#high performance javascript

[nishtha135]

Which coding languages should I learn to boost my IT career opportunities?

A career in IT needs a mix of versatile programming languages. Here are some of the most essential ones:

Python – Easy to learn and widely used for data science, machine learning, web development, and automation.

JavaScript – Key for web development, allowing interactive websites and backend work with frameworks like Node.js.

Java – Known for stability, popular for Android apps, enterprise software, and backend development.

C++ – Great for systems programming, game development, and areas needing high performance.

SQL – Essential for managing and querying databases, crucial for data-driven roles.

C# – Common in enterprise environments and used in game development, especially with Unity.

[cyberstudious]

saturday, august 31st, 2024

this morning I finished reading High Performance Python. I think it was a good book and I learned more about how Python works in general, even if a lot of the optimizations explained in the book aren't super applicable to anything that I'm working on at the moment. if you do any sort of scientific computing, I think this book will be pretty helpful.

I also read Alex Russel's Reckoning series today and wrote a few notes in my commonplace book. I'd say this series of blog posts is pretty much required reading if you do any sort of front-end web dev work. (tl;dr heavy JavaScript-based SPA frameworks are used far more often than they should be, and they're destroying the usability of the web for folks at the margins. bad design & engineering decisions have real-world impacts, like preventing people from accessing public services and benefits websites.) I highly recommend giving this series a read.

I plan to spend this long weekend reading, relaxing, and going on walks now that the weather is a bit cooler. what are y'all looking forward to this weekend? <3

[liberate-women-now]

Full Vulture Article on Neil Gaiman's Disgusting Crimes

This is the entire thing minus the featured images. You can also get past the paywall to the Vulture article by turning off javascript in your browser and refreshing.

Scarlett Pavlovich was a 22-year-old drama student when she met the performer Amanda Palmer by chance on the streets of Auckland. It was a gray, drizzly afternoon in June 2020, and Palmer, then 44, was walking down the street with the actress Lucy Lawless, one of the most famous people in New Zealand owing to her six-season stint portraying Xena the warrior princess. But Pavlovich noticed only Palmer. She’d watched her TED talk, “The Art of Asking,” and was fascinated by the cult-famous feminist writer and musician — by her unabashed self-assurance.

On the surface, Pavlovich appeared to be self-assured as well. A local girl, she had dropped out of high school at 15 to travel to Europe, Morocco, and the Middle East on the cheap, pausing in Scotland — where Tilda Swinton gave her a scholarship to attend her Steiner school, Drumduan — and London to work in the cabaret scene. Eventually, her visa expired and she ran out of money and so, in 2019, she returned to Auckland, where she enrolled in an acting school and took a job at a perfumery. Pale and dark-haired and waifish, she favored bold colors and outrageous outfits. On the day she met Palmer — on most days then — she’d painted a triangle of translucent silver beneath her lower lashes so it looked as though she’d been crying tears of glitter. It was Pavlovich who approached Palmer on the sidewalk outside the perfumery. She was surprised when Palmer texted her a few days later. “It’s amanda d palmer,” she wrote. “Your new friend.”

Palmer, an obsessive chronicler of her own life in songs, poems, blog posts, and a memoir, got her start as half of the punk cabaret band the Dresden Dolls, but she is perhaps more famous for her ability to attract a tight-knit and devoted following wherever she goes. In 2012, she became the first musician to raise more than $1 million on Kickstarter and later became one of Patreon’s most successful artists. As Palmer explained in her book The Art of Asking — part memoir, part manifesto on the virtues of asking for assistance of various kinds — she had built her entire career on “messy exchanges of goodwill and the swapping of favors.” Out of this mess, she argues, a utopian sort of community formed: “There was no distinction between fans and friends.”

Over the following year and a half, Palmer and Pavlovich occasionally met for a drink or a meal. Palmer offered Pavlovich tickets to her shows and invited her to parties for the Patreon community at her house on nearby Waiheke Island, a lush bohemian retreat with vineyards, golden beaches, and more than 60 helipads to accommodate the billionaires who vacationed there. Sometimes Palmer asked Pavlovich for favors — help running errands or organizing files or looking after her child. Pavlovich was happy to assist. She had a crush on Palmer. She didn’t mind that Palmer only occasionally discussed paying her, even though Pavlovich was always strapped for cash. For Pavlovich, who was estranged from her family and without a safety net, Palmer filled a deeper need. In November 2020, Palmer invited her to hang out at her place for a weekend with a group of local artists. At the gathering, Palmer asked Pavlovich to babysit while she got a massage. Early the next morning, Pavlovich wrote a diary entry about the easy intimacy she’d felt in Palmer’s sun-drenched home, where she’d read to Palmer’s son, who was 5 at the time, their limbs entwined. “The years absent of touch build up like a gray inheritance,” she wrote. “I’m hungry. I am so fucking famished.”

On February 1, 2022, Palmer texted Pavlovich and asked if she wanted to spend the weekend babysitting, which would mean bouncing back and forth between her house and her husband’s. Pavlovich had never met Palmer’s husband, from whom she was separated, though of course she knew who he was: Neil Gaiman, the acclaimed British fantasist and author of nearly 50 books, including American Gods and Coraline, and the comic-book series The Sandman, whose work has sold more than 50 million copies worldwide. Gaiman and Palmer had arrived in New Zealand in March 2020, but just weeks later, their nine-year marriage collapsed and Gaiman skipped town, breaking COVID protocols to fly to his home on the Isle of Skye. Now, he’d returned and was living in a house near Palmer’s on Waiheke. Their previous nanny had recently left, and they needed help. Pavlovich agreed and was pleased when Palmer offered to pay her for the weekend’s work.

Around four in the afternoon on February 4, Pavlovich took the ferry from Auckland to Waiheke, then sat on a bus and walked through the woods until she arrived at Gaiman’s house, an asymmetrical A-frame of dark burnished wood with picture windows overlooking the sea. Palmer had arranged a playdate for the child, so not long after Pavlovich arrived, she found herself alone in the house with the author. For a little while, Gaiman worked in his office while she read on the couch. Then he emerged and offered her a tour of the grounds. A striking figure at 61, his wild black curls threaded with strands of silver, the author picked a fig — her favorite fruit — and handed it to her. Around 8 p.m., they sat down for pizza. Gaiman poured Pavlovich a glass of rosé and then another. He drank only water. They made awkward conversation about New Zealand, about COVID. Pavlovich had never read any of his work, but she was anxious to make a good impression. After she’d cleaned up their plates, Gaiman noted that there was still time before they would have to pick up his son from the playdate. “‘I’ve had a thought,’” she recalls him saying. “‘Why don’t you have a bath in the beautiful claw bathtub in the garden? It’s absolutely enchanting.’” Pavlovich told Gaiman that she was fine as she was but ultimately agreed. He needed to make a work call, he said, and didn’t want Pavlovich to be bored.

Gaiman led Pavlovich down a stone path into the garden to an old-fashioned tub with a roll top and walked away. She got undressed and sank into the bath, looking up at the furry magenta blossoms of the pohutukawa tree overhead. A few minutes later, she was surprised to hear Gaiman’s footsteps on the stones in the dark. She tried to cover her breasts with her arms. When he arrived at the bath, she saw that he was naked. Gaiman put out a couple of citronella candles, lit them, and got into the bath. He stretched out, facing her, and, for a few minutes, made small talk. He bitched about Palmer’s schedule. He talked about his kid’s school. Then he told her to stretch her legs out and “get comfortable.”

“I said ‘no.’ I said, ‘I’m not confident with my body,’” Pavlovich recalls. “He said, ‘It’s okay — it’s only me. Just relax. Just have a chat.’” She didn’t move. He looked at her again and said, “Don’t ruin the moment.” She did as instructed, and he began to stroke her feet. At that point, she recalls, she felt “a subtle terror.”

Gaiman asked her to sit on his lap. Pavlovich stammered out a few sentences: She was gay, she’d never had sex, she had been sexually abused by a 45-year-old man when she was 15. Gaiman continued to press. “The next part is really amorphous,” Pavlovich tells me. “But I can tell you that he put his fingers straight into my ass and tried to put his penis in my ass. And I said, ‘No, no.’ Then he tried to rub his penis between my breasts, and I said ‘no’ as well. Then he asked if he could come on my face, and I said ‘no’ but he did anyway. He said, ‘Call me ‘master,’ and I’ll come.’ He said, ‘Be a good girl. You’re a good little girl.’”

Neil Gaiman in 2002, with estranged wife Amanda Palmer in 2010, and with Henry Selick and Dakota Fanning at the Coraline premiere. Photo: Getty.

In The Sandman, the DC comic-book series that ran from 1989 to 1996 and made Gaiman famous, he tells a story about a writer named Richard Madoc. After Madoc’s first book proves a success, he sits down to write his second and finds that he can’t come up with a single decent idea. This difficulty recedes after he accepts an unusual gift from an older author: a naked woman, of a kind, who has been kept locked in a room in his house for 60 years. She is Calliope, the youngest of the Nine Muses. Madoc rapes her, again and again, and his career blossoms in the most extraordinary way. A stylish young beauty tells him how much she loved his characterization of a strong female character, prompting him to remark, “Actually, I do tend to regard myself as a feminist writer.” His downfall comes only when the titular hero, the Sandman, also known as the Prince of Stories, frees Calliope from bondage. A being of boundless charisma and creativity, the Sandman rules the Dreaming, the realm we visit in our sleep, where “stories are spun.” Older and more powerful than the most powerful gods, he can reward us with exquisite delights or punish us with unending nightmares, depending on what he feels we deserve. To punish the rapist, the Sandman floods Madoc’s mind with such a wild torrent of ideas that he’s powerless to write them down, let alone profit from them.

As allegations of Gaiman’s sexual misconduct emerged this past summer, some observers noticed Gaiman and Madoc have certain things in common. Like Madoc, Gaiman has called himself a feminist. Like Madoc, Gaiman has racked up major awards (for Gaiman, awards in science fiction and fantasy as well as dozens of prizes for contemporary novels, short stories, poetry, television, and film, helping make him, according to several sources, a millionaire many times over). And like Madoc, Gaiman has come to be seen as a figure who transcended, and transformed, the genres in which he wrote: first comics, then fantasy and children’s literature. But for most of his career, readers identified him not with the rapist, who shows up in a single issue, but with the Sandman, the inexhaustible fountain of story.

One of Gaiman’s greatest gifts as a story-teller was his voice, a warm and gentle instrument that he’d tuned through elocution lessons as a boy in East Grinstead, 30 miles south of London. In America, people mistakenly assumed he was an English gentleman. “He spoke very slowly, in a hypnotic way,” says one of his former students at the fantasy-writing workshop Clarion. He wrote that way, too, with rhythm and restraint, lulling you into a trance in the way that a bard might have done with a lyre. Another gift was his memory. He has “libraries full of books memorized,” one of his old friends tells me, noting that he could recall the page numbers of his favorite passages and recite them verbatim. His vast collection was eclectic enough to encompass both a box of comics (Spider-Man, Silver Surfer) from his boyhood and the works of Oscar Wilde he received as a gift for his bar mitzvah. For The Sandman, a forgotten DC property he had been hired to dust off and polish up, Gaiman gave the hero a makeover, replacing his green suit, fedora, and gas mask with the leather armor of an angsty goth, and surrounded him with characters drawn from the books he could pull off the shelves in his head, from timeless icons like Shakespeare and Lucifer to the obscure San Francisco eccentric Joshua Abraham Norton. Norman Mailer called it “a comic strip for intellectuals.”

Gaiman and the Sandman shared a penchant for dressing in black, a shock of unruly black hair, and an erotic power seldom possessed by authors of comic books and fantasy novels. A descendant of Polish Jewish immigrants, Gaiman had gotten his start in the ’80s as a journalist for hire in London covering Duran Duran, Lou Reed, and other brooding lords of rock, and in the world of comic conventions, he was the closest thing there was to that archetype. Women would turn up to his signings dressed in the elaborate Victorian-goth attire of his characters and beg him to sign their breasts or slip him key cards to their hotel rooms. One writer recounts running into Gaiman at a World Fantasy Convention in 2011. His assistant wasn’t around, and he was late to a reading. “I can’t get to it if I walk by myself,” he told her. As they made their way through the convention side by side, “the whole floor full of people tilted and slid toward him,” she says. “They wanted to be entwined with him in ways I was not prepared to defend him against.” A woman fell to her knees and wept.

