#i cannot decide on a plot
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cavennmalore · 4 months ago
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if i wrote a fucked up kinda gory kotlc fanfic that was 90% vibes would yall read that be honest
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slankyyy-revs-the-world · 5 months ago
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(In)Correct fe3h quotes lovingly sourced from my dms with oomf through their playthrough of three houses for the first time
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tapestryundone · 5 months ago
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when the god was made in the image of a man who infiltrated the mind of said god and in doing so made himself intertwined with the form that god took while also being the cause of that form creating a infinite feedback loop of what caused the god and his creator to evoke the very image of the death the creator feared through the form of an animal representing that concept, and the god has faint, undeniably human characteristics given to him by his creator while his creator retained none of it. fuck
#slay the princess#quiet is absolutely a corvid in draconic packaging#but theres traits of him that cannot be detached from his construction to aid humanity#his hands and arms in particular. and his uncomfortably human teeth but mostly his hands and arms#bc his hands are very birdlike yes but the general anatomy is completely detached from anything that could be described#as avian or draconic#whereas the narrators almost completely played straight as a crow but with teeth#and its so specific and maybe im reading too much into it#but his teeth are extremely NOT human-like#the narrator is extremely not human even though he once was#did he give his humanity up in creation of the long quiet and the shifting mound?#in his last moments before he became countless echos did he put all of the humanity he had and give it to them#in order to make the long quiet understanding of the concept of mortality in an attempt to sway him on slaying the princess#and in order to make the princess capable of death just as humans are?#was it his own plot to save humanity through the creation of gods that he stripped himself of his own humanity and handed it to said gods#making them resemble living mortal humans far more than he ever could after he gave it to them?#was the gift of humanity that he gave the concept of reality in two distinct ways the exact reason why his plan failed?#why his giving of that gift came back to destroy the construct he created?#that in deciding it to be his duty to act effectively as a mortal god he gave up his own humanity#and made two gods that were more human than him?#anyway narrators got sharp teeth and is a bird except humanity is mentioned. so this man became a bird. metaphorically. after playing god#sorry you tried to destroy death and your creation and you too became symbols of it!#its only symbolically satisfying and fitting i hope you understand
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liorlenn · 2 months ago
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Im not entirely into au for kcd and in general i just prefer sticking to its canonical elements but i do admit the concept of a minorly fantasy leaning au with a vampire Henry (in conjunction with the “vampire” in kuttenberg) intrigues.
But this is mostly because I think it would make for an interesting character study. I genuinely think Henry would just… continue to do what he’s doing (ofc he’d rescue hans, vampirism be damned amiright). I think the overall plot of the game would still play out largely as-is. It’s the way that individual interactions would be altered that’s scratching my brain a bit thinking about it.
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fiannans · 5 months ago
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I know Rook is canonically supposed to be quite young or whatever (with Varric calling them "Kid" and the Antivan Crow background at least specifically describing Rook as "a promising young Crow recently promoted to full membership", plus all the people who referred to my Rook as "girl" throughout the game, ugh), but I'm choosing to ignore canon in this case because I just can't see my Rook as anything younger than 25. Even 25 is pushing it, tbh.
It doesn't help that Lucanis is probably in his early to mid-thirties (do we have a word of god age for him yet?). While I don't mind a good age gap ship, it's not a dynamic I'm really interested in for Rookanis.
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booksandmore · 1 year ago
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moshang as persephone and hades writes itself
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thegreatyin · 6 months ago
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honestly part of the reason i've been really looking forward to finally playing light fingers (aside from the obvious horrors and whatnot) is because it, alongside bag a legend, contains a Choice™ i to this day am Extremely Torn About Making. like i've known for ages that the Choice™ exists in this ambition and STILL i am undecided about it. this Choice™ is of course. well. let's just say that by the time this ambition ends, caeru may not be the only catboy around town
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catzz089 · 2 months ago
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im bored so im drawing you Charles Office
heres some basic mapping
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it doesn't look good yet this is just where stuff is
LETS GOO!!!!! OFFICE TIME!!!!
