#how to get a franchise in india

[priyaayadav]

Investing in an International Preschool Franchise

Introduction

In today’s globalized world, education has become a crucial determinant of a child's future success. Recognizing this, many parents seek high-quality early childhood education that provides their children with a strong foundation. The concept of an international preschool franchise has gained significant traction, promising a blend of world-class education standards and a profitable business opportunity for entrepreneurs. In this blog, we will explore the benefits of investing in an international preschool franchise, why Makoons Preschool is a leading choice, and what makes this a lucrative and fulfilling venture.

The Rising Demand for Quality Early Childhood Education

The early years of a child's life are critical for cognitive, social, and emotional development. This period sets the stage for lifelong learning and success. With increasing awareness among parents about the importance of early childhood education, the demand for quality preschools has surged. This demand creates a promising opportunity for those interested in starting an international preschool franchise.

Benefits of Investing in an International Preschool Franchise

Proven Business Model

One of the primary advantages of investing in an international preschool franchise is the access to a proven business model. Established franchises like Makoons Preschool have spent years perfecting their curriculum, teaching methodologies, and operational processes. As a franchisee, you benefit from this wealth of experience and expertise, reducing the risks associated with starting a new business from scratch.

Comprehensive Training and Support

Franchisors provide comprehensive training programs to ensure that franchisees are well-prepared to run their preschools successfully. This includes training in educational philosophies, classroom management, marketing strategies, and operational procedures. Continuous support is also available, ensuring that you have expert guidance whenever needed.

Brand Recognition and Trust

Joining an international preschool franchise means aligning with a brand that parents already recognize and trust. This brand recognition is invaluable in attracting enrollments and establishing your preschool as a reputable institution in your community. Parents are more likely to choose a preschool with a proven track record of excellence in education.

High-Quality Curriculum

International preschool franchises offer a high-quality, standardized curriculum designed to meet global education standards. This curriculum is often developed by experts in early childhood education, ensuring that children receive a well-rounded and enriching learning experience. At Makoons Preschool, our curriculum focuses on nurturing each child's unique potential through a synergy of skills, knowledge, and values.

Marketing and Promotional Support

Effective marketing is crucial for attracting parents and filling classrooms. Franchisors provide extensive marketing support, including promotional materials, advertising campaigns, and social media strategies. This support helps franchisees build a strong presence in their local market and reach a broader audience.

Financial Success

The demand for quality preschools ensures a steady stream of enrollments, providing a reliable revenue source. Additionally, many international preschool franchises offer multiple revenue streams, such as after-school programs, summer camps, and enrichment classes. This diversification enhances the financial stability and profitability of the franchise.

Why Choose Makoons Preschool?

Commitment to Excellence

Makoons Preschool is dedicated to creating the emerging leaders of tomorrow. Our commitment to excellence is reflected in our comprehensive curriculum, experienced educators, and state-of-the-art facilities. We focus on providing a nurturing environment that allows children to discover their unique learning styles and develop their creative and aesthetic potential.

Innovative Learning Methodologies

At Makoons Preschool, we embrace futuristic teaching methodologies that prepare children for the challenges of the 21st century. Our approach combines traditional learning techniques with innovative practices, ensuring that children receive a balanced and holistic education. We emphasize critical thinking, problem-solving, and collaborative learning to foster well-rounded development.

Strong Support Network

As a Makoons Preschool franchisee, you become part of a supportive network of educators and business professionals. We offer continuous training and support to ensure your success. Our team is always available to provide guidance on curriculum implementation, classroom management, and marketing strategies.

Community and Global Impact

Joining Makoons Preschool means becoming part of a global community committed to making a positive impact on children's lives. Our international preschool franchise model allows you to contribute to the educational development of children in your community while adhering to global education standards.

Steps to Becoming a Makoons Preschool Franchisee

Initial Inquiry and Application

The first step in becoming a Makoons Preschool franchisee is to submit an inquiry or application expressing your interest. Our team will review your application and schedule an initial meeting to discuss the opportunity in detail.

Due Diligence and Financial Planning

Once your application is accepted, you will engage in a due diligence process to understand the franchise model, financial requirements, and operational procedures. We provide detailed financial projections and assist you in creating a comprehensive business plan.

Training and Setup

After finalizing the agreement, you will undergo extensive training covering all aspects of running a Makoons Preschool. This includes curriculum implementation, staff recruitment, marketing strategies, and operational management. Our team will also assist you in setting up your preschool facility to meet our high standards.

Launch and Ongoing Support

Upon completing the training and setup, you will launch your Makoons Preschool with our full support. We provide continuous assistance to ensure your preschool operates smoothly and successfully. Regular evaluations and updates keep you aligned with the latest educational practices and business strategies.

Conclusion

Investing in an international preschool franchise is a rewarding opportunity that combines the benefits of a proven business model with the satisfaction of contributing to children's education. Makoons Preschool stands out as a leading choice, offering a comprehensive support system, innovative curriculum, and a commitment to excellence. By choosing Makoons, you are not only investing in a successful business but also in the future of the next generation. Join us in shaping the leaders of tomorrow and making a positive impact on education worldwide.

Embark on this exciting journey with Makoons Preschool and become a part of a global network dedicated to nurturing young minds. Contact us today to learn more about our international preschool franchise opportunities and take the first step towards a fulfilling and prosperous venture.

[anchalguptaa]

Investing in the Future: Why a Kids School Franchise is a Smart Move

Introduction

In today's rapidly evolving educational landscape, providing quality early childhood education has never been more important. Parents are increasingly seeking out the best possible learning environments for their children, making the preschool sector a lucrative and impactful field. For entrepreneurs looking to make a difference while building a profitable business, investing in a kids school franchise can be a smart and rewarding decision. In this blog, we will explore the benefits of owning a kids school franchise, the key factors to consider, and why Makoons Preschool stands out as an exceptional choice.

The Growing Demand for Quality Early Childhood Education

The significance of early childhood education cannot be overstated. Research consistently shows that the first few years of a child's life are critical for cognitive, social, and emotional development. Quality preschools provide children with a strong foundation for lifelong learning and success. As awareness of the importance of early education grows, so does the demand for high-quality preschools. This trend presents a significant opportunity for aspiring entrepreneurs.

Benefits of Owning a Kids School Franchise

1. Proven Business Model

One of the main advantages of owning a kids school franchise is the proven business model. Franchisors have already developed and refined their methods, which reduces the risks associated with starting a new business from scratch. This includes everything from curriculum development and teacher training to marketing and operational support.

2. Brand Recognition

Established franchisors like Makoons Preschool come with strong brand recognition. Parents are more likely to trust and enroll their children in a school that is part of a reputable and well-known brand. This trust translates into higher enrollment rates and a more stable business.

3. Comprehensive Training and Support

Franchisees receive comprehensive training and ongoing support from the franchisor. This includes guidance on setting up the school, recruiting and training staff, implementing the curriculum, and managing day-to-day operations. This support is invaluable, especially for those who are new to the education sector.

4. Marketing and Advertising Assistance

Franchisors typically provide marketing and advertising assistance to help promote the franchise. This includes national and local campaigns, social media marketing, and other promotional activities. Effective marketing strategies attract more parents and boost enrollment numbers.

5. Curriculum and Educational Resources

Best playschool franchise offers a well-designed curriculum and a wealth of educational resources. Makoons Preschool, for example, provides a futuristic methodology that enables children to discover their creative and aesthetic potential. The curriculum is tailored to meet the needs of 21st-century learners, ensuring that children receive a well-rounded education.

Key Factors to Consider When Choosing a Kids School Franchise

1. Reputation and Track Record

When choosing a kids school franchise, it is crucial to consider the franchisor's reputation and track record. Research the franchisor's history, read reviews from existing franchisees, and assess their success rates. Makoons Preschool, for instance, has a proven track record of creating nurturing and stimulating learning environments for young children.

2. Support and Training

Evaluate the level of support and training provided by the franchisor. A good franchisor should offer comprehensive training programs and ongoing support to help you navigate the challenges of running a preschool. Makoons Preschool excels in this area, offering extensive training and continuous support to ensure the success of its franchisees.

3. Financial Requirements

Understand the financial requirements of owning a kids school franchise. This includes the initial franchise fee, ongoing royalties, and other associated costs. Ensure that you have a clear understanding of the financial commitments and assess whether they align with your budget and financial goals.

