#he's so easy to grab with them

[spilledmilkfkdies]

I think duman would look real pretty with cat ears

I've been thinking about this ask every day since I got it I'm so serious

I think that would depend on how you'd do it. Kinda. Like where are you gonna put them? Are you just transforming the ones he already has and keeping that placement, or are you sticking them on the top of his head? If so, are you planning on removing his other pair of ears? Not sure he can pull that off with the lack of hair around there without it looking a little um. Uncanny, perhaps. And a point brought up by the wizard server! Are the ears hairless? Hairless cat ears??

At the end of the day, when you really think about it, we'll eventually just return to

whether we like it or not (usually not)

[95-6qrsk2rx9uq42069nnnnnjthewolf]

i think tim is high maintenance the way a boarder collie or austrialian shepherd is. like you have to make sure they're not only given space to expend energy but you have to specifically let them get the herding instinct out and challenge them intellectually or they start destroying ur home

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[fisheito]

blade, superspeed superstar investigative extraordinaire (flinging entire men around since , uh, Saia)

[lu-polls]

[Poll suggested by: Anonymous]

[fisherrprince]

oh so alisaie’s exaggerated bully behavior is 80% fanon. saying this she casually picks up a large rock

[zappedbyzabka]

Scream AU

[wolfywolfy]

Genuinely I love Julian's route in The Arcana so much. The potential of it, this inherent pull towards someone and you don't understand why -- he's admitted guilt to murder yet you can't help but feel this strange insistence that he's innocent. You don't know how, but your body, mind, & soul are screaming at you that this man that you have never met before is good, he's not what others say he is, he's not what he himself says he is; and then you learn that he doesn't even remember what happened, he just assumes he's the guilty party because he wouldn't be able to live with himself if he was. Why else would he forget unless it was an unbearable guilt he couldn't bear the weight of?

And, on top of it all, he has this same strange familiarity with you. How does he feel when he sees you in the shop and his heart stutters? When suddenly his aimless searching for something feels resolved, when he looks at you and everything feels right? He doesn't know you and yet his body remembers.

The mutual amnesia of people who used to be extremely close. He sees you for what he thinks is the first time ever, but his body is telling him no, we know them, we miss their touch. And you, the apprentice, slowly realizing you're feeling the same things? You immediately trust him because, before you forgot, he was your partner. Your mentor. Somebody you were so incredibly, incredibly close to, but you died and he blamed himself and everything crumpled and he made himself forget so it could never happen again and then --

There you are. And neither of you remember, but at the same time, some part of you does. The muscle memory never left. He touches you so casually, pats your arms and grabs your hand and leads you around the alleys as if it's second nature because it is. He dreams of your face and his torment and of losing you, and doesn't realize that it was real, and that his body itches to hold you because that part of him can't bear to lose you again.

I am obsessed with it. How many little tells are there, really, that the two of you share and hint at it being an old habit from times forgotten? How many little touches used to be daily routines? How many flutters of visions aren't just passing thoughts and wishes, but memories?

You think of how hard it would be to kiss Julian with a plague mask on, and his response is "Imagine trying with two of them," because he wanted to kiss you when you were his apprentice, when you were both desperate and tired and aching and tortured by the plague with only each other's company as a comfort. Maybe that's why you had the thought of kissing him in the first place, too -- but neither of you know why the subject was brought up, neither remember, yet some parts of you do.

Ugh. I love it. And when Julian finally does regain his memories? And he realizes you're real and you're here and you've been here, and he has been able to touch you and hold you this whole time, but now he can truly appreciate it, but he's also horrified with the weight of losing you all over again. Oh my God. It's so good. The potential underlying thoughts and emotions are so good.

[quietwingsinthesky]

what if. Amy “fix-it” because hallucifer makes sam so paranoid about dean leaving for no reason that sam gives in and follows him and is witness to the whole thing

[chipistrate]

I have a debt that won't leave my head : why didn't freddy ask Gregory or Vanessa to come back and rescue the other glamrock animatronics

Well we don't know he didn't for a fact- there's no real evidence one way or the other

The three came back to the Pizzaplex to set up MXES, and maybe they were planning on attempting to save the others while setting up the MXES system, but quickly realized they were beyond saving- or at least they they wouldn't be the ones to save them.

Maybe before that, they did try and simply failed- just because they try doesn't mean they'll succeed and we'll see the results of the rescue attempt.

