink her blood!” Sunghoon said and I shook my head. “No–” “You have her blood on your face!” Niki screeched and I shook my head. 

“She… I don't know! She did spells! She forced her blood into me!” I yelled defensively and they scoffed. They haven't marked her yet… let alone tasted her blood. 

“Just don’t do it again” Niki muttered as he left being a grumpy kid. 

“Jake, are you okay?” Sooha asks worriedly and I nod. “y/n… is too forgiving. She also helped me alot” I said and she smiled. “Maybe this will–” “Don’t mention this again Sooha” I said and she only offered a shy smile. 

“Are you okay, Hoon?” I ask, noticing his staring off like he usually does. “Mhhmm, Solon is… annoyed with you” he muttered as he didn’t stop staring at the floor. “Is it the blood?” I ask and he nods. “You do have her blood on your cheek,” Sooha said and I felt my eyes widen. 

“Uhm! I’m gonna go to my room!” 

I cleaned my face while I was alone with my thoughts. 

Why’d she help me… defend me against Heeseung? After what I did? I would hate me, even wish the worst for me. Why was she so… kind? 

“You’re lucky, hyung!” I heard as I left my bathroom to see Jungwon and Sunoo. “Yah! Get off my bed! Your clothes are dirty–” “Why’d you wanna be human anyway?” Sunoo asked. 

The two used to be human… “I wanted to know how it felt,” I said and Jungwon sat up. “It's not fun,” he said and I nodded. “It isn't,” I agreed. “What you did to her wasn’t fair Jake. Just because she forgave you doesn't make it right” Jungwons scolded. 

“I know… I want better control. I need to get better” I said and he sighed. “That's a good first step,” Sunoo said and I nodded. 

“How come you two turned out so smart?” I asked them. And they chuckled, “Heeseung's sister says we must've been blessed with it,” Sunoo said.

“I swear you two seem to be her favorite, '' I said as I jumped on my bed in between the two. “Well… she’s not the best at hiding things. We know at some point we’ve met in another life,  but only Heeseung knows” Jungwon said and I chuckled. 

“Do you think in another life, we knew each other?” I asked them and they laughed. 

“Of course hyung!” 

I know I wasn’t allowed here. 

I knocked on the door and hoped Wonyoung wasn’t there. 

“Hello,” she said as she opened the door. “Oh thank goodness! Wonyoung isn't here right?” I asked and she laughed. “No, you're lucky. Are you feeling better?” y/n asked and I nodded. 

“I wanted to ask if you wanted to join me for breakfast?” I asked and she smiled. “Why not?” she said as she went back in to get her bag. 

“Where's my mates?” she asked. “Asleep, Jungwon and Sunoo slept over in my room. Niki also joined so they are still asleep in my room. Heeseung is nowhere to be seen, Jay… I think in Home-Ec, and Sunghoon in his jealousy arc” I said and she laughed.

“What?” she said while laughing. 

“Your blood was on me… and well drinking your mate’s blood is an intimate thing,” I said and I noticed her cheeks redden. “Also I’m sorry about your hand,” I said while I saw her bandaged hand. 

“It's nothing I'm not used to,” she said and I smiled. 

“I wish we had time to get breakfast outside the campus but, it'd be impossible without skipping homeroom,” I said and she chuckled. “I don’t mind skipping,” she said, shocking me. 

“You're supposed to be the number one! The top student! President of Bright Sun student council, who are you!?” I said dramatically, making her laugh more. “I was gonna skip, I was just gonna use the excuse of stuco” she said and I stopped.

“Let's go then!” 

We made it to the city where not many students were since class was gonna start. 

“Your mates are gonna freak out,” I said and she chuckled. “They skip more than me,” she said and I knew that was probably true. 

“Ooh! I need you to try this! It's a witch's place, but you can come in with me!” she said excitedly as we went into a breakfast place. 

“This just looks like human food,” I said while looking at the menu. “It has magic in it! It's really cool!” she said excitedly that it made me just stop and stare. 

“Jake? Are you okay?” she asked and I nodded. 

“I’m jealous that they get to have a chance with you,” I said but I didn’t mean to say it out loud. She smiled softly. “Well, you did reject me,” she said jokingly. 

“I know and I'm an idiot–” “Jake! Do you want to be my mate?” she asked, throwing me off guard. She giggled since I must've looked like an idiot. 

“Yes! I… I wanna be your mate” I said and she smiled. “Ah! I’ll even pay–" "I won’t argue,” she said and I laughed. 

“Thank you, y/n”

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[yourmaidsp]

It's Kenny from Teenage Wasteland AU!----

(Yes this AU has some ships, one of them is bunny)

Context:

(forgive me for my broken English, as usual)

- (I've put most of the "bigger plot" in those A.M 180 drawings so be sure to check em out heehee._(:3 ⌒ﾞ)_ It would continue after current canon plot, starting from when the kids r 14-17)

- After the great disaster his family stayed in South Park, but he wanted to get out with Crimson Dawn for a better future.

- The disaster hurted his family, specifically caused injury to his parents, so Kenny n Kevin had to work + take care of thr patents.

- They wanted to get Karen out of South Park, but since the haunted route caused people to disappear, they couldn't take the risk.

- During the chaotic years(14-17) he's doing pretty much fine bc he already had enough survival skills.

- He helped Butters move out of his house, to thank him, Butters gave him a glass bead every year as the symbol of friendship (n maybe more.

- (Butters started to see ghosts after the disaster, causing Stephen n Linda thinking he was outta his mind, and wanted to put him in an asylum. Thus Kenny helped him get out)

- Know how to use a gun.

- Picked up smoking too early.

- Pan ( yeah -

- During the Last Field Trip he helped Stan stole the car.

- His lighter possessd some mystical power connected to the roads( won't spoil the plot rn, I'm sorry)

- Additional design for the ghosts Butters saw everyday.

[goodoldfashionedengineer]

What I love about Mob Psycho 100 about how we have a kind-hearted protagonist but he is still very human and flawed. And it is meant to scare you and throw you of guard but never is it framed as a moral failing.

He is crushed when he is confronted with betraying his moral by killing in order to save those he loves and listening to his master and running away.

And Mob did hurt people with his powers, intentionally, even when we already knew that he was taught NOT to do that and he is very adamant about not to use his powers in order to hurt people! But instead of being angry or reprimanding, Reigen is pissed at the Claw members who cornered him so much that he felt like he HAD to, that there was no other way.

There are a few times where Mob is on the very edge of 'Murderous Intent' and it is other people who pull him out of it.

And they do it because they know how much it would hurt Mob in the end. Because Mob is a good person! Even when he has these moments!

Mogami's trap did take affect on him, he was pushed beyond the limits and he wanted to cause pain because these people have done nothing but hurt him even though he didn't do anything. And he doesn't understand why people are so cruel without any reason.

Mob was not above Mogami, Mogami's plan had succeeded. And Dimple just takes it in as casual as possible. He quickly realises that this is not the real world, that he isn't alone. But it still allowed him to gain a new view on life.

Mob felt ecstatic and fueled by his powers, how strong they made him feel for a hot second during his fight with Toichiro. Until he sees how scared Ritsu is and he gets thrown back to That Day™

Mob is allowed to not be perfect, this icon of purity how you should always be kind AND pacifistic. Not that he doesn't believe that, but he isn't unwilling to bend if the situation really calls for it. It makes him human and all the more relatable in return

[mononijikayu]

a walk — ryomen sukuna.

As you entered the banquet hall together, the atmosphere shifted subtly. You made sure to settle him beside your uncle, who was seated on your right. Conversations continued, but there were curious glances and speculative whispers. Sukuna's presence alongside you, clearly as your companion and equal, sent a powerful message to everyone present. Your status as heir to the Ryomen clan lent your actions an implicit endorsement, and your obvious confidence in Sukuna, as a new member of your family, your future right hand man, challenged any lingering doubts about his place among them.

GENRE: Heian Era to Cursed Womb Arc, 2018;

WARNING/s: Alternate Universe ─ Canon Divergence, Romance, Emotional Hurt, Found Family, Hurt/Comfort, Domesticity, Friends to Lovers, Character Death, Grief, Mention of Depression, Mention of Mourning, Depiction of Physical Touch, Depiction of Mental Anguish, Depiction of Violence, Depiction of Death, Depiction of Harm, Heavy Angst, Heavy Pining;

masterlist

listen: a walk by baek yerin

note: i wrote this and wanted to publish it early but i fell asleep, so here we are!!! if you want to be tagged for the next chapter, just comment here~ ill make a list and add you in!!! thank you for your support and i hope you enjoy~ mwah~

YOU THOUGHT YOU SHOULD HAVE REFUSED THE SUMMONS. But you supposed that it would be unbecoming of your position as heir to not show up. You stood gracefully before the gathering, your appearance meticulously composed in sharp wonder, which lent an air of solemnity and reverence to the occasion. Your jūnihitoe shone with pride, multiple layers blossoming through with the double heron. The layers of your kimono cascaded in various shades of indigo representing sincerity and integrity, interspersed with lighter hues of wisteria to signify the young life you advocated for within your ancient lineage.

You could see your lord father behind the magnificent byōbu, his dark gaze fixed on you as he sat primly on his shitone. Your uncle, now a father to Sukuna, was just behind your father, enveloped in a solemn silence with his adopted son behind him, head bowed. You think that Sukuna shouldn’t lower his head. A Ryomen shouldn’t. 

Yet you could not blame him. Sukuna knew this gathering was about him. But how could it not be? He was a boy tied to cursed energy, one who had been plagued by a curse himself. And the world was curious, for he was no one but a common boy—a fiend who had stolen and stirred chaos.

It was not uncommon for the Ryomen to welcome new members among their ranks, to bring them into the family and give them a new name. However, giving the Ryomen name to someone bound to a curse was another matter entirely. You did not see it as a significant issue—the curse was dealt with, and Sukuna was free from its clutches. Yet, it still wasn't enough for these people. It was common procedure for the elders to get involved, but it infuriated you that the elders of your own clan had chosen to inform the other clans and involve them in what should have been a private matter.

You looked at your father and bowed.

You turned to the Ryomen elders and bowed.

Then towards the other clan elders, you nod.

“You may speak, Ryomen Hiromi.” Your father says to you, raising his hand. “State your case.”

You purse your lips as you stand still to address the assembly, your voice carrying a calm yet unmistakable edge of frustration. Your uncle snorted, noticing it. "Esteemed elders, and honored guests from the esteemed clans," you began, your dark eyes sweeping across the room. "I understand the concerns that arise upon this matter. However, let us not be swayed by fear of the unknown nor the shadows of the past."

You paused, making sure your words sank into all. "Sukuna was indeed once a fiend, but he was also a victim of circumstances far beyond a child’s control or understanding. The curse that once clouded his fate has been lifted, cleansed by the very traditions and strengths that our clan upholds."

As you concluded your statement, a stern voice cut through the charged atmosphere of the assembly hall. Elder Hoshiko of the Kamo Clan, known for her conservative stance and influential voice among the sea of clan elders, stood up. Her presence commanded attention, her eyes sharp as they fixed on you.

"Lady Hiromi," she began, her tone as cool as the steel of a blade, "Your words paint a hopeful picture, but they also skirt the edges of naivety. Are we to simply forget the chaos this boy wrought before his 'cleansing'? Are we to trust so readily in the efficacy of a ritual that many of us have yet to witness firsthand?"

The room tensed as other elders nodded in agreement, their murmurs filling the space with a wave of skepticism. You think that was a fair comment. None had seen the depth of your own cursed technique for years. No one truly knew the depths of it all, not even you. Your head hurts, that voice whispering once again. But you stood firm. You will not waver; you meet Elder Hoshiko's gaze with a steely one of your own.

