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#i am too lazy to write this lol
thefoxlady · 6 months
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I still wish there was a fanfic where Winona is a vampire and she is keeping it a secret from Genny because she doesn't want Genny to think she's a monster. Genny ends up finding out when she sees Winona draining some rich dude of his blood until he's dead. Winona is expecting Genny to be afraid of her but Genny isn't afraid of her, she is rather curious.
(I don't know if this is a good synopsis)
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Some notes on Vampire!Winona I like to add:
-Vampire!Winona is Triumphant Winona but a vampire.
-Winona works at night because the sun hurts her.
-She drinks blood in a wine glass, she has some wine bottles filled with blood, she will always say it's special wine that you can't find in a regular store. When somebody asks if they would like a sip or a glass of it she would always refuse, saying that they wouldn't like the taste.
-Winona would go after rich people because she hates the high society.
-Winona has colored eye contacts to hide her red eyes, she has retractable fangs, and she covers the vampire bite mark with a bit of make-up.
-Winona would change into her Triumphant outfit whenever she goes hunting.
-She would give a reason on why she can't eat/do things that a vampire can't do. Example: Whenever somebody would ask why she doesn't go out during the day, she says she has a rare condition where the sun hurts her skin to the point of getting a rash and blisters. She also says she's allergic to garlic when somebody would try to give her some food that has garlic in it.
-Winona lure her human prey into a secluded spot where she can feed on them and kill them, rich people only.
-Winona can turn into a giant vampire bat creature.
Some notes on Genny because Genny needs some character:
-Genny is a kind-hearted woman that wants to see people happy and well, but she can get serious when it's needed, she is tough as nails, and is a hard worker like Winona.
-Genny likes flowers, good hard work, sweets (especially ones that are honey flavored), fixing things like radios, bunnies/rabbits, and soft things.
-Genny used to be married to her husband but they don't feel any kind of love for each other anymore so they divorced.
-Genny often questions her sexuality because she is attracted to men but she sometimes imagines what being with a woman would be and feel like. She however hides these thoughts because America during that time isn't accepting people of the LGBTQA+ or queer people.
-Genny doesn't like any type of hatred towards people because of their race, gender identity, sexuality, or what religion they believe in. She wishes people would just get along but she knows people will be people and spread hate and fear.
(There, I gave Genny a character, what do you guys think of it? Tbh I want to see what Genny would look like in the new DST animation style, also for some reason I see her using a crossbow if she were to enter the Constant-)
Is there someone that can make this into reality? Because I feel lazy and my autistic ass is tired of seeing no new fanfic or one-shots of any DST ships I like and yet I don't feel like writing.
My autistic creature ass just wants a new Winona x Genny story!
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theerastour · 5 months
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favorite ttpd lyrics
thanK you aIMee | Taylor Swift
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isatoru · 4 months
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ok bro so i don't know how to make this post SDJFHSH and say hi hello i missed everyone without being awkward and facing cricket noises since it's been over a year since i’ve logged in LMFAO and ppl still following r gonna be like ??? but .... ASKDUSDL HELLO!!!!! 🙂‍↕️ to everyone that is still here ... <3
I MISSED YA'LL SM OMG ;---; i hope some of you still remember me so this won’t be too awkward 🙂‍↕️🙏
on that note!!!! i have returned because i have really bad gojo and isagi brainrot since rewatching/rereading jjk + getting into bllk fr this time LMAOO (also getou and rin... among others but currently mostly those!!) I AM ALSO CURRENTLY REWATCHING BNHA TOO AFTER SO SO LONG AND </3 getting back into that fs... shouto is currently hitting and i have not once thought abt him like that lmfaoo
+ i have so many fics i have completed that i want to post !!! i have been cooking in isolation and after much needed self growth and love in writing <3 ;v; (gojo, isagi, and nanami ones mostly lmaoo AND ALSO A SUKUNA SERIES I WANT TO POST) AND IDK WHAT TO POST FIRST LOL
also bro i want to yap about characters and arcs analysis sm lmao... i've gotten into just. writing analysis of stuff i read and get into -- i might even make a separate blog for that since i'm like heavily into berserk (like really bad bro, i willingly sat and wrote essays for fun during finals week just bc of berserk KJSDFH) and souls games too rn LMAOOO (bg3 as well perhaps if anyone is into that too!! i love shadowheart a lot... 500+ hours... and ow <3 1k+ yikes) i mostly just rlly wanna yap about blue lock and jjk and bnha somewhere even if it's to the void on here lmfaooo
also to the mutuals (that remain... <3) please do not be alarmed if u see me in ur notifs reblogging fics for my current faves and yapping in ur tags 🙂‍↔️ like in the next few days LMFAO i have been deprived of reading good fic for soooo long bruh and now im like. I NEED TO READ FOR GOJO AND ISAGI SO BAD…. i missed fic so bad...
