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#how many season one episode names can i remember
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The season one dynamic is so important to me because you watch the first episode and you’re like “they’re gonna bone” even though they don’t really trust each other and its just this first time field agent who knows exactly what shes doing in theory but has never actually experienced any if this and this vetted agent who was renown for his profiles with violent crimes who every just thinks is crazy but the take each other so seriously from the get go and why the fuck are they standing that close to each other and then at the end of the season (which i estimate to be about a years worth of time) scully, who holds her job and success over everything else, is ready to lose her job to protect Mulder and he is mostly ready to give up the xfiles (in name atleast, you cant really have mulder without the xfiles) for the same reason.
They’re not friends, they’re not coworkers, they’re not romantically or sexual invoved they are a secret fifth thing
Let me tell you a secret, have you ever heard that greek myth where humans were made with two faces and four arms and legs until they got split in half and thats where soulmates came from? That was actually written to describe the relationship of Fox Mulder and Dana Scully
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the creativity has striken and now my coccyx hurts like hell
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cutiekaijumuseum · 3 months
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A little trivia for those that just got introduced to Ultraman thanks to Ultraman Rising
You know that part where baby kaiju Emi is shown a kids cartoon with an earworm of a song?
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That cartoon is real!! It's called Kaiju Step Wandabada and it stars cute kid versions of different monsters from different Ultraman series (mostly the original from 1966 wich Rising is also based on). The opening shown in the movie is in stop-motion while the cartoon itself is in 2D.
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The Ultraman heroes don't appear in person, but bizarrely enough they seem to exist as fictional superheroes in-universe, with the kaiju kids having toys and dolls of them. It's no surprise Emi liked it so much! She would be right at home in this show!
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The episodes are 5 minutes long, there are two seasons of 26 episodes each for a total of 52. The official Tsurubaya channel has the first episodes of both seasons uploaded...
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...but the rest were sadly only up for a limited time cuz gotta sell the dvds. What is officially available online right now is a series of educational shorts.
Some years ago Marvel Comics got the rights to make Ultraman comics and made a mini-series called "The Rise of Ultraman" (no relation), and these Kaiju Step designs got to appear as part of in-universe instructional videos about dealing with monsters and aliens:
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So let's have a quick rundow on the little monsters and where each comes from:
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Pigmon or Pig-chan is the main protagonist and new kid in town (forest). This coral-looking guy is one of the most iconic and recurring ultra monsters and the go-to kid-friendly one, as he stood out among the original set of kaiju for being friendly and heroic (as well as human-sized). He has the bad habit of dying in many of his apperences but fortunately that's not the case here.
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Kanegon or Kane-chan is the second member of the protagonist trio, and the most energic and simple-minded. A coin purse monster that eats money, and usually a human kid under a curse. He actually pre-dates Ultraman, appearing in the black-and-white anthology series Ultra Q wich had monsters but not superheroes. Fortunately this one doesn't need to eat money and was born a kaiju.
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Alien Dada or Dada-chan is the reliable but temperamental inventor of the trio, he dreams of building a rocket ship. One of the most iconic villains from the original 1966 Ultraman (and that's saying a lot), it's a weird alien with weird powers looking for human subjects for his weird experiments, like testing his shrinking ray. He really earns the name of a weird art movement.
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Gomora or Gomo-chan is probably the most iconic ultra kaiju of all. Remember how in Ultraman Rising there is this whole sequence where the dad omniously talks about fighting him? There is a good reason for that. Gomora had the only two-parter in the original 1966 series, and was able to actually defeat Ultraman in their first figh. He's essentially Godzilla if he lived underground rather than underwater (He's even been a good guy and had a robot counterpart). Here, however, Gomora is a chill guy who's passionate about agriculture. (btw, you can also spot Gomora in Rising on a screen around an hour and eight minutes into the movie).
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Red King or just Red is another iconic ultra dino, that looks like corn. In the show he's brute but well-meaning, and has a friendly sport rivalry with Kemur-chan. But in the Ultraman series he's a sadistic and murderous bully who beats up weaker monsters but gets his butt kicked rather easily by Ultraman (although more recent incarnations have have been more positive, both in his fighting ability and sometimes even becoming a loving father). (and yes, you are right, he's not red).
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Jamira or Jami-chan is a passionate archeologist and fossil collector in the show, whereas in the original Ultraman he was a human astronaut that got infected by a virus. He hasn't appeared much beyond his debut... but doesn't need to, as his episode was very memorable in how sad and tragic it was. I can't imagine the target audience's whiplash seeing this cute creature one moment collecting fossils and the next having a horrible sad death. I guess one could say the same for most of the characters, but this one takes the cake.
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Miclas or Mic-chan is the youngest character, a baby, and loves bugs. He was one of the "capsule monsters" from the second ultra series, Ultra Seven. Sometimes the titular ultra wouldn't be able to fight himself so he would summon up to three very loyal monsters from little capsules to do the fighting instead (or at least buy some time, they weren't very strong). One was a triceratops, another was a robot bird, but the most iconic had to be Miclas because really, what even is he? Some kind of bull toad hybrid? (By the way, fun fact, the capsule monsters were one of the inspirations for Pokemon).
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King Joe (yes, that's his name) or Joe-chan is a robot controlled by alien invaders and is to Ultra Seven what Gomora is to the original Ultraman: he's the subject of a two-parter and was able to beat the hero to a pulp at first, made harder to fight by his ability to divide into three flying parts. Fortunately this Joe is very shy and very friendly.
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Eleking or Ele-chan from Ultra Seven is another of the "mascot" ultra kaiju. If two ultra kaiju have to appear in anything, chances are they will be Gomora and Eleking. In fact, in Ultraman Rising you can see Eleking in a monitor right next to Gomora (around an hour and eight minutes in). It's a dinosaur-like eel monster with (of course) electric powers, and the enforcer of an all-female bug-like alien species set to conquer the earth, that are nonetheless very affectionate towards their pet-weapon dino-eel. The fact that Eleking's masters are always women may explain why the Kaiju Step one is a very femenine and elegant girl despite having King in the name, though no less dangerously electric.
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Alien Guts or Guts-chan here is a very little alien bird child who can multiply into three separate individuals to cause all the destruction in their sincere attempts to help out. The original duo from Ultra Seven meanwhile are ruthless alien invaders that are infamous for freaking crucifying the aforementioned hero, leading to decades of japanese media having christian imagery for the sake of looking cool, most notably Neon Genesis Evangelion, because these birds did it first and it looked so cool.
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Alien Kemur or Kemu-chan is a very agile alien that comes from the distant future of 2020 to consume humans and extend his lifespan. Here he's a friendly but competitive ninja from the present, and has a rivalry with Red King being the speed to his strenght. Like Kanegon, he pre-dates Ultraman, being from Ultra Q.
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Motokureron or Kureron-chan originates from the whimsical, fairy-tale like Ultraman Taro. A kid found him as a baby and fed him until he grew to giant size, but when the kid couldn't feed him anymore he turned destructive; fortunately he was easy to pacify with food, including the kind that made him shrink. He retains his glutonny and clumsiness in Kaiju Step, often doing the bad thing (tm) so the others can teach the kids in the audience why you shouldn't do the bad thing (tm).
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Nova or No-chan originates from the surprisingly dark Ultraman Leo. This creepy and bizarre ghost-like alien created a red mist that made people go crazy, and manipulated a kid with illusions of his deceased family, and under his cloth there are lots of tentacles and a scythe. So of course, in Kaiju Step she's a happy and energic little girl that loves to sing.
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Mugera or Muge-chan is by far the most obscure kaiju of the cast. She's from the 2001 series Ultraman Cosmos, the one where the titular hero protects monsters instead of fighting them. Mugera is an ET-like cryptid that lives in an amusement park that only kids can see, with the ability to fix toys and heal wounds with her magic. After the amusement park closes down she phones home and the protagonists have to protect her from the goverment wich is a little too eager to shoot down the UFO that came to pick her up. In Kaiju Step she likes reading and plants.
And that was your daily dose of kaiju sugar, that may be overdose because you probably already met Emi. Cheers!
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Something something the concept of granting meaning and importance to an object/phenomenon/person by giving them a name
It is especially relevant in the world like the one ASOIAF is set in, where the name serves as an extremely important defining factor for many characters (mostly a family name but also their given one). And boy, did HotD writers lean into this - in their own way.
I am not the first one to point out that Jaehaera's name hasn't been mentioned in the show at all - not once. But guess who got to have one?
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Sure, everyone absolutely needs to remember a girl who was raped by the prince (who is now the king) and who, except for that fact - which serves the purpose of vilifying said prince (and, in some way, by association, the entire TG) - had zero relevance to the plot. And so we have Dyana - because this absolutely unbiased show can't have anyone forget that the Greens' candidate for the throne has some deplorable proclivities. She even got some extra screen time in season 2: once again, absolutely unnecessary except for reminding the audience of her existence - and of Aegon's sins.
But who cares about the only remaining child of the king; the girl who came within a hair's breadth from death and then lost her twin brother; the one true joy left to her mother? Why would she even need a name?
Jaehaera's fate in the show is uncertain (the writers didn't do away with her at the very least) - but for now she is not even a tool of the story but merely a dead weight that just had to be there for Blood and Cheese to have someone to choose from. And then she was simply conveniently (nearly) forgotten becoming just "Helaena's daughter" - no name, no face, no emotional attachment from the audience. I just wonder if the writers' unwilingness to actually involve Jaehaera in the story (or just let the viewers properly see her) comes from them being equally unwilling to make the audience remember her brother whose death and its consequences they are so eager to sweep under the rug in order to minimize the PR damage done to the Blacks.
P.S. Speaking about the importance of names - they need to be not only revealed but also remembered. Jaehaerys didn't end up nameless - but how many times was he actually called by his name in the show? Right off the bat I can remember only one such case: Aegon asking Helaena where he was in episode 1. And while I believe this was not the only time (I am terribly sorry but right now I can't make myself rewatch any part of season 2, not even for science - so feel free to point out the rest), I have a distinct feeling that he still was far more often referred to as "boy", "child", "son", "heir to the throne" and whatnot. Once again: no name, no memory - which IMO is exactly what the writers were going for.