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icewindandboringhorror · 2 months ago
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I'm so heavily anti-advertising that all pitches sound goofy silly to me/I can never take them seriously, so I have no idea how I'll manage to to advertise my game even if I do finally finish it soon-ish lol...
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#Especially how so much modern media advertising is like... getting people excited about random tropes and stuff like#''Do you love enemies to lovers? Do you love sad stories that make you do a heckin CRY? Do you love big stupid dumbo muffin cake#sinnamon roll babies who are too good for this world? Have you ever wanted to read a blah blach blah" whatever stuff and it's like#... i cannot type that... I couldnt do it.. I couldn't even think of how to do it ghbjhbjh#I am such a literal person... Like I love when an advertisement is just like 'This product works well. Look at it. Buy it if you want. Ok'#You know what makes me want to read a book or watch a show or play a game? Reading a detailed plot synopsis or the full wiki page#for it and then deciding 'yeah I wouldnt mind sitting through seeing the events I just read about happen in more detail' lol#OR aesthetics. since I do often watch things JUST for the set/costume design. Sometimes I will watch stuff literally#just because I saw a picture of a costume in it that looked really cool and I want to sketch costume looks whilst watching#But aside from appearance like... little bullet point break downs of things that are in a story just ... do not do anything to me at all.#And i just hate 'selling' things to begin with. I don't want to have to convince people to like something.. they should just... like it...#LOL.. like.. just be born liking it. just like it automatically please. Dont make me beg to you like a weird little freak. So many commerci#als seem weirdly desperate and manipulative. Like those Truck/Car commercials that will have like a freaking dog crying and#a war vet in a wheelchair with the american flag in the background and a family hugging around a christmas tree or some shint and its#just like oh my GODDD... shut UPP.. you could literally not be MORE blantant about just trying to prey on peoples emotions to build#some sort of fabricated positive association with your product/brand.. begone.. Or brands having their own twitters where they post#~~relatable content~~ as a means of shallow audience endearment GGGRR..... ANYWAY.. hhrgh...................#Maybe that's something I can ask playtesters I guess like.. I feel like I don't know my own audience very well because I am not#much of a media person?? ironically.. Like I do enjoy MAKING media. But I've never been in a fandom. I've never read fanfiction. I've never#spent much time in those spaces. I've just never really had the inclination and don't personally derive much joy out of stuff like that#(since I'm already so focused on my OWN world and projects its like.. hard for me to even find the time and mental energy to expend on#others). Even when I finish a movie or game and really like it.. I just kind of like...move on? and don't really dwell on it much? At most#I will get into the worldbuilding of a piece of media and read the wiki for a while or watch Lore info or critical analysis videos. But I#never really care for or attach to the characters or the plot itself very much. So I feel like.. the way my brain works. I'm just not as#good at approaching things from that angle? Kind of like how if you're a lifelong vegetarian whos never eaten meat - you might#struggle to write an ad for fancy brand of steaks bc you'd be like... idk what meat eaters are even looking for? whats the selling point??#Which I'm not saying that I wouldn't play my own game. i AM definitely the audience for it. But it's more like.. I would play it for my own#very niche specific reasons that I think are different from what MOST people might want to play it for. So I need to somehow#tap into the minds of the Majority who play things for Normal Reasons than pure lore collection or whatever lol.
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akkivee · 5 months ago
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the tonal shift in this dt preview is taking me out lmao ichijiku got some good news about otome’s whereabouts and was just about to go find nemu to share the good news, that nemu had been right about that the person needs to come back on their own terms, and the two of them talk about the answers they’ve been trying to find within themselves it’s a really nice moment between them
and then the conversation shifts to how they intend to deal with a group of insurrectionists helmed by someone named youei namini (??) who has even more radical views than otome is gaining traction on becoming the newest prime minister—
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suddencolds · 2 years ago
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Fool Me Twice [5/?]