would ya'll be chill if i posted writing out of the blue here lmao and changed my username ??... it wouldn't be too awkward ?? 🙂‍↔️ (for the username i will change it in a few days despite my impatience so i give everybody like a chance to get used to me being on their dash so it won't be too alarming LMAOO)
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Kalluzeb Caf Shop!AU
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timeofjuly · 4 months
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I’ve been too scared to reread rtc to work out what needs to happen in chapter 13 because I convinced myself that the whole fic is a flaming pile of cringey flimsy garbage, but ya know what, I finally gathered the courage to (skim) read it and it’s not as bad as I thought lol. My interpretation and understanding of the characters has changed a lot since I started writing it (thank you to all of the extraordinarily talented writers in this fandom whose works have since shaped my characterisation for the better) so if I could go back, I’d make some different choices. But - and this is me putting this into words in an attempt to convince myself of its truth - this is a hobby, not a test. I’m not a failure because I’m not retroactively meeting the standards I have for my writing today with words I wrote six months ago. Are there bits of clumsy writing and mischaracterisation? Yes, absolutely. Does that mean I’m a bad writer and a bad person who should throw their laptop out the window and never write another word again? Probably not lol, even if rereading that mischaracterisation makes me want to do exactly that.
I’m glad I’ve pulled the bandaid off and reread it, a) because I kinda know what I want to happen in the next chapter now and b) because rereading it, despite the Shame and Embarrassment, reminded me that I actually like writing rtc. Even the bits I cringe at now - I remember having fun writing them. And then I looked back at some comments and remembered how much I love the sense of community that comes with putting myself out there, even though being perceived by others is probably my biggest fear. I like writing, and I like sharing my writing. Why am I letting shame ruin this for myself? I want to stop feeling icky and embarrassed about things I worked hard on.
Anyway. All this to say: I like writing rtc, despite the flaws I see in it, so I need to learn to work through my learned response to imperfection, which is to just feel terrible about it lol. I’m going to start messing around with chapter 13 soon. I really do miss playing around in the rtc world and I’m so excited to show you all what I have planned for the characters <3
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artisticxlly · 3 days
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Fall makes me feel whimsical so here's a kitsune Suna :P
The fur colouring was inspired by the Tibetan fox so here's a version w/o the additional lighting and the (rushed) background!
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the-ace-of-fools · 10 months
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tes ocs (and miraak) brainrot hours yet again
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ofc-vi-writes-too · 2 months
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In honor of me being black and loving being black and thinking everyone should love black people, here are a list of characters I believe love black women with everny bone in their bodies:
• Starting off strong: Steve Rogers. I can’t explain it but trust me please. If you get it you get it if you dont you dont.
• Jason todd. Like c’mon. Look at him. Tell me he doesn’t want to wake up next to a brownskin queen every morning. Look me in my eyes.
• MCU Bucky Barnes. I love to say it, Wakanda changed him. Stepping foot in that country was like seeing the light for the first time. He was basically reborn. I said it before and I’ll say it again. Look at how he looked at Sarah. SAME LITERALLY EXPLICITLY TOLD HIM NIT TO FLIRT WITH HER BEFORE THEY EVEN GOT THERE.