People who flock to fantasy conventions and signings make up an “inherently vulnerable community,” one of Gaiman’s former friends, a fantasy writer, tells me. They “wrap themselves around a beloved text so it becomes their self-identity,” she says. They want to share their souls with the creators of these works. “And if you have morality around it, you say ‘no.’” It was an open secret in the late ’90s and early aughts among conventiongoers that Gaiman cheated on his first wife, Mary McGrath, a private midwestern Scientologist he’d married in his early 20s. But in my conversations with Gaiman’s old friends, collaborators, and peers, nearly all of them told me that they never imagined that Gaiman’s affairs could have been anything but enthusiastically consensual. As one prominent editor in the field puts it, “The one thing I hear again and again, largely from women, is ‘He was always nice to me. He was always a gentleman.’” The writer Kelly Link, who met Gaiman at a reading in 1997, recalls finding him charmingly goofy. “He was hapless in a way that was kind of exasperating,” she says, “but also made him seem very harmless.” Someone who had a sexual relationship with Gaiman in the aughts recalls him flipping through questions fans wrote on cards at a Q&A session. Once, a fan asked if she could be his “sex slave”: “He read it aloud and said, ‘Well, no.’ He’d be very demure.”

On Late Night With Seth Meyers in 2016 and accepting the Visionary Award in 2024. Photo: Getty.

This past July, a British podcast produced by Tortoise Media broke the news that two women had accused Gaiman of sexual assault. S​ince then, more women have shared allegations of assault, coercion, and abuse. The podcast, Master, reported by Paul Caruana Galizia and Rachel Johnson, tells the stories of five of them. (Gaiman’s perspective on these relationships, including with Pavlovich, is that they were entirely consensual.) I spoke with four of those women along with four others whose stories share elements with theirs. I also reviewed contemporaneous diary entries, texts and emails with friends, messages between Gaiman and the women, and police correspondence. Most of the women were in their 20s when they met Gaiman. The youngest was 18. Two of them worked for him. Five were his fans. With one exception, an allegation of forcible kissing from 1986, when Gaiman was in his mid-20s, the stories take place when Gaiman was in his 40s or older, a period in which he lived among the U.S., the U.K., and New Zealand. By then, he had a reputation as an outspoken champion of women. “Gaiman insists on telling the stories of people who are traditionally marginalized, missing, or silenced in literature,” wrote Tara Prescott-Johnson in the essay collection Feminism in the Worlds of Neil Gaiman. Although his books abounded with stories of men torturing, raping, and murdering women, this was largely perceived as evidence of his empathy.

Katherine Kendall was 22 when she met Gaiman in 2012. She was volunteering at one of his events in Asheville, North Carolina. He invited her to join him a few days later at an after-party for another event, where he kissed her. The two struck up a flirtatious correspondence, emailing and Skyping in the middle of the night. Kendall didn’t want to have sex with Gaiman, and on one of their calls, she told him this. Afterward, she recorded his reply in her diary: “He had no designs on me beyond flirty friendship and I believe him thoroughly.” She’d grown up listening to his audiobooks, she later told Papillon DeBoer, the host of the podcast Am I Broken: “And then that same voice that told me those beautiful stories when I was a kid was telling me the story that I was safe, and that we were just friends, and that he wasn’t a threat.”

With Kendra Stout in April 2007. Photo: Courtesy of Kendra

Gaiman had been having sexual encounters with younger fans for a long time. Kendra Stout was 18 when, in 2003, she drove four and a half hours to Fort Lauderdale, Florida, to see Gaiman read from Endless Nights, a follow-up to The Sandman. She met him in the signing line. Gaiman sent her long emails and bought her a web camera so they could chat on video. Around three years after they met, he flew to Orlando to take her on a date. He invited her back to his hotel room, put on a playlist of love songs, and held her down with one hand. Gaiman didn’t believe in foreplay or lubrication, Stout tells me, which could make sex particularly painful. When she said it hurt too much, he’d tell her the problem was she wasn’t submissive enough. “He talked at length about the dominant and submissive relationship he wanted out of me,” she tells me. Stout had no prior interest in BDSM. She says Gaiman never asked what she liked in bed, and there was no discussion of “safe words” or “aftercare” or “limits.” He’d ask her to call him “master” and beat her with his belt. “These were not sexy little taps,” she says. When she told him she didn’t like it, she says he replied, “It’s the only way I can get off.”

Gaiman told Stout he had been introduced to these practices by a woman he’d met in his early 20s who had asked him to “whip her pussy.” At the time, he claimed to Stout, he was such a naïve Englishman that he thought she meant her cat. Then she handed him a flogger and told him to use it on her vagina. “‘This is what gets me off now,’” Stout recalls him saying. A similar anecdote shows up in an interview Gaiman gave for a 2022 biography of Kathy Acker, the late experimental punk writer Gaiman befriended in his 20s, but he offers a different account of how it affected him. When Acker asked him to “whip her pussy,” he found it “profoundly unsexual,” he told the interviewer. “I did it and ran away.” He identified himself as “very vanilla.”

In 2007, Gaiman and Stout took a trip to the Cornish countryside. On their last night there, Stout developed a UTI that had gotten so bad she couldn’t sit down. She told Gaiman they could fool around but that any penetration would be too painful to bear. “It was a big hard ‘no,’” she says. “I told him, ‘You cannot put anything in my vagina or I will die.’” Gaiman flipped her over on the bed, she says, and attempted to penetrate her with his fingers. She told him “no.” He stopped for a moment and then he penetrated her with his penis. At that point, she tells me, “I just shut down.” She lay on the bed until he was finished. (This past October, she filed a police report alleging he raped her.)

February 2022: The bathtub in Gaiman’s garden where Scarlett Pavlovich alleges he raped her, which Gaiman denies. February 5, 2022: Pavlovich the morning after the bathtub incident. Photo: Courtesy of Scarlett Pavlovich.

After Gaiman got into the bathtub with Pavlovich, she retreated to Palmer’s house, which was vacant at the time. She sat in the shower for an hour, crying, then got into Palmer’s bed and began to search the internet for clues that might explain what had happened to her. She Googled “Me Too” and “Neil Gaiman.” Nothing. The only negative stories she found were about how he’d broken COVID lockdown rules in 2020 and had been forced to apologize to the people of the Isle of Skye for endangering their lives.

At the end of the weekend, Palmer texted Pavlovich to say how pleased she was to see Pavlovich and her child get along. “The universe is a karmic mystery,” Palmer wrote. “We nourish each other in the most random and unpredictable ways.” Palmer asked if she could babysit again. She needed so much help. Would Pavlovich consider staying with them for the foreseeable future?

Pavlovich was living in a sublet that was about to end. She was broke and hadn’t been able to find a new apartment. She’d been homeless at the start of the pandemic, when the perfumery closed, and had ended up crashing on the beach in a friend’s sleeping bag on and off for the first two weeks of lockdown. The thought of returning to the beach filled her with dread.

She didn’t consider reaching out to her own family. Her parents had divorced when she was 3, and Pavlovich had grown up splitting time between their households. Violence, Pavlovich tells me, “was normalized in the household.” One close family member beat her with a belt. Another would strangle Pavlovich when she got upset and slap her across the face until her cheeks were raw. She began to regularly cut her arms and wrists with a knife when she was 11. She became bulimic, then anorexic. By 13, Pavlovich had grown so thin that she ended up in a psychiatric unit at Auckland Children’s Hospital and spent weeks on a feeding tube. When she was 15, she left home and never went back.

In the years since, she had been looking for a new family, but many of the people she’d encountered in that search turned out to be abusive as well. “After all of this, Amanda Palmer was an actual creature sent from a celestial realm. It was like, Hallelujah,” Pavlovich tells me. Palmer was famous for speaking out about sexual abuse and encouraging others to do the same. In songs and essays, she had written of having been sexually assaulted and raped on multiple occasions as a teenager and young woman. Pavlovich didn’t think someone like that could be married to someone who would assault women.

Sexual abuse is one of the most confusing forms of violence that a person can experience. The majority of people who have endured it do not immediately recognize it as such; some never do. “You’re not thinking in a linear or logical fashion,” Pavlovich says, “but the mind is trying to process it in the ways that it can.” Whatever had happened in the bath, she’d been through worse and survived, she thought. And Gaiman and Palmer were offering her the possibility of a shared future. Palmer’s vision of herself as the central figure of a utopian community could, according to some of her friends, make her careless with the young, impressionable women she invited into her and her husband’s lives. “Her idealism could blind her to reality,” one friend says. (Palmer declined to be interviewed, but I spoke with people close to her.) Palmer told Pavlovich they might travel to London together, and to Scotland, where Gaiman was shooting the second season of Good Omens. Pavlovich had wanted to leave New Zealand — her “epicenter of trauma” — for as long as she could remember. These conversations filled her head with fantasies “of finally being on solid ground in the world.”

After Palmer’s offer, Pavlovich texted Gaiman: “I am consumed by thoughts of you, the things you will do to me. I’m so hungry. What a terrible creature you’ve turned me into.” The following weekend, she packed up her sublet and boarded the ferry to Waiheke.

Throughout his career, Gaiman has written about terror from the point of view of a child. His most recent novel, The Ocean at the End of the Lane, tells the story of a quiet and bookish 7-year-old boy. Through various unfortunate events, he ends up with a hole in his heart that can never be healed, a doorway through which nightmares from distant realms enter our world. Over the course of the tale, the boy suffers terribly, sometimes at the hands of his own family. At dinner one night, the boy refuses to eat the food his nanny has prepared. The nanny, the boy knows, isn’t really a human but a nightmare creature from another world. When his father demands to know why he won’t eat, the boy explains, “She’s a monster.” His father becomes enraged. To punish him, he fills the tub, then picks up the child, plunges him into the bath, and pushes his shoulders and head beneath the chilly water. “I had read many books in that bath,” the boy says. “It was one of my safe places. And now, I had no doubt, I was going to die there.” Later that night, the boy runs away from home; on his way out, he glimpses his father having sex with the monstrous nanny through the drawing-room window.

In various interviews over the years, Gaiman has called The Ocean at the End of the Lane his most personal book. While much of it is fantastical, Gaiman has said “that kid is me.” The book is set in Sussex, where Gaiman grew up. In the story, the narrator survives otherworldly evil with the help of a family of magical women. As a child, Gaiman had no such friends to call on. “I was going back to the 7-year-old me and giving myself a peculiar kind of love that I didn’t have,” he told an interviewer in 2017. “I never feel the past is dead or young Neil isn’t around anymore. He’s still there, hiding in a library somewhere, looking for a doorway that will lead him to somewhere safe where everything works.”

While Gaiman has identified the boy in the book as himself, he has also claimed that none of the things that happen to the boy happened to him. Yet there is reason to believe that some of the most horrifying events of the novel did occur. Gaiman has rarely spoken about a core fact of his childhood. In 1965, when Neil was 5 years old, his parents, David and Sheila, left their jobs as a business executive and a pharmacist and bought a house in East Grinstead, a mile away from what was at that time the worldwide headquarters for the Church of Scientology. Its founder, the former science-fiction writer L. Ron Hubbard, lived down the road from them from 1965 until 1967, when he fled the country and began directing the church from international waters, pursued by the CIA, FBI, and a handful of foreign governments and maritime agencies.

David and Sheila were among England’s earliest adherents to Scientology. They began studying Dianetics in 1956 and eventually took positions in the Guardian’s Office, a special department of the organization dedicated to handling the church’s growing number of legal cases, public communications, and intelligence operations. The mission of this office, as Hubbard wrote, was its “covert use in destroying the repute of individuals and groups.” On the side, the Gaimans ran the church’s canteen, lodged foreign Scientologists in their home, and opened a vitamin company in town, where they supplied courses of supplements for Scientology’s “detoxification” programs, a business that grew exponentially alongside the expansion of the church. By the late ’60s, David was the church’s public face and chief spokesperson in the U.K.