"Elder Hoshiko, I respect your concerns," you replied, your voice thick with firm resolve. "Yet, I must challenge the perspective that holds us anchored to fear and doubt. Sukuna's past actions, while regrettable, were influenced by forces he neither understood nor could control. An orphan in the streets has had no guidance. Since his arrival under our care, his behavior has been nothing but exemplary."

Another elder, Takashi of the Ryomen, known for his strategic mind but cautious nature, chimed in, his voice adding weight to Hoshiko's doubts. "But can we risk the safety of our clans on 'exemplary behavior' observed over merely a few moons? What assurances do we have that the curse does not linger or that it cannot be rekindled?"

The tension in the room thickened palpably as Akihiko of the Fujiwara, your great-uncle, made his position clear, aligning himself with the more conservative faction represented by Elder Takashi. His voice, seasoned with years of authority and sharpened by disapproval, filled the room as he addressed you with a stern glare.

“I agree with Elder Takashi,” he declared, his stance rigid and commanding, underscoring the gravity of his objection. The silence that followed his statement was heavy, charged with familial and political implications.

Your mother, ever the astute matriarch of her line, responded not with words but with a haughty smirk, a subtle yet clear indication of her alignment. Her amusement at the discomfort you now faced was thinly veiled, revealing the complex layers of rivalry and allegiance within the clan. This smirk was not merely a mother's reaction; it was a political stance, one that favored her own kin over the progressive ideas you proposed.

Your father’s reaction was swift and sharp. His gaze darted towards his wife, eyes narrowing into a harsh glare that spoke volumes of the internal conflicts that often played out behind the closed doors of their estate. This look was a silent rebuke, a fleeting yet intense display of disagreement with the stance his wife had chosen to publicly support.

Akihiko continued, his tone slightly raised to emphasize his disapproval. “He is an outsider. One who does not know the ways around our world. Is the Ryomen name ever made so lightly that you give it to any random boy you find on the street, Lady Hiromi?”

The challenge hung in the air, direct and formidable, questioning not just your judgment but also the very principles under which you operated. It was an accusation of recklessness, a critique that sought to frame your decision as a dilution of the clan’s esteemed legacy.

You, standing amidst your family and the clan elders, maintain your composure. Your expression was calm, though your eyes were alight with the fire of conviction. You understood that your reply needed to bridge the gap between honoring your clan’s traditions and advocating for the progressive values you believed were essential for their survival and growth.

A glint of purple light echoed in your eyes. When Sukuna saw that, he could feel every fiber of his being scream in the silence. It was terrifying, the way you glared. It was silent, it wasn’t provoking. Rather, it was quiet. The whole room shuddered at the sight. Sukuna did not know what it was. But everyone in the room was silenced immediately. For a moment, he thinks how awe-striking the purple was in his lady’s eyes. Yet, when you closed your eyes and opened them, they turned into hazel summer gazes once more.

“Great-Uncle Akihiko, Elder of the Fujiwara,” you began, your voice steady and respectful, yet imbued with a firmness that matched his challenge. “I understand your concerns, and I do not take them lightly. Sukuna was indeed an outsider, but under the guidance of our clan, he has shown a willingness and a capacity to learn and embrace our ways.”

You paused, ensuring your words were measured and impactful. “The Ryomen name is not given lightly—it is earned, through commitment, learning, and transformation. What I propose is not a hasty grant of our name, but a carefully considered integration of a potential new member who has shown promise. We are not just preserving our past; we are building our future.”

Your response was a blend of deference to the clan’s traditions and a confident assertion of your modern leadership approach. You sought to remind everyone present that the strength of the Ryomen did not merely lie in their exclusivity, but in their ability to adapt and thrive through the inclusion of new strengths and perspectives.

The room fell silent as your words resonated with the assembled family members and elders. Some faces showed contemplation, perhaps reconsidering their initial resistance, while others maintained their skepticism. You knew that convincing them would not be an overnight success but a gradual process requiring patience, diplomacy, and unwavering dedication to your vision.

"Elders, the assurances you seek lie in the very foundations of our practices and the strength of our traditions. Our ancestors built these rites to combat such curses, to cleanse and to renew. Have we become so distrustful of our own heritage that we doubt its power?"

Your challenge was bold, and it hung heavily in the room. You continued, turning to your great–uncle. "Moreover, allowing fear to dictate our actions leads to stagnation. We are not merely guardians of the old ways but also shepherds of potential. Sukuna deserves the chance to prove his transformation—under careful watch, certainly, but he deserves that chance nonetheless."

The rest of the elders started to echo into a symposium of words as they huddled about together. The assembly was silent for a moment, the weight of future decisions palpable in the air. It was the lord of the Gojo Clan—Gojo Suzaku who broke the silence, his voice a calming balm to the heated exchange. His tender eyes gazed at you with a soft smile.

"Lady Hiromi speaks of progression and trust in our ancient rites. Perhaps it is time we consider her words not as a call to blind faith, but as an invitation to demonstrate the resilience and adaptability of our ways. If the boy proves himself under the vigilant eye of the Ryomen, would we not then strengthen the trust in our own traditions?"

His intervention offered a momentary pause in the contention, providing the elders a chance to reflect not just on the risks but on the potential rewards of embracing change. You nodded to Suzaku, grateful for his support and hoping your arguments had sown seeds of courage among your doubts. You appreciate him quite well. From what you heard from your uncle, he refused to send the delegation of elders from his clan without him. It was as though he knew that you would be suffering the ire of his kinfolk.

The room simmers down and the rest whispers like cicadas in the summertime, now considering the broader implications of their decisions. Ryomen Hiromi used this moment to strengthen your position, your voice resonating with conviction. Sukuna looked at the clan leader of the Gojo. He was perhaps your age—no, he’s older than you. He was a tall man, dressed in fine layers of white and blue silks, the crest of the Gojo clan across each layer. His motodori made his handsome features obvious, his clean shaven face.

He did not have their family’s technique. It had not been reborn for multiple generations. But from what Sukuna hears, that does not make lord Gojo any less powerful. Perhaps that’s why you look at him tenderly, with deference. Sukuna knew that jealousy is not a good feeling, it was a negative emotion. A Ryomen did not concern themselves with jealousy, either. Contentment is a Ryomen’s word. Yet, as he smiled at you and you smiled back, Sukuna thinks lord Gojo did not deserve to look at you like that. Nor did he like that you eyed him with deference too.

"Thank you, clan leader Gojo, for your insightful words.” You continued, turning your attention back to the room at large. "Our young Sukuna's integration into our clan isn't just about managing risk—it's about leadership and vision for the future. One that I must lead, as my lord father’s heir. Our traditions are not just relics of the past but living, breathing practices that adapt and overcome contemporary challenges."

You addressed the assembly with a renewed fervor, "We stand at a crossroads where our choices will define not just Sukuna's fate but the identity of our jujutsu world. Will we be known as those who shrank back in the face of adversity, or as pioneers? Are we just not to live in a modern world, because you fear change?”

Several of the elders shifted uncomfortably in their seats, your words challenging them to rethink their initial resistance. You think you have gotten the Kamo. They speak too much of pride for tradition, about being the guardians of the past. Perhaps had the Zenin arrived too, there would be the same reaction on their faces. But you doubt that they would willingly go. They hated that your father had chosen you as his heir above any other man in his household.

But you think you could scarcely care for Zenin at this moment. You basked in the look your father had given you from afar. Your appeal to their legacy and identity struck a chord, particularly with the younger members around them, who were more receptive to the ideas of adaptation and evolution.

Elder Hoshiko, still a formidable figure, softened slightly but maintained her cautious stance. "Lady Hiromi, your passion is evident, and your argument compelling. However, we must proceed with caution. If we are to embrace this path, I propose strict conditions under which the boy's integration is monitored and evaluated at every step."

You nodded, understanding the necessity of compromise. "That is a prudent suggestion, Elder Hoshiko. I welcome oversight and stringent conditions. I am one for rules, after all. If this is what must be, then let us begin somewhere. The clans I’m sure would be more than willing to aid our Ryomen clan in this endeavor. Is it the strength of each other, to contribute to society together, not what must be?”

This proposal seemed to appease the more conservative members of the assembly, providing a structured path forward that included checks and balances. The atmosphere began to shift from overt skepticism to cautious optimism

Elder Takashi, now seeing a structured approach to the situation, added, "Let us then draft a framework for the boy’s observation. This framework will detail behavioral expectations, milestones for assessment, and the consequences of any deviation from the set path. This way, we maintain control while allowing for the possibility of integration."

"Very well, Elder Takashi," you replied, your tone even and composed, betraying none of the frustration that tinged your earlier thoughts. "This will be much discussed with my father. Fear not."

Before another elder could interject with further doubts or concerns, Lord Isamu, your father and the esteemed leader of the Ryomen, rose to his feet. His movement was graceful, yet deliberate, capturing the attention of everyone present. The elder's stature, combined with the authoritative calm of his voice, immediately lent an air of finality to the discussion.

“That it shall be, do not fret, elders, friends,” Lord Isamu announced, his voice resonant, echoing slightly off the high, ornate ceilings of the council chamber. 

As he spoke, he adjusted the sleeve of his kimono, a subtle, almost unconscious motion that nonetheless underscored his next words. The faint rustle of silk against the quiet of the room underscored his presence, as shadows from the flickering light of hanging lanterns played across the fabric, adding a dramatic flair to the moment.

“But all must have trust in my daughter. There is no reason for the child to not grow with such excellence when the pride of the Ryomen teaches him our ways.” Lord Isamu’s gaze swept across the room, each member of the assembly feeling the weight of his look. Then his wife, and then, her uncle. His wife lowered her eyes. He turns back his gaze at Hiromi. It was a reminder of his authority and of his confidence in your capabilities as both a leader and a mentor. “There is no one better than my daughter and my heir.”

His statement was not just a declaration of support for you; it was a directive that echoed his unwavering belief in the principles that had guided the Ryomen for generations. His words sought to remind the elders that the strength of their clan did not merely rest in maintaining old traditions but in their capacity to adapt, to teach, and to grow stronger by integrating new elements into their lineage, guided by the wisdom of their customs.

The room, previously filled with murmurs of concern and skepticism, now fell silent, the elders and other attendees digesting Lord Isamu's words. His endorsement of your judgment effectively sealed the council’s decision, casting it in a new light—not as a concession but as an affirmation of the Ryomen’s resilience and dynamic leadership. And through the dull bureaucracy that had led to more hours of waste, the adjourned assembly agreed, and what had started as a contentious debate moved towards constructive planning.

You felt a cautious relief; while the road ahead would be rigorous and filled with scrutiny, it was a path forward nonetheless. Sukuna would be given his chance under the watchful eyes of the Ryomen elders. Sukuna will do so. He’ll show them. You sighed.

You think you’ll be able to sleep tonight.

‘Do you think that you deserve such a thing?’

That voice says, almost mockingly as you sighed.

The voice was truly right. A god is always right.

“No.” You say under your breath, “I don’t.”

FATHER ANNOUNCED A BANQUET FOR THE GUESTS SOON AFTER. As the elders dispersed, leaving the room echoing with the last murmurs of conversation, you stepped closer to Sukuna. Your uncle sighed at you as you nodded back at him. You smiled down at the younger boy, looking at him as though to reassure him that everything was fine. You brushed your fingers against his hair, a small blush appearing on his cheeks. 

“You just had to antagonize the elders, hm?” he sighed, a slight smile playing at the edges of his mouth despite his words. You stood together in the quiet aftermath of the council meeting, the heavy doors closing softly behind the last of the departing figures.