• Gojo, Itadori, nanami, and Toji from JJK. i dont think i need to eloborate here.
• Haley from Stardew Valley. She is not only a fellow girl kisser, but she would genuinely have a real tweak if the farmer was a black woman. Haley needs a 6 ft nonchalant butch dreadhead in her life it would literally solve all her provlems. She has written in her diary about this, and Alex hasnt heard the end of it.
• Fear from Inside out. Just believe me, please.
• This might be controversial but Squidward.
• Bruce Wayne. Literally thinks about eating drywall every time Selina Kyle is even mentioned. “Alfred why hasn’t God hand delivered me what i CRAVE and what i NEED *loud dramatic sigh*” hes also accidentally a perpatrator of hard wig soft life lmao. He donates ridiculous sums of money to black charities like 100 black men, and the black youth helpline. He’s an advocate for his girl’s community and we love to see it.
• Barry Allen. also thinks about eating drywall whenever he sees Iris. She’s just so sigh. And he loves her so much and he’s so glad that he married that beautiful amazing strong and powerful woman.
• Ellanore Shellstrop. After she died she had real clarity about the truths of the universe. If soulmates didnt really exist then wtf were her and Chidi im so deadass.
• Woody from Toy Story. Please do not at me. I will not be taking questions comments or concerns on that one. And for anyone saying “but what about bo peep ?!” Shes albino. Look at those 3B curls and tell me to my face that I’m lying. I dare you.
• lightning Mcqueen. Hear me out here! In universe there have to be like… black cars. He’s def the type to go for a UK baddie ykwim.
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a/n: guys please im just being silly they are fictional characters please dont argue about how much these FAKE characters like black people 😞. also if you try and argue i feel like that makes you a liiiiiiiittle bit racist but like thats a convo for another time. Anyway, sorry to all my sistas out there who’s fav character I forgot. Ur probably right and they probably do belong on this list, I just might have forgotten they exist! Dont be scared to comment them tho. I need to know what yall think too.
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fleetsonourgecentral · 5 months
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I suddenly remember That you never told us how a meeting between Prime/Archie! Sonic and Fleetway (Amnesiac/Good) Super Sonic would go.
Also I want to read Fleetway Sonic and scourge reactions if They somehow end Up dating (I like Fleetonic and I need something to draw lol)
I imagine any meeting between Prime and Super would likely come after Prime has already had the misfortune of meeting Sonic, and subsequently had at least one (1) argument about Super. If the argument hasn't already happened by the time Prime and Super meet, it's definitely imminent. I imagine Prime would be a lot more forgiving of Super than Sonic is (partly because he just doesn't have the same baggage Sonic does and partly because he's just overall less of a dick) so he'd be sympathetic to his plight. He'd be much quicker to believe Super when he says he doesn't want to be that evil person who hurts and kills people for fun. Sonic would scoff and call him a trusting idiot, but it's not that Prime is oblivious to or ignoring the danger that Super can cause, he just doesn't believe dogpiling the guy about it will actually help his situation
Sonic's reaction to finding out they're dating would just be more "I think you're fucking stupid" or, depending on how not-awful his relationship with Super is, just a quiet scoff. He probably tells Prime that if he's soooo fond of Super, then he can take Super with him back to his dimension, but he's probably also secretly worried about Prime actually following through, because if anything goes wrong, Sonic isn't there to help stop it. Chaos energy in the fleetway dimension is fucky and corrupted; for all his bitching and "don't come crying to me if he tries to kill all your friends", Sonic doesn't actually want another universe to suffer from that corrupted energy. He definitely doesn't want the chaos energy in the prime zone to become corrupted the same way his was, either
I can't imagine Scourge has much emotional attachment to Super to care too much. Like, he sees a part of himself in Super, specifically in how both of their identities used to be tied to Sonic, but he doesn't like that he can relate to Super. He doesn't hate or dislike him, but he definitely doesn't like him, either. He just often ends up being the one Ebony calls for out of everyone else in the freedom fighters because he's the one with the least amount of history with Super, so Super doesn't put him on edge the same way he does everyone else. So if Super started dating Prime, he'd probably just make some snarky comment about weak-hearted goody-two-shoes flocking together
Ultimately, the two of them together will probably mock the relationship. They probably only find out because one of them comes home and immediately starts bitching about how "did you HEAR Super and Prime are dating now???" and then they spend an hour talking shit about them. After all, even if Sonic has warmed up to Super a little, he probably still doesn't trust him or is comfortable being around him, and Scourge is a stubborn fucker who won't change his mind about disliking Prime out of sheer spite, so neither Prime nor Super have much of Sonic and Scourge's respect
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okay tumblr besties unrealistic goal to write 10k of sunless ground in one single day starts now <333
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sisterdivinium · 1 year
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It might appear somewhat essentialist at first if used to examine real, breathing human beings, but Carol Gilligan's "Images of relationship" can provide an interesting framework with which to understand certain facets of Warrior Nun. More so when coupled with David Hayter's comment on how the show's "women are always right and the men are always kind of screwing things up," for her article, dealing in systems of moral understanding, might point us towards the reasons behind this openly admitted narrative "bias".
