#honestly i really liked the book but also kind of conflicted about it

[booksandfantasies]

I finished House of Flame and Shadow today and my favorite part of the whole book was the Target Edition (Ruhn/Lidia) bonus story. 😊

[david-talks-sw]

The OTHER type of Star Wars fan

We've already covered (through this longer post and this addendum) that research shows George wasn't that involved or interested in the derivative material of the Star Wars franchise, also known as the Expanded Universe (EU). Aside from approving a few points, he let Howard Roffman and Lucasfilm Licensing handle it.

He is the first to say that he ain't as knowledgeable about Star Wars lore as we fans are.

Thing is... he's also not as passionate as we are.

Recently, I was watching some Q&A videos of George R.R. Martin, the author of Game of Thrones... and it occurred to me:

Martin is what most Star Wars fans wish Lucas was.

Think about it.

He's a talented writer who likes to focus on morally "gray" characters and complex political plotlines,

who created a series of novels for a mature audience in which his narrative merely asks questions and lets the reader draw their own conclusions,

knows and engages in the lore behind his creation and will often respond to those lore-heavy questions, and has gone on record stating that canon is the glue that holds a story together and keeps it coherent.

Contrast that with George "continuity is for wimps" Lucas, who:

Wrote a movie franchise which is also, partially, political... but he makes it for kids, and he's explicit about how this is thematically a clear-cut story about how the conflict of "good vs evil" is really about "compassion vs greed",

with flat dialogue, boring cinematography,

and whose approach to lore and canon can be summed up in his answer to how Anakin got his scar:

"I don't know. Ask Howard [Roffman]. That’s one of those things that happens in the novels between the movies. I just put it there. He has to explain how it got there. I think Anakin got it slipping in the bathtub, but of course, he's not going to tell anybody that." - Pablo Hidalgo’s set diary, August 2003

And as a Star Wars fan, I will admit that some of his casual retcons felt disrespectful, growing up.

"Boba Fett is NOT Mandalorian?!"

I had the same reaction when I saw an interview of Kathleen Kennedy stating she was a fan of Star Wars... from a filmmaking perspective. That seemed like such a finagling cop-out for me, at the time.

"Just say you're not a real fan, God!"

And it's easy to divide it in two camps, like that. You have 1) the fans, who will delve into deep lore, and you have 2) the average moviegoer.

But looking back on it... holy shit, that is actually a completely valid way of being a Star Wars fan.

Yes, Star Wars is a transmedia franchise, it's books, it's video-games, it's deep lore, it's lightsabers and Jedi and Sith and bounty hunters and Ewoks and Jabba and High Republics and Tython and Revan etc.

But before it was that, Star Wars was a filmmaking revolution. A juggernaut of innovation for the silver screen that inspired most of today's filmmakers.

So, sure, George Lucas isn't an avid lore-loving Star Wars fan like you and me. But he is a movie fan.

"I'm not that passionate about this story. I like it, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies. At the end of nine years of making Star Wars, I was not ready to continue it. I was completely burned out on it. I was more passionate about raising my kids than making movies and especially making Star Wars. So I made other kinds of movies and TV shows and advanced the technology I needed. It's not a matter of passion. My passion is for filmmaking. I'll go and do filmmaking that is easier to do, where you can realise your ideas better. And nine years is a big part of your life, and to commit to another nine years, I didn't wanna do that right away." - EMPIRE, 1999

And you can tell this, when you watch the Star Wars films.

There are honestly so many homages and interesting filmmaking techniques, peppered throughout the six films, which only a nerd for cinema history like George would know how to implement.

C3-PO being based on the droid from Metropolis (1927) is a perfect example of this.

And that's interesting.

Because there's essentially this entire other dimension to the films, where it's not just the story unfolding, but to filmmakers it's also a series of techniques that make them go "I wonder how they did that!" or homages that make them go "OH! I know where that's from!" like we do when an comics characters appears in live-action.

Here's other examples:

CINEMA HOMAGES

All of Star Wars is absolutely littered with homages to cinema history.

I mean, you may already know this, but Flash Gordon is what George originally wanted to shoot, but the copyright holders said they only wanted Fellini to direct it (ironically, George wasn't artsy-fart enough for them). So he decided to write Star Wars instead.

As such, the inspiration from Flash Gordon is also present visually and spiritually throughout the two trilogies.

"It was like a Republic serial, a 1930s-style matinee adventure. The idea was that you came in, saw Episode IV, had missed the first three episodes, and wouldn't get to see the rest of it." - Starlog Magazine #300, 2002

The dialogue that a lot of people refer to as "campy" and "flat" is actually a mix of George being an experimental filmmaker who doesn't give much of a fuck about dialogue (and is by his own admission, not the best at it)...

"I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. It's not designed to have a clever turn of phrase. [...] I just wanted to get from point A to point B. This film doesn't lend itself to that sort of thing because it's not about snappy one-liners.  I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style. It takes away from the integrity of the movie. [...] I'm aware that dialogue isn't my strength. I use it as a device. I don't particularly like dialogue which is part of the problem." - EMPIRE, 1999

... which is convenient, because it helped him simulate the dialogue of 1930s matinee serials, such as Flash Gordon.

"Let’s face it, their dialogue in that scene is pretty corny. It is presented very honestly, it isn’t tongue in cheek at all, and it’s played to the hilt. But it is consistent, not only with the rest of the movie, but with the overall Star Wars style. Most people don’t understand the style of Star Wars. They don’t get that there is an underlying motif that is very much like a 1930s Western or Saturday matinee serial. It’s in the more romantic period of making movies and adventure films. And this film is even more of a melodrama than the others." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

But beyond that, literally it's everywhere.

The scene where Palpatine ascends to being Emperor as Anakin slaughters his political rivals parallels the final scene in The Godfather, where Michael becomes the Don while his goons do the same thing.

This video compiles all the tributes beautifully. Check it out.

Even The Clone Wars has whole episodes that are direct homages to cult classics. The Zillo Beast episode is a clear reference to Godzilla, the episode The Wrong Jedi is inspired by The Wrong Man, etc.

"CINEMA VÉRITÉ" CINEMATOGRAPHY

I've already written a whole post (one of my favourites) showing how his fascination with cinéma vérité documentaries is reflected in the cinematography of all six Star Wars films, and it's part of what makes the entire franchise feel so immersive.

You can check it out here:

KUROSAWA

We've gone over how he's a big fan of Akira Kurosawa, and how big an influence Hidden Fortress was on both the Star Wars trilogies...

... but so is the mise-en-scène and the way George approaches production design. The reason Star Wars feels so "lived in" is also a lesson George learned from Kurosawa, which is that by making everything just a bit off-kilter, a bit dirtied-up and imperfect...

... and yet keeping it all consistent, in a way, you manage to make the film feel grounded and immersive, no matter how alien it is.

"[It] may sound odd in a movie like this, but credibility and realism, even in the most unrealistic situation… to sorta create that sense of realism is very important to making the story work and making you feel like you’re actually in the environment that transports you and gives you the suspension of disbelief that you need in order to enjoy a movie. [...] Kurosawa used to call it “immaculate realism” which is to make it slightly off-kilter, slightly eccentric, like things are in real life. Even if it’s a very predictable situation, give it that little funny edge that takes it away from that and makes it realistic. And I had to struggle very hard, in the Star Wars films, to make them appear to be realistic, even though they’re totally fantasy." - The Phantom Menace, Commentary Track #2, 1999

POST-PRODUCTION & VFX

Another one of the more impressive aspects of the first Star Wars was the dogfights and the trench raid of the Death Star. The camera pans with the spaceship, the dynamism of the cuts. The space battles is what made George creat ILM in the first place.

He was determined to do the opposite of what 2001: A Space Odyssey had done with that opening scene where the space ship moves into frame slooooowly...

... so he gave the team a collection of WWII dogfight footage to give them ideas.

(note: this was the same approach he would take years later with Dave Filoni, when teaching the latter how to edit and craft dogfights in The Clone Wars)

The attempt to film the trench run eventually led to the creation of the first motion control camera dolly.

Best analogy I can think of, when describing George's approach to Star Wars, is the following:

An avant-garde esoteric contemporary artist - y'know, the type who puts a blue dot on a white canvas and calls it art - creates a comic.

Why? Because he wants to make this one art installment for a gallery exhibition. After that, he intends to move on to other things.

But the comic is really good! And like, its audience quickly expands beyond just gallery visitors, no, everyone likes it.

Suddenly, the comic develops a cult following, and the entirety of comic book geek culture has zeroed-in on the artist and they're all asking him to make more art! And he makes more! And more!

Then he stops for two decades, moves on to other art projects, raises his kids. Years later, he discovers new ways of drawing, and he's like "I'm making a Prequel to the comic, y'all wanna see it?"

Everyone cries out gleefully: "Oh God, yes! Finally! Show us!"

But this motherfucker makes a manga.

Why? Because he feels like it.

And of course he does, he's just creating art, right? He discovered the graphic tablet, so he's having fun with it, because he's always innovating and pushing the envelope with his art.

And the movies are fine, by manga standards. But by comic book standards, they obviously suck! The comic book audience is mad. They wanted another comic book, not a manga. Why is it in black and white? Why is read right-to-left? This comic sucks!

(And arguably, they have a point... as a savvy businessman, he's made a whole lot of money off this comic, he built a media empire out of it, and instead of giving them what they want, he made something else)

But again... this guy isn't a comic book illustrator, and has been very explicit about saying this.

He's an artist who - for a very specific project - drew a comic.

Many things can be true at once:

the fact that these creative decisions didn't always hit their mark for the average moviegoer, or fans of "Star Wars, the space fantasy movies and expanded universe" (usually the lore-loving geeks like myself)...

... and the fact that they were meticulously and carefully crafted in a way that fans of "Star Wars, the revolutionary film" (aka fans of cinema and filmmaking) can appreciate.

There's a spectrum of the fandom, and there is a spectrum in the way we can appreciate Star Wars. Which kinda reminds me of that scene in Chef (2014) where Carl goes on a rant explaining the intricacies of making his chocolate lava cake to a food critic.

It's not just undercooked chocolate.

It's molten.

Conversely, it's not just flat, campy dialogue. It's an homage to the 1930s matinee serials à la Flash Gordon.

It's not just boring cinematography. It's a reproduction of cinéma vérité documentary-style camera work which effectively grounds the film.

Having considered all this, when I hear that Tony Gilroy or Kathleen Kennedy were more in the latter camp, I go "fair enough".

First of all, because like it or not, so was George. He clearly didn't give a single crap about the comics and books, besides signing off on minor plot points. He's not a "sci-fi movie director", he's an experimental filmmaker who makes movies set in space.

But secondly, because - aside from children - it's clear the audience he was targeting was these cinema-savvy folks who'd get his references and would be inspired by the filmmaking techniques.

Not the fans or the critics.

[blackmoonoracle]

PICK A CARD - THE PATH AHEAD

PILE ONE

I feel like a lot is being hidden from pile one honestly, like- there are a LOT of blessings coming to you guys. One big blessing may be that you will be entering into some sort of partnership. Likely a business ordeal that is really going to help your reputation. I'm talking a lot of recognition, maybe even being given access to certain resources that are rather hard to ascertain for most people. This partnership could be with a fire sign woman, or some sort of witch. Or YOU could be a fire sign woman or a witch. I'm seeing where something you've been working on for a very long time is going to start paying off. For some it could be a skill, people could be giving you recognition for how thorough you are. It's possible that some people are going to be confused by your success? You could've been struggling with stagnancy for quite some time, and then it's like out of the blue suddenly everything is just paying off all at once. It's like people saw the work you were putting in, and they just sort of figured it was all for nothing maybe? Good on you for not letting the way people talked, viewed, or projected onto you keep you from going after your desires. You may be isolating yourself from family due to some kind of trauma, or perhaps that has already recently happened. It seems like you're already a bit of a loner, or hard for others to read? So this could be you abandoning a family dynamic, or refusing to participate in some sort of cycle any longer for the sake of benefiting an abuser or keeping the peace & happiness of others. You're learning how to prioritize yourself. You are releasing mental and emotional blockages in love, that have kept you from having emotional peace. Learning a new skill, and learning how to move in silence. I feel like you will be taking on a new endeavour and you are not going to be telling ANYONE about this. Keep your passion, don't forget who you are, and if people try to cause drama or fight with you or bring up past grudges don't even put energy into engaging with them. State your piece if need be and keep it moving, these people are only seeking access to your energy because they delude themselves out of admitting their regrets. Trust that the right doors will be opened for you, keep things to yourself for the time being and trust your friends. They're in your corner, they're NOT trying to hurt you. If this pile resonated, and you'd like to book a personal reading based on this particular topic you can message me and tell me your pile number for a 45$ in depth reading on this topic.

PILE TWO A LOT of pentacles came out for this pile, so more than likely Taurus, capricorn, Virgo, and 10th, 6th, and 2nd house energy are present here. I feel like a lot of you are rather self centered at times, there's nothing wrong with knowing when to prioritize yourself, but I do feel like there is a lesson coming up regarding your reputation and your tendency to hoard resources of some kind? It feels like you can be rather argumentative at times, or that alternatively you have a lot of internal conflict regarding your reputation and what success means to you. Even if you are not hoarding a resource of some kind, the common theme here is stubbornness. I see you WANT to be in this King of Pentacles energy, feeling like you have financial security AND luxurious amounts of spending money. Yet, I also feel like sometimes you get caught up in money and materialism. There is more to life than money, and with the 2 of cups on the bottom of the deck this could actually be about romance. The lovers was beneath it. I feel like you are needing to tap in more with your feminine side, maybe spending more time nurturing your ideas and desires. Learning how to back up what you want to create, there is a need for you to develop your space of comfort more. Give yourself more peace, and connect with those you love more frequently. Basically, from what I can tell spirit is asking you to take control and make some changes in the way you are engaging with your loved ones. Be more present, and stop projecting unrealistic expectations onto yourself and others. It can make you pretty crabby at times from what I can tell, and it puts you in a position to where you can be a bit greedy- or just stubborn in general about what you think should be expected from others. Be more accountable for the role you play in your misery & learn to let go of what YOU think is best. The universe is trying to show you an easier path, but you are scared of letting go of what you've created. Things move in seasons. Relax, and let shit happen, it doesn't always need to be to a T. Some of you also need to express your thoughts and feelings more frequently. My throat feels tight, and weird, and like blocked? So definitely work on your communication as well. Keep going, and know that you are in control of your path. If any of you are into energy cleansing, do that more frequently. Sleep more often, stop letting people get to you, or when you fall or fail, just shake it off. Don't let it control or affect you too deeply. sometimes it just is what it is. Lastly, pay attention to signs in the form of butterflies, and listen to more music. Dance, get creative, paint, host a kickback. Do SOMETHING to get your creative juices flowing. If this pile resonated, and you'd like to book a personal reading based on this particular topic you can message me and tell me your pile number for a 45$ in depth reading on this topic.

PILE THREE

I feel like this pile has gone through a lot of trials and tribulations recently, I'm picking up on either a water sign woman or maternal energy doing a lot of manipulative stuff. It feels to me like there is someone in your life that is using their emotions to align you with their desired outcomes. It feels like you are very much in your own idea of what life should be and how you can develop that for yourself. I see where you may have a creative endeavor that you really want to pay off. You may stress and have frequent anxiety about fulfilling this desire due to this energy and the way it engages with you. You're being asked to keep your goals and ideas in mind. By choosing yourself and your truest desires over what this person has decided is best for you you will find true healing and self expression. I feel that this individual has very black & white thinking and a position of authority somehow. Seeing as the Justice card came out. There may be an influence coming in from a passionate, witchy, or fire sign woman who is teaching you some form of manifestation or spell work possibly? This could also be you tapping into your witchy side. I just keep hearing witchy woman. Your outlook on life is being shifted significantly in the coming future in order for your path to your desires to unfold properly. You may be forced to leave things behind, you may have to cut your losses regarding financial support from a family member of some kind and take things into your own hands. I'm seeing where you will be forced to let go of some sort of comfort zone of some kind. Because it is actively blocking you from achieving your goals. It's being shown here where your desires and your current circumstances quite literally cannot develop together. Like it's impossible. You need to learn that sometimes, especially if this is about leaving the house and moving to be on your own- that you have to be willing to take risks. Things are not meant to always be easy, but you are a strong and willing soul who can accomplish whatever your heart desires. Find a new outlook, and really ask yourself if your desires are so unattainable. If this pile resonated, and you'd like to book a personal reading based on this particular topic you can message me and tell me your pile number for a 45$ in depth reading on this topic.

[amourdivine]

18+ PICK A CARD ꣹ WHAT ABOUT YOU TURNS THEM ON?

Hello, lovelies, I hope you're doing well! This was a highly requested reading & the winner of my poll! Feedback is always welcome. If you liked this reading, please consider booking a paid reading or tipping me at @ amourdivinetarot@gmail.com! xo ♡

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none of the images are mine unless stated otherwise!

how to choose your pile.  take deep breaths for a few minutes & look at each and every one of the piles separately. see which one brings you to a feeling, a place or a memory. take your time and feel free to come back to it later.

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disclaimer. this is a general reading for entertainment purposes. tarot is a divination tool & is not a substitute for medical and professional advice, nor is it meant to be taken as such. i do not take responsibility for any choice(s) made by you or others regarding my readings.

amourdivine. 2021 - 2023 © do not copy, redistribute or edit my content.

PILE ONE

the world ✧ six of wands ✧ strength

This person is turned on by your success (lol), let me explain: they love it when you show off your accomplishments, the knowledge you've acquired, the wisdom you possess. If you speak more than one language, they get very turned on by that. This person really roots for you, they get all hot & heavy when you're in the spotlight, unafraid to state how gorgeous or handsome you are. They love it when you're feeling yourself (pun intended), when you know your worth and act like it. When you're confident and badass.

For some, the way you walk or talk has something about it that lures them in. I think your poise and how you handle your achievements, your career and academic pursuits has them not only feening for you, but also gawking in deep admiration. You have a star quality to you, maybe you're famous in your field or you aspire to be known in some type of way.

