#i don't think it's a bog fandom now

[smudged-kaleidoscope]

It's such a jumpscare when I post about something that had a dead fandom when i was l really into it and it suddenly getting notes lol

[bogunicorn]

Having unfollowed a ton of people and put effort into not-hearing as many Dragon Age opinions as possible, I've come to the conclusion that I should've done that a long time ago because wow do I enjoy this broken-ass website without having to hear people talk about the Thedas Wizard Wars like DA is some fucking historical document that's also written specifically to target you, Tumblr User number who-fucking-cares.

I will be continuing this practice going forward, damn.

[autogyne-redacted]

Let's Talk About Security Culture: Why Keeping Secrets is Cool and Sexy

It's a natural impulse -- if you love crime -- to want to talk about how great it is. And if you hate America, it's only natural to want to share your dreams for its future with the rest of tumblr dot com. It can feel brave and transgressive. And there is a drive to share your soul with the world at the heart of social media. Surely I should be posting the most concrete implications of my politics, right? This is the poster's curse.

Security Culture refers to a set of "best practices" developed over the past several decades, largely (in a US context) coming out of radical environmental groups as they faced intense state repression, infiltration and entrapment. If you're not familiar, there's some fascinating crimethinc write ups to give you a window into that world:

Much of it boils down to: don't talk about crimes, past or forthcoming with people who don't need to know about them, and be mindful of the possibility of surveillance and infiltration. And, we can support each other as a community in minimizing risks, with an eye towards enabling bold action rather than getting bogged down in fears and anxieties. The guidelines that make sense for AG-based trouble-makers are different from the guidelines that make sense for posters, but plenty of common principles apply. To speak briefly to our position here as posters:

First, it bears saying that long term anonymity is extremely nearly impossible to maintain. Unless you've never accessed Tumblr without a vpn, and avoided connections with other ppl who can be associated with you/your location, and never shared pictures without scrubbing metadata, and a bunch of other 100% consistent steps, it's trivial for the state to know who you are.

Second, just because something isn't actively being prosecuted now doesn't mean it can't be prosecuted later. The priorities of the state change and a shift in power towards the right or a growth in radical action from the left can suddenly make it a priority to destroy anarchist networks or just find a few ppl to prosecute as examples (who probably weren't that plugged into larger networks before getting arrested. Advocating for specific anti-government crimes or declarations of intent to commit such crimes are likely prosecutable even if charges don't stick they're an easy vector for legal harassment.

Third, it's worth thinking about heat as separate from prosecutability. There are modes of engagement that may not be directly criminalized but signal that you are someone worth watching. Some people choose to be public in ways that make heat unavoidable. But it's worth noting that heat isn't strictly individualized, that it persists over time but also is going to shrink over time.

It's easy on here, ime, to see yourself as a proud member of the crime fandom but not much of a content creator. And it's easy to feel like you've generated an amount of heat where you're locked into that role. But heat you generated 10 years ago is probably pretty well gone. Heat you generated 5 years ago has faded substantially. It's worth thinking about how the world might shift in the coming years and what doors you want to keep open.

The non-individualized nature of heat also means that leaning into the spiciest of anti-state positions will make it a bad idea for people who are acting out those positions end up tied to you. Loudly talking about how "more people should be doing [X/Y/Z]" unfortunately sets you up to remain distant from people who might be doing or thinking about doing such things.

Which brings me back to: keeping secrets is sexy. Not spelling everything out builds intrigue. You can lay out a theoretical position and leave working out the practical implications of that as an exercise for the reader. There's value in opacity. The poster's curse and the drive to confess are extremely convenient for the state, but we can resist them. We can hold dreams in our hearts that we refuse to offer up to the posting spectacle.

[alexandraisyes]

What would happen if you were a writer for TSAMS?

I mean we'll never know unless we try, however-

God the temptation to make jokes about shipping ajfsdkg;ljfasd;l

In all seriousness I'm good at finding and fixing plot holes and writing consistent storylines. I've been writing solo for years, and recently I've been co-writing fics for this fandom. And stars I'll say it now, obviously I wouldn't drag fan ships into the canon lore, that would be stupid considering most of them just wouldn't work with canon.

If I had the chance to write for TSAMS I would definitely try to influence the way certain things (specifically things like mental disorders) are portrayed, because I understand being part of the audience and the frustration of only seeing part of the story and missing an entire important perspective. I personally find so much enjoyment in that because I get to tear everything apart, dissect it, and put it back together so the fandom can understand what the story is portraying, but the fact that someone is required to tear it apart to get what should have been an obvious message most of the time is an issue, in my opinion.

A consistent problem I've noticed with TSAMS is that it's overly omnipotent on some things while being too closed about others. This is a narrative problem that stems from not having enough time to figure out the best approach for new situations they want to incorporate. This is because the writers/VAs are so bogged down by personal projects, stream schedules, their servers, life, etc that they just don't have time to figure these things out. Especially when the company is pushing for more content/lore episodes and they're just a team of four. Four very very busy individuals that have to write AND voice act the entire cast of characters. I feel like having someone who is just a writer would help with a lot of the inconsistency and unresolved plot holes.

There's a lot of strong potential for things that would stem back as far as two years that would be so interesting to see incorporated, but they just don't have the time to work through those and it's easier to keep jumping on new boats and abandoning the ones they have to sink because of unresolved tears in the plot letting more inconsistencies trickle in like so much water. So I would absolutely work to correct those and clean up the holes and resolve unanswered questions.

I'd also push for more consistent characterization, or rather better worded, deeper characterization. Not that they don't have good characterization now, overall I think they do a decent job, but there are just some things that I wish they'd touch on more. Likes, dislikes, disorders, complications, relationships, etc. What really makes up these characters; I'd probably end up with a complicated character web for the main cast at the very least to help with consistent storytelling. I do this with my own AUs to keep characters consistent, including quirks (For example Solar Flare always refers to people by their full name in my writing). It would also be interesting to dig deeper into what makes the characters them. Their personalities, beliefs, interests, morality/standards (for those without morals), and what they did and didn't find traumatic (as well as what level of trauma).

God even just the thought of how I could potentially fix the dumpster fire (/affectionate /positive) of TSAMS and co is a little exciting because there's just so much potential lying around untampered with that I would happily dig my grubby little claws into.

[ad-astra-per-aspera-1389]

Okay, so I don't usually post my fics directly on tumblr (usually just on ao3 with a link on here) but ao3 is down atm and I finished the dbd x mphfpc fic!