In a nutshell, Gilligan observes the different strategies by which boys and girls seem to resolve moral dilemmas, deviating from traditional interpretation. This is because, Rosemarie Tong reminds us, "Gilligan challenged the Freudian notion that men have a well-developed sense of justice — a sense of morality — whereas women do not". By looking beyond these hurried and prejudiced conclusions of (male) researchers before her, she "argued instead that men and women have different conceptions of morality, each equally coherent and developed and equally valid". She bases this idea, then, on those resolution strategies that were found to consist of, for boys, a tendency to see the moral dilemma as "sort of like a math problem with humans", while the girls were more inclined to view it as "a narrative of relationships that extends over time" — so if boys seemed "logical" through their impersonal abstraction of a situation, invoking concepts similar to those of law and justice, the girls were more likely to follow a different, "personal" logic, through "an awareness of the connections between people", identifying "a web of relationships that is sustained by a process of communication".
Where this all intersects with Warrior Nun is that the male and female characters seemingly display these same propensities of moral judgment.
If we start with the men, we will quickly see that they are all caught up in their own abstract systems, prone to grand ideas and concepts while detached from the world and the valuable human bonds that make it up, just as Vincent sees the quest for a hypothetical "better world" as more important than the life of a very real, concrete woman he claims to love. Mr. Hayter himself, in the same interview conceded during the OCS Conclave of June 3rd, mentions how father Vincent and cardinal William are irresistibly attracted to the notion of power: "here's this guy who can do godlike things, so why wouldn't I follow him, you know? ... We gotta have some power ... that we bow down to or whatever". This is how he transmits a glimpse into these characters' psyches and we could safely argue that this behaviour and thought pattern extends to the rest of the men in the show, including Duretti, Kristian, Adriel and even Michael Salvius.
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Whether these men mask their fascination with power through other words or not, theirs is a cause which easily calls for violence and a willingness to kill or die for it.
Earthly power inspires Francesco Duretti to have the current halo bearer killed if need be as he attempts to consolidate his bid on the Holy See; Kristian Schaefer would sacrifice the world as readily as he does his old acquaintance Duretti in the name of this power that lay entombed for a thousand years but communicated through the voice of a sick little boy; cardinal William Foster is inebriated with the idea of being a new god's right-hand man, so he brutally slaughters his colleagues to buy himself a place at Adriel's table, even if that means getting no more than his master's crumbs; father Vincent is so eager to find someone or something powerful enough to take the burden of "his darkness" from atop his shoulders that he convinces himself of there being divinity in the parlour tricks of a manipulator, killing a symbolic daughter in this trickster's name; Adriel would bleed humanity dry without a second thought all the while claiming to save it in draining its belief for the benefit of his own megalomania; finally, Michael subjects himself to the will and authority of Reya, whom he claims to be "unimaginably powerful".