It was a challenging job, to say the least. The U.K., following the example of a handful of other governments, had issued a report declaring Scientology’s methods “a serious danger to the health of those who submit to them.” Hubbard would routinely punish members of the organization who committed minor infractions by binding them, blindfolding them, and throwing them overboard into icy waters. Back in England, David gave interviews to the press to smooth over such troubling accounts. The church was under particular pressure to assure the public it was not harming children. In his bulletins to members, Hubbard had made it clear that children were not to be exempt from the punishments to which adults were subjected. If a child laughed inappropriately or failed to remember a Scientology term, they could be sent to the ship’s hold and made to chip rust for days or confined in a chain locker for weeks at a time without blankets or a bathroom. In his book Going Clear, Lawrence Wright recounts the story of a 4-year-old boy named Derek Greene, an adopted Black child who stole a Rolex and dropped it overboard. He was confined to the locker for two days and nights. When his mother pleaded with Hubbard to let him out, he “reminded her of the Scientology axiom that children are actually adults in small bodies, and equally responsible for their behavior.” (A representative for the Church of Scientology said it does not speak about members past or present but denies that this event occurred.)

David used Neil as an exhibit in his case to the public. In 1968, he arranged for Neil to give an interview to the BBC. When the reporter asked the child if Scientology made him “a better boy,” Neil replied, “Not exactly that, but when you make a release, you feel absolutely great.” (A release, in Scientology lingo, is what happens when you complete one of the lower levels of coursework.) What was happening away from the cameras is difficult to know, in part because Gaiman has avoided talking about it, changing the subject whenever an interviewer, or a friend, brings it up. But it seems unlikely that he would have been spared the disciplinary measures inflicted on adults and children as a standard practice at that time. According to someone who knew the Gaimans, David and Sheila did apply Scientology’s methods at home. When Neil was around the age of the child in The Ocean at the End of the Lane, the person said, David took him up to the bathtub, ran a cold bath, and “drowned him to the point where Neil was screaming for air.”

As a teenager, Neil worked for the Church of Scientology for three years as an auditor, a minister of the church who conducts a process some have likened to hypnosis. One former member of the church who worked with Gaiman’s parents and was audited by Gaiman recalls him as precocious and ambitious. It was unusual for a teenager to have completed such a high level of training, he tells me. But the Gaimans were like “royalty,” he says. In 1981, David was promoted to lead the Guardian’s Office, making him one of the most powerful people in the church. But the same year, he fell from grace. A new generation of Scientologists, led by David Miscavige, who eventually succeeded Hubbard as the church’s leader, had Hubbard’s ear, and David was “caught in that grinder,” as his former colleague puts it. A document declaring David a “Suppressive person” was released a few years later. It accused him of a range of offenses, including sexual misconduct. David, the document claims, put on a “front” of being “mild mannered and quite sociable,” adding that his actions “belie this.” His greatest offense, it seemed, was hubris. “Gaiman required others to look up to him instead of to Source,” it reads, referring to Hubbard.

In the ’80s, David was sent off to a sort of rehabilitation camp. It was around this time that Gaiman set out to make a living as a writer. Charming and strategic, he used the contacts he developed as a journalist to break into the business of genre writing, endearing himself to the giants of that world at the time: Douglas Adams, Arthur C. Clarke, Clive Barker, Terry Pratchett, Alan Moore. “When I was young, I had unbelievable chutzpah,” Gaiman says in the documentary Neil Gaiman: Dream Dangerously. “The kind of monstrous self-certainty that you only get normally in people who then go on to conquer half the civilized world.”

Gaiman and Palmer met in 2008, when she was 32 and he was 47. Both were at a turning point in their lives and careers. Gaiman was in the midst of finalizing a divorce from his first wife, with whom he had three children, and on the verge of breaking into Hollywood (nine of his works have been turned into movies or TV shows); Palmer was in a fight with her record label that would culminate in a split. Palmer had a collection of photos of herself posing as a murdered corpse and wanted Gaiman to write captions to go along with the pictures. Gaiman liked the idea, and the two met to work on the project, a book tied to her first solo album, Who Killed Amanda Palmer. As Palmer described in The Art of Asking, they were not attracted to each other at first. “I thought he looked like a baggy-eyed, grumpy old man, and he thought I looked like a chubby little boy.”

Gaiman was the first to propose a romantic relationship. In an interview, he later said, “I got together with her because I couldn’t ever imagine being bored.” Palmer could. Ever since she’d gotten her start as a street busker, painting her face white and standing on a crate in Harvard Square dressed as a silent eight-foot-tall bride, she prided herself on a low-rent, bohemian lifestyle, couch-surfing when she toured, playing random shows in the living rooms of her fans. She had no savings and didn’t own a car, real estate, or kitchen appliances. Gaiman owned multiple houses. He was too rich, too famous, too British, too awkward, too old. And they didn’t have great sexual chemistry. But he appeared to be kind and stable, a family man, and they shared a dark, fantastical aesthetic. She also felt a little sorry for him. He seemed lonely, in spite of his fame, and Palmer found herself hoping that she could help him. “He’d believed for a long time, deep down, that people didn’t actually fall in love,” she wrote in her book. “‘But that’s impossible,’” she told him. He’d written stories and scenes of people in love. “‘That’s the whole point, darling,’ he said. ‘Writers make things up.’”

They wed in 2011 in the Berkeley home of their friends Michael Chabon and Ayelet Waldman, the novelists. Their union had a multiplying effect on their fame and stature, drawing each out of their respective domains of cult stardom and into the airy realm of tech-funded virality. They became darlings of the TED talk circuit and regulars at Jeff Bezos’s ultrasecret Campfire retreat. Gaiman introduced Palmer to Twitter, which he had used to become fantasy’s most beloved author of 140-character bons mots. Palmer, in turn, leaned into her growing reputation as a crowdfunding genius. Online, they flirted, went after each other’s critics, and praised each other’s progressive politics. In an interview with Out magazine in 2012, Palmer said that the main “other” relationship in both of their lives was with their fans: “Sometimes when I’m with Neil, and go to the other room to Twitter with my followers, it feels like sneaking off for a quick shag.”

This wasn’t strictly a metaphor. During the early years of their marriage, they lived apart for months at a time and encouraged each other to have affairs. According to conversations with five of Palmer’s closest friends, the most important rule governing their open relationship was honesty. They found that sharing the details of their extramarital dalliances — and sometimes sharing the same partners — brought them closer together.

In 2012, Palmer met a 20-year-old fan, who has asked to be referred to as Rachel, at a Dresden Dolls concert. After one of Palmer’s next shows, the women had sex. The morning after, Palmer snapped a few semi-naked pictures of Rachel and asked if she could send one to Gaiman. She and Palmer slept together a few more times, but then Palmer seemed to lose interest in sex with her. Some six months after they met, Palmer introduced Rachel to Gaiman online, telling Rachel, “He’ll love you.” The two struck up a correspondence that quickly turned sexual, and Gaiman invited her to his house in Wisconsin. As she packed for the trip, she asked Palmer over email if she had any advice for pleasing Gaiman in bed. Palmer joked in response, “i think the fun is finding out on your own.” With Gaiman, Rachel says there was never a “blatant rupture of consent” but that he was always pressing her to do things that hurt and scared her. Looking back, she feels Palmer gave her to him “like a toy.”

For Gaiman and Palmer, these were happy years. With his editing help, she wrote The Art of Asking. They toured together. And when Palmer was offered a residency at Bard College, Gaiman tagged along to give some talks, then ended up receiving an offer to join the faculty as a professor of the arts. After they’d been together for a few years, Palmer began asking Gaiman to tell her more about his childhood in Scientology. But he seemed unable to string more than a few sentences together. When she encouraged him to continue, he would curl up on the bed into a fetal position and cry. He refused to see a therapist. Instead, he sat down to write a short story that kept getting longer until it had turned into a novel. Although the child at the center of the story in many ways remains opaque, Palmer felt he had never been so open. He dedicated the book, The Ocean at the End of the Lane, “to Amanda, who wanted to know.”

In 2014, the cracks in Gaiman and Palmer’s marriage began to show to those around them. While they were at Bard, they decided to buy a house upstate. Palmer would have preferred to live in New York City, but Gaiman liked the woods. Eventually, he picked a sprawling estate set on 80 acres in Woodstock. It was Gaiman’s money, a friend who accompanied them on the house hunt says, “and he was going to have the say.”

Later that year, Palmer got pregnant. She and Gaiman were spending more time at home together and talked about slowing down and devoting their attention to their marriage. She wanted to close the relationship, and he agreed. But when she was eight months pregnant, Gaiman came to her with a problem: He had slept with a fan in her early 20s, taking her virginity. Now, Gaiman told her, the girl was “going crazy.” He promised to change, and they met with a couples counselor. Gaiman was prone to panic attacks and had never been in treatment. “Amanda was shocked at how traumatized Neil was, given his public persona and the guy she thought she’d married,” a person close to them says.

One of the people in whom Palmer confided about her marital issues at the time was Caroline Wallner, a potter who, along with her builder husband, Phillip, had been living on the Woodstock property and working as a caretaker. Gaiman had made them an offer that seemed too good to be true. They would build an addition on one of the cabins on the land at Gaiman’s expense, and in exchange, Gaiman would sell them a five-acre parcel, allowing them to put up a barn-style home to share with their three daughters. They tended to the garden, ran errands for guests, and rehabilitated the buildings, which needed plumbing and electrical work.

At lunch one day, Palmer told Wallner she hated living in the woods and was disturbed by what she was learning about her husband. “‘You have no idea the twisted, dark things that go on in that man’s head,’” Wallner recalls Palmer saying. Palmer said she wished her marriage were more like Wallner and Phillip’s, but their marriage of 11 years was falling apart, too. In 2017, Phillip moved out of their house. Wallner, 54, spent her days in bed crying and drinking. She stopped eating and, for the most part, stopped working. It was then that Gaiman began paying attention to her. He would bring juices up to her cabin and fret that she was losing too much weight. The first time he touched her, in December 2018, she was sitting on his couch next to him, crying from exhaustion. Gaiman told her, “You need a hug.” She stood and he hugged her, then slid his hands down her pants and into her underwear and squeezed her butt. She does not recall saying or doing anything in response. “I was stunned,” she says.

Over the next two years, they had a series of sexual encounters, always when Palmer was away. When Gaiman wasn’t around, they occasionally engaged in phone sex. At first Wallner, who hadn’t been with anyone since Phillip left, went along willingly. But at the end of their second encounter, she remembers asking Gaiman what Palmer would think about their romance: “He said, ‘Caroline, there is no romance.’” After that, she tried to keep her distance from him, darting away when she saw him on the estate. He was difficult to avoid. He kept an egg incubator in Wallner’s cabin and would come down and check on it, entering without texting first. On one of these visits, he found her crying by the fireplace. He walked over to her, stuck his thumb in her mouth, and twisted her nipples. She told Gaiman the arrangement was making her “feel bad.” She recalls him replying, “I don’t want you to feel bad.” But nothing changed. Wallner had no income at the time and was borrowing money from her sister to get by. She worried that if she didn’t appease Gaiman, he’d kick her out of her house and then she and her three daughters would have nowhere to go. “‘I like our trade,’” she remembers him saying. “‘You take care of me, and I’ll take care of you.’”

Sometimes she would babysit. Once, Wallner and the boy, then 4, fell asleep reading stories in Gaiman and Palmer’s bed. Wallner woke up when Gaiman returned home. He got into bed with his son in the middle, then reached across the child to grab Wallner’s hand and put it on his penis. She says she jumped out of the bed. “He didn’t have boundaries,” Wallner says. “I remember thinking that there was something really wrong with him.”