If you post pictures of yourself on vacations, specifically by the beach or some other sunny, beautiful place, they gets really turned on by that. They're a visual kind of person - if you regularly dress up or wear makeup, for example, it turns them on. I'm hearing "everything you do turns them on", they're your biggest fan, pile #1. This person is attracted to success - not in an opportunistic way, for most of you.

I also got that this person loves your height; if you're insecure about a specific body part, that's the part that they actually love the most, because it stands out about you. I feel a voyeuristic quality to this person, they love to watch you in moments you're caught up in your own duties.

channeled song: Papparazzi by Lady Gaga.

channeled messages: long limbs, legs for days, victoria's secret, "you're an angel", siren eyes, hooded lids, bedroom eyes, scorpio or taurus rising, capricorn, leo.

PILE TWO

knight of cups ✧ four of cups ✧ nine of pentacles

This pile has a similar feel to pile one, so if you feel drawn to it, feel free to check it out. However, pile two feels softer.. a little dreamier, almost. This person is turned on by how unbothered, independent you are. Chances are you built your success from zero and you're hell bent on being independent, whether in a relationship or not, you like relying on yourself.

I'm getting a specific fantasy here - they fantasize about being your savior, your knight in shining armor, swooping in and saving the day. They love helping you, but they know you don't need it. It conflicts them, but it turns them on, at the same time. All the messages here are heavily specific, like carrying you to the bedroom or being carried by you. There's something here about the bridal style. You probably look really good in white, lacy outfits or well- lingerie. If you don't wear lingerie, then this person wants to wear it for you.

Honestly, they love how unimpressed you are, but they want to woo you, to take you out, give you a proper date and then savor you all night. This person wants to be the only one that gets to impress you, to hold you and have you. I feel a bit of a possessive energy here as well, not malicious but definitely more dominant, which is likely to come out in the bedroom. If you're already with this person, they really love it when you let them perform acts of service or give you gifts to show you their love. They have a "provider" kind of feeling to them, probably a mommy or daddy kink as well.

channeled song: Good for You by Selena Gomez.

channeled messages: mine, sub/dom dynamics, "angel baby", "sunshine baby", service dom, wine & dine, jewelry, 30, 333, pluto dominant, scorpio, burgundy.

PILE THREE

three of wands ✧ page of cups ✧ king of swords

Chances are you're not with this person, but even if you are, they love the little mind games. You pique their interest, you make them want more and more everytime. It's something you effortlessly do - you're interesting and intellectually stimulating. Naturally, I have to mention this person loves it when you challenge or tease them, especially sexually. I feel like there's some distance between the two of you, maybe this is a long distance relationship and you haven't been intimate yet, but they loooove staring at your pictures. If you've sent them explicit messages or videos, they get all hot & heavy thinking about your voice or how you sound.

This person gets turned on by how vocal you are, in more than just one aspect. You're witty and bright, but you know when to be serious, when to use your words for the things that matter. They get turned on by how smart you are; they always learn a new word, a new concept or skill when they're with you. This person may like to "rile you up" or have small debates with you because it gets them in the mood (lol), it turns them on to see you not back down from an argument and win it everytime. Your voice, lips and mannerisms are really hot to them as well, if you regularly wear professional attire or attend very formal settings (like work in a corporate job or go to places that require uniforms), it really turns them on. They fantasize a lot about tearing these clothes and that serious demeanor off of you.

You may be cheeky as well and they catch glimpses of this more fun, lighthearted side of you. It also turns them on. There's an unpredictable quality to you that keeps them on their toes, which inevitably makes them very affected. I think your presence is more than enough to turn this person on, they love to observe you and watch how you move. If this is a coworker or a person you can't or haven't been intimate with for "taboo" reasons, they fantasize about breaking all the rules and abandoning all logic for you.

channeled song: Back for More by TXT ft. Anitta.

channeled messages: gemini, duality, vice and virtue, friends with benefits, "i can't have you the way that i want", "you're my weakness", casino nights, whiskey, drinking, "i can't stop thinking about you", "light up a joint", slow burn, hazy summer nights, partying.

PILE FOUR

the hierophant ✧ the moon ✧ four of cups (clarified by the star)

You're marriage material - and that's what turns this person on: your stability, how mysterious you are, unwilling to give yourself to anyone who isn't worthy of you. I think you're focused on your own healing, your journey and beliefs. You may be someone who simply marches to the beat of your own drum and you're not willing to sacrifice your ideals for the sake of maintaining a partner.

This "inflexibility" and the way you're unavailable to anything that doesn't meet your standards really turns this person on. It makes them want to step up for you and themselves too. This person loves it that you work for the long term goals, you're someone people trust and want by their side. Perhaps you're a teacher or someone who's seen as an authority, experienced and wise. There's a patience, a method to your madness, something only you know. You're very hardworking and practical, you cut through the BS to find the truth in situations.

You're not someone who entertains or pursues short term commitments or flings, for example. I think this person is turned on by your character, you probably have strong ethics and you're more traditional, there's a safety to you, a certainty. You're loyal and committed, it makes them want to devote themselves to you, to come home to you every night. This pile is more vanilla than the others; they like your depth, I think you're very classy and it turns them on.

They get turned on by your high standards, your beliefs and family values. This person knows you're reliable, they think you're the ultimate dream partner to anyone. You're rare and special - you know it. They get very affected by the thought of having you as their one and only.

channeled song: Focus on Me by Ariana Grande.

channeled messages: wife/husband/spouse material, mysticism, faith, religion, church, psalm 17:8, "tell me what's your motive", motivational speakers, slow dating, "remember what you deserve", divine counterpart.

amourdivine. 2021 - 2023 © do not copy, redistribute or edit my content.

[invinciblerodent]

These days I kind of can't stop thinking about how much I enjoyed the possibility of being from Orzammar in Origins, specifically because just being who you are put so much of the early game in a wholly different context.

Like, a dwarf from Orzammar has, by definition, lived literally under a rock their whole lives!! They've never left the underground, and yes, while that also makes their ignorance of surface squabbles (the mage issue, the Ferelden/Orlais conflict, everything with the city elves and the Dalish, etc.) make a lot of sense, it also comes with so many interesting new angles that I'm honestly so surprised still that I've never really seen it mentioned very often, if at all. (Even though we even get an explicit moment to reflect on it, when leaving with Oghren.)

In Origins, the moment a dwarf first steps out through the gates of Orzammar and begins the game, is a profoundly life-altering experience. Dare I say, even more so than it is for an elf or a human. Because stepping out, for the first time, they are entering an entirely new world, and for the first time, in front of them is a vast expanse of nothing but air.

The end of the prologue, it's not just a fundamental personal change that awaits you, it's also a displacement so complete, that it's absolutely dizzying to even think about.

That first time a dwarf feels the sun on their skin, they are made sun-touched, a surfacer: stripped not only from caste and kin, of identity, but also faith and memory, any favor their ancestors may have still held for them, and any possibility of ever returning, as far as they know. (Aeducan may even have a bitter little chuckle over the irony of how they could very well have just one day before shrugged off the concerns of their surface brethren completely, only to be made one of them now.)

Their whole lives, they had always been able to see the opposite wall of the cave, or at least to know for sure that it's there, along with the miles and miles of unchanging, crystal-littered rock stretching protectively over their heads-- now all of that is gone. There's nothing between them, and the infinite and ever-changing blue, grey, orange, black of the open sky they've never seen, and in the distance, there's no wall-- just glorious, humongous mounds and spires of rock jutting up into the belly of the sky, the likes of which they've only ever seen from the inside.

Orzammar, despite no sunlight ever penetrating that far, is always lit bright, and it's heated by the lava streams and pools below. A dwarf has never known anything colder or warmer, brighter or darker, never seen seasons change... the biting winds and the frequent rains in Ferelden are completely new to them, not to mention the terrifying cracks of thunder that sound like the very Stone over them cracking in two, the bright flashes of lightning illuminating the night for but a moment, or waking in the middle of the night to what sounds like countless fingers pat-pat-patting the tarp of their tent, or the fact that animals -which are varied and plentiful and wholly alien- sometimes just randomly fall into the sky, like the rumors say! They might know academically that with birds, that just sort of tends to happen, but they've never seen one take off!!

Hell, all of surface flora and fauna are completely new to them-- it's likely they've only ever seen a tree or a dog in a picture book. Flowers, they've likely only ever seen as an expensive and frivolous luxury few can afford to have for a while, and even then, they are by necessity brought in removed from their roots, dead, wilting, taken from their natural place... while here, blooms just spring up underfoot willy-nilly, not entirely unlike mushrooms at the home which is not theirs anymore.

And... there must be something organic, something comfortingly animal to the scent of hundreds of warm bodies crammed into a sealed hole in the ground-- which is just gone now. The air is fresh, clean... empty, cold, lonely. No smell of spilled ale, piss, and vomit, no thick scent of the combined breaths and bodies of all their people... no scent of belonging, the air that moves their lungs now is no longer that which has moved those of all they've ever known, and every breath washes more, and more, and more of who they once were from inside their very body.

Being on the surface, it's like being thrust into an alien world, with which all just expects you to be intimately familiar. What do you mean the grass, the bugs, the birds, the leaves are strange? What do you mean you've never eaten leaves from this plant, fruit from this tree, the flesh of this creature you've only ever heard about? They laugh when you avert your eyes from the sky and try not to think about falling into it, or when you startle at the feeling of falling water suddenly hitting your skin, as if that was somehow funny, charming.

The night, which you've never before seen fall, is a comfort from all that endless, boundless seeing- but after the Joining, not even that is a relief.

Because if you're a dwarven Warden, all the dreams you've had in your life have been nightmares.

So you cope. You learn, and adapt, and endure.

Strong and immutable, like the Stone from which you were rent.

[chaifootsteps]

I just don't even know what Viv is going for with Stolas, to be honest?

like how does she think it's good writing to have Stolas in the morning be like 'if he's here as a prisoner, what kind of monster am I?'

and then in the evening when Blitzo calls him on it, have Stolas be like 'I had no idea you thought so low of me'???

what sense does it make to have someone admit they might have really hurt someone they cared about then act like they don't understand why that same person thinks poorly of them? and then immediately get pissy about it the day after to the point they've now decided that whatever they did wrong never happened, so they can blame & shame the person they supposedly love for it instead?

especially when they've been told that person feels a similar way before because of how they've been treated?

I honestly think Viv doesn't care so much about whether her writing makes sense. She only seems to care if something makes a good joke (in her mind, the audience doesn't always agree) and to push whatever version of the story she's decided is the case now, now matter how much it retcons/contradicts earlier stuff.

which has basically been the case with the entirety of season 2 so far. the story has gone from 'rich guy coerces imp into sexual arrangement for book, imp can barely stand him, they could catch feelings sometime in the future' to 'childhood friends where rich guy always loved imp and the problem is entirely imp's made up hang up that rich guy looks down on him. which is made up. because it's not like rich guy still demeans him and treats him badly even after being 'Fixed''. and any scene that contradicts that gets retconned into something else, even if it literally doesn't make sense

That's exactly how Viv writes, and also how she deals with real personal conflict and how she lies. She just throws out whatever she thinks sounds best in that exact moment, without regard for whatever came before or whatever comes next.

[todomitoukei]

Honestly it’s a depressing ending for the villains. We get hardly any follow up for the remaining ones, Toga was the last one I expected to die and I was hoping it was a ruse at first. But since it’s official it’s heartbreaking. It’s lacklustre just throwing in a character to portray Tomura and what would happen if a civilian did reach a hand out, and throwing in another character for Deku to interact with. Honestly even the heroes were pointless, nothing has really changed in the system. Hawks never got a consequence for his actions, hell it could have been explored of a hero murdering a villain questioning the like of what makes a villain or hero. But he rises in ranks and has done nothing. I just feel it’s such a rushed ending, and I would have been ok with the same ending if it didn’t feel so messy and compiled together. There are so many loose ends and follow ups from characters, Shoto especially. It’s unfortunate, but honestly I’m glad it’s over. I lost passion after a while, but I appreciate the joy it’s gave me when I first started following the manga and getting into the anime, and experiencing the highs and lows of manga leaks. Dabi was my main one, and it’s one positive I gain from this ending for how open it is to his fate. It’s just sad that it ended this way.

Hori's biggest strength is for sure coming up with interesting ideas - like you said, exploring certain parts could've made for an incredibly interesting story. However, his biggest weakness is not following through with what he's starting, doing a 180 right at the end every time.

The cast has always been too big, yet he chooses to show us minor villains like Gentle and La Brava - who receive a happy ending - while the main antagonists endings aren't even being shown.

As much as the villains dying sucks (subjectively but also objectively since the story spent so much time telling us it's about reaching out and helping everyone no matter what), if they had been at least given a proper conclusion it could've been acceptable, yet after 400+ chapters, the author couldn't even bother to show all the main antagonists and their endings.

Where exactly is Spinner? We know he wrote and published a book, but is he in jail and if so, how did they allow him to publish this book?

Is Compress in jail forever? Is he still in a cell with Geten? He read Spinner's book, but how did he get hold of it? Was the prison kind enough to give him a copy?

What about Touya? Assuming he's dead, how much longer did he have? Did his family care when he died? How is the family coping? Are they getting along? Why did Horikoshi not show us Natsuo and Touya talk after spending so much time saying they used to be so close? Natsuo not saying anything and having mixed emotions after all of this was actually an interesting idea, but not when you don't do anything more with it - now people just think Natsuo is an asshole when in reality, he has every right to feel conflicted, but it sucks as a conclusion when we've all been looking forward to seeing him and Touya finally get to reunite and be happy.

What was the point of Shigaraki appearing as a ghost to Deku? Why wouldn't he at least appear in front of his friends? Why wouldn't we see him show up in front of Spinner, approving his book or something?

And yes, Shouto, too. Why is the main info we get in regards to his father? What about his hero costume, which we aren't even being shown? Did he ever change his hero name or is it going to be Shouto forever?

I wouldn't even say it's rushed as much as it's an unbalanced focus. The last few chapters could've been focusing on these subplots, but instead Hori tried to mimick the tone of the first season by showing the kids returning to school and whatnot, something that could've been shown in less time to also make space for elaborating on a bigger variety of characters and plot points.

I'm also glad it's over, I just wish these characters could've been in a better story.

[mirai-e-jump]

Ohsama Sentai King-Ohger Character Book: We're KING!!!!!! Main Cast Member Interviews (translations below, LONG POST)

Taisei Sakai (Gira Husty) Interview

-Have a backbone when facing as Gira-

"When you were first accepted for the role, what did the Director and Producer tell you about Gira's character?"

Sakai: When all the cast members got together for the first time, we were given all our materials, and I spoke with Director (Kazuya) Kamihoriuchi, who told me, "Be yourself when playing Gira." At first, I didn't really understand it, but as filming progressed, I slowly began to understand what he meant. Gira is very genuine with his emotions. When he's mad, he's mad, when he's sad, he's sad, and his facial expressions are distinct, so I interpreted it in my own way, by acting honestly, and even now, I'm still mindful of that when performing.

"Gira's brother and former king of Shugoddam, Racules Husty, thought of his citizens as tools, and while it was meant to oppose him, Gira sometimes called himself, "The evil king." What are your thoughts on this?"

Sakai: I think it's something that comes out unexpectedly, like when my emotions start to overflow, or when I have something I want to hide, but my personality makes me unable to lie. It's also the same for when I want to motivate myself.

"Is it difficult switching between that and regular Gira?"

Sakai: It was difficult. Director Kamihoriuchi gave me detailed instructions on the emotional flow of going from regular to evil, and then from evil to regular, and I'd practice alot even after going home.

"You seem to do alot of preparation before you start filming."

Sakai: Yeah. I think it's important to spend time going over the script in order to get into the role. I imagine everything from, "Why is Gira in this place?," "What types of food did Gira eat growing up?," "What kinds of kids does he spend time with, and how does he play with them?" By doing so, I feel that I can easily get into the role.

"You have a unique way of delivering lines, it's abit literary, isn't it?"

Sakai: I looked up things in the dictionary, like the meaning of, "One tree, one plant"* (laughs). But, while it's important to understand the meaning, I also think it's important to know who Gira's speaking to and with what kind of emotion, so I try to be aware of that. (*Japanese idiom)

"It's been about six months since filming began. Are there any areas where you feel Gira has grown?"

Sakai: Recently, I became more aware that I'm king. As king, Gira struggles with what he should be doing going forward, but I feel that he's grown compared to the first episode. I've learned alot from my conflicts with the other kings, such as with Yanma (Gast) and Hymeno (Ran), and while I haven't changed at my core, I'm gradually becoming more mature.

"Once more, when playing the role, what do you consider to be the most important features of Gira's character?"

Sakai: He's the type of person who's straightforward and expresses his emotions more than the other kings, so that's probably the most important thing I'm conscious of. When I'm happy, I look happy, when I'm mad, I look mad…and so on. I myself am not the type of person to express my emotions very much, so I try to be conscious of raising my "gears" 2-3 times to get as close to Gira as I can.

"As filming progressed, did you feel more comfortable being Gira?"

Sakai: I think so, recently I felt that I'm finally getting used to it. But, I still have a long way to go. I can do "angry" and "sad," with ease, but "happy" is still difficult for me. The way I feel is something I'm still struggling with.

"Conversely, what do you enjoy about performing?"

Sakai: The times when I can act as myself. When I can communicate well with those around me and think, "This scene will definitely turn out good," I feel very fulfilled. When I can absorb myself into a role, I don't feel strange when I watch my performance in the broadcast. However, there are times where I'll already have something to reflect on during filming, and when I see the broadcast I'll think, "I could have expressed myself better there."

"You get so into your role, that we were surprised to hear that you're the type of person who doesn't show much emotion, so were you surprised when you were chosen to play Gira?"

Sakai: Gira's slightly outgoing, innocent, and straightforward personality may have been something I could've identified with, but even so, it still felt like something I wasn't expecting. Everyone around me is so amazing at their performance, that I wondered, "Was I really the right person for this role?" At the time, I really felt this way.

"At the time of this book's publication, episode 26 will have aired, but please tell us about any memorable scenes or lines."

