#i am here for the parallels

[smittenskitten]

A TALE OF THOUSAND STARS (2021) OUR SKYY 2: BAD BUDDY X A TALE OF THOUSAND STARS (2023) .dir - AOF NOPPHARNACH CHAIWIMOL

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

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[kirbee-hd]

Does it ever drive you crazy?

Just how fast the night changes?

[sophsun1]

Still others may come back looking totally fine but in reality, be mentally devastated by what they've witnessed. So if that's the case, what'll we do?

OUR FLAG MEANS DEATH

1.01 Pilot | 2.01 Impossible Birds

[galedekarios]

seeing a post that basically confirmed the obvious disparity in content made me think more about a scene i would have liked to see with gale and that i've been thinking about for a while now.

i always felt a bit sad that his condition is so often treated as a joke by the fandom and to a lesser extent by the game itself. i always thought that this is partially down to the fact that we don't truly get so see gale actively be in pain due to his condition, other than brief glimpses and hints:

we do hear the urgency in his voice when he explains when and why he needs an artefact and the relief in his voice when the protag chooses to help him.

we see it, too, when he is afflicted by the arcane hunger condition:

we get glimpses of it when he consumes an artefact:

he mentions it, too, in his dialogues, but it's very much downplayed by gale or phrased in such a way that is meant to overplay it with humour, or perhaps even to distance himself from it by using metaphors:

that is until we actually get to see it through his eyes, if only for the briefest of moments:

*Its teeth, its claws, it's unstoppable as it digs through and becomes part of you. And gods, it is ever-hungry...*

gale also has an idle animation where he--quite often--reaches up to touch the orb, perhaps because it flares with pain, like an old wound is wont to do:

(gif by @bladeofavernus)

from the last conversation we have with gale, and after catching all of these little moments of things he says or does with how the orb affects him, we learn that consuming the magic from artefacts no longer has any effect at all. the only solution that tara and he were able to find no longer works:

it would scare him and imbalance him, and it would finally destabilise the orb, make it more volatile.

but what happens in the game after that? the orb becoming volatile enough for the artefacts to no longer have an effect has no consequences at all: you are able to do the tiefling party, all quests in the underdark, the entirety of the grymforge, and, should you choose to do so, the entirety of the mountain pass and rosymorn monastery without an incident at all or any mention of the condition itself/any discomfort or fear it might cause.

there's no urgency here, no follow-up, to what the narrative set up... and then we meet deus ex elminster and the orb is stabilised, and the urgency that came before literally is handwaved out of existence.

what i would have liked instead to happen--or at least to bridge the gap between the artefacts no longer working and elminster stabilising it to be used on mystra's behalf--is the following:

i think it would have been nice to have a scene with gale where we do get to see--on a much smaller scale--him losing control over the orb, have the protag and the companions see what he is trying desperately to keep contained within himself, what gnaws at him, what continues to haunt him.

it could happen perhaps after a particular gruelling and intense fight--and there are enough of that in the underdark and at the mountain pass. it could have been a ! conversation, providing both friendship and romance content.

have the orb act up after expending so much energy to manipulate the weave to the fullest of his abilities, have gale manage to reign it in, but barely, show that it takes a lot of power and effort for him to do so.

that it hurts, with none of gale's metaphors to hide behind or jokes to play it off.

have the audience truly see the gravity of what he is going through.

[mycofaerie]

I am Kenough but it’s Link (he’s also a horse girly)

[queenlucythevaliant]

Okay but I do get really tired when people rag on Narnia's Biblical parallels for being too overt. Like, yeah dude. It's written for kids. Most kids don't do subtlety. I knew my Bible better than probably 95% of third graders, and yet my parents still had to clue me in. I've talked to people who grew up secular and didn't realize Narnia was Christian until well into adulthood. The Christian parallels in Narnia are at a pretty perfect level for most kids, and the fact that we as adults continue to get new spiritual meaning from it as we grow is a real testament to the depth of Jack's writing.

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[pageofheartdj]

wait

Philip tried to kill Evelyn, but Caleb got in his way and Philip ended up killing Caleb.

Belos tried to kill Collector, but Luz got in his way and Belos ended up killing Luz.

[aroaceacacia]

the only universal language

(inspired by @duckcoin 's post and based on two frames from how far we've come)

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

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[annqer]

pt. 1 - checkmate

[rwbyrg]

Reason Why Rosegarden is Canon: #009

"I don't want to be me anymore (after seeing a world without you in it)" vs. "I don't know who I am anymore (in a world without you in it)"

[casualavocados]

Do you think you're special, lightning thief?

PERCY JACKSON AND THE OLYMPIANS 1.06 • We Take A Zebra To Vegas

[sodepopcorn]

Ok so there’s this fucking parallel/inversion (idk how to call it) that makes me want to hurl :

When Morty confronts Rick about how he carelessly treats others and tries to protect his mother from another heartbreak.

But Beth immediately (IMMEDIATELY) forgives Rick the second he’s back because she couldn’t bear the thought of being abandoned by him (again). 

AND THEN

THIS FUCKING SCENE where Beth confronts Rick about how he carelessly treats others and tries to protect her son from another heartbreak. But Morty immediately (IMMEDIATELY) forgives Rick the second he’s back because he couldn’t bear the thought of being abandoned by him (again).

Anyway every time I think abt them I start shaking violently.