4. Curriculum and Educational Philosophy

Consider the curriculum and educational philosophy of the franchisor. Ensure that their approach to early childhood education aligns with your values and vision. Makoons Preschool's commitment to fostering a synergy of skills, knowledge, and values in children makes it an ideal choice for those passionate about holistic education.

5. Location and Market Demand

Assess the location and market demand for preschools in your area. Conduct thorough market research to identify potential opportunities and challenges. A high-demand area with limited competition can significantly increase the chances of your franchise's success.

Why Choose Makoons Preschool for Your Kids School Franchise

Makoons Preschool stands out as a premier choice for aspiring franchisees in the early childhood education sector. Here’s why:

1. Holistic Approach to Education

Makoons Preschool is committed to creating the emerging leaders of tomorrow by fostering a synergy of skills, knowledge, and values in children. Their holistic approach ensures that each child develops their unique learning style while discovering their creative and aesthetic potential.

2. Strong Brand Reputation

With a strong brand reputation and a proven track record, Makoons Preschool is trusted by parents and educators alike. Their commitment to excellence in early childhood education has made them a leader in the industry.

3. Comprehensive Support and Training

Makoons Preschool offers extensive training and ongoing support to its franchisees. From setting up the school to managing daily operations, franchisees receive the guidance they need to succeed. Their comprehensive support system ensures that you are never alone in your journey.

4. Innovative Curriculum

Makoons Preschool's curriculum is designed to meet the needs of 21st-century learners. Their futuristic methodology helps children develop critical thinking, creativity, and problem-solving skills, preparing them for future success.

5. Marketing and Promotional Assistance

Makoons Preschool provides robust marketing and promotional support to help franchisees attract and retain students. Their effective marketing strategies ensure that your franchise stands out in a competitive market.

Conclusion

Investing in a kids school franchise is a rewarding and profitable venture that allows you to make a positive impact on young children's lives. With the increasing demand for quality early childhood education, there has never been a better time to enter this sector. Choosing a reputable franchisor like Makoons Preschool ensures that you have the support, resources, and guidance needed to succeed. Their commitment to excellence, holistic approach to education, and strong brand reputation make them the ideal partner for your franchising journey.

By becoming a part of the Makoons Preschool family, you are not only investing in a profitable business but also contributing to the development of the emerging leaders of tomorrow. Take the first step towards a fulfilling and successful career in early childhood education by exploring the opportunities with Makoons Preschool today.

[divukanwar]

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[maxnova112]

How To Get Manufactured The Products

How to get manufactured the products, your answer is here. As the Best PCD Pharma Franchise Company in India, Maxnova Healthcare provides superior-quality herbal cosmetic goods. We work to find appropriate ingredients to address our clients' skin-related issues with the assistance of your professional staff. To create the highest quality products, we combine the best raw ingredients with cutting-edge technology. Our herbal cosmetics have undergone extensive testing and are approved for use.

[patanjalifranchise]

Patanjali Dealership

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[mammonscheeks]

demon brothers + dateables as destinations in the human world

✎ a/n: these are my opinions! i'm south and west asian, so i am most knowlegeable about those countries, please correct me if i've said anything incorrect!

LUCIFER

new york city, usa. he likes the cold, industrial corporate feel of nyc. it helps him avoid his feelings.

anywhere in germany. he likes their no-nonsense culture and unspoken social rules.

MAMMON

las vegas, nevada, usa. he always begs mc to take him there. the flashy lights and casinos are right up his alley.

dubai, uae. he loves the luxurious feel of it, and how its the center of celebrity gatherings, vacations, and parties.

LEVIATHAN

tokyo, japan (especially the akihabara/electronic district). he's always updated on pop culture and the newest technology/games.

seychelles island, africa. he likes swimming, but not socializing on the beach. that's why he likes isolated islands.

SATAN

london, england. he's interested in their medival history and seeing the places that inspired novels like harry potter and the sherlock holmes franchise.

cat island in japan, or any mediterranean country where cats freely roam.

ASMODEUS

paris, france. he'd love paris fashion week. he also just seems french to me, idk.

seoul, south korea. he'd adore seoul's culture, everything from the modern sappy kdramas to traditional dresses, like hanbok. he would bring an empty suitcase to stuff it with beauty products.

BEELZEBUB

mumbai, india. this metropolitan city in india offers so many different kinds of food. he would love to eat his way through the city, if not the entire country.

every city in mexico. he'd try the regional cuisine, but also hang out at the beach with his brothers and mc (so cute).

BELPHEGOR

cairo, egypt. he was once fascinated with humans, and often watched them build civilizations from heaven when he was an angel. he would enjoy the historical wonders of egypt.

reykjavic, iceland. idk why he just gives me iceland vibes. life there can be slow and cold, and it often gets less light than other countries.

DIAVOLO

transylvania, romania. he loves its breathtaking castles and culture, and is intrigued with all the pop culture references of vampires.

petra, jordan. this is a significant place in abrahamic religions, known for being haunted by demons, or jinn. diavolo would be fascinated by this history, whether its actually haunted or not. i know he'd eat up those scary ghost tours (insert fic about that here) and even probably try and scare a few tourist groups, despite barbatos advising him against it.

BARBATOS

istanbul, turkiye. istanbul has well-maintained structures from the byzantine empire, the ottoman empire, and even "newer and hip" neighborhoods. barbatos, being able to see the past and future, would appreciate the blend of it all here, like he's walking through time.

kathmandu, nepal. he'd enjoy the peace of monasteries and mountains, which are as old as the earth itself.

SIMEON

tuscany, italy. he'd enjoy the vast fields, heavenly sunsets, small towns and historic churches. he would find tuscany a peaceful place to write, but appreciates the community feel of small italian towns. would definitely be so friendly he'd get invited to eat dinner at a random family's house.

thessaloniki, greece. he would absolutely love seeing all the greek orthodox churches there, with their blue and white colors and dome roofs. he is just amused to see the religious structures humans have created. he'd also probably be interested in greek mythology, even though he's an angel.

LUKE

cape town, south africa. he would be so excited to see penguins at the beach and would enjoy the burst of color south africa offers. he'd also enjoy the modern bakeries and desserts in south africa.

lyon, france. the country is known for desserts. luke would probably take a baking class there to learn how to bake more things.

SOLOMON

salem, or just any small town in massachusetts. as a sorcerer, he's intrigued with their history of "witch hunting" and the paranormal.

lalibela, ethiopia. being old, he's intrigued with how ancient cities like lalibela have changed since biblical times. he also probably enjoys learning about different cultural practices and what they have in common with his sorcery. he also wants to learn how to cook more dishes from different countries, but fails miserably

[siryouarebeingmocked]

Spider-Man: Across the Spider-Verse: I may have activated my own trap card

Spoilers for a movie that's two months old and also out on home release.

So, Miles, Gwen, Pavitr (Spider-India), and Hobie (Spider-Punk) all seem to have modern left-wing politics, though Gwen's got edited out. Hobie's introduction specifically says he hates "fascists", which carries over from the original comics.

By the time Hobie came around, I assumed he was just another poser, cooler than the hero rival character, expressing generic leftie politics, and his punk ethos wasn't sincere.

Which is exactly what the writers wanted me to think.

Not only is Hobie perfectly sincere about being anti-authoritarian, but he's been helping Miles since before they even met. He's been blatantly stealing junk from the Spider Society to build his own universe-jumping watch, and disguising it as petty vandalism.

He even tries to talk Miles out of trying to join the Spider-Society before the reveal that Miles himself is an anomaly, and the SS (geddit?) tries to detain Miles.

When Hobie says he's against authoritarianism, he really means it.

Speaking of the left-wing politics, Miles has a "#BLM" pin on his bag. It's very visible while he sits next to his dad.

Who's a cop.

(TANGENT: A few years ago, someone drew a stupid, very bad comic where Spider-Man (Peter Parker) was a) black, b) hated cops, and c) assaulted and subdued riot cops when they asked him for help.

That the comic didn't even show the riot cops were wrong. We were just supposed to assume they deserve to be left to the mercy of an angry mob.

Also, in this comic, Uncle Ben was killed by a cop, not a random thug who Spidey could've stopped but chose not to. Which makes me wonder how that would shake out.

It's kind of weird for someone to look at a character who's about personal responsibility to an unhealthy degree, and use him to express their collectivist anti-cop terrorism fantasies. That, or they didn't think through their fantasies.)

During Spider-India's opening, Miles says "I love Chai Tea!" And Pavitr goes on a rant about how "Chai" means "tea". Later on, The Spot says he's been on a "journey of self-discovery", and Pavitr basically says he's racist.