You met his gaze with a spark of defiance still alight in your eyes, tempered by a hint of mischief. “Uncle, if I didn’t challenge them, who would?” Your voice carried a lightness, but underneath lay a steely resolve. “We can’t always bow to fear and comfort. Sometimes, we need to stir the waters to catch fish.”

Hiramu chuckled softly, shaking his head. “True, but you don’t have to use a spear every time, little niece.” he teased you gently, acknowledging your tactic. “Your father supports you, and that’s no small thing. But remember, these elders are not just obstacles to overcome; they’re resources, allies in the making if you handle them right.”

You nodded, understanding the wisdom in his advice. “I know, uncle. I do value their counsel and their experience. But sometimes, it feels like they’re more interested in preserving their own peace than in what’s best for the clan. I want to push them to see beyond their immediate concerns.”

Hiramu placed a reassuring hand on your shoulder. “And you will, Hiromi. Just remember that it’s not always about pushing. Sometimes, it’s about guiding, showing them the path and letting them walk it with you. You have a vision for the Ryomen that’s bold and inclusive, and it’s exactly what we need. But bring them along with you. You’ll need them on your side as you lead.”

The last of the daylight filtered through the high windows, casting long patterns on the floor that flickered as lanterns were lit in preparation for the evening’s banquet. The moment of solitude between you was a rare pause in the rhythm of your responsibilities.

“Come,” Hiramu finally said, breaking the contemplative silence as he gestured toward the hall where the banquet was being prepared. “Let’s join the others. Show them your resolve pairs with your grace. Tonight, let them see the leader you are becoming, not just the challenges you pose.”

You nodded at your uncle, understanding his encouragement and the wisdom behind his gentle urging. However, as Hiramu turned to move towards the bustling banquet hall, your gaze drifted away, settling on the young boy who was the subject of much of today's discourse—Sukuna. Your eyes lingered on him, seeing not just a boy shadowed by past misdeeds and complex curses but a burgeoning emblem of your leadership and the clan's potential for inclusivity and change.

Sukuna stood slightly apart, his posture betraying a blend of apprehension and curiosity about the evening's events. The noise and light from the banquet seemed to beckon him, yet also hold him at bay, emblematic of his current place at the fringes of the Ryomen clan. He did not know what to do, you think. He does not know how to belong after not belonging for so long.

Your uncle noticed your hesitation and followed your gaze. With a sigh, he understood the silent conversation passing between you. Your responsibilities as the heir—and your personal commitment to Sukuna's integration and acceptance—were pulling you in a different direction than the rest of the clan members joyously heading towards the banquet.

Hiramu gave a slight nod, a gesture laden with both resignation and respect for your dedication. "Go on, little niece," he said softly, his voice carrying a fatherly warmth. "He needs you more than I do right now."

With that, Hiramu turned and proceeded alone, his figure gradually merging with the others, disappearing into the light and laughter of the banquet hall. Left in the quieter, shadowed part of the corridor, you took a deep breath and approached Sukuna, your steps measured and your demeanor composed yet inviting.

As you neared, Sukuna looked up, his eyes reflecting a mix of relief and surprise to see you approaching. "Everyone's going to the banquet," he remarked quietly, an underlying question in his tone about his place in this new world.

You smiled gently, reaching out to lightly touch his arm in reassurance. "They are, and we will join them, but first, let's talk for a moment. Let’s take a walk.”

Sukuna purses his lips in a line and nods slowly. “Yes, my lady.”

You snicker. “You and your formality, Sukuna. Are we not alone?”

“But—”

“This is all new to you, I understand that and it's important to me that you feel part of this, truly part of it," you explained, your voice low and soothing. “But do not risk discomfort. You don’t have to be so formal all the time.”

“.....Yes, Hiromi–sama.”

You sheepishly sigh but it was a start. 

He would learn in time to be comfortable.

Perhaps it's just not the time just yet.

Your decision to delay joining the festivities was a clear indication of your priorities. For you, leadership was not just about making decisions from afar or addressing the clan from a position of authority; it was about being present and supportive, about making sure that each member of your future clan, especially one as vulnerable as Sukuna, felt valued and included. And more so, you did not want him to be overwhelmed. He had never been a part of this sort of world before. What sort of leader would you be if you were not thinking of his comfort?

Together, you would later join the banquet, but this moment—quiet, away from the prying eyes and ears of the clan and the jujutsu world—was crucial. It was an opportunity to strengthen a bond, to build trust, and to reaffirm your commitment not just to the traditions of the Ryomen clan but to the individuals who formed its heart. To give him a chance to be a young one first, before a man. Soon enough, in a few years, he would not have such moments to himself anymore. He needed this. No one deserves to be deprived of their youths, after all.

"Sukuna," you began, your voice soft yet imbued with a strength meant to fortify him, "I hope that you raise your head. A Ryomen does not bow his head. Today was important, not just for you but for all of us. You've been given a rare opportunity, one that comes with great challenges, but I believe in you. I wouldn’t have stood up there if I didn’t."

Sukuna looked up at you, his previous resolve mingling with a trace of vulnerability. "Hiromi–sama, I... I'm not sure I can be what they want me to be. What if I fail?"

You reached out, placing a gentle hand on his shoulder. "Failure is a part of growing, a part of learning. Remember, perfection isn't what we're striving for; it's growth, understanding, and integration into a family that values strength through trials. I have grown from my failures too.”

Your words seemed to slowly seep into Sukuna, easing the tension that had knotted his features. It’s as if he had not known you to be one of failure either. But Sukuna thinks of you as his god. There were no flaws in gods. And he had to live up to that. "But they see me as a risk, a potential threat. How do I change that? What can I do to make sure I stay by your side, Hiromi-sama?”

As you paused, something in the moonlit night seemed to transform you. Sukuna watched, captivated and slightly bewildered, as subtle changes manifested before him. It was as if the serene glow of the moon drew out a deeper magic from within you—a magic that seemed inherent to the legacy of the Ryomen clan. Your eyes flickered with a mysterious purple light, briefly illuminating the darkness with their ethereal glow. 

Your hair caught the moon’s silver rays, turning shades lighter until it mirrored the lustrous sheen of moonlight itself. The transformation was subtle yet profound, marking you not just as a scion of your clan but as something more, something almost otherworldly. 

As the days turned into weeks, Sukuna's understanding of you deepened, and his nocturnal observations revealed more than the daily interactions could. There were nights when, wandering the silent halls of the shiden, he would find himself drawn towards the quiet tsuridono, where you often retreated. 

At first, these encounters seemed mere coincidences—chance moments when your paths crossed under the silver glow of the moon. But as these nights multiplied, Sukuna began to understand: you, the ever-composed heir of the Ryomen clan, battled with your own hidden struggles. One you refuse to talk about. One that you refuse to expose to the world. The vulnerability of the heir is the vulnerability of the clan, after all.

The servants whispered among themselves, voices low but filled with concern, that you rarely succumbed to sleep. Some even murmured that you did not sleep at all, plagued by nightmares too profound and terrifying for others to fathom. Yet in his presence, you never showed any sign of this nocturnal torment. To Sukuna, you were always the pillar of strength and grace, your smile unwavering, your demeanor unflinchingly positive.

But he knew. He had heard enough, seen enough in the shadows under your eyes when you thought no one was looking, to understand that your vigils were not by choice. The nightmares that haunted you were a burden you carried silently, a stark contrast to the serene facade you presented to the world.

Sukuna, who had once been considered a monster himself, felt a poignant connection in these moments. Standing by your side under the luminous canopy of the moon, he felt an unspoken bond form between you. It was in these quiet hours, away from the eyes of the clan and the weight of your roles, that he felt he could offer you something invaluable—respite from your unseen demons.

In the peaceful solitude of the tsuridono, with only the whispers of the night and the soft rustling of leaves as their company, Sukuna would speak softly, telling you tales of the world outside the clan’s domain or simply sharing his thoughts on the mundane aspects of daily life. Anything to distract you, to pull your thoughts from the clutches of your nightmares.

Sometimes, he believed, his presence did rob you of those nightmares. Maybe, just maybe, the monster he thought he was could be the guardian he aspired to become. Under the watchful eyes of the moon, your features would relax, the tension easing, your breaths becoming more measured and calm. In those moments, Sukuna felt a profound sense of purpose, far from the destructive path he had once walked.

Sukuna could only gaze at you in awe each and every time. To him, you embodied the very essence of beauty and power that his previous life had taught him to fear but now urged him to revere. The Ryomen shiden-zukuri, known for their formidable marvel, of its wondrous magic and spiritual depth, were indeed a marvel of the world, yet none seemed as wondrous as Ryomen Hiromi at that moment. Doubt clouded his mind—was he worthy of such attention, of your kindness, or even your presence?

His internal turmoil must have shown on his face, for your expression softened as you looked at him, your magical display subsiding as you returned to the warm and reassuring figure he had come to know. With a tender smile that seemed to calm his racing heart, you reached out, your touch gentle and reassuring.

“You don’t need any excuse to be by my side, Sukuna,” you told him softly, your voice as soothing as the night breeze. “You are one of us now. You do not ever have to leave.”

Your words, simple yet profound, pierced through the fog of his insecurities. They were an affirmation, a welcome, a promise of belonging that Sukuna had never dared to hope for. Your acceptance served as a powerful antidote to his self-doubt, reinforcing the fledgling sense of identity he was just beginning to explore under your guidance.

"Still, to your question, you change perceptions not by hiding your past but by owning your future actions," you responded with a determined nod. "Show them who you are becoming, not who you were. Every day gives you a chance to write a new page. And remember, you are not alone in this. I am here, uncle is here, and we will support you through every step, every stumble."

Sukuna's eyes, reflecting a mix of reassurance and residual fear, met your steady gaze. "And what if the elders are right? What if I am too much of a risk?"

You smiled warmly, squeezing his shoulder. "Then we take it as a challenge, Sukuna. We work harder, learn more, and prove them wrong together. You are part of this clan now, and that means something. You have the Ryomen blood of resilience and courage starting to flow in you, even if not by birth, by choice and by bond."

You had always refused to say ‘you’ to him for moons now. You always say ‘we’. You always made sure he was not alone.  That he would not face the world alone. Perhaps, it was true—how the heart only beats for the gods, like those monks at the temple say in their sermons. 

A faint smile tugged at the corners of Sukuna's mouth, the first genuine one since the meeting began. "I don't know if I deserve this chance, Hiromi–sama."

"Deserving isn't something that’s always given, Sukuna. Often, it’s something you take upon yourself to prove," you countered, standing up and offering him a hand to rise as well. "Let’s start this journey, shall we? Step by step, day by day. You're not just proving it to them; you're proving it to yourself."

As they walked back towards the gathering, Sukuna felt lighter, bolstered by your faith in him. The road ahead would be fraught with challenges, but the promise of becoming more than his past defined was a compelling beacon. With you by his side, the journey seemed not just necessary, but hopeful.

As they approached the warmly lit banquet hall, the sound of laughter and conversation spilling out into the night, Sukuna took a moment to look over at you. Your confidence in him, your unwavering support—it didn't just make him feel accepted; it made him feel expected, like his presence was something to be celebrated rather than merely tolerated.

"Thank you, Hiromi–sama," Sukuna said, his voice carrying a mix of gratitude and resolve. "For believing in me, when not many would. For letting me be with you.”

You smiled, your eyes reflecting the flickering lights of the banquet hall. "We all deserve a chance to prove ourselves, Sukuna. And sometimes, we need someone else to see that potential in us before we can see it in ourselves."

“I realize these things because of you, Hiromi–sama.” He says shyly, looking down at his feet. “That’s why I’m thankful.”

“Then I should thank you too, Sukuna.”

He looked confused. “For what, Hiromi–sama?”

“For taking a walk with me,” you said, your words floating softly in the cool air. “I know that it was quite a lecture, this walk. But I must thank you still. For the company, for the peace. It was the best walk I’ve had in a while.”

