i think something so lovely about love/beauty deities is that they don’t actually force you to change into anything specific. they always encourage you in ways to accentuate you as you are.
like working with freyja, i didnt get a nose job. she just made me love my nose and how it has a bump in it just like my mama does.
freyja didn’t make me start frying my hair to make it appear a certain way. she nudged me to buy products to accentuate their natural texture.
freyja didn’t make me start wearing more makeup. i just started liking what i looked like in the mirror—acne, dark circles and all.
and if i did wear makeup, she was right there making sure it came out perfect for my face, not for anyone else’s.
freyja didn’t “magic” away my current body shape. she made me not worry if im bloated some days or about the light marks on my hips.
there was nothing “imperfect” in her eyes. she wanted me to see that.
beauty and love deities have been misrepresented as deities of conventional beauty when in reality, they are mirrors to show how beautiful you’ve been all along.
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i am so charmed by a lumax wedding because it’s not even something max thought would happen. like she assumed weddings were something the girl makes happen and the guy puts up with. and because she had no desire for one, so there’s no reason it would happen.
among other things weddings are an exorbitant and performative show of love, max loves lucas and she doesn’t care whether or not other people know or believe this. at it’s best marriage to her has been a representation of failed dreams and at it’s worst it’s been a tool to manipulate people who need to get away to stay. maybe they will get married for the tax benefits, she thinks.
this is until max and lucas are older and living together, they’re chilling on the couch and lucas mentions his family has been asking when he’s planning to propose and if that’s something max even wants? max doesn’t care, she doesn’t plan on going anywhere, a certificate won’t change anything and she's not crazy about parties. she doesn’t ask how he feels, he brings it up, that “actually i want a wedding.”
that is saying the least, lucas wants a wedding more than anything. he loves max and he doesn’t need to prove that to anyone, but he’s happy and he wants to share that with others! he wants to work with max to make marriage a positive thing to them, he wants to celebrate their love, everything they’ve been through. also, hell, he’s only human, he wants to show off! he wants to dress really cool and go to a really cool place and show the world know how awesome he and his girlfriend are. HIS WIFE!!!
most of all, lucas wants the moment near the end of the night, where the party’s getting loud and everybody wants his attention, but max asks if he wants to get out of there and he says yes. not out out, just outside the venue. it’s dark and the once booming music is now faint, they sit and catch up, complain about their families, laugh about their friends. max holds lucas’s hand and plays with his wedding ring, she whispers something sweet before asking him to dance. it’s the best part of the night and nobody will know about it but them.
suddenly max decides she wants a wedding.
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On Isolde and Many Doors (and One Key)
Thinking about Isolde and how she feels like she is constantly trapped in a small cramped room full of 1 million doors. Each door represents a presence that haunts her, an identity that lives inside her that calls to her from beyond the grave, a new mask to dawn.
If every person in the world were to have a room, most would have just one door, their own. But not Isolde.
Isolde feels like an empty vessel who is only there to serve as a point of entry for other people and their spirits. She has been forced to become so repressed by her environment, upbringing, and her nature as a medium that she finds it easy to forget herself. Her “self” is not someone she has ever been allowed to know.
The room grows increasingly smaller, claustrophobic and strangling her with pressure as the amount of doorways in it only increase, every new person she meets a new doorway she is plagued with, a new voyeur who has granted themselves full access to her life and her body. Something she is now willing to let them do. It is easier that way. Easier to let someone else command her vessel, something that never solely belonged to her to begin with. An escape from all the pressure, the expectations, the perfection demanded from her. It is something she should do. The duty of someone like her. Something to hide her wretched face from view, to give the people what they want, to uphold her family’s legacy. A performance that was never allowed to end. Each new door lead right back to that.
The only exception is Kakania. The only person Isolde believes has ever really seen her as more than a host for other identities or something to mold into shape, prop up as a set piece. A perfect lady. The star of Vienna. A tragic heroine. A dangerous hysteric witch. A curse manifested. The only one who was ever interested in finding Isolde’s door and that door alone. When she is with Kakania, a new door does not appear in that ever shrinking empty room, although at first she expects it to. For the first time she meets someone and is not greeted with a new ghost to haunt her. Not a door. But a key. A key that Isolde knows can unlock her own door, even when she herself cannot find it.
