Headcanon: Literally all Keyblade Wielders, and frankly possibly all magic users in the Kingdom Hearts universe, have a baseline magic level SO STUPID HIGH that it makes the entire rest of the Extended Final Fantasy Canon look at them and go “yeah, no, let’s not touch that.”
Evidence: You know how hard it’s supposed to be to cast Flare, as a baseline? Much less higher-level Flares? You know how we all laugh about Donald Duck being the strongest Red Mage in the entire canon because he uses a prefix that has literally only ever otherwise been seen by an endboss in Bravely Default who was explicitly on significant powerups? With laser-precision?
Yeah, I remind you that up until Chi, the only version of Flare we see anyone use (except Duck Flare, which is just fireworks,) is the Mega one. You know, the version BAHAMUT uses.
Sora learns it starting in Chain of Memories. All of the Wayfinders can use it. DATA-SORA can use it.
I’m not even sure it always takes up extra slots in a command deck.
In conclusion: Keyblade magic is ridiculous and scary, and if you transplant any random magic user from Kingdom Hearts in the rest of the Final Fantasy extended canon, all the other magic users will either ask them to teach them or run away screaming, depending on their self-preservation instincts. It’s not just Donald, or that Minnie Mouse is a top-tier white mage, or that Mickey Mouse and Xehanort both use the strongest Stop spell we see ANYWHERE in the canon, they’re all Just Like That.
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man I never really believed the whole “genshin players can’t read” thing but yeah now I’m starting to see where people who say that are coming from.
I haven’t gotten to arlecchino’s quest yet but her sparing the traveller makes sense. The traveller beat up childe but he is literally the lowest ranked harbringer. They couldn’t beat ei without yae’s help and got absolutely BODIED by her in their first encounter. We only managed to beat Scara only after repeatedly fighting against him several times and having enough data at our arsenal to beat him (basically we needed help from Nahida who is a god). I could list more but you get the point; most of the fights we’ve won were against opponents not as powerful as arlecchino and/or we were given help by someone else.
Arlecchino is different because not only does she rank higher than both signora and childe she also has that weird curse that gives her undefined powers. And while the traveller did use elemental powers in childe’s fight that was only when they were backed into a wall and literally about to get stabbed. They didn’t even use their powers in signora’s fight, who was higher ranked than childe. So best explanation for why they didn’t use their powers against arlecchino is that they didn’t feel they needed to. And even when they themselves were backed into a corner they physically could not move so they couldn’t even try to use them.
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dressed elegantly. this will never leave my head. the implications of this.
because geralt and his company, they saddled up, left beauclair, travelled through mountains and frozen blizzards and downpours and muddy sod for two to three months. you need to pack outfits for that. you need to plan your gear.
what was the rest of the company wearing? what did they pack for this long journey? they packed practically, dressed warmly for the frozen journey of january, february, march. geralt wore a wolf-skin cloak, a scarf, a shawl… milva wore a fox-fur kalpak, angoulême wore a hat with a pompom and a sheepskin coat. cahir’s dress isn’t mentioned, but he must have been dressed similarly, because he rubs his hands briskly together and were he not dressed warmly he otherwise would have frozen to death. regis’ dress isn’t mentioned, but it is mentioned that he’s immune to the freezing temperature. so, i mean, it doesn’t matter what he’s wearing in this scene, maybe a regular outfit.
but at stygga. dressed elegantly.
so you’re telling me that. regis packed his things in preparation for their flight from beauclair, went to his quarters after geralt explained to him the satisfactory reasons they were leaving, and went,
“alright, time to prepare for this long and dangerous journey that will conclude in a great clash between our forces and the kidnappers of ciri. the end of our quest. the final journey. and a dangerous road awaits us, with snow still blocking the passes, frost and white all around. a grand fight and conflict awaits us. what gear should i prepare, what should i wear for this expedition, what kinds of clothing should i pack.”
and then he went:
“you know, i want to look fucking good ✨ when we get there 💅🏻🦇”
imagine the final preparation before they approach castle stygga. geralt sees the castle hewn out of the cliffside, effortlessly noticing every detail from far away, seeing like an eagle with his mutated eyes. and like an eagle, compelled to swoop down and snatch vilgefortz like a fish. ordering the company forward, declaring they’ve made it. this is the moment they have all been waiting for. everyone has been waiting such a long time for this. they prepared everything.
they wait until midnight. angoulême eagerly unsheathes and whets her long sabre, swings her axe around with predatory glee. cahir fits the plate armor and winged officer’s helmet he scavenged from a small nilfgaardian dispatch that they ran into extorting caravista for tax. milva tightens the same worn, polished leather bracer that she’s always had on her left arm, and mutters as she fixes her spiralled arrow fletchings over boiling water. geralt, with nothing left to do, paces and breathes, wondering where the hell regis has gone.