Your tone carried an earnestness that made Sukuna glance at you, noting the genuine smile that touched your lips and the relaxed ease in your posture that you rarely saw during formal clan gatherings. It was as though the walk had not only distanced them from the physical space of the banquet but also from the roles they habitually played within the clan. Here, under the canopy of stars and the gentle rustle of leaves, they were simply two individuals sharing a moment of tranquility.

Sukuna’s response was thoughtful, touched by the sincerity of your gratitude. “Hiromi–sama, I should be the one thanking you,” he admitted, his voice low. “Not just for the walk, but for everything today. For standing by me, for bringing me into your world and treating me as more than just…..” 

He hesitated, searching for the right words, aware of how much you had put on the line by supporting him so publicly. “It means a lot to me, more than I can properly express. This walk, this evening—it’s more than just a pleasant time. Everything. Everything is more than anything to me. It’s a symbol, I think, of a new beginning. Of being seen for who I could be, not just who I was.”

You stopped and turned to face him fully, your expression softening further under the moonlight. “Sukuna, seeing potential in others is easy. Helping them see it in themselves, that’s the true challenge. And you’re rising to it beautifully. You are now the pride of our clan, too.” You reached out, your hand lightly touching his arm in a gesture of camaraderie and reassurance. “This walk, these talks, they’re as much for me as they are for you. We all need reminders that we’re not alone, that change is possible and worth striving for.”

Resuming your walk, you continued in companionable silence for a few moments, each lost in their thoughts about the day’s events and the future that lay ahead. The pathway wound through the meticulously maintained garden, past flowering shrubs and under arching trees, their leaves whispering secrets to the night wind.

“As for the lecture,” you added with a playful smile, turning to look at Sukuna again, “consider it part of the learning process. We both have much to learn, after all. And I can’t think of anyone else I’d rather learn with.”

Your words, light yet laden with truth, struck a chord with Sukuna. He smiled, realizing how much this journey with you was transforming him. Not just in how others saw him, but in how he saw himself. The night might be drawing to a close, but for Sukuna, it felt as though his true journey was just beginning—with you by his side, the path seemed not only clear but inviting.

The pathway meandered gently, lit sporadically by lanterns that cast a warm glow and stretched their shadows long and thin across the ground. As you walked, a comfortable silence settled between you, filled only by the natural sounds of the night—the soft chirping of crickets and the occasional rustle of a breeze through the leaves. It was a peaceful backdrop that allowed both you and Sukuna to reflect on the transformation each was undergoing.

Finally, Sukuna broke the silence, his voice thoughtful. "Hiromi–sama, before today, I often felt like I was looking at a road mapped out by someone else's hand. But now, walking this path with you, it’s like I’m seeing the horizon for the first time on my terms. It’s liberating and daunting all at once.”

You listened, your expression one of understanding. "It's a journey that many fear to start, Sukuna. The road to self-discovery is never straightforward or free of obstacles. But you’re not just on any path—you’re on one that you are helping to pave. Every step forward you take, you're laying down your own stones."

As you reached a small bridge that arched over a tranquil koi pond, you paused, leaning on the rail to look down at the slow-moving fish gliding under the moonlight. The scene was picturesque, almost too perfectly serene, a stark contrast to the turmoil that had often marked Sukuna’s past experiences.

You continued, your voice soft but firm. "Remember, change isn't just about leaving behind who you were; it’s about moving toward who you want to be. And you have everyone in the clan, especially me, rooting for your success. We believe in you, Sukuna, not just for what you can offer us, but for who you can become.”

The affirmation brought a genuine smile to Sukuna’s face. "Thank you, Hiromi–sama It's hard to believe sometimes, that I have found a place not just to stay, but to belong. And to think that I can contribute, that I can be part of something bigger—it gives me hope.”

You turned from the pond, continuing your walk back towards the house. The moon was high, casting a silver light that seemed to guide your way. You glanced at Sukuna, your gaze assessing yet kind. "And that hope is what will drive you through the darkest times. Just as the moon guides us tonight, let your hopes guide you when the path seems unclear."

Sukuna nodded, absorbing your words. The concept of hope as a guiding light was powerful, and he felt its truth resonate deeply within him. As you approached the residence, the sounds of the night began to give way to the soft murmur of voices from inside, signaling your return to the world you had temporarily left behind.

As you reached the door, you stopped and faced Sukuna once more. "This walk may end here, but our journey together is far from over. Remember, step by step, day by day."

With a final reassuring smile, you opened the door, stepping back into the light and warmth of the clan home, a symbol of the community you were both a part of. Sukuna followed, feeling not just like a guest being led, but like a member walking alongside his equals. Each step was a step forward, and with your support, he was ready to face whatever the future held.

As you entered the banquet hall together, the atmosphere shifted subtly. You made sure to settle him beside your uncle, who was seated on your right. Conversations continued, but there were curious glances and speculative whispers. Sukuna's presence alongside you, clearly as your companion and equal, sent a powerful message to everyone present. Your status as heir to the Ryomen clan lent your actions an implicit endorsement, and your obvious confidence in Sukuna, as a new member of your family, your future right hand man, challenged any lingering doubts about his place among them.

Throughout the evening, you made sure to introduce Sukuna not just as a newcomer but as a valued member of the clan. You shared stories of his progress and his efforts to integrate and contribute, framing his past as a testament to his resilience and his future as a promise of his potential. With each interaction, Sukuna felt the weight of his old identity—the cursed, the outcast—shedding away, layer by layer.

"It's not going to be easy," you whispered to him as you paused by the grand window overlooking the clan's ancestral grounds. "Change never is. But every step you take is a step forward. Remember, you're not alone in this."

As he stood there, beside you, Sukuna felt a newfound fortitude. The doubts that had once clouded his vision began to dissipate, replaced by a resolve that was anchored by the support and belief you showed in him. With you by his side, guiding him with wisdom born of experience and a deep understanding of the very traditions he was learning to navigate, Sukuna found himself not just ready but eager to meet the expectations laid before him.

The notion of earning acceptance in a world that had once seemed wholly alien to him no longer appeared so formidable. Instead, it beckoned as a worthy challenge, an opportunity to prove his worth and carve out a place where he truly belonged. Your assurance that every step was a progression made him view each day not as a burden but as a building block towards a larger goal—a mosaic of efforts that would collectively shape his destiny within the clan.

Your presence—a constant reminder of strength, perseverance, and the potential to overcome adversity—instilled in him a courage that he hadn't known he possessed. It was this shared strength that transformed his perspective, making what once felt like distant dreams now seem within tangible reach.

The moon above, a silent witness to his inner transformation, cast a silver glow that seemed to light up the path at his feet. It was as if nature itself conspired to remind him of the luminous journey ahead. The cool breeze, whispering through the trees, carried with it a sense of anticipation and the sweet scent of the gardens below, reinforcing the sense of renewal and growth.

Ryomen Sukuna feels his heart beat.

He doesn't think he'll ever forget this feeling.

And he never truly did, not even as years passed.

Ryomen HIromi was all he'll ever love in humanity.

And he'll always go back to this night, this walk.

facts about the story !

hiromi at this point was sixteen - seventeen; sukuna is only three - four years younger.

her father, isamu and her mother, akiko, have been estranged for many years, more so because she's supporting her family, the fujiwara and their ambitions.

hiramu has always maintained her will never be a good husband, so he never really sought it out despite his brother arranging for him to meet eligible ladies.

the ryomen adoption system requires a sponsor - hiromi is sukuna's sponsor and that's why she speaks for him. however, someone else has to be give him his name. hiromi convinced her uncle to do it and he agreed. this changed during genmei's time, they can now be both.

sukuna still hasn't adapted to the ryomen way of life. the ryomen clan is the strictest in way of life. they wake up before dusk and do all their training, tasks and work before it gets dark. they immediately sleep after dinner.

hiromi doesn't sleep very well, but her reverse cursed technique aids in that. still sukuna is always too concerned about her that he insists to the medicine wing that she needs the best stress relief tea. the medicine wing became endeared by him for his devotion to hiromi over time.

sukuna is technically now the fourth heir of the ryomen, being adopted as a son into the main line. in the future, because of sukuna, the ruling line of the family can no longer adopt anyone, to prevent usurpations.

suzaku gojo has known hiromi since they were children, and is very fond of her. he was very good friends with hiromi's elder brother, akimu - who he sparred and rode horses with as a young boy.

the elders of the ryomen are very conservative too, but because isamu has all the power, they can't step on what he does or what hiromi does as often as they would like. inviting the other clan elders is another choice to make hiromi's life hard.

[chaifootsteps]

making myself sad but can you imagine how powerful it would be if Moxxie and Millie saw how confused and shook up the full moon deal left Blitzo and they like, actually listened to him and validated him?

like if he explained when he made the deal and how he was getting shot at and Stolas not only didn't care but pushed him into agreeing so Blitzo could get him off the phone, then went into an X rated rant while Blitzo was in danger

and Moxxie suddenly remembers how Stolas was still going when he went back to the house even though Blitzo obviously wasn't on the phone anymore. and how Blitzo always seemed to have to pysche himself up before visiting Stolas once a month

then he explains how Stolas gave him the crystal but whenever Blitzo got mad at how he'd been treated Stolas would either do nothing to change the behavior (after Ozzie's) or denied it and blamed Blitzo completely for not immediately jumping to love him (full moon, probably)

and Moxxie and Millie realize what they've been treating so lightly and as an advantage of their business has been something Blitzo has been compartmentalizing to deal with this entire time and been forced into to keep the lights on.

and for all Blitzo's flaws they both look at one another, take one of his hands and look him in the eye before saying "you didn't deserve how he treated you"

and Blitzo just crumples because all along Stolas has validated his worst fear - that all he's good for is sex - then turned around and demanded an intimacy and love from him that he desperately wants to feel with someone, but he's never felt anything but used and dirty with Stolas. but now finally someone is listening to him. he doesn't have to feel crazy and alone anymore

for a show that loves to strut itself around like it wants to talk 'about abuse' it sure avoids having any discussions about the effects of it - and who gets away with it most effectively - instead it's just 'look, character is sad and cries'

but you just know what we're gonna get is Millie "the prince is the boss' boyfriiienddddd!' and Moxxie 'calls Stolas Highness constantly and is happy to rescue him twice without ever being thanked' just shaming Blitzo and grouping Stolas in with the people Blitzo hurt before, as though they're remotely the same thing

probably accompanied with the most aggravating cut rate version of 'I won't say I'm in love' where M&M are the greek chorus going 'so what if he treated you like a sex toy? get over it!' ever

Gloriously cruel of you to fill our heads with such beautiful, tearjerking visions of what could have been, then smack us collectively with that fat serving of reality, Anon. 11/10.

[isaacswhy]

height differences w/ the group

the group x gn!reader (sfw + nsfw) summary: romantic(and some nsfw) headcanons of being shorter/taller than members of the group. requested?: no tags: romantic & sexual hcs, light insecurity mentions, a bit of sub!tgc MINORS DNI OR GET BLOCKED

isaacwhy

If you're significantly shorter than Isaac (as an average person would be), he loves the fact he towers over you. He will remind you of it all the damn time.

He uses you like a little armrest, coming up behind you and putting his arms on your head or shoulders, using his phone or just talking to the boys while his arms are draped onto you.

Isaac likes to take pictures with you in them, and angle his head out of the photos for obvious reasons. With his height, it's really easy to pull it off. He posts all of them.

In public, don't expect any creeps to approach you. The second he stands behind you, towering over you, nobody dares to come near.

If you're significantly smaller than him, brace yourself. He's really big in all senses of the word, and it's gonna take a while to get used to it.

