#hekts

[buzsuaritma]

Buzsu Code Hektaş ofislerine hayırlı olsun Bizi tercih ettikleri için Ülkemizin Güzide Şirketi Oyak Kuruluşu olan Hektaş A.Ş teşekkürler # #oyak #hekts Buzsu Code sizin, aileniz ve sevdikleriniz için en iyi su arıtma cihazı www.buzsu.com.tr https://www.instagram.com/p/CpXOIC5Li4M/?igshid=NGJjMDIxMWI=

[plusborsa]

23 HİSSE İÇİN ORTALAMALAR #AKSA #AKSEN #ALKIM #ANHYT #ASELS #BIMAS #CCOLA #DEVA #DOAS #ENKAI #EREGL #FROTO #HEKTS #INDES #ISDMR #ISMEN #LOGO #SARKY #SASA #SISE #TOASO #VESBE #borsaplus #borsa #BorsaIstanbul #bist100 https://www.instagram.com/p/CmWC02eI5CS/?igshid=NGJjMDIxMWI=

[mellori]

Im pretty sure Cam didn't want Pal to write that sweet hot erotica because she knew it'd be fire and would've felt obligated to edit it for him and just straight up didn't want to be getting horned up by her cousin that she's deeply and platonically in love with.

Which I mean yeah good choice girl. a good boundary to be setting.

[creeperchild]

Eyyy a big pic for a lot of friends that i met in my way in our cult that i love and adore!

@shewhounderstoodcotlau @daily-new-vessel @wyrmy @fanfic-enthusiast @cosmica-candy @bandagegirl @moonsfantasyworld @codysixspins @pikos-den @kaifanjc-the-one-and-only @devilbinx @beccaboo2001-2 and many more ( i know the rest through discord (i am sorry if i missed one of you out ;-;)

[grrlmusic]

Hekt - Dream

[notsumma]

i haven't read *that* many ttrpg source books but, like,

is the whole "this evil race worships [Egyptian god], while this evil race worships [Aztec god], but THIS evil race worships [Hindu god]" something I'll always have to filter out? or am i just picking the most racist games by chance?

[polaroidblog]

“Memoria polaroid” – un blog alla radio S22E30

Bentrovate e bentrovati a una nuova puntata del podcast di “Memoria polaroid – un blog alla radio”, la trasmissione in onda ogni settimana da Bologna sulle frequenze di NEU Radio. Dalla Gran Bretagna al Canada, dal Belgio alla Russia, passando per l’Italia e per un doveroso omaggio a Andy Rourke, ecco a voi la consueta oretta di novità indiepop e indie rock, senza trascurare gli immancabili…

[dustedmagazine]

Chris Liberato's 2022 favorites

Photo of Courtney Marie Andrews by Chris Liberato

2022 got off to an unusually slow start for me, as far as connecting with new music. Fortunato Durutti Marinetti’s Memory’s Fool, released in March, was both the first record that grabbed me and the one that I returned to most often. To give you an idea of what it sounds like, imagine if Robert Forster grew up listening to Bill Callahan/Smog, and made a record with Robert Wyatt producing, and you’ll be pretty close. Right up there at the top of my most-played pile, next to Fortunato, is Courtney Marie Andrews’ Loose Future, which didn’t come as much of a surprise to me given how hard I fell for her last one, the stunning Old Flowers. Although, getting the chance to see her and her band perform the Loose Future material live last fall (more on that below) definitely helped seal the deal.

A couple of records that did surprise me, in terms of how much time I ended up spending with them, were the latest Jeanines, Don’t Wait For A Sign: a pure comfort listen whenever I needed it this year, which was often. And Free Time’s Jangle Jargon, which barely made a blip in the indie world but seems like it would appeal to Destroyer fans — the way it evokes that project’s Thief and Streethawk eras — and definitely fans of Twerps, whom they uncannily resemble on standout track “That’s Rare,” and whose former frontman Marty Frawley guest stars on the album. It’s an addicting one. I also want to give a special nod to the Morteza Mahjubi compilation, Selected Improvisations From Golha, Pt. I, even if it might not fully qualify as a 2022 release (it was released digitally and on cassette in 2021, with the vinyl ultimately landing this year). I discovered it via a Steve Gunn tweet in November and it’s since become my go-to morning record — equal parts ghostly and jaunty, improvised piano pieces from 1950s/60s Iranian national radio broadcasts that are sure to get your bones rattling. 