In April 2021, Gaiman informed Wallner that the land he’d promised her was no longer available. That summer, she stopped responding to his attempts to engage in phone sex and Gaiman increased the pressure on her to leave his property. One night in December 2021, Gaiman’s business manager, Terry Bird, called Wallner and offered her $5,000 to move immediately if she’d sign a 16-page NDA agreeing to never discuss anything about her experience with Gaiman or Palmer or to take legal action against Gaiman. Wallner recalls saying to Bird, “What am I going to do with $5,000? I need therapy. This is maybe $300,000.” Looking back, she says she didn’t know how she came up with that number, but Gaiman agreed to it, and she signed. (Gaiman’s representatives say Wallner initiated the sexual encounters and deny that he engaged in any sexual activity with her in the presence of his son.)

Two months later, Pavlovich arrived on Waiheke. By then, Palmer and Gaiman were divorcing. According to Palmer’s friends, she asked for a divorce after Rachel called to tell her that she and Gaiman were still having sexual contact, long past the point when Palmer thought their relationship had ended. She was hurt but unsurprised. “I find it all very boring,” she later wrote to Rachel, who recalls the exchange. “Just the lack of self-knowledge and the lack of interest in self-knowledge.” In late 2021, Palmer found out about Wallner, too. “I remember her saying, ‘That poor woman,’” recalls Lance Horne, a musician and friend of Palmer’s in whom she confided at the time. “‘I can’t believe he did it again.’”

By the time she asked Pavlovich to babysit, Palmer was fed up with Gaiman’s behavior, but “she still had some faith in his decency,” a friend says. Still, she knew enough to warn Gaiman to stay away from their new babysitter. “I remember specifically her saying, ‘You could really hurt this person and break her; keep your hands off of her,’” the friend says. And Palmer still hoped, according to those close to her, that she and Gaiman would be able to negotiate a peaceful co-parenting arrangement. She found a school for their child and the two houses on Waiheke. “She was going to do her best to keep Neil as a presence for her son,” one friend says.

One evening, Palmer dropped Pavlovich and the child off with Gaiman and retreated back to her own place. Pavlovich was in the kitchen, tidying up, when he approached her from behind and pulled her to the sofa. “It all happened again so quickly,” Pavlovich says. Gaiman pushed down her pants and began to beat her with his belt. He then attempted to initiate anal sex without lubrication. “I screamed ‘no,’” Pavlovich says. Had Gaiman and Pavlovich been engaging in BDSM, this could conceivably have been part of a rape scene, a scenario sometimes described as consensual nonconsent. But that would have required careful negotiation in advance, which she says they had not done. After she said “no,” Gaiman backed off briefly and went into the kitchen. When he returned, he brought butter to use as lubricant. She continued to scream until Gaiman was finished. When it was over, he called her “slave” and ordered her to “clean him up.” She protested that it wasn’t hygienic. “He said, ‘Are you defying your master?’” she recalls. “I had to lick my own shit.”

Afterward, she got into the shower and tried to wash her mouth out with a bar of lavender soap. It had a grainy texture and tasted of metal, acid, and herbs. She noticed blood swirling down the drain. He hadn’t used a condom, and she worried she might have gotten an infection. She had a migraine, and her whole body ached. But she didn’t consider leaving. She’d hated herself her whole life, she tells me, “and when someone comes along and hates you as much as yourself, it is kind of a relief, without it always being consent.” She says she understands how Scientologists might have felt when they were sent to the Hole, a detention center where they were forced to lick the floor as punishment. She’d heard of how some would stay in the room even after they were allowed to leave. “People keep licking the floor in that horrible room,” she says.

The nights with Gaiman blurred together. There was the time she passed out from pain while Gaiman was having anal sex with her. He made her perform oral sex while his penis had urine on it. He ordered her to suck him off while he watched screeners for the first season of The Sandman. In one instance, he thrust his penis into Pavlovich’s mouth with such force that she vomited on him. Then he told her to eat the vomit off his lap and lick it up from the couch.

A week or so into Pavlovich’s time with the family, their son began to address her as “slave” and ordered Pavlovich to call him “master.” Gaiman seemed to find it amusing. Sometimes he’d say to his child, in an affable tone, “Now, now, Scarlett’s not a slave. No, you mustn’t.” One day, Pavlovich came into the living room when Gaiman and the boy were on the couch watching the children’s show Odd Squad. She joined them, sitting down next to the child. Gaiman put his arm around them both, reached into Pavlovich’s shirt, and fondled her breasts. She says he didn’t make any effort to hide what he was doing from the boy. Another time, during the day, he requested oral sex in the middle of the kitchen while the boy was awake and somewhere in the house. “He would never shut a door,” she says.

On February 19, 2022, Gaiman and his son spent the night at a hotel in Auckland, which they sometimes did for fun. Gaiman asked Pavlovich if she could come by and watch the child for an hour so he could get a massage. It was a small room — one double bed, a television, and a bathroom. When he returned, Gaiman and the boy ate dinner, takeout from a nearby delicatessen. Afterward, Gaiman wanted to watch a movie, but the child wanted to play with the iPad. The boy sat against the wall by the picture window overlooking the city, facing the bed. Pavlovich perched on the edge of the mattress; Gaiman got onto the bed and pulled her so she was on her back. He lifted the covers up over them. She tried to signal to him with her eyes that he should stop. She mouthed, “What the fuck are you doing?” She didn’t want the child to overhear what she was saying. Gaiman ignored her. He rolled her onto her side, took off his pants, pulled off her skirt, and began to have sex with her from behind while continuing to speak with his son. “‘You should really get off the iPad,’” she recalls him saying. Pavlovich, in a state of shock, buried her head in the pillow. After about five minutes, Gaiman got up and walked to the bathroom, half-naked. He urinated on his hand and then returned to Pavlovich, frozen on the bed, and told her to “lick it off.” He went back to the bathroom, naked from the waist down. “Before you leave,” he told Pavlovich, “you have to finish your job.” She went to the bathroom, and he pushed her to her knees. The door was open. (Gaiman’s representatives say these allegations are “false, not to mention, deplorable.”)

February 26, 2022: In Gaiman’s bed after he left for Edinburgh. March 8, 2022: After telling Palmer about her ­experience with Gaiman. Photo: Courtesy of Scarlett Pavlovich.

Ten days after Gaiman left New Zealand, Pavlovich went to Palmer’s house for dinner. She asked Palmer if she could tell her something in confidence and made her promise not to tell Gaiman. She begged for reassurance that she would still keep her job as the child’s nanny. Palmer assured Pavlovich her employment was not in danger. Sitting in the kitchen, Pavlovich told Palmer that Gaiman had made a pass at her. She told Palmer about the bath. “I didn’t have any choice in the matter,” she said. “He just did it.” She said he had been having sex with her ever since. She withheld some of the most brutal details and did not describe her experience as sexual assault; she didn’t yet see it that way.

Palmer did not appear to be surprised. “Fourteen women have come to me about this,” she said. She mentioned that Gaiman had slept with another babysitter during his first marriage, and that she’d heard from other women who were disturbed by their experiences with him. Pavlovich waited until the end to tell Palmer about the child being present in Auckland. Afterward, she recalled, Palmer was silent. She appeared shocked. Palmer insisted that Pavlovich spend the night in her guest room. She told her, “I’ve had to do this before, and I can do this again. I will take care of you.” Pavlovich lay down in the bed and heard Palmer pacing back and forth in her room upstairs until 3 a.m.

Palmer called Gaiman that night. According to Horne, the musician, she asked Gaiman whether their son had been wearing headphones while he and Pavlovich were in the hotel room. He replied “no,” then hung up. The following day, Palmer emailed Gaiman and their couples counselor, a man named Wayne Muller, a minister and “a sort of marital companion,” as he put it to me. According to Muller, who relayed the contents of the email to me, Palmer wrote that Gaiman needed psychiatric treatment and had finally agreed to seek it. “Everyone was trying to make the best of what was clearly a difficult situation,” Muller tells me. Palmer then flew to Edinburgh, where Gaiman was staying with their son, whom she collected. Meanwhile, Pavlovich received a text from Gaiman: “Amanda tells me that you are having a rough time and you are really upset with me about what we did. I feel awful about this. Would you like to talk about it? Is there anything I can do to make anything better?” Pavlovich didn’t respond immediately. “My reflex was to fix the situation,” she tells me. The next day, she wrote, “Hey. We’ll speak soon … hope you are doing good.”

In the days and weeks after Pavlovich’s revelation, Palmer was solicitous, checking in frequently over text and sending warm notes: “From the minute you entwined your fate with mine on ponsonby road i’ve been glad i met you. That is tenfold so now.” She helped Pavlovich find a temporary apartment and invited her over for meals. In late March, Palmer sent a message to a friend of Pavlovich’s, a 41-year-old ceramicist named Misma Anaru, in whom Pavlovich had confided about Gaiman. “I’m glad she had you to take care of her,” she wrote. “It’s been a rough month for everyone.” Anaru’s partner, Kris Taylor, was a doctor of psychology who had lectured at the University of Auckland on coercion, consent, and rape. Although Pavlovich had never used the words rape or sexual assault to describe what had happened to her, both Anaru and Taylor believed Gaiman had raped her repeatedly. Anaru felt Palmer bore a share of the blame. Replying to Palmer, she wrote that “the majority of my rage is directed at Neil.” But she couldn’t understand why, with all Palmer knew about Gaiman, she had sent Scarlett into that situation. “Did you not see this coming a mile away?” She added, “And yes I know you asked him not to do that to her, but honestly, the fact you even felt that was something you should ask is fucked up in ways that defy comprehension.”

Around the same time, Pavlovich followed up with Gaiman. “I had a very intense dream about you last night,” she wrote. “Are you doing okay?” In his reply, he made a reference to something that had happened two weeks earlier. In a session with Muller, Palmer had said that Pavlovich was telling people he had raped her and was planning to “Me Too” him. “I wanted to kill myself,” he wrote. “But I’m getting through it a day at a time, and it’s been two weeks now and I’m still here. Fragile but not great.” He expressed dismay at Anaru’s message, which Palmer had told him about. “I’m a monster in it,” he wrote, “and Amanda seems to have bought it hook line and sinker.” Apologizing for “bringing any upset” into Pavlovich’s life, he wrote, “I thought that we were a good thing and a very consensual thing indeed.”

Pavlovich remembers her palms sweating, hot coils in her stomach. She was terrified of upsetting Gaiman. “I was disconnected from everybody else at that point in my life,” she tells me. She rushed to reassure him. “It was consensual (and wonderful)!” she wrote. Anaru had been “triggered by something I think,” she added.

“I am so glad that you messaged me,” Gaiman wrote. “I thought you were a monster.”

Gaiman asked Pavlovich to speak with Muller. “Knowing that you would be prepared to say, ‘It’s not true, it was consensual, he’s not a monster,’ makes me a lot more grounded,” he wrote. Muller reached out to Pavlovich to offer a “safe harbor.” When they spoke on the phone, Pavlovich told Muller what Gaiman, who was paying for the session, had asked her to say. After listening to Muller’s “esoteric, spiritual claptrap,” she felt worse. “I really felt it was all my fault.” Muller, for his part, tells me that ethical boundaries prevent him from sharing anything about his sessions with Gaiman, but he apparently felt comfortable sharing details of his conversation with Pavlovich. “What she called to speak with me about was feeling pressured — from very diverse, mostly older women in her community — to take action that she wasn’t sure she felt comfortable taking. I accompanied her on a journey to help her figure out the answers for herself to that issue.”

In the weeks that followed, Muller connected Gaiman with the Austen Riggs Center, a psychiatric facility in Massachusetts. According to Muller, Gaiman had several preliminary phone calls with the facility and was considering entering a six-week inpatient evaluation process. But Gaiman never followed through. “I don’t remember why not,” Muller says.

Pavlovich grew suicidal. She hoarded zopiclone and aspirin and walked around the city surveying bridges. She decided she’d take the pills and told Palmer about her plan. At Palmer’s urging, she checked into an emergency room. “You are loved,” Palmer texted. After a few days in a respite center, feeling slightly better, Pavlovich reached out to Palmer to ask if she could resume working as the child’s nanny. The apartment Palmer had set her up with was temporary, and she needed a place to stay. “It would be really good for me I think to have something to do and people to be around,” she wrote. Palmer argued that it was not the time for her to take on the responsibility of caring for a child. “Your job is to care for you,” she replied. She proposed they get together when Pavlovich got out, promising to help her get back on her feet, and suggested in the meantime she go home to her parents. This infuriated Pavlovich. “There is a reason I have divorced my parents,” she wrote. “I’m starting to feel very much on my own and like I hate everyone.”