Hello, remember this series? This chapter took me like six months to write. It was very embarrassing opening up the google doc again to see that the last edit was in April (back when I rewrote this chapter from scratch five times over before giving up entirely.) Anyways, I need to post it before I lose my nerve. 😭
Part 5 ft. fake dating, a cold, and an intervention
You can read part 1 [here]! (No context is needed aside from the previous 4 parts).
The drive to Good Day Diner is uneventful. Francesca recommended it to him awhile back, when they were both still in college, and he’s been trying to puzzle out their recipes ever since. Though, even with the ones where he’s come close, he rarely has the time to make them properly, in between work and everything else, so he’s been back here a few times since then.
Yves picks up two pint-sized containers worth of soup—chicken farro and miso with ginger—and strikes up a conversation with the cashier while he waits.
“This isn’t your usual order,” she says.
“Yeah,” Yves says. “It’s for a friend.”
“They’re a fan of miso?” Yves considers this. They’ve gone to more than a couple work outings together, and though Yves hasn’t paid particularly close attention to what everyone else has ordered, he thinks he remembers Vincent getting miso salmon on one occasion, a few weeks back. “I’m not sure,” he says. “I hope so.”
“Your friend didn’t tell you their order?”
“He doesn’t know I’m getting dinner for him. I just happened to be passing by, so I thought I might as well.” That part’s not entirely true—the restaurant is a twenty minute drive from the office, and it’s not really on the way home, either.
“So it’s a surprise,” the girl says, leaning back with a smile that looks a little too knowing for Yves’s liking. Whatever she thinks she’s figured out, he’s sure she has the wrong idea. “That’s awfully nice of you.”
“It’s not like that,” Yves says. “We aren’t that close. I’m not even sure if he’ll be happy to see me.”
“Why’s that?”
“He’s done a lot for me, and I think—” I think I might’ve repaid him in the most ungrateful way possible, his mind supplies unhelpfully. “I think all I’ve done, in return, is cause him trouble.”
The girl finishes ladling soup into the containers and reaches over the counter for two caps. “Usually when people do a lot for you, that means they like you.” 
“Or it means they’re just really nice,” Yves says. “I think that’s closer to it.”
“So you’re getting him soup because you feel indebted to him?” She sets the soup containers carefully into a brown paper bag, slips in two plastic sleeves worth of utensils, then slides it towards him.
“Something like that,” Yves says, taking the bag from her. “Thanks, I’ll let you know how it goes the next time I’m back. Have a good one!” 
“You too,” she says. “I hope your friend appreciates it.”
It’s not as nice as treating Vincent to dinner, but maybe what Vincent needs right now is convenience, not luxury. if he’s already made up his mind about working late, then at least he can work late with dinner on the side. Yves doesn’t even have to talk to him, really. He can just leave the soup on Vincent’s desk with a note, as unobtrusively as possible, and then take his leave again.
The drive back is shorter than expected. Yves turns on the radio, if only to not be left with just his thoughts, and listens to the newscaster talk about traffic, and the weather, and a local festival that’s going to be held on friday. When he puts the car into park and pulls the keys out from the ignition, the silence that follows is not reassuring in the least.
He pockets his keys and heads up the stairs, into the office building, and takes the elevator up to the fifth floor. The office is well-lit, even this late at night—it gives the impression of it being perpetually daytime, even though the clock on the wall says otherwise. 
He takes a post-it note off of Cara’s desk, scrawls on: Figured you wouldn’t have time to get dinner, so I got you soup, and signs it: -Y. He sticks the note onto the paper bag, regards it for a moment, and then—after reconsidering—staples it on, just in case. 
Then he heads off—past rows and rows of desks, around the corner and through the hallway, past the break room, to stop at the doorway which overlooks the room where Vincent sits.
Vincent is still at his desk, paging through documents with one hand, scrolling through what looks to be a long list of email correspondences with the other. From this distance, it’s hard to tell that anything is off, except— 
He looks exhausted. It’s subtle, but once Yves notices it, he can’t stop noticing it. It’s present in the way Vincent holds himself, as if the wiry frame of the office chair is the only thing keeping him properly upright. It’s in the way he blinks hard at his monitor, his eyebrows furrowed slightly, as if he’s been staring at it for hours.