He loves seeing the pure size difference between you two in the bedroom. The way that in the end, he just has a strength gap with you and can take you so easily. He loves it, but it scares him a little sometimes.

If, by any chance, you're taller than him, you tease his friends with him about being short. Sorry Larry. You become this team of tall people that become house menaces.

You call him "the smallest man to ever live". As a loving joke. He calls you giant in return. Or goliath. Or something of the sort.

Isaac loves his share of dominance, but if you're taller than him, he will give it up. Having that push back from his partner is a lovely change he's never gotten to experience. Make him feel small.

softwilly

If you're shorter than Nick, he loves the fact he's so much bigger than you. He'll wrap his arms around you and coo little endearing phrases until you have to push him off.

Nick loves to make jokes about "my eyes are up here", even if you're still eye level with his head. Especially if you have to look up to talk to him.

Nick also does mirror selfies with you in them, but he always keeps his face in the photos and tries to put his head on top of yours. (He likes to make sure everybody knows you're his.)

If you're smaller than him in general, he will wrap himself around you if he's fucking you. He loves being completely larger than you and having you to manhandle.

If you're taller than Nick, which isn't that crazy, he gets a bit insecure about it at times. He likes his masculinity, and you sometimes gently remind him it's not bad to be shorter than his partner.

Being taller than Nick can piss him off sometimes, ruffling his hair from above him or wrapping your arms around him instead, he'll cuss you out (he secretly loves it).

If you're taller than him, sometimes it's a fight for dominance. He wants that control, and you have the power to take it from him. It's your choice if you want to make him submit.

BigT / Tanner

Tanner, if you're shorter than him, loves being your big teddy bear. He will give you bear hugs, will let you lay your body on him, etc. Absolutely loves the way you look when you use his size for comfort.

He also loves to make you feel big and strong! If you ever get upset over being shorter/smaller than him, he will constantly give you reassurance. Saying, "Ah, I'm really not that tall! Don't worry!"

Tanner really just is sunshine incarnate. Although, if you're the teasing type, he will dish it right back.

Tanner is extremely conscious of a size difference. He knows he might hurt you if he's too fast or rough in bed, so he's constantly checking in to make sure you're okay.

If you're taller than Tanner, he likes it too! He likes being able to collapse himself into you and wrap his arms around you, even if you have to brace yourself a bit. He's been getting bulky at the gym lately, be warned.

He loves it if you will come up to him (in front or behind) and smell his hair or play with it. Press kisses to his forehead. He melts like crazy and goes all soft.

Not being bigger than you gives Tanner confidence in bed. He worries a lot less about being too much, and it creates this amazing connection.

And, for the tops out there, he doesn't mind being smaller and being fucked. He likes being put into submission and fucked by someone bigger than him. Makes him feel all fuzzy and small.

yumi

If you're smaller than Blake, it's pretty common. He's taller than a lot of people. He really likes being taller, being able to kinda wrap his arm around your shoulder while standing next to you comfortably and slightly lean onto you.

Being smaller than Blake gives him a bit of fuel for jokes, though. Sometimes, out of the blue, he'll make a jab at your height and being tiny. But he'll never go so far as to make you feel bad for it.

Blake likes if you slide into his lap when he's at his desk. Being smaller than him, you'd fit conveniently and he likes to hold you like that. Even if it distracts him from editing, and he'll bitch about it to you when you do it.

Blake is super tender in bed. He'll be a bit worried to be on top of you so he doesn't hurt you, but you could convince him into doing it. In which case, he would love the view of you under him.

If you're taller than Blake, he can be a bit feisty about it. It's mostly just jokes, but he'll sometimes complain about being smaller than you when you help him out.

He would love for you to pull him into your arms. It would make him feel so secure to be held by someone bigger than him, as he doesn't get to feel that way much. It would make your hugs even more special than they already are.

He'd be a bit awkward and stilted the first time he fucked you if you were taller than him, but he'd get it figured out pretty quickly.

He secretly does kinda like being smaller. Makes him feel safe and secure, especially if you hold him close while he fucks you. Makes him feel like he'll be okay, like he's not doing anything wrong.

Larry Croft

If you are somehow shorter than Larry, the first thing to say is: congratulations, you've done it! It didn't seem like a possible feat to be notably smaller than Larry, but you've surpassed all expectations! (sorry.)

Larry loves being taller than someone, especially someone he loves so much as to call his partner in life. If there's anybody that loves to rag on him for his height, it's his friends.

Even if you are shorter than him, you can definitely call him short. Pot calling the kettle black here, but you'll get in on the jokes with the other guys. It's only fair, since Larry would do the same to you.

In reality, he's super soft with you when you're alone. He wants you to feel loved and okay, holding you and making sure you're fine after any jokes he or anyone else tosses at you.

He also loves being a bit bigger in bed. It's not a big priority, since it's not very likely to happen, but he'll take what he can get.

If you're taller than him, that's not surprising. However, you can definitely join in on the short jokes without being hypocritical. You make it up to him with lots of kisses anyways.

Although, you always make sure he's okay. Larry's got really tough skin, so he never lets those kinds of jokes get to him. He understands well enough he's short, and that doesn't bother him.

He loves having a partner that's bigger than him. Make him feel loved by picking him up, giving him big hugs, being the big spoon. He's used to it anyways, so he might as well get all the benefits of being smaller in the relationship.

He even loves the size difference in bed. When he's feeling a little more confident, he'll take control and disregard it entirely. He has no shortage of dominance waiting to come out.

But, he likes being small. If it's your style, you can take the reins from him easily and he will happily oblige. You can likely overpower him easily, and he folds. He's not very good at hiding how sensitive he is.

[bestworstcase]

the only purpose of the shock collar was to subjugate, enforce cinder’s status as an object the madame owned. she neither chose it nor wanted it—and in the end, it was just a necklace. cinder breaks it with ease, with one hand. anyone might have set her free at any time with, literally, no more effort than it would take to lift a finger.

(do not try the bullshit nonsense about cinder’s enslavement being legal with me. slavery was abolished after the great war, and when the madame is displeased she brings cinder into the kitchen to torture her behind closed doors. adopting an impoverished orphan from a foreign country and using a collar made to look like a pretty necklace is how she gets away with it, enabled by the complete indifference of her wealthy patrons to the plight of the "adopted child."

the thematic point of rhodes is that he enforces the law only when it’s convenient for him to do so: he knows cinder is being abused, but he’s a regular patron of the hotel and he chooses not to say or do anything to intervene until he recognizes cinder as a threat to the madame. “hurting them won’t make your life any easier.”

we see this pattern reoccur again and again in atlas, that those who hold political or economic power flout the law without consequence or contort it to work for them while those beneath are subjected to strict, unforgiving enforcement. everything robyn does before the election is legal and above-board but the ace-ops openly treat her like a criminal and hound her about obeying the law, while ironwood misappropriates construction materials earmarked for mantle. this is the idea that rhodes embodies.)

so the greatest injustice of the collar is that it had no real power, by itself, over cinder. she could take it off whenever she wanted, except that she was not allowed to; no one willing to help her, no safe haven where she could find refuge after, and when she becomes desperate enough to resort to violence to free herself she is immediately prevented from doing so by a huntsmen—exemplars of moral virtue as they are intended to be—who tells her that in order to be good she must endure seven more years before she is allowed to leave without her guardian’s permission.

as an instrument of control, the collar can exist only through the willingness of the hotel’s patrons to participate in the fiction that cinder, having been lifted out of poverty by the madame’s generosity (look, she even gave the girl a lovely necklace!), is now earning her keep, learning the value of hard work. pay the scars no mind. rhodes intervenes to keep protect the madame, and his fondness for cinder is circumscribed by that motive.

the first time he leaves after he begins to train her, rhodes says goodbye by placing his hand on top of her head; cinder flinches—

—and the scene cuts right to the collar:

in the same mode, the madame electrocutes cinder in a panic as cinder strangles her, and rhodes’ final act is to place his hand on cinder’s head, scaring her—

—after which she cuts him down and stands upright to remove her collar:

the collar and the gentle (unwanted) hand are one and the same, two faces of a single instrument. carrot, stick. neither figures cinder as a human being. rhodes is only gentle until she disobeys him, whereupon the covert violence of their first meeting is reified: he enters her only ‘safe’ place to catch her in an unlawful act; his first action is to pass judgment; his second, to draw his weapons.

now, that’s not yours, is it?—huntsmen are called to embody a heroic ideal, to protect others who cannot protect themselves. rhodes places his own weapons into cinder’s hands and declares that he will train her as a huntress on the condition that she agrees not to protect herself; he releases himself from his duty to protect her by moving her into the category of people who do not need to be protected, and thereby makes her both guardian and grimm: as a child who will become a huntress it falls to her to protect her family from the monster of herself.

thus she’s forced to become an active participant in her own abuse; before she can break free of the collar, she has to bite the hand that held it in place.

now to the grimm. during the montage of cinder’s training-and-abuse, there is a particular sequence that goes like this: rhodes and cinder spar with wasters late one night, he disengages and gives her an approving nod; we cut to cinder kneeling before the madame in the empty lobby, dusting a glass statuette of a sabyr for inspection. her work is found inadequate, and the madame finds quiet satisfaction in reminding cinder of the power she has over cinder:

then the madame walks away, and although cinder strives to maintain the performance of being unaffected—indifferent—she can’t:

in contrast to the scenes preceding cinder’s bargain with rhodes—wherein the larger-than-life glass statues looming over the lobby alternate between prominently visible or just protruding into frame and cinder’s face is an open book of angry resentment—this is the only instance of a grimm figurine being clearly visible and in focus during the montage, and also the one time cinder’s mask slips to reveal her anger.

similarly, in the time-skip at the end of the montage, the glass sphinx sitting on the coffee table in the mid-left is removed to signal the passage of time, with no other changes made to the decor:

but guess who’s back as soon as the situation reaches critical mass?

glass wolf. glass dragon. glass shoes.

the point is, throughout the flashback midnight leverages these glass-grimm to symbolize cinder’s true self, her anger which protects her and which the gentle hand demands she extinguish. the fantastical gilded opulence of the glass unicorn depends on cinder staying quietly in her cage. no, it isn’t fair—the gentle hand admits this—but it is her moral imperative to serve others. in this distorted unreality the defenseless and the indefensible become commingled. a huntress, as salem would have it, is a defender who lives and dies to protect a lifestyle. or she is, as ozpin defines it, one who guards the peace by killing monsters.

cinder’s instinctive understanding that this is not fair—that she is not nothing—that she has been wronged—is the monster she must slay to become the hero of this story, the story of the glass unicorn and madame and rhodes and all of atlas. and in the end she can’t.

rwby has never been precious about depicting blood, but there is no blood in this scene: not not on the floor, not on the bodies, not on her weapons, not a single drop upon her white shirt. her hands are clean. in shadow, the monster snaps the chain around her throat and turns to looks up at the moon—and its light reveals what is true. her tears, her scars. a child who deserved better than she was given. a child who did nothing wrong.

ahem.

