#i trust these analysis with all my heart

[nyxreads]

So what do you think the next book will be about? We know it will be about Elain, but how do you see it going? What will be the main storylines? I am curious about what everyone is thinking.

Hello anon, sorry this kinda took me long to answer and honestly I am lazy and can't explain articulately what's in my mind but I'm gonna link you to some theories/analysis (based on canon) that I truly loved and agreed on about Elain and her upcoming book:

[lizzydizzyyo]

I think what's really compelling about House's absolute unwillingness to bow down to anything or anyone (the ethical board, the law, extra rich CEO, vindictive police officer, and even the patients themselves) regardless of how absolutely batshit and downright illegal his actions are, is because it's coming from a chronically disabled person, in more ways than one.

He cannot walk without agony or his cane. His chronic and severe pain led him down the path of deep Vicodin addiction until he also becomes psychologically dependent on it too (once, Dr Cuddy gives him saline placebo and it "works", in that he is not feeling his leg pain anymore for a few hours).

He understands it deeply just how desperate people can be when they're in pain and nobody can (or are willing to) help them—at least, so far, until they land on his doorstep. Which is canonically the most extreme step patients take when everything else fails—you don't just go straight to Plainsborough Teaching Hospital and to Dr Gregory House MD's office; you have to go through dozens of other doctors in various specialties and failed treatments too.

(Although that's a separate discussion about how doctors, particularly resident ones, are overworked and underpaid and redtaped by shithead insurance companies even if they do know how to treat a patient and want to).

He knows, from the bottom of his heart, that having such a painful and life-limitting debilitating condition is comparable to hell on earth, because he has one. He knows, that despite his disability being visible to everyone, yet no one wants to put an effort to help him deal with it—is also hell on earth.

Cuddy simply throws money at him and turns the other way to his Vicodin abuse, like she is saying, "I don't care if he takes 10 Vicodin pills a day or more, and I have to pay at least $1M every year for lawsuits, as long as he gets the job done," (and when they decide to go into relationship, she immediately drops him when he relapses, even if the reason for his relapse is her—although, yes, there is another discussion to be had about keeping yourself and your child(ren) safe being a priority compared to helping an addict, recovering or not). Wilson, as loyal as he is to House, simply either enables him or lectures him without going into the root of the issue and thoroughly help House that way. His subordinates, especially after the original trio, are simply too scared, too ignorant, or too ambitious to even approach the issue and choose to keep their job than help House (also another discussion to be had about how you can't help people who don't want to help themselves and so on).

So when he sees a patient who has gone through hell trying to get a correct diagnosis and treatment, he becomes laser-focused on doing everything under the sun to get to the bottom of it and cure the patient. He doesn't care if he has to break into countless of houses (haha pun) and collect insane and probably biohazard samples to do it—he absolutely will, no question.

Yes, hate-criming and being a bigot is his favorite hobby (still livid at the asexual ep and the production's choice for the resolution, let's just say I still have beef with Hugh Laurie and the entire production team for it), and so is insulting patients in so many ways that Shakespeare would personally fly to New Jersey and shake his hands if someone manage to successfully perform necromancy on ol' Billy boy. But House is no one if not dedicated. "Yes, my patient is an idiot, everyone is an idiot too, but I WILL cure their condition like my life depends on it," is basically his middle name.

Besides, you can make the argument that he is more compassionate than all the other doctors around him, because despite his absolute disdain towards some of his patients' beliefs and stupidity, he still works his ass off to treat them. He will call your god an idiot in 7 different languages while putting you in a diagnostic machine he manipulated the whole hospital into letting him use so that you could get a test which weren't available to you before. He will tell you that your currently-happy marriage will end in a bloody divorce and your ex will leave you penniless so love is not real while injecting you with a medication he had to hack the CDC's database for.

There are even episodes that show him being truly earnest, like the clinic duty scene where he is snarky as usual to a girl who seemingly stupidly had unprotected sex until she lashes out, and House is like, "Oh shit, this is above my paygrade", and immediately goes to Cuddy with a very serious expression and no sarcastic dilly-daliying, demanding her to transfer the patient to someone else because he is not good with "curing" rape case (interesting choice on the writers' part to make the patient insist to have therapy with House, though).

There is an episode about a very workaholic woman executive in a fashion company who has tremor and partial paralysis, and later on it's shown that she seems to tie her worth as a person to her corporate success while band-aiding her deep psychological issue like her suicidal ideation, and House genuinely asks her, "Do you want to live? I cannot help you unless you want me to," or something along the line.

There is also the cursed 9-year-old terminal brain cancer episode where Chase kissed the patient (ew), where at first it shows House being a usual misanthophe to Wilson and saying, "She is not brave, it's the brain tumor clot talking because it must be near the amygdala." Later in the episode, House sits near the patient alone, and compassionately asks her if she even wants to live, going through the rest of her short-lived but horrible agony, even if they catch the clot. The surgery to find and get rid of the clot is risky and can debilitate her even more, and this is why House is laying the decision to her hands. That she gets to choose. This is what truly reveals to him that she is genuinely brave (aside from the scan showing the clot to be so far away from her amygdala), but for the wrong reason. She is brave for her mom, willing to go through horrible surgery and drag out her already painful cancer-ridden life because, "My mom needs me". When everyone is congratulating her in the end, you can tell House has a bittersweet expression of both awe towards her bravery, and sadness that this 9-year-old sick girl has to bear the brunt of her horrible pain just so that her mother is not sad. That he couldn't convince her to be a child until the nearing end of her life.

The most interesting evidence of his compassion to me is the gunman hostage episode. It might sound weird because in the whole episode, he is depicted to first want to outsmart the gunman patient, then becomes laser-focused but only because he sees it as a puzzle, then absolutely selfish and dangerous because he volunteers himself as the last hostage and gives the gun back to the guy after the MRI. I do think it's true that his dedication to solving patients-are-just-puzzle-to-me conditions shines through in the episode, especially the scene of him returning his gun, but there is something else I catch when I rewatched it before.

When the gunman patient is put in the MRI because Cameron tells him a theory through the hostage call, the remaining doctors in the room including House are wary at the gunman but also hopeful. Yet, when the result shows up on the screen, he realizes that the theory is wrong and the guy let go his only bargaining chip for nothing. If you watch this part carefully, you'll notice that House actually looks pitying and sad at the gunman's disappointed demeanor and expression. He realizes he is going to be another notch in the guy's failed doctors list, and at this point (with the gun given away and even the best, most talented doctor also not finding out what's wrong with him), the guy has given up hope that he will ever see the day he will be cured, certainly not behind the bars.

Yes, his thirst for puzzle is House's big driving force in giving back the gun, but you'll be lying to yourself if you don't notice House's compassion for the guy because he doesn't want the guy to go out empty-handed, with absolutely no more hope because House knows once they step out of the door, this guy will never, ever be allowed to be in the vicinity of any hospital or doctor ever again in his life, aside from jail's bare-minimum exams and medications. House can't handle the thought of putting someone else through his own disappointment—that nothing works to help his leg pain. He especially doesn't want to be the cause for this gunman guy's case either. Even in the end when House realizes the guy is a fucking moron because he doesn't know that Florida is, in fact, in earthwide-horizontal tropical zone and this is what stumps most of the guy's previous doctors—House still gives him a subtle salute to the guy while being handcuffed and led away, almost to say, "Enjoy your healing and the defeat of your arch nemesis The Sickness™, glad to be part of it."

Majority of his drive to stop at nothing until his patient is cured is definitely thanks to his own fucked-up leg, even if there are some dialogues with Cuddy and Stacy Warner (House's ex wife) that seem to imply he has always been a misanthrophe whose hobby is getting into malpractice (or general) lawsuits. I wholeheartedly believe that after his leg clot rendered him disabled and with chronic pain, he became much more dedicated and obsessed with getting to the bottom of a patient's medical information, even for info that seems innocuous or irrelevant that always turn out to be important (probably more like a plot armor than established characterization, to be honest), almost like this is his method of relating to the patients in his own weirdly human way, and maybe a little bit (actually, a lot) of projecting.

Thank you for coming to my TED Talk.

[bleue-flora]

Ok sooo, I can’t stop thinking about the line from this post [here] by @swordfright , “Sam is a builder and dream is the ultimate engineering project: challenging (psychologically taxing to guard), important (to the stability of the server), rewarding (on those sporadic occasions when dream obeys him without question), and ceaseless (because the ideal prisoner always needs a warden to keep them in line.)” Because the idea that Dream is Sam’s “ultimate engineering project” really got me thinking about the definition of the duties of an engineer as per the Code of Ethics, which I studied in college.

As an engineer it is basically our responsibility to maintain sustainable development, which The National Society of Professional Engineers (NSPE) defines [here] in the Code of Ethics as, “meeting human needs for natural resources, industrial products, energy, food, transportation, shelter, and effective waste management while conserving and protecting environmental quality and the natural resource base essential for future development.” Even further, as a civil engineer (which I am and Sam is as a primary builder) it is our job to help provide the infrastructure and necessities to life, (shelter, water and by extension food +) with civil engineering encompassing the engineering fields of Structural (bridges, buildings, dams… etc), Utilities (power, gas, water, waste water… etc), Geotechnical (analyze and maintain that the ground can support projects), Environmental (protecting the stability of the environment like for example protecting the habitat of an endangered species), Transportation (roads for cars, train tracks, airplane runways… etc). Pretty much the necessities of civilization (lol hence civil). And I found this interesting because it is Sam’s job as the warden to provide the fundamental and basic necessities of Dream’s life in every way. So, in this way Dream would actually be the society Sam’s engineering is meant to benefit from and depends on (which he obviously denies and uses to abuse.)

But on the other side, interestingly a 2004 definition, [found here] of civil engineering based on Thomas Tredgold’s 1828 original is, “the art of working with the great sources of power in nature for the use and benefit of society”. And oh, the use of power here could very well be a good representation of Dream, making him actually the engineering project. Further, The NSPE Code of Ethics states, “Engineering has a direct and vital impact on the quality of life for all people. Accordingly, the services provided by engineers require honesty, impartiality, fairness, and equity, and must be dedicated to the protection of the public health, safety, and welfare.” In this sense, Sam’s position as the warden was dedicated to the protection of the public health, safety, and welfare, which by keeping Dream locked up, weakening him physically and mentally he was in essence trying to protect the server as well as working to strip the sources of power Dream had over everyone. And when his methods didn’t work, he let Quackity in, which funnily enough goes along with one of the The Institute of Industrial and Systems Engineers (IISS)’s summarizing stated [here] fundamental canons, “Engineers shall perform services only in the areas of their competence.” And clearly Sam was not competent in getting the book from Dream, so he teams up with Quackity, his contractor, to finish the project as is typical in the engineering industry.