There’s a mug of what looks to be black coffee on his desk, half empty but still steaming, which seems to imply that he plans on staying much later. Yves clears his throat.
��Still working hard?” he says. 
Vincent’s gaze snaps up to where Yves is standing. “Yves,” he says. “I thought you left.”
“I did.”
“Did you forget something here?” Vincent dog-ears the page he’s flipped to, then sets the stack of papers off to the side. “I can help you look.”
“No,” Yves says. “Well, not exactly. I know you said you didn’t want to be bothered. I promise I’ll be out of here soon.”
“Okay,” Vincent says, expectantly.
“Have you eaten?”
“I ate,” Vincent says. The relief Yves feels, at that statement, is unfortunately short-lasted. “Lunch. A few hours ago.”
“Lunch was eight hours ago.”
“I’ll eat tomorrow.”
“Will you catch up on sleep tomorrow too?”
“If I manage to finish this by then,” Vincent says, “Then yes.”
Yves stares at him. Does Vincent really, truly think there’s nothing wrong with any of this? With whatever sleepless, miserable late-night work session he’s already seemingly resigned himself to? “So what? You’re going to crash on the couch here?”
“I’ll head home around 4,” Vincent says.
4am. “And what? Lay down for fifteen minutes?” 
“Three hours, maybe,” Vincent says, turning aside to muffle a cough into his elbow. “I don’t live that far.”
He says all of this in earnest, as though none of it strikes him as even the slightest bit unreasonable. Yves can’t help it—he doesn’t think he could hide the incredulity in his voice even if he tried. “You have to be kidding me.”
Finally, Vincent’s face shifts to show—something. Something other than the utter blankness from before, something past the civil, perfectly drawn business facade. Yves doesn’t have to look for very long to register it as frustration. “What part of my answer was unclear?”
“None of it is unclear,” Yves says. “It’s just… exceptionally unreasonable.” 
“By some arbitrary metric of yours, sure.”
“Ask anyone else at the office and they’d agree with me.”
“What you—or anyone else at the office—think about my sleep schedule doesn’t concern me.”
“Let me help,” Yves says. “Please. We’ll get it done twice as fast if I help. Or if you really don’t trust me, hand it off to someone you do trust.”
“There’s no need. It’s my work to get done.”
“You should be at home right now, not working overtime on your first day back,” Yves says. He looks over all of it, now—over the desktop computer and the monitor, the charts and graphs laid out on screen, the piles of paperwork currently occupying Vincent’s desk. There’s a pang in his chest that he hadn’t quite accounted for.  “It can’t be pleasant doing all of this with a headache.”
Vincent blinks at him. “What headache?”
“The one you’ve had since before I left.” Vincent can attempt to deny it if he wants. But between Leon, Yves’s younger brother, and Victoire, his younger sister—who’ve caught their fair share of colds throughout the years, between the other members of the crew team he’d spent his 6ams with—who he’s seen frequently tired and occasionally under the weather—Yves thinks he’s well equipped to recognize a headache.
And Vincent looks as put-together as always, for the most part—he looks like he could’ve just walked out of a photoshoot for some classy magazine, his hair neat, his tie done neatly, his suit jacket criminally well-fitted to his shoulders. But Yves doesn’t miss the stiff set of his jaw and the tension strung through his posture, the way he tilts his head ever-so-slightly away from the bright overhead lights as if it hurts to look at them, the way he rubs his eyes or pinches the bridge of his nose, always subtle enough to go unnoticed. The way he holds himself, now, as if it’s taking all of his energy to appear so presentable.
“I don’t,” Vincent starts. “I haven’t—”
“I can tell, you know,” Yves says, a little dejectedly. “I’m pretty sure it’s my fault you have one, anyways.”
Vincent frowns. “Talking to you hasn’t given me a headache.”
“Not that,” Yves says. “But I’d imagine that spending all of New Year’s Eve next to me when I was under the weather might have.”
