#i am not saying their duty is a bad thing !!!!!!

[aemondloverr]

𝐑𝐞𝐥𝐮𝐜𝐭𝐚𝐧𝐭 𝐉𝐨𝐮𝐫𝐧𝐞𝐲

𝐏𝐚𝐢𝐫𝐢𝐧𝐠: 𝐂𝐫𝐞𝐠𝐚𝐧 𝐒𝐭𝐚𝐫𝐤 𝐱 𝐅𝐞𝐦!𝐕𝐞𝐥𝐚𝐫𝐲𝐨𝐧!𝐑𝐞𝐚𝐝𝐞𝐫 (𝐜𝐨𝐦𝐢𝐧𝐠 𝐩𝐚𝐫𝐭 𝟐) 

𝐏𝐚𝐫𝐭 𝟐 • 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 • 𝐓𝐚𝐠𝐥𝐢𝐬𝐭

𝐒𝐲𝐧𝐨𝐩𝐬𝐢𝐬: As the eldest daughter of Rhaenyra, you are sent to the North to negotiate terms with Lord Stark.

𝐂𝐨𝐧𝐭𝐞𝐧𝐭: Disapproving Jace

𝐰𝐜: 𝟐.𝟒𝐤

𝐀/𝐍: Ngl school was kicking my ass but I still wanna deliver 😪 (btw, cregan appears in the next part, not the first. AND for some reason links are currently not working :( Sorry abt that!! Must be some kind of bug)

❆ • ❆ • ❆ • ❆

“Mother? You sent for me?”

Rhaenyra is sitting at a table in her chambers, sipping wine and surrounded by various papers and documents. She looks up as you enter and a soft smile tugs at her lips, her eyes seeming to light up for just a moment

“Yes, my daughter. Come, sit with me.”

She pats the seat beside her, clearing a space among the piles of documents. There's an expectant look in her eye, her gaze resting on you

“I have something to discuss with you.”

Oh no

You know whenever those words come from the mouth of a mother, it’s never good. You’re either in trouble, or it’s something serious.

You approach the chair nervously and sit.

She sighs and sets down her glass of wine, shifting her attention fully to you. Her eyes seem to search your face for a moment before she speaks again.

“You're growing up so fast, you know that? It feels like just yesterday you were a little girl running through the gardens, laughing and playing with your brothers.”

You smile at the mention of fond memories.

Oh Gods. A speech is always a bad indicator. Especially one of childhood.

A pang of bittersweet nostalgia seems to pass over Rhaenyra’s features as she continues, her voice taking on a hint of regret

“Sometimes, I wish I could freeze time and keep you just as you are right now, still young and innocent, before the world has a chance to harden your heart. But… that’s not the way things work, is it?”

“I know mother…” Your smile quickly fades and you worry for what she’ll say next.

Rhaenyra holds your gaze for a moment before she speaks again, her voice soft and earnest

“You're much more perceptive than your brothers, you know that? You always were, even as a child. You always seemed to know what I was thinking before I even said it-”

“Is there something you want me to do?” It would be nice if she stopped beating around the bush and just asked.

She takes a deep breath as if steeling herself for what comes next, her gaze unwavering and intent on you

“…As you know, my reign is not without its challenges. There are those who question my claim to the throne, who think that my rule is not rightful. I need you to understand, my love, that in the future you may be forced to make difficult decisions, decisions that will impact not just your own life, but the future of the entire realm.”

You stare, expectantly

“This is why I am asking you to go to Winterfell…”

What…??

“But mother…”

She knows that this is the part where you'll likely protest

“I know you don't want to go, my love. I know that leaving home, leaving me, is difficult for you. Believe me, I would not ask this of you if there was any other option.”

“But Cregan…you know what he did…”

You’d expected something important yes, but this?…This was simply too much to ask of you .

Her hand comes to rest on top of yours in a comforting gesture.

“I know, my love. I know it hurt you greatly, believe me, it pained me to see you so distraught.”

“So why can’t you send Jace. Why would you send me to see him??”

“Jace is a good, honourable boy. I know he would do his duty and serve me well as a diplomatic envoy to Winterfell. But he is not you. I'm sending you for a reason, my love.”