Tagging @fellow-fandom-fruitifier bc he asked :)

Um...I'll add what would be tags here:

Fandoms: Dead Boy Detectives (TV), Miss Peregrine's Home for Peculiar Children (Books)

Not really any necessary content warnings. Just a nice little case without anything dangerous, for once.

Word Count: 2069

The Case of the Lost Boys

Summary: The Dead Boy Detectives find themselves on the island of Cairnholm, investigating the whereabouts of a wandering ghost and his unfinished business.

While London alone was teeming with ghosts with issues to solve, occasionally ghosts brought cases from farther away. Typically, these cases were much simpler than what would, 25 years later, lead them to Port Townsend.

One of these cases, back in 1998, was The Case of the Lost Boys. 

The ghost of a young woman arrived in their office one afternoon. While the case didn’t necessarily concern her directly, she had spent a lot of time with the affected ghost. A young boy, around Charles and Edwin’s age, had been wandering the island of Cairnholm for decades, the woman said. He was looking for something—someone—that just wasn’t there. The woman paid them sufficiently, and Charles and Edwin agreed to take the case.

Mirror hopping led the two detectives through the mirror inside a bathroom, which was attached to a motel room, which was above a tavern. The sheer amount of noise coming from below caused Edwin to simply walk through the wall to get outside, instead of going down the stairs and through the tavern on the ground floor. It was one of several things that freaked Charles out every time Edwin did it. To his credit, however, Edwin was trying to do it less when Charles reminded him of it. However, that didn’t mean he didn’t still forget from time to time.

Edwin walked through a second floor wall and landed on his feet on the ground outside. A few minutes later, Charles was next to him, having taken the long way around. “Mate, you can’t keep doing that! I know you’re fine, but I still forget we’re dead sometimes.”

“Right, my apologies. I’ll use the door next time. I simply didn’t care to walk through such a loud establishment.”

“Next time, we’ll take the stairs and walk through a wall on the first floor, yeah?”

“Agreed. Now, let us track down this wayward ghost, shall we?”

After a bit of walking, the two detectives found the place their client had mentioned the boy to frequent. They had to wait a while, but, sure enough, the boy wandered through the bog and up near the old, previously bombed out house on the far side of the island. Once they were sure he’d stay there for a while, Charles and Edwin followed him up, Charles holding his cricket bat out in front of him.

“Excuse me,” called Edwin, “but we were called because we were told you might need help.”

The boy turned around. He’d been tearing through pieces of the house, searching. “My sister. She was here.”

“When it was bombed during the war?” asked Charles. He hadn’t quite gotten around to explaining the second world war to Edwin, but Charles knew London and other parts of the region had taken a lot of damage. He’d paid some attention during his history classes.

“Yes, but it always reset before anyone got hurt.”

“What do you mean, reset?”

“The bird reset it to the night before the house was destroyed. We would watch the show each night before bed. Then I went out one night, and I died. I can’t get back in. I haven’t seen her in years!” The boy punched a wall, causing chunks of it to fall out. Charles pulled Edwin backwards, out of the house entirely.

“I think he’s lost his mind,” said Charles, once he and Edwin were alone again. The two of them were poring over Edwin’s notes.

“It seems he’s lost his sister, and, though the house was bombed with her in it, he believes she’s alive.”

“He mentioned it all being reset. Sounds like a time loop, doesn’t it?”

“That it does, Charles, but we cannot see it, and therefore we cannot break it.”

“Is that even the problem, though? If he just sees his sister, he’ll move on.”

“That would be quite easy, Charles, if only we knew where the sister was.”

They didn’t even know the ghost’s name, and now they needed to find his sister, too? This wasn’t as easy as they thought it would be.

Charles and Edwin returned to the island the next day, after spending the night in the office reading up on time loops and delirium in ghosts. This time, they used the stairs to exit the tavern, and by the time they reached the old house it was midday. Despite the sun being high in the sky they still couldn’t see very well in the old charred house. Charles pulled two flashlights from his backpack and the search continued.

Eventually, Charles found a hole in the floor. “Edwin, come look at this!”

The boy in question followed Charles’s voice until they were both looking down into the hole. Edwin went down into the hole while Charles stood lookout, just in case the ghost boy made another appearance.

Inside the hole in the ground, Edwin found a trunk of old photos, featuring children doing largely impossible or supernaturally odd things. As he sifted through them, a second light appeared above his head. It was a soft glow, like a fireplace, and Edwin looked up right as Charles called, “Edwin?”

A girl stood next to Charles, holding a ball of flames above the hole to see into it better. Edwin heard her voice echo as she asked Charles, “What are you doing here? Who are you?”

“Stay back,” warned Charles, pointing his cricket bat at her.

“What. Are you doing. In our house?” asked the girl, punctuating each set of words with a few steps forward. Behind her, Charles soon noticed, were a smaller girl, likely about seven years old, and a boy the older girl’s age that gave off a faint buzzing sound if it was quiet.

“We were just leaving, actually.” Charles took a step back.

“Good,” said the girl.

“Emma,” said the younger girl, “we should go before we’re late for lunch.”

Emma grimaced, turning around towards the two that were with her. “I suppose so. The bird will be angry if we’re late.” She cast one last warning glare over her shoulder at Charles, and then the three of them were gone.

Edwin climbed back out of the hole, with help from a rope Charles had in his backpack, and reported his findings to Charles. “It appears to be a group of syndrigasti: a variant of human with an extra soul. These extra souls give them special abilities, such as the boy’s ability to do so much damage around this place, and the girl’s fire.”

“So, his sister must be one too?”

“Not necessarily. It’s a relatively rare condition, however, it is especially likely in this case. If he cannot find her, and neither can we, she’s likely in a time loop for the living. Only syndrigasti can enter, and we are not that.”

“That doesn’t sound too bad then, does it? He can go in himself and find her.”

“Not if he died in a certain way. If the creature that killed him consumed his extra soul, then he can no longer enter the time loop, as he said before. We will need to get the sister to leave the loop temporarily.”

“How do we do that?”

“I do not know. I suppose if we can find another occupant of the time loop, we may be able to get a message across. For that, however, we’ll need more information from the boy.”

“What about that girl, Emma? She had abilities, didn’t she?”

“We don’t know for sure that she lives there, though it is likely. Unfortunately, they’ve gone, and we still do not know how to enter the time loop.”

Later in the day, the detectives found the boy in the same place as the day before. Charles stood by with his bat while Edwin questioned the wayward ghost. They learned that the boy’s name was Victor, his sister’s name was Bronwyn, and that he had, in fact, died in the way Edwin had suspected. 