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blueiight · 5 months
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“what can the damned really say to the damned?” is what this episode asks. and well… “nothing.” is what the show answers us with.
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we are introduced to louis and claudia as ultimate outcasts to the mortals around them and vampiredom: louis attempts to maintain the illusions of humanity in similar structures once more, casting grace as his lost wife and claudia as his daughter, as claudia seeks to find other vampires. armand, clearly pissed about the interview as is, decides to draw upon 150 years of prior work experience as a playwright toward the end of this episode, which is quite frankly, a bit much considering how daniel’s already scared shitless. and theres a terrible romantic specter in europe following louis thats named lestat. its a lot going on here, and im bound to not cover everything. i do want to cover dreamstat, and me and you(5x) but i will wait for the season to progress to do that^_^
‘He asked me if we could go home. Home? Can there be a more offensive question? Run back to New Orleans. Pry up his bones, why don’t you? Louis de Pointe du Lac, dead weight.’
louis and claudia’s tension in this particular episode revolve around the killing — or the betrayal that prevented the killing — of lestat. et tu, louis? stowaways on ships, trains, and wagons and a totally alien environment where even the blood is hostile to them, is it any wonder louis dreams of lestat? is it any wonder, having access to louis’s mind, in pursuit of some understanding of vampires beyond the facismile of the nuclear structure, that claudia continues to feel betrayed? i always think to myself, if claudia had qualities that made the average fan more sympathetic to her, would they understand how she was betrayed by louis specifically that night? would they be able to sympathize with claudia’s incredible perserverance despite, and because of, everything thats happened to her? and how that betrayal is the underlying tragedy and romance alike of the narrative that made 1940 mardi gras’s aftermath so haunting that louis in dubai did not remember it or was made not to until the other night?
following that in the flashbacks is when dreamstat first appears, clearly an extension of louis’s own mind at this own point, and he asks louis:
Four years of grim wayfaring, and still no sight of the benevolent vampire. So how does denial manifest itself tonight? … Was she worth it?
its so telling that lestat is the image louis calls upon to embody his most bitter feelings toward claudia in this sequence. dreamstat deserves his own breakdown, especially in relation to louis& claudia’s conversation when she first finds the revenant, as well as the wider events in dubai…
speaking of revenants, morgan in the show is a proto-daniel of sorts an abandoned journalist whos interest in photography exposes the illusion of grace the wife and claudia the impossible daughter, and tries to understand louis through the perspective of the mortal hes been given — did he go AWOL, or is he a black bolshevik? louis when questioned absconds, and closes up what little of himself he’s sold to morgan. its a smart way to include him in the narrative, as morgan is witness to emilia’s beheading after she was attacked by said revenant… and louis turns his head, truly embodying the detachment of the vampire in this moment. human affairs, their problem. this is a really good example of whats meant by ‘human affairs’ in the show, by the way. this episode features claudia & louis facing racism from military to children, and thats not framed as a ‘human affair’, but as one of many haunting aspects of their immortal existences.
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claudia, in the pursuit for vampires, continues the metaphor of adoption in how she tries to find some sort of companionship and her current understanding of romania as this ancestral home to the vampire. whats also noticeable here is how claudia trying to make sense of centuries of legends is a striking parallel to how louis in the present day attempts to make sense of whats ‘true’ and ‘untrue’ from her diaries. claudia’s private accounts in the present that she never intended to be so deeply analyzed as anything other than her internal narrative in the moments she wrote them has become, to louis, a similar sort of legend thats necessary to decode for his own sense of self.
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She writes here, ‘I do not dream.’ I can confirm that. At least, that’s what she said to me once when I was talking about one of my dreams which were erratic and often in those years. Of course, she might’ve just said that to shut me up, but yet… she writes it here so… let’s believe it. She continues. ‘We traveled light in our ancestral home. We slept in the earth, took circuitous routes around the mad army goose-stepping its way toward mother Russia…’
I woke that night to the sound of chaos erupting nearby. Claudia was, uh.. . she was dreaming. Her head twitching like you would. […] No, I can feel her. I can feel her next to me. She’s having a nightmare. What’s worse than a nightmare? If your soul’s projecting out its fears, at least it’s up and running. But the absence of anything? The void, the nothing, pieces… coming back. Hours, nights, objects surfacing in water… It was just something she’d wrote. But it wasn’t true. She could dream.
dubai louis’s recollection of claudia and the existential dread of eternally being damned, the terror of lacking a soul, a rather catholic fear but still having a sequence of memories that cycle back into an immortal brain, replay in this inversed sleep cycle, can be malleable, forgotten, poke a hole in louis’s attempt to utilize claudia’s diaries as but an extension of his own narrative, and offers a glimpse at what is truly at stake in this second interview.
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I can't believe no one has submitted her yet, but one of my favorite characters of all time is Nyota Uhura from Star Trek (there are 3 series she appears in (and shes wonderful in all of them) but I'm gonna focus on the Original Series because I love Nichelle Nichols)
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I don't even know where to start with her. Shes beautiful, competent, and enchantingly playful on screen. She was born in Kenya and has strong cultural ties, even the name Uhura is derrived from the word 'Freedom' in Swahili.
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Since Nichelle got her start on broadway, she has this wonderful musical quality and they even let her sing in a couple of episodes. She works as the communications officer (she can speak 37 languages!) and she does it wonderfully. She is often reffered to in fandom as the Voice of the Enterprise not only because shes a singer but because she embodies everything that Starfleet stands for (resilience, compassion, knowlege ect.). Shes level headed and so so good at her job and is such an important part of the crew.
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This is of course not even scratching the cultural impact of her character. The Star Trek original series debut in 1966 (just one year after Bloody Sunday), Black characters were barely seen and when they were they were relegated to horrible stereotypes. Uhura was nothing like that, she was an equal and that was groundbreaking. She changed the industry forever.
Nichelle was originally going to quit the series after the first season but was stopped when she when she was approached by someone claiming to be her biggest fan, and that was Martin Luther King Jr. I'll link a great article recounting the meeting, but I have to put in my favorite quote of what he said.
"300 years from now, we are here. We are marching. And this is the first step. When we see you, we see ourselves, and we see ourselves as intelligent and beautiful and proud.' He goes on and I’m looking at him and my knees are buckling. I said, 'I…, I…' And he said, 'You turn on your television and the news comes on and you see us marching and peaceful, you see the peaceful civil disobedience, and you see the dogs and see the fire hoses, and we all know they cannot destroy us because we are there in the 23rd Century.'"
https://www.startrek.com/news/nichelle-nichols-remembers-dr-king
Literally such a good read. She inspired so so many people, and she is such a delight on screen. I just love her. I could go on but this is long enough haha. 🖖
🥹🥹🥹🥹🥹 and are!!! We are there!! We are always going to be there!! In every genre, in the past, present, and future- there will always be Black people striving for and existing in greatness! We are here, and we have every right to be here! There's no ignoring or getting rid of us, no matter how much that ruins many a racist's fantasy 🤷🏾‍♀️ That really did just make me tear up. Nichelle deserved so much better in her last days, for all she did for the community. Thank you for sharing this.
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russanogreenstripe · 11 months
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So many good moments in Ep 5 of Burrow's End, but this is the one that sets my mind buzzing the most. The idea that community predates identity. We know mama, dada, and baba before we know not only their names, but our own names. And in the season all about family, community, in-group versus outgroup? This feels like such an important idea, and it was came up likely on the spot. It's fascinating to think about, and touches on such big themes about Burrow's End in general.
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My mind keeps trying to read "name" as "self," and come up with something like "we have to know others before we know who we are," but I think there's a fundamental error in that idea. Neurologically, we just start off with just "Me" - one of our basic senses is what is "Me" and what is "Not Me." That's fundamental to further categorization, and faults in that sense is where things like depersonalization / derealization come from. Names are just labels, and they're not even the first labels we have for them.
This ties into another point that a lot of people had when watching the trailer at the end of Ep. 4 and during the live reaction of Ep. 5 - the idea that because Sybil was so reluctant to say her brother's name after he died, that it was the result of some top-down oppression within Last Bast and further proof that it's not as idyllic as it seems. Now, Last Bast almost certainly isn't a utopia, and I'm sure we're going to learn more about that in the next episode. And it's possible that it is a top-down enforcement that Sybil, having been raised in Last Bast, has internalized. However, there's a chance this isn't the case.
Less than 30 seconds on Google turns up several cultures that have taboos around speaking the names of the dead - Aboriginal mortuary rituals, the Apache of the Southwest US, the Tolowa tribe of California, the Yanomami on the border of Brazil and Venezuela, certain Romani/Irish Traveller groups, and almost certainly more. While it initially seems unfathomable to Western cultural mores around remembering and memorializing the dead, it's just as possible possible that instead of a method of social control, it's simply a cultural taboo.
https://scholarblogs.emory.edu/gravematters/2017/04/18/aboriginal-mortuary-rituals/
And as Aabria has commented both during the live discussion and general discord channels,
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Aabria's a smart cookie, and I trust that she's done plenty of worldbuilding and put tons of thought into how Last Bast's society works. We've seen she's great at her cultural analysis while in the DM's chair in both Misfits & Magic and in A Court of Fey and Flowers. Culture and society are interwoven in all of her games, and where does all that start? With family.
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nikosaki · 4 months
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Hello there 👋, I hope you’re having a great day
I saw that you’re open for some requests, may I request some scenario/short fic for Fyodor Dostoevsky, in a story where Fyodor and Reader (female) are childhood friends, and they both got separated for some quite long time due to some family business reasons, because of that, Reader doesn’t recognize Fyodor anymore (she still remembers him, but she forgot how his face looks like). One day, they both meet again at the moment where Fyodor got captured by Ace (the white haired mafia executive from season 3 episode 4), and reader was currently working as his subordinate, I don’t know if you’re accepting some angst with happy ending, but if you don’t, then you’re allowed to decline this request, that’s all, thank you 🙏💖
"Come with me, my angel. I will sew your wings back where they belong"
Summary: You were but a flower in the wide open to him fo back in his childhood you were the only companion he had, now Fyodor meets you again but in hands of another man, will he truly resurect you or leave you as you be?
