#i am tagging it as anti just to be sure

[fiona-fififi]

...

[the-valiant-valkyrie]

i see a lot of interpretations of zor being this otherworldly, anomalous presence- larger than life, practically non-human. and i, too, like perceiving zor through this veil of anonymity. i think making them too tangible or perceivable really detracts from what's been established about their character.

but, i personally really, really like the thought of zor being human. mortal. but terrifying to the point where you'd be forgiven for forgetting it.

i think one of the things that i adored about ieytd before the third game dropped (and honestly made me a little disappointed when it was changed later on) was the fact that the agency never had a face. it just... was what it was. it had facets- granted, the EOD was always the only one of any relevance. but, really, think about what we know about the agency between all three games. compare that to how much we know about zoraxis.

there's something really appealing to me about zor being who they are... they're probably the most wealthiest person on earth. they had a monopoly that quite literally gripped the world in their first- as their emblem would suggest. they hire some of the most lethal minds in the world- chemists, inventors, engineers.

and yet... despite it all, they're just one person. to me, their anonymity is a shield against the fact they are a person. they hide behind the lethality and prowess of their elite operatives- not to mention we've seen how clever they can be when it came to manipulating prism. they're by no means useless.

but what would they be without their anonymity? what would they be without the weapons they didn't design, the lairs they didn't build, the employees they use as human shields? the second zor is gone, zoraxis crumbles. they are the support pillar of their entire corporation.

... but what's the agency's equivalent? even post morales being a character, can we be certain that he's the glue holding the entire organization together?

think about zoraxis' most lethal schemes. seizing control of the world's atomic weaponry. striking targets anywhere on earth's surface with a giant laser. exploding the brain of every telekinetic agent on the planet. are they really seeking to cause as much damage as possible- to the agency specifically, collateral, or otherwise?

or do they not know where to strike. zor's tactic- for as high the stakes have been escalating- has always carried a similar motif. cleave and strike indiscriminately until the threat is neutralized.

but it never works. zor is lashing at a hydra- sprouting new heads where the old ones have been lopped off. they don't seem aware of how to destroy the agency other than exterminating each and every one of them off the face of the earth, in whatever way is most convenient at the moment.

i just think there's something to be said about zoraxis- and by extension, zor- always being seen as this oppressive, near-otherworldly force, constantly applying pressure on phoenix... when for all we know, zoraxis could be perceiving the agency in the exact same light.

zor, ultimately, has one beating heart. the agency has thousands. and all of them are dispensable.

[miscellaneous--bones]

Hey guess what I finally watched

[itsjustpoopeh]

going on the buddie tag once a day to block the toxic ones and keep the rational ones to protect my peace 🙏😌🫶

[beevean]

A theory I've read more than once is that this one frame of Lenore entering Hector's cell for the second time is proof that she is not actually enjoying what she has to do:

The wiki describes it as such: "Lenore has a sad expression when entering the dungeon to visit Hector the second time."

Also this, from a comment I found:

Like for example when she goes to meet Hector the second time, you can see sadness on her face when she is walking alone in the dungeon, but as soon as she approaches Hector she puts on a smile. I.e. may be she already knew she had to use the ring at that point and felt bad about it but didn't want Hector to realize that. A lot of such small animation details really provide a glimpse into what the explicit writing was lacking.

(edit: turns out that they were the same person)

Okay.

First things first: I doubt she has the ring in mind already. It's hard to tell because Lenore pulls it out of her ass with zero foreshadowing whatsoever, but with the way it was framed, the ring was likely a direct response to Striga's idea of buying mercenaries to make Hector unnecessary, which comes later into the story: Lenore even uses the information she eavesdropped from Striga as a way to lie to Hector about her loyalty to the sisters. In theory it makes sense, because Hector needs to be reliable to be allowed to live, but the ring is... a very poor solution the more you think about it, even if you ignore how S4 neutered it, because it only addresses one of the many logistic problems that come with forcing Hector to make an army of Night Creatures, and it's not the dead bodies/living livestock paradox. And going with the story, it's unlikely Lenore was already thinking of raping the ring into Hector: why would the sisters be amazed at her plan if they were the ones suggesting her to speed up things? And if Lenore came up with it, why would she be remorseful at her own idea? Did she have so little faith in her own manipulating skills that she already felt that she had no choice but to use "brute force", after one understandable incident? Then why even bother interrogating him to understand his motivations and needs? Just skip straight to the sexual molestation to make him believe she likes him. As I pointed out, that interrogation was not for the sake of painting herself as particularly caring: she was collecting intel, intel that she wouldn't need if her plan was already tricking Hector into slavery via a magic ring.

