#how are your eyes that blue

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[ahsokatanos-lightsabertechnique]

Okay I love the new rwrb movie but it was kind of funny to me how much they toned it down. Like in the movie you have Alex gently tell Henry "we need to talk" when he confronts him, meanwhile, in the book:

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[dollsapink]

umm hii first tumblr post look at my tuffnut study i did....!!!

[dawnofiight]

Now Presenting: The Talbot Siblings

This is an excuse for me to draw Madelyn.

Her and Amanda are BFFs that's why both of them have dyed pink tips.

Amanda adopted Talbot

Tag list:

@sunsickcrab

@professionallyyappin

@themeridian

@ashertickler

@plaqying

@puffin-smoke

@pandoraroid

@infinitelovewiithoutfulfilmentt

@starlogician

@zimix-whispers

@aurorialwolf

@porters-fangs

@skunkox

[creative-type]

I love that there are advancing levels to Fowlers boredom while spending 10 years cooped up in his private castle. In addition to planning a hostile takeover of Japan he

Learned to paint

Set up a sex/torture dungeon that involved him getting pegged on the regular

Trained monkeys to throw hallucinogenic dust at people, so that potential invaders would have to fight though the heavily armed, super booby trapped castle while tripping balls

[aftg-random-fun]

Do colored contacts help protect against the sun like regular brown eyes? If so how annoyed would Neil be about being back to his natural blue and having to squint in the sunlight because I bet he would be so miffed.

[callmebrycelee]

MAN CRUSH MONDAY

LOU FERRIGNO JR.

Louis (Lou) Jude Ferrigno Jr. was born November 10, 1984 in Los Angeles, California. The 39-year-old actor is best known for portraying SWAT team leader and decorated officer Donovan Rocker in the CBS procedure action drama television series S.W.A.T. His other TV credits include Louis in How I Met Your Mother, Deputy Haigh in Teen Wolf, Dave Lancellotti in Agents of S.H.I.E.L.D. Officer Kramer in The Young and the Restless, Jett Masterson in Nicky, Ricky, Dicky & Dawn, firefighter Tommy Kinard in 9-1-1, Weston Wade in Old Flames Never Die, Ryan in Outer Banks, Trent in Resisting Roots, and Jackson Jacobs in Blackout. Lou is 6 feet and 2 inches tall.

[dollypopup]

I just need every single person in this fandom who has ever been mean about Luke Newton to know that Nicola Coughlan hates you. Genuinely and wholeheartedly.

She hates you. Sure, she won't say it aloud, because she's a professional who knows her career lives or dies by fans, but please know that she does. She hates you if you've said Colin gave you the ick, especially so if you said it to Luke, she hates you if you've left a rude comment on his social media, she hates you if you acted like she didn't like him or that she was shading him, she hates you if you bullied the people around him, she hates you if you said something disparaging about how he looks or how he acts, she. hates. you.

And sure, it's not all people who are in her or Pen's fanbase, in fact a lot of people have been cruel about him outside of the Polin fandom, but a LOT of people are Pen fans, and hearing her talking about how defensive she gets over him when people say something rude about him? And knowing there are SO many stupid opinion blogs and youtubers and tiktokers who say they're Pen fans and Nicola fans but are mean as fuck about Luke?

I need every single one of them, in particular those who have been out here making up stupid shit to be mad at him about 'on her behalf' to know that when you say something mean about the man she gushed to her Mum about, and who her Mum was so excited to meet because she just knew he was kind, the man she introduced to her entire family, the man she is always reaching for and hugging and snuggling up to and calling wonderful and giggling around and saying how she wouldn't want to do such vulnerable intimate scenes without and complimenting and leaning on and having fun with and calling a special person in her life, she is taking off her earrings and ready to meet you outside in his honor

because she hates you for being a dick about him. hope that clears things up

[marc--chilton]

house finding wilson ""interesting"" amongst a literal crowd of thousands is one thing but then to be proven right later when wilson flips his lid at a bar. theyre literally fanfiction but real but not

[gaymothperson]

If my wife beat me in a sparring match and was straddling me with a blade to my throat while trying to make out with me I would simply just fuck her. Skill issue.

[demaparbat-hp]

Zuko looked up and locked eyes with his cousin, who was struck speechless. Then, ever so slowly, Lu Ten's lips twitched upwards. And then he smiled. And then he beamed. And then he nodded proudly once, just once, and vanished.

Lu Ten comes back in For the Spirits Chapter VII: Take Me South, only to leave Zuko with more questions than answers. Just how much is he truly aware of? When will he return? What is Zuko going to do now?

(What will the South bring?)

[soupy-sez]

Interview With The Vampire, S01E02

[reineyday]

how cute is it that sanji's promo poster has him wearing a ring with zeff's cook pirates jolly roger logo? :') im so soft

[simplydnp]

nOOO phil we love your blue eyes!! who out here is being a hater i will Fight you