Genre: hurt to comfort (kindaof), romance Warnings:fem reader, suicide (implied for ace), slight manipulation, follows canon events of the episode, dialogues are different, not proofread, reader collapses because of overload information
A/N: this seemed so intresting :0
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Fyodor remembers it all, from the day you had first met him in a fancy doll-like attire to the day he lost you.
He remembers everything.
✦ ⎯⎯ㅤִㅤ୭ ୨♡୧ ৎㅤִ ⎯⎯ ✦ ⎯⎯ㅤִㅤ୭ ୨♡୧ ৎㅤִ ⎯⎯ ✦
"I get to choose the type of game we play" the white-haired man says a tint of arrogance splayed on his tone, ace thought he had everything in control from his subcordiates to the hostage infront of him. He had already debated he would win.
"Go ahead" the man replies back his thick russian accent hiding an enigma. You were simply Ace`s right hand but how tired you were from this mans arrogance as if he was the king or something.
"Hm, this man seems quite intelligent i wonder if he can beat Ace, i really do hope he does" you think to urself you always remained quiet and god had somehow accepted your request
"Name! go get a stash of playing cards" Aces harsh tone cuts your thoughts off as you slightly roll your eyes and leave to get the cards. The thing you didnt know was the purple-eyed sharp gaze you may have forgotten who he was but he didnt.
"Is she another of your subcordinate?" he asks, fake curiosity in his tone. "Why yes could you not see the collar around her neck? Such a pretty face should not go to waste!" Ace mocks not knowing you were behind the door gritting your teeth.
"Sir, i have brought the items" you break their conversation bending over to hand over the stash of items "Ah finally" Ace heaves in exaustaion as if hes the one who was made to fetch them, his hand snatching the deck of cards hastily.
You couldnt care any less about the game they were playing but you could only focus on the man infront of you, beautiful amethyst eyes dark bags under them and luscious raven like hair one would mistake them for the feathers of a real crow.
Where have you seen such soft hair before?...
"Name, this is Fyodor Dostoevsky" the woman you called mother told you introducing you to the boy infront of you "Well then we will leave you two in the library while we talk about important matters.
Just like that your parents left and you approached the sickly boy crouching down to the wooden floor. "Why do you look so sickly?" you ask the boy as he only glares at you one could say, a tired glare.
"Maybe because i am sick?"
With that you and the sickly boy had interacted more talking and talking for hours, Actually you didnt even care how many hours it had been past back then. The words he uttered made it seemed endless and his topics made you less bored.
Even for fyodor, he was piqued in you, though you may looked like a mindless puppet back then, you had a mind compared to a jungle filled with wild flowers, how etheral and terrifying was something so vast and wide.
“Dear, we must go now bid farewell now” your mother’s voice rang out from the door of the warm and cozy library. “Ah farewell, dostoevsky” you stand up pushing the dust off from your white skirt. “Please, call me fyodor” fyodor quietly replies to which you only smile
“Alright, fyodor”
The next couple of days, you remembered how you had met with this young Russian boy and spent much of your time with him, he was far more interesting than any books you have read or any jewels you inspected.
You remember sitting down under the shadows of oak trees talking about the world beyond this small area of russia.
“Do you believe in immortality?” He asked “Maybe, why” she answered to his question which held thousands of answers but he who asked remained silent.
You remained silent watching the men in front of you play deck cards, apparently it was a guessing game.
“Ah” fyodors voice caught you back to the game, he had guessed the last card to your shock but the one who was most shocked was Ace but before you could react he had smashed a wine bottle on the winners head, staining red wine all over his face.
All of this shocked you as you watched ace walk out angrily and just sighed.
“That was really smart of you, Dostoevsky.” Ah- the name you first called him, you had really forgotten have you? “Was it? Well I simply memorised all of the cards imprints layer flat on the table” he remarked nonchalantly. “Simply? That’s quite impressive in my eyes though” you answered back rubbing his ravenous feather like hair with a soft towel as all the other subordinates watched from afar. “Say, what is your ability?” you ask putting his ushnanka “Well my ability allows me to control time and ability” the man answered tilting his head towards you.
He lnsists it’s his ability only for you to kneel down next to his ear, away from the pipe attached to the ceiling
“You are a liar”
Your voice softly whispers in his ears but instead of him being shocked at your intellectual guess, the man can only smirk as he replies back. “Correct, моя дорогая мышка”
Your eyes dilate in shock, the name he called you…
You remember he used to call you this same exact pet name all the time but just because your memories from your past stays on the other side of the storm that doesn’t mean you can’t see through the clouds.
✦ ⎯⎯ㅤִㅤ୭ ୨♡୧ ৎㅤִ ⎯⎯ ✦ ⎯⎯ㅤִㅤ୭ ୨♡୧ ৎㅤִ ⎯⎯ ✦
Anxiety casted over you as your eyes meet the disastrous scene unfold infront of you. The white haired man came back but at what cost? The cost of disbelieving in god, the thought brushes over you as you stare at Ace’s hanging body and the little boys corpse.
“Both of them are dead, моя любовь” a voice corrects behind you as you instantly turn around. You stare at the so man who had defeated the port mafia executive, such a man was capable of causing such destruction.
Even so your curiosity seeped through, “Wh- no what are you…?” Your voice could have make a croak when you felt his lip bitten fingers rise your chin towards his menacing eyes.
You could only stare at the man’s eyes, how can a man be so pretty yet cruel at the same time?
“My dear [name], do you not remember the boy you talked under the skies of Moscow city?” your eyes widen.
“Fyodor? Fyodor Dostoevsky?” This was too much for you, all of the memories appearing in your head like slideshows, your head was feeling dizzy but it was him! Your friend
And before you could say anything you felt your body collapse, with your head falling on his chest not that fyodor was surprised since it went as he planned
His hands pick you up and carries your dizzy form to the boat. After that you didn’t know what happened but somehow you had woken up in a cozy bed.
“Ah моя любовь, you are awake from your slumber I see.” Fyodors calm voice calls out, a much softer and less intimidating smile on his face.
You remain silent before getting up and inspecting his face. “It’s really you..” you try to reach out for his face but hesitate for a while but he says nothing before grabbing your hand.
“[name] I will wholeheartedly explain everything to you, but firstly would you care to join in my mission of redeeming the worlds pure form?” He takes your hand gently and brings it to his lips, looking at you adoringly.
“That means murder and violence am I right, Fyodor?” You ask still captivated by his beauty. “You are quite witty after all” he chuckles to himself
you move away your hand move closer to him before cupping his face and locking your forehead with his, which caught fyodor off guard.
“Yes, yes I will fedya. Anything to be back with you again but this time don’t leave me…please” “of course I won’t, моя дорогая мышка”
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a/n: OH MG I AM SO SORRY ANON THIS TOOK SOO LONG
divider: @hyelitas
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seb-reads31 · 6 months
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Hi! Can you do a head cannon for how the various women of Hazbin hotel would confess their feelings to/ask out a clearly shy reader who's never had a partner before and they know?
Tw's - Cursing (it's hell so hush), mentions if fighting, Velvette threatening Val's 🍆, me sucking at pet names✨, spoilers (duh), injury to reader and others, let me know if there are any more!
Type - head canons
Genre - Fluff
Comments - Awww, this sounds very wholesome 🥰🥰 so of course I'll do this! In this Charlie and Vaggie are just besties, also, implied fem!reader for Vaggie, and implied male!reader for Nifty, the rest are gn!readers. (I didn't know if you wanted me to do the angels too so I just did the demons, let me know if you want a part 2 for the angels) SPOILERS FOR SEASON ONE OF HAZBIN HOTEL‼️ IF YOU'RE FINE WITH SPOILERS OR ALREADY KNOW WHAT'S HAPPENING THEN FEEL FREE TO CONTINUE <33
Sweet, shy thing~
Charlie
- Remember how she was panicking in episode 5 when extermination day was about a month away and stayed up all night?
- Yeah, she did something similar to that when it came to asking you out lmao
- She also ended up enlisting the help of Vaggie (Angel Dust joined in because he was getting a little aggravated with how much you two danced around with each other 😭)
- Vaggie and Angel both gave Charlie a very.. straight forward approach to confessing which she knew wouldn't work out in her or your favors, but kept their advice in mind
- The best helper of them all would be Husk (who else) who told her to just be as sweet as possible and to be both straightforward (like Vaggie and Angel said) but not enough to scare you
- She took his advice with great confidence, and finally did it.
- She's asking you out!
- She grabbed a plush of your favorite animal, and a singular flower, a Lilly of the Valley
- Why that one? Because it means hope. Hope that you return her feelings, hope that all goes right with your possible relationship, and hope that you both survive the upcoming extermination.
- With all of that in mind, she gives the items to you, her hands shaking, eyes shut, and the most furious blush upon her red spotted cheeks
- She explains when, how, and what caused her to fall for you, and why she's giving you this flower
- When she finally looks at you, the last thing she's expecting is to see tears brim your eyes, the slight shake in your body as you hold the stuffed animal and flower close to your body
- She nearly has a panic attack! She starts stumbling over her words, begging for you to not hate her, asking if you both could still be friends, not stopping her words until you suddenly lean forwards and hug her, tightly
- You silently whisper in her ear that you like her too, but haven't been in a relationship before, not that she didn't know that already. But you wanted to wait until after the extermination to really give it a try
- As saddened as she was hearing you wanted to wait after the extermination, where anything could happen, she would wait as long as you wanted her to
Vaggie
- Normally I wouldn't decide what the readers background is, but for Vaggie you both were great friends in heaven, you just not being an exterminator
- Instead, you decided to fall from grace as soon as you heard the reason why Vaggie never came back from that extermination..