The one good thing about all this was that he remembered how to enter the time loop. Charles suggested writing on the cave’s wall and hoping they’d see it when one of them left again. Edwin, however, thought it might frighten the children if they saw a note reading “Bronwyn, your brother is looking for you”, considering Victor had been dead for decades.

Instead, Edwin wrote out a neat note and attached it to the wall of the cave:

Bronwyn Bruntley,

I am from the Dead Boy Detective Agency. We were called in about your brother. His ghost is still on the island in the present day. Until he has closure, he will not move on to his afterlife. Victor’s unfinished business is seeing his sister again. Once you receive this, it would help both of us if you could leave the time loop temporarily to reunite with your brother.

Sincerely,

Edwin Payne

Edwin and Charles stayed on the island late into the evening, watching the mouth of the cave for someone to take Edwin’s note. Eventually, the note seemingly disappeared on its own. It moved like it was being removed from the wall by a hand, but there was no hand. It floated through the cave and disappeared through the other end.

Less than an hour later, two girls and a floating hat emerged from the mouth of the cave, each of them able to see Edwin and Charles (or so they assumed). One of the girls, the one that wore trousers and a shirt, asked, “Are you Edwin Payne?” She held the note in her hands.

“I am Edwin Payne. You must be Bronwyn.”

“I am. You found my brother?”

“We did.”

Victor, who had been all but dragged over near the bog by Charles earlier, stepped closer to the girls.

“Wyn?”

“Victor!”

The two siblings embraced so tightly that anyone else might have bruised a rib from it. Edwin and Charles gave them a bit of space for their little reunion, until, eventually, Edwin had to burst their bubble.

“I do not mean to bring down the room, but since your unfinished business has now been finished, Death will be coming to collect you shortly. Therefore, Charles and I must be going, now.” Edwin turned on his heel and began to walk away, Charles shortly behind him. 

Then, the other girl, Emma, called out, “Wait!” and Edwin stopped. He turned back around to look at her.

“Yes?”

“I don’t know if you work with the living at all, but I’ve been looking for a certain boy since the last war. If I give you a name, can you send the results to our post box in town?”

Edwin’s expression softened slightly, and he pulled out his notebook and pen. “Of course. What is the name?”

“Abraham Portman.”

This second, smaller case did not require that the Dead Boy Detectives remain on Cairnholm. The two of them did, however, have to use their disguises that would allow them to appear living. They searched computers and phone directories until they found the man Emma had been looking for.

The two ghosts finally found Abraham’s house in Florida, in the United States. Mirror hopping there was easy. The difficult part was deciding how to explain it to Emma. Abraham was married by then. He had a wife, two children, and his son even had a son of his own. So much time had passed since Emma was this young. Edwin understood far better than he’d have liked to.

Edwin ultimately wrote Emma, sending the letter to the postbox she gave the address to. Charles looked it over for sensitivity purposes, and then off it went. A week later, Edwin received a letter in return, thanking both he and Charles for putting in the effort to help her, even though she didn’t get the answer she wanted. Attached were a few paper bills as payment.

Although Edwin continued to be baffled as to how she was returning his letters, he continued sending them. As it turned out, despite having so many other children living with you, the novelty of a ‘pen pal’, as she called it, was slow to wear off. 

Letters were sent back and forth between Cairnholm and London regularly for a solid twelve years, and then, suddenly, they stopped. Edwin, unsurprisingly, began to worry. That is, until he received a letter from Florida, instead of Cairnholm.

Emma, it seemed, was doing just fine.

[kazoosandfannypacks]

I think the weirdest lesson I've learned in fandom is the best way to block tags to avoid negativity on your feed/shipping discourse.

Let's say you join a fandom. You really ship characters A and B. So, you go to the character B tag, and you're met with posts shipping characters B and C. You don't ship characters B and C, so, being an experienced tumblr user, you block "#character b X character c" and similar tags, and go about your life.

Then, you see a lot of posts that say "I don't like characters A and B together." You really enjoy seeing characters A and B together, so this makes you annoyed, especially when buzzwords like "toxic" or "creepy" are thrown around. This is not a moral failure. Both sides do this. So, you just go to your filtering settings and block "#anti character a X character b." Then you'll know peace, right?

Wrong. You go into the character a X character b tag and there's still discourse. There's people complaining about how they think characters b and c are gonna be canon and there's not much hope for a and b. There's people saying that even though a lot of people support b and c, they don't. There's people saying "it's a dark time for the a X b fandom right now, but we will prevail over b X c." You came to the A x B tag only to find it full of people talking about B and C, and it's really bogging you down.

So what do you do?

Block "#anti character b x character c" and similar tags.

Block these tags of something you agree with? If it's bogging you down, yeah! Your tumblr will be such a peaceful place if you keep your head out of both sides of the conflict and just live your shipping life.

[chaosqueery]

I am just gonna go ahead and say that I am FUCKING FUMING. The accusations against some Buddie blogs for that disgusting fanfic are some of the most ridiculous things I have ever heard. I'm not gonna name them, because I'm not gonna spread these accusations any further, but I will say that I've been reading these blogs religiously for a while now and nothing they've ever said would lead me to believe they would write something like that and they wouldn't cast someone out to take the blame for something. One reason why I love these blogs so much is that they are very kind positive, people, who have been able to keep hope within the Buddie tag. Honestly, I have barely been in the Buddie tag, I have just camped out on these blogs to avoid the ugly sides of fandom that does nothing but tear each other apart. These bloggers are smart and mature and I have never seen them encourage this kind of horrific behavior. They will vent about their dislike for T/L, but in a healthy manner. They have a right to their opinions and you don't have to like them. It doesn't mean they would go to the lengths of going undercover to write that shit fanfiction as an attempt try to educate people on how crappy Temu is. I mean, it's a pretty stupid method, don't you think? They already have all the evidence they need within canon that he's been racist and sexist and that while he might have grown out of it a bit, he still puts off all the blame n Gerrard. No one needs to write a fic of him harming a child to get people to see reason. They might not understand why some will bend over backward to defend the guy, but they allow fandom to think what they want without pushing some agenda.

Why are they being accused of this then? My best guess is that they have been making Buddies feel too confident. Which is another thing that makes their involvement so unlikely. They aren't threatened by Temu or BTs. Someone is mad about that and trying to push them out so Buddie fandom can take a blow after all of this encouraging news we've been given. I mean, there are people out there forging Ls contract to try to get a win and now we are supposed to believe this shit?

Anyway, I just hope people see through this. To those three bogs being attacked, I stand with you. I just wanted you to know that and hope the rest of the buddie fandom with be there to support you.