Of course the women of Warrior Nun are mostly all ready to lay down their lives for their own cause as well, or else we wouldn't have their iconic motto of "in this life or the next", but the motivation behind it is what sets the men and the women wholly apart here. If the former are intoxicated by the concept of power, the latter are embedded in a family of sorts, in a dense network of relationships that they can identify with some ease, and which informs their decisions and actions more than just dogma or theory.
Most if not all of the female characters struggle between two different stances: one is an offshoot of the males' abstract organisation of the world, while the other is a more "hands-on", "organic" order; between "duty", or what is said to be their duty, and that which their own perception reveals, their "personal" logic by which the "self [is] delineated through connection", seeing one another as actual sisters instead of mere pieces upon the church's chess board. We see the dilemma take place within Beatrice, Camila, Lilith and Mother Superion, who are all faced with a choice of sticking to their place in a well-defined (artificial, abstract) structure or valuing instead the human connections all around them and that stand in opposition to this man-made categorisation of life.
And, one by one, they take the side of that one character who seems to have kept her lucidity and fidelity to her own understanding through it all: Mary.
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Mary never lost sight of her priorities. Her focus on friends and sisters illustrates Gilligan's point rather well when she is the only one who insists on understanding what happened to Shannon all the while the OCS is made to concentrate its energies on the halo instead. Of course it blinds her to Vincent's betrayal, but that is his fault more than it is hers; her moral compass points at the right direction for the most part.
And, each at their turn, the nuns adopt (rediscover?) this same mode of thought. Beatrice's efficient, obedient soldier façade crumbles beneath the urgency of siding with Mary rather than following the arbitrary decision of some man invested with the power of an institution; Camila outright admits wanting to be kicked out of the church just so she can stay near to the people who represent her allegiance more than liturgy itself ever could; Lilith literally travels to hell and back to rejoin her sisters, regardless of how her subsequent mutations upset her loyalty later on; Mother Superion sheds her prominence within hierarchy, risking it all, by standing with "her girls". Even Ava, an outsider with no ties to the church but who so desperately wanted to "live", trades a vague, abstract notion of what "life" and "freedom" entail for the very definite, tangible reality of the family this group of women becomes for her.
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Another outsider equally stuck between "bodiless" logic and the reality of human connection around her, Jillian Salvius, too, falters before choosing her side when faced with these two points of view: that of "pure" reasoning and that informed by the consciousness of surrounding relationships. Her quest for "knowledge" is not sufficiently strong so as to potentially sacrifice someone in her inner circle. Season one has her holding young Michael back from stepping into the machine she herself had created for this purpose when concern overrides calculation; season two gives us a powerful scene where she is tempted by Kristian into joining Adriel's ranks as he claims she is already a part of it all and dangles before her the forbidden fruit of the world's hidden laws, the elusive answers the scientist in her has always searched for. He tries to hook her in by simultaneously appealing to her intellectual interests as well as her understanding of the web of relationships when he claims she is another link in the chain that leads to Adriel...
And Jillian refuses him.
Kristian would never convince her of already being within this specific network of relationships because he was the one to rupture it first.
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To these women, unlike the men, it's not about ideas — or, rather, about rationalisations, given how their interpretation of what is logical or reasonable is more than open to inquiry. To these women, it's not about loud, large but empty words vulnerable to tampering and shifting meanings; it's not about power.
It's about people.
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Rosemarie Tong says "Gilligan believed that women's moral development takes her from an egocentric, or selfish position to an overly altruistic, or self-sacrificing position and, finally, to a self-with-others position in which her interests count as much as anyone else's" — and this seems to describe perfectly well the inner trajectory that these characters follow. We see traces of the selfish in Ava, Jillian and Lilith, as well as of the self-sacrificial in Beatrice or Suzanne, but they all appear to converge on this path towards constructing a "self-with-others" whereby they are all individuals inextricably tied to one another — and aware of it, acting accordingly. A sisterhood, a direct sisterhood that supersedes the very church structure which facilitated it to begin with.
Of course Warrior Nun is too intricately built to allow itself to be so smoothly explained; if Carol Gilligan provides a framework that helps us to identify what is so positive and deserving of attention in the female characters' attitudes as championed by one of the show's own writers, it also falls short on other points and her propositions can then be questioned by the show in turn.
