#and also speaking of dads!

[badolmen]

They don’t even attempt to assassinate US politicians anymore. You notice that? Not since the anthrax scare back for… who was it, Barack? And even that… pathetic. This new generation has no respect for an honest hitman. I’m not sure this new generation has any honest hitman - you see that shit with Boeing? Sloppy, fucking disgraceful - you kill the whistleblowers before they get halfway to a lawsuit. What kind of fucking amateur is doing faked suicides the night before testimony? Goddamn greenhorns. Back in my day someone tried to shoot Ronald Reagan in broad daylight. There used to be bomb threats to Congress. I took out a few union leaders in the utilities sector myself. Today’s generation? Won’t even threaten to throw a punch - not even over on that - what’s it now, ‘X’? They got no guts. None! And they don’t even have poor impulse control to boot! Too much of that - that panopticon anxiety bullshit. “Oh what if I get a called out post???” People used to send the president letters full of bioweapons. In the mail! Today’s generation? Not a chance. All because of woke.

[welcometogrouchland]

(ID in alt) you guys even fuck w/ the flash on here???

[rooniearts]

Does Silvers and Espios kids also have their abilities? PK and/or Invisibility?

They sure do! Let's start with Psi;

Psi inherits psychic powers from Silver, but they don't work the same. His powers are exclusively telepathic as opposed to Silver's telekinesis. He can project thoughts and illusions to any target of choice, as well as read minds. He and Alloy use the mind read/transfer thought trick ALL the time to chat and goof off without anyone knowing :'D It's the only time he's ever a real chatterbox

He's very unstable, though. When not held in check, he can't focus his powers at all or control how much of it he uses. If he doesn't wear the braces, he can just hear everyone's thoughts simultaneously, and he gets super overwhelmed very very quickly. The more stressed he is, the more power he unleashes, and the more power he unleashes, the louder everything gets. When he's in top overload like that, he emanates an aura of psychic noise around himself that interferes with the senses of anyone who gets close to him.

I think that about covers it for him, so lets move on to Alloy;

Where Psi inherited Silver's powers, Alloy inherited all of Espio's chameleon abilities! She can climb on walls and ceilings, she can use her tail to grapple and cling to things, and she has a chameleon tongue that she can use to steal shit out of her brother's hands <3

The only thing that doesn't directly transfer is the invisibility. She can colour shift, but she can't control when she does it. Usually, it only happens if she's either frightened and feels the instinctual need to hide, or if she's very angry where it works as a form of threat display.

I think that's all there is?? I hope this made sense! :'D

[chloesimaginationthings]

The secret good ending for FNAF ruin,,

[stars-obsession-pit]

John Constantine sighed loudly, interrupting the discussion in the meeting room. He rubbed his forehead, clearly looking like he wanted to light a cigarette.

“Well, I do know someone who could probably help, but it’ll be… awkward.”

Zatanna raised an eyebrow. “Another jilted lover?”

John scowled. “I’ve pissed people off for far more than just sleeping with ‘em, you know. But… yes.”

Batman butted in, “And you’re sure they’ll help?”

“Hopefully.”

“That doesn’t reassure me,” Flash remarked snidely.

John opened his mouth to rebuke Flash’s words, but Wonder Woman spoke up first. “It’s still better than nothing. Unless they’re likely to attack you.” She turned towards John. “…Are they likely to attack you?”

“Nah, Clockwork ain’t the type. And a few years won’t have changed that.” John paused, then sighed again. “Anyway… give me a couple hours and I should be able to set up a summoning circle. Even if he doesn’t show up immediately, he should be able to feel it.”

When they reconvened, John stood in front of a decidedly unimpressive looking ritual circle, wearing a strange medallion.

“Really? That’s it? You’re sure this guy is powerful enough to deal with this?”

“Fuck off. I told you we’d dated, of course I have a leg up in contacting him. It wouldn’t work if you tried this.”

“Is everything ready?” Batman cut off further arguing.

“Yeah, should be.”

John uncorked a small vial of a glowing fluid and downed it in one gulp, grimacing. Clearing his throat, he turned around and began to chant. Except instead of words, what came from his mouth was an sibilant hiss of static, like a radio tuned to dead air.

At first, not much appeared to happen, but then the world began to slow down, the colors graying further and further as the effect intensified. Only Constantine seemed untouched, continuing his chant unabated.

Suddenly, time seemed to skip like an old record, and the effect was gone. Blinking away the haze from their eyes, the gathered heroes noticed a new figure in the room.

A baby.

Everyone turned to stare at John Constantine, silently demanding answers to the same question.

“Did you seriously have a kid with a godlike being and then abandon them?”

[technically-human]

The case of the lighthouse leapers

That's right, more Niko angst, but most importantly, more Niko and Charles bonding! This is the beginning of the improvement for their relationship, finally.

This was, of course, a commission for @i-am-as-normal-as-you-are

[crumb-crumblet-s-crumbington]

attempt to return to normalcy

[puhpandas]

gregory visits mxes

i need Gregory vanessa and freddy bestieisms with mxes so bad they need to confirm they were behind mxes in ruin already IF IT WAS CASSIES DAD ILL THROW UP

bonus:

[theabigailthorn]

I'M MAKING A MOVIE

My next big creative project just got greenlit!