I also saw more live music in 2022 than I have in years, both for obvious Covid-related reasons and because I decided I needed a break from school, and therefore had more time and energy than usual to make it happen. Of the shows I caught, my favorites were Quivers, who made it over from Australia in support of last year’s glorious Golden Doubt, and Courtney Marie Andrews, who played to an adoring, capacity crowd at Cambridge’s Middle East in early November. Something these two acts had in common was an obvious love of playing music with their respective bandmates, which translated into an infectious onstage energy, in both cases, that left me feeling a lot lighter at the end of the night. Picking a favorite single moment is easy: it was the absolutely devastating centerpiece of Andrews’ set, “Near You,” a song I wasn’t familiar with prior to the show but which left a raw, empty feeling in the pit of my stomach that I can still viscerally recall (you know, in a good way). In a very different way, catching Kraftwerk and their synchronized screen show at The Wang Theater ruled, too. As did seeing Berlin resident Ned Collette, not once but twice, after catching Collette fever last Spring when I picked up the reissue of his debut, Jokes & Trials, and subsequently deep diving into his back catalog. 

But that’s enough out of me. So, without further adieu, here are the records I enjoyed the most this year. If we reviewed the record here at Dusted, or I covered it in a different context elsewhere, I made sure to link to it. 

Courtney Marie Andrews — Loose Future (Fat Possum) 

Michael Beach — 2022 EP (Goner) 

Blue Ocean — s/t (Dandy Boy) 

Jackson Reid Briggs — Out Of Line EP (Self-released) 

Thomas Bush — Preludes (Mamma’s Mysterious Jukebox) 

Laura Cannell — Antiphony Of The Trees (Brawl) 

Sarah Mary Chadwick — Flipped It (Kill Rock Stars) 

Chronophage — s/t (PPM) 

Ned Collette — Jokes & Trials (Feeding Tube/Sophomore Lounge) REISSUE 

Loren Connors — Airs (Recital) REISSUE 

Exek — Advertise Here (Castle Face) 

Field School — When Summer Comes (Bobo Integral) 

Fortunato Durutti Marinetti — Memory’s Fool (Soft Abuse/Bobo Integral) 

Free Time — Jangle Jargon (Bedroom Suck) 

The Glass Picture — s/t (Chapter) 

​​Lande Hekt — Romantic / Octopussy (Emotional Response) 

Jeanines — Don’t Wait for a Sign (Slumberland)

 Jeanines — Latest Light / After All (Market Square) 

Alicia Jeanine — Demos (Self-released) 

Kitchen’s Floor — None Of That (Petty Bunco) 

Morteza Mahjubi — Selected Improvisations from Golha, Pt. I (Death Is Not The End) 

The Orchids — Dreaming Kind (Skep Wax) 

The Reds, Pinks and Purples — Summer at Land’s End (Slumberland) 

The Reds, Pinks and Purples — They Only Wanted Your Soul (Slumberland) 

The Stroppies — Levity (Tough Love) 

Ben Woods — Dispeller (Shrimper/Melted Ice Cream/Meritorio)

Chris Liberato

[therarefied]

Lande Hekt's “Axis”

[notsoterriblymisanthropic]

When did you last make a new friend without alcohol? It’s so hard to keep a conversation going back and forth. I can’t sleep most nights until the TV screen burns my eyes. I’m in the worst scene of a horror film for most of my life.

[plusborsa]

23 HİSSE İÇİN ORTALAMALAR #AKSA #AKSEN #ALKIM #ANHYT #ASELS #BIMAS #CCOLA #DEVA #DOAS #ENKAI #EREGL #FROTO #HEKTS #INDES #ISDMR #ISMEN #LOGO #SARKY #SASA #SISE #TOASO #VESBE #borsaplus #borsa #BorsaIstanbul #bist100 https://www.instagram.com/p/CmMo0KYouHu/?igshid=NGJjMDIxMWI=

[thejoyofviolentmovement]

New Audio: Optic Sink Share Woozy "Landscape Shift"

New Audio: Optic Sink Share Woozy "Landscape Shift" @gonerrecords @notsmemphis @emoresponse @ctpublicity

Emotional Response Records‘ Typical Girls compilation series derives its title from the legendary British all-female punk/post-punk outfit The Slits, who gleefully proclaimed “Who invented the ‘Typical Girl'” as they attacked gender and sexual stereotypes back in 1979. Obvious, if you’ve lived long enough and have gotten to know real, human women, you’d discover that the “typical girl” is a bunch…

[creeperchild]

!MERRY CHRISTMAS !

i know its a bit late but ehhh!

[senorboombastic]

Release Rundown - Lande Hekt and Tim Burgess

Release Rundown – Lande Hekt and Tim Burgess

Words: Ben Forrester Lande Hekt – House Without A View(Prize Sunflower) It was at the start of 2020 that singer/songwriter Lande Hekt headed out on a tour of Australia. At the end of it, Lande recorded her debut album before returning home to the UK. With ‘Going To Hell’ getting an early 2021 release, Lande has wasted no time in penning this here second album, ‘House Without A View’. With much…