“And why’s that??” You begin to get frustrated

Rhaenyra looks straight into your eyes, her gaze unwavering as she speaks

“Because Cregan Stark is a proud and stubborn man, one who values strength and resilience. He is unlikely to listen to just anyone. But he knows you. He once cared for you, deeply. I'm sending you there as someone who has the potential to sway him to our cause.”

“This is not fair. How could you even consider asking me this when you know—“

She sees you tearing up and reaches out to brush a strand of hair out of your face, her touch, gentle and tender

“You know that duty must take precedence over desire…”

“For the realm...” You mutter, a tear falling

Rhaenyra's heart aches to see the tears in your eyes, but she doesn't falter in her resolve. She lifts her free hand to your face, gently wiping away a tear that threatens to spill down your cheek.

“Yes, my love. For the realm…”

She gently pulls you closer, letting you rest your head against her shoulder. She runs her fingers through your hair, her touch soft and soothing

“…For our family. For all the people we are sworn to protect.”

*****

Later that evening at supper

The entire family is gathered around the large table in the dining hall, eating their supper and engaging in light conversation. Rhaenyra is seated at the head of the table, daemon at the other with Jace seated to her left and Luke to her right.

Joffrey is seated across from Jace, chattering away happily about some toy he received. Rhaenyra glances up to where you are sitting, a small but weary smile on her face

Jace notices your quieter-than-usual demeanor and nudges you gently with his elbow

“Hey, are you alright? You're awfully quiet tonight.”

“Yea I’m alright, I’ll tell you later” you whisper.

Jace looks at you for a moment, his expression one of concern, but nods understandingly. He returns to his food, but you can feel his gaze occasionally flicking over to you throughout the meal.

*****

Rhaenyra stands and taps her glass.

At her signal, the conversation around the table dies down, and everyone turns to face her. Rhaenyra stands, her expression serious as she looks around at her family

She clears her throat and speaks, her voice steady and commanding

"Before everyone retires for the evening, I have an announcement to make."

Rhaenyra takes a deep breath, her gaze flickering briefly to you before continuing.

"As you all know, the stability of the realm depends on maintaining strong alliances and relationships with our noble houses. It is therefore necessary for me to send an envoy to Winterfell to reinforce our ties there."

A pause.

"I have decided to send your sister to Winterfell as our representative. She will leave in two days' time."

There is a moment of stunned silence as the rest of the family processes this information. Jace looks over at you, his forehead creasing with confusion. Luke's mouth has dropped open in surprise. Even Joffrey is silent, for once.

Jace protests. Daemon just sits back and watches the drama

He speaks up immediately, his voice filled with concern

"Mother, surely you can't be serious? You're sending our sister all the way to Winterfell? Alone? It's too dangerous!"

Rhaenyra looks at Jace with sympathy but irritation at his protest.

"I understand your concern, my son, but this decision is not up for debate. Your sister is perfectly capable of handling herself and representing our house honorably."

“At least let me go with her“

"No, Jace. I cannot spare you here, I need you by my side. One dragon in the open is enough and the greens could spot you” your mother says sternly.

“Mother you can’t just-”

Joffrey cries and Luke tries to comfort him. He doesn’t like the arguing and yelling

“It is done Jacaerys. You will argue no more about this!”

You quickly excuse yourself from the table, hurrying to your chambers.

Jace looks like he wants to say something, but Rhaenyra gives him a warning glance, and he reluctantly stays silent

As you head back to your chambers, you can hear the murmurs of the rest of the family resume, their low voices discussing the announcement Rhaenyra made. As you begin to pack your things, there's a soft knock on your door

“Enter”

Jace enters the room, closing the door behind him. He stands awkwardly for a moment, his hands fidgeting at his sides. Finally, he takes a deep breath and speaks, his voice filled with concern

"Are you really okay with this, going to Winterfell and seeing...him again?"

“I…have to” your back is turn from him as you put your clothing into leather bags

His expression softens and he moves closer to you, placing a reassuring hand on your shoulder* "I know, but that doesn't make it any easier. I don't want you to get hurt, especially not by him."

“You need not worry Jace, I will be fine.” You already know that’s a lie. And he does too. But saying it out loud makes it feel true.

"You can say that all you want, but that doesn't make it any less worrying. I know how much he meant to you before."