All this to say, that Sam as an engineer, while not sworn to follow a defined of code ethics still followed the general defined duties of engineering and strived to work for the betterment of the server. A personality and behavior, that Dream saw in him as they grew as friends and worked to build the prison - Sam’s passion for helping, to provide for and develop the necessities of society. His passion for wanting to use his skills to improve the world and help people. His strong principles of dependability, efficiency, justice, work ethic. If Sam was given a job to help people he was going to see it through to the best of his ability. He would not abandon his post, he would protect and serve the common good. - His strong engineering attitude made him a good choice in Dream’s mind for the warden, because of these qualities, which makes sense. What Dream did not realize is that he was not included in the society and all people Sam felt obligated to serve and provide for.

Instead, Dream was but a resource of power - the revival book - needing to be made efficient and accessible, so that everyone could benefit and share that power. Dream thought he’d be provided for and taken care of, but he was the project instead. Sam’s “ultimate engineering project” he deemed too damaged like a bumpy road or crumbling building that wasn’t worthy of patching and filling in the cracks or reinforcing, that’s too eroded to be fixed and preserved. So, Sam strived to tear him down to the bedrock so he could remake, remold, and reengineer Dream according to his design for the common safety, public health and well-fair. He was such a good engineer just like Dream knew he would be, he just forgot the whole teeny weeny ethics part of being an engineer that kind of comes with the job description… Oh well. ;)

[another-miraculous-ladyblog]

I HAVE SO MANY THOUGHTS ON LUKA AS A CHARACTER AFTER WISHMAKER AND I’M GONNA DUMP THEM HERE

Luka is such a cool character and he has been a rock for marinette when things got rough for her, but beyond just being a really good and supportive friend I’ve gotta say that if anyone was going to find out both ladybug and chat noir’s identities, luka was definitely the best person for the job. like Marinette better be happy she was basically stuck giving that boy the miraculous of the snake because he might actually be the only one who can handle that level of responsibility.

First of all, he’s ridiculously level-headed until it’s his friends or family who are threatened. I don’t think he’d be akumatized unless someone came directly after his family or friends instead of him- the dude’s ridiculously patient and even-keeled, and as we know from Silencer, a gentle soul. Still though, this guy handles the information of who ladybug and chat noir are ridiculously well.

Like ignoring the weight of the responsibility for a second, just look at how hard it’s got to be to keep his mouth shut on a frustration level- he’s got so much on his plate already and now he’s got to watch these two knuckleheads be the level of oblivious and awkward that they are as civilians knowing full well how close they are as superheroes and how in love both of them are with each other (without knowing it) with a patient smile? The frustration we feel from watching the love square? This boy is living it.

Plus we know from Truth just how important that honesty is to Luka- he values it so so highly and holds himself to such a high standard, but when ladybug asks him point blank to his face whether or not he found out their identities, he lies without hesitation. He literally says that they were never hit (side note: why would he have used second chance then? idk ladybug didn’t ask so she probably assumed something else went wrong or they got stuck since he did seem to let her know that they had used multiple chances so whatever).

He lied to this girl who he cares about so much and compromised his own principles so soon after them being emphasized in Truth without questioning it because he

1. obviously cares about marinette/ladybug and chat noir/adrien and wants to protect them but also

2. because he understands that the responsibility that has been given to him as Viperion has to come before his own principles for the greater good.

He takes his hero-ing seriously, which is what you need from someone who’s going to be given the ability to play with time and potentially be your last resort if everything else fails. He’s known this, but I think after having that responsibility really play out in this episode at the expense of his own principles, he probably understands Marinette and the pressure she was facing and the weight that comes with being a miraculous holder even better than before. He probably went home and rethought everything, especially what happened in Truth with Marinette.

And speaking of the RESPONSIBILITY? All that while trying to not get akumatized and not hint EVEN TO LADYBUG/MARINETTE HERSELF (his friend and the guardian who trusted him with that miraculous) that he knows her identity or chat noir’s? And not hint that they really know each other in real life? And not slip at all even though he hangs out with both of them as civilians all the time?

Like he’s just gonna sit on that information and that responsibility of being the only person in Paris who knows both of their identities and not physically implode from the stress or tell anyone? Knowing that if anyone finds out he will become Shadow Moth’s number 1 target? But he won’t jeopardize his friends by even letting marinette know that he knows so he can talk to someone about it? Like I know he isn’t getting paid but someone get this boy a raise 😭

[mishapen-dear]

no but im thinking about how 4halo could be together while keeping their dynamic intact. forever asks bad on a date and bad is like yeah :D friendship date. several dates later bad's the one to propose and he says "will you merry me" as in like. be merry with me. feel joy forever for we're together and we have 11 children aka all of the eggs we have forcefully adopted from the other parents and i dont know what life would be like without you. you changed my life for the better. besties 4evar, forever

[ariaste]

The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2

(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)

***

Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off. 

Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse? 

Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended

In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB--

Proem

A dark theater. The rustling of the audience: clothes, breathing, whispers of anticipation. The lights come up. A man enters, stage left. He is a magician—a master magician—and he performs for you a magic trick so good and so subtle... that you don’t even notice you’ve seen it. 

You know there must have been a trick—after all, you came to the theater to see a trick performed, didn’t you? And he claims to be a magician. So there had to be a trick somewhere. There had to be.

But maybe there wasn’t. Maybe there was just a man on a stage, talking to you, telling you a story with a strangely unsatisfying ending you didn’t quite understand. 

I know. This is a weird beginning to an analysis essay. But hear me out, because I have to explain the mechanisms of the stage before I can show you what the trick was, where the trapdoor was hidden, and how Neil Gaiman pulled the whole thing off so gently and elegantly that you didn’t notice a thing. Ready? Here we go.

The Facts As We Know Them

Let us begin by establishing a baseline—some fundamental, logical assumptions that underpin the magic trick. These will seem obvious as soon as I say them, which is precisely the point: They are self-evident, loadbearing foundations for my entire argument, and if I don’t point them out, I’m going to sound like a crackpot conspiracy theorist. (Which! To be fair, I might be. I could easily be wrong about all this—but I don’t think I am.)

Our baseline, loadbearing assumptions that preface my Grand Unified Theory of Season 2: 

1. Neil Gaiman is extremely good at his job.

2. Neil Gaiman loves these characters and wants with all his heart to do them justice; likewise, he has a great deal of respect, love, and admiration for Terry Pratchett and is striving VERY HARD to write the show the way Terry would have been happy with.

3. The devil, as they say, is in the details: Neil Gaiman and the entire Good Omens cast/crew are fully capable of doing extremely subtle detail work, as conclusively proven in Season 1 Ep 6, specifically the whole sequence of the body-swap scenes.

With me so far? Great.

The Elephant In The Room

Season 2 was... odd. It was odd, wasn’t it. This isn’t a matter of whether you loved it or hated it—there was just something odd going on.

I spent the entirety of my first viewing very much enjoying myself and being very happy to be back with these characters and this world, but I was also liveblogging to my groupchat as I went, and a theme soon began emerging:

“Neil, what are you doing? Where are you going with this?” “What in god’s name is going on here? I’m so lost lmao.” “What is going on with the music situation?” “WHAT ARE YOU DOING HERE NEIL” “zombies, ok, I trust u to pull this all together in the end, Neil, but I still don't know what you're up to” “What is going on LOL” “Incredibly what is going on here” “NEIL! WHAT IS HAPPENING!” “Literally what is happening” “Neil Gaiman why have you constructed a regency au for mystery VIBES reasons” “just????????? lesbians????????? dancing what's HAPPENING. just all the background characters are gay here ok sure sure sure NEIL GAIMAN WHAT IS HAPPENING--” “mmmmmmm neil what u doin”

All these are copied verbatim from my liveblogging, and apparently I am not the only one to have this reaction. And to be clear, I was having a good time! I came out to this theater to see a magic trick, and this Neil Gaiman guy on stage is a master magician—but I didn’t see the trick, even though there must have been a trick. 

At first, I wasn’t sure how I felt about the season. I wanted to like it! Indeed, there were many things that I liked about it! But I felt a bit muddled and jumbled up and confused—I felt like there was something I didn’t understand about it, and so I couldn’t yet understand how I felt about it either.

I started chewing on this question in a friend’s DMs: Why is season 2 so fucking odd? What is going on here, Neil? What are you up to? The matter of whether he was up to something was never in question. I knew that he had to be up to something. Writers are always up to something, and as I watched season 2, it was as if I was watching Neil scamper around the room with a mischievous expression as he messed with things here and there and made little tweaks and adjustments to the arrangement of all the Chekov’s guns he’s stockpiling on the mantelpiece. 

You see, Season 2 has some very bad writing in it. HANG ON, DON’T ARGUE WITH ME YET! THIS IS NOT A JUDGMENT CALL!! This is the rug that the trick’s secret mechanism is hidden under!!! This is the hidden mirror that makes the trick work!!!!! This is the trapdoor in the stage!

Yes, of course I will explain myself.

Neil Gaiman is a master magician, but I am a pretty damn good magician myself—I’m a professional fantasy author who has published nine books, and I teach workshops for apprentice writers online and at universities—and if there is one thing I have learned about the process of achieving mastery of your craft, it is this: 

Regardless of what medium they’re working in, the apprentice artist is concerned primarily with achieving realism via an expansion of their control—control of their brush strokes as they paint a photorealistic eye; control of their deck of cards, the mechanisms of their magic tricks, and where the audience’s attention is being directed; control of all the little factors of voice, plot, character, setting, suspense and surprise that go into writing a good story. However, the master artist has achieved that control—so much so that it often looks effortless to an untrained eye—and sometimes the master artist returns to a messy, amateurish style simply because they have control even over this too. 