Keeping [grimm] in captivity has proved to be an understandably difficult task, as the creatures tend to either die, or kill those who imprisoned them in the first place.

hm! anyway. the narrative function of this flashback is to provide context and contrast with the scenes that follow.

to review:

the collar’s power is enforced by communal indifference and complicity.

the madame, though unaware of him, depends on rhodes to keep cinder under her control; rhodes intervenes to protect the madame from cinder.

the gentle hand is an equal to the collar, a mechanism of control by which cinder is made to participate in her own abuse, and when she disobeys, it turns to iron and inflicts violent punishment. even when he is gentle, cinder flinches under his touch.

by training cinder to fight but forbidding her to defend herself, rhodes casts her into the role of both guardian and grimm: she is expected to protect the madame by slaying her anger and turning the other cheek.

the glass grimm figurines symbolize cinder’s anger, which protects her. when she defends herself, cinder metaphorically becomes grimm: the monster of the glass unicorn is destined to be hated and hunted for the rest of her life, and the monster of the glass unicorn is a blameless child who refused to let herself be hurt. grimm, in this story, are good.

also note

the similar framing here.

now!—from the moment cinder wakes up, it is abundantly clear that she expects to be met with brutal punishment for her failure. “you—you brought me back here… we failed.” she’s horror-stricken at finding herself in this place and that hardens into terror as the reality sinks in that she is within salem’s reach.

later, on the bridge, she affects calm until salem pauses in front of her; her eyes snap open. she shrinks into herself at the sound of salem’s voice but hangs on every word. when salem mentions the winter maiden, cinder grits her teeth and braces herself.

cinder associates salem with the madame: that is why without you, i am nothing falls out of her mouth so easily when salem tears her down in 8.1 and again when salem threatens her in 8.4—those are the words to make the pain stop, to appease, to demonstrate that she is contrite and repentant and grateful. she believes that this is what salem wants to hear when cinder has displeased her. and she is, at the top of the bridge scene, waiting for the torture to begin so that she can choke it out again and survive this humiliating ordeal.

except that is not what salem wants to hear.

by now salem knows beyond any doubt that “without you, i am nothing” is what cinder believes she wants to hear, and it is obvious to anyone with eyes that cinder expects to be tortured. whether salem knows cinder’s history or not—i don’t think she does, not in any great detail—she knows people well enough to put two and two together. salem knows, then, that cinder expects to be tortured into groveling self-denigration.

she doesn’t want cinder to expect that from her. there’s no other reason for salem to be so thorough in dismantling the expectation.

if she wanted to make cinder afraid, the more effective way is to decline to torture her at all: cinder is so certain that salem will hurt her that withholding punishment entirely will only convince her that salem intends to wait until the moment she lets her guard down, or some other form of deferred retribution all the worse for being delayed.

whereas the most efficient way to puncture cinder’s terror of being tortured is—somewhat perversely—to actually torture her a little bit. because cinder does not BELIEVE there is any possible outcome in which salem spares her, if salem wants to introduce the possibility of mercy she first needs to enter cinder’s reality, where mercy doesn’t exist, by proving she can and will inflict pain to answer both defiance (“you chose to disobey my specific instructions”) and failure (“just to fail again…”)

a brief burst of pain to express displeasure instead of holding cinder under torture until she breaks isn’t really merciful, but it’s the lower bound of what cinder will be able to trust and it eases her into the idea that salem is lenient.

then, “and i’ve realized it’s all my fault. you’ve fought your whole life unwaveringly for what you want, and here i am holding you back, instead of lifting you up; you deserve so much more than i’ve given you.”

aside from being a straightforward subversion of cinder’s clear expectation—cinder thinks she will be abused without mercy until she breaks, salem stops and absolves cinder by reframing cinder’s disobedience as a natural consequence of her own failures—salem has a few specific things in mind here.

the most obvious is the reversal of what she said to cinder in 4.11: “i thought you were the girl who wanted power. did you lie to me? then stop holding back.” and she’s also pointedly walking back things she said yesterday, in 8.1 and 8.4: “all you need concern yourself with is your ability to act when i tell you to” and the “she thinks; she wants…” bit are here flipped into implicit praise for cinder’s tenacity in pursuing what she wants and implicit apology for standing in her way.

but the most interesting angle to consider is that this is salem’s response to “without you, i am nothing.” salem does not verbally respond either of the times cinder says that to her in 8.1 and 8.4; the first time, she dismisses everyone with a gesture, and the second time she just walks away. both reactions are in line with what cinder expects—after all, the point is to remind cinder that she is nothing.

however, cinder has—from what we’ve seen—never spoken to salem this way before, and given she seems genuinely taken aback when salem shuts her down in 8.1 i do think it’s likelier than not that salem has never demeaned her like this before, and that together with having been in atlas for months is what surfaces the trauma association with the madame and thence the appeasing behavior.

so consider how this looks to salem.

the last time she spoke to cinder, she said “you’re free to speak your mind,” and cinder whipped around from the window without hesitation, outraged: “i don’t understand! working with bandits? leaving ruby alive? what’s the point? we’re strong enough to take what we want by force!”—not even a ma’am in there. cinder addressed her like she saw herself and salem as equals, notwithstanding that salem had final say, and salem clearly didn’t have a problem with that.

several months pass. salem is displeased about the loss at haven but trusts that cinder will make an effort to recover the lamp; she is also worried enough for cinder to toss her plans and divert nearly everything to atlas, not that she’s willing to admit that’s why.

cinder walks onto the bridge and the first words out of her mouth are “my queen.” a few minutes in salem curtly informs her that no she will not go rampaging after the winter maiden and cinder’s answer is a demure, “of course; without you, i am nothing.” and then a few hours later they quarrel about it and cinder repeats those exact words in exactly the same tone again.

unless salem knows cinder’s history in far more granular detail than i believe cinder would be willing to divulge, that’s… a really strange shift in behavior with no clear reason; yes, she had to make up the loss at haven (and she did), and yes, salem was unusually mean to her, but neither of those things add up to this plainly well-practiced self-abasement from the girl who only a few months ago did not appear to have a humble bone in her body. once might have been sarcasm; but twice within a few hours?

whereafter cinder ran off to attack the winter maiden and almost died again and salem had six hours to pick all of this apart in her head while cinder lay unconscious.

why didn’t she respond to cinder saying “without you, i am nothing,” if that is not what she wants from cinder? well,

“you disobeyed my specific instructions, just to fail again, and i’ve realized it’s all my fault.” both times cinder said that, it was in response to the specific instructions that cinder disobeyed when she went after penny: you will act when i tell you to, and you will remain here. six hours, salem had to think about this. “you’ve fought your whole life unwaveringly for what you want, and here i am holding you back, instead of lifting you up; you deserve so much more than i’ve given you.”

salem does not think of cinder as nothing. even when she is deliberately being mean, she makes a point to say that she values cinder (“just because you’re more valuable to me than a pawn–”). cinder holds the key to her victory and cinder is also important to her in ways she cannot bring herself to admit except that she keeps bending her plans further and further for cinder’s sake. the first time cinder says “without you, i am nothing” to her, she seems bemused (brows up) and then wry. the second time, she doesn’t react at all.

then because she left it there, cinder nearly dies and is unconscious for hours. and once she wakes up salem hits her with:

this is my fault

what you want matters

i should be lifting you up

you deserve better

i will help you

IN A CLASSIC SALEM MOVE she does not actually say what she means, which is “you are not nothing,” but she finds an impressive number of ways to say it without saying it in just a handful of lines. and:

she doesn’t touch cinder, but instead she offers, gives cinder a choice to take her hand or not, and this matters because no other character has ever given cinder that.

in 2.1 cinder touches roman’s face to assert her power over him; she does the same to pyrrha in 3.12 right before killing her; she slaps emerald in 3.7.

in 5.9, cinder reacts to watts grabbing her wrist like this—

—and then sets his hand on fire. in 8.1, emerald starts to run over to embrace her, cinder snaps her head around and snarls “quiet.,” stopping her in her tracks. and after she wakes up in midnight, when emerald rushes into the room and grabs her, cinder tenses and verbally lashes out before jerking her hand away.

cinder really does not like to be touched and that all traces back to:

rhodes patting her head. which is what he’s reaching down for when cinder kills him, because this time she senses him moving to touch her and can’t take it.

cinder bristles and retaliates whenever anyone touches her, and outside of grappling during fights the only times cinder ever touches other people is to hurt them or to remind them of her power to hurt them, because that is what touch means to her; it’s something those with power do to those beneath them, and something the weak must endure.

for salem to offer her hand to help cinder up is strange and unsettling; it breaks the rules. and cinder is very hesitant to take it—her fingers shake—but she does, and it isn’t a trick, salem pulls her to her feet without hurting her.

whereupon cinder’s whole demeanor transforms from terrified incredulity to calculation. she doesn’t understand what just happened, but she knows touch is an instrument of coercion and a way to inflict pain. if salem were like the madame, she would not have done any of that; if salem didn’t touch her with the intent to harm her, then there are only two possibilities:

one, that salem’s resemblance to the madame is superficial and she is actually much more like rhodes; or two, that salem is the weak one and cinder holds some unknown degree of power over her.

the instant this thought enters cinder’s head, it becomes urgently important to figure out which it is, hence the murdering of colleagues and stepsisters and lying to salem’s face that cinder gets up to immediately afterward. BUT THAT IS NOT WHAT THIS POST IS ABOUT THIS IS A POST ABOUT THE GRIMM ARM. AND THEMES.

wheeze. okay

in the glass unicorn, cinder has two parental figures—the madame and rhodes—who act in synchronicity to keep her in her place. shock collar, pat on the head. stick, carrot. she is tortured and made to refract this violence inwards, against herself, by turning the other cheek. within this narrative, the symbolic purpose of the grimm is to protect cinder and cinder herself is symbolically identified as grimm; just as black glass is her signature in in the present, the white glass of the hotel’s grimm figurines reflects cinder’s starkly white-and-grey uniform.

glass, cinder. glass grimm, glass shoes.

unicorns, classically, are said to be ferociously wild and dangerous beasts tamable only by the touch of a maiden. those who hunt unicorns, then, should solicit a maiden’s assistance. she goes out into the woods alone; the unicorn finds her and docilely, fearlessly lays its head upon her lap and goes to sleep; and thus the hunters take it. this manner of hunting unicorns is called entrapment, and among medieval and renaissance depictions of unicorns it is by far the most common motif.

in the world of remnant, if unicorns are real then they are undoubtedly a kind of grimm.

gestures at cinder, the fall maiden, who can tame the grimm. who feels for them. maiden. unicorn. maiden. unicorn.

the story of the glass unicorn is a story about a maiden-monster whom a huntsman instructs to tame herself lest she be hunted forever; an entrapment of the self; in the end she hears the baying of hunting dogs in the distance and awakens to the truth that she too will be killed, in spirit if not in body, if she obeys the huntsman. the unicorn is not to blame, and the maiden is right to protect it, and the unicorn is, has always been, grimm.

bearing all of this in mind,

is the grimm arm another collar?

i don’t think it…is, actually, in any sense except that cinder forms an association between the madame and salem in 8.1—the collar and the arm are diametric opposites, mirror-images of each other:

where the collar was fragile and easily removed, the grimm arm is part of cinder’s body. where the collar derived all its power from pretense (it’s only a pretty necklace!), the grimm arm is impossible to mistake for something other than what it is. where the collar’s sole purpose was to inflict pain and remind cinder of her place, the foremost purpose of the arm is to replace cinder’s missing limb. where the collar was forced upon her and she hated it, cinder trained hard to master her new arm and has grown more comfortable with it in every new volume.

paired with the way grimm function symbolically within the glass unicorn narrative, as representations of cinder’s justified anger and desire to protect herself… well. maiden, unicorn. lol

is it then an iteration of the gentle hand? that’s a more interesting question, because salem’s abuse of cinder is really quite a lot more like rhodes than the madame, but then there’s also… the reversal. rhodes’ affection for cinder is restricted by his interest in protecting the madame, and when cinder disobeys him he attacks her presumably with the intent to arrest her for murder. whereas salem has repeatedly and increasingly rearranged her plans for cinder’s benefit, and when cinder disobeys her, she reconsiders her treatment of cinder and offers an apology.

and obviously—

—we have the way rhodes touches cinder’s head, which at best makes her tense up in discomfort and at worst scares her so much she kills him to make him stop, mirrored in the same episode by salem offering her hand and cinder choosing to take it.

salem is not by any stretch of the imagination good to cinder, but midnight places her in juxtaposition with the madame and rhodes in order to clarify the difference between salem and the parent-figures of cinder’s childhood. it’s salem who tells cinder that she isn’t nothing, that she deserves better, that she was right to become defiant when salem was cruel to her. it’s salem who gives cinder a choice to let salem touch her or not.

everyone who gets where the wind is blowing with cinder understands, because it is obvious, that her turnaround is going to be incited by someone showing her mercy, which will shatter her view of the world and open a door for her to change. but… that “someone” is salem. it is literally already happening.

the first crack is salem telling her you deserve so much more than i’ve given you, as she pulls cinder to her feet.

and cinder doesn’t know how to parse that, she has no frame of reference except the madame and rhodes and she’s superimposed them both onto salem; the discrepancies, the pieces that don’t fit, are small right now. they will get larger, and the cracks will keep widening until the looking glass breaks.

which is why the grimm arm is related to the collar in the specific way that it is, with cinder flashing back to her childhood and the pain salem inflicts ending when cinder shifts emotionally from helpless fear to defiance and salem then explicitly affirming the rightness of cinder’s anger. the moral of the glass unicorn narrative according to rhodes is that what cinder did is unforgivable, and she will never escape it; the moral according to salem is that cinder did the right thing, and deserves better. the symbolic function of the grimm figurines in the glass unicorn narrative is to represent cinder’s self-protective anger. salem, grimm, uses cinder’s grimm arm to make a point that cinder should get angry when salem mistreats her, and then rewards her for being defiant.

is that a really fucked up way for salem to make that point YES OBVIOUSLY but no one else is even trying. lol

little steps.