Second: that expression honestly doesn't look sad to me. I would be willing to give the interpretation some credit, because she's looking downwards which can be a sign of sadness, but after that one frame, she switches to this expression:

Now she looks mildly pissy, like the idea of talking to Hector is just soooooo annoying, ugh. She even has the sassy cocked eyebrow lmao.

Of course that can't be it, so I propose the most obvious interpretation: she's serious and deep in thought. That is because their first encounter ended up disastrously: Hector assaulted Lenore with the intent of threatening her, which pissed her off, and she assaulted Hector by beating him to an inch of his life, which is not the best way to win a pet's trust. So she's most likely thinking the best way to approach him again.

And I'll even praise a small detail: the first time Lenore fed Hector, she made him crawl towards her to eat from her hand. The second time, however, she tosses an apple to his feet. Both gestures are demeaning, but after that incident she seems to be more cautious towards him, and being more careful into manipulating him. I'm honestly surprised that her final solution is stupid as fuck when she can be intelligent when she wants to. real reason she's hector's soulmate: both of them have braincells like christmas tree lights :V

Third: oh, do you want to talk about explicit writing?

These are not freeze frame bonuses. The scene lingers on this expression on Lenore's face as Hector is screaming in pain over the ring she put on him.

So, you're willing to believe Lenore didn't want to use the ring but felt forced to because in one frame she has an expression that mildly looks displeased... but somehow you ignore this blatantly sadistic reaction? This screams, at the very least, "haha, sucker, I've won"; but add to this that Hector is visibly and audibly in pain, shocked and scared at the curse overtaking his body during a vulnerable moment...

This ties well with how she beat Hector to a pulp not just out of self-defense, but because she wanted to feel strong and powerful when surrounded by people who underestimate her - the writing might imply that she was offended that Hector too saw her as vulnerable and stupid, but she was explicitly laughing and mocking him while showing off her strength (a strength she doesn't display when, say, Isaac enters her cage: he easily intimidates her). You might read the implication that Lenore spoke about Hector so disgustingly to the sisters to be taken seriously as a vampire mistress and didn't actually want to dehumanize him, but explicitly, even ignoring the forced pet play that showed she had fun treating him like a dog, she reduced him to a "problem to be solved" when complaining about her woes, and when she could have apologized or explained herself she minimized or doubled down on the harm she caused, never once expressing any remorse or doing anything worthwile to make up for it (like, for example, talking about the ring and how it's a shame Hector is only there because he has no choice because she feels they'd be good friends without it: that would imply guilt).

In fact, going back to the moment when Lenore decides to use the ring, it is far more likely that it was in response to this part of the conversation Lenore has eavesdropped:

Striga: We can possibly push east as far as Lake Balaton before I run out of soldiers, but that exposes our Western border. Morana: Sleep. Striga: We can't do it without Lenore turning the forgemaster, and she's just taking him out for fucking walkies. Morana: She will land him. Striga: It's going to have to be soon.

Considering that it's shown that Lenore highly resents being seen as a stupid animal lover, it's far easier to think that this is when she got pissy and decided to use a quicker method, even if it destroyed all the hard manipulation work she had done.

One frame might paint her as a reluctant villain only trying to make everyone happy and being stuck between a rock and a hard place, but multiple scenes paint her as a vile bully and abuser who enjoys feeling in power and control, whether she uses kindness or harm to achieve her goal.

I'm sorry, subtext can absolutely enrich the understanding of a story or character, but not when it actively contradicts the text.