Sakai: The scene with Racules in episode 20. Gira's objective since the first episode has been to defeat Racules, but it was very difficult to maintain that objective throughout those 20 episodes. In this episode, Gira says to Racules, "I'll surrender if you apologize to everybody and become a king who'll work to protect them." When I said that line, I perfected it after thinking back on the events from the first episode, so it's a scene that I'm very attached to. Furthermore, It was also a turning point for us because (Masato) Yano-san, who plays Racules, would be stepping away from filming.

"Do you think that the talent of Yano-san was a big part of the reason for that scene turning out good?"

Sakai: I've really learned alot from him. We've worked together on other productions in the past, he's been a great help to me in my private life, and of course, he's consulted with me alot on set. To me, he's like a big brother I can rely on.

"How's the action in the scenes where you fight without transforming?"

Sakai: About a day before filming, Action Director (Watanabe) Jun-san gives us a chance to practice in the studio. I'm not that good at action, so if I don't practice, I might have a hard time later. The sword is also heavy, so the action scenes were already difficult. I'm going to do my best at improving my sword fighting skills.

"In the movie "Adventure Heaven," which released this past July, there was a scene where you and Shido Nakamura, who played the role of Reiniol, the first king of Shugoddam, had a fight, and so the practicing continued."

Sakai: Once again, by being apart of the Super Sentai series, it's given me the opportunity to experience not only acting, but also action, dubbing, variety and a wide range of other things, I'm very grateful for this. Also, another moment that left an impression on me, was the dialogue with Kuwagon (mechanical lifeform "Shugod" Gira fights alongside) in episode 25. Chatani Kazuyuki-san gave me detailed directions, and through trial and error, shot the scene about 5 or 6 times. At first, I was saying my lines unconventionally, but the Director told me to just perform it from the heart. The Director then encouraged me to add inflection to my lines. By changing my attitude, I was able to really get into the scene, and I felt a good response with this change, so it's a scene I'd like everyone to watch again.

"In episode 26, Gira's line of, "If you make the first move, you're evil, if you win, it's called justice, none of it even matters. All that really matters is….who can apologize first," was also memorable.

Sakai: As of this interview, we haven't shot that scene yet, but it's a scene that I really treasure. I'm currently thinking of a plan for how to act out the scene where I make the sincere apology.

"It shows that Gira is a person truly worthy of being king."

Sakai: It shows the size of Gira's capability, doesn't it? I think Gira's grown in this respect compared to the beginning of the series.

"Also, for a time, Gira often wore disguises to hide the fact he survived, were any of them memorable?"

Sakai: It would have to be the pillbug looking "Pilltaxi" suit I wore in episode 15. As I said in my dialog, it really was super hot to wear (laughs). The filming took place during the time of season where either short sleeves or long sleeves were appropriate, but first, I had to wear yellow tights, 2 down jackets on top, carry a heavy shell on my back, and put on goggles and headphones…..It was very hot and I also had to do action scenes, so while it was alot of fun, it was also pretty difficult (laughs).

-Moving straight ahead to create a "Good Country!-

"Next, please tell us about your impressions of the other kings. Let's start with Yanma."

Sakai: I have the most scenes of conflict with Yanma, but, he's also my partner. Aoto Watanabe (who plays Yanma), also puts his emotions into his performance, which then turns on my "switch," and allows me to give it my all. Gira is usually pretty direct, but I think he's most direct with Yanma. It feels like we're alittle special. When Gira rushes to Yanma's side in episode 17, it made me think that we share a very passionate friendship.

"By the way, how do you think Gira feels when Yanma calls him "Octomush"?"

Sakai: I don't think he has any complaints (laughs). If anything, it makes me think, "Ah! He called for me!" I guess it feels the same as being called "Gira" normally. Currently, being called "Octomush" has become normal. That's why I was alittle surprised when Yanma said "Gira" in episode 17, even though Gira wasn't around.

"Please also tell us about Hymeno."

Sakai: I often clash with Hymeno as well. In episode 14, when Hymeno was about to go down a slightly different path as king, Gira strongly says, "Is this the face you want your people to see?" However, from an objective view, I feel that Gira is treated like a toy by Hymeno (laughs). I'm sure Gira doesn't think anything of it, but from my point of view, it's an interesting relationship.

"What about Rita Kaniska?"

Sakai: I think Rita is the one Gira respects the most. Of course, everyone else also respects them. The scene in episode 5 where they pass judgment saying, "If I say he's not guilty, he's not guilty!," it was so cool that I got goosebumps. They're the opposite of Gira in terms of personality, but from Gira's point of view, they're an elder like figure who looks out for him. We haven't had many one on one scenes together, so I hope there'll be more in the future.

"Continuing on, please tell us about Kaguragi Dybowski."

Sakai: Regarding him, the way Kaguragi was towards the end of episode 15 left a strong impression on me. The concern Kaguragi has for his sister and Toufu makes him choose to side with Racules and, by extension, the Bugnarak, despite his true beliefs. The scene where Gira asks, "Isn't your heart crying?" was really memorable. Kaguragi is often misunderstood because he won't show his true feelings easily, but Gira tries to see the good in him and appears to trust him. The scene in episode 18, where Gira secretly communicated with Kaguragi behind the other king's backs, was also a wonderful one. Not just Kaguragi, but the scenes where each king showed their emotions left a lasting impression on me.

"The powerup item for KuwagataOhger, the Ohger Crown, was stolen from Racules and given to Gira, suggesting that Kaguragi also trusts Gira."

Sakai: That's right. At first glance, the relationship between the kings may seem surface level, but I feel that they've gradually started trusting each other. I thought that although the characters were different, they all faced the same direction. When I think back on it, my impression of everyone might be similar due to how Gira treats everyone the same (laughs). But, the good thing about Gira is that he doesn't change depending on the person. However, I think the way I treat Jeramie (Brasieri) is alittle different from the others. He's got a boyish spirit and is a character loved by everyone around him, so I think we share a similar character, almost like we're, "A couple of bad boys." He's alittle different from the other kings, and I expect that their relationship will become even more heated in the future.

"We'd also like to ask about your feelings towards Racules, who you've been fighting. You must have mixed feelings…."

Sakai: For me, I wasn't told about the kind of relationship they had as children. Gira is said to have little memories of those days, so it would be better if he didn't know. I'm trying to imagine if Gira was told anything by Racules, so I'm looking forward to finding out the answers to these questions in the future.

"Also, you're often able to perform with children, such as Kogane and Boone, who grew up in the same orphanage as Gira, please tell us what you keep in mind with them."

Sakai: I think it's important to have the same point of view as children. I'd make me happy if Gira's attitude was that he wanted to have fun with the children from the same perspective. The stance of wanting to have fun together from the same perspective is something that Director Kamihoriuchi told me from the beginning of the series, so I'd like to push that point further.

"Do you think there's anything about the other 5 cast members that you would actually consider to be kingly?"

Sakai: Watanabe (Yanma) has a manly spirit, which is really similar with Yanma in that respect. When we stop by a convenience store, he'll buy something for me without me knowing, and he'll do it without hesitation. He's the type who takes his acting very seriously, which I also think is really cool. When we watched "All Rush" (pre broadcast screenings) together, he'd sometimes reflect saying, "I wish I did more of this." I think he's a really passionate person. Erika-chan (Hymeno) is someone who pays close attention to her surroundings. I admire her for her thoughtfulness. Her demeanor is beautiful, and I think she's the perfect fit for the role of Hymeno. I think Yuzuki-chan (Rita) is way different from Rita (laughs). She's very approachable and mindful of her surroundings. Both Erika-chan and Yuzuki-chan are very mature, and good at being able to see the whole picture. Yuzuki-chan is also the youngest member of the main cast! Kaku-san (Kaguragi) is accommodating, offers advice, and livens up the scene. He's like a father to us, gently embracing us all with kindness. Finally, Masashi (Jeramie) didn't come off very Jeramie like at first, but lately, he's been smiling all the time and is very charming, similar to the kingly side of Jeramie. I feel that everyone has elements in their personal lives that fit the characters they play.

"Starting in September, we'll finally be entering the new chapter, Sakai-san, please give a yell of support to the current Gira!"

Sakai: Now that he's the king of Shugoddum, I think he'll have a stronger sense of responsibility for the country. I'm looking forward to seeing how Gira will deal with the other king's conflicts and the various situations that the children will face. Gira's idea of a "Good Country" is one where, "The king protects his citizens, and everyone protects those who are important to them." I believe that this goal is an expression of Gira's humanity, and I hope that he'll keep it in mind as he moves straight ahead.

_

Watanabe Aoto (Yanma Gast) Interview

-The name "Hymeno" is a privilege for Yanma only-

"What kind of character did you feel Yanma was when you read the script?"

Watanabe: My first thought was, "This guy, I think he's a really cool man!" I've always admired men who take the initiative and lead others. Yanma shows off his cool side, but is also the type of person who can expose his weaknesses. That's why those around him want to help out. I remember thinking that the role was very appealing.

"Speaking of, Yanma's main characteristic is his pompadour hair style."

Watanabe: Actually, it wasn't going to be a pompadour in the beginning, but the Director, makeup artist and I came up with the decision. At first, I suggested a perm, with a "wet" look, but they wanted something edgier, so, they started trimming my sides more and more, until we ended up with the style you see now (laughs).

"Compared to the start of filming, have you discovered any new aspects of Yanma that you find appealing, or do you feel that you've grown?"

Watanabe: At this point, I really feel that he's trying to keep his cool image. Starting with Gira, he also seems to have a good relationship with Jeramie and Kaguragi, and I think it's because Yanma's willing to open up and talk with them. Don't dismiss your friends, but make sure to express your own opinions. With that kind of attitude, I feel the respect for each and every one of them. I also really like the distance that Yanma gives when interacting with someone.

"At the time of this book's publication, episode 26 will have aired, but, please tell us about any memorable scenes or lines."

Watanabe: There are alot of scenes I like….First, there's episode 2, where I say to the people of N'kosopa, "You guys, just shut up already and follow me. I'm not going to lose to anyone!!," there's also the scene in episode 7, where Hymeno reveals her past to Yanma. The scene in episode 10, where Legend King-Ohger arrives after the passionate exchange with Shiokara (Yanma's retainer), I really liked as well. Also, there's the wacky scene in episode 11, where they discussed how to reveal to the people that Gira, who was supposed to be dead, was actually alive. Ah, also! I liked the scene in episode 14, when Hymeno suspects that Jeramie's the one who caused the "Wrath of God" (disaster from 15 years ago), and Yanma says, "Things'll become clear when you finally meet Jeramie." Instead of being like, "I'll help you," he's more, "I'll throw you a rope, but it's up to you with what you do with it," leaving it up to her to decide, which I thought was very cool and totally like Yanma. I also like the scene in episode 17, where Gira saves Yanma, who's falling apart, and then the whoopie cushion scene in episode 19, where Yanma and Jeramie talk to each other, and they’re both smiling and laughing together, I really liked that one! It was the first time where I felt that he and Jeramie were facing the same direction.

"What do you keep in mind when playing Yanma?"

Watanabe: Before filming, the Director told me about my eyes. He said that if I remained as I was, they wouldn't have any "sharpness" to them. I watched yankii movies by myself, and since Yanma is a character who leads people, I wondered, "What kind of person would people want to follow?" I also read books and biographies written by people who've held leader positions. Through this process, I've slowly developed a sense of, "The coolness of someone who leads others." Now, I'm in the process of putting out what I've been studying.

"Like what for instance?"

Watanabe: Usually when Yanma talks to people, he'll consciously turn his head at an angle to them. He'll look away and stay calm, and only makes eye contact when the moment is right. I'm especially careful of the timing for when I face the person and when I make eye contact. I think this is an important factor in expressing what I consider to be Yanma's, "distance between people".

"What are some of the challenges you face when performing?"

Watanabe: The explanatory lines…there's so many Katakana characters. But, that's pretty much it. At other times, my jacket would fall off my shoulders while I was doing action scenes (laughs). Ah, speaking of the action! Yanma's pretty weak in fights, but I myself want to play the role of a more cool Yanma, so I'm alittle torn. In the movie "Adventure Heaven," which was released in July, there was an action scene between Rita and Yanma. During filming, Yanma was being overtaken by a swarm of Sanagim (Bugnarak soldiers), but, when I looked at Rita, they looked so freaking cool beating them up. Honestly, I was abit jealous.

"So you had a hard time with the explanatory lines, huh? There are many proper nouns unique to the show, so did you struggle with the intonation, especially in the beginning?"

Watanabe: It was difficult! I struggled the most with the accent for "Shugod."

"For Hymeno's name, should it be pronounced with an accent on the "Hy" or should it be pronounced normally?"

Watanabe: Actually, only Yanma's allowed to say it normally. Everyone else is told to put the accent on the "Hy". It's a privilege only I have!

"When do you most enjoy playing Yanma?"

Watanabe: For me, with the more serious scenes, I think I enjoy them more when they're over. As a citizen of N'kosopa, I also become nervous with all the extra cast members, but at the same time, it makes me feel excited. I approached these things with the mindset of, "Yanma's someone who brought these people together," but, when I walked down the red carpet with about 300 people all staring at me, I once again felt excited and the tension started to rise.

-Whatever choice you make, choose the one you won't regret-

"Now, I'd like to know what kind of impressions Watanabe-san has about the characters that surround Yanma. First off is Gira."

Watanabe: This can be said for all the kings, but I feel that he has his own sense of justice. I think that Gira's desire to protect people, even at the cost of his life, is stronger than others. He played the role of an "evil king" to make it happen. Yanma might laugh at Gira's way of doing things, but from my point of view, I think it's very cute. I mean, he's got a cute face, doesn't he? (laughs). There's something sparkly about his moments of "nothingness," and I think it grabs the hearts of both men and women. Even when he's doing something ridiculous, he has an atmosphere that makes the people around him want to support him, which is very much in tune with being a main character.

"What do you think about Hymeno?"

Watanabe: In my opinion, among all the characters in the show, aside from Yanma, I'm fond of Hymeno. For me, I love cool female characters. Furthermore, the selfish ones are the strongest of them all, right?! I also really like the relationship between Yanma and Hymeno. When Hymeno says something like, "you lack elegance," I tend to rebel against her, but I feel like we recognize each other's beliefs. Even when they're fighting, I don't think they feel awkward, I think that they're just enjoying themselves.

"In the beginning, Yanma called her, "Hymeno-chan," but before we knew it, he just calls her "Hymeno."

Watanabe: Actually, he hasn't called her by her name since episode 3, when he called her "Hymeno-chan." He did sometimes call her "Princess," though. So, I kept waiting to see when he would call her by her name next. And then, in episode 17, he said her name for the first time in such a long time, and it was also the first time he called out to her! It was the scene where Yanma relies on Hymeno, and I said to Erika-chan, "It's finally here." I thought it was really passionate that he called out to her for the first time in such a situation. I feel that Hymeno and Yanma are subconsciously acting in a way that'll make them like each other. For instance, in episode 7, I wonder if Yanma's answer to Hymeno's question about her past could've been more heartfelt because it was Hymeno. For Yanma on the other hand, when he asked Hymeno for a favor, I really like how she always smiles and helps me. In the beginning of the story, there were scenes depicted in which it seemed that Yanma had a crush on Hymeno, but I hope that in the end, Hymeno will fall in love with Yanma. That's my wish, but when I told Erika-chan about it, she said, "No, it won't happen that way. Because Hymeno is becoming more mature, in the end, Yanma will fall for Hymeno once again." (laughs).

"(laughs). So, what about Rita?"

Watanabe: For Yanma, Rita is the most distant of the 5. That's why Rita's the only one he hasn't called by name yet. I think for Yanma, it may have to do with Rita's position as chief judge. He has respect for them, so he doesn't want to interfere too much in the decisions they make. However, when dealing with them as a person, I think Yanma's the type of person who says whatever he wants. That's why he said, "So annoying!," when Rita screams in episode 19. I personally think that since Yanma can make friends with anyone, that I'm sure he can make friends with Rita as well. Still, he doesn't know much about Rita's personality, so if he can just break down some of their barriers, then surely…..Well, I do wish Rita would atleast be alittle more honest (laughs). But, Rita just goes at their own pace.

"Next, tell us about Kaguragi."

Watanabe: For me, I think that Kaguragi-san and Racules-san are characters that are most likely popular among adults. When I auditioned for the show, there was the script for the scene in the first episode, where Gira and Racules confront each other. At that time, I very much empathized with Racules. I'm only in my mid twenties, but even I know that you can't live by empty words only. I'm the type of person who has a hard time trusting people 100% right away, so I feel that the way Racules-san and Kaguragi-san go about politics makes the most sense. Among other things, Kaguragi-san's appeal is in that he's willing to dirty his hands to protect his family and his citizens.

"What are your impressions of Kaguragi from Yanma's perspective?"

Watanabe: Even as Yanma, I don't think he'd deny the way that Kaguragi-san does things. In episode 19, When he said to Kaguragi-san, "I guess I can trust you after all," is because he doesn't do things out of self interest, and that he's more concerned with protecting Toufu than the way it appears. I think Yanma can trust him. He was considered a traitor by many of those around him, but his actions are based on his beliefs. I think Yanma recognizes these aspects of Kaguragi.

"What about Jeramie?"

Watanabe: Jeramie's real cute, huh? Although, he's abit too pretentious for my tastes (laughs). In episode 12, Jeramie's origins were revealed. I think Yanma also feels that he's cute in that, even though he's been alive for 2,000 years, he still gets pulled around by everyone around him. Furthermore, there's the scene in episode 19, where Yanma and Jeramie fistbump, and I think that Yanma wanted to have an equal relationship with Jeramie at that time. So, I was mindful of that when I played the part of Yanma getting angry for a moment in response to Jeramie's words. Also, Jeramie's really strong. So, I hope Yanma can be in a position to guide him in using that strength.

"Do you think there's anything about the other 5 cast members that you would actually consider to be kingly?"