As an example, consider Picasso and his entire body of work. He begins as an apprentice focused on achieving control, doing portraits of people that look like people—like what we expect a portrait of a person to look like. Then, as he grows in skill and gradually achieves mastery, he pulls away from realism. He develops a style, he experiments with faces that don’t look like any human alive  colored in ways that do not appear in nature. He expands his control. His work becomes abstract. Towards the end of his life, he starts experimenting with what’s called “Naive art”, something that a 5 year old could theoretically draw... but you have to achieve mastery before you can do it on purpose and have it look good. 

On one hand, Neil Gaiman is extremely good at his job. On the other hand, Season 2 has bad writing in it.

What does that tell us?

Well, we know from our Baseline Assumptions that Neil Gaiman is simply too good of a writer to fuck up through garden-variety clumsiness and lack-of-control the way an apprentice writer would. Additionally, he cannot fuck up by accident in this case because I am positive that the man is scrutinizing his work on Good Omens far too closely to let anything slide—for Crowley and Aziraphale’s sakes, for David and Michael’s sakes, and especially for Terry’s sake. The stakes are sky-high, and he cares too much to write a weird, kind of “bad” season by accident.

Which leaves only one option: He did it on purpose.

(Am I sounding like a crackpot conspiracy theorist? Baby, you ain’t seen nothin’ yet. I’m gonna get SO MUCH MORE CRACKPOT.)

If he did it on purpose, then the natural question to ask is: WHY!?!?!??

It’s a great question. Not “Why?” in terms of why he as an individual person with emotions would decide to do that, mind you. More like, “What purpose does this serve for the structure of the narrative?” There is a story he is intending to tell, and out of all the choices he could have possibly made, for some reason this one was necessary and correct in order to achieve that end goal—so what was that reason?

See? Intentionality. He knows exactly what details he left in, and he did it on purpose. (Editing! It’s important!)

So there has to be a reason. It’s like when a master magician “casually” rubs an itch on his nose—why did he do that? What is he sneakily slipping into his mouth by hiding it under the excuse of this little gesture that does not even register to you as meaningful? (If you haven’t watched enough stage magic to know what I mean, watch this.)

This question is, of course, impossible to simply answer out of thin air without any further evidence. It is a dead end—so we must adjust the question and come at it from a different angle.

The one I settled on when I was chewing on this was: Well, okay, what do I mean when I say “bad writing”? What is it about S2 that makes it feel so goddamn odd?

The Pledge, The Turn, and... The Conspicuous, Expectant Silence

There are three parts to a magic trick: Pledge, Turn, Prestige. 

First, the Pledge: You show the audience something ordinary. Second, the Turn: You make that ordinary thing do something extraordinary, like vanish. Third, the Prestige: You bring the ordinary thing back.

To quote the 2006 film The Prestige just after its explanation of the first two parts: “You want to be fooled. But you wouldn’t clap yet, because making something disappear isn’t enough. You have to bring it back.”

You have to bring it back.

When I teach apprentice writers, I call this a “setup-payoff cycle”. Achieving control and dexterity with this tool is crucial, because the setup-payoff cycle is the engine of the story—it’s what makes the story run. You can have a setup-payoff cycle at any scale—I have read ones that were a single sentence long; I’ve read ones that were two books long. Additionally, all jokes, no matter how long they are, are structured on a setup/payoff cycle. These cycles work precisely the same way a magic trick does:

You set up the audience’s expectations. (Optional but generally considered stylish and elegant: You give those expectations a firm jolt to throw the audience off-balance.) You pay off the audience’s expectations in a way they weren’t expecting, while saying “TA DA!!!!” really loud with your arms flung wide.

Audiences really like this. A setup-payoff cycle executed just right makes the audience’s brains light up like Times Square and hammers on their mental “reward” buttons like nothing else. It’s like you’ve personally handed them a cookie and a gold star. They go wild for this.

Here’s an example of a setup-payoff cycle, though it’s not a perfect one—and you’ve probably heard it before, so you’re not going to be throwing chairs and tearing down the theater from sheer glee:

The Setup: Knock knock. Who’s there? Banana. Banana who? The Jolt: (the joke starts over and repeats several times without reaching the payoff (aka the prestige) while the audience grows more and more annoyed and frustrated about the unfulfilled expectations, until finally...) Knock knock. Who’s there? Orange. Orange who? The Payoff: ORANGE YOU GLAD I DIDN’T SAY BANANA?

Good Omens Season 2 feels so fucking odd because the setup-payoff cycles are incomplete—nearly all of them are, and the ones that do close the loop do so in really weird ways which, as a professional author, make me feel kind of, “Bwuh?????? But where’s my cookie? Excuse me??? Sir???? Neil????? My cookie, tho???”

When I realized this, when I finally put my finger on why the whole season was giving me some uncanny valley heebie-jeebies, a chill ran down my spine. (The rest is here: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ I’M GOING TO GO STARE INTO THE ABYSS NOW BYE)

[bubblebbg]

can i ask for a jealous mizu from blue eye samurai feeling a little overprotective and jealous when taigen spars with reader bc they are a swordmaster as well? Mizu doesn’t like it how taigen always gets you to laugh or how he injures you when sparring

why yes, anon. you may. Only warning is violence, but like, not really? Not proofread. Also, Mizu's pronouns change per perspective. I may as well shamelessly plug my other Mizu fic right here ;))

❝𝐲𝐨𝐮𝐫 𝐥𝐚𝐮𝐠𝐡𝐭𝐞𝐫 𝐢𝐬 𝐭𝐡𝐞 𝐛𝐞𝐬𝐭 𝐬𝐨𝐮𝐧𝐝❞

Mizu has no one to blame but herself when she's forced to bite back her envy and watch you with Taigen. If you two spar one more time, she might throw up in her mouth. It's about time she takes matters into her own hands.

The clinking of metal on metal, the air sliced through with a swish; all sounds Mizu has become accustomed to. Nonetheless, her eyebrow twitches in irritation, eyes following the movements in front of her. She thinks to herself that she never wanted to be this accustomed to those sounds, especially not when accompanied with Taigen's stupid remarks.

She watches you double back after having knocked him down yet again in the midst of your spars. She hates the way the both of you giggle.

"Please," Mizu rolls her eyes, "It can't be that funny the eighth time."

Taigen collects his sword and stands, sheathing it before dusting himself off. "Like you could do any better. Sure, you're good, but you're no master." He looks to you as he says this, smiling as if the praise was at all inconspicuous. She scoffs a bit when you smile back, crossing her arms and looking to the side.

The irony of her jealousy is that it's of her own making. You've asked Mizu to train with you before, and every time it's been a no. Because she cares about you, she at least does you the decency of making up excuses. "I'm tired, maybe tomorrow" or "I'm busy" - poor excuses, she knows, but she's trying here - and you've learned to stop asking. The truth is, she doesn't trust herself to not give away what she tries to keep hidden. Her heart already beats hard enough around you. The consequence? Watching you spar with a man who's clearly inferior to you, all while he makes pathetic advances and jokes. She's not sure if she hates him or herself more right now.

"But that's right," Taigen remarks, a snarky look on his face, "You're too scared, aren't you?"

The look in your eyes is cautionary as you nudge him. "Stop it," you mutter. And Mizu knows she shouldn't be so childish as to take the bait, but this isn't about you; it's a direct challenge from Taigen on her (sort of) manlihood.

"I am not scared."

"Then prove it. Duel. Right now."

"That's enough, Taigen," you reply, always the mediator, "If Mizu doesn't want to spar, then he -"

"I'll do it," she stands, approaching you both and stopping in front of Taigen with a searing look, "And you'll see that you're not even half the swordsman I am."

𓆩… . … . … . … . … . … . … . … . … . … . … . … . …𓆪

Inhale. Exhale. You stand face to face, a few meters apart, each a hand on their sword. The cold bites, snow falling between the two of you. When you look into her eyes, you see blazing fire, a spirit like tempered steel. When she looks into yours, there's something more unnerving; calm, like the surface of water undisturbed. Her heart pounds.

Inhale, she wills herself. Exhale. She draws and lunges, and you're quick to block it. Another swing, and another, and another, all quick and strong. Sharp eyes, she thinks. Each attack of hers is stopped as soon as it begins. Your eyes, watching as if not only to prevent, but to predict.

Inhale. She steps back, assessing. You're like a fortress - impenetrable defense. Your lips curl in the slightest smile and there goes her damn heart's pounding again.

Exhale. She drops to a crouch and swipes snow at you in an attempt to blind you, to throw off your analysis. She lunges through the spray with a decisive blow, a duel-ending strike.

Nothing. Her blade hits nothing.

Instead there's a blade at her throat, with you behind her. "How the hell did you -"

She reddens at the feeling of your warm chuckle at her ear. "You're breathing gives you away," you whisper, "Every time, without fail." You sheath your blade and Mizu whips around to look at you. She can't help but share the smile you give her. "Dirty bastard," she replies, and your laughter fills the air, the only sound she'll never tire of.

"Hah! I knew it, you're no match either, Mizu!"

Mizu's about to reply when you beat her to it.

"Whatever Taigen, he lasted longer than you ever will."

And it's Mizu's turn to laugh.

[bakuhatsufallinlove]

424

All right, listen. It’s pretty damn funny that two weeks ago I posted all like, “oh I don’t really comment chapter-by-chapter, I’m waiting to see what happens next,” but this one broke me.

This chapter was everything I wanted for bkdk, and it’s so much more tender than I ever dreamed it could be.

This post is not going to be like most of my posts, because I am a flood of emotion. If you’re wanting some detailed, well-researched analysis of this scene, that ain’t coming for a while.

I don’t have some kind of comparative linguistics to show you. I just have my visceral reactions as someone who speaks Japanese and has absorbed Japanese media for many years. I have shared my heart with others in Japanese, I’ve sputtered out words between sobs and felt the many kinds of comfort different people try to offer. I have comforted others who let themselves be vulnerable with me.

In all these moments, just as in English, I wondered if my words and feelings reached them. Each time, I felt the warmth of connection when they looked at me, and I decided that they knew I did my best. They accepted me, even if it wasn’t perfect.

I’m gonna tell you the truth, and I wouldn’t normally say this so directly, but it matters to me: the fan translation for this specific scene is not good. The tone is wildly off in some ways and it outright omits a number of very important words.

