#his sfx are great

[nadia-cannot-think-straight]

Listen i fucking hate Yone, like almost every single thing about him just infuriates me. I should be incredibly angry and petty over the fact that he just got a SECOND legendary skin, i should be fucking combusting in place from anger ......but.....this goes so fucking hard.....

I love cowboys more than i hate you....

[adhdo5]

STOPPPP posting about the untamed ur making me want to watch it !!! (joking. i might actually watch it tho is it good? :3c)

It's absolutely Entertaining. I hear the book is better which I believe given the discrepancies of which I've been told? But I have been enjoying myself with the show

I don't know if I would outright call it Good (yet?) but it's absolutely Fun. All the fight scenes are a delight, much of the cast are a delight, the way it does tone whiplash between drama/action/comedy is extremely fun. It's very tropey (thing I knew going in) but in a sincere and enjoyable way where like, it doesn't rewire the brain but it does make one appreciate things one recognizes. It's also been decent Mandarin practice I think. Just in general I've had a good time

[fischotterkunst]

I JUST GOT TO WATCH THE SHADOW TRAILER IM LOSING MY FUCKING MIND GNAWING ON THE BARS OF MY ENCLOSURE THAS MY SONNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN

[octoooo]

Ubuyashiki Family (Magical Slayers ✨)

It’s mostly Kagaya but I mention Amane too.

Ok long story short Kagaya is mansplain manipulate manslaughter. I made him similar to Kyubey from Magica Madoka. In the sense he has good intentions, but very underhanded ways of getting people to join the Corps.

He is Entirely fed up with the (lack of) progress of the Corps. He wouldn’t call all the efforts pointless, however losing several dozen (or hundred?) Hashira and hardly killing any Upper Moons (and no signs of Muzan since Yoriichi’s era) is very much a Net Loss.

He’s tired and ready to end this war by any means necessary, even if it means forcing people into becoming slayers. (The fact this man has foresight just makes his goal a little easier and a little scarier.)

I can make an excellent example of the lengths he’s willing to go with the Tokito twins.

Kagaya did not take kindly when Amane reported that Yuichiro shut down the offer every time. He is not above lighting a fire under them to get them moving, and by fire I mean a demon sent to their house as an “incentive” to join. By showing them what they’re at risk of if they don’t join first.

We all know how it happens in canon: Yuichiro repeatedly denies Amane, weeks later the demon attacks, suddenly Amane returns days(?) later and Muichiro decides “why not” to join the Corps.

This lines up perfectly for my au :D

After the repeated rejections, Kagaya pulls some strings to stage a demon attack. It’s not really staged/fake since the demon does try to take out the twins, but it was planned by Kagaya. As an extra part of the plan, there was supposed to be another slayer to deal with that demon to ensure the twins survived. They’d be scarred, but alive and (hopefully) open to becoming Slayers.

Things didn't go as planned and the assigned Slayer doesn’t make it on time, leaving Muichiro to take things in his own hands after Yuichiro gets attacked. Yuichiro only loses a chunk of his arm, it’s still a lot but not half his arm like canon. He’s able to wrap the wound (and pass out) while Muichiro deals with the demon all night.

Kagaya and Amane actually visit them around noon the next day and happen upon them barely alive. Yuichiro is worse off than his brother and praying for Muichiro to live. Kagaya tells the boys they don’t need the aid of the gods who struck them, he himself will help, and in return they’ll do something (become slayers) for him.

(Kagaya was relieved when this worked. He may be cruel enough to do it but he doesn’t want to kill them. They wouldn’t be useful to him if that happened)

This also means Yuichiro lives.

The bright side is he doesn’t do this with every slayer I guess? He does have an interesting habit of showing up soon after demon attacks to offer the survivor a new life within the Corps. In their freshly traumatized minds all they see is a hand reaching out to help, and not knowing any better they accept.

This is a good time to mention, he is still cursed so he eventually has Amane visit the possible-slayers in his stead, bring them to the estate should they agree to join and uhhh..

Rip their soul out of their body, infuse it into a special brooch, give it back to them & point them in the direction of a cultivator.

anyway don’t worry about that part. Kagaya certainly doesn’t, and he tells the newly-made Magical Slayer not to worry either.

Who cares if you’re basically a zombie now? If your body is injured it’s fine, it’ll just take extra time and magic to regenerate. (Like,,some hours with lots of focus. Maybe just an hour or so for Hashira. Their healing abilities may be good, but they’re not ‘instant regeneration’ good like the 12 kizuki)

He actually doesn’t even tell them they’ve become a zombie. Normally the head of the Corps is supposed to lay down everything that becoming a slayer means, and then the person can make the choice to join or not. Obviously learning you’ll become a zombie is a bit of a turn-off, so Kagaya has just stopped telling his slayers the awful details.

Why do that when it’ll scare them off? It’s more beneficial for him to not say anything and keep them in the dark.

Also I’d like to mention, In canon Kagaya gives respect and gets it in return.

Here though? The Hashiras respect for him is built from fear. Everyone else is able to see, “ohh there’s something wrong with this guy. Better not piss him off.” And try their damn best not to.

Except Sanemi at his first Pillar meeting. 🪦

[timmie-p]

april fools post translation 👍 * indicates i have notes on the translation if you want to read below

Hyun Woo —> He stopped acting in his childhood but is currently working on ALNST as a lighting crew member. Worries about his dull, slow sister

Hyuna —> The last and youngest of the ALNST cast to debut! Her real personality is gentle and innocent

Mizi —> Fan favourite among the actors. Shy personality and very nervous about her first leading role

Sua —> The feisty actress is popular among her co-stars, thanks to her nonchalant friendliness

Sua: Great job on the shoot today. I’m sure Director Kim was only speaking so harshly because he was worried about your safety, so don’t take it personally.

Mizi: Yeah.. ((It’s sunbae!!! What should I do! What should I do!!))

Sfx: Thump thump thump [heartbeat sound]

Ivan and Luka are actors from a different agency. They’re also in an idol group together (for the record, Luka hates it)

Ivan —> Ivan loves kids and voluntarily takes care of them

Luka —> Luka is Ivan’s best friend, so he’s forced to babysit with him

Baby Till —> Baby Till for flashback scenes

Baby Mizi —> Baby Mizi for flashback scenes when the kids are older

Till —> Till, the youngest in the series, is actually the oldest in the cast and debuted with CF before he could even speak in a diaper commercial. Till has a strong “my pace”* persona. He just wants to quickly wrap up the shoot and go home. His dark circles are from overwork, not make-up.

Others —> Three people who want to approach their mysterious** senior but can’t

Ivan: ((Lamenting over delays..?))

Mizi: Want me to talk to him?

Luka: Yeah

Till: ((I want to go home))

Sfx: Spacing out~

*according to namu wiki, either someone who’s strongly independent and doesn’t care what others think or someone who’s always chill

**according to namu wiki, the adjective translates to a famous person who deliberately keeps their private life secret. i just went with mysterious bc it directly translates to “mystic”

i didn’t choose to translate sunbae in Mizi’s thoughts because it sounds weird and most of you probably know what it means anyway

lol it looks like everyone’s personalities were flipped. does that mean ivan actually hates kids? and till as the cool mysterious senior everyone is scared to talk to vs hyuna as no thoughts head empty is kinda funny. i have a feeling ivan and luka are shipped together a lot by fans in this au.. the woes of being besties. also mizisua is always canon 🙏 theyre so yuri

[wyattisquiet]

tw: fake blood

if y'all didnt know already from past posts, im an sfx artist in training!

Here are two of my newest things!! Warning for fake blood + a casual slur (DW IM ALLOWED TO SAY IT IM GAY)

stay safe!!

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Ok here ya go my lovely lads who stuck around!!

Don't mind the toes stickin out... 😭

His initials!!

I think imma be a great sfx artist one day, but for now this is the best i can do :'') ly guyz!!