Watanabe: They all have their own wonderful qualities. Taisei may seem like an innocent airhead, but he's also got a manly spirit. Erika-chan is someone who always thinks from the perspective of those around her. She's dignified, in a good way, and that's something I want to learn from her. Yuzuki-chan is the same, she has a keen sense of observation. For example, when she sees someone who appears to be in trouble, she tries to move towards that person to help them. It's wonderful that she's not only able to anticipate, but is also able to act properly. Kaku-san is very experienced! He's the ideal adult man. I want to be like Kaku-san someday. Finally, Masashi is very friendly. Before I realized it, we became very close. I seem to have ended up talking about what I like about the 5 of them, rather than what I think is kingly about them (laughs).

"We'd also like to ask about Shiokara, Yanma's retainer."

Watanabe: My relationship with Shiokara is also a heated one. Yanma used to be a loner, but Shiokara accepts him and has stuck around ever since. They've spent alot of time together, so he's someone Yanma trusts the most. For me, I'm very happy and grateful to have someone like Shiokara by my side. He works for me, coordinating our foreign diplomacy. And, Shiokara's someone who can speak up for Yanma, so in a way, he also acts as my "brakes."

"If you think about it, Shiokara seems to have great communication skills…"

Watanabe: That's right. That's why I think his role is to act as a connection between Yanma and other people. For example, if it were just Yanma and his citizens, there would be alot of conflict, but with Shiokara intervening, they can move things in the right direction.

"In the future, are there any situations or scenes that you'd like to play as Yanma?"

Watanabe: I have so many that I've been writing them down in my phone's memo pad (laughs). The first, would be an awakening scene. I think it's okay for someone to lose sight of themselves. If Yanma were to switch places in the scene where he says to Hymeno, "The grief of losing someone, it's a luxury I've never had," he'd probably find himself in a situation where his rationality is thrown out and his eyes are opened. Another scene would be where Shiokara is fighting, and while everyone else is worried about him, only Yanma is watching and laughing. I thought it'd be nice if the person closest to Shiokara believed in him and watches over him, and so something in Shiokara would also awaken…I think that'd be a good scene. Wouldn't it be real passionate if we could draw out Shiokara's strength even more because Yanma believes in him?! I want to try doing it!

"As we enter the new chapter, please give a yell of support for the current Yanma."

Watanabe: I want you to stick to your own style until the end, even if there are many challenges ahead. It's okay if it's different from what Yanma thinks now. For example, right now he’s saying, "I don't flatter or bow down to anyone," but when the time comes that Yanma thinks it would be better to do so, he may lower his head. I think that's just how you grow. Whatever choice you make, I hope it's one you won't regret. From now on, let's show off another new side to Yanma!

_

Murakami Erika (Hymeno Ran) Interview

-I can say, "Thank you," with all my heart-

"At the time of being cast, what kind of character was described to you?"

Murakami: The first thing I was told, was that Hymeno's beloved parents had lost their lives. I was asked to create a role based on this fact. So, I didn't ask about the specifics of her personality, rather, I developed the character of Hymeno while acting. Hymeno's character introduction on the official site states, "Extremely selfish" and, "Has no hesitation in saving someone's life." I think being selfish means to have a strong will and a strong heart that won't be discouraged by anything. With that, I think it comes from the frustration of, "I wasn't able to save my parents." The reason why Hymeno was able to move forward with determination, and not give up no matter what happens, is most likely because she's overcome the sadness of losing her parents by herself. So, when I play Hymeno, I value having that kind of backbone the most, and it became a very important point of reference in my interpretation of Hymeno.

"Compared to the beginning of filming, do you feel that Hymeno has grown in any way?"

Murakami: It would be the fact that she's started to say thank you from the heart. Hymeno has a desire for revenge due to her parents being killed when she was younger, but I think she's lived most of her life while hiding those negative emotions. But, the more I came into contact with kings from other countries, the more I had to face it. For example, in episode 14, after learning that the animation, "Together with Moffun," was created by the people of Ishabana to cheer up Hymeno, who ascended the throne at such a young age, there's a scene where Hymeno says, "Thank you," to a girl, one of her citizens. Of course, as the queen of Ishabana, I'm sure that she had much to thank her people for, but I felt that her "thank you" at that time was a sincere one that brought her back to her original mindset, which she had forgotten. I think that's where Hymeno grew the most. Also, in episode 7, Yanma tells Hymeno that, "The grief of losing someone, it's a luxury I never had," and I think that was a scene where Hymeno realized alot of things. It's discoveries like this, through the other kings, that allow her to move forward again. These kinds of changes wouldn't be possible if Hymeno was all alone. Also, no one believed her when she said that her parents hadn't died from the disaster, but were instead murdered, except for Rita, who was the only one who believed her. Episode 16 proved that the "Wrath of God" was a deliberate act. As the story progresses, Hymeno, who would've never relied on others, came to rely on everyone at important points. At the beginning of filming, I was thinking mainly about how to make Hymeno's character stand out, and how to show the relationship between the kings, but, as Hymeno has grown, I feel that I've come to grasp the role in a deeper way.

"In episode 16, Hymeno gives Rita a "Premium Chibi Moffun" as a thank you present.

Murakami: I think she was just really happy that Rita relied on her to analyze the poison, and that she opened up to them and told them about her past. Hymeno grew up with alot of love from her parents, and I believe that she really wants to interact with alot of different people. That's why her interaction with Rita reminded me of my own childhood and made me feel nostalgic. While she's a strong woman, I feel that Hymeno must have often felt lonely.

"In the film "Adventure Heaven," which was released in July, the kings visited the Kingdom of Death, and Hymeno was reunited with her parents. During filming, did you ever remember your own parents and call them?"

Murakami: I did! I talked alot with my parents before shooting that exact scene. We didn't talk about anything special, we just had a casual conversation. But, I think what Hymeno wants the most, is the daily life she had when her parents were still alive. So, while I can talk to my parents whenever I want, I imagined what it would be like if I couldn't do that anymore, and developed Hymeno's feelings from there. So basically, I tried not to decide too much for each scene in my head, but rather, I tried to decide how I would act by my movements and feeling the atmosphere of the scene.

"Was that the way you approached the role from the beginning?"

Murakami: No, in the beginning, I did things my own way. I would often come up with a plan and then go to the shoot. However, I thought that I could make the performance better if we all worked together on it, as things can change when you're working on it with someone else. I realized this in episode 17, in the scene where Yanma said to me, "I need your help to evacuate the people of N'kosopa. You're not so heartless to leave the wounded behind, are you?" When I read the script alone, I thought that Yanma would say it like he was exhausted from battle. But, in reality, he said it with a very relaxed smile on his face. I thought, "I see. I'm surprised that Yanma would do such a thing here!" I responded to him with a smile of nuance, as if saying, "You know I'm not that kind of a girl, right?" I'm sure that I wouldn't have been able to do that if I had perfected the performance by myself.

"With that, she said that she's now able to perform with more composure than when she first started."

Murakami: That's right. At first, as I read the script, I thought about each line with, "Why am I saying this here?" I would think about each line and write various things into the script. However, I thought that if I kept doing that, I'd have a hard time in the future, and that if I didn't think too much about it, I'd be more flexible if something different from what I had anticipated happened on set. In fact, my stance has changed, and I felt much more at ease when I went to one of the film sites without any script.

"When do you enjoy playing Hymeno the most?"

Murakami: There are many times. For example, in episode 16, where I tell Rita, "Thank you," and I happily hum as I leave was really fun to perform. Also, the scene where Hymeno becomes startled from when Rita screams, "Aaaaah!!," is also funny due to my amusing reaction. I like performances that are dialogue heavy, so I'll read the script, and imagine things that haven't taken form yet as I go to the set, and when I get there I think, "Ah, this person is going to do this here! Well then, I'll try to get in on it." It's really nice seeing new developments happening all the time.

"On the other hand, are there any struggles when playing Hymeno?"

Murakami: Hymeno has dealt with many difficulties in the past, so she's not easily fazed. That's why I've had a very hard time with more emotional scenes. In the film, there's a part in which I had to hold back tears during the scene where I say goodbye to my parents. If it were actually me, I would definitely start to cry, but Hymeno has the strength to endure it. During those times, it's difficult for me to distinguish between the emotions of myself and those of Hymeno.

-I sometimes offer my ideas about Hymeno's makeup-

"Hymeno's elegant behavior is appealing, but is she influenced by Murakami-san as well?"

Murakami: My grandmother was very strict about etiquette, so I was often told that I, "had elegance." In episode 14, I said to Jeramie, "You, just reveal the truth, and nothing more!" But, I've never said "You"* to anyone, so, how was I supposed to say it?! I was really worried. But, I thought that Hymeno could say it, since she's a strong woman. The more I understand Hymeno, the more I realize that she's a stronger person than I thought. My goal was, "Have a strong heart, and be someone who isn't discouraged by the smallest things," and I feel like I'm getting closer to that by playing Hymeno. In the past, when it came to acting, I often felt sad and thought, "I should've done that more like this." But now, even when I'm feeling down, I can think, "Alright, how can I reflect and put it to use next time?" (*she uses an informal way of saying "You")

"I admire women like Hymeno. She's strong, but cute."

Murakami: She really is! Hymeno is selfish, but I think being selfish is wonderful. In this generation, I think there are many people who can't say what they want, because they feel that they have to conform to their surroundings. If those people can gain even alittle bit of strength and courage from watching Hymeno, it would be a true honor for me as an actor.

"Hymeno's costumes, hair and makeup are just like those of a princess. Do the costumes and makeup turn on your "switch" as Hymeno?"

Murakami: Rather than the costumes, I feel that I look the most like a queen when I sit on my throne. There are alot of accessories around me, so I get tips on how to hold a teacup and do other gestures. Also, when it comes to the makeup, I sometimes suggest colors for my lipstick, eye shadow, and blush. I'll sometimes even bring my own cosmetics to the set.

"What are some key points of Hymeno's makeup?"

Murakami: I try to keep a good balance in the use of colors. If the eyes are darker, the lips should be lighter, and so, if the lips are darker, then the eyes should be lighter. What I'm most particular about is always having, "Curled eyelashes." When you draw Hymeno in fan art, I think it looks more like Hymeno if the eyelashes are quickly raised up!

"At the time of this book's publication, episode 26 will have aired, but please tell us about any memorable scenes or lines."

Murakami: The line in episode 21, where I say to Gira, "What's wrong with being selfish?," is catchy, and it's my favorite because it suits Hymeno so well. Also, when I sensed that Scorpi (God Scorpion) had feelings for Kabutan (God Kabuto), she says, "Are you really just friends?," and I liked how Hymeno was sensitive towards a young maiden's heart. Also, in episode 25, where she says, "I always hate it when the flowers fall. But, if I think of it as a way to scatter the seeds so more flowers can bloom, then I can accept it." That line made me happy to see Hymeno grow so much.

"Next, please tell us about your impressions of the other 5 kings. First is Gira."

Murakami: At first, I thought Gira was the type of person who would be very noisy, but when I saw how he behaved himself during the meal scene, I felt that he gave off an aura of someone who was more than just an ordinary person. In the scene where she first meets Gira, Hymeno says, "I'm interested in you," and touches Gira's chin. I remember being surprised because we had only just started filming (laughs).

"Next, tell us about Yanma."

Murakami: Hymeno is a young lady with a rich upbringing, while Yanma is a yankii who's risen up from the streets of poverty. They're complete opposites, but they have a strange relationship in that they can share some things with each other. In episode 7, when Hymeno talks about her past, Yanma doesn't stand by her, instead, he speaks from a completely different angle. But, I believe that Yanma's statement of, "That kind of consolation doesn't help people grow," was said out of kindness.

"What's your impression of Rita?"

Murakami: Rita is a neutral person, someone who attacks everything with logic, so at first, there were scenes where I was made to feel as if, "Someone I don't like very much is here." But, as I got to know them better, I found that they looked directly at Hymeno and took her more seriously than anyone else. Rita is someone who can stand by others. The back to back fight with Hymeno is my favorite scene with Rita.

"How about Kaguragi Dybowski?"

Murakami: For Kaguragi, I got the impression that he was a very hospitable, lively and pleasant guy, but, he's also deceitful and had ulterior motives, so I couldn't trust him. Even in episode 13, there's a line where Hymeno looks annoyed when she sees Kaguragi and says, "Why are you (here)…?" That foreshadowing was beautifully revealed in episode 19! You can't tell people just from looking at the surface….

"Please also tell us about Jeramie Brasieri."

Murakami: I got the impression that he was a, "Strange spider man," who didn't really know what he wanted to do. However, when he finally opened up, I realized that he just wanted to get along with everyone. From Hymeno's point of view, it's like, "Why are you doing things in such a roundabout way?!" (laughs). In episode 14, Hymeno doubted Jeramie, saying, "Are you the one who caused the Wrath of God?!," but he kept saying, "I want you to read between the lines." If you just speak properly, I'll get the message. But, it's probably because he's never been able to engage with other people before. I find his clumsiness abit endearing, so I can't just leave him be.

"Do you think there's anything about the other 5 cast members that you would consider to be kingly?"

Murakami: One day, I was on standby for my scene, but due to time constraints, we didn't film it. I was feeling alittle sad about it, but Taisei-kun encouraged me by saying, "Don't worry!" I thought his casual concern for others was like a king. For Aoto-kun…when we had just started filming, there was a time when I was feeling depressed because I felt that I couldn't act well. When I went to the filming site the next day, Aoto-kun said, "I'll give you some candy." That sort of indirect kindness is both heartwarming and comforting.

"Looking through Murakami-san's SNS, we can see that she and Yuzuki Hirakawa-san, who plays Rita, go out together on their days off and seem to get along well."

Murakami: That's right. There are separate dressing rooms for the men and women, so Yuzuyan (Hirakawa) and I spend all our time together, even when we're not filming. I sometimes call her "YuzuYuzu." She's someone who can honestly and clearly say what she thinks, and I think that's a strength similar to a king.

How about Kaguragi's Kaku So-san, and Jeramie's Masashi Ikeda-san?

Murakami: Kaku-san is the oldest of the cast members, and I can tell that he's looking out for all of us with a sense of responsibility. He plays the kind of king who surrounds everyone. Ikeda-kun is always smiling and laughing at my boring jokes. The same goes for Kaku-san, and their kindness makes me feel like they're kings with a big heart.

"Are there any situations as Hymeno that you'd like to play in the future?"

Murakami: After filming the movie, I felt there were situations where I was like, "Hymeno is strong, so I can't let these things discourage her." I would like to try something like, "(through tears) I don't want to ruin my mascara." (laughs).

"Since we're about to enter the new chapter, please give a yell of support to the current Hymeno!"

Murakami: Hymeno~! You're not only selfish, but you've also got a cute side to you. I don't know what the new chapter will look like yet, but, as long as you stay the way you are and walk the path you believe in, I'm sure you'll be fine!

_

Hirakawa Yuzuki (Rita Kaniska) Interview

-Rita is calm and quiet, but is the opposite of "cold"-

"At the time of being chosen for the role and filming began, how did the staff explain the character to you?"

Hirakawa: Since the time of the audition, I was told that Rita would be, "A character who's calm, quiet, and fazed by nothing." The word, "Immovable," came up while I was reading the script and having discussions with Pilot Director, Kazuya Kamihoriuchi-san. Also, they mentioned that the character doesn't show many emotional highs or lows. As the international chief judge, they always take a step back and look at things objectively, but, this wasn't dictated by the production team, I thought it'd be better to do that if I were Rita, so they adopted it. Even at times when I'm with everyone during filming, I try to keep one step back.

"For your role Hirakawa-san, what kind of character do you think Rita is?"

Hirakawa: Rita has many faces, including the face they show to everyone and the face they show when they're alone. At a glance, they may look like an inhumane and cold person, but, they scream alot and talk with their Moffun plushies to clear their mind, and among the 6 kings, I feel that they're surprisingly humane. But, on the other hand, they also have a role as chief judge, and there are times when they have to stand in front of a crowd as king. Even in our normal lives, there's a sharp contrast between when we're working and when we're having fun. I'm sure that Rita feels that way too. Because Rita has so many sides to them, it's easy for viewers to relate to each side and way of life, and I think that's why we've received so much positive feedback. Furthermore, Rita often confronts people with the harsh truth of their situations, but it's proof that they've seen and dealt with them properly. If there's even abit of doubt, they investigate with their own eyes and legs.

"Compared to when you first started filming, what are some new things you've discovered about Rita recently, and how do you feel they've grown?"

Hirakawa: When we first started filming, we only received the scripts for 2 episodes, so I though, "What's going to happen to Rita?" In episode 5, which is Rita's first main episode, the scene where they talk with Moffun I had already performed during the audition, so I an idea that such a scene would be included. As I read the scripts and acted in episode 5 and so on, my image of Rita finally solidified in my mind. Thinking about it again, I've recently started to show my own personality in front of everyone.

"The scene with Morfonia in episode 10 was particularly memorable."

Hirakawa: That's the scene where, through Moffun, Morfonia said to me, "If the world's going to end, why not ask for someone's help just once? Moffun wants to stay together with Rittan." At that time, I think the feeling of, "I have to tell you what I'm thinking," developed within Rita. As a result of having the courage to show their true feelings to Morfonia, I felt that they had become less of a barrier to those around them. It was a moment where I felt that Rita had grown by taking a step forward on their own.

"You mentioned earlier about your position. What else do you keep in mind when playing Rita?"

Hirakawa: Rita's face is usually covered by the collar, so there's alot that can be conveyed by the way they look at you, the way they blink, and how they open their eyes. For those reasons, I pay extra attention to eye contact. Since the only source of information about facial expressions is through the eyes, even a quick glance at someone conveys information about how you feel towards them. The same goes for the movements of the body as a whole, but I'm still very conscious of the eyes. This is a character whose imagination grows in the minds of viewers, so I want to make sure they don't get the wrong impressions. And, when I'm speaking as chief judge, I also try to make my words sound compelling. I have a naturally low voice, so in order to make my voice more low pitched and stable, especially when making a verdict, I would lower my voice and make it stronger. The trial scenes are the most difficult, because there's alot of difficult lines (laughs). When I read the script and came across a word that I wouldn't normally use, I'll use a handwriting app on my phone to find out how to read it. I think that if you don't understand the meaning of your lines before saying them, it'll be unconvincing, so that's one of the points I'm working on. In addition, Rita, from their position of neutrality, has many loud, impactful lines in which they declare important things for the countries, such as the "Five Kingdom Alliance," and the trials by combat. I'm mindful of closing scenes like that in a cool way.