[factcheckingmclennon]

hey! making a pinned that will for now hold some basic info/disclaimers & may in the future have a read more with a guide to deep dives

navigation

james/lorraine, they/he/she, 24. BA in religious studies/history, going back for a MA in history in january (that's relevant okay that's my CREDENTIALS for this silly blog)

my main is @menlove

I am indeed a shipper! no hate is meant at all by this blog existing, I'm just a historian that is going crazy trying to sort out fact & fiction in this fandom. there's a lot of both and I think a blog like this could be useful

and in that vein, I will never, ever directly come after or @ anyone who shared that misinformation. if you send me a request and start it with "I saw so and so post x, is this real?" I'll make a post without your ask in it. I don't want to send hate anyone's way. if it's an older post, i'll probably link the source of the misinformation for the sake of clarity, but if it's a blog that's still active i won't & i'll just screenshot. (maccaswife1978 is not a real person btw dgshdhshs. as far as I know! sorry if anyone's ever had that username)

I'm always open to correction. I have 0 way of knowing or finding everything, so if you have a credible, reliable source that I didn't find in my deep dive of something I rated fake/neutral, please let me know! I'd love for some of these to be real

I also take requests! feel free to ask me about anything that you want fact checked. just know sometimes I might not be able to find an answer or I might be bogged down & not be able to answer just then. I'll do my best to get to everyone, but inevitably my mental health and life Will come first so......

rating system

fake- this is a source that, from everything I can find, only loops back to other mclennon blogs/forums. again, I'll take correction on these.

neutral- this is a source that is fake in some way but real in others. maybe it's a quote taken wildly out of context, or the quote passed around is fake but the content really did happen & has a more grounded source. or maybe it was written in a biography that didn't use citations and I have no idea where that author got that information, so you should take it with a grain of salt. or maybe it's something that isn't necessarily fake, but there's not enough evidence to definitively prove it one way or another (i.e. did anything happen in india?) whatever the case, this source has ended up neutral in the grand scheme of mclennon.

real- happy day for us all, these are for ones that turn out to be real! these are ones that are backed up by one or more reliable source & have hard evidence

source reliability

what do I mean by "reliable source"?

for me to count a source as "reliable" and count it towards a fact/quote being real, it has to be one of these things: first-hand (interviews, auto biographies, etc), recorded (video/photographic evidence, basically), or a well-sourced/respected biographer.

sources that fall into the in between category and might still earn a "real" rating but should be taken with a grain of salt are things like: second-hand sources (& who they are is important in determining how big that grain of salt should be), biographers who are allergic to sourcing, and things like lyrics/poetry/short stories which rely heavily on interpretation unless explained by either john or paul themselves. none of these automatically mean a "neutral" or "fake" rating, but they're taken into account.

and sources that will earn a fake rating once they're found to be the original source: tumblr blogs, deviantART pages, fan forums, gossip columns, etc. basically, if all I can find is someone writing out "slash beatles quotes" on a page in 2011, it's getting chucked in the bullshit pile unless someone else can find a source that predates it.

[mangosaurus]

Hi! Love your jwcc fanarts! (Hope u don't think my question is to annoying lmao 😭❤️)

I wanna ask u what do u think about that theory abt Ben gf being a catfish? Maybe one of that people that have been hunting them idk. Some posts claim it's actually Brooklyn trying to keep herself updated about the whole situation?? TO MUCH THEORIES

Also if the gf is actually real I'm curious about your opinion. Like I saw a post saying that Ben could be Bi, Pan, etc, but really, I am bisexual myself and there is no bi subtext on that boy... and it's not like they suddenly are gonna officialize he is bi/pan, or give him this type of subtext at this point of the franchise. Is not cool when people call "bi/pan" a media trying to avoid dealing with a character queerness. It's just painful that people think this is a real way of portrait of a bi/pan experience. It's not!!

AW thank you so much! i know i haven't posted much art lately but it still makes me really happy to hear that people enjoy it. and your question isn't annoying at all, don't worry about it :) i love receiving and answering asks, it doesn't matter what they're about

the more time that passes the more plausible the catfish GF theory sounds to me. if i had to guess, ben probably met his girlfriend online, possibly through dark jurassic (which a lot of the fandom seems to be in consensus about). as for it being brooklynn ... not too sure about that one! i've mostly treated it as a crack theory up until now, if just because of how absurd it sounds on paper, but i wouldn't put it past brooklynn to pull something like that. keeping in touch with ben is probably one of her only links back to her friends, besides her contact with ronnie (who is only partially connected to darius at this point, since he quit the DPW). i'd recommend giving these two posts by kitabearuwu a read if you're interested in exploring that theory further.

now if the girlfriend is real: i obviously can't speak for you or other bi/pan/otherwise mspec people, but i've come to not care all that much, if i'm being honest. it was definitely a shock to hear, as was the intended effect, since darius, sammy, and yasmina all initially reacted with surprise. but my question is what harm does ben having a girlfriend in chaos theory pose? like, does it play into any negative stereotypes? does it communicate a dangerous message about queer people? i've seen some people argue that it perpetuates the notion that mlm relationships are "icky" and shouldn't be portrayed in media, but i have to disagree, respectfully.

i think it's also really important to remember that subtext is ... ultimately kind of subjective, and is totally independent of the creator's intentions. that's the whole point of subtext—it exists below (hence the prefix sub-) the underbelly of the text. you have to be looking for it to see it, basically. and for a long time, the fandom (or at least the queer part of the fandom) subtextually read ben as gay! a lot of that had to do with his rather intimate interactions with the other boys, juxtaposed against the way he rejected yasmina when he thought she had a crush on him ("i like you, but i don't like like you ... i'm just now starting to find myself"). but ... i don't know, if we want to start citing text, you could also argue that ben's whole thing about not putting him in a box circa jwcc s5 could be a point towards him being generally unlabeled, which leaves room for him being mspec.

if i had to make some definitive statement on the matter, i guess it'd be that this fandom gets really bogged down by the specific labels of these characters, when it's really not all that necessary. this is still a gay show made by gay people featuring unapologetically gay characters in explicitly gay relationships, of which has been some of the best gay rep i've ever seen in media. and having that kind of representation on TV matters more to me than knowing what ben specifically identifies as, even if it doesn't align with my headcanon. it doesn't have to! but i also don't know for sure if it doesn't align with my headcanon, because we haven't gotten the full story yet. ben's girlfriend is most likely gonna be of some importance, given that he mentioned her twice without going into much detail about her. that leaves a lot of room in future seasons to expand upon who she is and her role in both the greater narrative and ben's life specifically, including his identity. i just think it's best we reserve judgement at this point, basically

[cartooncreep]

**CHAOS THEORY SPOILERS AHEAD**

Speaking on the Darius,Brooklynn and Kenji drama.