just then, regis walks out from behind an outcropping of rock, eyes glinting with cat-like light, in his “elegant” outfit, absolutely slaying that shit, and all his friends look at him absently like. “what the hell are you wearing. where the fuck did you get that. you packed that? you planned your outfit for the final battle, you planned this outfit in advance three months ago?” to which he counters, “well, three months isn’t very long at all,” and they’re like, “this is the preparation you made? we thought you left to do some secret vampire rituals or whatever. or to reckon with yourself for the severe violence we’re about to inflict.” and he’s like “no, i just wanted to make sure i was dressed nicely for the occasion”
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okay, i was reading "the pale princess and the six pygmies" and this book really consolidated my belief that paimon is a seelie and that the traveller and their abyss twin are shade of phanes, more specifically traveller being the shade of life. i swear, it feels so right!!!
the description of the people from the moonlight forest sounds oddly familiar to a little flying lavender melon we know of. their monarch (the pale princess) and her people are symbolically very tied to the moon, much like paimon. i'm not trying to say paimon is the pale princess, but there's a lot of similarities between this story and the liyue tales about seelies seen in "records of jueyun".
seelies are known to be remnants of a bygone race that once held beautiful forms (common characteristic between the moonlight kingdom's people and seelie ancestors) and immense wisdom which they used to guide mankind; travelling alongside them and teaching them languages (as paimon does to traveller) and philosophies of nature.
but more interesting, the ancestor of the seelie from the liyue tale is said to have once met a traveler from afar, whom they swore an oath of union with. something that was witnessed by the three moon sisters. thirty days after the union, a calamity struck; the seelie and their lover fled into exile, but the disaster eventually caught up with them. as punishment, they were separated, and their memories were wiped. the seelie and the moon sisters' previous form, voice, and wisdom were then lost, leading them to offer only small treasures to those willing to follow them.
this tragic ending for the seelie ancestor is actually a bit similar to the end of pale princess' story, in which the pale princess and her people are cursed by the night mother to linger forever in a point between life and death. the pale princess also ends up separated from her lover (who's a prince of the kingdom of light from the other side of the world, someone who can calso classify as a traveller from afar), who dies by the ends of the pygmies that betray them. but the night mother also proclaims a prophecy: her greatest foe shall descend in thousands of years. he who wields a sword that heralds the dawn and wears armor that can reflect the shining sunlight will destroy her kingdom and bring the prince back to life. the princess will then be free from her eternal torment. i will comment more on this prophecy later on but for that to make sense, i need to contextualise something else.
do you know how the elemental gemstones are named after hindu deities? the hydro gemstone is called varunada lazurite, after the deity varuna. remember nara varuna, the golden nara who aided the aranaras during a calamity hundreds of years ago? yeah!!! so varuna is actually a hindu god associated with the sky, oceans and water and until this point everything fits perfectly with the hydro archon which isn't weird for the hydro stone, but there's a catch.
varuna often appears twinned with another hindu god, mitra. in the rigveda, the oldest vedic text, mitra is mostly indistinguishable from varuna, together with whom mitra forms a dvandva pair and it has essentially the same characteristics as varuna alone (doesn't that sounds like twins?). mitra-varuna are considered protectors of the righteous order of rta, the principle of natural order which regulates the operation of the universe and everything within it. now, get ready for the juicy part. mitra-varuna are also addressed as devas, meaning "shiny", "exalted" or "heavenly being", and they're called sustainers of mankind. yes, like the title "sustainer of heavenly principles", also known as the unknown god!!! but it gets better. mitra is heavily associated with the light of dawn and the morning sun, while varuna is connected with the evening, and ultimately the night - morning star and evening star, respectively. which is funny considering the traveller and their twin appeared like shooting stars in the opening cutscene of the game (traveller being the one associated with the morning star and mitra).
we know that in genshin, the shade that took the heart of the primordial sea to create egeria, the first hydro archon, was the shade of life. so it wouldn't be that weird that the stone would contain a reference to them. it's just extremely curious that it simultaneously connects this idea to the twins.
in adittion to all the light motifs around the traveller and the abyss twin, like their names which mean light and clear sky, lucifer is also known as lightbearer and the morning star. he's also associated with the idea of falling from the sky and in poetry, he's referred to as herald of the dawn. what makes this even better is the fact paimon also has a demon name. paimon being the 9th spirit of the ars goetia and the king of hell that is the most obedient to lucifer. and, isn't it fun that paimon is such a faithful travelling companion of the traveller?
going back to "the pale princess and the six pygmies" and the prophecy proclaimed by the night mother, it's curious that the prince from the kingdom of light is described as able to make life flourish around him. it's even more interesting that the one who's prophecised to save the princess and revive the prince wields a sword that heralds the dawn (lucifer's title) and wears armor that can reflect the shining sunlight. can we agree not many descriptions scream traveller so much as much as this one? the fact they started their journey hundred of years after their twin has travelled through teyvat and they're reconstructing their steps in hopes of reuniting with them could also be paralleled to the scenario. especially if the the kingdom of light is supposed to represent the abyss and the prince, by extent, the traveller's twin. this could also fit with the theory that the twin is actually the third descender and someone wants to revive them using the gnosis, but i guess that's a theory for another time.
the books in genshin are often told in allegories or metaphors, or are simply very embelished versions of reality. i don't expect these texts to exactly portray what happened with the seelies or the characters in "the pale princess and the six pygmies" to relate in a super straightforward way to actual characters in the game, but i think the connection between the two books and the repeated themes that point to the traveller are pretty convincing.
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