"Speaking of voice, the tone of their voice when they're alone in their room was also striking."

Hirakawa: The tension in the room when I was speaking to Moffun was like, "No moooore!," as I had been influenced by the script and felt it was much different at first. But, when I was reading the script the day before filming, Director Kamihoriuchi told me that there was a change in direction (laughs). However, I think the fact that the tension was the same as in the actual broadcast made the scene more surreal and cute. Still, just talking to some plushies is quite a contrast, isn't it? I also enjoy the close up shots. The lines that Rita says to Moffun aren't meant to be sweet, but are instead abit of a lesson. By speaking with Moffun, Rita must be trying to clear their mind. Performing those interactions has become a "switch" for me, and I feel as if I have a small Moffun in my head as well.

"It seems to be very difficult to keep the tension the same, in addition to being required to perform in a slow, almost whispering manner."

Hirakawa: That's right. Also, while men's low voices resonate great, it's abit difficult to make women's low voices resonate. Voices change depending on the condition, so I have to pay attention when making adjustments.

"Another scene that's received alot of attention, are those where your character screams in panic."

Hirakawa: The script said, "Aaaaaah!," so I wasn't sure what to do at first… (laughs). I hadn't really screamed much in any of my previous roles, so when we set up for the shoot, the Director gave me the direction of, "More screaming! more!" This happened before we ate lunch, but during the actual performance after eating, the volume of my voice became much louder. I then realized the importance of food. From then on, whenever my voice became low during filming, the Director would ask me, "Want to eat some food for now?" (laughs). Rita does that outburst when they feel like their head is about to explode, so I guess this too is sort of a "switch." It's normal of Rita to make strange noises in order to calm down. In episode 9, when Rita screamed, Yanma responds with, "Stop that! It's so annoying!" That was actually an adlib by Watanabe-kun, who plays Yanma. It made me very happy!

"What are some of the challenges you face when performing?"

Hirakawa: My visibility is poor. When I check my standing position on set, I can't see the right half of my body. As for the difficulty of my movement, I've been doing this for more than half a year now, so I've gotten used to it. Speaking of getting used to it, I wear boots with a heel of about 10 cm.* They're one of my favorites because of how cool they are. (*alittle under 4 inches)

"When are the times where you feel most comfortable playing the role?"

Hirakawa: The setting and worldview are completely different from the environment in which we actually live, so there are many things that we wouldn't normally be able to do. So, everything's alot of fun. It's also the first time for me to play the role of a judge (laughs). As I mentioned earlier, Rita has many sides, so I play them as if I were playing 4 roles at once. The most enjoyable scenes are those in which they can perform comedic movements. For example, in episode 9, they rush forward with the hilt of their Ohger Calibur to stop Gira's outburst, and in the film, they run towards Yanma with their hands raised. I hope you'll pay attention to the way they're slowly making such movements, even in front of their friends.

-They're calm, but, when they're excited, they're excited!-

"At the time of this book's publication, the episode that will have aired is episode 26, which is the end of the battle with the Bugnarak. Please tell us about any memorable scenes or lines from Rita."

Hirakawa: I was really impressed by episode 16, which dove into Rita's past and their childhood when they became a judge. I also liked that Rita's first exchange with Shiron, who they judged, was connected to the main plot of the story. This was the episode where Rita reaffirmed their resolve and responsibility as king, and strongly vowed, "As king, I will absolutely uphold neutrality and order," so it made me feel even more nervous playing the role. Gokkan is a special country whose citizens are current or ex criminals, so it seems alittle different from the other countries.

"You've had a lot of battles, which one has been the most memorable in terms of action?"

Hirakawa: Hachisuka Yuichi-san, the suit actor who plays PapillonOhger, Rita's transformed form, has been carefully teaching me how to swing a sword and move my feet one by one. Even the smallest movements, like how to hold the sword or the angle of the sword towards the camera, are the parts that he's very particular about, as he watches and guides me from the monitor, he says, "If you do it this way, you'll look cool!"

"We'd like to hear Hirakawa-san's impressions of the characters surrounding Rita. First, please start with Gira."

Hirakawa: He's so straightforward, that it makes me worry. It's really cool that he acts for everyone's sake, even at the cost of his life, but, he also has a boyish cute like feel to him that I think makes him a really lovable character. It's also nice to see him switch from his cute face to a cool kingly face. It's wonderful that he always thinks with everyone in mind.

"How about Yanma?"

Hirakawa: Out of the 6, he's the most wild, and has a manly spirit. When he says, "I'll follow the path I believe in!," I like the way it sounds, it's got a strong feel of passion within its roughness. It might be because he grew up in the slums, and has worked his way up the ranks, but he also has abit of a playful and approachable feel to him. Most of all, his cool attitude of "Follow me," makes me think that he'd definitely make any N'kosopa citizen a fan.

"Continuing on, Hymeno Ran."

Hirakawa: I think everything about her is beautiful and cute. I feel the strength of a woman from Hymeno, and she's the kind of hero that girls admire. She acts selfishly, but it's not for personal gain. It's wonderful that she does it for the sake of protecting others. I also feel the power to keep believing in what I once believed in, and to keep moving forward with it. I also think the fact that she enjoys fashion with her hair, makeup, and constantly changing dresses, is also appealing.

"Next is Kaguragi Dybowski."

Hirakawa: I don't know what he's thinking anymore! (laughs). Kaguragi is always up to something, and I think he's the most unpredictable out of the 6 of us. But, as king, he says he'll, "Get his hands dirty to protect his people," so he really does come off like a nice older brother. He's a man who'll take any side for the sake of his own benefit, so I feel that he's the most important person for Rita to watch out for and to always keep an eye on.

"We'd also like to ask about the sixth warrior, Jeramie Brasieri."

Hirakawa: Jeramie is someone who also has alot, if not more, mysterious parts to him as Kaguragi. He's brought to Gokkan every time something happens, so he has alot of scenes with Rita. I personally don't get what, "Between the lines," Jeramie is saying for us to read (laughs). However, I think he's got some similarities with Rita. I think they can relate to his inability to honestly express his thoughts, and his emotional highs and lows. I think he's the talking type, and the fact that he's so mysterious is interesting.

"Finally, one more person. What do you think about Morfonia, Rita's retainer who really understands them?"

Hirakawa: Although she's someone who always says, "Work is too much trouble…," she's a hard worker, who does what Rita asks her to do quickly and efficiently. I don't think their relationship with her was that close until episode 10, but after that conversation, the way they treated Morfonia changed. For her, she's also changed the way she treats and looks at Rita, and I think she's become more interested in Rita as a person. She's a cute, reliable and a beloved character.

"Do you think there's anything about the other 5 cast members that you would consider to be kingly?"

Hirakawa: I was told that it's uncommon, but this time, all 6 main cast members are over 20 years old. So even though everyone is usually pretty calm, when they're excited, they're excited, just like the kings in the show. When one person messes around, another one joins them, and then another will pick up on it…it's a really peaceful and fun scene to witness (laughs). No matter what I do, there are those who will definitely join me, so I'm grateful for that.

"You're all good friends, aren't you? We've heard that you'll sometimes go out to eat together."

Hirakawa: That's right. We often go out to eat together after filming, and we have alot of fun talking not just about filming, but about casual things too. It's currently pretty rare, but since I'm from Kumamoto, sometimes it's hard for me to understand the intonation of some words in standard Japanese. Furthermore, I was nervous about the intonation of some words we don't usually use, like court terms and the explanatory lines, so I had to ask Watanabe-kun and Kaku-san about them. Then, they'd say something random and unintelligible to confuse me, so I'd always laugh and say, "That's definitely not true, right?!" Also, it's very popular to imitate and speak as the characters on set. If you imitating Racules's name calling, or if you speak in a way that takes alot of time, like Kaguragi, you're sometimes called, "Toufu Ruler" (laughs).

"From now on, do you have any hopes for Rita to develop in the future?"

Hirakawa: Someday, I'd like to take off the collar and talk with my face in front of everyone. Right now, they only take it off in scenes where the other kings aren't around or during battle scenes. Scenes for joking around are also good. I think it'd be really interesting if a character who doesn't usually do silly scenes, actually does some, and I think Rita is the right person for that role. On the other hand, I'll have a sense of responsibility to make it funny, but, I'll be sure to give it my all if my wish comes true!

"We're finally entering the new chapter. Hirakawa-san, please give a yell of support to the current Rita!"

Hirakawa: Just as peace has been restored with the creation of the sixth kingdom, I have a feeling that new enemies will also appear. However, if you have faith in what you believe in, and do what you need to do, I'm sure you'll be able to face the challenges. You have wonderful friends now. Please take a quick breather and do your best!

_

Kaku So (Kaguragi Dybowski) Interview

-Being recognized as a liar makes me happy (laughs)-

"We understand that Kaguragi was meant to be more dark hearted, and to be more of a villain in the initial setting."

Kaku: During the time of the audition, I got the feeling that he not only played tricks, but also cheated others with his words. However, I thought that the type of character that's skillful with words but pushes through with power in the end would suit my style, so I tried to play it in that manner. Later, when I got the role of Kaguragi and filming started, the character wasn't as cruel as initially described, he was always smiling, and was able to overcome any situation with force. I think there was a direction to make him more scary, as if you don't know what he's thinking, but, I got emotionally attached to Kaguragi and decided to make him more interesting, somewhere between "amusing" and "cool", I played the role while thinking that it would make his character come to life more, and that's how I ended up with the image of Kaguragi that you see now. Kamejim, the Bugnarak's Prime Minister, is a dark hearted character who's also a trickster, but, unlike Kamejim, Kaguragi is a more refreshing character. Instead of those around him saying, "(with a frown) He's a bad guy…" it's more like, "(with a look that says: I've been robbed) He's a bad guuuy!"

"As the story progresses, what new aspects of Kaguragi have you discovered?"

Kaku: In episode 8, when Gira and Racules were doing trial by combat, Kaguragi was supposed to give Racules an anesthetic disguised as poison, but, when Hymeno asked him if he had switched them, there was a scene where he turned his head and went, "Ho?" Director (Kyohei) Yamaguchi, who directed episode 8, told me to, "Make it easier to understand," and I did just that, and it was unexpectedly popular on set (laughs). I was worried that I might lose the character of Kaguragi, but the response to the broadcast was positive, and I realized that going in this direction was also acceptable. Episodes 1-5 were a period in which the framework of Kaguragi's character was established, and while the framework we created was important, we didn't want to stray too far from it. However, I thought that if I was too concerned about not wanting to change my original image, I wouldn't be able to expand the scope of my role.

"As the story progresses, we find out that he has a little sister named Suzume."

Kaku: I knew early on that I had a younger sister, and that she was being held in Shugoddam as a hostage, but I wasn't told how she ended up there. In episode 15, the scene where he talks to Suzume for the first time was depicted, but, if I had been acting in the image I had up until episode 5, I might have thought, "Is it okay for me to act so silly with my little sister?" I was able to act easily after playing the unusual role of Kaguragi for so long, and (Mami) Kamura-chan, who plays Suzume, is an excellent actor and is good at adlibs, so we can act and joke around with each other in a positive manner. I was led to believe that Suzume was gentle and had a sincere personality, but that's not the case at all, the character is more, "Like brother, like sister." They have the same core beliefs that everything they do is for the sake of their country. They're the perfect siblings for the country of Toufu, don't you think?

"What do you pay special attention to when acting?"

Kaku: In regards to facial expressions, I thought it'd be funny if I smiled during critical scenes, or, if I had a more serious look in a scene, people might think, "Is Kaguragi being cornered?" I try not to bore the audience with my performance. I want to be as funny as possible, but in serious scenes, I just have to go with the flow. I make sure to pay attention to that.

"Kaguragi is always a step ahead and planning strategies, but how far ahead does Kaku-san know?"

Kaku: I don't know anything (laughs). I only knew that Racules would be leaving, and that the new chapter would begin after episode 26. I act after understanding the developments of the story up to 2-3 episodes ahead of the one we're currently filming, then, I would get the script for the next few episodes and continue to work on the story. It's a process I'll repeat. Even in the scene where he and Racules are trying to figure out each other's true intentions, as part of his trickery, Kaguragi pretends not to know, even though he does know alot of things, while I myself don't know anything. Honestly, it's difficult to play the role this way. I wish they'd atleast tell me alittle more…(bitter smile).

"Masato Yano-san, who played the role of Racules, was said to be aware of what was going to happen in the future."

Kaku: He knows what'll happen to Racules, but he doesn't know anything about the other characters. Maybe he does know and is just keeping quiet (laughs).

"The battles between Kaguragi and Racules to find the other person's true intentions were always worth watching. Some fans said, "Just those scenes alone were like a night time drama."

Kaku: (laughs). I had alot of fun interacting with Racules. I knew alittle bit of what was going to happen, so I used my imagination to fill in the blanks, and I discussed the performance with Yano-chan. It was more like a negotiation than a discussion. We didn't talk much about the details, but I would watch Yano-chan's performance on set and think to myself that, "If that's how he's going to do it, then I'll do it too," and, "I see, so that's how it's going to be," and I played my role, thinking it was a good learning experience. It's nice to be called a, "Night time drama." I think it means that we were able to create a world for the 2 of us. Kaguragi has a very serious face for serious scenes, but in the scenes with Racules, he bluffs or makes exaggerated and dramatic facial expressions and movements, and I like these scenes because it gives off a sense of trickery, and expresses Kaguragi's true side.

"The scene in the film, "Adventure Heaven," which was released in July, in which Kaguragi and Iroki, the previous ruler of Toufu, confront each other, is also memorable."

Kaku: Hinagata Akiko-san played the role of Iroki, and I think it turned out to be a very good scene. Also in the film, the confrontation between the kings and their past hardships was the highlight of Kaguragi's performance.

"What do you feel is the most difficult when playing Kaguragi?"

Kaku: In the beginning, I had a hard time with the dubbing. Now, I'm quite used to it, and the other cast members are also getting alot better with their voices, and I'm always impressed at the speed in which they're growing. My comments are somewhat from a father's point of view, but since I'm older than the other main cast members, I can't help but feel this way (laughs).

"Can you name some of the most memorable scenes and lines of Kaguragi up to episode 26, which has aired by the time of this book's publication?"

Kaku: Episode 18 left a lasting impression on me overall. Particularly in the second half, when he and Gira cooperate to defeat the giant robot King-Ohger ZERO, which is piloted by Racules. When asked by Racules, "Was everything you did to take away my power?!," it became clear that Kaguragi himself was acting in a calculated way. The first half's, "He's unfair," is also memorable. When Gira tells me how Suzume is doing, and I ask, "What do you want in exchange for this information?" Gira replies, "Nothing." I was once again drawn in by Gira, who never asked for anything in return….It was a nice scene. Taking place in Toufu, Episode 4 is also very impressive. He's unmoved by Desnarak VIII, and dosen't show his true feelings, but, his expression changes the moment the crop fields are burned. I remember that scene well because it clearly showed Kaguragi's character, someone who values the country of Toufu and its citizens above all else.

"In episode 5, when the 5 kings fight together for the first time, Kaguragi says, "I've always believed that this day would come!," and it's funny to see Gira and the others yell at him with, "Liar!"

Kaku: I was happy that the other kings recognized me as a liar (laughs). Being a liar is one of the characteristics that define Kaguragi.

"If the kings are going to unite to fight against new enemies in the future, we feel like Kaguragi won't be able to showcase his individuality…"

Kaku: My own prediction is that the kings will break up atleast once. I have the impression that the royal Sentai aren't always on good terms. Therefore, I believe that Kaguragi's character will continue to be shown off. Also, if the enemy were to say, "We're going to destroy all the countries, but we'll save only one," Kaguragi will betray the other kings in an instant (laughs).

-Out of the 6 of us, I'm the, "Selfish king," that hogs the air conditioner-

"Now, we'd like to hear your impressions of the other kings surrounding Kaguragi. First, let's start with Gira."

Kaku: In episode 18, it's clear that Kaguragi is drawn towards and approves of him, as evidenced by the "He's unfair" line. However, some may think that he's easier to handle and hold in my grasp as opposed to Racules, so I like him because he's easier to deal with. Personally, I think he's cute (laughs). I think he gives off the strong feeling of a little brother.

"Please tell us about Yanma Gast and Hymeno Ran."

Kaku: There haven't been many opportunities for Kaguragi to interact with Yanma, but, Kaguragi understands that Yanma is smart, so if he wasn't able to manage himself well, he'd probably be thinking carefully when talking to Yanma. On the other hand, I think part of him feels that because Yanma's so smart, it's easier for him to plan ahead, or that his actions are easier to read than Gira's, which are based more on instinct. My impression of him is that he's passionate and cool! I liked the scene in episode 17, when he's falling apart, and says, "Don't you dare lose!," and Gira takes over. I think it's great that he's always so cool. The way he lives, the way he thinks, and even his actions have a certain charm to them that makes him a lovable character. Aoto, who plays the role, is also very cool. He's always on the scene as Yanma, or rather, he's always thinking about how Yanma would act in certain situations.

At one point, I thought that Hymeno and Kaguragi got along, but I think they probably don't like each other since the falling out in episode 8, where he went, "Ho?" (bitter smile). I hope they can talk things out and make up in the future… My impression is that she's simple and cute. She acts like a princess in every way, and even though she's selfish, that by itself is cute. Even still, the way she stands and acts in the battle scenes are powerful and cool. That kind of contrast is also wonderful.

"Next, Rita and Jeramie."

Kaku: Rita is also cool. When they're interacting with Moffun, I think the contrast is rather sly (laughs). I think Hirakawa Yuzuki-san, who plays the role, is very good with action. It must be difficult to move in those boots. From Kaguragi's perspective, they seem like a strict judge, and I think he perceives them as someone he'd like to have on his side somehow. In their relationship, Kaguragi visits Rita and tries to give them a gift. Rita doesn't want to accept it, but Kaguragi says, "Now, now, that just won't do," and forcibly hands it to them, pulling them into his own pace…that's the image I got from it. This is all just my imagination.