The official translation gets so much of it right.

But that’s not really what I want to talk about right now. I want to talk about how people are reading this scene.

I have seen a ton of, frankly, oblivious interpretations of Izuku’s side of things.

Listen to me. Izuku is not making fun of Katsuki for crying, he is not telling Katsuki that crying isn’t like him, that isn’t in the text at all. He is not rejecting Katsuki’s feelings, or belittling them, or ignoring them, or any of that.

Izuku has seen Katsuki cry in-canon a number of times, but every time it was over his own personal failures, and the frustration, anger, guilt, and grief associated with them. We see it in the aftermath of Deku vs. Kacchan 1. We see it during Deku vs. Kacchan 2.

Izuku is shocked to see Kacchan cry because this is the first time he has cried for Izuku.

When Katsuki apologized in 322, he looked Izuku in the eye and told him his feelings with conviction and poise. He was gentle and vulnerable, but strong, because he was asking Izuku to trust them and rely on them. To come back with them and believe in them, like they believe in Izuku. He bowed his head to show his remorse. He caught Izuku when he fell, and he accepted Izuku’s own apology.

He embodied dignity, sincerity, and strength of character. He was a true hero.

This?

This is the raw, honest sorrow of a young boy. It is a tender, earnest, unguarded display of how much Izuku means to him.

These are the tears you shed for someone you cherish. These are tears for when you think you are losing something you can’t live without. Because Katsuki isn’t just crying for the loss of Izuku’s dream—it’s their dream, the future they dreamt up together as kids.

Izuku is almost pathologically incapable of understanding how other people see him and feel about him, but this is unmistakable. He is stunned because there is no other explanation.

There is unmitigated heartache and longing at the core of Katsuki saying, “I just thought somehow we would be together like this, competing and chasing after each other, forever.”

And Izuku is reeling, but so, so touched, and filled with fondness. Look at how his shock shifts to this overwhelmed, affectionate smile.

He’s right—this isn’t the usual Katsuki, and that is precisely why it means so much. We as the audience have been privy to Katsuki’s feelings, but until now Izuku himself has never really grasped the depth of them. This is all the tenderness Katsuki has kept locked up inside, and he is letting Izuku see it for the first time.

To see Kacchan—strong, fierce, and absolutely unstoppable—shed these innocent, helpless tears for him and tell him through sobs that he wanted things to stay this way forever, I can’t blame him for being blown away.

I think Izuku expected Katsuki to be shocked and a little sad that he gave up OFA, both for Izuku’s sake and because it is the legacy of their hero. Before Katsuki even starts crying, Izuku has this small smile on his face, like he was ready to reassure him that he had made peace with his own choice.

But he clearly didn’t expect for Katsuki to weep openly in front of him about it or to confess to wanting him by his side. Izuku had so enjoyed just being allowed near Katsuki, allowed in his life at all—to think that Katsuki could want the same and want it this much, to the point that he worries that things would change, that Izuku would abandon him or deny him? How could that ever be?

In what world could Izuku ever stop chasing Kacchan?

Izuku is a bit of an idiot. He has always thought that Katsuki understood how much he cared for and admired him—that’s why he is so shocked during DvK2 to hear that Katsuki thought he looked down on him for years. Izuku thought Katsuki understood his feelings and simply rejected them.

The way he loves Kacchan is natural and unquestionable. Even now, he can’t understand how Katsuki doesn’t know. It’s baffling to him.

But he still accepts Katsuki’s vulnerability and responds to the intimacy.

This is such an affectionate, loving thing to say. Izuku is being so sweet. I cannot convey to you strongly enough how Izuku telling Katsuki, “C’mon, stop it, this isn’t like you!” reaffirms their closeness.

If Izuku had not said this line and instead skipped straight to this nervous, awkward little attempt at comfort here:

It would have read as so much more distant.

With his tears and his confession, Katsuki pleads with Izuku to not leave him. To be with him always.

And in response, Izuku unabashedly stakes his claim on their bond by being bold enough to affectionately scold him and even assert authority on what kind of person Katsuki is. Remember these?

Chapters 202 and 319

This is such a staple in Japanese media for showing close bonds. Your loved ones know you. They tease you. They scold you. They have that right. You gave it to them.

The people you love cheer you up by reminding you that you’re strong and brave and that even if things feel hopeless and like you can’t go on, that they know you can. Everything will be okay, and they know so because they’ll be right there with you. Of course they’ll be there.

Symbolically, throughout the series, Izuku’s response to Katsuki trying to be closer to him has always been: “Of course.”

He has always accepted Katsuki as much as he is able to, as much as he had awareness for. He is wildly lacking in self-awareness, so it’s certainly not perfect, but by god does he try.

What Izuku is really saying is a mixture of “Really? You want that, too?” and “Don’t be silly!”

One part is him being shocked and touched; the other is him being absolutely certain of his own heart, and showing it as best he can.

He does get flustered and self-conscious, though—because it’s overwhelming to see Kacchan this way, and this is kind of new territory for them. So he switches tactics to reassure Kacchan about how things are now, and make sure he doesn’t feel embarrassed about this outburst. He still has the embers, so it’s okay for now. And their bodies are weak, so of course their heads will be in a bad place too, it’s easy to get low spirits. Of course Katsuki would be feeling vulnerable. It’s normal.

He gives Katsuki so many things here. He gives him as much as he can.

Izuku doesn’t know how long he’ll have the embers for and, frankly, he doesn’t have any guarantee that he will be able to satisfy this longing of Katsuki’s after he loses them. This, too, is a staple of promises in Japanese media: “I don’t know if I can satisfy you, but I want to try. I hope you can accept me.”

Things will be different—the future is always uncertain, now more than ever for their world. But what will never change is what they feel in their hearts.

After this scene, I honestly don’t care if we get something other people see as “bkdk canon.”

What Katsuki says is as good as a confession to me. What Izuku says in return is genuine and pure. This is a messy pair of teenage boys figuring out how to reach each other with words, when they have always been so damn bad at it. This is the two of them both reaching a new point of intimacy and reaffirming everything that came before.

[leclercdream]

maroon

this is the final part of maroon

✮⋆˙ when carlos breaks reader’s heart, lando is ready to mend it

✮⋆˙ ex carlos sainz x singer!reader | bestfriend lando norris x singer!reader | boyfriend lando norris x singer!reader

✮⋆˙ tofi talks: final part!! not very happy about this one but ive been really busy x

───── ⋆⋅☆⋅⋆ ─────

f1gossip

liked by yourbestfriend, carlossainz55 and others

f1gossip: After a few weird comments on IG by Lando apparently he did score a date! YN and Lando were spotted today in Monaco having fun with some friends. As many of you have already seen they seemed pretty cozy together 😊 A mutual friend (private acc) posted the last picture on his story.

We don’t have pictures but a trusted source told as she saw them a few nights ago in a VERY expensive restaurant in Monaco.

tagged: yourusername, landonorris

view all 48 comments

user1: this is everything i dreamed of in the last 5 years

user2: they look so happy together :(

user3: wasn’t she dating carlos like 3 months ago?

user4: slut

user5: am i the only one that finds CRAZY that she is suddenly dating lando after ending a 3 year relationship with his best friend? lol

user4: paddock bunny behavior

───── ⋆⋅☆⋅⋆ ─────

yourusername just posted a story!

landonorris just posted a story!

[good riddance is all yours now]

[yourusername just released an album and it’s a masterpiece. go give it a listen. i love you]

yourusername

liked by landonorris, lilymhe, maxverstappen1, carlossainz55 and others

yourusername: thank you thank you thank you for the love on my new album!!! 🧚🏻‍♀️ i worked so hard on it and seeing your reactions, analysis, and just comments in general fills my with joy.

thank you landonorris for your support while writing good riddance, i love you 🤍

view 2739 comments

landonorris: i love being your muse!

oscarpiastri: here he goes…

landonorris: you know i think we should tell people which songs are about me

landonorris: dress, invisible string, new year’s day…yourusername: omg SHUT UP

landonorris: i love you i’m really super proud of you!

user1: lol lando

user2: i love the album so much! love the transition between songs and the story that it tells. amazing job!

yourusername: thank you!!! means a lot 🤍

user3: AOTY

───── ⋆⋅☆⋅⋆ ─────

yourusername just posted a story!

[go to spotify for a surprise x]

replies:

lilymhe: you are a better person than me lilymhe: i’d be posting nasty pictures to make the psychotic girlies mad yourusername: dw babe it’s coming!!!

───── ⋆⋅☆⋅⋆ ─────

yourusername

liked by landonorris, charles_leclerc, kellypiquet and others

yourusername: got lovestruck

tagged: landonorris

view 2749 comments

landonorris: is best friends to lovers you favorite trope?

lilymhe: yes

landonorris: i’m so lucky to be loved by you. i love you

yourusername: mwaaaaah

alexalbon: FINALLY

oscarpiastri: peace 🤝🏻

lilymhe: i’m crying in my car rn

user1: drops an album, a surprise song and then THIS 🙏🏼

user2: god i’ve seen what you have done for others

user3: I LOVE THIS

user4: she is glowing :(

landonorris

liked by yourusername, lilyzneimer, oscarpiastri and others

landonorris: she wrote a few songs about me and now i’m stuck in a relationship with her ig

(just kidding i cried while listening to her album and had to beg on my knees for a date, you are the love of my life)

tagged: yourusername

view 7294 comments

yourusername: you can have all the love songs you want 🤍

yourusername: pookie I LOVE YOUUUU

landonorris: ill cry again stop

danielricciardo: congrats guys! finally happened 😊

maxverstappen1: Please send me a thank you gift

user1: how is this on you maxverstappen1: I told him to ask her out 😎 landonorris: yeah yeah, thank you max 🙄

user2: i thought that after she broke up with carlos we wouldnt have to see her annoying ass again 🙄

this comment was deleted by author this user was blocked by author

user3: i’m so happy for you guys 🤍

yourusername: forever isn’t so scary with you :)

───── ⋆⋅☆⋅⋆ ─────

taglist: @evie-119 @landossainz@noneofyallsbusiness @ladyblablabla @likedbygaslyy @softiecaro @1655clean@willowpains @lightdragonrayne @taygrls @chezmardybum @littlehoneyfreak @awritingtree @georgiaa-x-