(whispers into a cup) the grimm arm is also a metaphor for learning to be vulnerable and trust others not to harm you

cinder feels its pain. when it’s severed, it hurts, but also grows back. it’s both powerful (superbly strong, inhuman flexibility) and vulnerable (aura can’t protect it). salem can use it to hurt her; it connects them both together, so salem knows she’s alive and cinder knows when she’s back. it refused to bond with cinder until she let go of her fear and welcomed it.

the shattering trauma that made her what she is now was rhodes telling her that defending herself made her an irredeemable monster. the grimm figurines in her childhood story symbolize cinder’s desire to defend herself. the grimm arm is part of her body that connects her to salem in a way that salem can abuse to hurt her, but salem is also the first character to look cinder in the eye and tell her that she is right to defend herself. both cinder and salem are in the early stages of developing villain -> hero arcs.

your newfound strength brings with it a crippling weakness, salem says. remember that it comes with a cost. take care to protect yourself; there is only so much i can do to aid you. cinder wants to be strong, but she is terrified of weakness, and it is the terror of weakness that drives her, that must be faced, that must be resolved before she can find peace. her story isn’t about “learning to be satisfied with the power she already has” it’s about learning to be okay with being vulnerable. with having weaknesses.

like an arm she can’t shield with aura, that grows back when it’s severed, which she feared and then hid in discomfort and now accepts as a part of herself. just because salem can hurt her doesn’t mean that salem is incapable of choosing not to. salem could also, like, smash cinder into a gory pancake with a snap of her fingers.

it’s a story. about trust.

[melbatron5000]

Heartache

Since I put up my theories that Crowley and Aziraphale faked the break up in the Final Fifteen, I've had a LOT of people comment, "Then why are they so sad?"

LISTEN.

Imagine you and the person you love most in the world have to keep your relationship secret. Because no one would approve of it, and one or the other of you could be hurt or killed or imprisoned over it. So you keep it casual, and have to pretend you're not even friends.

Then you get a chance to change everything. You get a chance to save the world, and maybe have that relationship you both want so badly together. You even plan your proposal. You throw a big party and make it as romantic as you know how.

Then your party gets crashed by people who hate you.

And then an authority -- one that has the power to make both your lives horrible and maybe end them -- comes sniffing around. He's figured out you're up to something, and that you've teamed up, and been teamed up for a while. He maybe suspects you're more than friends, when even friends is something you are not allowed to be. He essentially black mails you into coming back with him, to what essentially amounts to prison, though he offers that your love can come with you. You'll both be in prison, and maybe not be able to save the world, but you'll be together, and safe.

You tell the person you love most in the world what's going on, that your plan has been uncovered, and beg him to come with so he will be safe. And your beloved says, "No, I'm not going, I want to fight for this. I want to fight for you, and for us. I want to save the world. We need to pretend to break up so I can keep working on our plan. You do what you can from inside prison, and I'll do my best from here, and let's try for this. For us." And then he breaks your heart and forces you to reject him. While your enemy watches and waits to take you to prison. And he doesn't let you leave without kissing you first. He gives you something while he kisses you that he hopes will help you. And then he goes.

Imagine your beloved tells you an authority has come sniffing around -- he suspects you're up to something and wants to haul you both to prison. Your beloved has no choice, he absolutely is going to prison, right now, but he wants you to come with him. You want to fight, you want to be free with your beloved and you want to save the world. So you tell him you have to fake a break up in order that one of you can stay free and hopefully make it work. And then you break his heart, and force him to reject you, while your enemy watches and waits to take him to prison. And you do not let him leave without kissing him first. You give him something while you kiss him that you hope will help him. And then you leave.

If you could do that while feeling nothing, totally confident that you're still a couple and everything is actually fine, you've got a different head than me. I wouldn't be okay, watching my husband get taken to prison for the crime of being in love with me. I certainly wouldn't be okay pretending not to care, or like we never meant much to each other after all.

The break up is fake. That doesn't mean any of those emotions are.

It actually makes it worse, in my opinion.

If Aziraphale had actually chosen Heaven over Crowley, Aziraphale would be sad, but not miserable. But he hasn't. He's going to prison without the one person he most wants to protect and be with. And he has no guarantee that Crowley will be safe, or that they will ever see each other again. He must be devastated.

If Aziraphale had chosen Heaven over Crowley, Crowley would have every right to be hurt and angry. But Aziraphale hasn't. He's being dragged to prison, where Crowley can't be with him and make sure he's okay, where Crowley knows he'll be treated badly, and Crowley's going to try to save the world, and if he succeeds, they can build that life together they've wanted for so long; but if he fails, they may never see each other again. He must be devastated.

Stop asking why they both look so sad if the break up is fake.

They are devastated.

[rainba]

Hihihihi!!! How would the sillies respond to a darling who's self destructive (both socially and physically, like self harm and self sabotage)? I love ur OCS btw ur writing is amazing 💘

Aww, thank youuu!! :3c

And thank you for the ask!! It's really made me think....

Huge warning for these responses, they are very… Dark. If these topics make you uncomfortable, please feel free to skip this one!

TWs/tags: self-harm, toxic behaviors from the yans.. Lots of angst (plus comfort)

For Kairos, it’d be a really unhealthy situation. He, too, engages in really self-destructive behaviors, and if his darling also does it, he’d only end up enabling you even further. In some way, Kairos would see it as “beautiful”, the two of you suffering together at your own hands... He’d be one of those people that would watch you cut yourself and then kiss your scars right after… And then he’d cut himself in the same places, just so you two can “match.”

And if you’re socially self-destructive? Pushing everybody away because you just feel like everyone secretly hates you, or for some other reason? It’s okay– all you need is Kairos, anyway! You can destroy all of your other relationships, so long as you keep Kairos close to you.

He’ll love you forever and ever, you never have to worry about him leaving you. If you push him away, he’ll keep coming back. You could be at your absolute worst, and he’d still view you as a perfect angel. It’s… Not healthy. But he can’t help it.

However– if you were to ever put yourself into any life-threatening situations, or if you genuinely wanted to die, he'd become downright terrified and would try his best to make you stop your self-destructive behaviors. After all, he loves you too much– he doesn’t want you to die. The two of you need to live long, happy lives together! If engaging in all these self-destructive things with you might lead to your death, he’ll do everything in his power to make it stop, and he'll also make sure that the both of you get better. He'll hold your hand every step of the way, recovering alongside you. And he'd never judge you for relapsing.

Basically, it's sort of like this: if you want to get worse, Kairos will also get worse. If you want to get better, Kairos will do everything in his power to help you, and he’d also try to help himself along the way. It’s almost like he’s mirroring you, in some ways.

As for Luka, he’d have a totally opposite reaction to Kairos. He would be enraged that you actively hurt yourself. He’d handle it pretty badly. If he found out that you actively harm yourself, he would refuse to take his eyes off of you and would be monitoring your every movement... You'd suddenly never get a moment to yourself.

When you’re using the bathroom, he’ll be standing next to you the whole time. When you shower, he’ll be showering with you. When you go to sleep, he'll be caging you in his arms.

If you have a job, he might actually force you to quit, just so he can monitor you even further. Either that, or he’ll make you take a temporary leave from work until he knows that you’ve stopped hurting yourself.

It’s… Absolutely not a good way to go about it, he knows this, but it’s the only thing he can think of doing. It's his gut reaction to it all.

Luka would keep asking you ‘why’ as he holds you tightly in his arms, glaring at you while also having pitiful tears in his eyes. For one of the first times in his life, he feels so deeply hurt and confused. He isn't prepared at all to handle the feelings that are bubbling within himself. Luka would also start losing lots of sleep.

When you’re sleeping peacefully in bed beside him, he’d sit up and bed and just… Stare at you for hours.

Slowly, he'd start kissing your cheeks, stroking your hair, and then holding you close as he tries not to be upset with you. He knows that you’re hurting… And he loathes how helpless he feels. While he’s not the biggest advocate for therapy, he would ask you to go see a therapist. He knows that he alone can’t help you– and that it’s impossible for him to just monitor you every second of every day.

If you refuse to see a therapist, he’ll be upset, but he won't force you to go. All he tells you is that if you need it, he’ll listen to you– even though he’s horrible at giving good advice. But at the very least, he’s really good at just listening to you. He’ll remember everything you tell him. And any time you show signs of improvement, he will be proud of you.

As for socially sabotaging yourself, it’s the same as Kairos. All you really need is Luka, so… He won’t stop you from cutting everyone else off. ^^;;

[maybeitsalivescribbles]

Hey! Hope your having a good day! If you want to, could you do a story where a supervillain typically goes easy on a group of rookie heroes, as he usually fights them just for fun, and could destroy them if he wanted.

He just lets them think they can beat him.

Then, something happens (maybe they cross a line, and one of the heroes tries to stop their team from crossing that line but they don't listen) where the supervillain shows them just how powerful he actually is?

Sure. Do you mind if we stop for ice cream?

*

A Taste of Revenge

“You’ll never get away with this!” yelled one of the three Heroes from afar.

Supervillain smiled and just waved at them while flames and energy beams hit his forcefield without leaving a scratch. It was, in fact, the third time this month he was getting away with this.

The heroes were all new, of course. The town was too little for the closest hero agency to care about what was happening here, so they’d only sent their three youngest. Sometimes they popped in while he was minding his business. They always thought they’d found a way to break through his defenses, and were always wrong. He didn’t care much, amused by these three overgrown teenagers who were looking equally embarrassed and proud of their muscles, trying to speak loud to cover their awkwardness. There was no use hurting them. The hero agency would have sent someone competent in their place. If Supervillain was only mildly inconvenienced by them, and they were convinced to gloriously fight against evil, everyone was happy.

It was sunset. There was no time to sleep before another night’s work, but enough to take a break. Supervillain went home, put his citizen clothes on, called his cat who jumped on his shoulders, and went in his favorite ice cream shop. Coincidentally, it had a magnificent view on the shiny new heroes headquarters.

The door bell rang. The shop owner raised her head and smiled at him. He was a usual customer.

“Hello, Citizen.”