Which is a tad ironic, because Spot is literally white. And also because Pavitr is the one making the racist assumptions.

And I personally go to a church - in England - that has a lot of non-white non-British people. Mostly Africans. And me, of course. I wonder if any Asians ever went on a journey of self discovery to South London.

And I don't just mean as a cab driver.

"Wait, SYABM, didn't you move to the UK for self-discovery?"

W-well, yes, partially.

Aside: I made the mistake of watching a Youtube video with the Chai Tea joke, and then I looked at the comments.

One guy said "tfw when Twitter users write a movie". An idiot (with much more upvotes) said "bro out here wanting blatant racism in movies".

...When the whole point of the joke is that the racism is not blatant.

It's only "blatant" if you're insufferably Twitterized. There are loads of redundant phrasings in English, like "ATM machine", and words often shift when they're adopted from other languages.

Also, "I dislike this joke" is not the same as "I want racism in this movie", when the "racism" in the movie is only there so it could be mocked.

One of the issues with putting real world movements in worlds that are drastically different - it's one of the main selling points of the franchise - is that it may seem odd that those movements exist in very similar form to the IRL version.

For example, Miles supports BLM in both his video game, and this. Which makes me think "did Trayvon Martin get shot in Florida? How about Mike Brown? Wouldn't the existence of supervillains throw things into a new perspective?"

Did I mention the giant George Floyd-style "REST IN POWER" mural to Miles' dead uncle? I cringed at that in the Wakanda Forever trailer, and I rolled my eyes at it here.

Floyd wasn't a saintly martyr, he was an unlucky violent thug.

Also, Aaron was a supervillain killed by another bad guy who nearly destroyed the city, not a cop.

Also, this is at a party to celebrate how Miles' dad is about to be promoted. Assuming Floyd died and the 2020 protests/riots also happened in Miles' universe, then it seems a tad tasteless to have a mural inspired by an anti-cop movement overlooking it, even if the party is not full of cops.

Spider-India lives in "Mumbattan".

The people who settled the Manhattan area were originally Indian. But the other type of Indian. The Indians we're not supposed to call Indians anymore.

The name "Manhattan" is even Native American.

The first permanent settlement was Dutch. Then the English got it. I guess the English could've shipped Indians to the other side of the world and eventually ceded the area to them, or maybe in this world India was a world-conquering superpower and Mumbattan is the result of...importing Native Americans?

Which would make Pavitr's complaint that "the British stole all of our stuff and put it in their museums" seem a tad hypocritical.

Of course, since I wrote all that, someone reminded me that Pavitr explicitly says the joint is in India.

"SYABM," you say, "you're overthinking this."

Yes, I am. Because the filmmakers didn't think it through. If you want to use ha-ha-funny to make a serious point, you invite examination of that point.

Miles (as Spidey) now works with his dad, though he disguises his voice. At one point, Miles tells his father that men bottle up mental health issues.

This is true (and ironic, considering Miles is hiding who he is from Jeff), but it's not the first time I've seen some progressive work try to address men's issues in an very awkward way. At least here, it's played for comedy.

Also, seems a tad hypocritical coming from a guy who wears a "#BLM" pin in the presence of his cop father.

Also, if you work the timeline, that would mean Miles was about 7 or 6 when BLM started. Which means he's gone most of his life knowing nothing else.

There was a controversy over a "protect trans kids" trans flag in Gwen's room, which was apparently edited out.

IMO, it seems a tad strange for a girl who feels estranged from everyone in her world to join a social movement, but what do I know? Maybe it was there before then.

Some people came to the extremely logical conclusion that Gwen herself is trans. Even though she's distinctly physically feminine and possibly too young for puberty blockers depending on Earth 65′s laws.

Like the "oh great, it's Liv" shippers, people are reaching really hard to see what they want to see.

Some people have said that Gwen's issues with her dad and herself seem awfully similar to the issues LGBTQIA2S+ kids go through.

Gee, it's not like, y'know, feeling estranged from one's family is a common theme in fiction about teenagers and superhero, and the whole "superpowers = minority" thing has been done to death for most of the past century.

Perhaps most notably - and clumsily - in X-Men.

I'm not saying this wasn't the intended subtext. I'm saying if it was, it would just be really, really cliche.

There's this recurring theme of people telling miles "how [his] story is supposed to go".

When he's at a meeting with his parents and his guidance counselor, the lady says his story of being a black-Latino son of an immigrant would sound great in the college application letters. His mom is a tad miffed, given that they're a) solidly middle class, and b) as a Puerto Rican, she considers herself American.

Miguel (Spider-Man 2099) doesn't want Miles in the multiversal council of Spiders, because Miles was bitten by the radioactive spider from a different universe. Which is why his local Spider-Man died, and the spider's home dimension has no Spider-Man.

Also, Miguel is fixated on "canon events". The idea that there are certain things, especially tragedies, that have to happen to Spiders, or their entire universe falls apart.

And he knows this, because he tried to take over for a version of him that got shot dead by a thug. Tried to raise his daughter.

And he watched as the universe collapsed in front of him.

So he's projecting his own guilt onto Miles, a tad.

According to TVtropes and other sources, this was actually about the people who didn't accept Miles as a replacement Spidey, possibly out of racism.

Yeah, that's real hard-hitting topical meta-commentary about a character who debuted 12 years ago. 8 years when the first movie came out.

I'd also like to point out that despite stereotypes of comic book fans, certain minority successors to banner superheros have been fairly well-received. Like Jaime Reyes, or Cassandra Cain.

(Note: I wrote that before the Blue Beetle movie came out. And flopped.)

And, of course, loads of people like Miles specifically because he's a minority Spidey, which is also racist, just from the other direction. In fact, a lot of his fans seem to forget the "Latino" part of "Afro-Latino". From what little I've seen of Miles early comics, they did actually put strong emphasis on his race.

I also suspect the filmmakers may be misinterpreting the usual successor knee-jerk reactions

as racism. If you're using an established brand name for your new hero, you're creating some expectations.

Also, you know the most popular meme about regular Spidey that I see? That Marvel's writers just keep making him suffer and don't want him to actually develop. Which would kinda make Marvel closer to Team Miguel than Team Miles.

Miles also gripes that Miguel is letting "some algorithm" tell him what to do. While I agree with the sentiment, I'd like to point out that, again, Miles supports BLM.

A movement popularized by an algorithm.

A movement made up of narratives and assumptions.

A movement which has never proven a single incident was because of racism.

During the big chase scene, we see a Spider girl in a wheelchair, aka Sun-Spider. She's from the comics. Same initiative that gave us "Web-Weaver".

Who is, of course, an extremely effete gay fashion designer Spidey. I kinda like his outfit, though the Spider-eyes with eyelashes is a little too far.

And Sun-Spider seems exactly like a character a stereotypical 90s executive and focus group would come up with. Down to the backward baseball cap.

(Turns out she's Dayn Broder's actual Spider-Sona.)

Also, while I was looking up that one black and white Spider who said "nowhere to run" (Metro-Spider, played by record producer Metro Boomin [/sic]), I found out that Aunt May's full name is "Maybelle", not just "May". TIL.

There's a bit of a double standard with this version of Spider-Woman, who's black and pregnant. -People in the movie - including Peter B - regularly point out how Peter B endangering his infant daughter Mayday by taking her along with him. But for some reason, nobody says a word about Jessica, who's an active-duty stunt-biking superhero.

Even regular motorbiking can be dangerous for pregnant women.

In fact, the movie portrays this as heroic and impressive. When Gwen sees  Jess is preggos, she asks if Jess can adopt her.

Not to mention the whole "afro and hoop earrings" thing, which seem like a bad idea for a type of hero who often gets into melee combat, even with Spider-Sense.

Yes, I'm aware that female heroes, including the Spider-Ladies, often have exposed hair. It's a genre convention. Incidentally, it was nice to see Batwoman wore a detachable decoy wig in the comics. Some bad guy tries to grab it in a fight? It comes right off.

Also, Jess doesn't have much actual character.

Being pregnant is not a character trait. In fact, her only real traits are basically "cool but stern sassy mentor", to contrast with Peter B. -Incidentally, someone on TVtropes pointed out the double standard. And when I saw the page again, a page-camper had deleted it, with no explanation.

Guess they couldn't stand someone pointing out the flaws of their waifu.