Now when I first started this show back during Camp Cretaceous I was fond of dinostar, i thought it was a given that they would end up together, I mean its a tale as old as time; main guy ends up with main girl (excluding the lesbians). However, as the show went on and the probability of dinostar becoming cannon withered I ended up having a growing respect for the Camp Cretaceous team. For me at least, and for the general audience I would say, they subverted expectations. However small of an act it was, making dinostar not cannon was monumental in children's story telling not pushing an ideology that men and women can't be platonic friends.

Darius being one of the only one's without even a hint of a romantic subplot was also incredibly refreshing as too often storytelling gets bogged down by romance plot that are so badly written it makes me want to cry as to why it took precedent. It was also so comforting to finally have a character in western children's media that could be feasibly headcannoned as arospec without having people use their romantic interests as an argument against.

The introduction to Darius's feelings towards Brooklynn I thought was well handled and very mature, the writing team knocked it outta the park with how they made the characters mature with the way they handled emotions and tension, Darius's confession to Kenji felt so real. I swear I've seen/experienced one to one scenarios in my own adult life. It is despite this the confession felt like I watched the first cannonball blow through the hull of this story.

As most of you know the fandom was far from pleased with the pairing of Brooklynn and Kenji in the first series so I am grateful that they show not only allowed us to experience a glimpse into how wholesome their relationship was and how they genuinely DID work together only to have had them break up. It made it feel less like a retcon and more like a realistic path for a teenage to young adult romance to follow. Another thing that was important about their relationship was that Kenji was the one to end it.

Too often in this series Kenji has been dismissed as "the dumb one" by not only his friends but his own family. It occurs to a point where Kenji would have likely ended up agreeing with everyone else as to avoid being laughed at for having his own opinions. To have Kenji take matters into his own hands and put his own wellbeing first, to have him be the one to end things, makes me genuinely love and appreciate how these characters have matured and changed with time.

Now, back to Dinostar. I wouldn't have minded Darius and Brooklynn having a romance this series if there wasn't a previous relationship. Having a found family trope is one of my favourite things, but a trap that media falls into way too often is creating an incestious friend group dynamic. The reason why these sort of friend groups don't work out in highschool (which is where you will most commonly come across this dynamic) is because of the incurring jealousy. Jealousy breeds contempt. Having the original pairs maybe swing apart and then back together wouldn't cause as much as a rift as different friends falling for each other and causing strain on past and present couples.

I believe building up this relationship between Darius and Brooklynn will muddy this beautiful found family trope this show has built. Maybe the characters themselves will be fine with the end solution however I can't help but think the audience will be able to look at this show through a lense of reality and be sobered by the fact that having dinostar become cannon causes irreparable rifts.

[acourtofthought]

"lots of other characters that I'm pretty / wildly in love with, and I'd love the chance to tell their stories (and show other parts of their world)".

SJM was definitely in love with Nessian and while she was excited to tell their story, I wouldn't say they gave us a detailed look at "other parts of their world" outside of that which we'd seen through Feyre's pov. We had minor visits to the bog and continent but nothing new in terms of court related visits.

So who is a character she's wildly in love with that could take us elsewhere in their world?

Around 2:14, SJM talks of how Lucien has always been one of her favorite characters

In another interview she mentions how Lucien's character was based off Sam Heughan's portrayal of Jamie Fraser and she even thanks the actor in her ACOTAR acknowledgements.

Her love of Jamie Fraser is further confirmed in an interview from MuggleNet:

"I went to the Outlander castle. I’m the biggest Outlander fan, so I took a photo in front of that like “Maybe Jamie was standing here!”

So I think it's safe to say that Lucien falls under the above category AND he can take us to many different courts outside of the NC, the Human Lands and even the continent.

We also have SJM telling us that she'd love to write spin off books for both of the sisters someday. ⬇️

We have confirmation that she knew who the first two spin-off books were going to be about and that she'd already done research for Elain's book. There's also the mention that if SJM weren't an author she'd be a florist or DJ ⬇️

She writes how she lets her characters lead her, where she loves the times where she's subconsciously been planting seeds and there's an exciting moment of discovery when the character reveals themself to her ⬇️

Her explaining how Elucien became mates is exactly what she described above. And the notable similarities in ACOTAR for both Lucien and Elain before she even knew they were going to be Mates are (to me) some of the subconscious seeds she was referring to. ⬇️

SJM said the following of Elain: ⬇️

She tells us her energy would match well with Elain's. We have a response from her telling us she'd be a florist (a very Elain like career) in another life. We know she LOVES Outlander and the actor she said Lucien was based off of. SJM doesn't equal Elain and Lucien doesn't wholly equal Jamie Fraser but it's ridiculous not to see why she made them mates.

This isn't proof of an Elucien endgame but what it tells me is that Lucien is absolutely a real contender for Elain regardless of what it currently looks like.

Especially when she tells us this about Az:

"but I'm kinda scared of him".

I know she loves all her characters, she said she'd date all her characters but....she wrote Elain as being bothered by cruelty in SF, made sure to mention how cruel Az can be with his victims in SF, and the above interview is from ACOFAS (the same book where she had Rhys say Az sometimes scared the shit out of him). 🤷

This is also how she prefers her couples: ⬇️

That's definitely NOT what we see from Az towards Elain in SF. He doesn't view her as his equal when he says she shouldn't be exposed to the Trove, he doesn't view her as his equal when he gives himself credit for saving Elain but fails to mention everyone she saved, and he doesn't view her as his equal when he confirms he hides who he is from her.

And for the arguments that because E/riel wanted to kiss and Az questioned the Cauldron which must equal proof of love, I'm just going to add this:

It really doesn't matter what the relationship between two characters look like right now, in her own words SJM says she will find a way for the character (reader) to see what she wants them to see, making those red flags easily overlooked.

I don't think Elucien's find it all that difficult to spot the red flags between E/riel but even if some in the fandom disagree, it doesn't mean SJM wasn't been planning for it all along.

[acre-of-wheat]

Hi there! I was a bit late to the Willow fandom/Tanthamore ship, but I love your writing, adore NCI, very much appreciate you sharing your fics. One thing, though: in a reblog, you said you write NCI live on a discord server. I don’t think I understand what you mean, do you mind explaining that?

Oh, thank you! I'm glad you're enjoying the writing!

I'm part of a Tanthamore Discord that has a lot of writers, artists, fans, and friends in it. If you've been reading a lot of Tanthamore fanfic I'd bet you $20 that a fair number of those authors are in the server.