“I am not going there to pursue him, I am going there to gain the North as an ally for our house.”

Jace nods, his expression serious once more

"I know that's the purpose of the mission, but you can't deny that seeing him again will be hard for you. You have feelings for him."

“What are you saying Jace.”

Jace sighs and runs a hand through his hair, glancing at you with concern "I'm saying that you're fooling yourself if you think going to Winterfell and seeing Cregan Stark isn't going to stir up feelings you thought you had buried."

“So what if it does…It’s not like I’m going to act on them.” You’re just going to do what is asked of you and leave. Nothing more.

"You say that now, but what happens if he wants to revisit the past with you? What if he wants to rekindle what you had between you?"

You let out a huff of frustration. “Just stop Jace. You don’t know anything anyways…”

He takes a step back, his expression hurt, almost. "What do I know? I know that you've been in love with Cregan Stark since you were children, and I know how much it hurt you when he left and you still haven’t gotten over it!”

You turn and look at him in disbelief that he would mention the very thing you’ve been trying to avoid. “Just go…Leave!”

Jace's expression softens at your harsh tone, and he takes another step back, swallowing thickly. He opens his mouth as if to say something, but then closes it again, his eyes flicking to the ground before back up to you.

“Fine.”

He shuts the door with force.

You stand alone in your room, the silence heavy and oppressive without Jace's presence. You feel your emotions welling up inside of you, a mixture of anger and sadness and frustration at Jace's words. But deep down, you can't shake the feeling that you know he’s right.

*****

For the next two days you stay in your room, packing and pondering until the night it’s time to leave.

The atmosphere in the castle is tense, the realization of your imminent departure hanging heavy in the air. Rhaenyra and the rest of the family have gathered to see you off.

Rhaenyra stands next to Silverwing, watching you with a mixture of sadness and pride. The dragon emits a low, melancholic whine, as if sensing the gravity of the situation. The boys and daemon stand on either side of Rhaenyra, their faces stoic but anxious.

“I will see you in few weeks time.”

Rhaenyra nods, her expression solemn. She steps forward and hugs you tightly, pulling you to her chest. The hug is firm and possessive, conveying a mixture of love and protectiveness.

"Be safe, my love. I will count every day until your return."

You step aside to hug Jace. He returns your hug, his arms wrapping around you tightly. He holds you close for a moment, his chin resting on the top of your head. When he pulls back, his expression is still serious, and he mutters quietly.

"Be careful, alright? Don't do anything stupid."

“No promises…”

Jace gives your shoulder a reassuring squeeze before stepping back to allow Luke to say his goodbyes. Luke hugs you tightly, burying his face into your shoulder. When he pulls back, he's fighting back tears, his voice wavering when he speaks

"I don't want you to go."

Joffrey then hugs at your waist, teary eyed, his aebottom lip trembling.

"Please don't go, please...I want you to stay."

Joffrey buries his face into your stomach, his small hands tugging at your dress. Luke places a hand on Joffrey's shoulder, trying to soothe his younger brother's distress. He looks at you helplessly, his own eyes glassy with tears

“Hush sweetlings…I wont be gone forever” You kiss their cheeks and tops of their heads

"You'll come back, right? You promise?"

“I promise.”

Joffrey and Luke both look up at you, their eyes wide and pleading, searching your face for assurance. Rhaenyra steps forward, her hand resting on each of their shoulders.

"Your sister will be back before you know it, and she'll come back with a great success for our house."

Even Jace tears up a bit but rolls his eyes, trying to play it off.

"I'm not tearing up. I just got something in my eye, that's all." He rubs at his eye, trying to cover up the fact that he is, in fact, on the verge of crying.

Then comes Daemond with a large, tight hug, practically suffocating you.

“Alright alright I love you too” you struggle with a strained voice and he finally lets go

“Just come back in one piece.”

“You know I will” you playfully push his shoulder.

You tie your bags to Silverwing and mount her saddle, blowing air kisses as you lead silver wing out of the den and out into the dark of the night.

The entire family watches as you and Silverwing take flight, the dragon's wings beating strongly as you soar into the black sky.

A sense of melancholy hangs in the air, the weight of your absence already palpable among those left behind. Rhaenyra's expression is solemn as she watches you disappear into the distance, a silent prayer on her lips for your safe return.