(One) Spider-UK in this movie is Muslim. I know she's Muslim because she wears a Spider-themed headdress. Note that regular Marvel 616 has a muslim lady Spider-UK, but her name is Zarina Zahari and she doesn't wear a hijabi.

(Also, she could be mistaken for Ms. Marvel.)

ms marvel.jpg

You might be thinking "wait, isn't a headdress impractical in a melee fight? Doesn't it give your enemy something to grab?" Yes, it is.

But so are Jess's earrings, afro, and being pregnant, so clearly there's a lot of artistic license going on.

Maybe it's partially tearaway, like Batman's cape.

I gotta wonder about the religious rules of wearing a head covering over a mask that *already* covers your entire head. Did she go see her imam and go "Okay, I have a really weird question..."

Come to think, Spidey is usually slim, but a lot of lady Spideys in this movie seemed to have wide hips. Including muscular ladies. Kris Anka's concept art goes really hard on wide hips. I don't know why. Stronger, faster character reads during the big chase?

I guess Spiders could be expected to have strong legs.

BOTTOM LINE:

I liked the movie overall, though the progressive bits made me roll my eyes a little. I...want to see the third one, with reservations.

[blackswaneuroparedux]

Anonymous ask: What do you think of the new Indiana Jones movie? And of Phoebe Waller-Bridge?

In a nutshell: From start to finish ‘Indiana Jones and the Dial of Destiny’ is watching Indiana Jones being a broken-down shell of a once great legacy character who has to be saved by the perfect younger and snarky but stereotypical ’Strong Independent Woman’ that passes for women characters in popcorn movies today.

I went in to this film with conflicted feelings. On the one hand I was genuinely excited to see this new Indiana Jones movie because it’s Indiana Jones. Period. Yet, on the other hand I feared how badly Lucasfilm, under Kathleen Kennedy’s insipid woke inspired CEO studio direction, was going to further tarnish not just a screen legend but the legacy of both George Lucas and Steven Spielberg. The cultural damage she has done to such a beloved franchise as the Star Wars universe in the name of progressive woke ideology is criminal. The troubled production history behind this film and its massive $300 million budget (by some estimates) meant Disney had a lot riding on it, especially with the future of Kathleen Kennedy on the line too as she was hands on with this film.

To me the Indiana Jones movies (well, the first three anyway, the less we say about ‘Kingdom of the Crystal Skull’ the better) were an important part of my childhood. I fell in love with the character instantly. Watching ‘Raiders of the Lost Ark’ (first on DVD in my boarding school dorm with other giggly girls and later on the big screen at a local arts cinema retrospective on Harrison Ford’s stellar career) just blew me away. 

As a girl I wanted to be an archaeologist and have high falutin’ adventures; I even volunteered in digs in Pakistan and India (the Indus civilisation) as well as museum work in China as a teen growing up in those countries and discovering the methodical and patient but back breaking reality of what archaeology really was. But that didn’t dampen my spirit. Just once I wanted to echo Dr. Jones, ‘This belongs in a museum!’ But I happily settled for studying Classics instead and enjoyed studying classical archaeology on the side.

I couldn’t quite make sense why Indiana Jones resonated with me more than any other action hero on the screen until much later in life. Looking like Harrison Ford certainly helps. But it’s more than that. I’ve written this elsewhere but it’s worth repeating here.

‘Raiders of the Lost Ark’ is considered an inspiration for so many action films yet there’s a very odd aspect to the film that’s rather unique and rarely noticed by its critics and fans. It’s an element that, once spotted, is difficult to forget, and is perhaps inspiring for times like the one in which we currently live, when there are so many challenges to get through. Typically in action films, the hero faces an array of obstacles and setbacks, but largely solves one problem after another, completes one quest after another, defeats one villain after another, and enjoys one victory after another.

The structure of ‘Raiders’ is different. A quick reminder:

- In the opening sequence, Indiana Jones obtains the temple idol only to lose it to his rival René Belloq (Paul Freeman). - In the streets of Cairo, Indy fails to protect his love, Marion Ravenwood (Karen Allen), from being captured (killed, he assumes). - In the desert, he finds the long-lost Ark of the Covenant, only to have it taken away by Belloq. - Indy then recovers the ark only to have it stolen a second time by Belloq, this time at sea. - On an island, Indy tries to bluff Belloq into thinking he’ll blow up the ark. His bluff fails. Indy is captured. - The climax of the film literally has its hero tied to a post the entire time. He’s completely ineffectual and helpless at a point in the movie where every other action hero is having their greatest moment of struggle and, typically, triumph.

If Indiana Jones had done absolutely nothing, if the famed archeologist had simply stayed home, the Nazis would have met the same fate - losing their lives to ark’s wrath because they opened it. It’s pretty rare in action films for the evil arch-villains to have the same outcome as if the hero had done nothing at all.

Indy does succeed in getting the ark back to America, of course, which is crucial. But then Indy loses the ark, once again, when government agents send it to a warehouse and refuse to let him study the object he chased the whole film. In other words: Indiana Jones spends ‘Raiders’ failing, getting beat up, and losing every artefact that he risks his life to acquire. And yet, Indiana Jones is considered a great hero.

The reason Indiana Jones is a hero isn’t because he wins. It’s because he never stops trying. I think this is the core of Indiana Jones’ character.

Critics will go on about something called agency as in being active or pro-active. But agency can be reactive and still be kinetic to propel the story along. It’s something that has progressively got lost as the series went on. With the latest Indiana Jones film I felt that Indiana Jones character had no agency and ends up being a relatively passive character. Sadly Indiana Jones ends up being a grouchy, broken, and beat up passenger in his own movie.

Released in 1981, ‘Raiders of the Lost Ark’ remains one of the most influential blockbusters of all time. Exciting action, exotic adventure, just the right amount of romance, good-natured humour, cutting-edge special effects: it was all there, perfectly balanced. Since then, attempts have been made to reproduce this winning recipe in different narrative contexts, sometimes successfully (’Temple of Doom’ and ‘the Last Crusade’), usually in vain (’Crystal Skull’).

What are the key ingredients of an Indiana Jones movie? There are only four core elements - leaving aside aspects of story such as the villain or the goal - that you need in place before anything else. They are: the wry, world-weary but sexy masculine performance of Harrison Ford; the story telling genius of George Lucas steeped in the lore of Saturday morning action hero television shows of the 1950s; the deft visual story telling and old school action direction of Steven Spielberg; and the sublime and sweeping music of the great John Williams. This what made the first three films really work.

In the latest Indiana Jones film, you only have one. Neither Lucas and Spielberg are there and arguably neither is Harrison Ford. John Williams’ music score remains imperious as ever. His music does a lot of heavy lifting in the film and let’s face it, his sublime music can polish any turd.

This isn’t to say the ‘Dial of Destiny’ is a turd. I won’t go that far, and to be honest some of the critical reaction has been over-hysterical. Instead I found it enjoyable but also immensely frustrating more than anything else. It had potential to be a great swan song film for Indy because it had an exciting collection of talent behind it.

In the absence of Spielberg, one couldn’t do worse than to pick James Mangold as next best to direct this film. Mangold is a great director. I am a fan of his body of work. After ‘Copland’, ‘Walk the Line’, ‘Logan’ and ‘Le Mans 66’ (or ‘Ford vs Ferrari’), James Mangold has been putting together a fine career shaped by his ability to deliver stories that rediscover a certain old-fashioned charm without abusing the historical figures - real or fictional - he tackles. And after Johnny Cash, Wolverine and Ken Miles, among others, I had high hopes he would keep the flame alive when it came to Indiana Jones. Mangold grew up as a fanboy of Spielberg’s work and you can clearly see that in his approach to directing film.

But in this film his direction lacks vitality. Mangold, while regularly really good, drags his feet a little here because he’s caught between putting his own stamp on the film and yet also lovingly pay homage to his hero, Spielberg. It’s as if he didn't dare give himself away completely, the director seems too modest to really take the saga by the scruff of the neck, and inevitably ends up suffering from the inevitable comparison with Steven Spielberg.

Mangold tries to recreate the nostalgic wonder of the originals, but doesn't quite succeed, while succumbing to an overkill of visual effects that make several passages seem artificial. The action set pieces range from pedestrian to barely satisfying. The prologue sequence was vaguely reminiscent of past films but it was still a little too reliant on CGI. The much talked about de-ageing of Harrison Ford on screen was impressive (and one suspects a lot of the film budget was sunk right there). But Indiana’s lifeless digitally de-aged avatar fighting on a computer-generated train, made the whole sequence feel like the Nazi Polar Express. Because it didn’t look real, there was no sense of danger and therefore no emotional investment from the audience. You know Tom Cruise would have done it for real and it would have looked properly cinematic and spectacular.