NCI happened in one of the discord channels where some of the authors do "live writing," which is when we get an idea and just start...writing it as it comes to us in the thread and folks react throughout. I wrote The Bite this way, and then due to an amusing miscommunication, I started live writing a story about Jade being a cam girl. Almost immediately I knew that Kit was going to be autistic, just based on how it felt to write it. In those first couple of chapters nothing was super planned out in advance, I'd just sit on the train to and from work and write in the thread and whatever happened happened! It's acquired a structure and beats in my mind by now, and certain things I'm writing to, and little snippets of text that I know will come in later, but 90% of it is still live written in the discord, because it was such a joy to start it that way and it's an incredibly unique writing experience.

The benefits of live writing for myself are that it forces me to stop agonizing over plot points, I don't get bogged down in editing, and it's exciting enough to keep me energized about the work. It's also such a fun community thing when we're all sort of gathered around the fire for storytelling time. It's improvisation, and I've always been decently good at that, and I think the live writing strengthens that skill. I recommend it!

If you're interested in joining the server, here's a link!

[prolix-yuy]

20 questions for fic writers

Thank you for the tag @oonajaeadira! Funny enough I saw this go around a couple months ago and meant to do it, then life got crazy. This seems like a great time to jump on in!

How many works do you have on ao3?

48! Wowza! That's not counting fics I only post here (like my Writers Iron Chefs and the Bangathon)

2. What's your total ao3 word count?

338,089. That's kind of crazy, I'm not gonna lie. And some of those words aren't filthy :P

3. What fandoms do you write for?

The Pedro Pascal Cinematic Universe!

4. Top 5 fics by kudos

Something New, One Very Good Night, Both Sides of the Door, A Sweet Response to Tragedy, and Good Company. 4 out of 5 of these are from I Think of You, which does warm my little heart. I did laugh that their popularity is completely out of order from the series.

5. Do you respond to comments?

Yes yes yes! Every single one I get! I'll even yank your tags out and comment on them when they make me especially happy. It's the best part of sharing my stories.

6. What is the fic you wrote with the angstiest ending?

TECHNICALLY One Very Good Night had the angstiest ending before I continued the series. Same with Cognitive Dissonance! Apparently I get to an angsty end then just write a part 2.

7. What is the fic you wrote with the happiest ending?

I think that's tied with the real ending to my Whiskey & Westworld series, and all the gooey soft fun of my Javi G series. Both make my heart glow in different ways.

8. Do you get hate on fics?

Knock on wood, nothing so far. I've gotten a couple of interpretations of my fics that have made me cock my head because I just don't think the person read the story, or if they did they skimmed over the character development part. But otherwise I've had a very nice time with everyone here <3

9. Do you write smut?

If you don't know by now, I'm not sure what you've been reading...

10. Craziest crossover?

100% Whiskey & Westworld. Golden Circle meets android theme park? Lusting over cowboys and having existential crises? It fit better than I ever thought it would and I still love the crap out of it.

(though as a side note, having Javi P be the person who helped Santi find his girls in the SW!Frankie AU is another fav)

11. Have you ever had a fic stolen?

I hope not? Yeesh.

12. Have you ever had a fic translated?

No, but that would be pretty neat!

13. Have you co-written a fic before?

No, but I have had the distinct pleasure of @psychedelic-ink writing a fic in the SW!Frankie AU that made my whole life.

14. All time favorite ship?

HELP I'M TORN. It's a tie between Din and my Reader in I Think of You and Dieter and Murch in Best Laid Plans. I think about both of them so so so much.

15. What's a WIP you want to finish but doubt you will

I have a handful of small WIPs in a folder that who knows if they'll come to fruition. I think the greatest contender is probably the Post-Apocalyptic Frankie I tossed around because The Last of Us came out and it might just meld into a Joel story instead.

16. What are your writing strengths?

I'm good at pacing and giving enough description to keep a reader engaged but not bogged down with details. People connect with my reader characters in a way that makes me super happy. And I write damn good smut.

17. What are your writing weaknesses?

I can't write outlines or my brain says "it's done :)" and I never write the story. I can't write out of order. I struggle with making characters have meaningful fights and arguments because I'm non-confrontational IRL and it makes me anxious.

18. Thoughts on dialogue in another language

Flavor! I love reading it! I tend to shy away from writing it because as someone who knows another language, it never feels natural to me to throw it in. Pet names are a nice way to use it, and I'll allude to speaking other languages in descriptions, but it's difficult so I tend to not add it much in my stories.

19. First fandom you wrote for

Gundam Wing when I was about eight or nine. Part of my username is in homage to that! My friends and I would write our fanfics and then read them all out loud at sleepovers together. Pre-internet, this was my Tumblr lol.

20. Favorite fic you've written

You know, I love all of my fics a whole damn lot, and my top ones are still hard favs. But I think for a story that came out of my heart in a really nice way and that I hold a little closer than the others, The Plan might just top them a tiny bit.

NP tags: @iamskyereads @psychedelic-ink @julesonrecord @wannab-urs @ezrasbirdie and anyone who wants to play!

[mdhwrites]

Going back through TOH's episodes, it strikes me how boring they are. Part of the problem seems to be how criminally unfunny the show is, generally speaking. I can count how many times I've laughed on one hand. In fact I can list them:

There was the "It's been my dream since I was a boy" guy pushing kids off cliffs (Moving Hassle), Luz's "He'll be fine" after throwing Hunter overboard - and then his subsequent re-entry (Hunting Palismen) - and lastly Luz tumbling offscreen in front of Amity after a spider crawls on her face (Grom). That's 3 scenes, 4 jokes if we're being charitable. And sure, maybe my sense of humour is just incompatible with TOH's and I'm being harsh.

But I can't deny that I just feel like there's no rewatch value in TOH? Like it's just... the jokes are so bad to the point it's not fun, it's not entertaining, it's a slog, I see no value in retreading the same ground. And I am a SERIAL rewatcher! This is coming from someone who spends maybe 85% of their time experiencing the same stories! I love seeing well-done media all over again, because even if I know what's going to happen or what they will say, a well-structured joke or a skillfully delivered line is still gonna engage me.

I can't even recommend the show to anyone because I HAVE in the past... and what ends up happening is they watch the first couple episodes, get bored, go "I recognize that you like this, but it's not my thing" and drop it. And I CAN'T BLAME THAT! Because that's how I reacted too when I got into the show! I only stuck with it because it seemed like it was going really interesting places. And it tried to, I think, and failed.