The problem with saving them now is that they aren't like Freddy, who was infected and freed before it was too late- they're not infected anymore, they're just angry and not themselves. The issue isn't a virus anymore as that virus was already defeated, fixing them isn't as simple as playing a few arcade games, their code- their minds- they've been damaged and changed, and reversing it isn't easy, especially not in the states they're in right now. And my point with this is; maybe Freddy and the others knew this, knew that they were just damaged, and thought that saving them was impossible. Plus, none of this is to mention just how dangerous a rescue attempt would be- we saw how they acted around Cassie, and we saw how especially Roxy was still angry and looking for Gregory- a rescue attempt would be life threatening, and with everything on their plate already, a mission that they knew would most likely fail and could easily get one of them killed might not be worth it.

Though to be honest, it sounds unlikely when thinking of Freddy specifically- maybe Gregory and Vanessa, but those are Freddy's friends, he's described them as such, and I think he'd be able to convince the two to at least try. But I don't think it worked.

TLDR; looking at his character he most likely did, but the attempt failed. Either that or he had to give up the attempt before it started, knowing that his friends just weren't themselves anymore and wanting to protect his family from them.

Not sure if this made sense- but I hope I got my point across uierjgherfl

[dutybcrne]

From a very young age, Kaeya held such a fondness for handholding. Whether it was his father clinging tightly to him to make sure he didn’t get lost, Adelinde’s gentle, grounding hand closed over his to comfort him whenever his nerves got the better of him, Crepus’s rough-palmed, firm yet comforting grip as he brought him back home, or, as it was most often of all, Diluc’s warm, yet at times uncomfortably tight hold as he dragged him anywhere, everywhere, determined to always keep Kaeya close and eagerly show him all there was to see, Kaeya treasured the gesture greatly.

Of course, being as shy as he was, initiating it himself was always the harder part. So much so, he would tend to hold pinkies, rather than outright take a person’s hand in his own. Eventually, it would become his most common way to go about the gesture of affection.

[samiferboy]

i am not immune to the idea of s1-2 samifer

[thewaferofchaos]

I can't see Andrew with long hair, I always imagine him with a buzcut unless he's pretending to be arron

[marzipanandminutiae]

I also just realized “unawive[s]” is a very topical character pun

it’s not a very good pic so I won’t post it, but today at my friend’s Halloween party I borrowed her toddler son’s discarded cat ear headband, put it over the hat for my Lucille cosplay, and sent @theoriginalmarmaduke a selfie captioned “~*hewwo time to go commit unawive UWU*~

I thought you all needed that psychic damage. you’re welcome

[eric-the-bmo]

[head in hands] oughghgghhhhhh

[theheadlessgroom]

https://beatingheart-bride.tumblr.com/post/714272738944155648/beatingheart-bride-theheadlessgroom

@beatingheart-bride

The opera went off without a hitch for its two first acts: No disembodied voices echoing around the auditorium (nor did the new chandelier, installed at the beginning of the year, rattle precariously above the audience’s heads; the police took great care to put men up near it, lest they have a repeat of Il Muto’s curtain call), no rats raining from the rafters, not even a whisper of a ghost being around. There was still tension felt among the cast, the crew, and the managers, but so far, all had gone well.

And all continued to go well as the third act began, as the Don, draped in a hooded black cloak, sought to seduce the beautiful Aminta, exuding confidence from his anonymity-at least, until Aminta herself proved to be just as bound and determined to seduce her mystery suitor, taking her would-be lover by surprise with her forward flirtations, as they together approached The Point of No Return.

Randall gulped from behind the veil as he watched Emily skip out onto the stage, singing cheerfully as she flounced around, spritely and light-footed (a small showcase of her dancing talents as well as her vocal ones): Truly, she was beautiful in the peachy tones of Aminta’s dress, evoking spring-turning-summer (especially with a rose blooming in her blonde locks), with her tall black boots and black trim of her gown hinting at a mature streak many often overlooked. She was everything he dreamed of in the role and more.

Am I a fool? he thought to himself as he watched her, preparing for their long-awaited duet: Was this even a good idea, putting himself out onstage in front of an ocean of people, right under the noses of the police? Should he have just stayed in the attic like Emily suggested in her letter? An uncertainty began to creep into his gut...

…but as soon as Emily looked at him, and he began to sing, none of that mattered to him now, as he found himself melting effortlessly into the role of Don Juan, just as she had so beautifully melted into the role of Aminta. To be quite honest, the title character was the only one he hadn’t made any casting suggestions for in the libretto, as a part of him had always longed to play it himself. He never, ever imagined that he ever would, granted, and yet...here he was: Singing for a captivated audience with his angel.

And right under Morgan’s nose too! he thought delightedly, catching a glimpse of the pianist in the pit as he turned all of his focus on Emily and their performance.