Last year we made The Prince, and it was a gamechanger - next year I'm making a sexy horror comedy vampire movie!

Can't wait to get started on this one lol. Also thank you?! This happened because people went so gaga for The Prince. It's phenomenal.

[noxious-fennec]

He lends very well to dramatic lighting

Comm for @cannibal-crxw :D info here

[foursaints]

also i think harry potter is a more interesting character when you allow james to be extremely morally grey. imo this is more reflective of canon: he was a bully. he was blindly privileged. he harassed lily and treated it like a joke. and no matter what, he's still a man who wanted to marry "the brightest witch of her age" and saw absolutely nothing wrong with making her his jobless prospectless pregnant housewife at 19 years old! that's entitlement!

like in doing this, james technically carried on centuries of misogynist conservative pureblood tradition (marrying women off to be teenaged childbrides) without another thought. this is the environment in which he was raised. and he told himself it was ok and progressive because he, like, wasn't racist to her for being muggleborn and genuinely loved her as a person, or whatever. but that's the bare minimum! and it shows that he had no qualms with participating in pureblood culture & tradition when it suited him, because he literally materially did. a better james potter would never have been comfortable with letting her take on that role.

and the series themes are more resonant when harry's parents aren't both just, like, nebulously ontologically good. it's really poignant when harry spends his entire life being taught to idolize a man who was, in actuality, kind of a piece of shit— and grapples with this as he grows up, ultimately choosing to be different. the lesson is that both good (and cruelty) can come from anyone, regardless of birth circumstances or house placement, because goodness is a choice.

[teaboot]

Brief ser8ous note PSA thing, sorry if this comes off as rude or ungrateful but I feel like I should probably say that like. I don't need to know really if people are talking about me?

Like I appreciate those of you trying to keep me informed especially when accusations are made but I'm not really gonna do anything with that information

People can copy my posts or make tiktoks or disagree w me or whatever, that's okay

Referencing recent stuff obviously but also like. In general

If anyone wants to tell me something directly, then that's what anon is for. Otherwise it's not really my business

I think. Probably

But thank you?

[ghostdrinkssoup]

Severance S2 spoilers, but I think innie!Mark running back to Helly is deeper than just him realising he doesn’t have feelings for Gemma. As we know, outie!Mark gets severed because he doesn’t know how to cope with Gemma’s passing, meaning he’s someone who struggles to accept death (and by extension change). We see this characterisation extend to innie!Mark when Petey’s disappearance forces him to re-experience grief. Notably, innie!Mark’s gut reaction is to hide the group photo of Petey so he won't be reminded of him, similar to how outie!Mark hides Gemma’s things in his basement because it’s “easier pretending she never existed”. Innie!Mark later shreds the map on the back of that same group photo when Helly presses him to question Petey’s death, again, very similar to how outie!Mark tears up the picture of Gemma. Despite differing contexts, both versions of Mark try to prove they don’t “give a shit” about someone they are very clearly mourning.

Innie!Mark isn’t just mourning his best friend, but also how things used to be. His attachment to Petey doubles as an attachment to the culture created by his coworkers, again, not so dissimilar to outie!Mark mourning his old life with Gemma. In both cases, he doesn’t want things to change. The idea that work culture is created “by the people” is established in the first episode, during a meeting between innie!Mark and Cobel:

Here, Cobel explicitly associates hell and heaven with the work environment, noting that hell is not reality but our perception of reality, influenced by our environment. Essentially, the people at work determine whether the workplace is worth being attached to. Although this philosophy isn’t universal (not everyone loves their coworkers), it aligns with innie!Mark’s values, as demonstrated in the shredding scene: 

Here, innie!Mark confirms that he isn’t loyal to Lumon, but to his colleagues. We also learn that in the face of uncertainty, he would rather lean on the support of his immediate community (his “family”) than become isolated, reframing the workplace as an intimate (and domestic) space. Considering that severance is meant to separate people’s work lives from their personal lives, this scene is particularly fascinating. Especially since Helly resists conflating the professional sphere with domesticity (“I could not, with a razor to my throat, be less interested in being your family”), viewing work as a prison that restricts her freedom (which, ironically, is likely the reality of Helena’s personal life). Interestingly, innie!Mark resents Helly’s constant disobedience until she tries to commit suicide. Again, when he’s confronted by death.