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yapping about Briar. fellow Briar enjoyers assemble.
okay okay i don’t make it too obvious (or maybe i do, i wouldn’t know) but briar is my personal favorite character. i think about where the stories of all the characters would go and what their arcs would be a lot, but hers in particular is really important to me.
so i wanna talk about it.
first of all, she’s narcoleptic coded, right. we all know that. but her mom on the other hand reads to me, like, an alcoholic mother? and her dad is just willfully ignorant. either way, there’s a huge sense of neglect going on in that family. i mean go figure why briar would be the one doing most of the work raising her brothers. and of course she’s a party girl, because who’s gonna stop her? her parents? see yeah exactly.
so i don’t think it’s unreasonable to say she doesn’t have very strong parental figures in her life, at least not at home. but, and now you have to really hear me out about this one, i think baba yaga could take up a parental role in her life.
i know it isn’t much, but the seeds for her having at least a hint of a connection with baba yaga are there.
in the webisode “Stark Raven Mad”, baba yaga scolds briar for rambling about her party, and then as the commotion picks up she’s still exercising authority over briar in particular.
then there’s thronecoming, wherein, when briar is sulking at the dance, upon noticing the picture on the projector, she asks baba yaga for answers, who provides them.
and then skipping all the way to epic winter, after the girls become a little creeped out by her mannerisms and book it, briar is the one who makes sure to peak back in and give a parting remark.
so i think there’s potential there to be explored. her feeling neglected at home and then finding solace in another adult at school would be neat.
but the fact that it’s baba yaga is important, so just put a pin in that and we’ll circle back to it.
now, i think out of the core four, she was (at least at first) the hardest to actually pin-point what the future of her story could look like. with raven, i think it’s pretty clear her journey is just continuing to combat the prejudices of the world as she fights for change, apple is now pretty much on a path to figuring out her own future as ruler of a kingdom and what that’s going to entail, and maddie is the goofball that’s there to have fun and be supportive along the way.
then there’s briar. and, let me be clear, no, in my mind that girl is not sleeping for 100 years with where things are heading; in the main universe of the story, briar will be free of the sleeping beauty destiny.
but it’s like, if she’s not gonna sleep, what more is there to actually do with her? what direction COULD her life go in? because if she’s no longer fated to sleep 100 years of her life away, then she can’t just party like there’s no tomorrow anymore. she’d need to decide what she actually wants to do with her life.
and i think i have an idea.
i mentioned her narcoleptic coding at the start with intent to bring it up again. see, you might notice that a lot of the fairytale aspects of ever after high can be read as allegories for real-world problems. for example, hunter and ashlynn’s relationship is treated in their world the same way society may look at queer couples or biracial couples. or how raven’s mom being trapped in a mirror is their world equivalent to not paying child support.
with that kind of correlation in mind, i think treating briar’s curse as a condition could open up an interesting opportunity. i think, in their world, curses as a whole could be viewed as a separate branch of medical specialization, with briar spearheading this notion of thought.
we know briar is well-versed in chemythstry already. in the webisode “Briar’s Study Party” she makes note of the fact that she’s been studying forever-after, and she demonstrates enough knowledge in the subject to enthusiastically teach it to her friends, who all end up acing their tests on it as a result.
i think this is something she could potentially make a career out of. i think she could come to the conclusion that she wants to be able to help break curses for people everywhere, and could pursue learning to develop potions and elixirs to do so.
which could happen under baba yaga’s tutelage.
picture this: briar declares her newfound goal, to which baba yaga offers to teach briar all she knows in order to achieve what she’s set her sights on. briar—with an ounce of hesitance—accepts, and baba yaga officially takes her under her wing with the intent of mastering sorcery.
obviously, she wouldn’t lose who she is in this. she’s still gonna be an impulsive, adrenaline junkie who desperately needs a screentime limit on her mirrorphone. but in this process, she’d be rounded out by baba yaga and would in turn mature a bit from the experience. she’d get serious about life, but she wouldn’t let go of who she is at heart.
this could lead to her becoming the resourceful one in the main group. like on adventures, she’d be able to pull out a potion or whip something up (because i’m not going to let raven’s magic make her too o.p. she’s gotta have limitations) as a solution to problems. she could really have a role that proves useful and important to the story.
that’s my ideal pitch for where to take briar’s character.
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