- No one up in heaven had known what you were planning until it was already done
- Vaggie only knew what you did till she discovered you one day while out and about with Charlie, casually hanging out and discussing how to promote the hotel more
- She obviously asked what happened, and she fell for you once you explain your reasoning
- The many thoughts of how she would confess to you would run through her mind as you did something she found so cute subconsciously
- She was already friends with you in heaven, and knew your mannerisms like the back of her hand
- And the only thing she could think of was the classic "I like you, and want to take you on a date. [Yes] [No]"
- Why? Because it's simple, straight to the point, but also giving you space to decide what you want to do without the pressure of her being there
- She slips it under your bedroom door, knocks, then silently runs away
- She had to do something, ANYTHING to get her mind off of your response so she spent several hours working with Charlie discussing trust exercises
- It was the end of the day when she finally returned to her bedroom, she remembered the note as it sat on her bed, crisply folded. Just how she gave it to you
- That made her a little.. nervous, but she opened it..
- "I like you, and want to take you on a date. [Yes] [No]"
- Holy shit.. YOU SAID YES-
- Ahem, you said yes, and now she is taking you on a date. Where's Charlie-
- She needs to tell her bestest friend that she's going on a date with the most beautiful creature in all of hell
Velvette
- She uh
- She's something ngl
- Velvette is very straightforward and brash person
- And we could tell that with the overlord meeting
- Let's say you work for her as an assistant or scheduler
- So you're always by her side, which means you spend a decent time around the other V's
- And as much as she enjoys the chaos those two bring, she gets fed up with it. ESPECIALLY Val's temper tantrums
- His tantrums include bursting into her workshop, ripping apart her models, her clothes, and just wrecking everything he declares in his way
- Unfortunately, you ended up being caught up in his tantrum. Good news, you didn't die. Bad news, your limbs were.. broken. Just a couple though, like an arm, several ribs, nose, all that jazz
- Velvette happened to hear the commotion and walked in, and saw him looming over you
- She felt her body freeze from your current state, how battered and bruised you were, your arm bending in an impossible direction, your labored breathing as you just clenched your eyes and accepted the fate Val was planning on handing to you..
- That is until Velvette fucking EXPLODES on Val, threatening to chop off his 🍆 if he didn't leave and calm tf down before she made him
- Everyone feels a chill run down their spine as she lets out more curses towards Val as she stomped towards you, demanding someone call a doctor (if they even have those in hell) and to fix everything or so help them-
- ..let's just say Val is more careful with his tantrums and everyone realized that Velvette is the scariest V when angry
- When you were finally bandaged up and resting in a bed she calmed down and really took a deep breath, and came to a realization
- She had never been that pissed that Valentino had nearly mutilated one of her employees.. what made you so different.?
- Then it hit her like a truck
- She liked you, and she didn't realize it until she almost lost you
- All of the times you did something so small for her, but it made a big difference to her was all she needed to know that you were meant for her, and that hopefully she was meant for you..
- The second you wake up you see Velvette, who lets out a sigh and gives you the softest look you have ever seen on her since you began working for the V's
- She slowly reached her hand forwards, cupped your cheek, and whispered how sorry she was for not being there to protect you
- Your cheek warmed up in her hand, not expecting the vulnerability she showed you, not to mention the worry and sorrow that covered her face
- Gently leaning into her touch, you tell her it's okay, and that you would be fine. You always were, weren't you?
- Chuckling, she shifts her face from sadness to a look of endearment. She had to confess now, otherwise she may lose her chance again
- Sighing softly, Velvette whispered her confession, of how much she adores you, appreciates your patience with her, how strong you were when it came to Valentino's rampage, and just you as a whole
- Velvette closed her eyes, halfway expecting rejection, but only opens her eyes again when she feels something wet run down her hand, the hand still on your cheek that's now very, very warm
- As she opens her eyes, she's met with a teary eyed you, cheeks ablaze with a blush so fierce
- You muttered something so softly she almost didn't catch it, almost. "I-I.. feel the same way, Velvette.."
Niffty
- This woman doesn't like you
- Let's get that out of the way 😭
- She's into bad boys (like Val and Alastor)
- The reader being shy doesn't scream "bad boy" to her whatsoever
- Thank you for coming to my Ted Talk <33
Carmilla
- She's very reserved about her feelings
- And she kinda has to be, especially when it comes to keeping her daughters safe
- But now.. she has to keep you safe too
- She had added you to her little crew a couple of exterminations ago after her daughters had discovered you running away from an exorcist, managing to fend it off long enough to help you get away
- And as an expression of your gratitude for what Carmilla's daughters did, you made a contract with Carmilla, pledging to try and protect her and her daughters to the best of your ability to repay their kindness for a random sinner
- Carmilla didn't even think much of you at first, and almost refused your offer, but didn't see the harm
- She doesn't regret it, if anything, she's very happy she did however
- You kept your word and did more than she ever expected you to do
- You always accompanied her daughters to shipments, and even had to step in a couple of times because someone got a bright idea
- You may've been shy, but you owed them your life, and you planned on never letting them come to harm under your watch
- Carmilla appreciated it, greatly. Her girls have showed how much they've cared about you. Almost treating you like their second parent alongside her
- She didn't realize it, but you were growing on her too, just not in the same way as her daughters.
- She.. fell in love with you.. in hell of all places
- Strange, but not completely taboo
- She just wasn't expecting it to happen to her, and with you
- She wasn't quite sure how to go about it, knowing your surprisingly shy nature (despite how fierce you can be when it comes to her daughters)
- But she figures it out
- Her plan being that she will invite you to a "meeting" in a very nice restaurant
- She dresses up even, with her daughters assistance who are very much on board with you hopefully being their 2nd parent, and gets a private room for the both of you
- In that private room, as you both eat your meals, she confesses
- She tells you how much she appreciates you, and how you protect her daughters with your life, how sweet you are, how loyal, how brave you are
- She tells you that and more, including how and why she fell for you, hoping silently that you felt the same so this dinner didn't become incredibly awkward
- She looks everywhere but at you as she tells you these things, too nervous to look you in the eyes, but when she finishes and she's left in silence she finally does
- And all she can see is how flushed your face became, how you're looking down at your lap with the dopiest grin stretching across your face
- Then you mumble something, she doesn't hear it the first time so she leans in, silently asking for you to say it again
- "I-I.. I fell for you t-too, Carmilla.."
- Her heart does a flip, several, actually
- Her face flushes slightly, her larger hand reaching across the table to lift your face up, softly stroking your cheek
- "Words could never express how happy that makes me, mi amor.."
- (translation, "my love.." I couldn't think of anything better, send me a list of some cute names she would use I beg of you 🙏🙏)
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Ten years of Whouffaldi
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My word, where did 10 years ago?
Ten years ago on Aug. 23, the episode Deep Breath launched the remarkable era of Peter Capaldi as the Twelfth Doctor (or true Thirteenth if you want to annoy some people).
And it was the true launch of one of the most interesting romances in sci-fi (friendly reminder that Peter, Jenna Coleman, Steven Moffat, writers and directors have all in some way or another confirmed that this wasn't fans watching with "ship-coloured glasses" - it was canonical. Regardless how some fans and even media have tried - as recently as a few days ago - to pretend it didn't exist.)
I do think it was not intended. It cannot be denied that a lot of people consider there to be an age-gap limit in romances, real-life and fictional, even when both parties are consenting adults. So when Peter replaced Matt - and no one can deny Clara had the hots for Eleven because she flat out says so, several times - they obviously planned on a return to the First Doctor-Susan dynamic with Capaldi (or maybe more accurately Third Doctor-Jo Grant, since Three low-key held a flame for Jo, since Twelve would still remember how he felt as Eleven, plus Three was "Capaldi's Doctor"). But due to the fact Peter and Jenna had such intense chemistry (to this day some fans remain convinced they had a real-life romance, which is not something I ever subscribed to), coupled with the decision to shoot the first episodes of the season in order of broadcast, you can see Moffat and his writers pivoting in real time as they adjusted to the fact that - with no disrespect to Samuel Anderson - Danny Pink was never going to be the next Rory Williams. This is most in evidence with Listen defining a future for Clara and Danny that was definitively retconned by Danny's death in Dark Water.
I know the Capaldi era was not everyone's cup of tea. Season 10 in particular did not age well for me, mainly because it was clearly "one season too many" for Moffat and Capaldi himself seemed to "check out" after a fashion when it became known that the next producer wasn't planning on keeping Twelve around. And if we're going to harp about falling ratings for the show in recent years, Peter never attained the same viewership levels as Matt or David. But for me, Seasons 8 and 9 were - a few off points notwithstanding - the best of the modern era and easily rank alongside the Pertwee years as some of the best this show ever had. (I stopped watching after Season 10 - but having spoken to people whose judgement I trust, I don't think anything that followed is likely to have rendered that statement outdated.)
But I appreciated the more mature approach to the show. Yes, I know DW always was at its core a children's show - though upgraded to family show over time. But having the Doctor and Clara having a mature conversation at the diner, the Doctor inviting a villain to have a drink with him (the closest the Doctor ever got to being James Bond), Clara freaking out about being called a control freak (not to mention her perfect "Nothing is more important than my egomania!"), the fact the episode confirmed that the Doctor did look upon Clara as his girlfriend when he was Eleven, and the fact the episode walks up to ageism and pops it in the nose with Clara being upbraided by Vastra for being ageist because of Twelve no longer being the young man Clara fell for ... all these add up to a remarkable episode and likely the strongest debut story for a Doctor since Spearhead from Space.
Deep Breath also marks the last time we saw the Paternoster Gang on screen. Having praised Moffat for Whouffaldi, now time to aim some criticism his way - he set up a perfect spinoff series (Neve McIntosh is one of my favourite actresses not named Jenna Coleman) and yet never followed through. Say what one might about RTD, we'd have gotten 4 series of Vastra, Jenny and Strax had he been in charge. Big FInish doesn't count though I'm sure Neve and Dan Starkey appreciated the fact they didn't need to put on the makeup all the time! LOL
So happy 10th anniversary to Whouffaldi!