The tuk tuk chase through the narrow streets of Tangiers was again an exciting echo of past films, especially ‘Raiders’, but goes on a tad too long, but the exploration of the ship wreck (and a criminally underused cameo by Antonio Banderas) was disappointing and way too short. 

The main problem here is the lack of creativity in the conception of truly epic scenes, because these are not dependent on Ford's age. Indeed, the film could very well have offered exhilarating action sequences worthy of the archaeologist with the whip, without relying solely on the physicality of its leading man. You don't need a Tom Cruise to orchestrate great moments but you could do worse than to follow his example. 

Mangold uses various means of locomotion to move the character  - train, tuk tuk, motorbike, horse - and offers a few images that wouldn't necessarily be seen elsewhere (notably the shot of Jones riding a horse in the middle of the underground), but in the end shows himself to be rather uninspired, when the first three films in the saga conceived some of the most inventive sequences in the genre and left their mark on cinema history. There are no really long shots, no iconic compositions, no complex shots that last and enrich a sequence, which makes the film look too smooth and prevents it from giving heft to an adventure that absolutely needs it.

And so now to the divisive figure of Phoebe Waller-Bridge. 

It’s important here to separate the person from the character. I like Phoebe Waller-Bridge and I loved her in her ‘Fleabag’ series. She excels in a very British setting. I think she is funny, irreverent, and a whip smart talented writer and performer. I also think she has a particular frigid English beauty and poise about her. When I say poise I don’t mean the elegant poise of a Parisienne or a Milanese woman, but someone who is cute and comfortable in her own skin. You would think she would be more suited to ‘Downton Abbey’ setting than all out Hollywood action film. But I think she almost pulls it off here. 

In truth over the years Phoebe Waller-Bridge, known for her comedy, has been collecting franchises where she is able to inflict her saucy humour into a hyper-masculine space. I don’t think her talent was properly showcased here. 

Hollywood has this talent for plucking talented writers and actors who are exceptional in what they do and then hire them do something entirely different by either miscasting them or making them write in a different genre. I think Phoebe Waller-Bridge is exceptional and she might just rise if she is served by a better script.

In the end I think she does a decent stab at playing an intriguing character in Helena Shaw, Indy’s long lost and estranged god daughter and a sort of amoral rare artefacts hustler. Phoebe Waller-Bridge brings enthusiasm, charm and mischief to the role, making her a breath of fresh air. She seems to be the only member of the on-screen cast that looks to be enjoying themselves. 

To be fair her I thought Waller-Bridge was a more memorable and interesting female character than either Kate Capshaw (’Temple of Doom’, 1984) and Alison Doody (’Last Crusade’, 1989). She certainly is a marked improvement on the modern woke inspired insipid female action leads such as Brie Larson (’Captain Marvel’), or any women in the Marvel universe for that matter, or Katherine Waterson (’Alien Covenant’). Waller-Bridge could have been reminiscent of Kathleen Turner (’Romancing the Stone’) and more recently Eva Green, actresses who command attention on screen and are as captivating, if not more so, than the male protagonists they play opposite.

To be sure there have been strong female leads before the woke infested itself into Hollywood story telling but they never made it central to their identity. Sigourney Weaver in ‘Alien’ and Linda Hamilton in the ‘Terminator’ franchise somehow conveyed strength of character with grit and perseverance through their suffering, while also being vulnerable and confident to pull through and succeed. Phoebe Waller-Bridge’s character isn’t quite that. She doesn’t get into fist fights or overpowers big hulking men but she uses cheek and charm to wriggle out of tight spots. She’s gently bad ass rather the dull ‘strong independent woman’ cardboard caricatures that Marvel is determined to ram down every girl’s throat. If Waller-Bridge’s character was better written she might well have been able to revive memories of the great ladies of Hollywood's golden age who had the fantasy and the confidence that men quaked at their feet.

What lets her character down is the snark. She doesn’t pepper her snark but she drowns in it. All of it directed at poor Indy and mocking him for his creaking bones and his entire legacy. It’s a real eyesore and it is a real let down as it drags the story down and clogs up the wheels that power the kinetic energy that an adventure with Indiana Jones needs. ‘The grumpy old man and the young woman with the wicked repartee set off across the vast world’ schtick is all well and good, but it does grate and by the end it makes you angry that Indy has put up with this crap. I can understand why many are turned off by Waller-Bridge’s character. As a female friend of mine put it, we get the talented Phoebe Waller Bridge’s bitter and unlikable Helena acting like a bitter and unlikable man. But it could be worse, it could be as dumb as Shia LaBeouf‘s bad Fonzie impersonation in 'Crystal Skull’.

I would say there is a difference between snark and sass. Waller-Bridge’s character is all snark. If the original whispers are true the original script had her way more snarkier towards Indy until Ford threatened to leave the project unless there were re-writes,  then it shows how far removed the producers and writers were from treating Indy Jones with the proper respect a beloved legacy character deserves. It’s also lazy story telling.

Karen Black gave us real sass with Marion Ravenwood in ‘Raiders’. Her character was sassy, strong, but also vulnerable and romantic. She plays it pitch perfect. Of all the women in Indy’s life she was good foil for Indy.

Spielberg is so underrated for his mise-en-scène. We first meet Marion running a ramshackle but rowdy tavern in Tibet (she’s a survivor). She plays and wins a drinking game (she’s a tough one), she sees Indy again and punches him (she’s angry and hurt for her abandoning her and thus revealing her vulnerability). She has the medallion and becomes a partner (she’s all business). She evades and fights off the Nazis and their goons, she even uses a frying pan (she’s resourceful but not stupid). She tries on dresses (she’s re-discovers her femininity). Indy saves her but she picks him up at the end of the film by going for a drink (she’s healing and there’s a chance of a new start for both of them). This is a character arc worth investing in because it speaks to truth and to our reality.

The problem with Phoebe Waller-Bridge’s character is that she is constantly full on with the snark. Indy and Helena gripe and moan at each other the entire film. Indy hasn’t seen her in years, and she felt abandoned after her father passed, so there’s a lot of bitterness. It’s not unwarranted, but it also isn’t entertaining. It’s never entertaining if the snark makes the character too temperamental and unsympathetic for the audience to be emotionally invested in her.

I think overall the film is let down by the script. Again this is a shame. The writing talent was there. Jez and John-Henry Butterworth worked with James Mangold on ‘Ford v. Ferrari’ and co-wrote ‘Edge of Tomorrow‘ while David Koepp co-wrote the first ‘Mission: Impossible’ (but he also penned Indiana Jones and the ‘Kingdom of the Crystal Skull’, and the 2017 version of ‘The Mummy’ that simultaneously started and destroyed Universal’s plans for their Dark Universe). I love the work of Jez Butterworth who is one of England’s finest modern playwrights and he seemed to have transitioned fine over to Hollywood. But as anyone knows a Hollywood script has always too many cooks in the kitchen. There are so many fingerprints of other people - studio execs and directors and even stars - that a modern Hollywood script somehow resembles a sort of Ship of Theseus. It’s the writer’s name on the script but it doesn’t always mean they wrote or re-wrote every word.

Inevitably things fall between the cracks and you end up filming from the hip and hoping you can stitch together a coherent narrative in post-production editing. Clearly this film suffered from studio interference and many re-writes. And it shows because there is no narrative fluidity at work in the film.

Mads Mikkelsen’s Nazi scientist is a case in point. I love Mikkelsen especially in his arthouse films but I understand why he takes the bucks for the Hollywood films too. But in this film he is phoning in his performance. Mads Mikkelsen does what he can with limited screen time to make an impact but this character feels so recycled from other blockbusters. Here the CIA and US Government are evil and willing to let innocent Americans be murdered in order to let their pet Nazi rocket scientist pursue what they believe to be a hobby. But to be fair the villains in the Indy movies have never truly been memorable with perhaps Belloq, the French archaeologist and nemesis of Indy in ‘Raiders’, the only real exception. It’s just been generic bad guys - The Nazis! The Thugee death cult! The Nazis (again)! The Commies! Now we’re back to Nazis again which is not only safer ground for the Indy franchise but something we can all get behind.