[adoregojo]

secret admirer.

hihihihihihihihi, i cannot believe i actually slept for two days in a row? wth? and also that i never did this kind of posts? im such a lazy bum mb yall, I promise I'll write a real fic soon. summary: bllk characters as your secret admirers: isagi, bachira, chigiri, reo. how they fell, what do they do, how did they confess.

isagi.y

him. just him.

you once held his shirt collar to stop him from planting flatly on the floor.

and when you walked away, you walked with his heart in your palms.

yea, just like that

but honestly, isagi himself didn't knew he was such a big sap inside

and the moment he realised you two shared a few classes was the second he almost kneeled and thanked the sky itself for this.

an absolute swoon from looking at your side profile.

he once was long gone within the abyss of daydreaming about you, he genuinely just couldn't look away.

then got called out by the teacher for being too distracted.

definitely prayed that you didn't see that.

writes your name unintentionally in his notebook.

gets so embarrassed about it later and rips the paper.

still dose it again the next day and almost ripped the whole book apart form cringing at himself.

he once was musing over you too much to the point that your name slipped out unwittingly on the dinner table.

his parents couldn't stop teasing him about it, wondering when they would see you walking down their house door.

leaves love notes in your locker almost everyday.

it's something short and simple like: "you look pretty today."

then when he goes home he'll realize how dumb that was because you literally look the prettiest everyday.

dumb, dumby.

takes time to make the first move though.

he just feels like you're way, farther away from his reach.

it's okay, he still considers himself lucky to be one of those who got admire you.

he just hoped you saw him behind all of them, even if it was a glance.

chigiri.h

omgg pretty boyyy

despite chigiri being a confident and self-reliant, the trigger words of his old injury was like a pulling a pin of a grenade to his still-raw sorrowness. something that'll always haunt him.

and what dose he dare to say when they were nothing but truthful? like a salt to his wounds, he tends to just take it and suck it up, or at least try to ignore it for his sake.

but everything flipped when you stood up for him.

from that moment on. chigiri knew that he was far a goner.

out of everyone here he's definitely the most romantic one.

reads all your favourite books and analysis it.

probably named a cat after you.

like isagi he writes love letters for you.

just a little too poetic..

it it's short then it's something like: "loving you is like breathing." or "i hope your days are filled with the same joy you give me with your existence only."

but mostly is: "my definition of love, i see the true meaning of living behind your hue of life. you shall lighten my soul with your existence alone, i was born to see you shin each day, witnessing you is a blessing from heaven itself. the day that i stop seeing you as the owner of the stars is the day my body shall vanish, yet my soul will know it way back to you. from your only and one your admirer."

what a lovesick clown.

he might be a smooth talker on the outside, but trust me the butterflies of sentimental keeps on swirling in his stomach on the sight of you.

told his mother and sister about you.

it was his biggest regrets.

because the next day his sister shouted your name in a demand for you to spend the night for the 'meeting of the future in law'.

he had to physically drag her back to the car, freaking embarrassing.

couldn't meet your eyes for a while after that.

wants to hold your hand.

like, really badly.

it's just that feeling your skin against his cold, pristine hands must've feel like the loveliest, cosiest thing.

the thoughts alone are making him go crazy.

he confessed first, just couldn't help himself.

he just hoped if you would go to the end of the world alongside with him.

bachira.m

the sunshine boy himself.

the definition of fell first AND fell harder.

it all started when the class was ordered to work as duo for a project, something he always despised.

you may say that because bachira was definitely not having the word 'smart' in his book, you'd be right actually.

but mainly since no one really wanted to group up with him.

it was embarrassing, to just sit there and wait to be picked was putting him under the lights that pointed him out as the most pitiful creature in the room.

then you pocked him on the shoulder, and asked him if he wanted to be your partner.

and when he didn't see the sarcasm reeking from you, he knew he tripped hard, and couldn't find it anywhere in his feet to back him up.

it was strange, bachira never had a company, let alone a crush.

but the signs were there, and were painfully vulnerable.

painted you in art class multiple times; you with a smile, you reading a book, you sniffing a sunflower.

maybe also you and him... holding hands or hugging...

stares at your face a way, way too long.

he tells himself it's to crave your features better and detailed.

even he doesn't believe that however.

he draws your eyes a lot.

his second favourite colour is your eyes hue.

he was never the best at writing romantic poems, and his hand writing is just........

so he insisted gets you a gift!

which is a rock.

yes you heard me, rock.

he would even paint a little face with a smile on it and leave it on your desk by the end of the day.

almost went bald from joy when you had it hanging as a small march on your bag.

and when you had a bad day, that goes unnoticed by him.

so imagine your surprise when you would find two pairs of rocks, one kissing the other who had a sad expression on it face.

that somehow that foster a blissful smile on your face. like that little action extinct any remains of the past negative you carried.

and bachira was more than happy to be the reason for your happiness.

definitely rambles about you to his mom.

and his monster.

he once ha a dream about you two smooching.

cried when he woke up because he wanted it to be real more than anything.

you two confessed first, at the same time.

and boy was he dancing on cloud nine at it.

he almost smooch you that moment and then.

reo.m

it's mister perfect everyone, cheer.

you fell first, he fell harder.

no, literally. you fell. tripped flat on the floor.

and somehow, that made the reo mikage heart move.

?????????

love at first (fall??) sight.

he definitely leaves a trail of gifts for you everywhere.

your chair, desk, locker, bag.

he switches between chocolate and flowers to letters and perfumes, necklaces, etc..

you say how he picked them?

easy, see something that reminds him of you, he buys.

and it's pretty foolish since he sees you in almost everything.

reo is convinced that you're within everything that shins beautifully.

he actually paid the teachers to let him be in the same classroom as you.

paid even more to get a seat next to you.

rip to whoever was sitting next to you.

he once heard that a guy was bothering you.

the next day the guy was the talking of school because he suddenly moved out of town due to his dad losing his job.

hm, must be karma then.

has a shrine of you.

but you didn't hear that from me.

talks about you none stop to nagi and ba-ya.

genuinely sobbed when he imagined you with someone else.

has a flight under your name.

made a makeshift doll of you so he can practice his confessions on.

had a mental breakdown of the idea of you rejecting him.

reo can the most horrible, miserable day to a human kind to live.

then he sees you smiling

BOOM

he's all happy and smiling again, also a little giddy.

you once greeted him good morning, the next day he was planing what ring would suit you the most.

had two planes to write on the sky: 'will you go out with me?' and your name next to it in a shade of a heart.

now, you definitely cannot reject that. (Please don't)

have a nice day everyone.

[ezekiel-krishna]

Pick a CARD 🎴

The Best Quality of Your Future SPOUSE

Within you, I discover a heart brimming with kindness, a soul that exudes tranquility, and a mind that dazzles with its brilliance. Your love serves as a radiant beacon, illuminating my world and revealing the very best that life has to offer. I consider myself incredibly fortunate to have found all these extraordinary attributes in you.

- Unknown

Please remember that this reading is not personalized, so only take which resonates with you.

For Paid Personalized Analysis & Reviews ➤ Check Here

Masterlist ➤ Check Here

1 2 3

🔷 Card 1

✲ The Eight of Pentacles represents dedication, hard work, and a strong commitment to improving oneself. Your future partner's most admirable trait is the unwavering dedication to their craft or personal development. A partner who exemplifies diligence, focus, and a relentless pursuit of greatness.

✲ Someone who is wholeheartedly devoted to continuous learning and self-improvement, always striving to broaden their knowledge and to enhance their skills. This card indicates that your perfect match will bring a strong work ethic and a clear sense of purpose to the partnership. Trustworthy and committed, consistently investing effort into the relationship and cherishing its growth and progress.

✲ Picture a future where loyalty, honesty, and dedication blend seamlessly, creating a captivating tapestry. Your perfect match will exemplify these traits, demonstrating it in their life. These unique qualities of your Future Spouse establishes a sturdy foundation for a profound and rewarding partnership, one rooted in trust and shared values.

🔷 Card 2

✲ The Empress brings forth a radiant and nurturing energy, unveiling the remarkable qualities your future spouse possess. Symbolizing abundance, fertility, and a profound connection to nature, The Empress hints that your beloved will be a caring and nurturing soul, overflowing with genuine love and firm support for you.

✲ Moreover, Your Future Spouse will radiates an aura of happiness and a zest for life. A carefree and playful person which perfectly complements your longing for a partner with a delightful sense of humor. Your partner has the potential to infuse your life with laughter and bring immense joy, creating a relationship that is not only loving but also incredibly fun.

✲ The Card reveals a glimpse of a forthcoming spouse who not only embraces these characteristics I mentioned, but embodies them fully. Your Future Spouse will shower you with love and attention, nurturing and cherishing your partnership, while also bringing a sense of warmth, hilarity, and playfulness to your journey together.

🔷 Card 3

✲ The Four of Swords symbolizes the importance of taking a break and reflecting on oneself. It implies that your Future Spouse might have a knack for finding solace and tranquility in moments of solitude and deep thought. This card also highlights the significance of self-care and carving out time for personal growth, which can lead to a stronger sense of independence within a relationship. Your future significant other values personal space and cherishes maintaining their individuality while being part in the relationship.

✲ As I tap into the powerful energy of this card, I can sense a magnificent harmony unfolding with you future Spouse. Your future spouse is bound to be someone who deeply values romance, treasuring those special moments of profound connection and intimacy. Furthermore, your future spouse will also understand the importance of nurturing their own individuality, fostering a sense of independence that perfectly complements your own desire for personal freedom.

✲ The incredible potential that lies within this union, where the perfect balance between togetherness and individuality can flourish, creating a partnership that is both enriching and fulfilling. As you encounter your future spouse, it is essential to fully embrace and honor these qualities, providing the space needed for introspection and respecting your spouse independence, all while nurturing the romantic bonds that tie you together. Trust in the journey, for the path is unfolding before you, guiding you towards a profound and harmonious connection with your future spouse.

May these insights empower you as you continue your quest for love!

🤗 Feel free to chat with me if you have any questions about my service. Don't hesitate, I'm here to help!

[kaisacobra]

A Step Into the Future - Sam Carpenter

Summary: A cuddly morning with your girlfriend Sam turns into a conversation about your future.