We need but a few examples.
If Jillian Salvius values the significance of association with others more than she does a cold, distant overview of things (the latter being the stereotypical scientist attitude), then how is it that she seems so prepared to immolate Lilith at the altar of curiosity? One relationship takes precedence over the other, yes, and we cannot compare the love for a son to whatever affection or respect there is for anyone else, but the nature of Jillian's experimentation with Lilith, had it gone forward, is quite brutal even for the sake of a debilitated child. Jillian's stance is understandable, but this "self-with-others" thing isn't as clear-cut as we might think.
Lilith herself oscillates between those three positions of moral development described by Gilligan, going from selfish to "connected" by the end of season one, but ending season two in almost complete isolation, with only a hint towards her previous place in a web of sisters as she aids Beatrice in getting Ava to the ark... Shortly after having dug her claws into the warrior nun's flesh.
But perhaps Lilith is a more special case than we realise at first. Our early childhood experiences define much of our character, after all, and the words we use have a bearing on how we view and reconstruct the world in our discourse; Lilith's understanding of the relationships between people, of "family", probably doesn't reflect that of her sisters given the ill-treatment she must have received from her relatives. If one's primary web of relationships is so tainted, what model can it ultimately provide for later connections? Just as Ava's mistrust for nuns is justified by her previous, negative experiences at their hands, Lilith's experience with intimate or familial bonds surely affects her maturing sense of being linked to other people. If family is a positive value for Ava and Mary, for example, it cannot boast of the same meaning for Lilith, whose family is a source of stress and misunderstanding rather than a harbour of love.
The treatment she has received might have corrupted her grounds for moral judgment by communal lenses in a way Beatrice's rejection by her own parents did not, leaving Lilith adrift as long as she does not somehow attempt to re-signify what human connection ultimately means. To Lilith, as of yet, the web of relationships she necessarily belongs to mirrors the initial disposition she was brought up in, as a hierarchical structure where every link is tainted by the stench of power and domination — the OCS is a family much like her own... Where orders are given and meant to be obeyed.
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We cannot know for certain what it is that she sees or feels after Adriel "unlocks" her wraith-vision, but there is something peculiar in how, reflecting this idea of abstract versus material views of the world we've been discussing, Lilith claims to see reality when she casts her eyes upon the nebulous demonic figures only few others can see. In her opposing traits are mixed, delivering a strange synthesis we cannot quite make out yet and making Lilith a hybrid both in body and in thought.
And while this fact alone seems to interrogate David Hayter's comment about how the women in the show tend to be correct, we can further complicate the statement by glancing at Reya.
There is frightfully little we know of her, but a lot of the information we do have is conflicting: Reya is unimaginably powerful, yet needs to manipulate two young people to do her bidding for her in fighting Adriel; her predictions are "meant to be" yet do not manifest in the way they were said to; she is described as some sort of benefactor by taking Michael in, but she sticks a bomb into his chest and the very sight of her sends him reeling; she is, as far as we know, a woman, yet she might very well be at odds with the other women we see in the show. How, then, are the women always right?
Perhaps they are so when following their conscience as guided by their understanding of community and sisterhood, when belonging to a network of relationships and acknowledging it. That would exclude a murderous sister Frances, a confused Lilith and a mysterious, distant Reya from the definition.
In this sense, then, even if the characters are not static or simple, even if they waver between the moral positions suggested by Gilligan and which do not seem all that definite to begin with, her text is still enlightening as relates to why the women are, "word of God", the moral touchstone of Warrior Nun.
Having been robbed of further development of the story and universe for the time being, however, precisely because of an abstracting, impersonal corporate logic that sees only numbers where there should be people and the wonderful effect this show has had on them, there is only so much we can conjecture on this subject...