[scary-grace]

Off-Script - a Shigaraki x f!Reader fic

Tomura's been Dabi's stunt double for almost a decade, and he's not easily impressed, but when he squares up with you for a fight scene, he finds himself caught off-guard in more ways than one. As the shoot progresses and sparks fly between the two of you, Tomura has to decide if you're worth the risk -- or if the best sparring partner he's ever had is all you'll ever be. (cross-posted to Ao3)

This is my second fic for @threadbaresweater's follower milestone event, with the prompt 'summer blockbuster'! As usual, thank you for running this event and congratulations on the milestone!

Chapter 1

“No.”

“No?” Midoriya Izuku repeats. He taps his headset, like there’s something wrong with it instead of what Dabi just said. “What do you mean?”

“I don’t do swordfighting,” Dabi says. “It’s in my contract.”

Midoriya looks baffled, just like every newbie director who’s ever hit their head against one of the batshit provisions in Dabi’s contracts. And Dabi’s not anywhere close to done with kicking the director around. “How come I’ve got a sword, anyway? Quicksilver didn’t have one in any of the other movies. Or the comics.”

In Tomura’s opinion, Dabi should keep his mouth shut about what happens in the X-Men comics. Everything he knows about the comics and the character he plays is something Tomura had to explain to him way too many times, in detail. “We’re rebooting the Apocalypse arc,” Midoriya says. “The premise is that Apocalypse rises in every age – long enough for people to forget about him in between – and the same characters have been fighting him the whole time, reincarnated over and over again. Only this time it’s different, because four of those characters have been chosen as Horsemen, and they’re fighting for Apocalypse, not against him.”

“Great. Why is there a swordfight?”

“In the original arc, technology provided a boost to the anti-Apocalypse forces,” Midoriya says. “By setting it in the Iron Age, we’re taking that advantage away. That’s why everyone has weapons. Including Quicksilver.”

“Cool.” Dabi lights up a cigarette. “I’m still not doing it.”

“But –”

“That’s what I pay him for.” Dabi jerks a thumb at Tomura. “Talk to him.”

Tomura’s been Dabi’s stunt double for basically all of Dabi’s career. Most stunt doubles stick to stunts, but over the years, Tomura’s role has expanded from stunts to include anything Dabi doesn’t feel like doing. Swordfighting isn’t a stunt. It should be well within Dabi’s skills. And it is – he just doesn’t want to do it. Which means that Tomura’s up.

Midoriya looks at Tomura hopefully. Tomura levers himself up off the wall and rolls his shoulders. “Yeah, okay. Let’s go.”

Midoriya follows him to costume and makeup, yapping the whole way, trying to figure out what he did to upset Dabi so much. Tomura thinks about explaining that it’s not Midoriya’s problem and Dabi’s just like that, then decides against it. Midoriya’s the one who decided not to recast Quicksilver, and Dabi isn’t exactly known for being easy to work with. He made his own bed. Tomura’s not here to tuck him in, and he’s not here to make excuses for Dabi. He’s here to do stunts. That’s it.

Quicksilver’s costume isn’t skintight, which makes it miles better than any of the other Quicksilver suits Tomura’s had to wear since Dabi was first cast in the franchise. It’s his first time in the outfit, so he asks the costumer about it. “There was no Lycra in the Iron Age,” Magne explains as she stitches one last panel into place. “The director wanted historically accurate materials. And the SFX team threatened to quit if they had to edit any more bulges out of the shots.”

That’s a relief. Whenever a new movie in the franchise comes out, the fan blogs make lists ranking all the bulges, which is awkward at best and career-threatening at worst, given the one time a list used a shot where Tomura was doubling Dabi and ranked it higher than Dabi had ever placed on his own. Midoriya is deeply weird, even as far as directors go, but Tomura will take the wins where he can get them.

He tunes back in to what Midoriya’s saying as Magne screws around with his hair to mimic Quicksilver’s signature look. “Who am I fighting again?”

“Psylocke. You read the script, right?”

Sure, Tomura read the script. The script isn’t the problem so much as the fact that the actress playing Psylocke quit last week. “Did you find a new one?”

“Of course!” Midoriya brightens up creepily fast. “Right, you should meet her! She’s – um –”

“Up at the site already,” Magne says, spraying Tomura with hairspray without warning him first. “She was pretty quick to costume. I didn’t even have to put her in a wig.”

Midoriya beams. “She’s great,” he says. “We’re lucky we found her on such short notice.”

“Who is she?”

Midoriya says a name Tomura’s never heard in his life. Magne hasn’t heard it, either. “Come again?”

“She’s on the newer side,” Midoriya says. His smile’s looking a little insane. “Are you ready yet?”

“Just a sec.” Magne sprays Tomura again, then attaches three motion-capture dots to his forehead. “There we go. All set.”

Tomura stands up, but he doesn’t get clear fast enough to avoid Magne’s customary ass-slap. “Break a leg,” she says.

“Thanks.” Tomura slinks out of the costume tent, already in a mood.

They drive to the site in one of the various beat-to-shit Jeeps Midoriya inherited from the person who directed the last X-Men movie. Midoriya drives, which is bad all on its own, but halfway there, Tomura realizes there’s someone missing. “Don’t we need Aizawa on this?”

“Aizawa’s choreographing the first big fight scene. Most of the actors haven’t done real swordfighting before, so it’s taking a while.” Midoriya’s grip on the steering wheel goes white-knuckled in a way that makes Tomura wonder if he should be bailing out of the car. He’s pretty sure he can do it without getting a single bruise. “Even if it’s just for a few tracking shots before we cut away to you – sorry, Dabi – chasing Psylocke, it needs to look good.”

That’s fair. Tomura hates a lazy background shot, on the rare occasions when he watches a movie. Midoriya glances at him. “I know you said you read the script, but – give me your take on what’s going on in the scene.”

Tomura’s heard Midoriya ask people that before. Correction: He’s heard him ask actors before. “I’m not an actor.”

“There’s not a ton of dialogue in this scene. The physical aspect has to tell the story,” Midoriya says. “So?”

He’s not going to let this go. Tomura decides to get it over with. “During the main fight, Psylocke lifts the artifact everybody’s fighting over and runs. Quicksilver goes to catch her, but she uses her mutation to slow down time around him, which puts him on the same playing field as she is. They fight, he pulls her mask off, and figures out she used to be on his side. Then she cheap-shots him and escapes with half the artifact. Did I get it?”

Midoriya nods, but he’s frowning. “Quicksilver and Psylocke are foil characters in this interpretation of the story. He’s Magneto’s son and she’s part of a family of heroes. When they recognize each other, it should be a shock – they’re not just seeing a friend who’s now an enemy, they’re each seeing the person they should have been. So the back half of the fight should, like, reflect that.”

Tomura doesn’t do emotional turmoil. “You want Dabi for this.”

“That was the plan,” Midoriya says. He sighs. “Just – do your best, okay?”

Tomura was doing high-wire stunts while Midoriya was still in high school. He doesn’t need hyping up for a swordfight he can do in his sleep. But just because he can do it in his sleep doesn’t mean the actress Midoriya pulled out of a cattle call will be any good at it. “Does Psylocke 2.0 know what she’s doing?”

“That’s why I picked her.”

Huh. Tomura crosses his arms over his chest and slouches in his seat for the remainder of the ride.

The site is up on a bluff, in a stretch of forest thick enough that barely any sunlight gets through. “This is supposed to be a nighttime scene, but thanks to the tree cover we can fake it,” Midoriya explains as he parks the Jeep and scrambles out. “Hey, guys! Over here!”

The crew looks like they’ve been waiting a while. Tomura knows most of them after spending the last seven years on the sets of various X-Men movies and hanging out at C-list afterparties. Of the group, he really only gets along with Spinner, who handles props. Everybody else is just someone else to be irritated with when they inevitably start bossing Tomura around. He props his feet on the dashboard and waits for something to happen.

“Psylocke! Quicksilver! Over here!”

Midoriya’s beckoning to him. Tomura forgot about Midoriya’s habit of using character names during shoots, and he thought Dabi was just using it as something to bitch about until right now. It’s annoying as hell. Tomura gets out of the car and skulks over, but someone else gets there first. Midoriya’s talking to her as Tomura approaches. “I know the script says you’re shooting with Dabi, but he, um, doesn’t do swordfights, so he sent his stunt double instead.”