❆ • ❆ • ❆ • ❆

𝐀/𝐍: I hope you enjoyed and forgive me for the delay. AP clases are NOT for the weak 😭 part 2 will definitely be out winning the next few weeks tho. Let me cook.

PS. The plot is a bit different from the teaser. Please don’t be mad at me🙏🏾

@beebeechaos @iv-vee @aemondwhoresworld @obscure-beauty @6ternalsun @msmarvelknight @melsunshine @cregansfourthwife

[triplecreature]

actually I'm kind of curious about this because it was a huge debate among my peers in my community

Clarifications under the cut:

The poster is in a public space where it is typical for everyday people to post things. It is not someone's private property or possession. Think piece of paper taped to a telephone pole, not sign in a storefront or in someone's yard.

The poster is not protected by law; you are very unlikely to face legal consequences for vandalizing it. Caveat: some peers have argued that it risks being socially consequential because an organization or demographic that you are a part of may be judged as intolerant/oppressive/disruptive/otherwise unpleasant if people witness your actions, and thus advocated against vandalism for fear of damaging your public image.

The poster is not an expensive or personal piece of artwork; it is a mass produced print on letter paper.

You are vehemently opposed to the message displayed on the poster, but it is an opinion that people are free to have in your country.

The 4th option refers to things like intentionally putting your own poster over top of the bad poster or otherwise making the bad poster harder to view; some people argued that targeting the poster for removal is out of line, but posting your own messages is an innocent action that you are well within your right to do (in this context, posters regularly eclipse each other as new ones are posted over top of outdated ones due to limited space)

The poster is part of a campaign; it's not unique. There are many postings of it across the community.

This is all assuming that the offending poster is not old and would typically not be considered fair game for pruning for quite some time, and that it is being specifically targeted for removal because of its message (rather than petty vandalism or because it's obstructive or damaged). E.g., if a poster is advertising an event happening on April 20th, it's typical to prune it after that date but not before.

Of course the situation that prompted the real life debate did involve a specific offending message, but I'm not going to specify what it was for now because I think it'll skew the results as people will just end up voting based on whether they like or dislike that message, which isn't the point of this. For this poll we are assuming that it IS a message that you are very opposed to; you can substitute in your own opinion that you have strong feelings about.

Please reblog for sample size!

[friendlyneighbourhoodelf]

have some unorganised tragic codywan thoughts because they’ve taken over my brain <3

thinking about duty as almost akin to a fatal flaw - not as in their loyalty/duty is necessarily a bad thing, it’s a key part of both their characters and i think it’s something they both value/at least respect. anyway, duty is not a bad thing, but in terms of codywan it is (to me) what dooms their relationship, because ultimately when forced to choose, i think both would choose duty over their feelings and it is this that ultimately prevents any serious romantic relationship from occurring during the war. however, i also think that in a situation where they’re both aware of their feelings and at least address them to an extent, there’s a hope/expectation that there will be a time after the war in which they are (less) bound by duty (i very much believe that both would still have a strong sense of duty to the jedi/clones respectively, but without the context of the war they would be free from having to lead it, obviously). so they both have a hope that after the war they would be able to explore their feelings freely. so it’s the fact that they never get this chance, that from the beginning this would always be the case, that they never really had a chance to fight for it because no one knew there wouldn’t be an after, that makes the whole thing so tragic.

i was also thinking about ideas of fate/destiny in tragedy more broadly, and how it is very much a theme in star wars, particularly around anakin. but i also think that by extension particularly obi-wan’s character is very much shaped by ideas of fate/destiny. i don’t really have a point here i just think it’s interesting. (star wars as happening a long time ago and so the outcome was already decided, there was never anything that could be done to change it etc etc).

i think there’s also something to be said about the fact that tragedies (often, but certainly not universally) happen over a relatively short period of time, in part to signify a protagonists uncontrolled fall (that post about how revenge of the sith takes place over a few days/a week very much highlights this in relation to anakin). but for codywan their tragedy lasts for perhaps the entire war, because their tragedy is not an uncontrolled fall, but rather a continual and conscious choice to place duty above their feelings. i think the fact that they simultaneously have so many chances to choose their feelings, but would never really make that choice because of their duty/loyalty adds to the tragedy of their relationship. the tragedy as occurring over months and years as nothing changes even though time gives you every chance. etc etc

anyway i feel like this reads a bit like a very disorganised english essay, so sorry about that !! i don’t have an excuse, but tragic codywan does something to my brain. many thoughts etc etc.