In episode 20, Kaguragi and Jeramie worked together to deceive Racules, and as a result, they revealed that Boshimar (Racules's close aide) was really Kamejim, and they've been fighting together ever since then. He also looks over the relationship between Kaguragi and Suzume, so I think they also have a good relationship. I think it's because of his parents unacceptable relationship, being between a human and Bugnarak, that Jeramie has a weakness for separated families, and he wants to support them. From my point of view, isn't he too good looking? I think he is. And that voice…it's really not fair. I'm talking about his actor, Masashi Ikeda-kun, who plays Jeramie, he's also good at soccer and plays the drums. (said earnestly) It's so unfair, isn't it?~…

"(laughs). We'd also like to hear your impressions of Kuroda-san, who's close to Kaguragi."

Kaku: From the beginning, I was told that Kaguragi was served by people dressed in black, but I wasn't told that there was one prominent member among them. From the viewer's point of view, I guess they wouldn't have expected such a person to exist, but gradually, Kuroda-san became more noticeable, and his relationship with Kaguragi began to be depicted. Kuroda-san is more like a family member than an aide. I think he's been by Kaguragi's side for a looong~ time. He's alittle older than me, and I think we've grown up together since we were children. He's capable of saying one word that'll resonate with Kaguragi's heart, and I think he's able to do so because he's always been watching over Kaguragi.

"Among the main cast members playing a king, who does Kaku-san feel is most kingly?"

Kaku: Hmmm, since the show was first announced, I've often been asked questions related to being a king, but I still can't come up with any good answers…If you think of a kingly image, "arrogant" or "selfish," may come to mind, but there's no in this cast that fits those terms. Everyone, they're all such good kids. But, I may have to say that I become selfish when the temperature rises. I'm sensitive to the heat, and since I'm wearing such a costume, I tend to hog all the places where an air conditioner is running, or, I turn the temperature down really low and tell the others not to turn it up, even if they're cold (laughs). If I were to consider the most kingly character as a leader who pulls everyone along, I would say it's Taisei. Calling him charismatic would be abit of an exaggeration, but, even if he's lacking in certain areas, he's good in others, and he has a certain atmosphere to him that brings everyone together. People around him want to support him just like Gira, and maybe even carry him up in a holy palanquin. In that sense, he's like a king.

"What scenes would you like to play in the future?"

Kaku: It would be a scene where I take off my costume and show off my body. Actually, I've already told the staff what I want to do, but if it's going to happen, I'd like to know as soon as possible. I'd like to finish my body first. And then, a twin episode (laughs). Within the Super Sentai series, often times there are episodes where someone who looks exactly like a character appears and swaps places. Since the first part of King-Ohger ended with episode 26, we didn't have room for that kind of story, but, it may be possible now. I have a twin brother who looks exactly like me, so I'd like to make the most of that. He's not an actor, but he says he'd be happy to act in the show if it were to happen (laughs). Also, Taisei himself is a very interesting character, so I hope there'll be a time when we can make use of him. That boy, after all, he shines the brightest when he's just messing around. That's something he's admitted to himself and others. Also, I'd like to see Rita being more expressive. In the film, it was ghosts, and in episode 26, they're depicted as being afraid of the dark, but I think there's another side to them that we don't know about, so I hope we're given a close up. Hirakawa-san herself is frightened easily, and when I tell her a slightly scary story, she screams, "Please stop it!" (laughs).

"Finally, Kaku-san, as episode 26 finishes, please give a yell of support to Kaguragi."

Kaku: I think Toufu will probably be in danger again (laughs), so you may have to deceive your friends in order to protect the country. I also think that Suzume will be entering a difficult time in her life. But, please don't be discouraged and do your best!

_

Ikeda Masashi (Jeramie Brasieri) Interview

-I like talking, but I'm not used to talking to other people-

"In the beginning, what kind of character was Jeramie and how was he explained to you?"

Ikeda: He’s 2,000 years old, so he has foresight and plenty of time to waste, and was born between a human and a Bugnarak. When I asked…I was told that he can manipulate spider webs at will. It was also explained to me at the beginning that he's the storyteller of the world's story and will also narrate the show.

"In episode 11, we got goosebumps hearing, "A man who becomes king, this is my story," in the ending narration.

Ikeda: I was also surprised when I read the script. It was an original concept, so I was looking forward to seeing the end result on screen.

"Based on the description you received, how did you approach the character?"

Ikeda: When I read the script, there were many unique lines and inflections, so the first thing I thought about was how to express them. I'd record different ways of speaking, listen back, and then decided that the stuck up way of saying things were the most interesting. The premise is that Jeramie likes to talk about himself and the stories he's created. So, when I talk to someone, I try to look like I'm having fun and enjoying myself more than anyone else. I think it'll lead to expressions with more composure. I was also conscious of the way I walked, my gestures, and appearance in general so that I could develop a habit of being Jeramie. The most difficult part of the role was that his mother is a Bugnarak, and that his emotions are different from those of a normal human. I wondered, “What would it feel like if my own parents were Bugnarak?” In the beginning, I couldn't comprehend it no matter how much I thought about it, so I just kept imagining memories of my mother that weren't depicted in the show. Even still, it was difficult for me to find feelings for the Bugnarak, or rather, affection for non human beings. I also wondered how he'd seen the world over the past 2,000 years and what he'd been thinking about when he wrote his story. There are many aspects of Jeramie that are not depicted in the show's script, so I had to really think about it. Even now, I still do.

"Did you make any new discoveries while exploring further, or did you have to revise your performance over the course of the episodes?"

Ikeda: When he first made his appearance, he always said the words, "Between the lines" (laughs), and I just felt that he was someone who wasn't used to having conversations with others. But as times went on, I came to realize that Jeramie was truly a genuine and honest person. I felt that this is why he reacts to many things in a more genuine way than anyone else, and shows it most in his facial expressions. As Jeramie gets more involved with the 5 kings, he changes and grows, becoming alot more careful about communicating clearly between the lines. Every time I'm given a new script, a new side of Jeramie's character is depicted, and I feel like he's constantly being updated. Despite being 2,000 years old, he's never socialized before. The first big change was that he took off the mask he'd been wearing in episode 11, and I think we can all agree that he started a new life from that moment on. At that time, if you were to interpret it as Jeramie being reborn, he's still like a baby, so it's only natural that he'll continue to grow everyday. There are new changes every time, and thinking of ways to express them is both fun and a challenge. In that sense, I'm grateful for the role of Jeramie, as it gives me a sense of fulfillment as an actor.

"The symbolic color of Jeramie is white, and Ikeda-san personally loves white, so he wore a white outfit to the audition."

Ikeda: I matched everything in white, which might be hard to imagine (laughs). My shoes, pants, shirt, cardigan, and jacket were all white. I wore a white coat over it all. I like white, but I had never dressed myself up this much. But, I wanted to give it a shot, so I auditioned completely white. And with the role I got, his getup was even whiter than mine. Jeramie's costume is really cool. When I stood in front of the mirror for the first time wearing Jeramie's costume, with my hair and makeup all done, I thought, "Who's this?" (laugh). I'd never had the opportunity to wear such a prince like costume before, and I don't think I ever will again. Every time I go to filming, I'll wear it while thinking about how happy it makes me.

"Do you have any difficulties narrating the show? We've heard that you don't like hearing your own voice…"

Ikeda: Every time I do the narration, it's given the OK for airing, but I've never been satisfied with any of the ones I've recorded. There's alot of trial and error each time I record, but I don't feel like I'm getting a good reaction. I think I still have a long way to go, so I'm going to keep working hard.

"Every time we listen, we think you have a nice voice."

Ikeda: Thank you so much. It's very encouraging to hear you say that. But, being a storyteller means I can see every detail, and that I also know how the story will end, so I can feel the difficulty of it all. Some episodes have a closing narration at the end, and I do like those lines because they're cool. Is it the narration as a storyteller? or is it the voice of Jeramie's heart in that scene…? I think you'll enjoy the show more if you watch it while interpreting things in many different ways.

"As of the publication of this book, episode 26 will have aired, but please tell us about any scenes or lines featuring Jeramie that are memorable."

Ikeda: It would be episodes 24-26. Those 3 episodes were a turning point in Jeramie's life, where he felt the same realization of growth, maybe even more so, than when he took off his mask. All of the scenes and lines are memorable. In episode 24, when Boone discovers that his fear of Bugnarak is based on a legendary story he wrote, Jeramie is stunned, saying, "Common sense, rules, prejudice, discrimination, bigotry…I was the one who created them…" I was just as shocked when I read it in the script. The legend of the royal Sentai doesn't state that the Bugnarak did anything wrong. But, reading the text, "5 heroes and their guardian god King-Ohger defeated the Bugnarak and saved mankind," would make anyone believe that the Bugnarak are bad guys. I was impressed by how well done it was, and Jeramie seemed to enjoy talking about it, that I almost felt like saying, "It's no good!," in a forced way. In episode 25, the conversation with Gerojim was memorable. He says, "What you lack is determination!" Jeramie responds, "Follow me…to the In between Land Bugnarak. You'll be the first citizen." I'll never forget it because it was the moment when Jeramie decided that he was ready to become the king of Bugnarak. From then on, I'd be playing Jeramie as a king, so the scene was a turning point as well. In episode 26, there's the scene where Jeramie is entrusted by Desnarak VIII, saying, "You will be king, and they will accept it. That the Bugnarak, are here…!" In the 3 episodes beginning with episode 24, it's revealed that Desnarak had alot of things on his mind when he was king, and Jeramie inherits that. Now, I have all these feelings regarding Desnarak, that when I first read the script, I cried. And also, there's the narration before the opening of episode 24. It was different from the usual wording, so it's stayed with me.

-I like Kaguragi, as he's someone with alot of space between the lines-

"Now, please tell us about the characters that surround Jeramie. First, let's start with Gira."

Ikeda: From Jeramie's point of view, I think he trusted Gira from the beginning, and for the time after the broadcast of episode 26, I think he genuinely thinks he's a good person, more suitable as the king of Shugoddum than anyone ever was. The impression I have is….he's cute. He's pure, and when I look at him, I often wonder, "What's he up to?" In episode 15, he camouflages himself as a taxi that looks like a pillbug (laughs). But, I think him being straightforward to protect his people is really cool.

"How about Yanma?"

Ikeda: Jeramie understands that, just like Gira, Yanma is a good king. On the other hand, we know that he's abit of a bad boy, and in episode 19, just like a bunch of bad boys, we joined forces to get some payback on Racules, who treated Jeramie and the other kings cruelly in the past. At that time, I think Jeramie went along with Yanma's plan because he trusted him and realized he was his friend. Yanma always reacts when Jeramie says something. It must be nice for Jeramie, a storyteller who wants someone to listen to him. As for me, I have the impression that he's a passionate guy. I think he fits well with the title "President" of the N'kosopa citizens.

"Now then, how about Hymeno Ran. She and Jeramie had abit of a dispute over the issue of the "Wrath of God."

Ikeda: At first, Jeramie called Hymeno, "Young lady," but, in episode 14, when he saw Hymeno promise to the girl in Ishabana that she would keep their country beautiful, he acknowledged her as queen. Jeramie doesn't look down on the other kings just because he's older. He did used to treat Desnarak like a kid and provoked him (laughs), but he sees all of the human kings as equals and trusts them. Of course he trusts Hymeno, and I think that's why he asked for Gerojim's test. And my own impression is that she's just so beautiful. Not only in terms of appearance, such as the costumes and hairstyles, but also in terms of strength, so I think she's beautiful on the inside as well.

"Next, tell us about Rita Kaniska."

Ikeda: I have a feeling that Jeramie trusts Rita like any other king, but also thinks that they're cute. Sometimes Rita screams real loudly. Towards the climax of episode 19, they screamed, and while everyone was surprised, only Jeramie was laughing. He saw a human side of Rita and smiled, knowing that there must be a side of them that they've yet to show everyone. Because they trust him, even if they suspect something from him, Jeramie feels safe when they take him to court. But, then again, Jeramie's put on trial alot, isn't he? (laughs). Also, there are so many things that Rita makes him realize. For example, in episode 14, they explained to him why Hymeno was angry, because he wasn't able to read between the lines. And when he was down, Rita gave him a chance to get back on his feet. For me, I think Rita is just too cool. When they transform, their right eye, which is usually hidden by their hair, is revealed…and it's gray colored. I love situations in manga and anime where a person reveals something that's usually hidden and goes into a stronger mode. So, Rita's eye isn't fair! (laughs), and yet, they also have the cuteness to talk to their plushies…I think they’re a wonderful characters.

"Please also tell us about Kaguragi."

Ikeda: From Jeramie's point of view, I think he has slightly deeper feelings towards him than the other kings. That's because, he knows about his sister. Because of Jeramie's own upbringing, he can't leave people who care about their family alone. In episode 15, when he finds out that his sister is being held hostage in Shugoddam, he takes the lead in helping Kaguragi, and in episode 20, when he hears that he's doing it for his sister, he helps out by disguising himself as Kaguragi. Kaguragi has also relied on Jeramie, and I think they communicate with each other more than with other kings. I think there's something about Kaguragi that I really like about him, and I feel that he has a story that's, "between the lines," more than mine is. That's why I interact with him alittle differently than the other 4. As a viewer, he must be an interesting character to watch. Just when I think I've got him figured out, he outwits me. It's hard to read what he's really thinking. I think he adds a good "spice" that makes the show more interesting.

"At this point in time, Gerojim is probably the closest to Jeramie, so we'd like to ask about him too."

Ikeda: He's the first citizen of the new Bugnarak Empire. While they meet in a different way compared to the other kings and their retainers, Jeramie trusts him, and a sort of friendship formed between them, while also having a strong desire to protect him. In episode 25, Gerojim risks his body to make Jeramie realize that he lacks the determination to be king. In episode 13, Jeramie saves him by pretending to have defeated him and brought him along, but back then, I never thought that he would end up playing such an important role. With such a voice, he says, "What you lack is determination!," and, "If you're going to be king, you must be prepared to risk your life," so I can't believe his way of speaking…

"He's voiced by Seki Tomokazu-san."

Ikeda: During filming, I would act with Seki-san's voice in mind, and when I heard his actual voice in the finished video, it's always better than what I had imagined. We haven't had a dubbing scheduled together, but I'd like for us to perform together someday. Everyone always imitates Gerojim's voice on set. I'm so emotionally attached to Gerojim, that I can no longer look at him objectively, but I'm curious about how everyone else sees him.

"Other than Gerojim, are there any other Bugnarak characters that you really like?"

Ikeda: It would probably be Desnarak. But, I really like Prime Minister Kamejim as well. I changed my mind when I found out that he was disguised as Boshimar, one of Racules's close aides (laughs), but he was a beloved character on the set until half way through filming.

"Among the main cast, Ikeda-san, who do you think is most kingly?"

Ikeda: It would be (Masato) Yano-san, who plays Racules. When he's playing the role of Racules, he's a very cruel king, but when I talk to him inbetween takes, he's calm and has a relaxed way of speaking. Yano-san himself is very kind and will say interesting things to keep everyone upbeat. Furthermore, he has alot of special skills and can do almost anything. For me, Yano-san is a king in the sense that he's perfect and someone who is respected. Racules is a king, but the person playing him is also a king. Not for me, but when the 5 King-Ohger members put on their costumes and prepare for their role on set, the "switch" is flipped and they all become kings. The scenes where they're all lined up is so cool that you can't help but admire them.

"Are there any scenes you'd like to play, or developments you'd like to see happen in the future?"

Ikeda: In episode 19, the hammock that Jeramie was laying in was made from spider webs. I'd like to do more scenes using spider webs even before transforming. Especially for action. While his friends are in danger, he could fly in from off screen while smiling, or he could be standing on a wall. It would be difficult to achieve, but there aren't many roles that can make use of spider webs.

"Finally, for the current Jeramie, Ikeda-san, please give a yell of support to him."

Ikeda: Please build a good country, and work hard to make the world a peaceful one. For Jeramie, the "color" of the country he rules over is different from other kings, and I believe that Jeramie will be the one who determines the future of Chikyu. Please ensure the prosperity of the country of Bugnarak, realize the day we join hands with humanity, and pass it on to future generations. We're all supporting you!

[stargirlfeyre]

I read this post that said that it would be boring to read about Elain in the ACOTAR universe because she’s not a warrior. They go on to say that reading about Elain in a contemporary setting would be fine, but reading about her in a fantasy setting would be boring because she’s doesn’t fight. But honestly I disagree completely.

While I do enjoy reading about women fighting in fantasy, I’m getting kinda bored. It’s the same character in different books. They’re sassy, they can kickass, they’re so powerful. It gets tiring reading the same character over and over again. I want to read about a woman who doesn’t like to fight using swords and fists but still manages to thrive in a fantasy setting with just her wits and other skills. Elain not wanting to fight, but instead rely on her wits and charms would be much more interesting to me than reading about her learning how to fight.

And this isn’t me trying to bash any female warrior character. I love Feyre, Amren, Mor, Gwyn, and Emerie, but I also really love characters like Elain (my fav characters in TOG are Elide and Yrene).

I don’t understand people who say that reading about Elain would be boring when she’s quite literally a seer. She has an ability that (correct me if I’m wrong) we’ve never seen written for a Sjm main character and you’re telling me you don’t want to get into her head? She’s the last Archeron sister and has witnessed first hand the inner workings of their familial conflicts and you don’t want to get into her head? Shes mated to Lucien, is falling for Azriel, has some kind of bond with the Cauldron, and is having visions of death gods…but you don’t want to get into her head?

Sorry but you’re just blatantly lying😭.

You can’t say Elain will be uninteresting to read about because she’s too feminine and quiet and then act like a book from Azriel’s pov would be a gift from god.

[gwenllian-in-the-abbey]

Hi! thoughts on Alicole? I won’t lie not a fan + it’s character assassination to make Alicent a hypocrite in regards to Rhaenyra. I will still be an Alicent fan after but c’mon we know why that scene was added and it was not to benefit the Green faction.