“Oh.”

“It’s not you,” Midoriya says hurriedly. “He’s just having an off day.”

“An off year,” Tomura corrects. Midoriya jumps, steps aside, and gives Tomura his first look at you.

He sees right away what Magne meant about your hair – you match Psylocke’s design from the comments in length and color, even if the texture’s wrong. You’re a little shorter than the original actress, and you don’t look like an actress, even though the makeup artists already got to you. Actresses in big-budget films look a lot like each other, because they’re all wearing the same makeup and getting the same plastic surgeries, and they’re all the same kind of hot. You look way too much like a person. Like you should be behind the camera, not in front of it.

As Tomura sizes you up, he’s well aware that you’re doing the same thing to him, probably having the same thoughts. But you smile and hold out your hand to shake. “Hi. I’m looking forward to working with you.”

Tomura shakes your hand for lack of anything better to do. “Go see Spinner for props,” Midoriya instructs, “and think about how you want to do this. Maybe get in character also? I’m not sure how many takes we’ll get before the light changes.”

“Got it,” you say. “Spinner is –”

“The guy with the swords,” Tomura says. It’s hard not to roll his eyes, and it gets harder when you fall into step beside him. Spinner is waiting for you both behind the props table. “Hey.”

“I was expecting Dabi,” Spinner says, picking up a sword. When Tomura reaches for it, Spinner chucks it to one side and lifts another. “I was gonna give him that one, but you’re better than he is, so I can trust you with this.”

Instead of the kodachi, he’s holding out a tachi to Tomura. “See how you like the balance on that. And for you, Psylocke – one katana, coming right up.”

Tomura keeps one eye on you and your sword while he’s testing the balance on his. You’re not being stupid with it, at least not yet. Holding it properly is the lowest possible bar, but Tomura’s met plenty of actors who can’t even manage that, and at least your grip looks solid. You walk a few steps away to practice sheathing and unsheathing it, and Spinner elbows Tomura. He nods in your direction. “What do you think?”

“What rock did Midoriya find her under?”

“I think she’s a stage actor,” Spinners says. Great. “Mainly musicals. She’s never gotten cast as anything bigger than an understudy.”

Tomura would facepalm, except he’s holding a sword. “Still,” Spinner says speculatively, “the director’s not a total moron. He must have seen something he likes.”

“Yeah. He likes not having to blow the costume budget on a wig,” Tomura says, probably a little too loudly. He sees your shoulders stiffen, and you turn to face him. You don’t look like you’re going to cry or anything, but Tomura’s been wrong about that before. “What?”

“I was just going to ask if you wanted to practice, or if we’re doing it blind,” you say. Before Tomura can answer, you make the decision. “I say blind. It’ll look more authentic if we’ve never fought each other before.”

Tomura likes that idea, if only because the chaos will mask his total lack of acting skills, but he was counting on a practice round to test your actual abilities. Still, it’s your funeral. “Fine by me. I’m not going to go easy on you or anything.”

“I’m glad,” you say, and smile. Tomura already saw you smile once, but it was nowhere close to being this spooky. You have to be doing it on purpose. “I wasn’t planning to go easy on you, either.”

Tomura should say something – maybe along the lines of ‘we just got off on the wrong foot, don’t cut my fucking head off’ – but before he can, Midoriya orders everyone to places. He must have given you instructions ahead of time, because you vanish into the trees, leaving Tomura to follow Midoriya’s hyperspecific directions for hitting his first mark. “We’re just going to roll,” he says, as Tomura steps out of frame and braces himself to run. “I’ll call cut once things go sideways.”

Things go sideways in choreographed fight scenes all the time. Things going sideways in an improvised fight is a guarantee. “Right.”

“Psylocke, are you set?”

“Set,” you call out from somewhere.

Midoriya takes a deep breath, like he’s the one who’s about to start a fake fight. “Okay. Action!”

Fake-running and skidding to a stop isn’t Tomura’s specialty or anything, but he can make it work. He hits the mark Midoriya specified, raises his hand to the hilt of his sword without drawing it, and takes a look around. Right here and now, there’s no reason for Quicksilver to think that someone’s about to attack him. Even Psylocke using her powers to slow him down could just be a tactic to ensure her escape. She’s basically already escaped. All Quicksilver has to do is wait for her grip on time to slacken, and then –

A twig snaps behind Tomura and he throws himself forward into a roll, pivoting as he gets to his knees and drawing his sword in the same moment. You put a lot of strength and a lot of momentum into your first strike, and if this was a real fight, Tomura would be injured or dead. As it is, you checked yourself at the last second, and you take your time settling into your next attack, giving Tomura just a second or two to plan out his own.

No attack yet. His wingspan is wider than yours and the blade of his sword is longer, which means the first step for Quicksilver to avoid a katana through the neck is to get out of Psylocke’s range. You’re not screwing around, so Tomura won’t, either – he picks up a handful of leaf litter, throws it into your face, and gets to a safe distance, remembering at the last second to make it look even sort of stylized. It’s a movie, after all.

You’re taking it seriously. The suddenness of your first attack has Tomura on edge, and the lack of any direction or choreography means he’s got no idea what you’re going to do. They won’t be in the back half of the fight until he pulls your mask down, and haphazard grabs look stupid on camera. He needs to get your mask on the first try, and between now and then, he needs to put on a show.

Tomura strikes at you, and you duck, pivot, halfway inside his guard before he can reverse the strike. But you’re in too close to use your katana effectively – on purpose – and Tomura aims a punch at your torso, hoping you know how to fake a hit. You do. You exhale sharply, jerk backwards, and Tomura separates from you again.

Who the hell are you? Where did you come from? Why are you going this hard? It occurs to Tomura as he parries your counterstrike and returns a few of his own that these are the same thoughts Quicksilver would be having if any of this was real. Now that Tomura’s introduced hand-to-hand combat into the equation, you start using it, too, throwing a high kick that brushes ever so slightly against Tomura’s jaw. Tomura snaps his head sideways to make it look good, then lurches backwards in response to a fake punch to the solar plexus. He’s holding his own, and he’s in control of the fight, but to the camera and everybody else it’s going to look like Psylocke is handing Quicksilver his ass.

And you should be. Tomura underestimated you, then insulted you, and now you’re making him pay. But as interesting as the fight’s getting, it’s a movie, not a grudge match. Tomura shortens his attacks and you step in closer, close enough for him to grab your mask. Or it would be, if your face was where it’s supposed to be. Instead you’ve gotten all the way inside Tomura’s guard, stepped across him, and grabbed his shoulder with your free hand – and now you’re throwing him over your hip to the ground.

You’ve got the physical strength to pull it off – Tomura can feel it – but he gives you some help anyway, making the resulting fall look even harder than it’s supposed to. He lands flat on his back with you poised above him, pinning him down with your katana at the ready. Now would be a great time to grab the artifact, since it’s hanging on a loop around your neck, but Tomura’s got his orders, as stupid as they are. He reaches up, seizes the mask over your mouth and nose, and pulls it down.

You really can act. Tomura watches your expression shift from startled to shocked to something else, and you recoil backwards away from him. Tomura’s slow to rise, because Quicksilver’s supposed to be shocked, too. Dabi’s going to have to deal with whatever character choices Tomura’s making here, and he’s going to be pissed. Tomura doesn’t care. If Dabi wanted to have a say over what this fight looks like, he should have done it himself.

You’re pulling your mask over your face, pressing it down. You’re so busy with it that Tomura almost gets away clean with grabbing the artifact from around your neck. You catch him at the last minute and pull it back, and it splits cleanly between his hand and yours. You take one artfully reckless swing with your katana and Tomura ducks back just a little farther than he needs to. Which is when you turn and run, booking it out of frame and towards the far edge of the woods.

Some camera guy – Iida, Tomura thinks – chases after you. Tomura’s off the hook, but he holds still anyway. He’s gotten yelled at more than a few times for moving before the director’s officially called cut. But Midoriya isn’t calling cut. He keeps not calling it. Tomura can hear him, though. He’s muttering to himself.

“Hey, boss-man!” hollers the unit director – Togata, or something. “Want to call a cut?”