Warnings: None, just pure fluff.

Word Count: 1.8k

You were never particularly religious, but in moments like these, when everything was calm and you were in the arms of the person you loved most in the world, you truly felt like you were in heaven.

Soft snores reaching your ears and a warm, slow breath on your neck had become your favorite alarm clock. It was worth waking up earlier just to have the sight of your girlfriend peacefully sleeping beside you, in one of those rare moments when her expression wasn't burdened with worries and a sense of alertness.

Moving slowly to avoid waking her up, you raised your arm to her sculpted face and brushed some strands of hair aside, wanting to get a complete view of Sam's face. The way the sunlight seeped through a crack in the curtain illuminated Sam perfectly, giving you a breathtaking sight.

Samantha Carpenter was the greatest work of art you had ever seen. A face like a Botticelli painting, a body like a Michelangelo sculpture, a voice like a siren's song, and a heart kept like a precious jewel.

Your thoughts spoke louder, and you allowed yourself to gently slide a finger over the soft skin of the bridge of the woman's nose, finding it adorable when she involuntarily wrinkled her nose in response. You enjoyed being able to take pride in recognizing Sam's subtle signs, having carefully studied her reactions throughout the early stages of your relationship. This allowed you to notice certain things, like the change in the rhythm of her breathing, even if she pretended to still be asleep.

"Darling?" You whispered as softly as you could, just in case you had misread your analysis and your girlfriend was actually asleep.

But soon your theory was proven correct when Sam let out a husky grunt and hugged your torso with both arms, trapping you in a grip that honestly didn't bother you at all. She shifted in bed until she rested her head on your chest, releasing a sigh of contentment when satisfied with the proximity.

You gave a small smile and began playing with her hair without thinking too much. Some time ago, at the beginning of the relationship, you used to wonder if Sam would ever let you get close for real. Now, you knew that no one who knew her would believe you if you said the older Carpenter was like a cuddly kitten that complained if she wasn't touching you at every possible minute.

The peaceful silence was interrupted for a moment by a loud complaint from Sam's stomach, who quickly moved to bury her face in the crook of your neck. "No," she spoke firmly but with a voice laden with playfulness and drowsiness.

"No, what?" You laughed, letting her get more comfortable beside you, even if it meant she was two steps away from being on top of you.

Sam lifted her head just enough for her voice not to be muffled. You couldn't see her face clearly due to the position, but you could identify her still-closed eyes. "You were going to suggest getting up for breakfast. My answer is no."

"But, darling..." You laughed again, amused at how a just-awakened Sam was practically a stubborn child. "You're hungry, aren't you? I can go make a quick breakfast and come back to be with you."

Your girlfriend made a protesting noise and held you tighter in her arms, as if you were planning to escape at any moment. Of course, you weren't going to complain, after all, there was no more perfect place in the world than Sam's arms. She shook her head slightly. "You're forbidden to leave. We'll cook something later, together."

"Forbidden?" You chuckled. "By whom, exactly?"

"By me, your amazing girlfriend."

You laughed a bit more and decided to gently stroke Sam's scalp, feeling the woman slowly soften under your touch again. That had to be one of your greatest achievements—the fact that Sam trusted you so much to allow herself to be vulnerable, even if it didn't come naturally to her anymore.

She shifted a bit more, this time wrapping her legs around yours. "I could do this for the rest of my life, you know?"

Vulnerability and even a hint of embarrassment shone through Sam's voice, and although you couldn't see her face completely, you could see a part of her cheek starting to turn red. Adorable, you would say.

"Hold onto me like a koala?" You teased, feeling her lightly pinch your arm in retaliation. She muttered a curse in Spanish, and the warm breath from her mouth hit a sensitive area of your neck, sending a shiver down your spine.

Fortunately (or unfortunately), Sam seemed too sleepy to notice your reactions and tease you back. Instead, she spoke again slowly, as if sharing a huge secret. "No, idiot. This. Waking up with you by my side, every day."

"Oh." You responded with great eloquence, feeling your entire body heat up and butterflies flutter in your stomach as if you were the protagonist of a teenage romance. Sam wasn't one to express love with words much, but when she did, you could barely contain yourself from looking like a smitten fool. "I could do that forever too. Truly become your family."

Your trembling voice betrayed how much you had wanted to have this kind of conversation for a while, even if you were leaving the actual meaning implicit. Still, you knew Sam would understand what you were trying to say.

"You already are family. We don't need to get married for that." She spoke, but soon realizing how her words sounded a bit harsh, she moved back a bit and locked eyes with you, your faces just a few inches apart. "Not that I don't want to get married! I do. Someday. But you don't have to wait until then to feel like part of the family."

Once again, a small party seemed to settle inside you with Sam's words and the sight of her in front of you, her face flushed with shyness and the admission that she envisions a future with you. Taking advantage of the closeness, you cupped her face with one hand. "Thank you. It means a lot to me."

You're welcome. The words hung implicitly in the air as she turned her face just enough to kiss the palm of your hand. Sam's brown eyes were still small due to sleepiness, but they already sparkled like the most beautiful jewel you had ever seen. You felt very lucky.

Seizing the opportunity, you decided to delve a bit further into the subject. "Would you like to expand this family with me? In the future, of course."

Sam squirmed a bit, and you knew she was reluctant to think about that answer. You started to gently stroke her jaw with your thumb, trying to calm her and convey the message that you would be okay with whatever answer she gave.

"I kinda already have three kids, you know?" She said with humor, and you opened a smile in response. It was true that Sam was very protective of her sister, Tara, and the two twins, Mindy and Chad. You could see how much she cared for them and how hard she worked to make sure she could provide some of the things they liked.

"Oh yes, how could I forget?" You replied still humorously, and you were ready to let the subject drop there, not wanting to pressure your girlfriend into anything. However, Sam seemed not to have finished her train of thought.

She bit her lip, looking hesitant. "It's just that... I don't have the best history with my parents, as you know. And I don't have the best overall history, damn, I don't even have a degree, and..."

"Hey, hey. One step at a time, okay?" You reassured her, placing a kiss on her forehead that made her release a relieved sigh. "Firstly, you're not like your parents, no matter what you think. Secondly, it's not too late to start college if that's what you want."

"No, it's not possible." Sam shook her head, looking away to your collarbone with some shame. "I have to work to pay for the apartment rent and also support me and Tara. I don't have time for that."

You frowned and held the Carpenter's chin, making her look at you. Even embarrassed, Sam could still be intimidating enough, and her gaze gave you the same feeling of being struck by lightning, as if electricity ran through your veins every time your eyes met. "I could help you if you wanted."

"No. It's not your obli-"

"I'm not being forced to do anything." You cut her off, shaking your head and smiling to show that you were serious. "You know I have a well-paying internship. I could move here, share the bills and a room with you. It would be less burdensome, and you could work just one job and use the rest of the time to study. What do you think?"

Sam seemed to be in an internal battle, looking at you with admiration and trying to fight back the tears that were on the brink of her eyes. She reached out to caress your face. "You don't have to do this."

"I would like to." You reassured her, pulling her closer to envelop her waist in a hug. "Besides, I'd finally get rid of that small dorm and my weird roommate."

Sam scowled, her voice laden with jealousy. "You mean that flirt who's always hitting on you? You know, I'm starting to think it really is a good idea for you to move in, maybe now that bitch will understand that you're taken."

You laughed at Sam's indignation but didn't say anything to disagree. She was right, after all. At the end of the day, you were very well taken, and you were perfectly fine with that. The sunlight streaming into the room through the curtains seemed a bit brighter now, and although you didn't want to burst your bubble of happiness with Sam, you really needed to start preparing for the day ahead.

She seemed to read your mind, as she always did, given the connection between you two, and just nodded in agreement, a sign that she also agreed to get up and shake off the laziness.

In a last moment of calm, Sam approached you and spread small kisses over your chin, cheeks, and forehead, finally stopping at your mouth and kissing you with true love and affection, creating not only a physical connection but also a connection of souls. You embraced the contact, responding to the kiss with the same passion, forgetting about anything else but Sam's lips.

As she pulled away, Sam smiled contentedly. Her hair messy because of the bed, red puffy lips, and eyes with sleep residue didn't prevent you from seeing her as the most beautiful woman you had ever seen on Earth. "I love you," she whispered.

"I love you too." You whispered back, your voice laden with emotion.

You didn't know what to expect from the future, but one thing was certain. Whatever it was, you would have Sam Carpenter, and Sam Carpenter would have you.

[powdermelonkeg]

just saw ur gale/mystra analysis post. im new to the game and dnd lore and honestly… ur take on their relationship feels like the most natural/compelling one??? esp since its all too easy to simplify topics that have many facets and nuance….

thanks for sharing i love analysis and reading people’s takes on narratives : D

My pleasure! (Bee from the future here: congrats, you spawned another meta!)

I love complicated characters, WAY more than I like a clear cut-and-dry case. Flaws, to me, are what make a character compelling and lead to interesting stories about them with choices that can get them into situations. I'm both writing a fanfic and running a campaign where I'm playing as Gale, and in the interest of portraying him properly and in-character, I've gone into SUCH a deep dive into all the decisions and facts that make him him.

It helps to, y'know, also be in love with the fictional wizard, but I digress

The thing about Baldur's Gate 3 is that no character in there is perfect. I've seen a couple analyses about the theme of continuing cycles of abuse vs breaking out of them, but in my mind, in terms of the characters themselves, it goes like this:

The origin characters have just come out of the lowest situation of their lives (Lae'zel being the exception; being tadpoled is a gith's worst nightmare. You're seeing that lowest situation in real time).

Not the lowest point, mind. Gale's lowest was probably the day after he got the Orb. Wyll's was probably the day his father cast him out. Karlach's was the day she lost her heart. But the lowest, accepted normal for them is what they've just left.

They're then thrown out of their depth and forced to rely on you to live. That's #1 priority: living. We get the extremes of these characters before we get their nuances, because they're quite literally at their breaking points.

Then once we get to know them, we see their wants, their hopes, their fears, as they open up to us. Every companion's story is at their own pace, but they all have a moment where they ping-pong between despondency and desire. Sometimes that desire is what we know isn't good for them, like Shadowheart wanting to be a Dark Justiciar. Sometimes that despondency is only for a flicker, like Astarion's realization that he's condemned 7000 people to a half-life of tortured spawnhood for as long as he's been a vampire.