“Hello, sir. Hello to you two,” she added, nodding politely to his pet.

Supervillain smiled in return. To make sure he wouldn’t be ever recognized, he’d gotten a cat. Mister Whiskers was more than happy to follow him in his ice cream adventures, especially since Supervillain was the one who walked for them both. People asked to pet the kitty sometimes, but never gave his face a second glance.

“What will you take, sir?”

Supervillain pondered for a moment, answering then:

“When I was eight, my mother took me to see the ocean for the first time. I want three scoops of that memory flavor in a cup, please.”

“Right away, sir.”

She took a cup that she filled three times with white ice cream, then gently set her opened palms over it and closed her eyes. The scoops changed into a lovely turquoise. Mister Whiskers mewed with anticipation, opening and closing his mouth.

“And for the cat?”

“A kid scoop of Oyster-Caviar, lactose-free.”

She gave his orders to him. Supervillain thanked her and settled in his usual corner. While Mister Whiskers ate his own treat like he hadn’t already eaten thrice today, Supervillain took his time, glazing by the window. For the Heroes headquarters, it was the end of the day. Secretaries were pouring down the establishment. He looked at them with interest, wondering how many people was needed to manage three baby heroes. Sometimes they went in the ice cream shop, looking harassed, not giving him a second look. They never stayed long. It was just enough for him to memorize their faces and note their schedules.

Supervillain bit his lip to hide his smile when he saw the Heroic Trio getting out of the agency, their faces crumpled. Every time he saw them by the window, he wondered what would happen if they were coming here. Today, he realized that he was going to find out. After pausing, all three opened the door and went into the line that had been forming.

Supervillain took a spoonful of ice cream. It melted on his mouth as lightly as foam. It was a flavor of pure joy, with an aftertaste of melancholy. These holidays had not lasted long. Why rush his break, then? He was more than convinced that he wouldn’t get noticed, and if he was, well, that was too bad for the customers. Most of them didn’t linger anyway. They thanked Citizen and went out, hastily eating out outside, maybe because the Heroic Trio grumbled louder and louder about the wait. The line went down quickly until the moment a little boy asked for a cone.

“I can make all the flavors you want in the world, young man,” said Citizen. “Every memory, every feeling, every object, the weather, time itself, everything has a taste.”

The little boy thought long and hard, reading out loud the suggestions. After fifteen minutes, he made his choice:

“Chocolate.”

Ignoring the loud groans behind, he was about to merrily go out, when one of the heroes caught him by the shirt:

“You haven’t paid, kid.”

“She gives it to me for free,” explained the boy, pointing at Citizen.

“Really? Why is that?”

The kid shrugged, licking his cone.

“Sometimes, I do the dishes.”

“He’s right,” intervened the shop owner. “He’s done nothing wrong, let him go.”

Hero released the kid, who went away trotting and licking his prize, and turned back to the owner with a frowning face:

“What sort of business are you running here?”

Citizen raised an eyebrow:

“I don’t understand.”

“Do you see these suits, ma’am?”

“Well, yes-”

“That means we’re heroes. He-roes, you understand? We protect you all day, putting our lives in danger for you. We’ve just escaped the most dangerous criminal of this town. We’d like to give us a little respect.”

“But I didn’t-”

“You made us wait to indulge a kid who can take anything he wants? It’s bad business practice. Terrible, even. How can you make profits like that? It’s a wonder this shop is still open.”

The three heroes towering over her, the woman tried to look at Supervillain, the only customer remaining, but he avoided his gaze. He wasn’t about to blow his cover for that. Furthermore, Mister Whiskers had finished his cup and was now interested in Supervillain’s ice cream. He put it away, but as he avoided the cat’s insistent paws, he was still listening to the conversation, quietly readjusting his perception of his self-proclaimed foes. Kids they were, but bullies are of every age. He heard them making their choice (one Nova scoop, two Oncoming Storm scoops, one First Prize cup), and refusing to pay.

“ If you give free food to the bloody kid, I think you can afford to give us a free pass, too.”

The shop owner made the effort to laugh, throwing her red braid off her shoulder.

“You have a good sense of humor,” she said politely.

“I’m not joking.”

Ah, thought Supervillain, there you go. Citizen raised her tone, but they laughed at her:

“What are you going to do, use your power?”

“That’s not our fault if all you can do is ice-cream flavor', said another. “I’m sorry you can’t be a Hero, but not everyone is born equal, don’t take it on us.”

Supervillain stared at his blue ice cream melting, waiting for the shop seller to burst in tears and give in. That didn’t happen. Instead, she clenched her fists and said:

“I am more useful than you.”

The booming laughter of the Heroic trio filled the room, but the shop owner was fed up. She hit the counter with her little hand and yelled, covering their voices:

“I feed children who are hungry. I give people the taste of things they’ve forgotten and can’t have otherwise. I give people shelter when they need it. You’ve just set foot in the neighborhood and do nothing but cause property damage. I am the better Hero. Now get out of my shop.”

The laughs died out. With a stony face, one of the heroes went behind the counter, pushing her away, and took their orders by force.

“Keep telling yourself that,” he said.

The doorbell rang when they left. A heavy silence fell.

The shop seller rocked slightly on her heels, burying her face in her hands. Supervillain looked at her, then at his now melted ice cream. His mom had offered him to see the ocean to cheer him up. He remembered why, too. Because of the day before. A school day. A bitter taste in his mouth. The wall behind his back. Kids with frowning looks and mocking smiles.

“Forcefield is not even a real power.”

“You’re so uncool.”

“What can you do, uh? Hiding like the coward you are?”

Supervillain sighed, shaking his head. No, that wouldn’t do at all.

He stood up, holding out a handkerchief to the ice cream seller. She took it without looking at him. While she blew her nose, he turned his eyes towards the Hero headquarters, looking at the Heroic Trio walking away.

“They’re kids,” he said. “They don’t know a lot of things.”

“That doesn’t give them an excuse to-”

“I know. They have no respect for powers that aren’t flashy enough for them. They’re the kind of people thinking that forcefields are for defense only.”

He smiled. All the windows on the first floor of the Hero headquarters exploded.

People screamed in the streets. The Heroic Trio came back running despite the glass shards flying, trying to localize the culprit.

“They have no imagination,” he explained pleasantly at the shop owner, who was looking at the scene with wide eyes. “They don’t know how impenetrable shields that can be projected from everywhere could be used otherwise.”

He glanced at the building now cut in two, shaking his head:

“I mean, how can they realize that this kind of shield could pierce any matter like a knife through hot butter?”

The heroes wanted to rush towards the headquarters, but bounced back. The forceshield was now covering the whole building, slightly buzzing. It didn’t stop there. It got tighter and tighter until the walls cracked and collapsed under the pressure.

“People inside-” squeaked Citizen.

“It’s the end of the day, my dear.”

The heroic trio was running around, getting people away, swearing and not knowing what to do. The forcefield didn’t vanish until the building was in ruins. Only then Supervillain turned towards the show owner. She flinched hard, but he only pulled out his wallet.

“Now, how much do we owe you?”

*

Back to the Hero x Villain Masterlist.

[katkit-42]

Ok I'm trying again. I've gotten over the dungeon master pun so I'm gonna say what I actually meant to.

Anime onlys don't look.

So the thing about the dungeon masters is, I know we saw dungeon masters of different races in the epilogue, but I think Rui-sensei was trying to make a point in having three of the four dungeon masters we know best being elves, and the one to actually defeat the demon being a human.

Elves are the longest lived species and they have a habit of treating everyone else as children or pets. They also have the greatest grasp on magic. And it's explicitly said that the elves are the ones who hide the true nature of dungeons and demons from the other races, because they think the other races can't handle it. But it is Marcille, Thistle, and Mithrun who fall to the demon's tricks. Even though the elves think of themselves as above the other races, these three fall to the demon. You could argue that they didn't realize that the demon was dangerous, and it's true, they didn't know. But I'm talking from a meta-perspective--why was it that it's the *elves* who fall for the demon? Because the elves have always been prideful. They think they know better than any other race.

And then we have Laois. And he too falls to the demon. First, I love that because throughout the story, we've had this dichotomy of "Laois loves monsters" and "Laois wants to protect the people he loves". And they have always been treated as mutually exclusive--Laois can't indulge in his monster love without hurting his friends. But then, we see that once his friends give his monster obsession a chance, they can find things they like about it too. Marcille is still creeped out when she thinks too hard about where the food comes from, but she's willing to eat the finished product (which, lbr, is most modern peoples reactions to food). Chilchuck started thinking Senshi and Laois were crazy, but by the end of it, he was ok with it. Even Izutsumi comes around.

And then, Laois gets his wish. To become his super cool original monster oc donut steal. And everyone is prepared for the worst. Everyone thinks this is Laois' betrayal--he couldn't hold back against his monster obsession and thus he will kill all the humans.

Only, he doesn't. It is by becoming this monster that he gains his power to defeat the winged lion. It is his love of monsters and his want to be one that creates his ability to protect the ones he loves. Even though they still don't fully understand him, even though the lion offered him what he always wanted--he used his love of monsters for his friends and family. And really.... That's what he's always been doing. No one else saw it at first, but he has always been using his obsession to help the people he loves. And even at the very end, he did the same.

And anyway, I think that's an important reason why the elves kept falling to the demon. The elves are magical and long lived and wise, but from what we see, they're.... Lonely. They have their strict hierarchy and their stuffy rules with each other, and with other races, they take on the role of sole caretaker to these little things who can't possibly understand the "real world." Even Marcille falls to this. But Laois, who has always been on the outside, never stopped trying to empathize with others. He calls Chilchuck "Chil" (something extremely personal to halflings); he doesn't hold a grudge when Namari leaves the group after Falin dies; hell, even though it didn't end well, his insistence on being friendly with Toshiro was probably him trying to avoid doing to Toshiro what others have always done to him. He adores Senshi and Izutsumi. His succubus is Marcille smiling. He isn't lonely anymore.

And the elves who become dungeon masters, don't seem to have that. Mithrun felt alone due to his lover and brother. Marcille and Thistle both felt like they had to protect their shorter lived family. But Laois didn't feel that isolation. Well, he did in his village. But when meeting with his friends and forming their little party, he realized he wasn't alone anymore. And that became more important than even being a monster.

[wackpedion]

Postgame AU everyone

hi im thinking of a post game au where seth takes the spot of director, annd charlie gets dragged along to be vice director, more details below

i have thoughts behind this ok lemme gather em. Okay so I imagine Makoto chooses Seth specifically because he would be easier to control and reign in, compared to Yomi who did whatever he wanted and even opposed Makoto. It works out better for Makoto to have a director whos subservient, it gives him more power over the peacekeepers

thing iss just cuz seth listens to makoto doesn't mean hes any better when left to his own devices, and he kinda takes after Yomis mannerisms with the corruption and power abuse, with this new surge of power hes on a high and even worse than he was as the investigation chief and he loves it esp with no abusive authority figure to worry about

i do think Seth would be very anxious and paranoid though, thinking people might be out to Get Him, annd thats how we get to Charlie . basically like Seth isnt a fan of any of the peacekeepers and doesnt care to work closely with them, coupled with the paranoia that anyone could be out for him. So he chose Charlie to be his vice director, because as disgusting as he finds him atleast hes assured in how loyal he is and how he wouldnt hurt him, plus the lengthy amount of time they spent together helps

seth kinda uses charlie but like whatever i dont think charlie cares, and charlie gets to feel special having been chosen to be the vice director working closest with seth and being the one seth relies on and being deemed as the only one capable for it

k thanks for reading all that heres some doodles as a treat

i also have like furroughs thoughts on this au but like noone gaf n if this sounds less comprehensible than my usual posts its cuz I'm writing this at night and im tired