“Oh, oops! Cut! Definitely cut.” Midoriya sounds like he couldn’t give less of a shit. When Tomura turns to look at him, he’s got a notebook and he’s writing furiously. And mumbling again. Tomura’s worked with a lot of directors and more than a few weird ones, and once he rules out the hand fetishist and the guy who wanted the fight scenes to include real knives and real blood, Midoriya’s definitely the weirdest.

You come back from wherever you ran off to, and you don’t seem to think Midoriya’s as weird as everyone else does. “Are we waiting for notes?”

“Huh?”

“After we run a scene in a stage show, we get notes,” you say. You’re not quite breathing hard. Neither is Tomura. “Do you not do that around here?”

“Nah,” Togata or whoever says. “Usually the director just hollers at whoever screws up and makes everybody do another take.”

“Okay,” you say slowly. “Who screwed up? Was it me?”

“You certainly took some liberties with the scene,” Iida says. “The original intent –”

“You want original intent, don’t tell us to improv,” Tomura says. The fight with you was maybe the most intense fight scene he’s ever done. When Midoriya inevitably nixes it, Tomura wants a copy. He addresses you. “It wasn’t you. Somebody on the sound side probably fucked up.”

“Excuse me?” The sound tech – maybe Jiro? – looks like she wants to club Tomura to death with a boom mic. “I fucked up? If you two hadn’t gotten all –”

“Midoriya,” Togata sings out, patting Midoriya on the shoulder. Midoriya jumps. “Hey! Good to have you back! Should we get set for another take?”

“No.”

Mirio looks confused. He’s not the only one. “Are we taking this one back to the drawing board?”

“No.” Midoriya shuts his notebook and looks up, his eyes shining in the crazy way movie people get when they have a really wild idea. “That was the take. We’re done.”

“What?”

“That was it.” Midoriya’s grinning. “It was perfect.”

Now you look weirded out. Finally. “No notes?”

“We need some close-ups, but –” Midoriya grabs his radio and hollers for somebody to put Dabi in his costume “ – you guys did a great job. Like, even the timing – it’s going to be so easy to use those beats for close-ups, and all the character stuff – you were so in sync it was scary, but emotionally you were each totally on your own journey, and it looked –”

“Hey, take a breath. Don’t faint,” Jiro instructs. Midoriya sucks down some air, and Jiro turns to you. “You did your first fight scene in one take. Congrats.”

Spinner lifts the sword out of Tomura’s hand, then takes the two halves of the artifact from both of you. Tomura’s done here for now. He’ll hitch a ride back on the Jeep that brings Dabi up and find a place to nap. Hopefully. He feels a little too keyed up to take a break right now.

You’re still standing there, looking sort of dazed. It annoys Tomura for a second, until he remembers that you’re used to understudying in musicals, not shooting superhero movies. “Hey,” he says, and you startle. “That was a solid fight. You’re better than I thought.”

“That’s not hard,” you say. “All I had to do to be better than you thought I’d be was to not impale myself or anybody else.”

“I haven’t seen you work before today. Sue me,” Tomura says. “You know what you’re doing. That was a really good fight.”

You shrug. It pisses Tomura off. Fishing for compliments always does, and Tomura hates it – but instead of telling you to grow up, he tries to hit you over the head with it for real. “You might not know your head from your ass yet, but I do, and it was a good scene. I haven’t had a fight like that in –”

Years? A decade? Tomura doesn’t think he’s ever been in a fake fight that felt real without actually feeling unsafe. “That’s the best one I’ve done in a long time,” he says finally. “You’re a real actress now. That modesty shit isn’t cute.”

You shrug again and make your way over to where Midoriya and Iida are talking. You’re probably going to ask Midoriya if you did something wrong, and he’ll get weird and reshoot the whole thing. Or he won’t, and he’ll think you’re insecure, which drives most directors up the wall. The fight scene was good on the first take. That never happens. Excuse Tomura for wanting to enjoy it.

“Shigaraki,” Spinner says from behind Tomura, and Tomura looks at him. “That’s not how you talk to girls.”

“Huh?”

“You, like – negged her. A lot,” Spinner says. Bullshit. Tomura knows what negging is. He knows he wasn’t doing it. “You told her she sucks, and then you told her she doesn’t suck as much as you thought she did. And then you trashed her whole career before now –”

“When did I do that?” Tomura’s done with this. “I said she knew what she was doing.”

“Uh, yeah. She took you to the cleaners on camera,” Spinner says. “And I hate to be the one to say this, but you looked really into it.”

What does he mean, into it? Tomura was doing his job. If he doesn’t get into it, he has to do extra takes. “So, like I said,” Spinner continues, “if you want to talk to girls and have it go anywhere, you have to give actual compliments. Not just tell her you’re surprised she wasn’t worse.”

“That’s not what I said,” Tomura growls. He doesn’t like anything about this conversation – not what Spinner’s implying, not what Spinner’s telling him to do. “Since when do you give me advice about girls?”

“Since I’ve gone on a date in the last six months,” Spinner says without blinking. “When was the last time you went out?”

“I’ve been busy.”

“Dabi spent the last six months in rehab. You could have gotten out there,” Spinner says. Tomura glares at him. “All you did was work out and play League.”

“That’s what I was busy doing,” Tomura says. “I don’t need lessons on talking to girls.”

“Sure,” Spinner says. “Give her a real compliment next time. It’ll help.”

It’ll help with what? Tomura doesn’t know what Spinner thought he saw, but whatever it is, it wasn’t there. Tomura doesn’t date actresses. Or actors, in spite of what a bunch of Dabi’s fans seem to think is going on between the two of them. And even if Tomura was going to date an actress, he wouldn’t date somebody like you – somebody new to all of this, somebody naïve, somebody whose confidence can barely survive a single hit. Maybe you’ll be the kind of actress Tomura would date if you make it through this shoot alive. The fact that no actress would ever date Tomura doesn’t matter at all.

Even if this is the only blockbuster you ever do, he’ll get to fight you at least one more time. There’s another fight scene between Quicksilver and Psylocke later on in the script. As Tomura leans against a tree waiting for his ride to show up while you talk way too earnestly to Midoriya, he finds that he’s already looking forward to it.

[fuckyeahgoodomens]

(CROWLEY LIVING IN THE CAR CONFIRMED! 🐍🚗:D❤)

Although the trailer for "Good Omens" season 2 shows the life-long frenemies living in quasi-domestic bliss (until Jon Hamm's memory-wiped Gabriel shows up), their living arrangement apparently isn't quite so simple. The latest issue of SFX magazine includes an interview with Sheen and Tennant, and although the pair say their characters end up closer than ever, SFX also reveals that season 2 will pick up with Crowley living out of his car (plants and all) while Aziraphale is thriving hanging among humans at his Soho bookshop. It's at the shop that Crowley often finds himself, according to Tennant.

"He spends a lot of time in the book shop," Tennent tells SFX magazine. "He only has one friend. He can only have one friend." As Sheen notes elsewhere in the interview, the pair aren't exactly on the run, but aren't off the radar of the powers that be in heaven and hell either. When Tennant notes that the pair are "kind of free agents" these days, Sheen says they're also semi-fugitives. "They are sort of in-between. But this amazing life they have created over a millennia, they are now able to enjoy in a slightly different way," he explains.

The pair might be retired from their jobs working for the big men upstairs (and downstairs), but that freedom leads to a dependence on one another that perhaps feels different than what they've known in all their previous centuries of coexistence. "That is the great liberation, and also the great prison, that they find themselves in," Tennant says after noting that Aziraphale is Crowley's only friend. "They have no one else. They have come to rely on each other more than they ever did. And more than they care to admit."

Fans have already caught a glimpse of that denial in the "Good Omens" season 2 trailer, when Gabriel asks Aziraphale whether the presence of one person in his life has ever given him an inexplicable sense of comfort, and the angel responds with a stuttering "No, certainly not." Meanwhile, the trailer edits in a shot of Sheen's character looking quietly delighted while sharing a drink with Crowley, making it pretty clear the angel's caught feelings. The actors don't address Aziraphale's heart eyes in the interview, but do talk about how the sense that the pair are, as Tennant puts it, "strangers in a strange land" will impact their relationship.