“I can’t offer you exactly what you want from me,” Palmer wrote, “but i can still be here. remember this.”

“Babe I am more alone than I’ve ever been in my life,” Pavlovich replied. She wished she’d never agreed to be their nanny: “If I hadn’t gotten on that first ferry I wouldn’t be where I am now.”

That night, Pavlovich texted Gaiman. “Amanda keeps saying she will help but it seems more philosophical rather than actually like she will help.” Two minutes later, she added, “I’ve been thinking of you so much.” Gaiman replied that he’d be happy to help in a tangible way. Pavlovich then received an NDA dated to the first night of her employment, when he had suggested she take a bath. She signed it. A month later, she received a bank transfer from Gaiman: $1,700 for her babysitting work. Two months after that, she received the first of nine payments totaling about $9,200.

Over the course of the year, Pavlovich’s perspective changed. “As he faded away, I began to let other voices in,” she says. Friends connected her with women who were experienced in dealing with sexual assault and abuse, including Zelda Perkins, a former assistant of Harvey Weinstein’s and an advocate for ending the “misuse of NDAs to buy women’s silence.” (Wallner and Pavlovich broke their NDAs when they spoke out about Gaiman.) These women encouraged her to go to the police.

In January 2023, Pavlovich filed a police report accusing Gaiman of sexual assault. At the station, she gave a formal interview about the case. After she told the officers her story, one of them told her that Palmer’s cooperation would be essential for the case to move forward. Pavlovich assured them Palmer would participate. “I said to them, ‘She’s a public feminist, and she knows what happened. She’ll want to protect me. I’m sure she’ll speak.’”

May 16, 2022: From a video message to Pavlovich. January 20, 2023: A text to Pavlovich after she filed a police report. Photo: Courtesy of Scarlett Pavlovich.

This past fall, Pavlovich began studying for a degree in English literature at the University of St. Andrews in Scotland. As it happens, the university had awarded Gaiman an honorary degree in 2016. In December, Pavlovich approached the head of the university, Dame Sally Mapstone, to share her experience and ask the university to review the decision to honor Gaiman. Mapstone was sympathetic but indecisive; some on the board, she told Pavlovich, would likely want evidence of prosecution to rescind his degree. As far as the police report goes, the “matter has been closed,” a spokesperson says. Gaiman’s career, meanwhile, has been marginally affected. A few pending adaptations of his novels and comics have been put on hold or canceled. But the second season of The Sandman is set to premiere on Netflix this year, as is Anansi Boys on Amazon Prime. (Amazon did not return a request for comment.) He and Palmer are entering the fifth year of an ugly divorce and custody battle. Gaiman has “bled her dry” in the divorce proceedings, according to someone close to her. She’s moved back in with her parents in Massachusetts. (Gaiman’s representatives alleged that Palmer was a “major force” driving this story in light of their contentious divorce.)

In December, Pavlovich flew to Atlanta to meet some of the other women who had made accusations against Gaiman. They had been unaware of one another’s existence until they’d heard the podcast. Since then, they had formed a WhatsApp group and grown close. “It’s been like meeting survivors of the same cult,” Stout tells me. “It’s impossible to understand unless you were there.” On New Year’s Eve, Pavlovich, Stout, and Wallner gathered around a bonfire at the Athens home of the musician Michael Stipe, an old friend of Wallner’s. Kendall joined them on FaceTime. With their dark hair and delicate features, they looked like they could be sisters. Around 11 p.m., they wrote down their intentions for the year and cast the scraps of paper into the fire. Pavlovich had written that she wanted to “release the yoke of victimhood” and “invite in self-acceptance.” The next morning, she woke before the others, made coffee, cleaned the kitchen, and sat on the porch in the winter sun. “Am I happy?” she wrote in her journal. “No.” But she also noted that she wasn’t alone. “There is no need to feel abandoned anymore.”

[orbitwebtech]

When it comes to building high-performance, scalable, and modern web applications, Node.js continues to stand out as a top choice for developers and businesses alike. It’s not just another backend technology it’s a powerful runtime that transforms the way web apps are developed and experienced.

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Your next web app? Make it real-time, responsive, and ridiculously efficient. Make it with Node.js.

[severesoulninja]

The Complete Manual for SEO in 2025: Methods to Rule Search Results

Digital marketing

Because Google's algorithms are becoming more intelligent and user behavior is changing, search engine optimization, or SEO, is always changing. To stay ahead of the curve in 2025, you will need to combine technical know-how, excellent content, and strategic link-building. If you are a blogger, digital marketer, or business owner, learning SEO can help you increase conversions and drive organic traffic.

In order to help you dominate search engine rankings in 2024, we will examine the most recent SEO tactics in this guide.

1. Recognizing SEO in 2025

Enhancing your website's visibility on search engines such as Google and Bing is known as SEO. A higher ranking for pertinent keywords, organic traffic, and improved user experience are the objectives.

Relevance, authority, and high-quality content are given top priority by search engines. Google's algorithms have become increasingly complex in comprehending search intent and rewarding websites that offer genuine value as a result of developments in AI and machine learning.

2. Keyword Analysis: The Basis for SEO

The foundation of SEO is still keyword research. But in 2025, search intent will be more important than ever. Take into account the following rather than just high-volume keywords:

Long-tail keywords are longer, more focused terms with higher conversion rates and less competition.

Semantic keywords: Include synonyms and variations of your primary keyword because Google's algorithms can comprehend related terms.

Keywords that are based on questions: A lot of users enter terms like "how to," "best way to," or "why does." By responding to these questions, you can increase how likely you are to be featured in snippets.

The Top Resources for Researching Keywords:

For both PPC and organic search insights, Google Keyword Planner is a free and helpful tool.

Ahrefs: Offers competitor analysis, search volume, and keyword difficulty.

SEMrush: Provides backlink analysis, site audits, and keyword research.

Finding frequently asked questions about your subject is made easier with AnswerThePublic.

3. Optimizing Your Content with On-Page SEO

Improving search rankings by optimizing individual pages is known as on-page SEO. Here's how to make your content better:

a. Meta descriptions and title tags

Your title tag should contain your target keyword, be compelling, and be no more than 60 characters. Likewise, your 160-character meta description should enticingly summarize your content and entice readers to click.

b. Header tags, such as H1, H2, and H3.

Use the main title in H1.

Utilize H2s and H3s for subheadings to enhance structure and readability.

Naturalize the use of primary and secondary keywords.

c. Optimizing URLs

A clean, descriptive URL helps both search engines and users. Example: Bad URL: www.example.com/p=12345 Visit www.example.com/seo-strategies-2025 for a good URL.

d. Linking Inside

Link equity is distributed, navigation is improved, and user engagement is prolonged when you link to other pertinent pages on your website.

e. Optimization of Images

To speed up page loads, reduce the size of images.

To help search engines understand images, use alt text to describe them.

4. Improving Website Performance with Technical SEO

Making a site's backend better for search engines to crawl and index is the main goal of technical SEO.

A. Optimization for Mobile

As mobile-first indexing is the standard, make sure your website is responsive. Google's Mobile-Friendly Test can be used to test your mobile performance.

b. Page Speed and Essential Web Elements

Google takes into account Core Web Vitals (LCP, FID, and CLS) and page speed when determining rankings. Boost speed by:

making use of a content delivery network (CDN).

making videos and pictures better.

turning on browser caching and minifying JavaScript and CSS.

c. Make Your Website Secure with HTTPS

Safe websites are given priority by Google. Convert your website to HTTPS if it still uses HTTP for better search engine rankings and user confidence.

Robots.txt and XML Sitemap

Make sure that all of the key pages are indexed by submitting an updated XML sitemap to Google Search Console. A robots.txt file can also be used to prevent the crawling of unnecessary pages.

5. Developing Authority and Trust through Off-Page SEO

a. Creating Links

One important ranking factor is still backlinks. Quantity is not as important as quality. Pay attention to:

guest posting on trustworthy websites.

Links are created by having high-quality content.

"Broken link building" is the process of identifying and fixing broken links.

Consider using HARO (Help A Reporter Out) to get backlinks from news websites.

b. Social Media Brand Mentions

Despite social signals not being direct ranking factors, a strong social media presence can boost credibility and drive traffic.

c. Local SEO and Internet critiques

If your business operates locally, encourage customers to leave positive reviews on Google My Business and Yelp. The local SEO rankings of your business are also raised when local citations contain your company's name, address, and phone number.

7. The Growth of Voice and Zero-Click Searches

It is imperative to optimize for voice search given the popularity of smart assistants like Alexa and Siri.

Make use of FAQs and keywords in natural language.

Because many voice searches are location-based, make sure your website is optimized for local search engines.

There is also an increase in zero-click searches, in which Google provides an answer right in the SERP. In order to appear in featured snippets:

Give succinct, well-organized responses.

For clarity, use lists and bullet points.

8. The Synergy of Content Marketing and SEO

Content marketing and SEO are closely related. For 2025 success, concentrate on

1,500+ words of long-form content that offers comprehensive answers.

Integration of multimedia (podcasts, infographics, and videos).

User interaction promotes sharing, comments, and conversations.

9. Tracking and Enhancing SEO Results

Use resources such as:

Google Analytics: Monitors conversions, traffic, and bounce rates.

Data on indexing and keyword performance is provided by Google Search Console.

Analysis of competitors and backlinks is provided by Ahrefs and SEMrush.

Important data to monitor:

an increase in organic traffic.

ranking of keywords.

CTR stands for click-through rates.

bounce rates and dwell time.

Conclusion: Make Your SEO Strategy Future-Proof

The process of SEO is continuous and necessitates continuous modification. Creating valuable content, staying up to date with algorithm changes, and focusing on technical optimizations are all ways to maintain high search rankings in 2025.

Ready to make your website more successful? Put these tactics into practice right now, and see how your organic traffic increases! 

[aamoditsolutionspvtltd]

Aamod ItSolutions: Crafting Custom Websites with Modern Technologies for Your Business’s Success

In today’s digital world, having an effective website is crucial for business success. Aamod ItSolutions offers expert web design, development, and marketing services that help businesses make the most of their online platforms. Our team of skilled designers and developers uses modern technologies to build custom, user-friendly, and reliable websites tailored to your specific needs.

Why Web Development Matters

A website serves as a business’s online identity. It enables businesses to reach a wider audience, engage with customers, and boost sales. A professionally developed website builds trust, enhances credibility, and positions your business as a leader in the market.

At Aamoditsolutions, we focus on delivering websites that provide excellent user experience (UX), performance, and scalability. We employ various modern technologies to ensure your site meets business goals efficiently.

Technologies We Use

Laravel: Laravel is a powerful PHP framework used for building secure, scalable web applications. It simplifies development with features like Eloquent ORM for database management and Blade templating for creating dynamic views. Laravel is great for complex applications with robust security features.

CodeIgniter: CodeIgniter is a lightweight PHP framework known for its speed and simplicity. It’s ideal for developers looking for quick setups and minimal configuration. With its MVC architecture, CodeIgniter is perfect for building fast, high-performance websites, especially when project deadlines are tight.

CakePHP: CakePHP is another PHP framework that streamlines the development process with built-in features like form validation and security components. It helps deliver web apps quickly without compromising quality. CakePHP is ideal for projects that need rapid development with a focus on database-driven applications.

Node.js: Node.js is a JavaScript runtime for building fast and scalable applications. It is especially useful for real-time web apps such as chat applications or live notifications. Node.js provides non-blocking I/O operations, enabling it to handle many simultaneous connections without performance loss.

AngularJS: AngularJS is a framework developed by Google for building dynamic, single-page applications (SPAs). Its features like two-way data binding and dependency injection make it perfect for building interactive user interfaces that update in real time without reloading the entire page.