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carigm · 8 months
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MAJOR POTENTIAL SPOILERS/LEAKS REGARDING S5 (WARNING)
Last Spring/Summer, a semi popular fandom account on Twitter got sent some leaks about S5, focused on the first half of the season. At this time, many fandom accounts were receiving supposed leaks, so our attention was a bit scattered and we didn’t focus on any of them too much. A popular leak account on Twitter (unrelated to ST) also mentioned that they had gotten the first half of S5 leaked, and that this source is “never wrong”. Now, it is hard to tell if these leaks are the same as the ones that the specific fandom account I’m talking about received, but something to keep in mind. Her leaks were given to her by a person named James (which I assume is a fake name). These leaks were also posted on Reddit, last year, by her (the person in the fandom that got the leaks from James) but some major things were omitted in that post. I’m gonna leave a link here in case you guys want to read the discussion.
I’m sharing these leaks with you because some things from them are kinda lining up with what we’re seeing from S5 production. Keep in mind that these could be fake/wrong, and James himself said he didn’t have info on the last couple of scripts.
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According to James, Mike dies in Ep. 3. I’m adding more screenshots later for more context, but the gist of these leaks is that Mike bites it, mlvn never breakup nor do they get a resolution, and Byler is left up to interpretation but never really happens. (I don’t really need to get into how shitty this all is writing wise)
Let’s go over the things these leaks might have potentially gotten right, according to what we know so far.
1. James said that the time jump would occur in ep. 1, after an establishing scene where S4 left off. He said the time jump would place us in late 1987/early 1988. He also mentioned there would be a series of flashbacks showcasing stuff from before the time jump. The dates he gave do seem to be accurate, and David Harbour had a shaved head right before they went into filming, which could imply pre time jump scenes.
2. According to him, after Mike dies, they find a letter he had been writing. Some of us were theorizing Finn had a letter in his back pocket in those rooftop pics. Could’ve also been Finn’s script and he just stuck it there (who knows).
3. He said that Joyce gets badly injured in ep.3, and since there’s speculation Winona was seen filming at the hospital, some people think that means she was taken there because of her injury. It’s important to notice that Natalia, Cara, and Finn were also supposedly seen filming at the hospital, and that the production called for many extras for nurses and paramedics. So whatever they’re filming at the hospital, it might be bigger than Joyce getting injured in her leg. Let’s remember Max is at the hospital too. I’m not 100% sold on this part of the leaks.
4. Today it was revealed that they’re setting up to film at Stone Mountain. (This is where they filmed UD scenes for S4)
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Apparently production might have purple tentacles out already. (UD vines?)
Cara Buono mentioned, in that video shared by Ross Duffer, that she was filming stuff from Ep.2. This was around 2 days ago.
The people that know about the leaks think this is where Mike dies in ep. 3. Here’s some further context:
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Here’s some stuff he said about mlvn:
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Which is just….meh, because like I said, it doesn’t look like him and El ever breakup before his supposed death. Plus Byler never gets any resolution.
Now some things that might disprove the leaks (I’m trying to be impartial here)
1. These leaks mentioned Argyle a couple of times, saying he has a hero moment at some point. Eduardo made it sound like he’s not coming back to the show, but tbh he could just be lying. He’s listed for ep.2 on IMDb (and yes I know anyone with an account can edit that site)
2. These leaks say that Mike is very insufferable for the 3 episodes he’s alive, basically lashing out at everyone, specially El, and just overall behaving like an asshole. I really didn’t get that from the ElMike rooftop scene, in fact he seemed very gentle with her. People that know about these leaks think that the rooftop scene is Mike maybe apologizing to El and them having a heart to heart, right before he dies (no comment).
All in all, if Mike is dying this early, I’m sure we’ll know soon enough. The rest of the cast is gonna be filming for like a year, and Finn will be done in like two weeks 💀
I also hope there’s more leaks soon (on Reddit) so that we might compare them to these and see wtf is up.
I know someone is gonna inevitably ask why leaks would be out almost a whole year before they started filming when we usually get them during filming or post production, but I’ve been told these leaks happened around the time the writer’s strike began, which is when they were originally gonna start filming. I was also told other shows had issues with leaks around that same time.
I don’t want to get too much into the truly awful writing we’re facing if these are real but…First, I believe it’s a total disservice to Mike’s character. One of your mains since S1 and you don’t even offer him the option of dying towards the end of the season? Even fucking Eddie got that. Two, it seems like a very easy cop out for not having to make Byler canon. Let’s just have neither ship be endgame and that way we don’t get queerbaiting allegations. It also stands in a zone too close to torture porn for my liking, because sure let’s kill the character two of the most traumatized characters in the history of TV love most. And yes, it’s also a disservice to El and Will’s characters. And lastly, if that supposed letter vaguely alludes Mike having some sort of sexuality problems (we don’t know atp) it is pretty fucked up they just killed him off like that. Sure let’s not explore any of that, but give a half assed explanation via letter ex machina. This is looking like Supernatural finale levels of bad to me.
Another point, I distinctly remember the Duffers saying, after S4, that they could never kill off a character like Mike because it would be too painful, and that ST would cease to be ST and lose its identity. They didn’t want to be like GOT. I sincerely hope they actually meant this and were not trying to be cheeky or whatever the fuck.
It would be genuinely insane, and quite frankly, a highlight of their lack of writing abilities.
I hope the leaks are wrong, but I felt like it was necessary to warn everyone just in case. I know I’m not watching something this awful.
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How many times do Will and Hannibal say each other's names?
I have had this data sitting around finished for over a year (and started collecting it three years ago) and have finally decided to just share it! I’m splitting it up into three posts, this one is about how many times Will and Hannibal say each other’s names, the next adds in Jack and Alana, and the third is a bit of a departure as it’s about the gender split of the murder victims in the show!! 
Very quickly I’ll go over the format! I was particularly interested in what form of name people used so it’s split into first name, title, and full name (slightly varying depending on the needs of each table) as well as whether the character is speaking directly to the person whose name they are saying or if it’s to someone else!
Adding a disclaimer that I did this for fun so I haven’t double checked it meaning there may be some mistakes, but I tried my best! 😌
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Getting into the data itself: first of all, Will says Hannibal’s name 109 times throughout the entire series, 29 of them are while talking to Hannibal himself and 80 are while talking to others. Will only uses Hannibal’s first name 48 times with none of them occurring in s1 and only 6 being while talking TO Hannibal himself… (Though the s2 one is in conversation with both Jack and Hannibal being more directed towards the former but Hannibal is present so it counts babeyy!!) He likes calling him just “Dr.” doing so 5 times but the majority of the time he uses “Dr. Lecter” when speaking to Hannibal making up the remaining 17 times! When talking about Hannibal he uses his name the most in s2 at 42 times but only 14 of those are his first name. He prefers to use a more impersonal form in s2 as opposed to s3 where he uses Hannibal’s name 34 times in conversation but a whole 28 of them are his first name!! He really said I’m on intimate terms with Hannibal now 😌. (Especially if we remember this is the season where he addressed Hannibal by his first name 5 times too….) 
Hannibal on the other hand uses Will’s name almost double the amount of times that Will uses his! Hannibal’s total comes to 204! Most of them are in s1&2 at 88 and 75 respectively, before dropping down to 41 times in s3 (2 times less than Will that season!) He also uses Will’s first name Significantly More at 184 times, in fact he only full names him 20 times! The only two times he uses Will’s full name while talking to him are in 1.11 when Will has a seizure in his living room and he’s doing the “It is [time], I am in [place] and my name is Will Graham” routine. Interestingly he uses Will’s full name 9 times while talking to others in s2 but they are exclusively in s2a, once Will got out of prison he went all in on ‘Will is my best friend’. Although I want to note that in 2.1 he uses Will’s first name while talking to others 10 times during the episode…… There are only three episodes in the entire show where he doesn’t use Will’s name and they are all in s3 (3.3, 3.4, and 3.7) he really tried to have his Hot Girl Summer and forget about his ex though luckily (for him and us) it did not last. And in 3.9 he uses Will’s name 15 times that episode and all of them were his first name, he’s down bad!! He simply can’t help it!! Across s3b he uses Will's name 32 times which is 78% of all the uses in s3, turns out going to prison for a man just makes you talk about him More!
This table also includes a side table of every time they talk to or about each other! Not much to note there except that they talk the most in s1&2 resting at 39 and 43 respectively before dropping to only 25 conversations in s3 but they are separated for 5 episodes so I think we can forgive them for that 🤷‍♀️ although they do have a few flashback or hallucination conversations (on that topic the two conversations in 2.4 are hallucinations from Will and the single conversation in 3.8 is technically the letter Hannibal sent Will but I felt like they deserved to be counted!!) When talking about each other Hannibal initially does so more, having 24 conversations in s1 as opposed to Will's 7 about him. Whereas they are more evenly matched in s2 with Will at 33 and Hannibal at 27. In s3 Will completely overtakes Hannibal talking about him 36 times to Hannibal's 13! It’s interesting that despite Will talking so little about Hannibal in s1 he ends up the ultimate winner at a total count of 76 conversations to Hannibal’s 64! But it's safe to say that with those totals they are both completely obsessed with the other 😌
To f i n a l l y let my English degree in for a minute it’s very telling that Will uses Hannibal’s first name sparingly, indicating that it took time for him to build intimacy and trust with him. If we look at the occasions in which he deploys it when talking to Hannibal he uses it as a weapon to induce Hannibal into doing things BY referencing their intimacy this way and letting it bleed into his words. This convinces Hannibal that he needs to go to prison so Will could always find him and later to go along with Will's plan to break him out. Hannibal on the other hand readily uses Will’s first name from the beginning and in fact does so More at this point than later on. This shows how he was fostering dependence and creating trust that he could then use to break Will and watching him break would in turn feed his curiosities about Will. There is also a notable jump in 3.8 in his use of Will's name since the beginning of the season, it marks the first time they have seen each other in 3 years. Now Hannibal is trying to re-ingratiate himself to Will while simultaneously throwing barbs at him to try to inflict some of the pain he felt in their separation and to test if Will felt the same anguish (which we know he of course did however much he denies it..)