"That kind of connects them in a slightly different way," Sheen says. "They have always been the only two beings who could understand each other's position. Now they are pushed even closer together." 

Luckily for the two co-stars (and for fans), the show is never better than when it's exploring the closeness of the pair, as Crowley and Aziraphale possess a dynamic chemistry that gives their companionship an undercurrent of romance. How much season 2 of "Good Omens" may or may not explore that aspect of their relationship remains to be seen, but it sounds like series creator and showrunner Gaiman is well aware that the dynamic duo is at their best when it's them against the world.

[lucenare]

A letter to the Fable SMP

I'm going to pour my heart out into this post. So sit down, take a breath, and get ready for a walk through all the ways my life has been impacted. This is pretty heavy.

Warnings: discussions of bullying, death of people and animals

If you don't know me; Hi, my name is Rin Silas. You know me better as tumblr user Lucenare.

This starts before Fable began, with a buildup to me losing my love of cosplay, and what brought that back.

When I was in high school, I was a horror SFX cosplayer. I was going to cons all the time, finding my niche in the local cosplay community. Some of my friends came to be professional cosplayers. I did not. When I got diagnosed with POTS, cosplay became hard for me. I wasn't sure how to do it. I stopped being active. My self image plummetted. And one of my "friends" turned out to be an awful person. A professional cosplayer, who was a bully and made that self image worse. I couldn't go to certain cons for years because of her. She would bully people until they left if she saw them-- and she was so popular in the community. It crushed me, to see her rise in the community. It stripped the joy out of cosplay. I didn't *want* to be in this space, and it soured the craft.

I wanted to get back into it, but I was unsure of how. I started working on clothes again, making my outfit for senior prom. At my highest point mentally in all of high school, finally being creative in a way that made me feel good again, with a clear path for college; the world shut down. With all that free time, and multiple generations worth of fabric hordes, I started sewing again. My grandmother got me a graduation present- a heavy duty sewing machine all to myself. No more borrowing my moms. I sewed so many plushies durring that time- but I still wasnt making cosplays again.

And then the DreamSMP happened.

And then I signed up for Tiktok.

And suddenly, I had all of these tiktok cosplayers cosplaying minecraft cubitos all over my feed. No fear, just fun. All different body types- going crazy with it, not being "canon accurate"-- two things my "friend" had strongly ridiculed me for. And it was great. It felt so good, from my heavily sterilized cosplay scene, to see so much freedom and love put into it. I was too scared to cosplay again, but I saw a love put into it that I hadn't seen since I went to BLERD, a smaller local con geared towards minorities. All of these cosplayers- whos names we all know, as so many of them were part of Fable- let me see the love in something that had been taken from me again. And years later, I love cosplaying again. Without this, i don't know if I would have started cosplaying again.

And then those cosplayers started to cosplay their own characters- and they were all *connected*. It was such a pure form of enjoyment- watching people love what they had made enough to cosplay from it. And then I found myself tuning in to Sherbert's streams, mid corruption arc.

And that's how it started. My love for Fable. The impact it had on me- the vessel for healing my relationship with cosplay. I also healed my relationship with makeup in this time.

Throughout 2022, Fable was a source of fun, and something to look forward to. I loved it. It became a hyperfixation. I started cosplaying again, privately. I wanted to show my love for what was bringing me joy. As my grandmother who gifted me my sewing machine's health worsened, I met George witchcrafting in person for the first time, my work closed for remodel, and I became my grandmother's caretaker. Being woken up in the night to help her, until eventually I was sleeping at her house. Stay awake until 3 playing splatoon, wake up and watch whatever fable lore was happening to pass the time around caring for her.

By the end of this, I was waking up at 8 am and going to bed at 3 am, waking my mother up so I could get a couple hours of much needed sleep before doing it all again. Having to call my brother to watch her for a couple minutes at a time so I could go outside and cry. She was only on hospice for a week, that's how fast she got bad. She passed a week before Christmas, the night before my work re-opened. I was the only one awake.

Fable SMP became my escape from the grief and pain. The funeral was the day after my 21st birthday.

In Febuary 2023, I came home from my trip to visit my beloved GB for our anniversary, and my cat was sick. She passed a couple days later. Fable was once again my primary outlet. Being silly on tumblr was my primary outlet. I changed my url on my minecraft blog from craftsunemineku to lucenare. As more random cast members started following me, Ghosty started to mess with me in replies. I never let anyone know my twitch, though. I didn't want anyone to. I wanted to remain an Entity on tumblr.

Until Ghosty send me a meme, with an accidental spoiler of Allerion's mural in it. And that was too funny to pass up. The next time Ghosty was live, I subbed with prime, and hit him with the famed "oh tumblr user ghostyjpg we're really in it now" in my sub message.

I wouldn't be where I am today without that, truly. We were silly goofy, I got goofier on tumblr. I had been wanting to get back into streaming, as I had started to right before my grandmother's health had declined and had to stop almost immediately. I became a mod for Haunt, Ghosty's viewer smp.

In early July, I lost one of my guinea pigs. Jack's partner, Phineas. Phin was a birthday present I got when I turned 17. He was my emotional support for grief especially, and the world took him away when I needed him the most. A month later, the world took away my other cat, too. Three pets, and my grandmother.

Being Tumblr User Lucenare got me through the worst time of my life.

And then I started streaming again. And Ghosty grabbed me by the scruff of my neck and flung me. And because of that, I'm now a streamer, I've made so many friends. I changed my major-- the trajectory my life was on changed.

And here I am.

Without Fable, I would have never healed my relationship with cosplay the way I did. Without Fable, I would never have met the people I have. Without Fable, I wouldn't have started streaming again. Without Fable, I wouldn't have started Terramortis.

I hope that Terramortis can do for someone a fraction of what Fable did for me.

To Heyhay: thank you for being a creator I could look up to. For inspiring me to bring my crazy UV makeup into cosplay. Sorry Rae's Big Naturals ended up being a major bit on my streams, I dont know how that happened. Also thank you for the elytra tutorial on your youtube that is my Rock for texture pack things.

To Sherbert: thank you for helping heal my relationship with cosplay, even before you knew I existed. I will always appreciate that. Thank you for inspiring me to script out CMVs, showing your processes to the world, and inspiring me to change my major to one I actually enjoy.

To Ocie: Thank you for helping me get my dog back from Ethan and Eagle on EOD in season 4. Unbreakable bond of theres a rule written about us.

To Beck: my fellow old bay hater, thank you for joining my smp and all the silly conversations we've had. I cant wait to work with you more going forward.

To Connor: One day we need to make teas together on stream. You are a delight to know and never let anyone tell you otherwise. I can't wait to see where these bugs go.

To Ven: thank you for joining in on the occasional splaturday, even in chat. You are so brave for the costuming you're doing right now, I hope we can hang out more in the future and do cool things

And to Ghosty: Thank you, from the bottom of my heart, for everything. Without you, I don't know where I'd be. Thank you for playing splatoon with me, for the silly messages I get, for all the little spoilers, accidental or otherwise. Thank you for helping me through one of the worst years of my life, before you even knew me. I genuinely did not know if I was going to make it through 2023. I did, in no small part thanks to you. I made it through and I thrived and the foundation for it was so simple. A meme. Some jokes. An accidental spoiler.

It's funny how fast your life can change.

So, to the cast of Fable:

Thank you, from the bottom of my heart, for building this story and this community. This community that saved me, that guided me through the dark. That allowed me to meet my dear friends that I have now. I am meeting so many people at vidcon this year, so many friends that I didn't have a year ago are now some of my closest.

I can't wait to see what comes next, and I can't wait to create with some of you.

Thank you, so much, for everything.

[entertext]

HGSN 29-2

Chapter (Japanese)

(Please hit the green thumbs up at the end of the Japanese chapter to show support)

Rough translation by me

By the way, I went back and revised P4 of 29-1 to be in line with this chapter, sorry 😓

P1

Yoshiki: There's nothing particularly strange here

Maki: Not now anyway

Hikaru: It really isn't here

(sfx: step step)

Yoshiki: What?