Why Choose Aamod ItSolutions?

At AamodItSolutions, we use the latest tools and technologies to build high-performance, secure, and user-friendly websites that help you grow your business. Whether you’re a startup or a large corporation, we create custom solutions that align with your objectives.

We understand that every business has unique needs. That’s why we choose the right technology for each project to ensure optimum results. By working with us, you can expect a website that provides a seamless experience for your users and contributes to your business growth.

Let Aamod ItSolutions help you create a powerful online presence that engages customers and drives business success.

[lackhand]

pipe operator in js

Rescuing from my drafts ca march 2023. This is no longer actually true; my company folded last year and I'm back on my gamedev non-sense (bittersweetly!). More details on that soon.

Long time no post. I'm working in elixir these days; I couldn't sleep and so was catching up on modern JavaScript; I watched nerds snipe in the gutters.

what is pipeline?

You read this; you're adjacent to >=1 programmer. It's bash piping, the output from one function goes to the next.

There's a few ways to spell it, from the explicit:

const $0 = foo(input); const $1 = bar($0); const output = baz($1);

Explicit! Legible!

Cumbersome! Weave-y!

To the Hack-style syntax, where the pipe operator creates a variable within its right hand side's scope (sort of like this:

const output = input |> foo($) |> bar($)

Just sugar on top of the above (+ variable lifetime scopes, whatever)

Nobody can agree on the magical "previous expression result" symbol

when the pipe is a series of 1 arg f()s, the ($) extra characters are gross.

To the F#-style syntax, where the calls have to be arity-1 functions:

const output = input \|> foo \|> bar

Handles the happy path 1-arg f() beautifully

requires lambdas or currying and more care for every other case.

F# wins, right?

The community seems to think so.

But it has wrinkles; every method has to be 1-arg, and the hidden closures to enable that have performance impact.

My modest proposal

I wrote this because I didn't want to post on a six-year-and-counting language proposal, but I also had an idle fancy.

To me, the problem isn't a lack of a pipe operator or other functional support.

It's @#_-+&!ing left-hand assignment and community conventions.

You can even see it in the examples, where we have const foo, a bunch of really relevant details, and then wham, we're back to the start for the next line.

What we need is:

A right-hand assignment operator, so that after calculating a variable you can stick it somewhere. Without further thought, I propose =: but I'm sure there could be improvement.

=: assigns to the RHS, and to the special variable it. By default, assigns to _ (discards) -- in addition to it.

A new keyword & local variable "it". "It" is sort of like "this", with special rules about its meaning scoped to the function in which it appears. Typechecking must respect its most recent assignment (how high of a lift is this?!). Lambdas have their own standalone it (so you need to

A community that accepts using non-descriptive variable names & scoped type checkers for this purpose -- for instance, special syntax around right-assigning to $ such that it's type checkable, variable scoped, etc.

The semicolon "operator".

Then a pipe could be written:

input =:; foo(it) =:; bar(it) =: output

Potentially with parens in certain callsites, simplifying it a bit maybe, etc.

Things to improve:

It doesn't look like a pipe.

But is that so bad, when it makes the whole thing so beautifully explicit?

It breaks LHS/RHS naming and conventions (you're assigning?! To the right hand side??!). Doesn't delete foo[bar] do the same? This seems like a very core, very forgivable case to make the code match the language. I do not usually say "x takes the value seven"; I very often do say "store 7 as 'x'".

Real downsides: so many syntax highlighters, code awareness tools etc would need to understand polymorphic horrible "it". Combined with exceptions, the values of it in a catch clause feel pretty scary.

Still, food for thought.

[newcodesociety]

ByteByteGo | Newsletter/Blog

From the newsletter:

Imperative Programming Imperative programming describes a sequence of steps that change the program’s state. Languages like C, C++, Java, Python (to an extent), and many others support imperative programming styles.

Declarative Programming Declarative programming emphasizes expressing logic and functionalities without describing the control flow explicitly. Functional programming is a popular form of declarative programming.

Object-Oriented Programming (OOP) Object-oriented programming (OOP) revolves around the concept of objects, which encapsulate data (attributes) and behavior (methods or functions). Common object-oriented programming languages include Java, C++, Python, Ruby, and C#.

Aspect-Oriented Programming (AOP) Aspect-oriented programming (AOP) aims to modularize concerns that cut across multiple parts of a software system. AspectJ is one of the most well-known AOP frameworks that extends Java with AOP capabilities.

Functional Programming Functional Programming (FP) treats computation as the evaluation of mathematical functions and emphasizes the use of immutable data and declarative expressions. Languages like Haskell, Lisp, Erlang, and some features in languages like JavaScript, Python, and Scala support functional programming paradigms.

Reactive Programming Reactive Programming deals with asynchronous data streams and the propagation of changes. Event-driven applications, and streaming data processing applications benefit from reactive programming.

Generic Programming Generic Programming aims at creating reusable, flexible, and type-independent code by allowing algorithms and data structures to be written without specifying the types they will operate on. Generic programming is extensively used in libraries and frameworks to create data structures like lists, stacks, queues, and algorithms like sorting, searching.

Concurrent Programming Concurrent Programming deals with the execution of multiple tasks or processes simultaneously, improving performance and resource utilization. Concurrent programming is utilized in various applications, including multi-threaded servers, parallel processing, concurrent web servers, and high-performance computing.

[beardedsweetsfart]

What is Mern stack And Its importance? Before that I will Tell you the best institute for Mern stack course in Chandigarh.

What is Mern stack?

MERN Stack is a popular JavaScript-based technology stack used for building full-stack web applications. It consists of four key technologies:

MongoDB: A NoSQL database that stores data in a flexible, JSON-like format.

Express.js: A lightweight and fast backend framework for Node.js.

React.js: A front-end JavaScript library for building user interfaces.

Node.js: A runtime environment that allows JavaScript to run on the server side.

Importance of Mern Stack :

Full-Stack JavaScript – Uses JavaScript for frontend and backend, simplifying development.

High Performance – Node.js ensures fast, scalable applications.

Cost-Effective – Open-source, reducing development costs.

Rapid Development – React’s reusable components speed up UI building.

Flexibility – Suitable for web apps, SPAs, eCommerce, and real-time applications.

Scalability – MongoDB handles large data efficiently.

Strong Community Support – Large developer base ensures continuous updates and support. 

Now i will tell you the best institute for Mern stack course in Chandigarh .

Excellence Technology is a leading EdTech (Educational technology) company dedicated to empowering individuals with cutting -edge IT skills and bridging the gap between education and industry demands. Specializing in IT training ,carrer development, and placement assistance ,the company equipts learners with the technical expertise and practical experience needed to thrive in  today's competitive tech landscape. We provide IT courses like python ,Full stack Development, Web Design ,Graphic Design and Digital Marketing. 

Contact Us for more details: 93177-88822

Extech Digital is a leading software development company dedicated to empowering individuals with cutting -edge IT skills and bridging the gap between education and industry demands. Specializing in IT training ,carrer development, and placement assistance ,the company equipt learners with the technical expertise and practical experience needed to thrive in  today's competitive tech landscape. e provide IT courses like Python ,Full stack Development, Web Design ,Graphic Design and Digital Marketing. 

Contact Us for more details: 93177-88822

Excellence academy is a leading software development company dedicated to empowering individual with cutting edge IT skills and bridging the gap between education and industry demands.specializing in IT training, career development, and placement assistance, the company equits learners with the technical expertise and practical experience needed to thrive in today's landscape. We provide IT courses like python, full stack development,Web design, and Digital marketing.

Contact Us for more details: 93177-88822

About Author

Nikita Thakur

Mern stack AI Developer/ 2+ years of experience

Excellence technology

Professional summary

Nikita thakur  is a skilled MERN Stack AI Developer with over 2 years of experience at Excellence Technology. Proficient in MongoDB, Express.js, React.js, and Node.js, she integrates AI solutions to build scalable, high-performance web applications. Nikita excels in developing innovative solutions, enhancing user experiences, and driving business growth through technology. 

[ngssolution]

Navigating the Complex World of Mobile App Development

In today’s tech-driven world, mobile apps have become a cornerstone of how we connect, work, and play. Whether you’re launching a startup or enhancing an established business, building a mobile app can be a game-changing move. One of the most important decisions you’ll face is choosing the right technology stack. The tech stack you pick will directly influence your app’s performance, scalability, and overall user experience.

What Exactly Is a Tech Stack?

A tech stack is essentially the set of tools, programming languages, and frameworks you use to build your app. For mobile apps, the stack typically consists of three main components:

Front-End: This is what users see and interact with — the app’s interface.

Back-End: This is the engine under the hood — handling data storage, processing, and integrations.

Platform: The operating system your app is built for, like iOS, Android, or both.

Key Considerations When Picking a Tech Stack

Let’s dive into the options and what you should think about when deciding which tools to use.

Platform Options

Native Development

Languages:

iOS: Swift or Objective-C

Android: Kotlin or Java

Pros:

Best-in-class performance.

Full access to device features like cameras, sensors, and GPS.

Cons:

Higher costs.

Longer development time if building for both iOS and Android.

2. Cross-Platform Development

Frameworks:

React Native (JavaScript and React)

Flutter (Dart)

Xamarin (C#)

Pros:

Faster development.

Reusable code for both iOS and Android.

Generally lower costs.

Cons:

Slightly lower performance compared to native apps.

Limited access to some advanced native features.

3. Hybrid Development

Tools:

Ionic (HTML, CSS, JavaScript)

PhoneGap/Cordova (HTML, CSS, JavaScript)

Pros:

Easy to learn and work with if you’re familiar with web development.

Leverages standard web technologies.

Cons:

Performance is not as strong as native or well-optimized cross-platform apps.

User experience can feel less “native.”

How to Make the Best Choice for Your App

Your decision will depend on several factors. Here are some key points to consider:

App Complexity:

For simple apps, cross-platform frameworks like React Native or Flutter are great choices.

For feature-heavy or complex apps, native development might be the way to go.

Time to Market:

If you’re on a tight schedule, cross-platform tools can speed up the process.

Budget:

Native development can be pricey since you’ll likely need separate teams for iOS and Android.

Cross-platform and hybrid options are usually more cost-effective.

Performance Needs:

Native apps deliver the best performance, but modern cross-platform frameworks have come a long way and can handle most needs efficiently.

Team Expertise:

Leverage the skills your team already has. If they’re experienced in JavaScript, for example, React Native might be a natural fit.

Final Thoughts

Choosing the right tech stack is a pivotal step in mobile app development. It’s about finding the perfect balance between your project’s requirements, your budget, and your team’s expertise. By weighing factors like app complexity, performance, and cost, you can make a well-informed choice that sets your app up for success. Remember, a solid tech stack is the foundation of a scalable, user-friendly, and high-quality app.

[binarslayer]

Full Stack Web Development Services

Binary Informatics delivers some of the best full-stack development services, providing end-to-end solutions for both front-end and back-end development. Their expert team is skilled in a wide range of technologies, including JavaScript, React, Angular, Node.js, Python, and more, ensuring dynamic and robust applications that meet modern business needs. Binary Informatics focuses on creating scalable, secure, and high-performance applications that enhance user experience and streamline operations. From conceptualization to deployment and maintenance, they manage every phase of the development process with precision. Businesses partnering with Binary Informatics gain reliable full-stack solutions that accelerate project timelines and maximize ROI.

[fabvancesolution]

The Future of Web Development: Trends, Techniques, and Tools

Web development is a dynamic field that is continually evolving to meet the demands of an increasingly digital world. With businesses relying more on online presence and user experience becoming a priority, web developers must stay abreast of the latest trends, technologies, and best practices. In this blog, we’ll delve into the current landscape of web development, explore emerging trends and tools, and discuss best practices to ensure successful web projects.

Understanding Web Development

Web development involves the creation and maintenance of websites and web applications. It encompasses a variety of tasks, including front-end development (what users see and interact with) and back-end development (the server-side that powers the application). A successful web project requires a blend of design, programming, and usability skills, with a focus on delivering a seamless user experience.