[pardonmydelays]

huh

[sergeant-angels-trashcan]

Okay friendo no more holding back ghost x Kate x price are very similar to bucky x Kate x Steve in my head in the way that Kate falls for them separately in very different ways. One of them is broody and deadly efficient and thinks he shouldn't be loved for all the damage he's done, prefers a mask to separate him and thinks the best thing he can do for the people he loves is to push them away. The other an authority figure with the weight of the squad and the world on his shoulders, a good man who makes mistakes and pushes himself and everyone around him past their limits in the name of good to the people of the world. Thoughts, questions, concerns? (In every and all scenario Kate realizes she likes people by going 'oh no they're HOT' and then jumps out a window to escape the situation)

SCREAMING SCREAMING SCREAMING I should NOT have checked my asks on the way to the time clock rip me. if up til this point you've holding back i am SO EXCITED for unhingedness to run free

the thing is. i don't think she would be surprised she's into Ghost. because that makes sense, he's this giant wall of a sniper, that's not a stretch. and she's always willing to give people a chance. she's also capable of laying him flat on his ass. So there's a level of safety he feels around her?

I think she'd be more self-aware of her feelings about Ghost. I also think he takes his shirt off and Kate is like FUCK he's HOT but she can deal with that she's fine but then he takes the mask off at some point and it's a double whammy of trust and oh NO he's BEAUTIFUL. And she CAN'T climb out a window after that because he'll think it's his face! And it is his face that's scaring her away but not for the reasons he would think!! She wants to escape her feelings so bad and she can't!!!!

She splits the difference by climbing on his shoulders, playing with his hair, and kissing the top of his head while he tries to make them tea. (is she basically petting him and calling him pretty boy? i mean. yeah.)

Price, however.

Kate would look at Price and go "I admire his leadership! I appreciate how he treats his team and goes to bat for them, etc! maybe it's not quite admiration. it feels a little different than normal!" because it's horny. that's the difference.

look. okay. here's the thing. i do not think she has dated people who allow her to realize she is a switch with a competence kink. and a little bit of an authority kink. price is one of like...three people i could see her getting a little subby for. And it wouldn't start out sexual, it would be in regular life. maybe it happens after some off-planet young avengers bullshit where someone tried to assassinate teddy and kate is just frazzled and on edge and her sleep is all fucked up.

Things get to be Too Much and he asks for 10 minutes where she doesn't decide anything, she just does what he tells her to. And it's such a display of trust!!! Price is fucking floored when she actually agrees to it. it's simple stuff, like sit on the couch and drink this bottle of water. Split this candy bar with Gaz. Take off your shoes. Close your eyes, take five deep breaths.

(yes i'm writing it)

all this to say, i think her attraction to price would completely blindside her. to the point where someone else has to point it out to her. Maybe not even seriously, maybe Soap or Gaz or Clint or Billy or Loki are like lol haha sure been staring at Price a lot! you got the hots for PRICE?!?! ha ha jk!! and Kate realizes she DOES. The next time they look over at her they see her vanishing through a window. or climbing in the ceiling.

I don't think she would know how to handle being into Price! She's awkward but not her normal brand of awkward. She's running into shit and not paying attention and pointedly not looking at Price, to the point where he's trying to figure out what he did to make her uncomfortable (did she realize he's attracted to her? FUCK.) And he either. Asks her to come to his office so he can figure out what's going on, or they get locked in a closet together by Ghost.