Hikaru: Oh, that thing over there

P2

Maki: What are y-

Maki: Ack!

Maki: Shit!

(sfx: step)

P3

(sfx: cicada noise)

Maki: Oh man! I totally forgot to clean it up, it's all messed up. Big bro's gonna be mad at me....

(sfx: cicada noise)

Rie: What is it a shrine to? O-Inari-san*, perhaps?

Maki: Mmm, no

Maki: It's to a serow**

Yoshiki: Serow...a Japanese serow? The species designated as a Special Natural Monument?

Maki: Well, this is a story about my great-grandpa...

* O-Inari-san - Harvest god associated with foxes (wiki)

** Japanese serow - (wiki)

P4

Maki: My great-grandpa was a hunter

Maki: And at one point, he started to get tailed by someone whenever he went into the mountains.

Maki: Whenever he looked for them, there were always "the footprints of a barefoot human"

Maki: He instinctively felt

Maki: That it couldn't be anything good

Maki: One time, when he went to collect a deer that had been caught in his trap

Maki: It hadn't been a deer, but a serow instead

P5

Maki: At that time, serow hunting had just been banned

Maki: So my great-grandpa let the serow go

Maki: After that, the presence that was tailing him suddenly disappeared

Maki: And instead, the hoofprints of a serow started following him instead

P6

Maki: My great-grandpa wanted to make that serow into a guardian deity

Maki: So he built this shrine...that's what I heard

Maki: Big bro was passionate about taking care of it, but he's gone up to Tokyo now

Maki: I just left it alone for a bit and now it's gotten messed up... heheh

Hikaru: You know...you should probably clean this up properly

Maki: You think so too!? I'll bring over the cleaning supplies!!

Yoshiki: The animal you were talking about yesterday...

P7

Hikaru: The "animal impurity" that was always following Maki around

Hikaru: I thought I hadn't seen it around recently, but now I know why

Rie: Oh, I see

Yoshiki: Huh? What kind of impurity was following him? The serow from the story just now?

Hikaru: Yeah, its just the impurity of a serow, but by being enshrined like this, its gone up in rank

Hikaru: Sometimes impurities can become like a guardian deity this way. Do you remember that forest path?

P8

(Maki: I can't see into the forest)

(Maki: How do I put it? It's like I can't take my eyes off the path)

(sfx: shock)

Yoshiki: That was...!

Hikaru: The guardian deity at work. It must have made it so that he couldn't see the "ku" monster. And it was after Maki left that we got attacked, haha.

Yoshiki: Then, it was because Maki slacked off on cleaning the shrine that the guardian disappeared and he started to be targeted by the "legs"...

Rie: Mmm...that's not the only thIng

(sfx: clatter)

P9

Yoshiki: Eek! Gross!!

Rie: The impurity is eating into it...It's probably...from the "hole"

Hikaru: Ah, you're right

Hikaru: I'll get rid of it right now!

P10

(sfx: BZZT)

Hikaru: Ow ow ow!

Hikaru: Yippee!

Yoshiki: You don't have a nose bleed...

Hikaru: It doesn't happen every time!

Rie: What did you do just now?

Rie: It disappeared, right?

P11

Hikaru: ? Yeah

Hikaru: I put it inside me! It's safe that way, right? I don't know where the impurities go after they're inside me though

Rie: ...I see. You handle them so easily. Souls and impurities...

Hikaru: "Easily"...

Hikaru: How should I put it...To me this kind of thing is...

==

Next chapter: 2024/08/13

Twitter Extras (link):

Yoshiki: A guardian animal deity...

Yoshiki: That's kind of cool...!

Hikaru: It's WIN/WIN for the impurity too!! It gets to suck up the life force from Maki's family a little bit at a time

Hikaru: But the whole family's so energetic that it seems like it all evens out!!

Yoshiki: ...

[tellodona]

i saw anon ask this in my inbox, but i accidentally deleted it 😭 i hope anon would see this !

the brothers seeing mc use sfx makeup

heads up: gn!mc, swearing in lucifer's

lucifer

he hasn't seen you all day, so he assumes you haven't left your room

hm. he has spare time. what's wrong with checking in on you?

he knocks on your door, and patiently waits for you to open it

when you do, what greets him is the sight of you with blood everywhere on your face

your makeup had your left eye blackened out (you just closed it) with fake blood dripping right out of it. and you even took the liberty of making yourself paler than usual

mc. what. the. fuck.

right of the bat, he could smell toxins on your face, and deduced it was makeup

but that still doesn't stop him from freezing over

"lucifer... are you okay?"

"*clears his throat* yes, i am, mc. are you perhaps trying... very detailed makeup?"

he has mixed feelings about it

one, wow, you're talented, good job, you almost scared him, mc

second, the blood reminded him too much of something and someone

"mc... please give me a heads up when you try this... sfx makeup, if you would"

that would depend

mammon

he had a big win in one of the casinos he frequents, so of course you had to know too!

he stomps towards your door and barges into your roon without much of a warning

you flinched and accidentally got lipstick on your teeth, so look turned and glared at him

he SCREAMS

"MC WHAT THE HELL??????????"

you had makeup to look like your face was burnt, and it looked too realistic for his liking. with your glare, it made you look more terrifying

he was shaking in his place because he got so scared-

ehem! the GREAT mammon doesn't get scared, okay?!

still though, you sigh and you should gently apologize to him

"mc, you scared the bejeebers outta me! i- i mean... i was surprised! just surprised! this're the things you gotta tell me, alright?!"

from then on he learnt how to knock. but it's more like slamming on your door impatiently

leviathan

because of the extent of his knowledge in cosplaying, you wanted his opinion on something about your makeup. like the color of your eye contacts maybe

you knock on his door, and when he doesn't answer, you hear faint sounds of a game going off inside, so you took the liberty of going inside

there he was, busy in front of his computer on a game that probably just came out an hour ago

you waited for him to finish, so when he did, you called out his name

he flinched, sighing, "mc, you have to stop scaring-"

he turns around and pales

"AAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHH!!!!!!"

he threw his controller at you, which hit you square in the face

we are NOT forgetting about the fact that he's a literal grand admiral

of course you're falling down on your bum

"m- m- m- mc, i'm so sorry!!!!!!"

literally on his knees begging for forgiveness

after a while, the both of you calm down

he finally takes into detail with your sfx makeup, which looks like you were drowned in the sea and you had tears coming out of your eyes

"maybe gray would look great... or blue?"

he'd help with whatever you need, just don't scare him like that again, normie!

satan

he'd recently borrow a book from the human world from you, finished it in one sitting, and wanted to return it to you

he knocks on your door, and when you told him to come in, he did

you were in front of your mirror, but he wasn't in the angle to see your reflection

"mc, i wanted to return your book- oh."

you returned around, looking at him curiously

your makeup made an illusion where your face seemingly split apart in the middle, one side was crying, and one side was angry

it hit home for him, despite the absolute gore of a thing you have on your face right now

he just wore a frown on his face, making you have a feeling of worry, "satan... are you okay?"

he gets out of his head and nods

"i just wanted to return your book. sorry if i'm intruding on something."

you assure him it's fine, and he debates whether to stay or not

he does, he sits on your bed behind you

"what's your inspiration for that, mc?"

asmodeus

you were asking for some makeup suggestions these past few days which was he excited to share with you

"are you going somewhere, mc? oh, oh! can i come? i can, right?!"

you laugh and tell him it depends

it's been two days since you last asked for makeup suggestions, so he assumed you already have them

he skips towards your room with a happy hum, knocking on your door, "mc~ i'm coming in!"

he walks in, smiling brightly

you were just finishing up, and you turned around

he almost hurls

"o- oh... that's what you've been up to, huh?"

you had some sort of crown on top of your head, but it was broken in half. your face had distorted make up on it, scratch marks all over, broken jewels decorated around your face, and some sort of gunshot wound on your forehead

he walks closer to you, his smile coming back, "can i make some suggestions?"