Do you want my personal example? I'll play the same game of overanalyzing expressions. When Isaac attacks the castle, Lenore goes to rescue Hector first thing, instead of checking on Carmilla. For one moment, she even looks torn on where to go:

I will praise this moment: this shows her concern for him quite nicely and that she believes his safety is the first priority, without having to spell it out - no declataration of love, no "you're too important to me", the action speaks for itself. However, there is also her reaction when Hector severs his finger to get rid of the ring, after he explains that "command and control flows through [him] to Lenore here and to her friends":

It could be simple disgust because, well, there's a severed finger and pools of blood lying near her. But I also see what the commenter saw in that frame in S3: sadness. Defeat. Lenore has lost control of the Night Creatures. She can't do anything to protect Carmilla and the castle. And she has lost control of Hector, who has gone behind her back and is protecting her at the expense of her sisters and home: he may chose to stay with her, but he also gave Isaac all the tools he needs to destroy her life. She's powerless. Everything she has worked for went up in smokes and was pointless. Which, as it was shown and told, greatly bothers her. (this is also why I believe her suicide makes sense for her state of being, an opinion apparently not shared by her fans)

I see all of this encapsulated into that expression that mixes disgust, concern and quiet, horrified realization: and it's also fully backed up by the context.

This leads to the message I keep insisting on and which is something that more people need to learn, and the reason I keep eviscerating this character because the writing and the fandom piss me off something fierce: abusers can care about you. They can care about your safety and well being, they can want what (they think) it's best for you. What makes them abusers is that they place more importance on their own need of control. Lenore wanting to save Hector because she pitied him, has grown close to him and eventually finds in him someone who listens to her doesn't at all erase in the slightest all the harm she has caused him: which, I reiterate, includes lying to him and taking advantage of his feelings and need for love to trick him into sex with the objective of placing a slave ring on him, and enjoying his suffering when she won - and when Hector called her out on this, her response was "SHUSH, YOU WERE HAVING FUN".

At the end of the day, she has never stopped behaving like a vampire, a creature whose definition of love is "acting to keep something with you for as long as you can". Even in her most wholesome scenes, like this one or the one where she pleads for more of Carmilla's patience, it's easy to see at the core of it all a need to control the situation and people involved, and reluctance to admit her needless cruelty. This is nuance, not "she's actually good deep down, pls ignore all the sexual abuse because it was for Hector's own good 🥺".

On one hand, it's true that when you do character analyses, you will always be biased, because you come in with your ideas and preconceptions. I am biased too, of course, you can tell. On the other, it's dishonest to cling only onto the most convenient hidden details to look like you have fully understood the text, when you dismiss the most obvious ones that are so obvious you have to actively try to.

[gece-misin-nesin]

Whenever I see a post abt Tim? Blocked.

Tim woobification? Blocked.

Post abt Jason and/or Damian feeling bad about "trying to kill" Tim? Blocked.

Long ass post abt Tim and his character or whatever? Blocked.

Anyway it feels great!! I feel like a sniper taking out my targets lmaoo

[milkweedman]

The colors of the copper on blackberry dye seem to have shifted from maroon to a very rich milk chocolate brown--which I will hardly complain about, since that's a hard brown to get. I do hope I get something more permanently reddish/purplish with alum--that's what I'll try next. I'm just waiting for the 9 pounds of raw fleece to arrive.

Last night I carded a lot of that blackberry dyed fleece and then put it on the blending board with about half of the white (which was the previous distaff dressing) as a little stripe to one side. Idk, just curious how it'll turn out and seemed more interesting to spin that way. Carding first definitely helps with consistency--both colors were willowed first and put on the blending board, but only the brown was carded as well, and it is much easier to keep smooth and least kind of even.

The one improvement of this phone camera over my old one is that it has a timer setting, so I can actually show where my hands normally are (sometimes anyway). Fairly comfortable although my distaff hand is starting to cramp. Might just be one of those days or might be too heavy for me, but the shape at least is good.

You can probably see that the white is still all over the place, but the brown is pretty even, just with lumps still on occasion. Also, the new height of this spindle means it's perfect for lap spinning rather than impossible to lap spin with, so I'm very happy about that.

[vaicomcas]

There is "Castiel's family being assholes (Supernatural)" common tag in AO3, but no "The Winchesters being assholes (Supernatural)" tag?