I hope that this data has been interesting and most importantly has illuminated how insane they are about each other!! I would love to hear any other thoughts people have in the tags or comments!
(part 1) (part 2) (part 3)
Shoutout to @will-gayham for going insane about this with me for the past two years and being as enthusiastic about ✨data✨ as I am, love you! 🫶
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soaringeag1e · 9 months
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Jensen x Fem!Reader
Warnings: Language, Sadness, Heartache, injuries, Blood, Sweet Caring Jensen {I know, doesn't seem really Christmasy haha, sorry, not sorry.}
Words: 2,252
Main Masterlist - Patreon
She spent the day putting up her tree and decorating her apartment, keeping busy and trying to keep her mind off other things. She desperately wanted to feel the spirit of Christmas, feel excited and cheerful, but those moments didn’t last long unfortunately. Even with lights hanging throughout the space, her tree bright green and sparkling with twinkling white bulbs, she just wasn’t feeling it.
She was sucked in by the lights on the tree as they took turns lighting up, a few knocks going unnoticed as she was spacing out, lost in her thoughts. It takes a few more attempts from her visitor before she finally gets pulled out of her trance and hears the thuds against her door.
Glancing down at the glass in her hand, the melted ice tells her that she’s been spacing out for a lot longer than she thought, but that doesn’t surprise her honestly. Setting her holiday drink on the table, she moves towards her door where a few more knocks come through. Peeking through the peephole, she grows a bit confused when she sees who it is and quickly pulls on the locks to reveal her friend on the other side. He gets startled after the long dragged out silence but smiles when they lock eyes nonetheless.
“Hey! I was beginning to think you weren’t home.”
“No, I just um…” she pauses, looking back into her apartment to where she was glued just seconds ago. “I’m sorry.” she apologizes in a quiet breath, hesitating to look her visitor in the eye before changing the subject. “What are you doing here? I thought that you were in New Mexico working on…” When she can’t continue her sentence he raises his brow, a smartass smirk growing on his face.
“Big Sky?”
“Yes! That.” She looked embarrassed as she couldn’t remember the name of the show he was currently involved with.
“Well, it’s nice to know that you’re so into it.” he tells her, the sarcasm not going unnoticed. 
“Hey, I’ve been busy.” she counters, letting him in the apartment. “And I’m halfway through season two now, so…”
“So…you haven’t even made it to my episode. Good to know.”
“Did you just come here to give me a hard time? Because I’ve had enough of that this year.” Her tone changes as she closes the door. “Best friend or not, I’m just not in the mood.” As she roughly rubs at her eyes, his heart sinks. The relationship he has with her has always been playful. It was his job to mess with her and it always made her smile, but sadly he has underestimated the pain she has taken on in the last year and hasn’t adjusted his teasing accordingly.
Her body flinches just a tad when he slides his arms around her, but she quickly melts into him, dropping her arms into his chest and letting him squeeze her tight.
“I’m sorry.” he whispers faintly, kissing her temple sweetly but never loosens his grip. He feels her relax more in his arms, the tension he could feel in her entire body slowly slipping away the longer he holds her. Minutes pass and he doesn’t know how many, but honestly doesn’t care. But what she says next fills his heart with pride.
“I needed one of your hugs today.” He can hear the emotion in her voice but knowing that he was able to bring something good to her keeps his happiness up. “How do you do it?”
“Do what?”
“You always seem to know when I need you the most and I don’t get it.” Jensen smirks, his pride only being fueled more.
“Magic.” he tells her as he pulls away, locking eyes with her. “If I told you my secret, I’d have to kill you.”
“Please, do.” She comes back with a not so sarcastic response and Jensen just has to remind himself that pain and anger makes people say that kind of stuff. It wasn’t long ago that he felt the same way.
“Can’t do that. Sorry.”
“Why?” she whines, dropping her head to his chest.
“Because you mean too much to me.” he says simply, but the feelings behind it are anything but. Which in turn makes the next few moments painful even for him.
She scoffs and pulls away from him, moving towards the table where her drink waits, the ice practically gone now.
“With the group of friends you have? Trust me, you won’t be missing me long.” He swallows back his initial reaction, pushing the sting his heart took way down and attempts to forget about it.
“You’re wrong.” There’s no joking in his gaze now, not that she expected it. But she doesn’t see that look often and it was definitely one that hit her hard. “Listen,” he starts before taking a few steps closer to her. “I know what you’re going through is hard and I know you’re hurting, but I promise that it will get better.” Honestly, he expected an eye roll or something, but it seemed that she understood he was being serious. “He may not know what he lost but we do, and we won’t make that same mistake.” Her eyes dropped to her drink, emotions coming to the surface again. He’s not sure what to say now because he’s finally let go of some of the things he’s been holding in. At least the more appropriate things. But as he scans the apartment and sees the tree all dressed up in the corner, he smiles, grateful that you were able to at least decorate for the holiday.
“It looks great.” he points out, stepping around her to get closer to the holiday staple. “I was afraid you weren’t going to decorate at all.” he admits, not taking his eyes off the twinkling lights.
“I almost didn’t.” she confesses, not moving from her spot. “But, I was hoping that it would help pull me out of this a little bit.”
“I think it will.” he nods softly as he turns back to face her.
“I don’t know about that.” she tells him, emotion heavy in her voice. “It hasn’t done anything so far.”
“Just give it time.”
“Ugh.” she grunts heavily, spinning around to make her way into the kitchen. “Time. It’s always about time, right!?” She raises her voice a bit as she makes it to the counter and pours more alcohol into her glass. “After being torn away from your family as a kid, give it time. You lose someone you love, give it time. Your husband cheats on you and throws away sixteen years of your life, give it time!” she cries, tears slipping from her eyes as Jensen makes his way towards her. Her body trembles from anger but she tosses back the liquid she just added to the glass, not really bothered by the strength of the drink. “You know what they all have in common, Jay!? No matter how much time you give them, they never go away! Ever!” she screams, slamming her glass down onto the counter as the anger she was feeling made her lose all control over her actions. Seeing this, Jensen surges forward but it all happens way too fast.
The second the glass touches the counter top, it shatters. Chunks of the glistening pieces fly across the counter in all directions, falling to the floor and sliding with their momentum. But it was the painful cry that Jensen was focused on. Glass crunched under his boots as he rushed to her side, blood dripping onto the counter and the fallen shards of glass as she raised her hand to see what she just did to herself.
“Let me see.” Fully concerned, he reaches for her hand, gentle so as not to hurt her more than she already was. She quietly huffs and moans in pain as he inspects it. It takes him a moment to see how bad it is and he becomes grateful when it doesn’t look like she needs stitches, but he does see a piece of glass sticking out from her wound. He glances up briefly, seeing that she’s only focusing on the cut. “Hold still.” he tells her before carefully removing the shard from her hand. She hisses in pain but it needed to be done. “Here, come here.” Keeping her hand elevated, he swipes the towel from the counter and then escorts her into the living room, helping her onto the couch. “Keep it up, I’ll be right back.”
Careful not to slip on the glass near the kitchen, Jensen rushes down the hall and into her room. He’s gone maybe thirty seconds, if that. He’s been in her house before, he knows where everything is. Especially the first aid kit. This wasn’t the first time he had to patch her up after hurting herself, but this definitely was the worst injury he’s had to help her with.
“Alright, let me see.” he says as he re-enters the room. Grabbing onto your coffee table, he pulls it closer to the couch and then takes a seat, situating himself so that he could fix you up without having you stretch your arm out too far.
“I’m sorry.” you whimper softly and he glances up through his lashes before focusing back on your hand.
“You don’t have to be sorry.” It falls silent after that for a bit. She flinches a few times as he cleans up the wound and checks to see if any more glass was hiding inside, but otherwise he gets it as clean as he can and then starts to bandage it up.
“You’re right.” he finally breaks the silence, not looking up from his task as he continues. “It never does go away.” he admits and then falls quiet again. But only for a minute or two. “But, eventually you will get to a place where you won’t think about it as much. And if you do, it won’t hurt as bad as it does now.” Silent sobs shake her body a bit as she listens to him, the pain of what she’s been through tearing through her more than that glass did to her hand. “Listen,” he says as he tapes off the bandage, making sure it’s secure and then he looks up at her. “Your scumbag husband lost his fucking mind.” The anger is visible in his gaze, but she knows it’s not meant for her. “To have one of the most amazing women on this planet choose him and love him and do anything for him just to turn around and…” his jaw locks as he reminds himself to keep calm. But that’s just something he can’t do fully.
“Fuck him. Okay? You deserve a million times better than him. You deserve someone who cares about you and takes care of you just as much as you do for them. No more of this eighty, twenty shit, you hear me?” Tears continue to slip from her eyes and though he knows they won’t stop, he reaches up and wipes a few away anyway. “So, yeah, it’s going to take time and it’s going to hurt like hell, but I swear to you, somewhere down the road you are going to look back at this and see how much of a blessing this was. You’re going to be able to wake up every morning and not feel like death when you roll out of bed. You’ll be able to drive home, take showers and fall asleep without crying every time. Right now, it doesn’t seem possible, I know, but it will happen. I promise you.” 
Silence fills the apartment after that. The two of them soaking in the speech and just letting the moment be for a minute. Then Jensen reaches up and wipes away her tears again, this time clearing her face as no more were falling at the moment.
“Ready to get some sleep?” Unable to speak, she just nods softly. “Alright.” pushing himself up from the table, he helps her up and escorts her to the edge of the kitchen. “Why don’t you go and climb in bed, I’m gonna…” he pauses, looking over all the glass everywhere. “I’m gonna clean this up.” When he looks back at her, he gives her his best grin. She takes it and slowly turns and starts walking down the hall, but she stops a few feet away, looking back at the man in the kitchen, setting the dustpan on the counter and beginning to sweep the floor.