Key Trends in Web Development

Progressive Web Apps (PWAs): PWAs are web applications that provide a native app-like experience within the browser. They offer benefits like offline access, push notifications, and fast loading times. By leveraging modern web capabilities, PWAs enhance user engagement and can lead to higher conversion rates.

Single Page Applications (SPAs): SPAs load a single HTML page and dynamically update content as users interact with the app. This approach reduces page load times and provides a smoother experience. Frameworks like React, Angular, and Vue.js have made developing SPAs easier, allowing developers to create responsive and efficient applications.

Responsive Web Design: With the increasing use of mobile devices, responsive design has become essential. Websites must adapt to various screen sizes and orientations to ensure a consistent user experience. CSS frameworks like Bootstrap and Foundation help developers create fluid, responsive layouts quickly.

Voice Search Optimization: As voice-activated devices like Amazon Alexa and Google Home gain popularity, optimizing websites for voice search is crucial. This involves focusing on natural language processing and long-tail keywords, as users tend to speak in full sentences rather than typing short phrases.

Artificial Intelligence (AI) and Machine Learning: AI is transforming web development by enabling personalized user experiences and smarter applications. Chatbots, for instance, can provide instant customer support, while AI-driven analytics tools help developers understand user behavior and optimize websites accordingly.

Emerging Technologies in Web Development

JAMstack Architecture: JAMstack (JavaScript, APIs, Markup) is a modern web development architecture that decouples the front end from the back end. This approach enhances performance, security, and scalability by serving static content and fetching dynamic content through APIs.

WebAssembly (Wasm): WebAssembly allows developers to run high-performance code on the web. It opens the door for languages like C, C++, and Rust to be used for web applications, enabling complex computations and graphics rendering that were previously difficult to achieve in a browser.

Serverless Computing: Serverless architecture allows developers to build and run applications without managing server infrastructure. Platforms like AWS Lambda and Azure Functions enable developers to focus on writing code while the cloud provider handles scaling and maintenance, resulting in more efficient workflows.

Static Site Generators (SSGs): SSGs like Gatsby and Next.js allow developers to build fast and secure static websites. By pre-rendering pages at build time, SSGs improve performance and enhance SEO, making them ideal for blogs, portfolios, and documentation sites.

API-First Development: This approach prioritizes building APIs before developing the front end. API-first development ensures that various components of an application can communicate effectively and allows for easier integration with third-party services.

Best Practices for Successful Web Development

Focus on User Experience (UX): Prioritizing user experience is essential for any web project. Conduct user research to understand your audience's needs, create wireframes, and test prototypes to ensure your design is intuitive and engaging.

Emphasize Accessibility: Making your website accessible to all users, including those with disabilities, is a fundamental aspect of web development. Adhere to the Web Content Accessibility Guidelines (WCAG) by using semantic HTML, providing alt text for images, and ensuring keyboard navigation is possible.

Optimize Performance: Website performance significantly impacts user satisfaction and SEO. Optimize images, minify CSS and JavaScript, and leverage browser caching to ensure fast loading times. Tools like Google PageSpeed Insights can help identify areas for improvement.

Implement Security Best Practices: Security is paramount in web development. Use HTTPS to encrypt data, implement secure authentication methods, and validate user input to protect against vulnerabilities. Regularly update dependencies to guard against known exploits.

Stay Current with Technology: The web development landscape is constantly changing. Stay informed about the latest trends, tools, and technologies by participating in online courses, attending webinars, and engaging with the developer community. Continuous learning is crucial to maintaining relevance in this field.

Essential Tools for Web Development

Version Control Systems: Git is an essential tool for managing code changes and collaboration among developers. Platforms like GitHub and GitLab facilitate version control and provide features for issue tracking and code reviews.

Development Frameworks: Frameworks like React, Angular, and Vue.js streamline the development process by providing pre-built components and structures. For back-end development, frameworks like Express.js and Django can speed up the creation of server-side applications.

Content Management Systems (CMS): CMS platforms like WordPress, Joomla, and Drupal enable developers to create and manage websites easily. They offer flexibility and scalability, making it simple to update content without requiring extensive coding knowledge.

Design Tools: Tools like Figma, Sketch, and Adobe XD help designers create user interfaces and prototypes. These tools facilitate collaboration between designers and developers, ensuring that the final product aligns with the initial vision.

Analytics and Monitoring Tools: Google Analytics, Hotjar, and other analytics tools provide insights into user behavior, allowing developers to assess the effectiveness of their websites. Monitoring tools can alert developers to issues such as downtime or performance degradation.

Conclusion

Web development is a rapidly evolving field that requires a blend of creativity, technical skills, and a user-centric approach. By understanding the latest trends and technologies, adhering to best practices, and leveraging essential tools, developers can create engaging and effective web experiences. As we look to the future, those who embrace innovation and prioritize user experience will be best positioned for success in the competitive world of web development. Whether you are a seasoned developer or just starting, staying informed and adaptable is key to thriving in this dynamic landscape.

more about details :- https://fabvancesolutions.com/

[islandwizards]

What is Headless WordPress and When Should You Use It? | Island Wizards

As businesses evolve and digital experiences become more sophisticated, traditional website setups are often not enough to meet modern demands. Enter headless WordPress—a flexible, high-performance solution that offers better control over both the front-end and back-end. If you're wondering when and why you should consider this approach, we’ve got you covered.

What is Headless WordPress?

In a traditional WordPress setup, the content management system (CMS) is tightly coupled with the front-end display, meaning the website's content and its design are intertwined. However, in a headless WordPress setup, the CMS is decoupled from the front-end. The “head” (front-end) is removed, allowing developers to use APIs to push content to various platforms like websites, mobile apps, or any digital interface.

In simpler terms, with headless WordPress, WordPress manages the back-end content, while the front-end is managed separately, usually using technologies like React, Vue.js, or Angular.

Benefits of Headless WordPress

Flexibility Across PlatformsHeadless WordPress allows you to push content to multiple platforms. Whether you're delivering content to a mobile app, a website, or even a wearable device, this system enables you to maintain a single content repository.

Faster PerformanceBy decoupling the front-end from the back-end, your site can load faster and more efficiently. Headless WordPress websites can often use faster, modern JavaScript frameworks for front-end rendering, improving user experience and speed.

ScalabilityFor businesses that plan to scale their online presence, headless architecture offers a future-proof solution. Content can be reused and distributed across different channels without major changes to the back-end.

Enhanced SecuritySince the front-end and back-end are decoupled, potential vulnerabilities in the front-end won’t necessarily compromise your back-end. This makes headless WordPress websites inherently more secure.

Customization FreedomUnlike traditional WordPress, where your design choices may be limited to available themes, headless WordPress allows complete freedom to design a custom front-end using the latest technologies.

When Should You Use Headless WordPress?

At Island Wizards, we recommend using headless WordPress in the following situations:

Multiple Channels: If your business requires content distribution across websites, mobile apps, and other platforms, headless WordPress is the way to go.

High-Traffic Websites: If you expect high levels of traffic and need your site to load lightning-fast, headless architecture can deliver optimized performance and better user experiences.

Complex, Custom Front-End: If you have specific front-end design requirements that can’t be easily handled by traditional WordPress themes, headless WordPress offers unmatched flexibility and customization.

Security Concerns: Businesses that are security-conscious may benefit from the enhanced protection offered by a decoupled system.

Headless WordPress at Island Wizards

At Island Wizards, we specialize in building headless WordPress websites that combine the power of a flexible back-end with modern front-end technologies. Our experts can help you create a lightning-fast, secure, and scalable website that meets the unique demands of your business.

If you're looking for a powerful, future-proof solution, headless WordPress is the way forward. Reach out to Island Wizards today to explore how we can tailor a headless WordPress solution to your needs.

Explore more about our service…https://islandwizards.com/blogs/tag/shopify-theme/

[yourtechclub]

The Role of a Frontend Developer: Crafting Engaging User Experiences

In the digital age, the frontend developer plays a pivotal role in creating the online experiences we interact with every day. From websites to mobile apps, these professionals are responsible for shaping how users interact with digital products, ensuring that every click, scroll, and swipe is smooth and intuitive. But what exactly does a frontend developer do, and why is their role so critical in today's tech-driven world?

What Is a Frontend Developer?

A frontend developer is responsible for the visual and interactive elements of a website or application that users interact with directly. They bridge the gap between design and technology, translating a designer’s vision into functional, responsive, and user-friendly interfaces. Unlike backend developers, who focus on the server-side aspects, frontend developers specialize in client-side development, working with tools and technologies that directly impact the user experience.

Key Responsibilities of a Frontend Developer

The main job of a frontend developer is to ensure that users can easily navigate, interact with, and enjoy the digital product. Here’s a breakdown of their core responsibilities:

Turning Design into Code: Frontend developers take the visual designs created by UI/UX designers and bring them to life using code. They ensure that what users see on their screen aligns with the intended look and feel, while also making sure it’s functional across different devices and screen sizes.

Responsive Design: With users accessing websites from various devices, such as smartphones, tablets, and desktops, frontend developers focus on responsive design. This means building websites that automatically adjust to fit different screen sizes and orientations, offering an optimal experience regardless of the device.

Optimizing Performance: A key part of a frontend developer’s job is making sure that websites load quickly and perform smoothly. They optimize images, manage scripts, and streamline code to ensure fast loading times, as slow websites can lead to user frustration and high bounce rates.

Implementing Interactivity: Frontend developers add interactive elements like animations, hover effects, and dropdown menus that enhance the user experience. By using JavaScript and frameworks like React or Vue.js, they make websites dynamic and engaging, going beyond static designs.

Cross-Browser Compatibility: Websites need to work consistently across different browsers (Chrome, Firefox, Safari, etc.), and frontend developers are responsible for ensuring this compatibility. They test websites in multiple environments to fix any bugs or inconsistencies in the design or functionality.

Core Skills of a Frontend Developer

To excel as a frontend developer, there are several technical skills and tools that are essential:

HTML/CSS: These are the building blocks of web development. HTML structures the content, while CSS styles it, ensuring that it looks polished and visually appealing.

JavaScript: This programming language allows developers to add interactive elements, like form validation, dynamic content updates, and animations, making websites more engaging.

Frameworks and Libraries: Frameworks like React, Angular, or Vue.js help developers build complex web applications efficiently by providing pre-built structures and components.

Version Control (Git): Collaboration is key in web development, and version control tools like Git allow frontend developers to track changes, collaborate with other developers, and manage different versions of the project code.

Responsive Design & CSS Frameworks: Developers often use frameworks like Bootstrap or Tailwind CSS to ensure that their websites are responsive and adaptable to all devices.

The Evolving Role of Frontend Developers

As technology continues to evolve, the role of a frontend developer is expanding. Today, the line between frontend and backend development is becoming increasingly blurred, with many frontend developers expected to have some knowledge of backend technologies (a role often referred to as "full-stack development").

Additionally, the rise of progressive web apps (PWAs) and headless CMS architectures has introduced new ways of thinking about frontend development. Frontend developers are now focusing on creating experiences that go beyond the browser, delivering high-performance, native-like experiences on the web.

Another area of growing importance for frontend developers is accessibility. Ensuring that websites are usable by people with disabilities is not just a legal requirement but a responsibility for developers who want to create inclusive digital experiences. This involves using semantic HTML, providing keyboard navigability, and designing with screen readers in mind.

Why Frontend Developers Are Crucial for Business Success

Frontend developers play a critical role in shaping the user experience, which directly impacts the success of a digital product. A well-designed, fast, and user-friendly website or application can increase engagement, boost conversion rates, and enhance brand perception.

For businesses, the user interface is often the first point of contact with potential customers. If a website is slow, difficult to navigate, or visually unappealing, users are likely to leave, costing the business potential sales or leads. Frontend developers ensure that the website or app not only looks great but also performs optimally, keeping users engaged and satisfied.

Conclusion

In the modern digital landscape, frontend developers are essential to creating seamless, engaging, and high-performance online experiences. Their unique combination of technical skills and creative problem-solving allows them to transform designs into functional, responsive, and dynamic websites. As the demand for intuitive digital products continues to grow, the role of the frontend developer will only become more integral to business success and the evolution of web technologies.