I have to do everything myself, don't I?

[autistic-katara]

can these kinda ppl just stop existing?

[sugarpasteltmnt]

i'm a HUGE neon void fan and i've been here since almost the beginning! just wanted to say that your work is absolutely amazing and i love the way you write everything. this is the only fic that i check for updates on the daily sooo safe to say i'm excited to see where this fic goes!

i that being said, got that happy ending tag in a death grip tighter than the lid on a jar of pickles.

okay, but when it says happy ending, who is that for? because a happy ending for one character might be completely different than that of another. i'm just worried that something's gonna happen to leo but the only non happy ending thing that could happen would be his death. i think of this a lot and have been systematically checking the tags to make sure nothing got updated because i don't wanna get jumpscared with leo dying.

WEHHHH THANK U SO MUCH!!! this is my first time ever posting a fic so that makes me so happy ;w;

and omg don't worry -- there will be a happy ending for everyone!!! the truth is i'm a huge weenie and can't handle sad stories at all.

so don't worry!! Leo, the fam, and everyone will get a happy ending 🩵 once we get past the drama and everything is said and done, there will be some soft fluffy-wuffy stuff as a reward

[allyricas]

oh my god i could write a whole fucking essay on why both jon x nancy and steve x nancy should not be endgame! and it's not about disliking any one of them, rather seeing the various reasons each pair shouldn't stay together.

okay, come here: jon and nancy are very cute together. they have a lot of undeniable chemistry and similar interests and goals at the start of season 1. it's pretty clear that despite being with steve, nancy is attracted to, or at least intrigued by, jonathan from the start. he fucking took inappropriate pictures of her and she was not offended.

(we could argue this is because the duffer bros are men thus do not really understand how a teenage girl would react to this but that's a rant for another day)

i think jon and nancy are right-person-wrong time-terrible situation. despite the mutual attraction during season 1, they truly fall for each other during all the drama of will being possessed and the mind flayer. there is genuine love, but also trauma bonding.

the issue arises in the core of who they are and what they want out of life. nancy does not understand jonathan very well. jonathan does get her, i think, but doesn't necessarily like her priority on her career. we see this with the whole newspaper dilemma/argument. nancy is headstrong and determined, both good qualities, but she struggles to see how it could affect others at times.

jonathan might feel pressured to take care of will and stick by his family, but he cannot bear to lose them either. he needs will and his mom close after everything that's happened over the years. this means the idea of going away to college sounds terrifying to him at this point in his life. i also think the way he met argyle and went stoner boy is a huge relief for him. he can relax and get high, but wants to be with his family.

oh, but nancy. nancy wheeler. for all that she seems dainty and soft, she is truly a fucking badass. she is not afraid to fight for what she wants or what she believes in. she sees her traditional, nuclear family and she wants so much more. she wants a successful career. she wants to investigate and know the truth. she does not want to be in hawkins. she wants to rise above what society says a girl can be.

she doesn't want to break the glass ceiling, she wants to fucking shatter it. she is nearly cutthroat in her pursuit of what she wants and thinks is right.

she lost her best friend on the night she was losing her virginity to a boy she didn't love. i do not think nancy loved steve, sorry. i think she wanted to and thought she was supposed to but didn't. and this is not meant in a derogatory way towards nancy. she never had to love steve.

so I think there is an element to nancy where she feels she needs to be in a relationship because she's supposed to be, it's what girls should want. she should be jealous of robin because steve used to be her boyfriend. she should stress over her relationship with jon even though he's in california.

i think it's why we see her side of the weird energy with steve in season 4. she is very analytical with things, and she's considering what she is supposed to want, not necessarily what she actually wants which very well could be neither of the boys if she was honest with herself.

nancy needs a partner who is okay with her prioritizing her career, who has their own career, and is okay with needing personal space and not necessarily wanting a family. someone who understands nancy's desires and dreams, recognizes how she needs to find the story and investigate and reveal the truth, that she will do whatever it takes to be successful and she deserves to! that she can have all this and love, but that it won't look like what society said was acceptable for a women in that time.

nancy would be so, so unhappy with steve. she was unhappy with him the first time they dated. she stuck it out it because it felt like a slap in the face to losing barb if it didn't work. but nancy knew deep down it was bullshit. she might have drunkenly spewed those words to steve, but they were just as much about her.

so yeah, nancy and jon without all the trauma, could have been happy. and who knows, maybe in the future they could work out. nancy and steve, trauma or no trauma, would not work. he straight up said he wants a big family. he wants the house, the kids, and a partner to come home to. that is a nightmare for nance. her face said it all in the rv.