To be honest anon, it doesn't bother me that much? At least I'm willing to see how it plays out. I can see a lot of reasons why Alicent, who was a child bride at 14 and who has never experienced consensual or enjoyable sex, might turn to Cole now that she is a widow. As someone who was primarily a book reader first, show enjoyer second, I was not as attached to Rhaenicent as a ship as some people were, so that probably influences my view. That's a relationship I always viewed as something that would always remain subtextual, and Alicole happening doesn't influence my feelings about that. Alicent has not really explored her sexuality at all, she sort of shut it down at age 14, and it makes sense to me that she might have this period of awakening now that she is free from Viserys. I'm certain that she and Cole are going to have a lot of guilt about it, and that it will probably drive conflict within the green faction going forward, and that Olivia Cooke will act her heart out. It's sure to be messy and for that reason I'll give it a chance.

As for hypocrisy, just keep in mind, being a hypocrite doesn't make a person wrong! Hypocrites are annoying, but arguing that someone is a hypocrite is an attack on the person making the argument, not the argument itself. If I am cheating on my spouse and tell you cheating on your spouse is bad and you shouldn't do it, I'm a hypocrite, but I'm not wrong about cheating on your spouse. And besides, team black fans have been saying since season 1 ended that Rhaenyra should be able to sleep with whoever she wants even while married to Laenor, so what is the problem with Alicent sleeping with someone consensually in her widowhood? If it should be a problem for anyone it should be a problem for Cole, who is breaking his vows. Alicent also isn't putting illegitimate children in the line of succession, which is the actual problem with Rhaenyra's affair with Harwin, not the sex itself. And honestly, hypocrisy is really the least of anyone's problems in the Dance. We're getting to the part of the Dance where small children get murdered, cities get razed, and hundreds of women are carted off by reavers, among other atrocities. Hypocrisy is the least of anyone's problems.

I'll also say this. One of the few early criticisms of S2 is that it seems like team green has most of the juicy storylines and more complex characters, and team black's storyline is kind of bland by comparison. Now, fans of the greens have been saying this for two years now, and mostly agreeing that it's a good thing. I don't know about anyone else, but if I'm watching a show, above all I want to watch quality television. Of course, I want team green to be presented fairly, but I don't think watching with mind to how many discourse points you'll have to cede to team black or vice versa is really going to be a satisfying or enjoyable way of approaching the show. So watch the episodes and decide if the decisions are in-character, serve the narrative, make sense, and improve upon the source material, rather than judging based on whether or not you'll have to fight with clowns online who will call Alicent a hypocrite.

[stop-talking]

Honestly? I'm not surprised the FNAF movie is delayed.

They're DEFINETLY struggling to come up with a plot for the next movie. They planned to make three movies if the first went well, but they didn't really leave themselves much room for a sequel.

What do I mean by that? Well...

• The driving conflict of the first movie, that got Mike to work at Freddy's in the first place, was the custody battle with aunt Jane. But they fucking killed her off. (In the movie, it seems like it's possible she still may be alive, but in the book it's pretty much confirmed she's dead.) Abby sees her "lying in a puddle of ketchup" or something when golden freddy comes to get her. And I have a direct quote from Mike.

"You know," he said, "I think my aunt has finally decided to move on." I mean... she kind of did, Mike thought. (Pg 317)

• Oh, and also in the book, it's said Mike gets a nice new job as a contractor after the events at Freddy's, so it's not like they can pull the "Mike can't find a job so he HAS to work at another Freddy's location!" thing again.

• AND, they resolved his storyline with Garrett. He's found the killer, and watched him die. (Even if we know he's not dead). Mike realized Abby is much more important than his dead brother and he no longer torments himself with thoughts of Garrett... so I don't think he'd go poking around in another Freddy's location to "figure out what happened". He knows what happened. And he's finally over it.

• It seems like they TRIED to give themselves something to work with in the end credits. You know, the "C O M E F I N D M E". But honestly? It's not all that helpful. There's no clear way to tell who it's addressed to or who it's from. Everyone seems to agree it's Garrett speaking to Mike as the puppett, but honestly? That doesn't make sense to me.

• I've already explained that I don't think Mike is interested in learning more about his brother's death. He knows who killed him, and watched that man die. Mike is as "at peace" as he's ever going to get. Besides, I don't think Garrett is the puppett!! At all!!

• In the movie, Mike says he feels closer to Garrett at Freddy's. I think that means his soul is LITERALLY there, in THAT Freddy's location. Why else would he say that? Just because there are ghosts there killed by the same man? Also, in the novel, Mike literally sees Garrett's ghost in the pizzeria and it leads him to Springtrap. Finally, the "It's me" messages that keep appearing near Mike. Who else would be writing that shit? It's not just a little Easter egg for the audience. It has to be someone Mike knows. Garrett. (Also I think there's a strong argument to be made that Garrett is co-posessing Golden Freddy with the little blonde boy)

• SO THEN, WHO IS SAYING "COME FIND ME," AND WHO ARE THEY TALKING TO?

Honestly? No clue. But I think there are a few interesting directions they could take things.

1) From Mike's dad, to Mike.

In the movie they sort of imply Mike's dad offed himself, but in the book they reveal he just walked out on them. So he's still out there somewhere, and they could totally reveal he had some kind of connection to Freddy's and William, and it would explain why William drove all the way to goddamn Nebraska to kidnap some random ass kid.

2) From springtrap, to some unfortunate soul dumb enough to set him free

In the games, he was locked away in a bricked off room for like 30 years before being set free, but I don't think these movies are going to have that big of a time skip. Probably a year at most. So I could see the next movie starting with some idiot freeing springtrap.

3) Okay yeah I cant think of anything else.

And I know I'm not a professional screenplay writer but those bitches are anxiously struggling too!! In every interview where Josh Hutcherson (Mike) has been asked about a sequel, he says they're still trying to figure out the story. No shit!! They didn't give themselves anything to work with.

• So basically, Mike has absolutely no reason to go back to another Freddy's location, and the little secret message at the end is almost too vague to be useful.

So, what DID they leave themselves to work with in the next movie? What plot points remain unresolved?

• For one thing, they didn't even give William a fucking motive for killing kids. Or for luring security guards to their deaths. This version of him seems to have a much better understanding of remnant and possession that his game counterpart, but there's no reason given for that either. In the game, he does it all for his dead son. He wants to "fix" him. But they didn't set up any hints to that in the first movie. Mike talked to Vanessa about HIS dead brother, so I feel like if the whole "dead son" thing was the case, she would have mentioned she lost a sibling too.

• Or maybe William would have brought it up at the end when he was getting mad at Vanessa. The "mess YOU created!!" scene. He probably would have said something like, "You know why we have to do this, Vanessa." But he didn't. There's literally no known motive, and it'll be kind of hard to set one up without any breadcrumbs left in the previous movie.

• Mike was TOTALLY falling for Vanessa in the books. Yeah, I know, a lot of people feel FNAF isn't a place for romance, and SCHMELLY isn't a very popular ship... but that doesn't change the face he almost kissed her in the novel. (Also in the book she threw his EMPTY PILL BOTTLE into the river, didn't actually toss bro's meds! So she's a little more likeable!)

"Vanessa and Mike grinned at each other, and Mike felt something zing inside of him. It was a palpable 'wow' feeling that was much more intense than his casual appreciation of her beauty. And the zing felt like it was going both ways. The look Vanessa was giving Mike was one he hadn't ever seen before... not directed at him anyway. Her reciprocation of his feelings was so strong that he felt himself leaning toward her." (pg 186)

(They didn't kiss though, Vanessa blushed and looked away and changed the subject.) Still... now they have to address their little romantic subplot in the next movie as well.

• Vanessa. Just as a character. There's a lot to work with there. Personally, I think it would be interesting to use her coma to tell a story. You know, have her flashback to there's childhood with William and at Freddy's. (Honestly if they don't do that they're dumb and missing a huge opportunity. Why else put her in the goddamn coma?)

• Also, in the novel, they heavily implied she's... a robot? Apparently, her eyes drastically change color and Mike notes she flips from "girl mode" to "cop mode" on a dime. In the movie she just looked bipolar.

"Yeah Abby, let's use the tables for the fort! 😄"

"Mike if you bring her here again I will SHOOT YOU. 🤬"

• But yeah apparently she's a robot. A robot so convincing that even hospital nurses and doctors can't tell. With no explanation for how William could have built that. Or why there's a photo of her and William where she's clearly a child. Did he build a child robot that grew up into an adult woman robot? Or did he build two robots? Or did child Vanessa die and he replaced her with a robot? Who knows!

"Mike watched, mesmerized, as Vanessa's irises deepened noticeably in hue. They went from their usual soft, almost greyish-blue to a deeper indigo. The shift was so pronounced it almost looked computer-generated. It was also enormously disquieting. Mike felt like he was watching a human turn into..." (pg 184)

• So for the next move, Mike has no motive to go visit Freddy's, William has no motive in general, and Vanessa is a robot. The script practically writes itself, am I right??

And then there's the way Scott Cawthon likes to incorporate fan feedback into all of his projects.

(Ex: People complained FNAF 3 wasn't scary, so he made FNAF 4 horrifying)

• I have no doubt he's going to incorporate the fanbase's favorite characters into the next movie. (Ness, Doug, Maxine, Jeremy) Which honestly just complicates the plot further, adding more stipulations to the script.

• Bringing Ness back would be easy? Mike and Abby could have a scene in the diner, I guess, but it's also sort of unnecessary, and I'm not sure MatPat would agree to another cameo. He's retired.

• Bringing Doug back would be more complicated. He's aunt Jane's lawyer... but they fuckin' killed her off. So. Doug is not needed.

• Jeremy could come back? Maybe? He's really a background character... It's not stated whether or not Mike was friends with him outside work, or kept in touch with him after being fired.

• Maxine is a lot more complicated. The actress who plays her, Kathryn Sterling, said herself that she was originally supposed to have a bigger role in the film but it got trimmed down. And THEN there's the way she was stuffed into a purple Freddy suit, which a lot of fans theorize is supposed to be Shadow Freddy. On her TikTok, she basically confirms this, hinting to her character coming back in the next movie and being more important.

So in the next movie...

1) Mike has to somehow have to end up tangled back into Freddy Fazbullshit even though he has NO desire to... (Remember the way he looked at Abby when she asked if they could visit them??)

2) They have to reveal or at least hint towards Vanessa being a robot

3) Mike & Vanessa romance subplot??

4) William needs a fucking motive for killing people

5) The audience needs to be able to tell who "come find me" was said by AND who it was directed towards

6) Bonus points if they can cram in more youtuber cameos & beloved characters from the last movie like Jeremy and Doug

--------------------------------------------------

So yeah. It's a lot to consider when writing. And the clock is ticking, because kids, especially little kids like Garrett's actor, grow up FAST. And ghost kids aren't supposed to grow up. Ghost kids are supposed to be dead.

I do want to say though, that despite the plot holes, I LOVE the FNAF movie. I've watched it 20+ times. It's genuinely one of my comfort movies. I'm excited for the next movie, but I'm also sort of expecting it to be late 2025 before we get to see it.

Scott is notoriously picky. He turned down, like, 8 scripts for the first movie before settling on the Mike storyline. I don't mind waiting, especially considering how difficult this next movie is gonna be to write. Also if you read this whole rant?? Damn?? Kiss me on the mouth rn.

[system-of-a-feather]

hi!! back on my bullshit (asking for some resources if you have them and are willing to share)

would you mayhaps have some resources on non-western plurality? especially spiritual plurality but I'm curious about anything and everything

books, video essays, and other medias are very welcome too along with papers/scientific research !!

oop sorry it's a lot. also I'm 99% sure you replied to these kinds of asks multiple times I'm just not tumblr savvy (despite having been on tumblr 10+ years now)

thank you <3

@seasidewanderers

@seasidewanderers

God relatable about the "been on tumblr for 10+ years but still dont know how to use it well". I actually haven't really answered too many asks like this, at least not asking for resources and what not.

I do want to put a bit of a disclaimer about "non-western plurality" - at least from what I know from a more eastern perspective - a lot of "non-western plurality" does not actually really call itself plurality.

The concept of "plurality" in its self is a heavily western / european kind of concept, not because it only exists in those spaces, but because a lot of other spaces don't really make anything special of it so a name, community, label, etc is not exactly necessary or even particularly sensical. It's kind of like looking for "western singularity" or more accurately "western individualism". It's a bit redundant - at least in my personal perspective.

In a number of non-western cultures, the idea of having multiple selves and having that deep internal relationship isn't really anything too odd and I've heard a number of systems raised in those cultures or around cultures rooted in eastern philosophy that the people they mentioned having alters / parts / headmates to often responded POSITIVELY and casually to the concept because its generally just considered relatively normal if not a positive thing to engage with. The real question then becomes whether or not it counts as plurality or not and that's really up to the individual themselves.

It's a very western thing to really make a huge deal, spectacle and oddity out of experiencing oneself as multiple and honestly I think that can be kind of really well seen in a lot of eastern media with how much plural-adjacent themes are seen in non-DID and not-trying-to-be-DID ways. There is a large aspect of an external self and an internal self, a balancing of good and bad and opposing forces in a lot of Eastern Cultures both on religious, spiritual, philosophical, and just plain old cultural levels. Yin and Yang, Non-dualism, "Face", the general collectivist culture, Buddhism as a whole and deity yoga in particular.

Partially due to the social norms that tend to come with a highly collectivist culture and just the prominent foundational philosophies and spiritualities that are generally native to the area and the lack of a strong sense of individualism as seen in the west, it's extremely common to have strictly different modes for different situations and places as there is a strong level of conformity and respect that needs to be provided to specific locations in order to uphold the strong value of harmony that is valued heavily in collectivist cultures. People in these more collectivist cultures tend to really have to balance and make amends between these highly varied versions of themselves and so it isn't all too weird to be juggling notably different, changing and sometimes conflicting versions of selves; the version of you who is shaped to meet the communal needs and appeal / participate in sustaining harmony and the you that really fucking hates everyone here.

From talking with others who come from more eastern backgrounds, a thing we tend to kind of sigh and giggle at in the system community in terms of it being "extremely white / western" is just how overtly a lot of discussions on self, parts, and what not is EXTREMELY individualist and very much fundamentally built with a strong attachment to differentiation, defining yourself, labeling yourself, and drawing clear boxes around who you are to help understand, explore, and define your own identity. It's hard to really explain to those that are really deep into the western concept of individualism and haven't really looked into it and analyzed it, but as someone who is not exactly a fan of individualism and individualist perspectives, it's EXTREMELY loud and obvious in system communities.

And this is all a lot of preamble to really say there isn't going to really be "resources for non-western plurality" because its not anything particularly special in Eastern Cultures and cultures not built largely from a long running history of Christian / Catholic and maybe Abrahamic Roots (I don't know enough of about Islam or Judaism to say for sure but a lot of individualism does tend to stem from a cultural history and background with at least Christianity / Catholicism). Because it's not exactly special or anything particularly unique of a concept, most don't really label it or name it something or even really discuss it (also a symptom of collectivism and general Eastern cultures is not really discussing mental health or internal experiences, most of your experiences in these cultures are kept internally and dealt within yourself rather than with others) unless directly brought up by someone who DOES find it odd; ie usually a westerner or someone like me who is a first generation American from an eastern background.

So if you want "resources on non-western plurality" you won't find it looking for "plurality" as much as you would by looking into individualism vs collectivism and the cultural roots connecting to those concepts.

Of course there are also the more overt ones that talk about it, like Buddhism does because Buddhism largely serves as a way to try to teach people to find harmony within themselves AND the world to find and instill a sense of peace and serenity overall. That's added onto the fact that a lot of Buddhism is based on talking and discussing things so its an odd card out in a lot of eastern cultures in the sense they ACTIVELY like talking about how people experience themselves.

A lot of what I know comes from life experience, what I've been taught by my family and peers, and discussions with people who come from their own backgrounds; ie, most of what I know comes from anecdotal personal experience. Some I also know from some formal cultural responsivity / sensitivity / trauma informed care modules for work and during school, but most of it is honestly from personal experience and anecdotes.

Even so, I can provide some starting points to assist someone unfamiliar with the territory in investigating and learning a bit on topics relating to the normalization of plural-esque experiences in non-western cultures.

"The Concept of Self in Eastern and Western Philosophy" by Petar Radoev Dimkov is just an interesting run down of major philosophical branches of thought's perception of self

General Reading of Collectivism VS Individualism; I suggest searching up things regarding the clinical significance of understanding and acknowledging collectivism vs individualism when working with clients as well as the impact of those cultures on how one's self concept is experienced, developed and understood

General readings on the history of prominent eastern philosophies / religions (Buddhism, Taoism, Confucianism, Hinduism, Shintoism, etc) and their impacts on eastern culture / their ideas and values on the self, particularly in relation to others

And honestly? I'd suggest on actually searching and reading into the Western views of self and reading where those views and values come from as well because it will 1) likely bring up juxapositions to eastern views and 2) Its hard to truly learn and understand ANOTHER perspective if you don't first really sit and consider your OWN perspective

A lot of people think the idea that "we are one person, a unique self" is a scientific fact and in heavily white / western spaces, the way that statement is treated as fact is a very frustrating thing to see. "We are one person, a unique self" is a BELIEF that is ingrained deeply into Western Society that its treated and considered a fact despite there not really being scientific evidence to support it. (I think it also has something to do with how much "belief" is associated with religion, at least in America, rather than an opinion on something that has little scientific backing)

A lot of western psychology is also built with the assumption of a single unique self, so genuinely I think the best starting point for a white / western person to start trying to learn and understand eastern views is to first do a DEEP dive into Individualism and the Philosophy and Belief that everyone is their singular unique self.

Cause it's only when you acknowledge your own beliefs and cultural background can you actually appreciate, respect, and acknowledge another's beliefs and cultural background.

(Also just in general, learning about philosophy and following some people who just enjoy discussing philosophy can really help as well. Philosophy is the father of Science for a reason afterall. I don't know too much about him as I don't really actively follow him so he might have some bad takes or some bad history that I don't know about so take this recommendation with a grain of salt, but I really have enjoyed listening to Alex O'Connor on youtube talk about philosophy. I'm pretty sure he also engages in a lot of philosophy and religion-related debates and I think hes an Atheist? But I don't watch those so I dont know. I've only really watched his "Taking Trolley Problems Too Seriously" videos and a few one offs when I just needed something in the background while drawing, but he does know a lot of philosophical perspectives and does juggle them well enough that I honestly don't know his personal beliefs and lowkey don't really want to XD Ps: Im always hesitant to recommend youtubers cause almost all youtubers are assumed probably assholes, dicks, or Into Weird Things until proven otherwise)

[am-i-the-asshole-official]

AITA for blocking my business partner and our mutual friends?