Romance lets us crack all that open more, because if you pursue a romantic partner, they see you as their closest confidant. They WANT to trust you, so they're more willing to explain how they see the world and what decisions they want to chase.

And then their endings. Those often get simplified as good/bad, continuing the cycle vs breaking away from it. But how is Duke Wyll on the same platform as Ascended Astarion? He's not evil, he's not even entirely unhappy. He might even have broken out of his abusive cycle with Mizora, if you played your cards right. And Ascended Astarion is overjoyed, even if he is remarkably more cold.

I think that the endings are less a dichotomy of "this is good for them" vs "this is bad for them," and more one of "bringing out their best traits" vs "bringing out their worst."

Wyll's worst trait is being willing to sacrifice his own wants for whatever people desire of him. His best is standing for what he believes in and ensuring people are safe. Duke Wyll leans into that necessity to turn the other cheek in the name of people who count on him, while the Blade of Avernus has seized that moral compass of his and forged it out of mithral.

Shadowheart's worst trait is blind obedience at the cost of her individuality, while her best is her desire to be kind to things that don't deserve to be hurt. Mother Superior Shadowheart's whole life is defined by Shar. Selûnite Shadowheart's life is defined by her hospitality, especially towards animals.

Karlach's worst trait is how willing she is to accept that things are (to quote her) fucked, letting despair override hope. Her best is her durability in the face of horror. Exploded Karlach would rather die than try to work out a solution in the Hells, because she's terrified of facing Zariel alone. Mindflayer Karlach has accepted her fate and decides to give up her heart and soul to go out a hero, losing who she is. Fury of Avernus Karlach is willing to keep fighting for a solution, and by the time the epilogue happens, she's got her sights set on one.

Astarion's worst trait is his desire for power over people. His best trait is using the tools he has to his advantage. Ascended Astarion has let his powerhungry nature and paranoia lead all of his decisions, with his sights set on dominating mankind. Spawn Astarion has embraced what he is, and carved out a life for himself where he can do as he pleases.

Lae'zel's worst trait is her blind fanaticism, while her best trait is her individual dedication, making her loyalty a marriage of the two. Ascended Lae'zel is a meal for the lich queen, turning a blind eye to all Vlaakith's tried to do to her and literally being consumed by her fervor. Champion of Orpheus Lae'zel has turned her loyalty into something productive for diplomacy. Faerûnian Lae'zel has seized her individuality by the throat and decided her own future.

And then Gale. Gale's worst traits are his hubris and, paradoxically, his low self worth. His best traits are his creativity and wonder for the world. God Gale is the embodiment of ambition, having burned away all but that in pursuit of perfection. Exploded Gale has let his remorse blot out all hope for a redemption in which he does not die, because he thinks he's earned it. Professor Gale leads his life by embracing the school of Illusion and letting his creativity thrive, teaching others to do the same. House Husband Gale has multiple creative projects he's working on, and Adventurer Gale is always finding new sights to see and wanting to share them with you.

There are arguments to be made on which ending the origins are happiest in, certainly, or which one benefits them the most, but each ending represents the extreme of a facet they possess.

So with all that, there's a sort of malleable method to figuring out the ins and outs of a character.

You take their endings—all of them, all variables they can have—and reverse-engineer the flaws and details they carry. Then you start to notice how those work into their approvals for minor things: Astarion approving of your taking of the Blood of Lathander, or Shadowheart approving of standing up for Arabella. Getting a list of approvals and disapprovals is helpful, but having those endings on hand tells you why they react like that to a majority of their decisions.

You take their romance-route explanations of how they act, and apply those to earlier decisions. Astarion's confession to manipulating you and Araj-prompted admittance to using himself as a tool brings to light how he reacts to your decisions, regardless of his actual opinions on them. Wyll's fairytale romance and love of poetic adages speaks to his idealistic nature, and why he takes a sometimes-blinded approach to decisions in which the "right" answer isn't always the smart one.

You take their beginning reactions to stress and use that to measure how future decisions impact them. Lae'zel locks down and gets snappy when she's scared, while Gale immediately turns to diplomacy. Shadowheart has gallows humor, while Wyll turns to quiet acceptance. If they break from these and seem even worse, you know the situation is more dire in their minds than having seven days to live.

And then you factor in all their fun facts and dialogue choices and backstories.

A wizard falls in love with a goddess and her magic, attempts to retrieve a piece of her power for her, is scorned for his attempt and is cursed to die.

Give that backstory to a Tav. Look at how it changes.

A chaotic good wizard fell in love with a goddess, thought retrieving a piece of power for her would be a showy bouquet of love, and was punished for not thinking things through.

A lawful evil wizard fell in love with a goddess's power, snatched the most precious thing she owned, tried to use it to barter his way through to the secrets she kept, and was given a swift retribution.

Same backstory. Same class, same act, same goddess. Wildly different connotations. Wildly different conclusions as to who is in the wrong.

If you take all there is to Gale, all that the game shows us makes up his character, and apply it to this backstory, you get what really happened:

A wizard, enamored with magic, fell in love with a goddess. His desires led him to want more than she was willing to give. In his well-buried fear of inadequacy, he concluded that the reason she wouldn't indulge his ambitions was because he just hadn't proven himself worthy enough. So he tried to prove himself, but he lacked the context for what he was proving himself with. And the goddess, seeing a weapon that had killed her predecessor, saw this ambitious wizard as losing his way and coming for her just like the weapon's creator had. She was angry, she withdrew his link to her, and he didn't know why. So he drew the conclusion that she took his powers to punish him, and let that encompass his fall from grace.

Was he wrong to reach for what was out there?

If you knew that the answers to everything you cared about were not only known, but kept by someone you loved—someone who adored you—what would you do to ask to see them? What if your curiosities were if there were other planets with life out there, or how dark matter worked, or whether or not we could one day travel in the stars? What if it was the potential cure to an illness that's little-understood, or the way to make a program you dreamt up, or the scope of the true limits of your artistic talents? Would your answer change?

Was she wrong to cut him off?

If you were once hurt, and the person you loved—the person who adored you—brought the thing that caused it to your door, believing you'd want it, how would you react to seeing it? What if that thing was someone you thought you'd broken contact with, like a friend or family member you'd been trying to avoid? Would your answer change?

That's the sort of scope that needs to be applied to this, on both sides. You have to take the perspectives of each party, and apply two analogies instead of one.

Gale saw the vastness of the universe, untold wonders, the solution to every question he could ever dream up, and saw Mystra as withholding this from him because she thought he just wasn't worthy enough. To claim Mystra knew his perspective does her a disservice.

Mystra saw a cruel weapon she thought long gone, in the hands of someone who could use it, brought right to her, and thought Gale was willingly following the path of Karsus. To claim Gale knew her perspective does him a disservice.

Should Gale have researched his prize more, so he knew just what he was obtaining? Should he have kept his hands off a cursed book that would devour him? Of course he should have.

Should he have given up on chasing his dreams?

Should Mystra have understood that Gale's pursuit of power was nothing like Karsus'? Should she have communicated when she was angry instead of giving the cold shoulder? Of course she should have.

Should she have given him the benefit of the doubt?

That's the root of their falling out. That's what leads to hurt being inflicted. Understandable, human reactions to the situations they perceive. Unhealthy, unwise choices made afterwards.

You work backwards from this to figure out their dynamic as Chosen and goddess. You work forward from this to understand more of where Gale and Mystra are during the events of Baldur's Gate 3. Gale reached too high, and understands this. His goddess hates him, and he regrets this. Mystra isolated Gale, and understands this. Her Chosen wants redemption, and she wants to make it happen.

Just like we took Gale's character into account, we also have to take Mystra's.

A goddess is faced with a problem. She uses someone who's desperate for approval to solve it, by telling him to kill himself.

An evil goddess is faced with a threat to her reign. She sees someone who's unfailingly loyal and hates himself, and elects to have him tear himself apart rather than do anything about it.

A good goddess is terrified of the future. She sees someone who tried to hurt her, who's going to die anyways, and tells him to use it to save the world.

Same story. Same act, same power, same pawn. Different character. Different perspective. Different outlook on whether or not this is the right thing to do.

Mystra has died, multiple times, to people trying to stake claim to her domain. Someone appears with the very thing that could do it again, right as she's regained her stability.

She does not see mortals the way mortals do. She is timeless. She is eternal. She has a duty to protect billions of people, and one person lost to protect that number is more than worth the sacrifice.

People like to bring up the Seven Sisters as proof of Mystra's cruelty. For those unaware, Mystra asked permission to, then possessed, a woman, used her to court a man (with dubious consent from the woman), and bore seven children, all of whom were capable of bearing Mystra's power as Chosen without dying. The woman she possessed was killed in the process (reduced to no more than a husk, then slain by her now-husband, hoping to end her suffering), and the husband was horrified by the whole story.

Mystra needed Chosen in order to restore herself in the event that she was killed again, to prevent magic as a whole from collapsing and wreaking havoc on the mortal realm, like it had in the few seconds Mystryl had been dead. Elminster, Khelben Blackstaff, and the Seven Sisters contributed to this. The more Chosen she has, the better; what happens if Elminster dies? She can't afford to have all her eggs in one basket.

Mystra has Volo (yeah, that Volo) as a Weave Anchor, imparted with a portion of her power to prevent the Weave from shredding itself to pieces in her absence. All Chosen of Mystra are Weave Anchors by nature. The creation of Weave Anchors was mandated by Ao, the Overgod, and Chosen are the best way to make sure those anchors aren't drained by ambitious people hoping for godlike power. Chosen can, and will, defend themselves, unlike static locations (which Mystra also has). The anchors are why the Weave wasn't completely obliterated during Mystra's last death, when the Spellplague rose up, because they stabilized the Weave around them.

Everything Mystra does is in the name of the big picture, to prevent a catastrophe like the fall of Netheril from happening again. Her restriction of magic, her numerous Chosen, her creation of Weave Anchors, her destruction of those who would claim her power, it's all in the name of the stability she's been charged with. Dornal Silverhand's grief and Elué Silverhand's death, while regrettable, were worth it to bring seven more anchors into existence to save all of the Material.