Yves watches the surprise flicker across Vincent’s face.
“So that’s what this is about?” Vincent says slowly, his eyebrows furrowing. He looks—confused, now, taken aback by Yves’s admission—and then a little sad. “You’re just here because you feel guilty.”
“I do feel guilty,” Yves agrees—that much is true. “But that’s not why I’m here.” he feels hopeless, suddenly, attempting to explain himself to someone who would probably have preferred it if he never bothered. Perhaps he shouldn’t have come. Perhaps it was presumptuous to think that he could help in the first place. “I realize now that I can’t change your mind on any of this. But even if you plan to stay here all night, I— I just thought maybe I could—”
He’s interrupted with a harsh, “hhHh’NGk-t!” which jerks Vincent forward in his seat. Then a soft, wet sniffle, and then another— “Excuse m—Hhh’GKT!”, neatly pinched off into his hands. Vincent’s eyes flutter shut as he cups both his hands over his mouth, his eyebrows drawing together as his shoulders tremble with an inhale: “hih… hiIIh… hI’GKSCHHuuh-! Snf-! hH… HEh’DZSSChhUH!”
It’s immediately followed up with a few harsh, grating coughs which leave Vincent hunched over slightly, his glasses slightly askew, his hands still cupped to his face.
“Bless you,” Yves says, a little stunned. 
Vincent doesn’t say anything to that—he just reaches across the desk for a tissue and blows his nose quietly into it, before he discards the tissue into a small metal trash can under the desk. The tips of his ears look a little red.
His throat probably hurts too, Yves realizes, with a jolt. Yves really shouldn’t be prolonging this conversation if he can help it.
“I, uh, brought soup,” he says awkwardly. The paper bag crinkles slightly as he lifts it. “Just so you wouldn’t have to skip dinner entirely. That’s why I was gone earlier. I initially meant to just drop it off here, not—” he clears his throat. “I’m sorry. I didn’t mean to argue with you.”
Vincent is quiet for a moment longer. Then he says, “You didn’t have to do that.”
“What? Bring you dinner?
“You didn’t have to come back at all.”
“I know that,” Yves says. “But I wanted to.”
Vincent takes the bag from him, lifts the post-it note so he can read the few lines Yves has scrawled onto it. He turns aside to muffle a few coughs into his sleeve. “This must have been a lot of trouble.”
“Not more trouble than attending a New Year’s party on someone else’s behalf, that’s for sure,” Yves says. It’s a wonder that Vincent agreed to that arrangement in the first place—Yves doesn’t know how he’ll even begin to make it up to him. “If we’re keeping count, I still owe you.”
Vincent regards him for a moment, his expression unreadable. “I never thought that you owed me.” 
“Okay,” Yves says. “Then I’m doing this on my own accord.”
“What do you possibly have to gain from that?”
Is it not obvious enough? Yves sighs. “Nothing. I care about you.”
Carefully, slowly, Vincent opens the bag, shifts his documents over to the other side of the desk, and takes out the two containers of soup. Yves regards them closely—hopefully they’ve still retained most of their warmth, even after the drive here.
“I’m not sure if they’ll be to your taste,” he says, a little sheepishly. “If you tell me what you like, next time I’ll try to keep it in mind.”
“I’m not picky,” Vincent says. He rummages through the paper bag for a spoon. “I think I’d like both of these. Have you eaten already?”
“Not yet,” Yves says. Perhaps he should’ve picked up dinner for himself at Good Day, too—he’d been so preoccupied with getting something for Vincent that he’d forgotten. Either way, it’s inconsequential. There’s probably enough in the fridge to last a day or two before his next grocery run.
“You also got dinner for yourself, right?”
Yves must hesitate for a moment too long. 
“That’s a little hypocritical,” Vincent says. “Do you want to pull up a chair?”
“What?”
“You haven’t eaten. You brought two soups.”
“They were both supposed to be for you.”