If he calls a meeting with her, it's so funny because they are both thinking the same thing (hot desk sex) and trying so sososo hard to NOT think about that so then they think about going down on the other in that nice desk chair which SHIT is also not helpful! Fuck! if you asked either of them what they discussed they could NOT tell you

Basically, Ghost is the only one with any damn clue here. He would introduce the idea of it slowly to Kate. Starts talking about Price when they're having sex. Encourages her to return a text while he's eating her out. Takes calls with Price while they're having sex. Slowly building up to Kate letting Ghost take pictures of her/them while or immediately after fucking. Eventually they do a video call. Price is going to break something. Ghost is like fucking FINALLY, he KNOWS they will be good for each other. And honestly two of the best people he knows that he trusts with his life being vulnerable around him? Praising him? Telling him he's good? He's not a fucking saint! Of course he has ulterior motives!! (Kate: your ulterior motives are wanting to be called a good boy? That's the least greedy least sinister thing I've ever heard. Stop thinking you're a bad person for doing this)

I ALSO don't think Kate can handle seeing Price clean shaven or even with his beard trimmed. Like yes he's attractive with his full on Price beard but he turns into a smokeshow the moment he starts to tighten it up. She has no behavior around him. She hates doing the obstacle course and her fastest least bitchy time was when Price was told to trim his beard by a higher up. Kate saw him and immediately went OH FUCK and BOLTS. also thinking about them having to go to ground together and of COURSE he has to shave, the beard is too memorable and they're trying to not be found, so kate offers to shave him! BECAUSE I AM A SLUT FOR THIS. she's sitting on a bathroom counter, shaving him with a straight razor, and price is so caught up in Being Pampered that it takes him a minute to ask kate WHY she has a straight razor???? and she's like oh! :) well obviously it's a weapon. haven't you seen sweeney todd? now, i've never killed anyone with a straight razor. i have stabbed some people. not with this one, don't worry! and price says "i don't think i want you this close to my neck anymore (he's fine. mark him down as scared and horny, that's all)

The thing is Kate's friends and teammates will see a picture of the task force to see her boyfriends and they'll be like "ok!! I can see it" and then Ghost and fucking Price walk in and they're like what the FUCK, why is it the TERRIFYING ones??? We thought it was going to be the cute ones!!! And then of course Kate is like the FUCK you say, are you saying my boyfriends aren't cute?? Ghost is SO RED under the balaclava. Price laughs until he has to stop Kate from lunging.

please say more to me about them, i am insane over them

[ereborne]

Song of the Day: January 17

"Stage Fright" by The Band

[what-even-is-sleep]

Trying to get ahead of an unsustainability cycle that might be starting up this week,,, (I start work).

[quietwingsinthesky]

thinking about a version of spn where billie taking on the role of Death functioned on elder scrolls rules, where through performing the role, she Became Death to the point where her selfhood was subsumed into the concept. Instead of idk she was the last reaper that died so she gets the job.

[opens-up-4-nobody]

...

[acewizardinspace]

Maybe this is a weird opinion, but I feel like writers have a sort of, idk what to call it, but, a “duty to continuity” of sorts.

If I interpret a scene or character differently than intended, or even just toss out the intended meaning and write my own story on ao3, well whatever. That’s fandom, that’s fun. But you can bet that if I was hired to write official supplementary material for a series, I would do a ton of research first. I would figure out what the original creator was trying to say and match that vision, characterization and worldbuilding as much as possible because that is the point of those types of new canon materials, they are supposed to exist within the framework of a larger narrative.

If you decide to not do this, or try and fail, then you botched your job as a writer for this type of project. If you are writing a continuation of something, but toss out the previously established lore, characterization, continuity, ect. You are probably not a good writer, or at least not good at writing this type of story.

This isn’t to say you can’t ever add new elements to a story or you should always be beholden to the previous status quo, but these things should be carefully considered so they don’t turn into cheep retcons. Don’t get me wrong, remakes and reclaiming of older works that exist to directly challenge the original work's themes or messages are super cool! But those things are fundamentally different from works intended to take place congruently.

And yeah, any time you have more than one person working something, especially if they are not working together, you are going to get a lot of conflicting material that is not necessarily the fault of anyone, different people will view things differently and have different writing styles. I think that is why it is important to have a plan and make sure all people are on the same page before they start writing. Otherwise, you get one character acting super different in works for no reason.

[brainrotzora]

i think it was cute of me to set up message blips for my bodyswap comedy game with the message blips differing per character and then further slightly differing depending on who is in the body. these are the kinds of things that matter to me

[lesbianstarlightglimmer]

Well today’s been. Great.

[tolkpopfan]

…

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

[trianglegoddess]

Feral McGee™

It starts with the Joker. 