I'm also a very fandom-heavy person so TOH's boring episodes have made it increasingly harder for me to stay within it. Because I'm not rewatching anything, I can see myself in real time as I forget more and more of the plotlines, and even a lot of the characters. It's just... kind of disappointing. It's like I just had a gradual fizzling out of interest. I don't even hate the show, which might be better in some ways - instead I just can't muster enough shits to feel any type of way towards it.

I rambled a bit but I guess my ultimate ask here was: what are your thoughts on whether or not TOH manages to entertain new/old viewers?

So I like S1. I think the characters are what carry it and that they are at their most interesting, EASILY, in S1.

The vast majority of S1, in terms of concepts and executions for plots, is OKAY AT BEST.

This actually just comes down to a simple tonal decision of TOH and also just the fact that a boring world with boring magic creates little to do with bog standard plots and TOH actually has a LOT of bog standard plotting. It is a pretty classic story structurally and takes genuinely very few risks in the structure... Which is okay in theory.

There is nothing wrong with not reinventing the wheel and TOH talks a big game about subverting tropes but no. As a fantasy fan, I can tell you this is EXCEPTIONALLY normal. Like... Insultingly from how much it talks a big game. Especially because if you're going to do classic, you have three options: Shoot the moon, lean into the unique elements of your concept or do it VERY. VERY. WELL.

And remember: They did a body swap episode and it is one of the most hated episodes of the entire show. That's not a good sign.

But this touches on the second problem I brought up: This is a boring world with boring magic. Because TOH's fantasy world is so basic, has little magic and little flair with its magic, it inherently limits what it can do. Now, it doesn't have to be this way but the show made it this way with how little we see of it, how limited it is (like how plant magic is 99% vines), and how often it just blatantly makes one to one comparisons between it and our world with effectively NOTHING altered like how the covens are just jobs, right down to them being introduced through a job fair and a boring one at that.

So when we look at a classic episode concept like the body swap episode, the three plots are... Easily replicated elsewhere. One person gets in trouble in the swap's job because they don't know what they're doing (with the most unique twist of this actually landing them in prison), a classic animal plot where they're taken in by a place that seems cozy and then isn't with literally no changes, and finally... Teenager pisses off bullies and agrees to jump DEAD MAN'S GORGE! But instead of skateboards and people really building it up, its rat beasts.

None of these plots are actually bad, they're go tos for a reason, but... No one is bringing anything special to this. Luz is entirely ignored so her character may as well not matter, Eda is doing NOTHING to add to her plot and King... King is fun for about two minutes leading the bullies and otherwise is just any other character in this situation. It's not bad, I personally enjoy parts of the episode... But it's nothing special. From the second the thing that X character is going to do is revealed, you can guess every step of the plot and they don't even really throw in good jokes in the process. A couple jokes but nothing memorable because everything is weirdly subdued compared to how other shows would be, even in an episode that is definitely trying to be more over the top.

And this runs into the inherent tonal issue of TOH: It doesn't want to be an adventure comedy. Those are genres that are commonly really over the top. They hear jump the shark and go "How about a shark jumping ten other sharks in order to finish making a can of tuna for their fire giant overlord?" And the face of this fact, in that the genres it pitches itself as for the first two episodes!

TOH flatly refuses to be silly and over the top. It's characters are very... 'realistic'. I don't mean real, just that they're meant to feel more mature by being more in control. They don't let them interrupt each other for a joke, they don't let a character be potentially OOC for a one off gag like Hop Pop screaming "EAT THE RICH!" or Sprig asking "Have you ever killed a a man, Hop Pop," and I can only think of one time Luz got mad for the sake of a joke and honestly, yelling about the Rusty Smidge barely comes across as a joke because of how genuine the anger feels after a point. Otherwise, stuff that would normally get exaggerated frustration or the like to at least let you laugh at the reaction just... doesn't get one, like how Luz yells about Luzura being killed off but then... Just walks off and is passive aggressive mostly instead of even exasperated. For a drama or romance, this is not a bad approach but for even just an adventure kid's show... It's not great to put it mildly because people meet odd situations with weird levels of nonchalance. Not quite irony poisoned levels but getting there.

It's why TOH is mostly remembered for the romance and drama episodes. Not only do they allow some of the romance scenes to actually include melodrama, they also just fit how the characters act better. It's why Amity has some of the biggest emotions of the series and why Lumity have such great lines between each other because they're actually willing to lean into the sort of genre fiction that they're doing. This is also why S2 works better than S1 because a lot of the pretense of being a comedy adventure gets dropped but like... There's still plenty of boring in S2 with stuff like how Elsewhere Elsewhen takes time travel and includes a couple jokes at the beginning and then is just... horribly bland and barely qualifies as an adventure.

This lack of allowing people to be emotional and jokey also leads to the reliance on comic relief characters. People like Gus, King or Hooty, or S2 Lilith, who the characters can mock in someway, including the writers. Characters who can be the punchline even if it means a lot of people come off a lot meaner than they should, i.e. Luz absolutely rejecting Hooty for the vast majority of the series despite supposedly liking the weird and rejected. That also means that most of the time they're not on screen, either the scene starts getting pretty dry or you have a character suddenly warp to be comic relief, like how Eda gets in some S2 episodes like Elsewhere Elsewhen or Eclipse Lake where suddenly she's MUCH more of a joke than she normally is and also REALLY bad at it too and seeming potentially brain dead for it. Thanks to Them even does this to Amity even though she is probably the last person in the cast to make sense as a sudden clutz.

All of this stuff makes it so that if you go in wanting a kid's show, a fantasy show, ANYTHING that is pitched in the first episode... S1 is going to be just okay to you. I enjoyed it... But I also fell off when I first watched it. I thought the characters were good but none of it stuck with me as actually memorable and I watched until I think Adventure in the Elements. I never was never compelled to come back until Lumity animations (literally THE Little Miss Perfect animatic that is nowadays probably hard to find actually) made me go "I remember this show being neat." And Lumity was what kept me, not because I was generally laughing or calling these episodes something special. In fact, that sense of unsatisfaction is probably why I watched through it faster than Amphibia. No one episode of TOH is really great to watch on its own because... It's just kind of boring, or like half of it is boring because the B plots across the board are SO BLAND. S1 or 2 for that matter since Lumity starts getting boring B plots like with the archives or finding out the author of Azura. Both concepts btw that could have been really interesting setups and instead... If you're not into blushing Amity, get FUUUUUCKED.