“It’s silly but I always had this dream that I’d have this really big family. I’m talking like a full brood of Harringtons, like five, six kids. And every summer I figured all of us Harringtons, we would pack into something like this and just see the country. You know, the Rockies, Grand Canyon, maybe Yellowstone. End up in some beachside town in California, spend a week parked in the sand. Learn how to surf or something.”

we can argue whether steve's parents are just a little absent or like fully negligent assholes but either way, he wants what he didn't have. wants to create his own family and do it the right way. he wants a big family with lots of people to nurture and love. i don't even think nancy would necessarily want to take her spouse's last name whereas steve would very much want that.

steve's desire for family is intrinsic to who he is. it's why he carts around dustin and the kids. why he worries for them and throws himself into danger for them despite barely knowing them in season 2. it's why robin made her way into his heart so easily. steve wants to be loved, wants to be needed and does want to love others in return.

he may not seem to have big aspirations in terms of college or a career but what he does aspire to is just as important as any other dream.

it's interesting that he doesn't just say he wants a big family but instead, makes sure to emphasize that he wants a big family that are close and spent time together. he wants to cram the whole gang in a damn winnebago and travel together. his dream is no less important than nancy's but it is totally incompatible.

i think steve regressed in season 4 because he was scared. the idea of fighting vecna and not having someone to love romantically made steve fall back on his old feelings for nancy. because steve said himself he was over her. he'd been dating. actively trying to find someone.

it was the circumstance that led to the weirdness between them.

if you follow me, then you know steve harrington is like my ride or die. i think he's maybe my favorite character of all time. so true, i do not want to see him with someone who called him bullshit and was obviously moving on emotionally with another guy while still dating steve.

(i personally don't think she cheated on him, but considered that moment the break up. even if it she did cheat on him, i love nancy. she was a teenager who'd lost her best friend and was dealing with a ton of shit and it doesn't make her bad even if she had cheated.)

all three deserve happy endings that suit who they are and where they are it. i really hope that we get to see that reflected in vol. 5.

[blairwld]

[tkachukisms]

hey this isn’t meant to be pressuring or demanding an update so apologies if it comes across like that!! Genuinely curious after the whole events of this series and stuff are you still planning on finishing ur mattdrai fic?? V v not meant to be a pressure for an update, (it’s literally been such a short amount of time since u posted the first bit) it was just that I rlly enjoyed it, so if it was going to be unfinished I was just going to accept that now lol

it doesn't at ALL don't worry 🫶 and yeah haha no I do plan on finishing it don't worry! (: chapter two is at like 13k right now, two sections are just giving me major grief (funnily enough the final section being one of 'em!) — the series is SO funny overall because I started her in early march? so tail-end of reg season but very much before people starting clinching shit, and I don't think I'm the only one who never could've fucking imagined this being the scf outcome, lol. due to how I want to end it (and because that section is already 6k and I'm [not] rewriting its entire plot, unforch), we will be experiencing some hashtag canon-divergence, as my attempt to be Ambiguous with who won bit me in the fucking ass, apparently!

a screenie or two be upon ye <3 wip wednesday tuesday if you would.

[tonya-the-chicken]

It is kind of annoying to me how people draw some happy au of *insert dysfunctional fictional family* but write stuff like "their family if they divorced!!!" like the fuck girl you think divorce would magically solve all pre-existing problems? Sure, they can become happier but it isn't magic. They all are still the same people

[rainc0at]

I LOVE THIS FUCKIJG FILM SO MUCH EVERYTHING ABOUT IT IS PERFECT

[bittwitchy]

cw anti st*ggy and st*cky joke:

its funny how much i hate st*ggy considering i also dont like st*cky romantically