“Jensen?” Hearing his name, he stops. “Thank you.” A smile grows on his face and he sends her a nod. But when she doesn’t move, he pushes her a bit. 
“Go on. I’ll be there in a few minutes.” This time, he watches her walk down the hall and disappear into her room.
The feelings he’s harbored for her for so long now have a chance to come out, but he has to hold them back for a while longer. Yes, she may be single now, but with the healing that she has to go through, he can’t be jumping in the deep end right away. The last thing he wants is to become the rebound or end up hurting her even more because he gave into his desires too soon.
He loves that woman, more than he realizes to be honest. So the only way to keep her is to wait. To give it time. 
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nalyra-dreaming · 4 months
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Some comments on episode 3 / episode 10 - SPOILERS * * * * * * * * * * * * * * * * * * *
Daniel not wanting to eat the living fish…. yeah I can empathize
Raglan James - Is that a real name???? (LOL)
Love the banter
Daniel doubting how many Rashid’s there are… indeed
I like that they’re echoing Louis being away in last season this one as well
The underlying threat of Armand being able to kill them all if he so chose
That audio visualization will become important still I bet
How do you hide from the cloud indeed
Louis being asleep during the day?! Why this time? He was awake during the day before?
“Lestat’s prophetic vision”
Yes, be snarky Daniel :)
Flashback!!!!
Ugh incineration by fire gift
Oh Armand watching Lestat as harlequin - he has it baaaaad
Armand hinting that Lestat has powers he has not touched, and them talking to each other in their minds….
Viens a moi! Come to me!!! There it is! Armand said it to Lestat, yes baby!
And Armand admitting to stalking and then kidnapping.
And I love that they’re doing it all in French - I cannot quite judge but hope it’s well done
mhhhhhhhhhhhhhhhhh YES I CANNOT LIE I APPRECIATE IT AND I LOVE IT
the time freezing was so well done
Gosh Nicki. Gosh that feeding
to summarize: Liar, liar, pants on fire (LOL), but I love it. Ah yes, great fanfic, I like
Great now I will imagine Lestat and Armand beeeeeeeep in that box for ETERNITY lol
And Daniel… not buying it lol
“He abandoned xyz”… ohhhh there we have it. There we have it (not). The crux of the whole matter.
Louis knows what’s up. Deep down he knows. But them matching the stories is almost cute.
Claudia humbling herself like this to be part of it all breaks my heart
The sneezing made me cry with laughter
Ahhhh the wet room. And the rats. And the tombs. The tombs. Ohhhhh they’re so gonna lock Louis up there later. Oh boy.
“That’s a bit german” re the incinerator !!!!!!!!!!!!!! (Holy shit?!)
God Lestat interrupting that moment. And Armand sensing “Bruce”. Daaaamn.
Daniel getting distracted but the Talamasca. Who have access to his computer. (!!!)
“Where is Claudia at this point” 😔 (and no answer)
Santiago’s maker being down in the tombs is IMMENSELY interesting. WHO THE FUCK IS HE
Also him telling Claudia that her lies are almost convincing….
The “come to me” scene. Even better in total. Oh Louis. Armand calling him out on it.
And the philosophical discussion there. The admission despite the warning. Something Louis ALMOST remembers…
“that’s debatable” - “she did”. Oh MAN LOUIS
“I told you I loved you” - “And you said nothing.” Holy hell.
THAT KISS. the music.
It’s RAW.
God they’re on another level
AND THE PHOTO: Lestat being there… and then vanishing!!!!
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Louis knows. He knows. Also that little story Claudia makes up there… oof.
The Bacon triptych - that is so weird. WHO wants to buy it. I BET that’s important.
And Daniel using the time to go through the material and find the proof of the theater burning.
The coven pressuring Armand. I LOVED that. The trepidation. Ugh.
And them throwing Louis out when she is initiated. Does he know of the five laws??????
And Claudia’s expression at the laws. Oh maaaannnnnn.
And I KNEW it!! Armand is playing with the fire there “threatening” Louis. I mean, he ultimately doesn’t, but he ALMOST does. The discussion in the sewers. The foreshadowing once more. Louis calling on what Armand promised, and Armand throwing the lies into his face. DAMN.
And Armand stating that Claudia won’t be there for long.
God I knew the coven would go and humiliate Claudia with that role. I knew it. Damn. Her face.
“The Savage Garden”. The roaring of the fire behind Louis. More foreshadowing.
“Did he break you? Or did you break him?” 😭😭
A century ago. Yesterday. So much pain.
That kiss. And Louis inviting Armand in on the premise that he won’t kill him!!!!!!!!!! Holy shit.
NO PAIN.
AAAAALLLLLLL THE PAIN.
Argh, loved it, maybe a favorite so far. There is so much going on. So much foreshadowing. So much knowledge suppressed, or endured. So much bitter realization. So many things hinted at and introduced.
Also, as clear as it is (and was said in the episode insider) that this is Armand’s little fanfic version… (as Assad how much of it is used to "paint Armand in a good light"?!) :))) . It was a LOT of fun. :)
And that banquet scene will be in the next episode already!! Whoop whoop, cannot wait!
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The Reveal is Worthless
I entreat the reader to remember the earlier period of the Miraculous fandom, back when Ladybug and Chat Noir were something like actual partners instead of superior and subordinate.
There was something special about their relationship. They were friends who cared for one another, who relied upon one another and trusted each other in a way they could no one else, despite neither knowing the true name of the other. They didn't fully know one another, but their relationship was a one-a-kind friendship based upon a unique experience between them that no one else could relate to.
And of course, there was that ironic romance, the Love Square whose dynamics underpinned the plots of so many of the early season episodes. Marinette loved the boy she thought she knew, and Chat Noir loved the heroine who he fought beside: neither necessarily saw the full value the other had to offer because they were blinded by the idealised image they had of the other's alter-ego.
Thus the reveal and teasing thereof was an enticing prospect: these two closest of friends and allies could finally merge their lives together without professional boundaries. Adrien could get to know the clumsy girl who wasn't a perfect heroine and Marinette would finally be able to actually know who Adrien was, as opposed to being infatuated with his model image.
A true basis for a true relationship.
And something they could never have so long as their mission continued. For until then, Ladybug and Chat Noir could only be partners and friends, but their responsibilities would always have a barrier between them.
What a shame how this premise has been so utterly devalued.
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There are three aspects to consider here:
1: Romance
2: True understanding/personal development
3: Exclusivity/Trust
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Romance
The first is the simplest and quickest to cover.
The nature of the Love Square was an ironic circle of attraction, Marinette loved Adrien, but Adrien loved Ladybug- so they were in effect rejecting each other to chase after one another. The only seeming solution was for the identities to be revealed and thus allow the two to actually bond fully and resolve the entire mess by getting together knowing full well that their attraction was reciprocated.
That was not what happened.
Instead, the show decided that Adrichat would finally move on from Ladybug and onto Marinette. And after a bit of back and forth, the Love Square was resolved by having the two unknowingly date their co-workers while Ladynoir cooled to platonic.
This was certainly a choice.
It also rendered any reveal entirely moot in regards to romance. Adrienette is canon, what does them finding out they're co-workers achieve?
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True understanding/personal development
The core of the Love Square was that neither Marinette or Adrien could see the other's alter-egos within them. Or at least, Marinette outright found it laughable that Chat Noir could be Adrien.
Adrien meanwhile outright called Marinette the "everyday Ladybug" and was unsurprised to put the pieces together himself in Chat Blanc.
But the point of the matter is: in theory the secret identities are barriers to a full bond between the two (alleged) protagonists. That by overcoming them, they could fully "be themselves" with another person.
A Marinette with full confidence and self-assurance, but who also didn't need to be the heroine and could be sad and share her burdens. An Adrien who was allowed to be expressive, silly or imperfect himself without being reprimanded.
This is not what happened.
At least not for Adrien.
Marinette has achieved that goal, with Alya. She has a friend who cares for her with whom she can be completely honest with and who she can share her emotional burdens. Chat Noir meanwhile has steadily learnt to restrain himself as Chat Noir and if anything, grown more compliant and less self-deterministic as Adrien.
Moreover the two have gone from partners, to superior and subordinate. A strict hierarchy where all power, information and authority exists in the hands of one person, and the other person has none whatsoever beyond leaving the ring behind. And it has to be said: Ladybug does not have some special fondness or trust in Chat Noir that would enhance their relationship as Marinette and Adrien.
Nor is there any exceptional trust that Marinette has in Adrien that would enhance their relationship as Ladybug and Chat Noir, indeed the opposite might be true, given just how much she is hiding from him already despite it being critical to his very existence (eg: the whole Sentimonster business). Most likely any reveal between the two at this point would just introduce that power dynamic and secrecy into their personal lives, and likely extinguish what independence Adrichat still possesses.
Because all the reveal would do now is give Marinette even more leverage over Adrien as his superior. Marinette would continue to hide her full self from Adrien, and Adrien having already learnt to ignore and suppress his own feelings for Ladybug's sake would do so constantly for Marinette (if he didn't already, I see precious little of Chat Noir in the Adrien of S5 compared to S1).
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Exclusivity/Trust
The third is the most extensive to cover, the most important secret either Adrichat or Maribug have are their identities. Thus either letting another know it willingly is (supposedly) the highest sign of trust. The less people who know that secret, the more valuable the act of the reveal is as it creates an incredible vulnerability that did not exist before and proves that the revealer trusts the revealee more than almost anyone else.
It was seemingly inevitable that if Marinette were to willingly reveal to anyone, she'd first choose Chat Noir. He was the one who she supposedly had that unique bond with, and vice versa. It was even a fandom staple back if you search back far enough.
Now of course, that staple is more dated than The Dab.
Marinette's identity now seemingly free space for anyone but Chat Noir. She first willingly spilled the beans to Alya, despite Alya having been Akumatised multiple times before over what are relatively minor affairs (I sure hope she doesn't get caught canoodling with Nino again!) and her being a known target for Shadowmoth thanks to her own identity being known to him. From there on, through either her own choice, accident or observation Ladybug's identity has spread to at least half a dozen other people including Gabriel Agreste and possibly Lila.