However Mads Mikkelsen’s Dr. Voller, is the blandest and most generic Nazi villain in movie history. At the end of World War II, Voller was recruited by the US Government to aid them in rocket technology. Now that he’s completed his task and man has walked on the moon, he’s turning his genius to his ultimate purpose, the recovery of the ‘Dial of Destiny’ built by Archimedes. Should he find both pieces of the ancient treasure, he plans to return to 1930s Nazi Germany, usurp Hitler, and use his advanced knowledge of rocket propulsion to win the war. In a sense then he was channeling his inner Heidegger who felt Hitler had let down Nazism and worse betrayed Heidegger himself.

So there is a character juxtaposition between Voller and Indy in the sense both men feel more comfortable in the past than the present. But neither is given face time together to explore this intriguing premise that could have anchored the whole narrative of the film. It’s a missed opportunity and instead becomes a failure of character and story telling.

Then there are the one liners which seemed shoe horned in to make the studio execs or the writers feel smug about themselves. There are several woke one lines peppered throughout the film but are either tone deaf or just stupid.

“You trigger happy cracker”-  it’s uttered without any self-awareness by a black CIA agent who is chaperoning the Nazi villain. Just because white people think it’s dumb and aren’t bothered by it doesn’t make it any less a racial slur. If you want authenticity then why not use the ’N’ word then as it would historically appropriate in 1969? The hypocrisy is what’s offensive.

“You stole it. He stole it. I stole it. It’s called capitalism.” - capitalism 101 for economic illiterate social justice warriors.

“[I’m] daring, beautiful, and self-sufficient” - uttered by Helena Shaw as a snarky reminder that she’s a strong independent woman, just in case you forgot.

“It’s not what you believe but how hard you believe.” - Indiana Jones has literally stood before the awesome power of God when the Ark of the Covenant was opened up by the Nazis, and they paid the price for it by having their faces melted off. Indy has drunk from the authentic cup of Christ, given to him by a knight who’s lived for centuries, that gave him eternal life and heal his father from a fatal bullet wound. So he’s figuratively seen the face of God (sure, he closed his eyes) and His holy wrath, and has witnessed the divine healing power of Christ first hand. And yet his spews out this drivel. It’s empty of any meaning and is a silly nod to our current fad that it’s all about the truth of our feelings, not observable facts or truth.

For me though the absolute worse was what they did to Indiana Jones as a character. Once the pinnacle of masculinity, a brave and daring man’s man whose zest for life was only matched by his brilliance, Henry Jones Jr. is now a broken, sad, and lonely old man. Indiana Jones is mired in the past. Not in the archaeological past, but in his own personal past. He's asleep at the wheel, losing interest in his own life. He's lost his son, he's losing his wife. He's been trying to pass on his passion, his understanding to disinterested people. They're not so interested in looking at the past. He remains a man turned towards the past, and then he finds himself confronted by Helena, who embodies the future. This nostalgia, this historical anchoring, becomes the main thread of the story.The film tries to deconstructs Indiana Jones on the cusp of retirement from academia and confronts him with a world he no longer understands. That’s an interesting premise and could have made for a great film.

It’s clear that the filmmakers’ intention was for a lost and broken Indiana to recapture his spirit by the film’s end. However, its horrible pacing and meandering and underdeveloped plot, along with Harrison Ford’s miserably sad demeanour in nearly every scene, make for a deeply depressing movie with an empty and unearned resolution. 

By this I mean at the very end of the film. It’s meant to be daring and it is. There’s something giddy about appearing during the middle of siege of Syracuse by blood thirsty Romans and then coming face to face with Archimedes himself. The film seems to want to justify the legendary, exceptional aura and character of Indy himself by including him in History. Hitherto wounded deep down inside, and now also physically wounded, Indy the archaeologist tells Helena that he wants to stay here and be part of history. 

It's a lovely and even moving moment, and you wonder if the film isn't going to pull a ‘Dying Can Wait’ by having its hero die in order to strengthen its legend. But in a moment that is too brutal from a rhythmic point of view, Helena refuses, knocks out her godfather and takes him back to the waiting plane and back to 1969. The next thing Indy sees he’s woken up back in his shabby apartment in New York.

I felt cheated. I’m sure Indy did too.

After all it was his choice. But Helena robbed him of the freedom to make his own decisions. She’s the one to decide what’s best. In effect she robbed him of agency. Even if it was the wrong decision to stay back in time, it’s so important from a narrative and character arc perspective that Indy should have had his own epiphany and make the choice to come back by himself because there is something worth living for in the future present - and that was reconciling with Marion his estranged wife. But damn it, he had to come to that decision for himself, and not have someone else force it upon him. That’s why the ending feelings so unearned and why the story falls flat as a soufflé when you piss on it.

‘Indiana Jones and the Dial of Destiny’ feels like the type of sequel that aimed to capture the magic of its predecessors, had worthwhile intentions, and a talented cast, but it just never properly materialised. In a movie whose pedigree, both in front and behind the camera, is virtually unassailable, it’s inexcusable that this team of filmmakers couldn’t achieve greater heights. 

The film was a missed opportunity to give a proper send off to a cinematic legend. Harrison Ford proving that whatever gruff genre appeal he possessed in his heyday has aged better than Indy’s knees. He may be 80, but Ford carries the weight of the film, which, for all its gargantuan expense, feels a bit like those throwaway serials that first inspired Lucas - fun while it lasts, but wholly forgettable on exit.

I wouldn’t rate ‘Indiana Jones and the Dial of Destiny’ as the worst film in the franchise - that dubious honour still lies with ‘Kingdom of the Crystal Skull’.  Indeed the best I can say is that I would rate this film at the benchmark of “not quite as bad as Crystal Skull”.But it’s definitely time to retire and hang up the fedora and the bull whip.

For what’s worth I always thought the ending of ‘Last Crusade’ where Indy, his father Henry Jones Snr., and his two most faithful companions, Sallah and Marcus Brody, ride off into the sunset was the most fitting way to say goodbye to a beloved character.

Instead we have in ‘Dial of Destiny’ the very last scene which is meant to be this perfect ending: Indiana Jones in his scruffy pyjamas and his shabby apartment. Sure, the exchange between a reconciling Indy and Marion is sincere and touching. But that only works because it explicitly recalls ‘Raiders of the Lost Ark’. That's what Nietzsche would call “an eternal return”.

I shall eternally return to watch the first three movies to delight in the adventures of the swashbuckling archaeologist with the fedora and a bull whip. The last two dire films will be thrown into the black abyss. Something even Nietzsche would have approved of.

Thanks for your question.

[tomorrowusa]

This is a good idea...

Ban fossil fuel ads to save climate, says UN chief

Tobacco ads were banned on TV and radio in the early 1970s in the United States. That began a process of denormalization of tobacco which has continued in the years since then.

Climate change likely played a role in India's national election.

The hidden story behind India’s remarkable election results: lethal heat

The Bharatiya Janata party (BJP), led by India’s prime minister, Narendra Modi, has won more seats than the opposition alliance, and yet its victory tastes of defeat. Why? In the days leading to the election, the BJP’s main slogan had been Abki baar, 400 Paar, a call to voters to send more than 400 of its candidates to the 543-member parliament. This slogan, voiced by Modi at his campaign rallies, set a high bar for the party. Most exit polls had predicted a massive victory for the BJP – and now the results, with that party having won only 240 seats, suggest that the electorate has sent a chastening message to the ruling party and trimmed its hubris. [ ... ] People in Patna voted on 1 June, the last day of the seven-phase polling schedule. In Patna, the temperature had hovered above 40C. Local newspapers carried government ads exhorting voters to exercise their franchise, as well as half-page ads from the health ministry offering advice about how to avoid heatstroke. In the days leading to the voting in Patna, there were reports of personnel at polling stations dying from the heat. In the nation’s capital, Delhi, there were protests over water shortages. Last week, the temperature in Delhi hit 49.9C.

For the Celsius-challenged, 49.9° C = 121.8° F. That's just 0.2° F short of the all time record high temperature in Phoenix, Arizona which reputedly has "dry" heat.

As it turned out the ruling BJP did win the election but will be able to govern only with the help of electoral allies. The BJP had been boasting about getting 400 seats in the 543 seat Lok Sabha - the lower house of parliament. It ended up with just 240 with its allies winning 53 for a total of 293 seats. It is a modest working majority but is way down from the 353 seats won by the BJP & allies in the previous election.

Climate was certainly not the only issue in the election but experiencing a severe heat wave in which people were dropping dead at polling places is bound to have an impact. Politicians in India may now be more open to moving away from fossil fuels. The opposition would be wise to make climate change a bigger issue.