His goons picked up Tim Drake. Not specifically because it was Tim Drake, he just so happened to be in the Joker’s neighborhood, and we'll, he can't pass up that opportunity now can he? 

Except Tim Drake is watching, along with the rest of Gotham, at the Batcomputer. He’s nursing a broken foot and has been put on monitor duty until he's cleared for field work again. 

The guy looks enough like him, though. Black hair, blue eyes, and bags under his eyes for days. He's also got the same lean sort of build like he does. 

It happens like this. 

The Joker is doing his monologue thing where he explains whatever twisted game he's come up with this time. He takes up the majority of the screen, so nobody can see Not-Tim behind him, not until the big reveal. Then he covers the screen again, getting up close and personal, before stepping back. In those quick few seconds, Not-Tim is no longer sitting there tied to the chair. 

Someone off camera lets the Joker know, and he whirls around, confused as the rest of Gotham. 

And then Not-Tim comes in with the steel chair. 

Or, well, a crowbar, but the reference holds up. 

He takes out one of Joker’s knees before punching him in the face. The Joker drops like a bag of stones, out cold. 

Then he looks towards the camera. 

“Hey there. I'm not really sure where I am, but also if he was after Tim Drake, he got the wrong guy. I'm not him, I'm just some dude. Anyway, I'll just-yep-” he carefully steps over the unconscious Joker, gives the camera a little wave, and then leaves. 

Batman and Nightwing enter shortly after, with the Joker and his goons out cold and tied up. The knots were complicated enough where, in the end, the police resorted to cutting the ties off of them so they could be properly cuffed and taken to Arkham. 

“A constrictor knot,” Batman tells Nightwing as they watch the villain be taken away. “Often used by sailors to temporarily tie things together to keep something in a bag, or to hold something to glue it back together.”

“Huh,” Nightwing says, scratching the back of his head. “Go figure.”

—

The next time it happens, it’s the Riddler. 

He’s laughing, giving his riddles to the Bats and recording himself to all of Gotham while his victim, one of the Wayne brats, hangs over a vat of something. From a distance, he looks like Tim Drake, or maybe a lankier Dick Grayson. And he’s not the only victim, they’re all scattered across the city, but he thought an important figure such as a Wayne should be under the Riddler’s direct supervision while he enacts his schemes. 

While the Riddler cackles and plots and waves his cane around, in the background all of Gotham can see the figure escape. Several Gothamites recognize him as the kid from before, who clocked the Joker. They all watch with bated breath as he sort of wiggles his way out of the ropes holding him up. Once he’s free, he climbs the rope and gets himself down safely. 

Gotham holds their breath as the kid casually walks up to the Riddler, who’s mid-rant. He politely taps him on the shoulder, and as the Riddler is turning around, the kid clocks him just as brutally as he had the Joker. He’s down with one punch. 

They think he’s going to say another sort of awkward goodbye, but instead he pats the Riddler down until he finds a piece of paper tucked into the inside pocket of his jacket. 

“Right,” the kid says, looking at the list. There’s a lot more static overlay now, and several wonder if it’s damage to the cameras. “Uh, the Clocktower, the Docks, and-” he squints at the page for a moment-”Mama Nacaroni’s? What the fuck is that? Anyway, uh. See you later, I guess. Oh! And we’re at the Gotham Arena. Have fun with him, I guess.”

The kid tosses the paper off to the side before the camera cuts to black. 

Just like last time, everyone is out cold and tied up. The Riddler himself is sporting a pretty bad shiner, but well deserved nonetheless. 

“Stop it,” Red Hood tells him. Batman just looks at him, and though Hood can’t see the top half of his face, he can tell that his eyebrow is raised. “You know exactly what I mean, B. Put the adoption papers away.”

“Hn.”

—

After that, it sorta becomes a game. The rogues of Gotham are no longer after a Wayne, or after anybody who holds any kind of social status like usual. They’re all going after this one kid, all determined to be the one to hold him. And each one is televised. 

Mr. Freeze freezes him in a block of ice, but due to the cameras glitching out, nobody can really see how he got free. They do, however, see the kid suplex Mr. Freeze. It should seem impossible, given his lanky figure, but he evidently has more muscle than he’s originally let on. 