But not Chat Noir.
This is important, because that bar of trust and exclusivity has been continuously lowered, to the point where Marinette seemingly has no problem with Felix "Genocide" Fathom being the in the club of people who know her on both sides of the mask- even if he and Kagami have no business doing so. But her supposed partner? He's not even considered.
There are some arguments as to why... but they don't stand up scrutiny:
"It's because of Chat Blanc! Marinette is traumatised over Chat Noir knowing her name!"
That would make sense, alas: it's also fandom staple. Not part of canon itself.
References to Chat Blanc are few and far between, and Maribug has had precisely one sign of any possible trauma from the event and it was as part of a nightmare induced by revealing her identity to Alya. There's nothing in the show that demonstrates that she has any lasting harm from Chat Blanc, or that it's the cause of her actions.
"Chat has the Black Cat Miraculous, they can't know each other's identity because their Miraculous have to stay safe!"
This would be reasonable.
Up until the moment Marinette spilled the beans to Alya. At that point her security had been breached so severely that there is no longer any value in maintaining her secret from Chat Noir. You cannot say the multi-time Akuma victim who Hawkmoth knows was a Miraculous wielder is a better secret-keeper than Chat Noir, even if she broke from Akumatization from a few hours ago: she also got Akumatized a few hours ago.
The only valid part of this argument is that Chat Noir maintaining his secret to Marinette would still be required.
"Chat Noir gets mind controlled every Tuesday, his mind will be an open book!"
No. No it will not.
It's true that Chat Noir is mind-control themed. However- unless I've missed an incident- for all those many times he's been brought under someone else's power he's never given up his Miraculous or identity barring direct use of his Amok. Unless Ladybug has somehow discovered Adrichat's identity, there's no reason to expect that he'll spill the beans- and certainly no more than Alya.
Then there's the final nail in the coffin:
As of "Ephemeral": we know perfectly well that if Marinette knows Chat Noir is Adrien, she'll quickly decide to throw caution to the wind anyway. So by evidence alone, it's not a matter of security or trauma, it's a matter of favoritism.
By evidence: Chat Noir is not one of those favourites. Forget the actualization of a special bond, he's less trustworthy than Felix.
-
What is the value of the reveal at this point?
Adrien and Marinette are together. The barriers are gone, but there's no special exclusivity to this shared experience anymore: there's an entire team of others after all and Rena's the one Ladybug shares her feelings and secrets with while Chat Noir barely knows anything. The "Ladynoir partnership" has cooled to a platonic working relationship where all the trust and authority goes one way, so there's not exactly some great romantic addition to be made to the Adrienette relationship.
Exactly what difference does it make to their relationship if they know each other's identity? What would actually change beyond them not having to make awkward excuses about where they're hiding for any given Akuma battle?
Because unless there's going to be some kind of Ladynoir conflict in the next season to provide a new, negative potential impact to the reveal:
The once brimming potential of The Reveal has been completely wasted.
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veninorchid · 3 months
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Bridgerton S3 Review
Dearest gentle reader, I am disappointed, sadly.
And as I respect your opinion, so too, shall you respect mine. I'm not here to bash on #Polin fans and the fact that they enjoyed it, but what -was- season 3 of Bridgerton truly?
I love the Mondriches, but do they really need so much screen-time? What did their own ball add to the story exactly? Had the same feeling about the Dankworth-Finch ball at the end, but at least that one proved its necessity as -the reveal all- ball. Because there was of course no Duke of Hastings (Simon) to host it, so they improvised.
This season had too many stories going on at the same time which were all fighting for the spotlight when it should've focused on #Polin, cause that is what was advertised/hyped. It did not deliver…
Season 1 - Daphne and Simon They had the most screen-time and all other stories got a little bit of shine. But even then some of those had either Daphne or Simon in the picture/background. (Marina-Colin, with Daphne as chaperone is one of the examples) None of the other stories distracted from the main focus.
Season 2 - Kanthony Same here. While there was a lot going on in this season with Anthony courting Edwina and going all the way to the alter with her (creative license, since it didn't happen in the book) and then on the other hand we were seeing the other side with his having the thickest desire and longing for Kate. You could cut that shit with a knife, I tell you. But no side stories were overpowering. It was 90% lead character -stuff. Season 3 - Benedict---, I mean #Polin -minus the actual #Polin Were their (the directors/screenwriters) initial thoughts that we've been seeing them for 2 seasons, so we don't have to pay that much attention to the leads? Wrong! That was friendship, this is love, longing and passion. So much new ground to explore for these two. Little scenes like dancing in the church, stealing loving glances is cute and all, but we got nothing more than that. Nothing memorable.
No wait, we got carriage frolicking in part 1 and a mirror first time in part 2. You're right, I apologize. Anything else? Name any other thing you remember from this whole season. I'll wait, seriously.
Did maybe the night scene come up in your memories? Where they had an angry make out and he once again let his hand venture below? I felt the anger/passion in the coming together and pushing her against the shop, sure. The quick flash of him reaching between her thighs was more of a recycled scene from episode 4 or even from S03 Kanthony. I mean honestly. Was there really even a chance he'd take her in the streets? It felt unnecessary and forced. The dialogue was good and would've been better at their home where it's believable they could enter an intimate scene that -could- be finished if they so wanted it. Or not if his anger won over his desire. Did I mention they were both drinking before they met? I didn't say drunk, I said drinking.
I guess they improvised the whole Mme Delacroix scene (before the angry make out) with her offering advice and booze just to give Pen a reason to drink and coincidentally be in Colin's path for the scene? Wasted screen-time. Do I also need a drink to feel the -love- this season?
First part, Colin helping and chasing Pen. Second part, let's ignore and distance myself from her. They really stretched out Colin's pulling back from her because of the whole Whistledown thing, when they could've done fast forwards, saying things like 'Colin, it's been weeks. Or it's been so long, can we get passed this' just to show the time frame. But instead we get long minutes of silence and ignoring each other. Filming Colin from the back, zooming in. Then from the front zooming in. Then him watching her leave the house, slowly getting up from sleeping on the sofa, walking towards his desk. Lifting and opening and reading her old letters. Do you have any idea how long that feels? When she exited the bedroom and delivered her dialogue he could've already been behind his desk. Did we see Simon (S01E02) walk into the room, open his father's desk, take out the unopened letters etc.? No, the flashback ends with him already seated and holding the letters. Same thing could've been done here.
Oh, let's not forget side character-stuff. Let's talk more about that.
Again, I cannot stress it enough. Mondriches. Duke of Kent stuff and moving up, is fine. Seeing them struggle constantly onscreen is not. Wasted screen-time. You can easily have us hear about that in conversation. How miserable and sad he is because he had to close the bar when he became part of the ton. So many ways to handle that. Moving to part 2. Why did we have to get the whole preparation for their ball? What did it add to the story exactly? Just let everyone arrive at the ball and let that be the first we all see of the decorations. Did we see Lady Danbury prepare for the huge conservatory ball in S2? Lady Trowbridge's ball in S1? All of Her Majesty's balls? No, so it was wasted screen-time.
Francesca's story was sweet, bless her, but also unnecessary detailed. Was it the autism angle they were trying to push forward? I'm all for it, but only when you have a series with more than 8 episodes. (God, I miss 22 episode series) Because she is still a side character in #Polin's book, no matter which way you turn it. At Francesca's wedding we had the whole vows scene and everything and the two LEADS!!!! were stealing glances at each other while standing behind the whole ass family. You're the leads, act like it! It felt like S1 and S2 with them being in the background.
We all know Bridgerton's known for taking liberties with the wardrobe. The tailored waists for Pen enhance her body beautifully, but Cressida's wardrobe is bordering… scratch that! has taken a 250 MPH free-fall, into ridiculousness. I also absolutely did not care for -seeing- the reasons behind Cressida claiming to be Whistledown. Should've just kept her as a bitch. That's what we enjoyed about her. Fine, you decided on that development for her character, so here's an idea. She was so chummy with Eloise. Could've just had her tell Eloise that she was being pressured by her parents to marry and then being send to the country to live with a horrid aunt. Wasted screen-time. You only have 8 episodes to work with for crying out loud.
And then there's the side character of all side-characters. Benedict. Didn't they make the very -deliberate- decision to push back Benedict and Sophie's story in favor of #Polin as S3? To then give me so much useless Bentilly sexy time; Time that could've easily been given to #Polin things. If you can make up stories about him being confused as to his sexuality, you can just as easily come up with new, none book, stories for the actual leads. Could've left everything they forced on us about Benedict for his actual season. What's gonna be left for his own season? Wasted screen-time. Should've made him absent, continue the art-school in the background, anything. I mean, an extended honeymoon for Kanthony instead of a forced story to have them onscreen. Do the bloody same for Benedict and focus on #Polin. Every time we saw Benedict, he was playing twister with Tilly and later with what's his name (don't even care) It's not relevant, it's wasted screen-time.
I'm gonna end my review (rant!) with one last thing.
Shallow kisses. Heck it's acting, so you don't have to shove your tongue down your co-actor's throat, but keep your lips open and hollow out your mouth to at least make us think you're playing tongue-twister. As soon as their lips touched, they closed their mouths and it became a fervent peck-fest. Like kissing air and practicing in front of a mirror. Yes, they look good kissing each other, but the kissing itself was bleh.
First kiss in part 1 was going the right direction and was pretty believable, but after that… shallow as f*ck. And to think they were supposed to be increasing in passion after that first kiss. All of them were closed-mouth pecks, I'm sorry. Was it the height-difference that didn't allow them to actually suck each other's face off? ---------------
I will not do a TL;DR, because if you skip this review/rant, you will not have missed anything. Have a great day people.
Yours truly, Venin Orchid (aka Lady Regency-nerd) PS: did anyone notice the nice touch at the end? The Whistledown Silhouetted lady on the top of the page had been changed to look more like Penelope. You're welcome <3
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