[priyaayadav]

The Opportunity of Play School Franchise in India

Introduction: Joining the educational sector through a play school franchise in India is not just a business venture; it's an opportunity to shape the future by nurturing young minds. In this blog, we explore the significance and potential of investing in a play school franchise in India.

1. Understanding the Demand: The demand for quality early childhood education is on the rise in India. With changing lifestyles and increasing awareness about the importance of early education, parents are seeking reputable play school franchises that offer holistic development for their children.

2. Benefits of Franchising: Investing in a play school franchise offers numerous benefits, including access to established brand recognition, proven curriculum, training and support, and a ready-made business model. Franchising reduces the risk associated with starting a new venture and provides a higher chance of success.

3. Makoons Preschool: A Leading Franchise Opportunity: Makoons Preschool stands out as a leading franchise opportunity in the Indian market. With its commitment to quality education, innovative curriculum, and strong brand reputation, Makoons offers franchisees the chance to be part of a trusted and respected network.

4. Support and Training: Franchisees of Makoons Preschool receive comprehensive support and training to ensure the successful operation of their centers. From initial setup assistance to ongoing guidance in curriculum implementation and marketing strategies, franchisees benefit from the expertise and experience of the Makoons team.

5. Making a Difference in Early Education: By investing in a play school franchise in India, entrepreneurs have the opportunity to make a meaningful impact on society. Through quality education and nurturing environments, franchisees contribute to the development of future leaders and change-makers.

6. Steps to Success: For aspiring franchisees, the journey to success begins with thorough research and due diligence. Understanding market trends, evaluating franchise opportunities, and assessing personal readiness are crucial steps in making an informed decision.

7. Conclusion: Investing in a play school franchise in India, such as Makoons Preschool, is not just a business decision; it's a chance to make a difference in the lives of young children. With the right support, dedication, and passion for education, franchisees can create a lasting impact and build a successful venture while shaping the future generation.

Investing in a play school franchise in India presents a unique opportunity to contribute to the growth and development of young minds while building a successful business venture. With the right franchise partner and commitment to excellence, entrepreneurs can make a significant impact on the educational landscape of the country.

[nishayuro]

Hello love! I saw you wanting to write for Sai and since my boy deserves all the love in the world I have a request. I totally see him going to like video game/anime conventions so can you write hc on how he meets his s/o at one of them? Thank you !💓

Dr Stone Sai Nanami with an anime/game convention goer S/O

A/N: OMGGGG I had fun writing this because, fun fact! I go to lots of anime conventions and I do cosplay!! I can deffo see Sai going to these!

GN!Reader

Warning: None

Alright, so… Sai is someone who LOVES gaming, it was his escape from when he was still in the Nanami estate when he was forced to study hard math when he was young. 

When he grew up, he began to enjoy gaming a lot more, as well as making his own games. 

When he has free time, he likes going to events. Whether when he was still in Japan, or when he moved to India. He’d sometimes even fly to a country where a big event takes place and he wants to go.

Sai goes to these in normie mode, he isn’t one to dress up as characters.

Maybe wearing merch of his fave game/series.

He was at one of the big conventions he goes to yearly.

That was when he spotted you! 

You were cosplaying as his most favourite character, so he didn’t want to pass up the opportunity.

Shyly asked for a picture with you.He told you that your character was his favourite and you responded that the character/franchise was one of your favourites also. 

He then asked for your socials so he could follow you, you found his shyness and enthusiasm endearing and cute so you exchanged socials.

You two have been talking with each other on social media for a while.

It started with you both talking about your favourite franchise, then it evolved to a friendship where you talk about anything.

Sometimes you’d invite each other to conventions where the other one will be going to.

Over time, he began to enjoy your company, even small updates from you got him smiling. He was falling for you.

Unbeknownst to him, you were facing the same situation. 

One time, Sai lost a dare to you and was forced to wear a costume to one of them. 

You chose to cosplay the character who was usually shipped with his character. 

“See! It suits you sooo much!” you exclaimed, fixing his wig. “It’s so weird, I’m not used to being the one in the costume…” Sai answered. You were both at a convention and many people have already asked for photos with you both. Many have complimented on how accurate you both portrayed the characters. 

“Hii! Omg, may I take a photo with you both?” a girl asked, phone in hand. “Oh, sure!” you answered, pulling Sai near you so you both fit into the frame, posing as the girl takes the photos. “Thank you so much! I am such a huge fan of (character ship name)! May I ask, are you two dating? Because the chemistry between y’all are so good!” The girl says excitedly. This makes you and Sai widen your eyes and look at each other. 

“Oh- uhm..” He stutters, “Oh… no, no, we’re just friends” you answer, afraid that it will get awkward if you don’t. “Oh, is that so? My bad then, anyways, thank you so much for the photo and you both look so amazing. Bye, have a nice day!” The girl left, leaving you and Sai a blushing mess, unable to look at each other. 

“Soo… There’s a merch stall over there with stickers of (your favourite character)... wanna go see?” you try to break the tension. “Oh, yeah sure” he whispers a bit, still very embarrassed. You walk around a bit and take more photos, the tension easing up. When it was time for you both to part ways, he decided to do the first move. 

“Hey, Y/N?” Sai muttered, looking anywhere but at you, “yea, Sai?” you asked. The night air was cool, and the faint glow of the city lights surrounded you both, still in costume, he looked you in the eyes, staring directly at you with determination. “I…” He started, you waited for him to continue. “I like you.” he finished, releasing a breath he didn’t realize he was holding. This was something out of the fanfics you read, but it was right here in front of you. 

“Sai… I like you too.” You answered, a smile appearing on your face, and in extension, his. It was a cute scenario for whoever got to witness it, seeing two people in costume confess as if roleplaying, not knowing that the ones speaking were the people themselves who yearned for each other. Since that day, you and Sai started dating, you’d both go to cons together. He’s usually not in costume, but there will be some times when you’d convince him to do couple cosplay with you. Sai never thought he’d find love at a place where he escapes to. He never thought he’d find love because of a character he likes. He never thought he’d find love like that, yet he found you, and you were his best find at any convention he could ever go to. 

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[makoonsplayschool]

Why Makoons Preschool is the Best Preschool in Thane for Your Child's Early Education

Introduction

Choosing the right preschool for your child is one of the most important decisions you'll make as a parent. The early years of a child's life are crucial for their overall development, setting the foundation for future learning and growth. Makoons Preschool stands out as the best preschool in Thane, committed to nurturing the emerging leaders of tomorrow. This blog will explore why Makoons Preschool is the top choice for parents seeking the best early education for their children.

Innovative Curriculum

Makoons Preschool offers a comprehensive and innovative curriculum designed to cater to the holistic development of children. Our curriculum integrates academic learning with play-based activities, ensuring that children not only acquire essential skills but also enjoy the learning process. We focus on developing cognitive, emotional, social, and physical abilities through a variety of engaging and interactive methods.

Experienced and Caring Educators

At Makoons Preschool, we believe that the quality of education depends largely on the educators. Our team of dedicated and experienced teachers is passionate about early childhood education and committed to providing personalized attention to each child. They are trained to identify and nurture each child's unique strengths, ensuring a supportive and encouraging learning environment.

State-of-the-Art Facilities

Our preschool is equipped with state-of-the-art facilities that enhance the learning experience. From well-designed classrooms to safe and stimulating play areas, Makoons Preschool provides an environment where children can explore, discover, and learn. We prioritize safety and hygiene, ensuring that our facilities meet the highest standards to create a secure space for your child.

Focus on Holistic Development

Makoons Preschool is dedicated to the holistic development of children. We emphasize not just academics but also the development of social, emotional, and physical skills. Our programs include activities like music, dance, art, and sports, which help children develop a well-rounded personality. We believe in fostering creativity and encouraging children to express themselves freely.

Strong Community Involvement

We understand the importance of a strong support system in a child's early years. At Makoons Preschool, we foster a sense of community involvement by regularly organizing events and activities that involve parents. We believe that parents are our partners in education, and their active involvement is crucial for the child's overall development. Through parent-teacher meetings, workshops, and family events, we ensure that parents are an integral part of their child's learning journey.

Individualized Learning Plans

Every child is unique, and we respect and celebrate this individuality at Makoons Preschool. Our educators develop individualized learning plans tailored to the specific needs and abilities of each child. This personalized approach ensures that every child receives the attention and support they need to thrive and succeed.