Two-Face gets a hold of him, using chains and some power-dampening cuffs just on the off-chance that he’s a meta. They all watch as the kid leans down, pulls a bobby pin out of his hair, and picks the locks on his cuffs. One punch, and Two-Face is down. 

Gothamites are going wild for the kid. They’ve dubbed him Feral McGee™ (an online poll, of course), because every time he goes in for the punch he gets this feral look in his eyes. Also, just the fact that he casually goes up to these rogues and takes them out with all the casualness of doing something incredibly mundane? Incredible. The Gothamites are eating it up. However, despite the video evidence, nobody has been able to properly identify the kid. They know he has black hair and bright eyes, but any time he gets near a camera, it’s like there’s this weird, sort of warped quality the camera takes on. It doesn’t usually calm down until the fight is done-as one sided as they usually are-before he awkwardly skedaddles away.  

He gets kidnapped by the Penguin, Harley Quinn and Poison Ivy (though that was more just a friendly chat than anything), Mad Hatter, and the Riddler again. 

And then the Joker escapes. 

It’s no surprise as to who he’s going to go after. 

Due to one too many careless goons, they manage to find their way to the Joker’s hideout pretty quickly. This time, it’s all Bats on deck, and they all hide away in the rafters as Feral McGee™ is hung over a vat of acid. His whole body is tied up, hardly a single inch of exposed skin to be seen except for the neck up. 

They watch the goons, they watch the Joker, and they watch Feral McGee™. 

The Joker is monologuing, practically begging the bats to come find him before the timer runs out. When it does, the kid gets dumped into the vat of acid. 

Despite these stakes, the kid seems to be only mildly annoyed. 

“Fuck this, I have homework I still need to finish,” they hear him say. 

They all watch, amazed and confused, as the kid starts gnawing through the ropes. Human teeth shouldn’t be able to do that so easily, but one bit after the other, and soon enough the kid’s got himself freed enough to just climb up the rest of the rope. When he’s at the top of the crane holding him up, Batman lets down a rope and pulls the kid up and out of danger. 

“Oh, cool, you’re all here,” the kid says casually, as if meeting the entire Bat Clan is just a normal Tuesday. And then he pulls out a notepad and pen and hands it to Red Hood. 

“Can I get an autograph? You’re dope as fuck, dude.”

Red Hood has to look away and hide his face in his arms for a few moments to not give away their location with his laughter before signing. And then, one by one, the others do as well. They pass along the kid’s notebook with shit-eating grins and barely contained snickers despite the fact that the Joker is still right below them. Even Batman signs it, after his children don’t stop hounding him about it. 

In their distraction, they didn’t see the kid sneak away. He’s far away from them now, nearly right over the Joker. Danny waits, though, until the Joker has turned around as the timer almost runs out. They watch as he snickers at Joker’s flabbergasted look. The Joker comically looks back and forth and under objects the kid obviously isn’t under. However, before he can do or say anything else, the kid drops from the rafters and right on top of the Joker. He crumples to the ground, unconscious. The kid, however, just brushes the dust off of himself. Despite the fall he took, there isn’t a scratch on him. 

When the bats join him, they give his notepad back to him, barely able to contain their laughter at the absurdity of it all. The kid, too, joins in the camaraderie, laughing and joking along with them as Batman secures the Joker. 

“Okay, okay, but I gotta ask, dude,” Red Hood says at one point, looking at the kid. “How do you keep getting kidnapped?”

The kid just shrugs. “I get distracted easily. And I’m sleep deprived, so you know. Social awareness is kind of at an all time low right now.”

“Why are you sleep deprived?” Nightwing asks, barely hidden concern in his voice. 

 “Finals are kinda kicking my ass right now. Especially this dumb English homework I have. You guys wouldn’t happen to know anything about that, would you?”

“Oh, lucky for you,” Red Hood says, wrapping an arm around the kid’s shoulders as he walks them out of the warehouse, “I happen to know a lot about English. So, it is Shakespeare?”

“Yeah, Midsummer Night’s Dream.”

As they walk off, Batman calmly watches, though the rest of the bats can see his jaw twitching. Nightwing comes up behind him, clapping a hand on his shoulder. 

“If you don’t adopt him, I will.”

“Hn.”

[crowtits]

i. am not having fun right now, actually