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t1oui · 4 months
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aggressively plotting the muggle hs au before i inevitably move on from it without writing so much as a sentence ANYWAY here are basic intros to the main cast
harry potter (he/him, bisexual) - age 15 (year 11) - lives with regulus and james and recently moved to the area to be closer to lily, pandora, and luna (they moved a few years ago bc lily got a new job) - wants to join the swim team
hermione granger (she/her, lesbian) - age 16 (year 11) - another new student, moved b/c her parents were moved to the dental clinic downtown
ron weasley (he/him, pansexual) - age 15 (year 11) - president of chess club - wants to be goalie for the school hockey team - viktor's host family and not happy about it (at first anyway ;))
pansy parkinson (she/her, transfem, lesbian & asexual) - age 15 (year 11) - wants to be a journalist, part of one of the local old money™️ families - on the swim team (?)
draco fortescue-black (he/him, gay) - age 15 (year 11) - lives with narcissa, alice (his parents), & neville (his brother) - big drama queen
neville fortescue-black (he/him, straight) - age 15 (year 11) - draco's brother, narcissa & alice's son. also frank longbottom's son ofc, frank visits a lot - has liked hannah since year 7
blaise zabini (he/him, bisexual) - age 15 (year 11) - very charming to hide the fact that he's a hopeless romantic - does track & field and has set like 3 school records
cedric diggory (he/him, transmasc, pansexual) - age 17 (year 12/sixth form) - captain of the swim team - fleur's host family - studying french, economics, and math for his a-levels
fleur delacour (she/her, aromantic asexual) - age 17 (year 13/sixth form) - exchange student from france, staying with the diggorys - studying psychology, english language/literature, and business
viktor krum (he/him, bisexual) - age 16 (year 12/sixth form) - exchange student from bulgaria, staying with the weasleys - on the rugby team & in chess club - studying german, psychology, and art
cho chang (she/her, bisexual) - age 16 (year 12/sixth form) - cedric's best friend, does swim w him - theater kid (stage crew) - studying art, english language/literature, and chemistry
ginny weasley (she/her, transfem, lesbian) - age 14 (year 10) - on the girl's rugby team - has beef with lavender brown for unknown reasons
luna lovegood (she/her, omnisexual) - age 14 (year 10) - harry's younger sister (lives w pandora and lily, goes to xeno's for one weekend each month) - helps write school paper - she's either loved by people or hated by them no in between
dean thomas (he/him, bisexual) - age 15 (year 11) - kissed ginny once last year and ron has hated him ever since - dating seamus, best friends w pavarti
seamus finnigan (he/him, gay) - age 15 (year 11) - 100% lavender brown's beard - dean's boyfriend, lav's best friend
pavarti patil (she/her, lesbian) - age 16 (year 11) - worships the ground lavender walks on but refuses to say so - hates rugby, plays anyway
lavender brown (she/her, bisexual) - age 15 (year 11) - dated seamus in year 8 - consistently flirting with pavarti, who is completely oblivious
padma patil (she/her, aromantic) - age 16 (year 11) - ron is one of the few people who can tell her and pavarti apart, for this reason they're best friends - vice president of chess club
hannah abbott (she/her, pansexual) - age 15 (year 11) - neville thinks he's sly but she totally knows he likes her (she likes him back) - gossips with padma about EV👏REY👏THING but they're not really friends
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kowaindar0u · 4 months
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//
i am... Le Tired
so methinks I'm probs gonna lay down, I'll be on mobile, might type out some replies in the drafts, might not, but I'll probably not really post any til tomorrow when I can trim them and also read them over when I'm not so sleepy lol
EDIT: update: laying down amazing decision 10/10 would recommend
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residenceevil · 1 year
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day 4: ANGST ‼️‼️‼️‼️‼️‼️
sorry for the shitty sketch but like....it was too good of a prompt to not draw
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ciphercalamitiez · 1 year
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do you ever just want to make a thing/go in detail about a thing but you’re too burnt out to do so however the only thing you can somewhat put it into as is drawing little doodles which makes you a little more burnt out second by second or is it just me
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hauntingofhouses · 6 months
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hi, it's me. the fic writer that uses culturally-specific idioms in a very different cultural time setting and keeps confusing words like reign and rein. this is my story.
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