“You’re already here.” Vincent says. He shuts his laptop and leaves it off to the side, clears a space on the table, and sets the chicken farro soup in front of Yves. As if it really is that simple.
Yves stares down at it, a little perplexed. I thought you didn’t want to speak to me, he wants to say. 
“Unless you’d just prefer to take this home,” Vincent says, misinterpreting his silence as hesitation. 
“No,” Yves says. “You’re right. I’ll pull up a chair.”
Yves ends up dragging over a chair from one of the tables nearby—he makes a mental note to put it back before they leave. Vincent shuts his laptop and leaves it off to the side.
“Now we’re both staying past nine,” Vincent says.
“Yes,” Yves says. “I’ve always wanted to see what this place turns into at night.”
“Does it live up to your expectations?” “It’s a bit of a ghost town,” Yves says. “But not in a bad way. Feels like I could take all the snacks out of the break room and no one would bat an eye.”
“That’s the real reason why I’m here right now,” Vincent says, so deadpan that it barely sounds like a joke. Yves laughs. 
Something about this scene—about sitting with Vincent, here, having dinner on the only corner of his office desk that isn’t occupied by documents—feels a little nostalgic.
“This is just like when I first joined,” he says. “When you were helping me with all the onboarding stuff.” 
Back when he first joined, Vincent’s desk was a frequent destination. It’s not that Vincent is particularly friendly—it’s more just that Vincent is really, really good. He has expertise in things that he’s only done once in his life, and he can spot mistakes at a glance. He’s patient, too, even though Yves thinks that if the roles had been reversed, anyone teaching Vincent anything would never have to exercise any patience at all.
He can’t blame Angelie for looking to Vincent for help, either. It wasn’t that long ago that Yves was the one hovering at his desk, watching Vincent go through relevant work over his shoulder.
“The first couple weeks are - snf-! - always difficult,” Vincent says. “But you picked things up quickly.”
“I can’t imagine you as a beginner at anything,” Yves muses.
“Everyone’s - snf -! - a beginner at s-some— hH-! Just a second—” Vincent turns his head away sharply, burying his nose into his shoulder before— “hh’GKt-! Hh… Hhh’IIZSCchuhH! snf-! Hh-! hhih… HiH’GKT-!... Hh… hHih… hIH’IKTSHhh’uuh!”  
“Bless you,” Yves says reflexively. 
“Thank you,” Vincent says, with a small cough, which he muffles into his sleeve. He sighs. His voice has held up pretty well, but Yves can hear the muted edge of congestion in his voice, softening his consonants. “What was that you said to me? ‘You’ll get tired of that phrase really quickly?’”
“I won’t if you get over this cold soon,” Yves says. “Maybe that’s the real reason why I brought soup.”
“So that’s why you’re being suspiciously nice to me,” Vincent says, with a laugh. “I’m relieved to know you’ve had ulterior motives all along.”
Everything gets easier, after that. Vincent seems to enjoy the soup, for the way his eyes widen, almost imperceptibly, after he takes his first bite. (“So I was right to think you’d like miso,” Yves says, and Vincent laughs and says, “Am I really that predictable?”) When Yves offers again to help, after dinner, Vincent wordlessly hands him a small stack of business proposals. It’s not much, but just the fact that he’s agreeing to let Yves help is already a step in the right direction—give Yves an inch, and he’ll take a mile.
Yves looks through all of the documents he’s handed, scrawling notes in the margins, and then goes through another third of the stack of unreviewed paper on Vincent’s desk, while Vincent scrolls through pages of spreadsheets, processing data and creating new graphs. Vincent is almost frighteningly efficient, even when he’s not feeling his best—they lapse into a comfortable silence, interrupted only by the occasional, near-inaudible hitch in Vincent’s breath, always followed by a wrenching sneeze, or two.
There’s the coughing, too—always muffled tightly into his sleeve, after Vincent turns to face away from him, which must be exhausting. Yves doesn’t know why he bothers. It’s not as though he can catch this cold again.
(“Bless you,” Yves says, after the tenth-or-so sneeze, trying not to let the concern creep into his voice. “I think the pharmacy near 59th is still open. If you want, I can stop by and grab you something for your symptoms.”