he immediately got hooked

be ready for an impromptu photoshoot

beelzebub

he'd recently receive a coupon for one of the restaurants he always go to that everything will be 25% if you bring someone with you

he immediately thought about you

he happily walks to your room, a smile on his face thinking about how much food he'll be eating and that you would be there with him

he knocks like once, before he just opens your door

"mc, i got a coupon after winning- what are you doing?"

he tilts his head when you look like you were poking at something on your face with a brush

you turn around to find him standing there with said coupon in hand, "what is it, beel?" you ask

but he just freezes

you had yourself look like you were crying, burn marks all over your face, and you wore an eye contact on your right eye to make it look like it went blind

"beel?" you try calling out again

he shakes his head when he stops thinking and the smell of the makeup's toxins flaring in his nose

"oh... uhm. you look great, mc. i didn't know you could do that."

you thank him, and he went on with the tangent about the coupon

he's desperate in subtly ignoring the makeup

belphegor

it's rare, but somehow he got a nightmare

he forgot about it as soon as he woke up, but he was still feeling a little restless

he walks out of his and beel's room and walked downstairs

he finds your light still open, so he immediately decided to make it your problem

he just opens your door without any prior warning and sees you standing by your bed

he raises an eyebrow and calls your name

you turn around and he was dumbfounded

you black and white feathers scattered around your hair, your eyes were depicted to be swollen from crying, your nose is bleeding, a slice on your cheek, and half of your face was burnt

and it felt like his nightmare all over again

"mc...?"

he was frozen over and you had to frantically assure him it was makeup

it took him a while to respond to you, and just nodded

he slept in your bed with you that night

i had some inspirations from the internet, but most of them are little close to home heh

see what i did there?

[arirovi]

“The Girl Who Loves Smiles” is an evocative and provocative chapter, which “shows” before “tells.”

I think most of the reactions I saw about the chapter reflected that.

From the first moment, the chapter was evoking memories of the plot and the characters in us and with great ease. We all wanted it to be about Ochako, because the title alluded to her and consequently, also to Toga, and it was (but not in the way i'd expected).

On a personal level, I was hoping for a more direct and concrete resolution on them. I wanted to know if Toga is still alive or not. Find out if Ochako knows anything about her current state and how she is facing the end of her own battle.

Would the chapter present a final confrontation between the two?

Looking back, I think expectations played tricks on me again, but that's because, as a human being, I look for patterns everywhere. The pace of resolution of the previous two chapters had been just what I expected from this last one: a direct and concrete resolution, both for Todoroki facing Touya with his family, and for Izuku facing Spinner.

The change of narrative pace in this chapter, I think, affected many of us quite drastically and I have the feeling that this abrupt and unexpected change was put there with the intention of provoking us, but not in the sense of making us anxious (for the idea that there is not enough time to tie up all the loose ends), nor addressing the typical revenge speech of those who like a certain ship (we all know which one).

I think it was intended to evoke Ochako's motivation as a hero and provoke a real emotional connection with her in her process to endure that weight (at this particular moment).

The first time the chapter shows us Ochako, she is literally and figuratively silent (her mouth is covered), as they talk about Shoto, Kacchan, and Izuku's central role in the war. Of course, she was also a part of it, so why isn't she also included for her merits? And so, the first hint that someone is feeling pain appears in the form of an sfx, which is evocative of his own battle with Toga. The way of showing this, in white, invites us to remember what she did almost by force (since there are no flash backs), rather than focusing on the present plot.

Then she disappears from the scene for a moment and what are we supposed to do with these seemingly inconsequential pages? While I was glad to see how things improved on a social level; how Kacchan, Edgeshot, and the rest were inching forward, I was still bothered by why now?, when there's a bigger part about Ochako to address? Then Ochako returns to being the focal point and her first words are in response to what a civilian said, reaffirming what we already know: that everything is going better. However, just as she appears falsely cheerful, we as readers are forced to place our attention on these distractions instead of the pain (like Ochako did to).

It's frustrating and it's painful that everything seems to move so fast but in slow motion at the same time, that everything feels so superficial and mundane, when there is something more important that should be happening under the surface. And why does everyone seem so optimistic so quickly? Where is the feeling of the aftermath of something so terrible? The guilt? The trauma? The emotional resolution?

The thing is, we've been provoked to feel like Ochako all along. The narrative, so far, shows us what Ochako wants to see, the day-to-day life that Ochako struggles to experience, because it's what she supposes she should do and feel about it no matter what (and us with her).

And then, Tsuyu comes to tell us other thing that we were already shown before: Ochako is not responding, but not only to the most obvious thing, the text message, but to her surroundings and not to her friends either.

Now is when the “telling” becomes the center of everything: Ochako directly explains to us why she was not included in the group of heroes, her companions, who gained admirers (there were no recordings). She tells us, like an echo while reaffirming it to herself, that everything is improving, that the city looks like before, that it is time to be optimistic and positive because the war is over. She reminds us that he has been hiding his own pain because she loves seeing people smile, since that is a sign that they are happy moving forward.

However, even though she is saying it, she does not remember any smile of her classmates in particular (the words are on a black background) and instead, the only smile she remembers is Toga's, but whose image is tinged with the pain of his battle scar (which at the same time represents special, intimate connection with her).

In a few pages, all the evocation and provocation increase in a crescendo until reaching the point of no return. Ochako can no longer suppress the truth and neither can we: that the one smile she apparently couldn't save weighs more on her than all the other smiles she can see day after day.

It is a very intimate chapter, which seeks to incite a feeling of empathy and vulnerability with the character.

I don't know about you, but I felt very vulnerable too while watching her break down.

With this slow and almost artificial, forced rhythm, I felt that she invited me to live this repressed pain with her and to hope that, somehow, there is a kinder way out that does justice to everything she is having to endure.

And yeah, i hope the next chapter goes well.

[swaggy-lee23]

I like to think that because of Damian’s upbringing he can do a load of random little skills, so here I present….

Things that Damian can do because I said so!! :

• He can rollarskate

• He’s great at SFX makeup ( think Peeta in THG )

• He can knit, sew and crochet. ( he refuses to use a sewing machine and exclusively sews by hand)

• He can fight completely blind.

• He can make a poison out of any number of ingredients in any environment.

• He’s a great singer but only likes to sing with his Mother and gets embarrassed when singing around others. ( He always sings in the shower)

• He knows several different ways to shuffle cards.

• He is crazy good at fake crying and scares the shit out of everyone when he starts.

• He knows the appropriate attire for any event in every culture ( except in America strangely enough because his instructor said “Anything goes over there, bloody insane those Yanks are!”. ) So he mainly sticks to slacks and a black turtleneck to be safe.

•He can yodel

• He can copy any bird call.

• Has a extensive knowledge of veterinary medicine.

• He’s great at rolling ciggs ( and 🍃 ) he discovers this talent in college.

• Skilled nail artist ( he and Cass get together and do eachothers nails every Saturday evening.)

[emblazons]

so I swore I was not going to start speculating off of set images, but given the one's we've gotten of Dustin so far, I cannot help myself (plus it's fun). Still: none of the theories I've seen so far make as much sense to me as this being tied to Dustin's trauma and him having a Vecna Vision/Flashback, which becomes clearer the more you put the details revealed in the images into the context we've been given by S4 + The Duffers.

First, the images I'm referencing (TW: IMAGE SPOILERS):

Separately, these things (the basketball players, Dustin's hellfire fit being the same at both the grave and school + him wearing Eddie's rings + Mike's hair & attire) all feel a bit disparate...until you remember the things both Dustin is trying to cope with (Eddie's death + feeling like an outsider) and the Duffers have said re: Eddie and his effect on the characters (listen if you can, its only 3 min). Why?

Well, because we know for a fact that 1) Dustin and Mike were the ones who felt most aligned with Eddie given their being bullied—

—even though we spent all of S4 building the bond between Dustin and Eddie in particular, because Mike was in California with Will.

Similarly (and while I know it's not primary canon), we get this context from Lucas in Lucas on the Line, which corroborates Dustin's comment about Lucas "making all his sports friends" and feeling deeply betrayed by that fact—

—and even stuff about Mike's appearance "not changing" (pre-hellfire, in the moments he's still in S3/regressive conformist territory +not embracing himself)....something that Eddie talks about in S4 when he comments on the look Mike had when he met him.

