Part of the reason I find Wyll to be such a compelling character is that he is such a good person, but in what I think is a kinda unique way.
I've seen a few criticisms of how quickly Wyll seems to switch sides in his initial confrontation with Karlach; how fast he goes from convinced he must kill her to letting her live. For me though, this makes perfect sense.
The decision Wyll makes in that confrontation not actually whether or not to kill her; he has to decide whether or not Karlach is innocent, but once he's confirmed that, it's not a question.
He commits so quickly to Karlach because he doesn't have to choose whether or not to kill her in that moment; he already decided seven years ago.
Because at seventeen years old, he decided he would sacrifice anything for the safety of others.
At seventeen years old he decided that his own life, comfort and happiness was never worth the cost of someone else's.
And so at twenty-four, he learns the devil he's been chasing is a person, and a victim, and an innocent, and the decision is already made up.
Because Wyll Ravenguard at twenty-four is who he was at seventeen, and twenty, and ten.
And to me that's one of the coolest things about him.
There's a separate post I'd like to make about how Wyll never loses his childhood wonder of the world- and I think there's a very similar principle here. Wyll grew up hearing stories of knights who slay monsters and heros in shining armor, and he took those stories and loved them and held them close to his chest.
And then he's seventeen and a devil asked him if he wants to be a hero, and he's not an idiot; he understands the price of saviourhood so he says yes.
And so when he meets Karlach, it's never really a question of if he'll kill her. It's just a matter of him finding the courage.
Because he says "you don't know what you're asking of me" and he's absolutely right, we don't. But Wyll understands the cost; he's understood it for seven years. I'll bet anything that when Wyll Ravenguard made his pact with a devil to save tens of thousands of souls, he promised himself and his city and his father who wouldn't listen that he'd only ever use his pact to help and be good, and when it comes down to it, he sticks to his word.
Because above all, Wyll Ravenguard is a man who knows who his is and what he beliefs, and who sticks to his principles no matter what, and for me that's incredibly compelling.
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daniel was so enthralled and delighted seeing louis' fangs, was fascinated with the knowledge that armand can read minds, that it stands to reason he would go balls to the wall insane to find out armand can fly. in the 70s he'd ask armand to do it all the time and armand would always do it so daniel would cheer for him and get all excited again. so in dubai in 2022 when armand is revealing himself as the ancient vampire and not the servant boy, i like to think he was like "well, there's one surefire way to make sure this reveal makes daniel's eyes bug out and makes him freak out and go crazy and realize how cool and hot and powerful i am." and then he just. starts fucking flying
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Thinking about Mav being unsure of what Ice's eye color is
Of course he's not going to do the normal thing and ask the man, so he settles for finding ways to get up close and personal to try and see for himself without being obvious (-> he fails)
But every time he gets a close enough look they're different. One day they look blue but the next they look hazel. One moment they look brown but then he turns his head and a different light catches on them and they look almost green
It turns into one big game of "How close will he let me get? How much will he let me see?" And it's not until he's gotten to the point of being a breath away from Ice's face- close enough to brush lips- and standing under the bright white LEDs that he realizes that they're gray
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trying not to talk too much abt the bear s2 but im Really fuckin frustrated that even with everyone demanding that they’re sooo media literate and sooo smart that no one has talked about claire and the way she sparks audience discomfort. like, she feels out of place within the show because CARMY cannot accept that he is getting this good thing—she feels out of place in HIS life. she’s actually crafted to be the ideal girlfriend, with glowy bokeh lighting in a grocery store and beauty shot close ups and a sweet instrumental leitmotif to show to you, an audience member, that she’s too good to be true in carmys eyes. if you’re an audience member, she raises alarm bells in YOUR head because she raises alarm bells in HIS. he literally tells us that—that’s the crux of his final monologue, that he doesn’t believe he can have the life of food and wines best chef and a life of love and human connection. he doesn’t believe he’s deserving of good things because his family has always been so fucked, because nothing he’s ever tried to hold together has held together—except for his cooking. it’s done this way on purpose, to make you feel that anxiety that he feels around this relationship, and to make you question why you feel it too
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