So someone appears with the Crown of Karsus, potentially powerful enough to try to kill the other gods in the name of the Dead Three. She can't risk being a target of them. She can't risk the destruction of magic again.

Gale is going to die. He lives in fear. He begs for forgiveness.

In Mystra's eyes, she's offering him the best outcome. She'll let him die in service to her, to save Faerûn, and she'll forgive him. He's going to die anyways, and if he does this, she'll give him everything (she thinks) he could ever want in her realm. She's asking him to do what (she thinks) is the right thing.

"She would consider what she considers to be forgiveness."

Notably, she leaves the decision in his hands. She doesn't have Elminster lead him to the Nether Brain. She doesn't activate him as soon as he's there. When he lives yet, she doesn't revoke the charm that keeps him stable. And when he declines, when he lets it go and starts pursuing Karsus' path, she doesn't smite him on the spot.

She is (she thinks) being incredibly patient. If Gale is going to try to be Karsus II, she's ready for him. If he decides to walk off and keep the Orb, he's dug his own grave in the Fugue Plane (those who don't have a god to claim them roam endlessly as husks and form a wall of bodies around the City of Judgement).

From her perspective, she's not being unreasonable. But from the perspective of a mortal, she absolutely is.

"Now, I have a question for thee: what is the worth of a single mortal's life?"

This is a question she cannot answer properly.

I think a lot of characterization is lost whenever someone paints one of them as being totally in the right. But I also think you have to be invested in them as characters to want to see that characterization. If you want to write about Mystra, you have to try to get into her head, analyze the decisions she made, figure out why she thinks she was right, and follow the pattern.

Gale's sacrifice is a very predictable thing for her to ask for.

[beau-is-here]

Why has Husk never stood up for himself, especially when uncomfortable over Angel's advances?

Well, what if it's because of the very deer who owns his soul.

(TW FOR SLIGHT SA/ABUSE REFERENCES, MENTIONS OF BEING DRUGGED) (ITS ANGEL DUST)

ALRIGHT YALL, BEAU IS BACK WITH ANOTHER ANALYSIS. I'm so excited to be writing a Husk-centric one, he's one of my favorite characters!

So, we all know Angel likes to flirt, and this is mostly because of the way he copes with his own situation. Husk makes it very prominent about his discomfort towards these gestures, as he's the main victim of Angel's fake flirting.

While he shows his discomfort, however, he never actually tells Angel to stop. All he does is push him away, weather that is an annoyed reaction or literally pushing him away. He never sets boundaries, or even says no to him.

This all changes when Charlie introduces the concept of boundaries to Husk, as she had crossed Angel's earlier with the Valentino situation. While Husk seems annoyed about her remark, he takes it to Husk.

When Husk talks to Angel after saving him from being drugged at a club, we notice him setting boundaries for the first time, saying that Angel is always "pushing [his] boundaries". He also uses the same language he learns from Charlie earlier with the boundaries talk.

But why does Husk never set boundaries before this? Because he can not.

Husk is on a leash, meaning he has to take every order from his boss, or he could lose his life. He can't say no.

And Alastor's treatment only reinforces how not only hopeless he is, but how powerless he is over his own life. He can not back away from Alastor's grasp, and it makes him feel like he has no choice on how others treat him, especially with Angel Dust.

I wonder who's situation this remind me of?

But it makes sense that one person struggling with boundary issues is the one to hurt someone else struggling with boundary issues.

But when Husk opens up about his boundaries, it makes both parties feel better. Husk feels more in control of his life, having the ability to say no. Angel dust feels in control of his life as well, having the respect to not have to essentially sell himself to feel respected, as boundaries are in place to respect all involved.

Because he is willing to open up about his boundaries, it actually makes Husk feel more comfortable around Angel Dust, as he knows Angel's remarks will only be that of light hearted rather than sexualizing (to an uncomfortable degree). This is why Angel and Husk are able to become so close; as the trust formed between them allows them to open up to each other. This is a healthy relationship. Romantic or not, HuskerDust has really gone a long way for the best!

[gabrielsbubblegumbitch]

I’m sorry but can you write more stuff about Vox being a gaslighter? I’m actually obsessed with your analysis

Thaaanks I'm obsessed about them too~ 🩵❤️

So, Vox is like the ultimate gaslighter. Manipulation and brainwashing? That's his whole freaking business plan. I mean, come on, the Voxtek slogan is "Trust Us," and somehow, people actually do.

Oh, let's talk about Voxtek - he's the worst, most manipulative boss ever. He's always pulling stuff like withholding essential information for a task someone's supposed to do, then publicly blaming them for screwing up. And he's sneaky about it too, acting all concerned and disappointed instead of just yelling. It makes people feel useless and insecure, so they bust their butts trying to please him and win back their colleagues' respect, never daring to stand up for themselves. Plus, he's a pro at keeping relationships between higher-up managers tense and distrustful by spreading rumors and creating a competitive vibe. And don't get me started on how he's a total hypocrite - Voxtek, like every other company, preaches its values and missions to create this fake sense of safety and purpose, but then he goes and acts against them or lets someone else do so. It leaves people feeling confused and helpless because they can't play the game when the rules keep changing. Let me tell you, Satan might work hard, but Voxtek's HR department works even harder.

And manipulating people on a personal level? Way too easy for him. People who don't know him well enough think he's some kind of genius (bless their hearts), so they give him way too much credibility. It's crucial for him to be seen as competent because that's how he stays in control. That's why he loves to question the competence of his business partners (Not to be that guy, but those numbers don't look great. Are you sure you can handle this? I don't want to waste my money.) or Valentino (Babe, I've got this. We both know you're not great with financial planning.). Thought hardly ever works on Velvette because she's got zero bullshit tolerance.

Now, when it comes to Valentino, Vox has zero remorse about gaslighting him. To him, gaslighting isn't even violence; it's just a way of handling things, all neat and effective. Why bother yelling and arguing when he can just manipulate Val into agreeing with him? It's like what we saw in episode 2. And even when Val has every right to be angry because Vox acted like a jerk, Vox tends to devaluate his emotions (I don't have time to deal with another temper tantrum, Val; You're always so pissy, why can't you just chill?) or tries to make him doubt his own reality (Maybe you'd remember it better if you weren't high all the time.). He hates arguing with Val, but also is unable to admit that he's wrong, so in his mind, undermining Val's ability to call him out on his bad behavior is a way of keeping their relationship healthy. But it's risky because sometimes Val sees through his manipulations, especially when they're about his feelings, and then things get even messier.

I like to think they trust each other when it comes to serious stuff, like protecting each other from outside dangers, but at the same time, it's like Mr. Gaslight Gatekeep Girlboss is married to Mr. Manipulate Mansplain Manwhore - you never know if he's being genuinely nice or if he's trying to get you to do something.

[asexualannoyance]

“[...] Like other movements within political Islam, the movement [Hamas] reflected a complex local reaction to the harsh realities of occupation, and a response to the disorientated paths offered by secular and socialist Palestinian forces in the past. Those with a more engaged analysis of this situation were well prepared for the Hamas triumph in the 2006 elections, unlike the Israeli, American, and European governments. It is ironic that it was the pundits and orientalists, not to mention Israeli politicians and chiefs of intelligence, who were taken by surprise by the election results more than anyone else. What particularly dumbfounded the great experts on Islam in Israel was the democratic nature of the victory. In their collective reading, fanatical Muslims were meant to be neither democratic nor popular. These same experts displayed a similar misunderstanding of the past. Ever since the rise of political Islam in Iran and in the Arab world, the community of experts in Israel had behaved as if the impossible was unfolding in front of their eyes. [...]

In 2009, Avner Cohen, who served in the Gaza Strip around the time Hamas began to gain power in the late 1980s, and was responsible for religious affairs in the occupied territories, told the Wall Street Journal, “the Hamas, to my great regret, is Israel’s creation.” Cohen explains how Israel helped the charity al-Mujama al-Islamiya (the “Islamic Society”), founded by Sheikh Ahmed Yassin in 1979, to become a powerful political movement, out of which the Hamas movement emerged in 1987. Sheikh Yassin, a crippled, semi-blind Islamic cleric, founded Hamas and was its spiritual leader until his assassination in 2004. He was originally approached by Israel with an offer of help and the promise of a license to expand. The Israelis hoped that, through his charity and educational work, this charismatic leader would counterbalance the power of the secular Fatah in the Gaza Strip and beyond. [...]

In 1993, Hamas became the main opposition to the Oslo Accord. While there was still support for Oslo, it saw a drop in its popularity; however, as Israel began to renege on almost all the pledges it had made during the negotiations, support for Hamas once again received a boost. Particularly important was Israel’s settlement policy and its excessive use of force against the civilian population in the territories. [...]

It also captured the hearts and minds of many Muslims (who make up the majority in the occupied territories) due [to] the failure of secular modernity to find solutions to the daily hardships of life under occupation. [...]

The new Israeli methods of oppression introduced during the Second Intifada—particularly the building of the wall, the roadblocks, and the targeted assassinations—further diminished the support for the Palestinian Authority and increased the popularity and prestige of Hamas. It would be fair to conclude, then, that successive Israeli governments did all they could to leave the Palestinians with no option but to trust, and vote for, the one group prepared to resist an occupation described by the renowned American author Michael Chabon as “the most grievous injustice I have seen in my life.” [...]

The obvious failure of the Palestinian groups and individuals who had come to prominence on the promise of negotiations with Israel clearly made it seem as if there were very few alternatives. In this situation the apparent success of the Islamic militant groups in driving the Israelis out of the Gaza Strip offered some hope. However, there is more to it than this. Hamas is now deeply embedded in Palestinian society thanks to its genuine attempts to alleviate the suffering of ordinary people by providing schooling, medicine, and welfare. No less important, Hamas’s position on the 1948 refugees’ right of return, unlike the PA’s stance, was clear and unambiguous. Hamas openly endorsed this right, while the PA sent out ambiguous messages, including a speech by Abu Mazen in which he rescinded his own right to return to his hometown of Safad. [...]”

—Ten Myths About Israel by Ilan Pappé, Chapter 9: “The Gaza Mythologies”, the section titled “Hamas Is a Terrorist Organization”