First of all, I want to establish that I'm not an idiot. I don't think I'm the smartest person in the world, I didn't do very well in school, and I'm generally a bit forgetful. I've been struggling with undiagnosed mental illness and neurodivergency for my entire life. My family growing up was very anti therapy and I've only recently brought anything up to a doctor. However, I like to think I manage myself pretty well. I have my own systems for doing things, and they may be unconventional, but it works. I've come to terms with the fact that no matter what I do, I'm going to have to work a lot harder than the average person and get a lot less credit. That's just how it is. I have two jobs, one of which is at a restaurant, and the other is a business that I started with my friend. It's still fairly small and local, but I'm really proud of how far it's come.

Me and my business partner, we'll call her Shelly, have a group of friends that we hang out with from time to time. I honestly don't like them very much, but Shelly, who has been my best friend for over a decade really enjoys hanging out with them, so though I've expressed to her that I want to start seeing them less, I've stayed friends with them, both to make Shelly happy and to avoid any drama that might be caused.

Among this group of friends is someone we'll call Dianne. Dianne will insult and berate me consistently, and then insist it was a joke. Nobody has ever laughed, and I have told Dianne that I don't find any of it funny. The other members of the friend group (aside from Shelly) said that this is just how she expresses that she likes somebody, and tried to make it seem like playful banter, but the insults are incredibly one-sided (I've never said an ill word about her to any of them, and especially not to her. I'm not rude.) and she never insults anyone but me and sometimes Shelly.

Recently ( a couple months or so ago) she started taking digs at my intelligence, as I have been a few minutes late to a couple of our hangouts, and I have trouble with my left and right. I said explicitly that I don't like it when people treat me like an idiot. I tried to be polite, but I won't stand for that. Also, being late and directions are very common things for people to struggle with, so I don't understand why that insinuates that I'm at all unintelligent. She also may have gotten this idea because I don't tend to laugh at her jokes, which are mostly things like "that's what she said" and other cheap and immature sex jokes. She usually tries to brush off the fact that I don't laugh by saying I must be dumb because I don't get her jokes. I do, they're just not very clever and I clearly have a different sense of humor than her.

I just kept trying to avoid any sort of conflict, because the rest of the group makes Shelly really happy. But then it started to get worse. The whole group seemed to be influenced by these jokes, and stopped expecting me to be able to do anything. I wasn't even the designated driver anymore, even though I'm usually the obvious choice because I don't drink. Dianne told me I'd probably crash because she didn't think I could read street signs. I've driven her home multiple times (during none of which she's been sober enough to remember my driving ability) and I've never driven at all irresponsibly while any of them were in the car. The whole group, aside from Shelly, began making jokes about how I was the resident airhead. For my birthday, Dianne got me a toddler sippy cup, and a card that said "Congrats, you're 2!". Get it. Because I'm so stupid I'm basically a child. Ha ha. So funny I forgot to laugh.

The last straw for me was when Shelly sent me a business email that was like "Are you going to be able to get the books done in time?" and basically told me to make sure I wasn't lazy when it came to keeping track of the sales, even though I've never been late with that kind of stuff. I really care about our business, and I keep track of all of the financials and do our taxes. I don't have a degree or anything, I could never afford college, so I emailed Shelly back very passive-agressively about how if she doesn't think I can do it in time, she can hire a real accountant.

We met with the friendgroup the next day and I was incredibly pissed. Dianne made another dig at me, something about our business probably going under because I'm too incompetent to do anything. I snapped. In the midst of yelling at her, I said "I am not stupid. You don't get to treat me like I am." and she said "But aren't you, though?" and I stormed out. I blocked everyone, except for Shelly.

I texted Shelly and said that she could be friends with whoever she wants, but that I'm never speaking to any of them ever again. Shelly said that I was being overdramatic, and that they're all being awkward to her now because they know that we're such good friends. I apologized for putting her in a position where she felt like she was in the middle, but told her that I was not about to take any more of that treatment. I told her I'm disappointed that after all this time, she let other people dictate the way that she sees me. When her new friends call me stupid, I can let it slide off of my back, but when my best friend of over a decade starts treating me like I'm incompetent and I can't get anything done, that really hurts. She told me that I need to learn to take a joke. I blocked her too after that. We've continued having meetings and being mostly civil, but we haven't spoken outside of that, and all the friendship is gone.

I'm mostly concerned about how this situation is going to affect our business, because I have worked so hard and I'd hate to see it fail because of petty drama and insults. I'm now feeling like I made a huge mistake by blowing up. Should I have just kept quiet to protect my job and friendship?

What are these acronyms?

[ianthe-is-a-bitch-and-i-love-her]

Someone You Can Build a Nest In was, in fact, pretty good, but it went in a different direction than I was hoping for and I'm not sure how to feel about it.

The story follows Shesheshen, a solitary shapeshifting monster who hunts the travelers and merchants that pass through her territory, along with the occasional monster hunters who come to slay her. She is rather lonely, and reminisces fondly and lovingly about her mother, who was slain when she was young, and her father, whose body she grew inside and who she ate her way out of when she was ready to be born. On her hunts, she keeps an eye out for someone who might make for a similarly loving parent to plant her own eggs in. After a close encounter with some hunters while in a roughly human shape, Shesheshen is nurses back to health by a kind woman who has mistaken her for human, and promptly falls head over heels. Before she can get around to explaining her true nature and enquire about how her newly beloved would feel about being a parent, they are both drawn into a new and concerted effort to hunt down the local monster - Sheshen herself. Hijinks, of course, ensue.

The thing that immediately captured me when I started reading was how well the narration captured Shesheshen's fundamental inhumanity while still making her layered, complex, and intelligent. Her visceral emotional reactions are shaped by her biological nature as a predator, and these emotions lead to distinctly inhuman values and morals - Shesheshen places no intrinsic value on human lives and feels no compunctions whatsoever about eating sentient people. Her love and lust are consumptive in nature, and she romanticizes this. The fact that she cannot have her cake and eat it too is something she has difficulty dealing with. But she's also capable of a great deal of sympathy and empathy for specific humans, and the love she has for the father she ate causes her to care a great deal about consent - she doesn't want to consume out of love someone who doesn't want to be consumed.

In addition to her psychology, Shesheshen's physiology is also excellently inhuman and conveyed in great visceral detail, and the way her body functions is very interesting. My favorite parts of the book are the introduction and the denouement, because these are the areas where her psychology and physiology receive the most undivided attention. They aren't ignored throughout the rest of the book by any means, but they take a backseat to the plot, which is why I feel a bit conflicted about the book as a whole. I was really enjoying the in-depth character study of the introduction, and would've really liked to have the whole book be in that vein.

The plot, to be clear is not bad - it's honestly quite good, and it delves heavily into themes of generational and familial trauma, self-sacrifice, the normalization and romanticization of profound harm, and the difficulty of growth and self-actualization, all while being fairly entertaining and well-executed as a story. I think its themes were a bit heavy-handed in places, and I think some of its exploration was hobbled and flattened by the book's queernorm setting, but I won't relitigate that old argument here. It was suitably gripping and solidly entertaining.

I think the central relationship was solid and compelling, though again, I would've liked it more if the whole book had been focused on a deep exploration of their characters and dynamics. There's a lot of rich ground to the basic premise of "monster falls in love with human, wants to express that love in a way that is actively dangerous/horrifying to the human, doesn't know how to talk about it", and the story layers additional complexities onto that dynamic that are very compelling, but for as much of that interesting ground that the book explored, it left plenty more untouched. One detail that I did find both novel and enjoyable is that both the love interest Homily and Shesheshen herself are all but explicitly sex-averse asexuals by human standards, which is something I have not encountered in a lot of media. The exploration of that experience is not particularly deep because, again, queernorm, but it is present and it was compelling.

This was a really unique and compelling read, though, and I expect it to be one that stays with me. Given my own interest in body horror and inhumanity (shameless plug for Memoirs of a Flesh Eater in the notes), I wouldn't be surprised to see some influences from this book in my own writing going forward.

On the whole, I definitely enjoyed this book and would definitely recommend it, but not without a few warnings. Body horror is a constant element in this book; Shesheshen's shapeshifting is purposely off-putting, and she eats people. This is described in substantial detail. Also, there is a lot of parental and familial abuse depicted, much more than you would expect from the basic premise, so go in prepared. On the other hand, though, if you're looking for a true gothic horror tragic toxic doomed romance or a heavy character study that really plumbs the depths of an inhuman psyche, you will probably be frustrated by how close it comes to being that without actually being that.

[jaylaxies]

Hiii I'm like new to your account and I've a fic of yours which i can't seem to remember the name of (im sorry) and i really liked it. The way you write is immaculate. Okay now I know how this sounds, I've read a lot of fics and I hate HATE how they have grammar errors. Like I'm not talking about using 'there' instead of 'their' or 'was' instead of 'were' or something, I'm talking about misspelling the members' names, using censors like '$' or '0' for seemingly casual works, using exclamation marks when it's not even needed. Like I get it if you misspelled a word, it happens, forgotten to add a comma, or something, but repeatedly writing 'Heesung' instead of 'Heeseung' like NO. That's a red flag for me 🙋‍♀️. And the best part? YOUR FIC HAD NONE OF THOSE 🤸‍♀️🤸‍♀️ NOT A SINGLE COMMA MISSING, NOT ONE SPELLING ERROR. I'm not a native English speaker, heck I've never even been around someone who's one, but I know good writing when I see it. 😐. You should consider seeing that as a profession, because you write better than some authors who've published actual hard cover books (colleen hoover i'm looking at you). Like it doesn't seem like fanfiction anymore when you write it (it's a good thing) , and that's on reading one fic. The purpose of this post was to ask for some fic recs from you (that you've written) and ig it got too long lol. That's it and have a nice day/night (idk)

Also idk if you do this but can I be 🧗‍♀️ anon please? (I said please)

ohmygod hihi anonnie 😭 the things you listed out?? like yes those things bother me a lot too im not gonna lie, if i see someone writing heesung instead of heeseung it just pisses me off for some reason?? but thank you sm for your kind words aaa english isn’t my first language so i’m still not very confident about my writing but i do wanna write more, and this honestly made my dayy thankyou so much anonnie 💗 here are some recs:

conflict of interest — heeseung

rewrite the starts — jay

rule number one: don’t fall in love — jake

roman holiday — jake

a reunion to remember — sunghoon

[aesterblaster]

Bad Dogs Can Learn New Tricks

Which Blue Lock Characters Have Gone To Therapy, In My Humble Opinion. (+ Who Desperately Needs To But Hasn't + Who Might In The Future)

Warnings: Some spoilers for way past the U-20 Arc, also not an extensive list of characters, honestly kind of funny. I wasn't trying to be TOO serious

Songs: Falling Behind / Laufey , The Main Character / Will Wood , Nothing's New / Rio Romeo

Has Gone To Therapy And Loves Their Therapist Gang

-Anri, There is no way she is able to have that much patience and take that much shit from corporate without having a therapist. I think she uses like 1/5th of her paycheck on books about improving your life and stuff like that LMAO. Her therapist is also a woman so it helps her to have someone who understands her frustrations with not really getting credit despite being one of the founders of Blue Lock. Also sometimes she gets worried she's unethical towards the boys so that weighs on her.

-Kenyu, Look it's still in progress ok? He was just starting before he came to Blue Lock. Once he realized he was going to lose his vision he started working with a professional and found it really helpful. In fact they were the one who encouraged him to go after Blue Lock in the first place. One of the reasons he was so quick to say sorry to Isagi is because he has those #coping skills.

-Gagumaru, After having a run in with a bear in the woods he kept having nightmares and his parents made him go to therapy. Well it was kindddd of therapy..it was a hippie who's a family friend. That doesn't mean he doesn't know grounding techniques. He even taught Naruhaya how to calm down from a panic attack once. But yeah, he doesn't really tell people that he went to therapy

-Snuffy, After his best friend's death he went to therapy ASAP. The type to only call his therapist once every 5 months and still have a rock solid relationship with them. His therapist helped him break his womanizing habit and realize that he's enough all on his own. 100% did some soul searching and stepped away from the scene. He also combined the therapist with a personal trainer to really max out his healing process. 100/10 dude for it.

"I Have Gone To Therapy And It Didn't Work" Crew

-Chigiri, Similar to Kenyu, his parents thought he might need some mental health help after the trauma of thinking he'd never be an athlete again. But he was one of those cold shoulder my mom is forcing me to do this cases. He never actually worked through what he might do if this whole thing falls through. Also snarkiness 100, his therapist almost quit because he was so insulting to them. Chigiri just felt ashamed that his parents even thought he should go in the first place and convinced his sister to also beg them to stop taking him lmao.

-Isagi, Okay at some point his parents realize he takes faliure wayyy too hard and tried to get him in therapy. When he talked to the therapist though the dude was like "Yeah, he's just competitive. Nothing wrong here." Alas, he's been masking for so long that he's incapable of revealing his issues to anyone who hasn't known him for 3 years or plays sports with him. Also, he convinced himself he doesn't need it and then idly imagines just going apeshit and killing his enemies to cope with stress...like bro...

-Noa, Why do you think he gets along with Isagi? All jokes aside, his PR people probably asked him to do it and he went and then secretly never went back. It honestly didn't work because he wasn't willing to give it a chance. And still isn't!!!! Would rather backflip off of a yacht than tell someone in a lounge chair about how growing up in intense poverty still haunts him sometimes, makes him question his worth and avoid conflict in day to day life. Sometimes he wonders if one day he'll wake up and find out it was all a dream....But nah he doesn't need therapy!

-Oliver, He was soooo close to actually getting his mental health in check but then his therapist retired. After that he got another really seasoned one and saw the amount of case files in his desk and just felt like a straight up burden. One of those "other people have it worse" and "it is what it is" guys. He's very open about his emotions and feelings so he just talks to his friends when he's really struggling. (Even though Sendou never says the right things-) Like yeah it's their job but why bug these nice people when sex?? Why talk about issues in sessions when he can get drunk or go train for 4 hours??? Riddle him that?

The "I Need Therapy And I Know It" Team

-Ness, He has so many fucking issues. Honestly, despite his devout worship of Kaiser he does realize that his behavior isn't quite healthy or normal. Dude tries to show you a funny video on his phone and all of his ads are for Betterhelp. Genuinely trying to figure out a diagnosis. Yes he has looked up all sorts of personality disorders and no he doesn't think he has any of them (He has at least two). But again, Ness is self aware enough to know that some help or someone to talk to who sees him as an actual human being would be nice.

-Niko, He cannonicaly describes himself as very very introverted and nerdy, also he hides his face. Tell me you were bullied in school or at least had an extremely traumatizing incident without telling me. Kind of never had anyone, just people who hung around because of his soccer skill or avoided him like the plague. He is that guy who will rant about "society" online for hours and fantasize about moving to a different country thinking he'd get better treatment there. Cripplingly lonely and self conscious at the end of the day, in all honesty. Also he genuinely wants a therapist but just can't afford one.

-Hiori, Obviously his parents are the ones who stop him. He tries to go and his mom realizes where he's making her drive him and swerves off. Even when he gets his license, you just know they're tracking everywhere he goes. He doesn't have enough privacy to really get better like that, Hiori has to wait until he moves out. Still genuinely fucked up by the fact that Gagumaru has gotten therapy and he hasn't. Just listens to emo music and plays video games and pretends that that fixes everything. He's totally releasing a top-selling book about his horrible childhood after Blue Lock.

-Bachira, Is he outgoing and silly? Yes. Does he need better coping skills? Also yes. Men will tell you the most horrible and traumatizing childhood memories about getting jumped and then laugh it off, and it's him, Bachira is men. He ties to brush off his trauma with humor but it never really works. He knows that he genuinely needs to talk to someone other than Isagi or his mom about the Monster and how it was by his side for so long. But also never goes through with getting professional help, just thinks about it sometimes.

The "What's Therapy? Fuck You!" Group

-Kaiser, Oh god, don't even suggest it to him. I headcannon that mental illness kind of runs in his family. He's watched family members be taken away for being too out there and openly mentally ill so he has a reason to not trust doctors. Just associates therapy and things like it with abusive institutions. If he told a therapist all of his issues, he'd probably be sent to a psyche ward. Just the threat of being sent there single handedly kept him from killing himself or talking about his feelings when he was younger. He will continue to just be slightly abusive to the people around him thank you very much.

-Ego, Bro's got the government banning him from soccer and you think he's thinking of therapy? When Anri tells him he needs it offhand, he's like, revenge is my therapy. Insane as fuck but thinks that it's a good thing. He is not willing to talk about his issues to anyone, but especially not someone who will write it all down. Genuinely ruined a few relationships in his past because the main people he attracts are the "I Can Fix Him" people and it just never works. Suprisingly unself aware for how much he analyzes others.

-Barou, His main issue is just shame and failed gifted kid syndrome. But as soon as he's back up he's convinced he doesn't need help. Barou suffers from really high highs and really low lows but he also has the mental fortitude to handle it. He is a well adjusted and kind enough person outside of the soccer field so he never considers that he needs therapy. When he feels bad about himself he hits the gym but he's never really opened up to anyone and he sure isn't going to start once he gets more famous. Especially when he's seen as one of the best right now, can't risk his reputation.

-Rin, He's would rather gut himself with a sword than admit that his mental illness doesn't make him a cool loner wolf and just a lonely person who hasn't healed his inner child. Kind of just wants someone to baby him and tell him everything's going to be alright but in the mean time his barriers are up 24/7. He disdains therapy, thinks that he'd just be seen as a pay check and he kind of isn't wrong. Rin would rather pay money for expensive cleats than spend it for someone to suggest him breathing exercises. He also had a traumacore phase, but he'd rather not talk about it.