That's without getting into REPETITION. Repetition kills comedy so King having one joke for S1 and also taking up like half of the B plots for the first ten episodes means you are going to be in agony eventually anytime someone talks to him because you know where it's going and you have DEFINITELY heard this joke before. And you know, he also gets three repetitive B plots which just hurts the joke even more, even as they try to make twists on it, and hurts the feeling that the show is doing... Anything..

It's just not good. Which is probably why once the characters and the 'subversive/unique' elements of the show both weakened, more and more people left because... Why would you keep watching this then? Those elements are what made up for boring plots with boring execution in a world that didn't allow for more interesting storytelling because it had few ideas and expanded on NONE OF THEM. So of course people pitch it using the elements that say "this isn't like other kids shows/fantasy shows" because if you pitch it to people who like those... They'll just be disappointed eventually and bored quickly. Like i think a lot of people did to be quite honest.

And a lack of creativity, and a lack of genre understanding, isn't something time could have ever fixed.

======+++++======

The short version of proving this point btw is going "Compare Bumi's introductory episode, which is a character giving three trials to prove another's worth, versus when the Bat Queen challenges Luz. One is exceptionally funny, interesting and has genuinely interesting twists while the other is... There. So very there. Painfully just... there. Not even bad, just... There.

Also, yes, comedy is extremely subjective which is why I tried to talk more about how a lot of these premises are boring because that can be a bit more objective.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past.

I have an Ao3 for my fanfiction projects as well if that catches your fancy instead.

If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[aquaquadrant]

Hiii question!!!

What would the hels be for each member of the soup group, and what part of the original players do they represent?

I remember we know Pearl's already, but I forgot her name and what trait she is. I think it was something about 5 am Pearl with less chill?

Impulse.. I don't think we've met his yet? My guess just knowing Impulse probably has something to do with pettiness and also untrustworthiness (3rd life)?

And Gem! This is who I was really asking about but I decided to add the rest of the soup group in because why not :) My guess is that it has something relating to Geminislay? I would also assume based on 4+ years of watching her that her hels counterpart would likely being very sarcastic and have very dry humour. Like the rare times Gem pulls the sassy card are always hilarious and I think that hels!Gem should get to speak like that all the time :)

Also would you be okay with me taking this au/universe and writing some of my own stuff using different characters? As of right now I don't think I'll actually post it anywhere, but I have a lot of silly ideas mainly regarding the soup group and empires crew, but since this is you and Lunar's au I wanted to ask first before actually going anywhere with them <3

oooooo ok so first off, absolutely. while i’ve done a lot of worldbuilding for the HTP au, i def don’t own the concept of hels or helsmits- that was a gift bestowed to the fandom by welsknight and my interpretations are just one of many. all i can claim to really own are my original versions of the helsmits, who again, are one of many, and my storyline. so i’ve got no prob w you doing your own thing, and if i did, that’d be pretty unreasonable of me imo.

BUT YES, soup group. so we’ve actually met both pearl and impulse’s hels so far in ‘from eden,’ though only very very briefly. pearl’s hels is opalescentmoth, a giant monstrous moth hybrid who lives in a cave and eats players that come across her. she’s huge and has big fuzzy wings and antennae and multiple arms and massive compound eyes. her defining traits would be unhinged-ness (??? however you’d say it) and silliness. so yup, basically 5 am pearl all the time, but now she’s a man-eating monster.

impulse’s hels was introduced more subtly via a chat convo as instinctEV, atlas’s rival in the redstone business. he’s a demon like impulse is in this au, but with all his demon attributes cranked up to 11. big scary boi. horns, fangs, glowing eyes, forked tongue, forked tail, maybe even some kinda freaky demon legs, the works. but one of instinct’s defining traits is insincerity, so he sorta throws ppl off with his supposedly kind demeanor. in reality he’s more preoccupied with his other defining trait, hyper-efficiency, and only cares about other players so long as he can use them.

now, neither gem nor her hels have showed up in the au so far and probably never will. i do have a vague concept for her tho. i’ve always pictured gem as some variation of deer hybrid, whether it’s just an elf with antlers, a faun, or full-on cervitaur. so her hels is capricornslay, a unicorn hybrid (yes i know the actual capricorn sign is a goat, don’t come for me). i haven’t nailed down her traits, mind you, just the Aesthetic. she’s a centaur with a horn, and she’s like the old-fashioned unicorns on medieval tapestries and the side of vans, all delicate with the cloven hooves and lion-like tail. big ‘the last unicorn’ vibes. but her deceptive beauty and gentleness belies a hidden viciousness. she portrays the dark side of the forest, like that creepy old bog and mossy decay vibe, while gem portrays the light side of the forest, the cheer and vibrancy and life. cottagecore and dark cottagecore, u know the vibes.

[piratecaptainscaptainpirates]

Hi! I adore all your writing so much. <3 I was wondering if you have any thoughts on specifically writing smut? I have some planned in one of my fics but I'm honestly kind of nervous about whether I'll be any good at it? Your smut is especially delicious (the Eight Nights fic was exquisite).

Hey there! I'm so glad you like my fics, I'm always happy to see you when I publish one! <3

And yeah, sure! Before this fandom, could you believe I almost never wrote sex scenes? Now they're some of my favorite scenes to write (as anyone who follows my work can probably tell). The biggest piece of advice I have is that that nervousness is so so so normal, I used to feel very insecure about my sex scenes like every single time, so don't let that stop you!

More concrete thoughts I have for writing sex scenes:

Honestly, I'm surprised I don't see more people talking about this one, but write what works for you. If your goal is to write a hot, sexy, sweet scene, literally just follow your heart. Don't worry about the kinds of scenes others are writing, write what appeals most to you and I think the authenticity will shine through.

It's so easy for sex scenes to get bogged down in descriptors of movements and positions and things like that in a way that paradoxically can make it hard to keep up with who's doing what and how they're positioned. I find keeping it simple is better; err on the side of less technical description and you'll find a good balance usually.

Focus on smaller things. Specific sensations, smells, sounds, small actions. I think it's the small details, like Ed clenching the fabric of his skirt in his hands as he gets railed or Stede fondly ruffling his fingers through Ed's leg hair, that add so much life and detail to these moments.

On that note, I like most sex scenes to feel like we're getting a peek into an intimate moment. Let 'em fumble and be awkward and crack jokes and be overwhelmed by how much they're feeling! It's the little things that I think really drive home how much these two love and adore each other.

Let your characters think about their feelings! I often want my sex scenes to communicate an emotion - trust, security, safety, etc. Sometimes the point is just that they fuck, but I don't like skimping on the emotion - sex scenes can tell us important things about the characters and the headspace they're in!

Oof this got long, sorry! I really like writing sex scenes. Thanks so much for your ask, and all the best with your fic!