“No need,” Vincent says. “If it - hh-! - gets bad enough, I’ll — Hhh-!”
“Bless you again—”
“hihH’IZSCHhhuh! - snf-! - I’ll get something myself.”
Yves wonders what his metric for bad enough is. Then again, it’s probably better not to press.)
It’s nearly eleven before Yves decides to head home at last.
“I can’t thank you enough,” Vincent says, with a rueful sniffle. “You must be tired.” “Not really,” Yves says. “I usually sleep pretty late. If you’re still feeling this bad tomorrow, take the day off.”
“I’ll think about it,” Vincent says. 
Yves sighs. “At the very least, promise me you’ll head home sooner rather than later?”
 “No promises,” Vincent says—though at the disapproving look Yves gives him, he amends, “But I’ll try.”
He sounds like he means it, at the very least. Yves supposes he’ll take what he can get.
[ Part 6 ]
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piracytheorist · 2 years ago
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someone: how angsty do you want your identity reveal scenario to be?
me: so what if right after Anya's powers are revealed Twilight asks her why she tricked him into adopting her, if she was put into it by someone else in order to expose him, and Anya tries to tell him she wanted to help and he asks why would you want to help me and she's like "because you want a peaceful world where children don't cry" and he nearly has a flashback triggered by that and she runs and hugs his legs saying she wants to help and be good and Twilight just. Pushes her away. Gently and without physically hurting her but emotionally it's a massacre. And he sees her devastated face because of his rejection and realizes he has now caused her the pain he never wanted to see on another child's face, and he thanks whatever lucky stars he doesn't deserve that Yor is there because he cannot process anything else and just leaves out the door, leaving Anya to bawl in Yor's arms :)
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potatoplace · 10 days ago
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Hmmmmmmmm
Lavender haze 🫲 🫱 charades
Lavender haze 🫲 🫱 charades
Lavender haze 🫲 🫱 charades
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trashcanwithsprinkles · 10 months ago
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so since chen zhongli didn't have a connection to raniya, would he have one with venti? they're traditionally seen more often together (i joined like ~1.5-2 years ago i think it's because of last years lantern rite they're seen together but they're could be more i'm missing) and they're dynamic is always so funny i think it'd be a shame if they didn't know each other somehow
(but also knowing venti he probably would've blown up zhongli's phone by now lmao)
also as a second thought what is going on in like inazuma and fontaine if it isn't too like spoiler? do they have something mirroring the sokoku decree since there's no visions? is ei still in government to help the closed borders policy?
would neuvi have a position similar to his in teyvat? or is he just a dragon of myth like how rex lapis is?
sorry if that's too much i just love the aus you create and i love fleshing universes out
honestly? venti and zhongli have only appeared together in like one lantern rite scene and one poetry event and that's literally it, so i wouldn't say they're 'traditionally more often together'. on both times it was hu tao's fault anyway? so i don't think we've had zhongli expressly seek venti out like ever. but the reason why they have indeed interacted the most when it comes to inter-archon relationships (which isn't saying much because the only other ones who've interacted are furina and zhongli so like. venti doesn't seem like an outlier if he only has one extra instance over her) is because they're the only original two. so they know the other the most out of the rest, because again. only original two
so as for zhongli not having a connection to rukkha in this au and not having one to venti either; the only reason they know each other in-game is because of the archon war.