Building Confidence and Independence

One of our primary goals at Makoons Preschool is to build confidence and independence in our students. We encourage children to make decisions, solve problems, and think critically from an early age. Our programs are designed to help children develop self-esteem and the ability to face challenges confidently.

Emphasis on Early Literacy and Numeracy

At Makoons Preschool, we place a strong emphasis on early literacy and numeracy skills, which are essential for future academic success. Our engaging and interactive activities make learning these foundational skills enjoyable and effective. We use a variety of teaching methods to cater to different learning styles, ensuring that every child can grasp these critical concepts.

Strong Foundation for Future Learning

We believe that a strong foundation in the early years sets the stage for lifelong learning. Makoons Preschool provides a robust foundation that prepares children for the transition to primary school and beyond. Our comprehensive programs ensure that children are well-equipped with the skills and knowledge they need to excel in their future academic endeavors.

Conclusion

Makoons Preschool is undoubtedly the best preschool in Thane, offering a nurturing and innovative environment that fosters the holistic development of children. Our commitment to quality education, experienced educators, state-of-the-art facilities, focus on holistic development, strong community involvement, individualized learning plans, and emphasis on building confidence and independence make us the top choice for parents seeking the best early education for their children.

By choosing Makoons Preschool, you are investing in your child's bright future. We invite you to visit our campus and experience firsthand the unique and enriching learning environment that sets Makoons Preschool apart. Join us in our mission to create the emerging leaders of tomorrow, and give your child the best start in life at the best preschool in Thane.

[pico-digital-studios]

Omniverse - Another crazy Spider-Verse crossover idea I had, this time based on Ben 10

Yep, I had this idea floating around in my head for quite a bit today, in part thanks to reading up plenty about Ben 10 on the TV Tropes wiki. It got me imagining; what if we had another Spider-Verse-esque crossover, but involving the universe of Ben 10 instead?

I mean, the premise of alternate realities and timelines has been explored quite a bit in the many iterations of the franchise (like Gwen getting the Omnitrix instead of Ben or Ben's other alternate counterparts), and it got me imagining a cast line-up for the concept. The ones I thought up for the story are as follows:

Omni-Gang

Miles Morales / Spider-Man II = Alt Alan Albright / Alan Fanon (harbouring on him being a fanon counterpart to the original)

Peter B. Parker / Spider-Man = Ben A. Tennyson / Ben 10

Gwen Stacy / Spider-Woman = Julie Yamamoto / Julie 30

Spider-Man Noir = Classic Cartoon Ben 10

Spider-Ham = Reboot Ben 10

Peni Parker and SP//dr = Anime Lucy Mann and Ship

Pavitr Prabhakr / Spider-Man India = India Jimmy Jones

Hobie Brown / Spider-Punk = Ultimate Ben 10,000

Margo Kess / Spider-Byte = Gwen 10

Mayday Parker = Toddler Ken Green-Tennyson

Villains (Into the Omniverse)

William "Kingpin" Fisk = Phil Billings

Aaron Davis / The Prowler = Manny Armstrong / Techadon Warrior

Olivia Octavius / Doc-Ock = Arshika Charlie Animo / Dr. Animo

Green Goblin = Sunder the Retriever

Tombstone = Fistrick

Scorpion = Vulkanus

Villains (Across/Beyond the Omniverse)

Adriano Tumino / Renaissance Vulture = Pastel Master Kundo

Jonathan Ohnn / The Spot = Albedo / Negative Ben 10

Armadillo = Ssserpent

Miles G. Morales = Alan K. Albright

Villains (Miscellaneous)

Doctor Crawdaddy = Tim Buktu (Ben 10 Reboot)

Pavitr's Hobgoblin = Trombipulor

Omni-Society

Miguel O'Hara / Spider-Man 2099 = Reboot Evil Ben 10/Alien X

Lyla = Alternate Glitch (in a Gwen form)

Jessica Drew / Spider-Woman = Molly Gunther

Ben Reilly / Scarlet Spider = Ben 23

Supporting Cast (Base Universe)

Jefferson Morales = Alt Pierce Wheels

Rio Morales = Alt Helen Wheels

Spider-Man I = Ben B. Tennyson / Ben 10

May Parker = Grandpa Max Tennyson

Mary-Jane Watson-Parker = Kai Green-Tennyson

Ganke Lee = JT

Supporting Cast (Ben A.'s universe)

Mary-Jane Watson = Kai Green

Supporting Cast (Julie's universe)

Peter Parker / The Lizard = Ben Tennyson / Zs'Skayr

Captain George Stacy = Victor Valadis

Supporting Cast (Jimmy's universe)

Gayatri Singh = Elena Valadis

Supporting Cast (Alan K.'s universe)

Rio Morales = Alt Helen Wheels

The Omnitrix is the swap-in for the radioactive spider here, and whoever finds it is the one (in)voluntarily assigned to help protect the universe from all sorts of threats, whether they wish to or not, sending their life from ordinary to extraordinary fast.

I picked Julie specifically for the role of Spider-Gwen, considering how she lost her overall touch in the series after Omniverse (and kinda because I personally shipped Ben and Julie as a kid, even with their rough spots), hence why I felt she and Alan would make a good fit for each other due to similar insecurities.

I had been thinking carefully about the roles to assign to each character I could. I originally intended Ben 23 to be the swap-in for Spider-Ham, but considering how full of himself he was before Omniverse Ben/Ben Prime came along (which is why he's in Reilly's place), I felt Reboot Ben 10, whose world is less serious than the others, could fit the role better, whilst also inheriting sympathetic traits like relating to losing someone close.

The Classic Cartoon Ben 10 isn't from the ORIGINAL storyline, but rather one based on classic cartoons from the 60s and 70s, just to avoid confusion there. Lucy Mann's genki girl approach, for one, made her a perfect fit for Peni's role here, too.

And considering Jimmy Jones is a big fan of Ben 10 in canon (and was respected for it in Ultimate Alien), I felt the naïve newcomer status could work for an alternate universe version of him from India. And as Ultimate Ben 10,000 is pretty much on top of his game (alongside being less likely to steer towards canon), he fits well for Hobie's role.

The evil reboot Ben 10, I felt, fits well for the role of Miguel, since he lost his Gwen and Max when they tried to save him, which led him down a darker path in life and required FIVE Omnitrix users to take him down. Likewise, I thought a Gwen variant of Glitch to go with him (which fits well with her sass in the series proper) fits Lyla's role as a digital assistant to a futuristic hero.

Since the four Plumbers' Helpers are of similar age, I felt that Pierce and Helen are Alan's legal guardians in Bellwood, alongside both assisting the Plumbers in protecting Earth. Manny, who has Aaron's role, is the most hot-headed of the four, but has a good heart deep down.

The reason for Alan having to inherit his Ben's role is through inheriting his Omnitrix after Ben gives him the responsibility to protect his world for him, and his compatibility with it came from the other dimension thanks to the experiments Phil's scientists were doing. As for the whole hair-sticking incident, Julie's hair was longer (as far down as her waist) before the accident, and at present, it's as long as in canon.

Max being the badass old man, no matter what universe, comes with the territory anyway, same with him being tech-savvy, which allows him to help Alan adjust to being the new hero. Kai is also commonly the girl Ben ultimately ends up marrying between universes, and JT being Alan's roomie contributes to him being the more chill between him and Cash (the glasses are a plus, too).

I also thought carefully about the rogues gallery between stories from throughout Ben 10's history, like having a female counterpart to Dr. Animo, or Ssserpent being the random villain Alan has to quickly deal with on his way back home with a cake, due to the villain's butt-monkey status in his first two appearances (he got better on the third).

Zs'Sakyr, I felt, was the best counterpart to represent The Lizard in Omniverse, since he's Ghostfreak's true self who tried possessing Ben and gaining full power over the Omnitrix. And I've kept up with the theme of altering art styles for the AU version of Master Kundo (like how Vulture was from the Renaissance, Green Impostor (Funkinverse) was from a sketchbook, and Snively (from my work, IAB!) was from a cell-shaded world).

Albedo, I thought, would be the best option available for a swap-in for Ohnn, as he became villainous through making a fake Omnitrix that made him a direct doppelganger of Ben (until a bioenergy feedback caused his appearance to shift), and since he fell into D-List villain territory, I felt he could have the biggest voyage to become an arch-enemy that Alan CAN'T ignore in general.

You guys are welcome to take all that as you will, and make up your own ideas on how things will turn out for them. See you later!

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