The show continuously reminds us that loss of intimate attachment, whether at work or home, is what both versions of Mark fear most. For example, innie!Mark is the only worker who hasn’t tried to quit. Helly repeatedly tries to quit in season one, even though she knows it’ll end her life; Irving is more than ready to quit after he learns Burt is married, and is ready to accept his death after outing Helena as a mole; Dylan also tries to quit when he’s separated from Gretchen and realises she won’t be coming back. Innie!Mark is the only severed worker (of the main cast) who can't accept death. Walking out that door terrifies him, and Lumon nurtures that fear. As Milchick says in season one, death isn’t something that happens at Lumon. The workers don’t even know what death looks like, as shown when MDR find the animal corpse in Woe’s Hollow:

Suddenly, the external world of the natural environment overwhelms the workplace, bringing death in its wake. Yet, the internal world of domesticity also brought loss in the form of Petey, Burt, and Irving’s “retirements”. Clearly, neither private nor public spaces are appropriate labels for the workplace, because the workplace is unnatural, monitored, and sealed off from reality. Lumon literally advertises this state of being, yet woe resulting from the loss or death of a loved one keeps threatening to invade this sequestered paradise. The personification of woe being a ghostly bride (AKA someone’s dead wife) also feels pretty pointed.

But let’s return to that point from earlier about work culture. As we have already established, innie!Mark is more than willing to work at Lumon if he becomes accustomed to the culture created by his colleagues. Helly contrasts him in this sense, as she is both independent and capable of rallying people to action without group support or approval (as we see during her speech to Choreography and Merriment). Innie!Mark, meanwhile, quelled his rebellious behaviour the moment he made friends with Petey. Under ordinary circumstances, innie!Mark is unlikely to be the kind of person to just up and leave his job because it’s exploitative. His decisions are not guided by morality, they’re guided by emotional attachment. We see this with outie!Mark in season one: his views on Lumon only begin to shift after he attends Petey’s funeral, and goes to his (Petey’s) daughter’s concert. Before this moment, outie!Mark is mostly apathetic about the inner workings of Lumon because severance is a convenient coping mechanism. It’s only when the peace is disturbed, and someone he’s grown to care for dies, that he changes gear. 

Innie!Mark behaves similarly when he demands to have his team back in the first episode of season two. It’s the most rebellious we’ve ever seen him. He doesn’t want his friends to disappear, and once they’re back, he doesn’t quit despite being given the option to leave. He wants to find Ms. Casey (who he knows is his outie’s wife), sure, but he’s also attached to Helly and his other colleagues. They’re his family, and he is very unlikely to abandon his family.

Outie!Mark is also very unlikely to abandon his family. The moment he learns Gemma is alive, he’s willing to risk everything (including his safety) to get her out. His stubbornness and loyalty are only rivalled by his innie’s, who is effectively himself. The problem isn’t that innie and outie Mark are different people; it’s that they’re the same person. If the roles were reversed, outie!Mark would never leave Lumon for Helly, not if it meant leaving Gemma behind. He would do the exact same thing innie!Mark does because neither version of him can accept loss, which is why he can’t leave. It’s not just Helly: it’s Dylan and all the other innies he would be abandoning. Not to mention that leaving would mean his certain death and Mark has never been able to deal with death, something Lumon promises to shield its workers from.

Why don’t people quit their jobs, even when they know it’s corrupt? Because people become complacent, conditioned, and attached to the status quo. Innie!Mark was always going to run back into the tender arms of hell. For a moment, it probably seemed a lot more like heaven to him.

This has been Mark’s consistent characterisation throughout the show. Do I view innie!Mark and outie!Mark as separate entities? Yes and no. I do think that innie!Mark is just as much a person as outie!Mark, and that they are different versions of the same person. However, that doesn’t mean they aren’t the same person. If innie!Mark was different from his outie, he probably would’ve gone with Gemma. But outie!Mark has never learned how to accept grief, and innie!Mark is a version of himself that hasn’t evolved past this worldview either. What we see at the end of Cold Harbour, then, is a very literal representation of self-sabotage. Because the type of person who would’ve gone with Gemma wouldn’t have severed himself to avoid grief in the first place. For Orpheus not to turn around, he would've had to be someone else.

[dwarnian]

Ava and Beatrice celebrating Lunar New Year in Malaysia, inspired by @33-uroda’s fic Some Strings Attached!

(Ava’s holding a mee koo (a steamed bun shaped like a tortoise shell), and pineapple decorations are used in Hokkien Chinese communities because their name sounds like “luck, come”)

[shima-draws]

Catching up on more recent FT stuff and um

EDO LUCY HAS A KID?

EDO LUCY AND EDO NATSU ARE MARRIED??? AND HAVE A DAUGHTER?? NALU CANON???

Also oh my FUCKING god look at him. He’s such a proud dad I’m going to throw up I love him so much

And the fact that Natsu gets attached to her IMMEDIATELY and goes into overprotective Dad Mode when she’s not even his daughter, technically (and Gray too over his own Edo kid 🤧)

Natsu: I’ve decided I’m taking her home with me. No objections

HOMIE DEADASS IS SIGNING THE ADOPTION PAPERS ALREADY. It was love at first sight. Natsu loves her so much he wants to kidnap her. Shut UP,

[y2ksnowglobe]

So I know I've talked about Grant reflecting with the other kids in Ravenloft with "What do you mean you got reunited with your dad, you became cult leaders, and you just joined a group of chill bandits, while I was put in a BATTLE ROYALE!!???!?!?!????" But I also feel like Nick has earned a "What do you mean you helped a vampire steal children, had people fight to the death in a pit for your amusement, and were in a battle royale????!?!??!?! I just chilled in the woods and did drugs?????"