4o

You said:

is ko english ma kr do "A o A Sir aj 3 outreach sy bat hoi or YTC k Backlinks Create KIa "

ChatGPT said:

ChatGPT

"Hello Sir, today I had discussions with 3 outreach contacts and created backlinks for YTC."

4o

You said:

ma gmail pr richout kr raha ho mujy ya masg aya ha is ka mujy koi replly kro "Thanks for reaching out. We charge $59 for submission. Let me know what you think."

ChatGPT said:

ChatGPT

You can reply with a polite and professional message like this:

Subject: Re: Submission Inquiry

Hi [Recipient's Name],

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Title: The Role of a Front-End Developer: Crafting the Digital Experience

In today’s fast-paced digital world, websites and applications are the primary touchpoints for businesses and users. The seamless experiences we enjoy on websites—from smooth navigation to responsive design—are largely due to the efforts of front-end developers. But what exactly does a front-end developer do, and why is their role crucial in building user-friendly, efficient digital products?

What is a Front-End Developer?

A front-end developer is a professional who focuses on the client-side development of a website or application. This means they work on the part of the website that users directly interact with. While the back-end (server-side) handles the logic and data storage, the front-end is responsible for what users see and how they interact with a site.

In essence, front-end developers translate design mockups into functional websites or applications using code. They combine the worlds of design, user experience (UX), and coding to ensure a smooth, responsive, and visually appealing user interface (UI).

Key Responsibilities of a Front-End Developer

The role of a front-end developer goes beyond just coding a website. It involves understanding user needs, optimizing for performance, and ensuring the digital product works flawlessly across various devices and browsers. Here are the key responsibilities of a front-end developer:

Translating Designs into Code: Front-end developers take designs created by web designers and bring them to life using programming languages like HTML, CSS, and JavaScript. They ensure the design translates accurately into a functioning webpage or application, maintaining the visual fidelity of the design while ensuring usability.

Ensuring Responsiveness: In today’s multi-device world, websites need to work across desktops, tablets, and smartphones. Front-end developers make sure websites are responsive, meaning they adapt seamlessly to various screen sizes and orientations.

Implementing Interactivity: Interactivity is key to user engagement. Front-end developers use JavaScript and related frameworks to add interactive elements like animations, sliders, form validations, and dynamic content updates, making the user experience more engaging.

Optimizing Performance: Fast loading times are critical for user satisfaction and SEO. Front-end developers optimize images, minimize code, and ensure efficient loading of assets to create websites that load quickly and perform smoothly.

Cross-Browser Compatibility: Websites need to work consistently across different browsers such as Chrome, Firefox, Safari, and Edge. Front-end developers ensure that websites function correctly and look the same on all browsers, addressing any quirks or inconsistencies.

Maintaining Website Accessibility: Front-end developers also focus on making websites accessible to all users, including those with disabilities. They implement practices like semantic HTML, ARIA (Accessible Rich Internet Applications) attributes, and keyboard navigation to create an inclusive user experience.

Essential Skills for a Front-End Developer

To excel as a front-end developer, professionals need a combination of technical skills, creativity, and attention to detail. Below are some of the key skills required:

HTML/CSS: These are the foundational languages of front-end development. HTML (Hypertext Markup Language) structures content on the web, while CSS (Cascading Style Sheets) defines how that content looks in terms of layout, color, fonts, and design.

JavaScript: JavaScript is a powerful scripting language used to add interactivity to a website. With JavaScript, developers can create dynamic content, handle user events, and interact with back-end data in real-time.

Responsive Design: Knowledge of responsive design is crucial to ensure that websites and apps work seamlessly across all devices. Tools like Bootstrap or media queries in CSS help developers create adaptive layouts that fit all screen sizes.

Frameworks and Libraries: Modern front-end developers often use libraries and frameworks like React, Angular, or Vue.js to build more complex web applications efficiently. These tools provide pre-built components and structures to speed up development.

Version Control (Git): Front-end developers often work in teams, and version control tools like Git allow them to track changes in code, collaborate with others, and ensure the codebase remains organized.

Cross-Browser Development: Each browser interprets code slightly differently, so front-end developers must test their websites across various browsers and devices to ensure compatibility.

The Importance of Front-End Developers in Business

In today’s digital economy, a company’s website or mobile app is often the first point of contact with customers. Whether it’s an e-commerce platform, a SaaS application, or a simple company webpage, the user experience can significantly impact brand perception and business outcomes.

Front-end developers ensure that these digital touchpoints are engaging, easy to navigate, and visually appealing, which can directly influence user engagement and conversion rates. A well-designed website that loads quickly, functions smoothly, and offers a seamless user experience can set a business apart from its competitors.

Moreover, front-end developers are key players in building websites optimized for SEO (Search Engine Optimization). Fast-loading, mobile-friendly, and well-structured websites tend to rank higher on search engines, driving more organic traffic to the site.

Front-End Development and Emerging Technologies

As technology evolves, so does the role of the front-end developer. The rise of progressive web apps (PWAs), single-page applications (SPAs), and headless CMS (Content Management Systems) has created new challenges and opportunities for front-end developers.

PWAs allow websites to function like native apps, offering offline capabilities and faster load times. Front-end developers need to integrate these features while maintaining the flexibility of a website.

SPAs load a single HTML page and dynamically update content as the user interacts with the app, creating a more fluid experience. This requires front-end developers to have expertise in frameworks like React and Angular.

Headless CMS decouples the front-end from the back-end, giving front-end developers more control over how content is presented. This allows for greater flexibility in design and user interaction.

Conclusion

The role of a front-end developer is crucial in shaping the digital experience. By combining technical expertise with creativity, front-end developers bring designs to life, ensuring that websites are not only visually appealing but also functional, responsive, and user-friendly. In a world where the digital experience can make or break a business, front-end developers are key players in driving online success.

[digitalgla]

Jclicksolutions Launches MERN Stack Training in Nagercoil: Empowering Aspiring Full-Stack Developers

The demand for skilled web developers continues to rise as businesses across industries move online. To meet this growing need, Jclicksolutions is excited to offer an intensive MERN Stack training program in Nagercoil, providing aspiring developers and professionals with the essential skills to build full-stack web applications. This program focuses on the MERN Stack, a popular framework that uses JavaScript across both front-end and back-end development, making it an ideal solution for dynamic and scalable applications.

What is the MERN Stack?

The MERN Stack is a combination of four powerful technologies:

MongoDB: A NoSQL database, perfect for handling and managing large amounts of data with flexibility and ease.

Express.js: A fast and minimalist web framework for Node.js, used to build robust server-side applications.

React.js: A highly efficient JavaScript library developed by Facebook for creating interactive user interfaces.

Node.js: A runtime environment that allows JavaScript to be used for server-side scripting, enabling full-stack development using a single language.

The MERN Stack is one of the most sought-after development frameworks due to its versatility, scalability, and widespread use in the industry. Companies across the globe are adopting MERN Stack for building responsive and efficient web applications, creating a significant demand for developers proficient in this framework.

Why Choose Jclicksolutions in Nagercoil?

JClickSolutions is a leading IT training provider, known for delivering industry-relevant programs that prepare students for real-world challenges. The MERN Stack course in Nagercoil offers several unique benefits:

Comprehensive Curriculum: The course covers all core elements of the MERN Stack, providing in-depth training on MongoDB, Express, React, and Node.js. Participants will gain practical experience in front-end and back-end development, enabling them to build complete web applications from scratch.

Hands-on Learning: The training is project-based, giving students the opportunity to work on real-world applications. By building live projects, participants will develop practical skills and a strong portfolio that showcases their expertise.

Expert Instructors: Jclicksolutions' MERN Stack training is led by experienced developers with years of experience in full-stack development. They provide personalized guidance and mentorship, helping students understand the nuances of each technology.

Flexible Learning Options: The course offers flexible schedules, including both online and in-person classes, catering to students, working professionals, and tech enthusiasts. This allows participants to learn at their own pace while balancing other commitments.

Career Support: Jclicksolutions provides end-to-end career support, including resume building, interview preparation, and job placement assistance. Graduates of the MERN Stack program are well-prepared to enter the job market and secure positions in top tech companies.

The Growing Demand for MERN Stack Developers

The rise of web-based applications has increased the demand for full-stack developers proficient in frameworks like MERN. With companies looking for scalable, high-performance solutions, MERN Stack has become a go-to choice for building modern web applications. Learning the MERN Stack opens up numerous job opportunities, from startups to large enterprises.

Why Nagercoil?

As a growing tech hub, Nagercoil is witnessing increased investment in IT and software development sectors. Jclicksolutions' decision to offer MERN Stack training in Nagercoil comes at a perfect time, giving local talent the opportunity to develop skills without relocating to larger cities. The course provides a gateway to lucrative career options in web development, both locally and globally.

Conclusion

The MERN Stack training program at Jclicksolutions in Nagercoil is the perfect stepping stone for anyone looking to build a successful career in web development. With its industry-aligned curriculum, hands-on projects, and expert mentorship, participants will gain the skills and confidence needed to excel in today’s competitive tech landscape.

For more details or to register, visit www.jclicksolutions.in today!

#MERN STACK in Nagercoil

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Design a User-Friendly Website:

Essential Principles You Need to Know

A user-friendly website is crucial for engaging visitors and retaining their interest. Prioritizing user experience (UX) in your website design not only improves navigation but also boosts conversion rates and enhances your brand’s credibility. This post will explore foundational principles for creating a user-centered design, including responsive website features and effective website layout strategies. Implementing these best practices will ensure that your website attracts visitors, encourages exploration, and drives action.

Creating a Seamless Online Experience: Key Principles for Designing UX design plays a pivotal role in effective web development. Whether you are building a new site or revamping an old one, a user-friendly interface is essential for retaining visitors, enhancing engagement, and increasing conversions. Below, we outline critical principles for creating a website that is intuitive, clean, and easy to navigate.

The Cornerstones of a User-Friendly Website

Prioritize Simplicity and Clarity Your website’s primary goal is to convey information quickly and effectively. A cluttered website layout can overwhelm visitors and detract from their experience. Focus on a minimalist approach with clear navigation menus and easily recognizable call-to-action (CTA) buttons.

Optimize for Mobile Responsiveness In an era where mobile browsing is prevalent, a responsive website design is essential. Ensure that your site functions seamlessly across all devices, with fast load times and a mobile-friendly layout. This optimization enhances both user experience and site speed.

Focus on Intuitive Navigation Visitors should be able to find what they’re looking for without confusion. Group similar content together, use logical categories, and incorporate a search bar. Avoid hidden menus or hard-to-find links that disrupt the user’s flow.

Maintain Consistent Design Elements Consistency in font styles, colors, and layout fosters familiarity and trust. Choose a color scheme that reflects your brand identity and apply it across all pages. Consistent design elements aid in easier site navigation and improve overall user experience.

Enhance Site Speed and Performance A fast-loading website is crucial for user satisfaction and search engine ranking. Optimize images, enable browser caching, and minimize JavaScript to improve site speed. A slow website frustrates visitors and leads to higher bounce rates.

Employ Visual Hierarchy Users scan web pages in a predictable manner. Use larger fonts for headings, bold colors for CTAs, and ample white space to highlight important elements. A well-structured website layout guides users to your content naturally.

Advanced Tips for Improving User Interaction

Include Engaging Visuals and Multimedia Balance text with images, infographics, or videos to create a visually appealing experience. High-quality visuals attract attention and can help clarify complex information. However, avoid overloading your pages with media that might slow down site speed.

Use Accessibility Best Practices A truly user-friendly website is inclusive of all users, including those with disabilities. Utilize alt text for images, ensure your site is navigable via keyboard, and choose contrasting color schemes to improve readability. Accessibility is key to a comprehensive UX design.

Implement Clear Call-to-Actions (CTAs) Guide users towards the actions you want them to take by using effective CTAs. Whether it’s making a purchase, signing up for a newsletter, or scheduling a consultation, place these prompts where they are visible and ensure they stand out.