(I've also already commented on that Mike's shirt looks a lot like the one El wears post Rink-O-Mania in S4—which plays a lot into the idea of Mike giving El a shirt that represents conformity to him (just like her being his girlfriend does, given he cannot be himself in front of her at all in S4).

Combining all of these things though—Dustin being the only one who is in the Hellfire shirt (while all the other extras look a very "S1 good suburban kid" I/ first day of school), Mike showing up (also looking like his 'conformist' self in contrast), Basketball players being on the scene (the people Dustin felt stole Lucas from him)...combined with him in the same outfit at the grave of the person he felt defended him from those losses and challenges in high school?

It's giving Dustin's grief / worst thoughts thrown back at him 100%.

Given that Eddie, who he lost in an extremely traumatic fashion is the one who said forced conformity (which Mike is showing up dressed as alongside Lucas's basketball friends) killed the kids—

—and now they are facing off with Vecna (and Henry by extension, whose says shit like THIS) on top of asking people to "join him" in his displeasure with the world when he 'takes their souls?'

On top of the fact that we KNOW for a fact there is time fuckery coming for us...and it's likely enough that it's 'now 'canonically 1986 (or near it), which is reminiscent of this moment (likely remembered and traumatizing for Dustin specifically)?

Yeah. Flashback / lead up into Vecna torture is exactly what it gives to me—the things causing the event / the moments that lead into the torture. Especially knowing the scenes shot first (aka now) are generally more SFX complex because they take the most time.

bonus: @magentamee also brought up some great points on this theory here!

bonus bonus: I wrote something on Dustin and standing apart from relationship conformity as early as S3 here and wrote up the relationship he has with nonconformity today, which I think plays into his feelings of alienation / what Vecna might pull him apart from his friends by showing him.

[lesbopallascat]

skizzisms list bc i felt like making a list (still adding on regularly so make sure to check og post if youre using this as a reference or something)

boat -> butt

okay? -> mmguh

flak -> static

DNR -> dinner roll

super dupe pooper scoop

get out of here you piece of JUNK!!!!!

[movie/song/tv show reference] whats that from 😏☺️

singing randomly

ooohuhuhu….ooo…

wuoh

nooch!

nooch. snoogins.

hup + bop (note that bop is mostly an impulseism but skizz has picked it up too)

you can bop if you so choose

saying single words/short sentences in a very abrupt way sometimes

jerk!

nicknames! eg: dipple dop, (tango) top, etc

mister doctor professor [name]

yeah babyy!

(high pitched voice effect) kevin bubbles malone refrigerator jimmy madeye dugan mug

messing with his poker chips while he talks

you’re amazing!

hungy dungy wungy chunky monkey

not an -ism but definitely a skizz thing: skompass (skizzleman compass) aka single blocks with torches on them that act like a breadcrumb trail

do/say x with my/your face

alriiight!

come on cletus

that’s what i’m talking about or that’s what i’m talking aboot

that’s for true

ah poopy :(

stop messing around (after messing around himself)

not really as common i think but sometimes he’ll put something in basic terms, and then say some variation of “but let me explain”/“what I mean by that is”/etc. (e.g. “Tango…you are such a perfectionist, but let me expand on this:…” in this stream)

there’s your thumbnail!

do you Need to take a Poopy. (phasmo)

(to the tune of “when the moon hits your eye…”) THAT’s moroiii (phasmo)

prreow. brrow (meowing. kind of.)

CRIT!!!!!!

makinabaaaabyyy

hi. how you doin'.

calling wardens "warden g"

you're amazing!

what's up!!

Ghoulie ghosty come out to play

(mimicking grian using the spirit box) are you heeyah

___ for a tick

you're not watching

im gonna leave that/leave it! (when he holds back on the opportunity to make a dirty joke)

___ is top shelf

combining two sentences into one longer sentence by just removing the pause for a period and continuing in the same cadence

sometimes will interject "oh" in a fully different tone at the end of a sentence. i have yet to figure out the pattern for it if there is one

Additions from notes:

random sounds while thinking (ex: lethr lethr lethr lethr)

What’s that gonna do?

great question newman!

in addition to “what’s that from”, Name it!

homie buddeh

“The Skizz”

HUYEAYUH/making faces along with that and other stream sfx

thats the first time in human history anyone has said that

in addition to you can bop if you so choose, singing the actual you can bop if you want to safety dance parody

mmmbye

(fns) you’re legit/are you legit?

(fns) come on knock on our doooor we’ll be waitin’ for youuu (in vc to bug the imposter) (part of the random singing point)

(fns) ope! crewmate again!

(fns) make-sure-to-eat-fruit (doing simon says)

DANGIIIIIT

what im gonnna dooo….

num-a-nums

well i Did/Am.

show me [item] salad!

the face he makes where his eyes go really wide and he tucks his chin in and stares

calling people he finds cool "cats"

referring to his face as his handsome mug

will sometimes not actually make his point yet before adding "you know what i mean?" as if there was a meaning to be had

claims he would never do something to someone that they did to him, despite the fact that he had or would do exactly that

lmk if i missed anything and i can add it Smile emoji

[red-might-be-dead]

hello hi here to force strange thoughts into your brain once again, this time about jrwi (wow who could’ve guessed)

been thinking about this for a little but it’s basically what i think some campaigns would be if not podcasts, i haven’t listened to some of the older ones so i’m sorry they’re not on here :(( if you have any ideas feel free to add them btw :DD

RIPTIDE!!!!! - really long animated series

not an anime though, no matter how much grizzly wants it, it would be an animation style where the characters could have very clearly different nose, face and body shapes, really pushing my riptide nose agenda here sorry, each episode would be like 20-40 minutes long and instead of coming out in seasons there would be massive gaps in between episodes, from 2-6 months long, to leave time for writers and animators to get stuff done (massive team of animators btw, i feel like it would be pretty successful)

PRIME DEFENDERS!! - comics

literally nothing else they could be, just really well made, well performing comics (i’ve already talked about this before you can stalk my talk tag if you really want to find it lmao), the comic company making them would be keeping well away from movies n shit btw

APOTHEOSIS!!! - i wasn’t really sure about this one to be honest

i had to ask my friend and she said anime which i don’t agree with but i can see it, i think maybe a short book series where each book is 150 - 300 pages and is about a different god they have to kill/a different episode, i think that works but if anyone has any better ideas please tell me :D!!

BLOOD IN THE BAYOU!!! - i hate to say it, i really do…

bitb would be a really long really good 80s horror book with strong homoerotic undertones, a satisfied fanbase and lots of active members in the community making fan comics, films, writing, theories and art ect… until well after the book came out……….. and then it would be made into the most egregious and awful live action movie you have ever seen, the most awful casting (like chris pratt as officer dudes….. throws up) and even worse sfx, oh yeah and the characters would be ruined and the story would become so butchered it wouldn’t make sense, they would do some shit like cut out becky so kian just kisses some random lady (removing both a really good and well written character and a layer of kian’s character that i think is super important) and make rolan really be an evil bug spy the whole time so rand has to kill him to save the town also add in a whole new sub plot that never existed like the rand family is secretly a long line of bug alien hunters or something fucking stupid like that and the entire fanbase would murder whoever thought re-writing the story was a good idea (ahaha can you tell ive been through something like this before ahahaha, character morals and motives being removed and whatnot ahahahhahahaha.)

anyways………

THE SUCKENING!!! - live action series

it would be well made though, unlike the bitb movie it would be its own original thing, have great makeup and effects also be well casted and well shot, well written, ect ect, it would bloody and gory and not suitable for people who can’t handle showing bones and organs all over everywhere, lots of shitty rip off merch would be made though and the fandom would be 99% gay little freaks (normal suckening enjoyers) and 1% homophobic straight white men who get mad whenever they see soda and emizel having gay sex on screen or whatever fag shit that biting thing was

again feel free to add your thoughts and ideas and shit in the reblogs it would be nice to read them :DD!!