there's- there's no archon war in this au, at least not one that involves them. so like-
no. idk how to justify any of the archons having met each other imma be honest, which is why they haven't
as for the other nations- since zhongli isn't anything remotely resembling an authority figure in liyue, then neither are any of the rest, so no, ei isn't in office. ei and makoto are probably living normal lives as like- the descendants of a fabled samurai clan who now run a kendo dojo together after their father died or something idk. i could absolutely see their dojo and their sword arts being like- the same ones the shogunate's men use? so ei and makoto would be like the official sword art teachers of the entire military. that way we can keep sara a simp in any timeline LMAO also inazuma probably did have a closed borders policy but like in the past. so now they're all about trying to catch up for time lost in getting to know other nations and having other nations enjoy their culture. so the kamisatos are thriving is what i'm saying
neuvillette is a bit of a spoiler imma be real. not in that neuvillette is going to appear and matter (sorry), but in that if i try to tell you what's up with him i'm going into spoiler territory bc you can extrapolate that to other things, so no. but i CAN say that he's like- a judge. like of the justice system. maybe a lawyer? but i think judge fits better bc you know. he's a normal human guy, same with chen zhongli. furina is a famous actress but she does have a law degree bc i think it's interesting that she was essentially the prosecutor of fontaine, from what we saw.
#i know people love the venti zhongli dynamic but i can't write it without getting an aneurysm#i guess to be more specific i can't write venti without getting an aneurysm#which is why he's always as absent as possible from my fics#yeah i suffered in itysg to be honest#also since we know so little about venti i can't really confidently decide on if he'd be able to help zhongli with plot stuff#and if zhongli would even be aware of that the same way he knows rukkha is the avatar of irminsul#so if his concept of barbatos is nebulous at best in terms of whether he'll be of actual help#i genuinelly cannot see him willingly putting himself in a situation were he'd have to interact with venti#like i know their dynamic can be taken as zhongli being fondly annoyed of the man#and obviously i think they're friendly acquaintances#but i think their amiable relationship comes more from the fact that they're all the other has left of the original archon core#and not from zhongli actually genuinelly liking venti's company#not that he dislikes it i don't think#but idk their interactions and the way he speaks about venti just never strike me as him being secretly fond#just like. accepting and resigned and oh well he's like that but i do respect him and i'd rather nothing happen to him now#i like to think that after 2000ish years their relationship is more complex than common fanon makes it out to be#also i was so so tempted to just not include scara in this au bc w no archon war ei and makoto would have no reason to make the puppet#but he's just so good for making childe suffer so i opt to have him exist in the fatui#he has no connection to the raiden twins tho it wouldn't make sense#anyway aa sorry for the rant tysm <3 <3 <3
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itstimeforstarwars · 1 year ago
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What if i skip ahead to the satine parts what if i skip ahead to the korkie integration what if i skip ahead to cody and satine being chaotic and competent together to the chagrin of jango and the kryzes what if i skip ahead to ventress what if we went to tatooine what if what if what if---
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slayerdurge · 3 months ago
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having played a decent amount of bg3 now i can say with absolute certainty that i'm going to durgetash hell
#in my next playthrough i mean#i'm tav rn but when i play durge... oof#i expected astarion to interest me more than he does tbh#however a pretty boy simply cannot compete with a wet rat man#i know a lot of villainfuckers like raphael too but eh#all he does is talk a bunch and be cryptic and not really do anything useful lol#and if you try to make a deal with him apparently he just decides he doesn't want it anymore?#and monsterfuckers seem to be into the emperor but again... eh.#i mean his story is cool i guess but i was kinda annoyed that i had to support him no matter what#anyway i have eyes for one (1) man#i mean my tav is romancing karlach and i do like her a lot & they are chaotic cuties together#my durge is gonna be pure evil though#i am interested to see how it changes things but honestly i was kinda disappointed so far by how many illusory choices this game has#like it seems like a lot of the time they try to make it feel like you have more control over the plot than you actually do#like for example i am playing a gith who ran away from her creche because of strong ideological differences#and i wanted to side with orpheus and kill the emperor but apparently that's just not a real choice? like i guess u just die if u do that#also i succeeded on the check to get ketheric to surrender and he WAS surrendering but then aylin flew in and i was forced to fight him?#so far it seems like you pretty quickly get ushered back into the same main sequence of events no matter what#like the game isn't bad but it also is not as good as i was lead to believe#i know some degree of railroading happens in every RPG ever and is pretty much inevitable ofc#idk maybe it is just bc my expectations were too high bc of how much praise the game gets but it's not really on the level i expected
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