Probably too much filth but idc I have THOUGHTS and I needed you to hear them.
I know there have been discussions about fucking Eddie with the neglectful wife, but I've been thinking about it as Steve too. He and his wife were a business power couple pulled together by their parents because it just ~fit~ but he's been miserable because he wants a housewife, wants someone soft and warm to come home to. And he wants kids, wants a family to be proud of and love and spoil endlessly with all this money he's taking in. But divorce would leave him alone and he's already so fucking lonely as it is that he doesn't think he can take it.
Then you're hired over the summer as the new housekeeper, an easy job after graduating university, and while you're amazing at keeping the house tidy, you also make it feel more home-y and Steve can't help but notice it. Can't help but notice the way you've rearranged his ties so they're easy to match with his suits, the way you've tidied his home office to make it easier for him to find what he needs just based off an idle comment you hear him make once when he's working from home. It starts with lunches together when he's home, you always offering to make him something when he's busy, and then you're spending more time chatting with him in his office or when your shift is technically over.
He can't stop thinking about you. That faceless housewife of his dreams starts to look like you, the kids he wants to have start to have your eyes or your hair, and you're thinking about him too. How sweet and soft he can be, how much you want to take care of him, not just his house, and it snaps one night over drinks when his wife is working late. He fucks you hard in their huge bed, pins you down and stretches you open so wide you know you've been ruined for anyone else and he knows it too ("Yeah, darling, know that none of those other boys ever fucked you like this, right? This needy little pussy needs to be spoiled properly.") He starts working from home more just to be near you, to see you smile when you bring him tea after a long work call because you know his voice is scratchy, to hear you choke on his cock when you're blowing him under his desk as he reviews something, to tease you by stealing your panties after he's fucked you up against the wall so you're left to walk around with his load still dripping out of you.
He finally calls that divorce lawyer friend of his on a work trip that he snuck you along for, watching you sleep in the big hotel bed as he smokes on the balcony. He sets up a meeting for next week and then goes back inside, drags the fluffy comforter down so he can see all of you, rolls you onto your tummy and squishes you into the mattress as he slides in slow, wanting you to wake up to the stretch. You're still wet from last night, when you'd ridden him until your legs couldn't lift you up anymore, so it's easy for him to get his thick cock inside your pussy this morning. He smiles into your shoulder when you squirm, letting out a whiny little "Stevie?" that gets drowned out in the pillow.
He sucks a bruise into the crook of your neck because you don't have to hide anything this week and he wants proof that you're his. He grinds against your plump little ass, purrs out "Morning, sweetheart, got good news for you" so gentle and tender. You're already slipping, always cock drunk as soon as he's inside you, and he loves the way you whine louder when he works his hand under you to find your swollen clit. "Meeting with a lawyer when we get home, finally gonna leave her. And I think that means we should make a trade, yeah? A nice little deal, the kind you can't turn down."
"A deal?" you'd agree to just about anything if it meant him starting to move, starting to properly fuck you.
"Yeah, darling. Figure that I buy us a new house to make our own and give you my name, and in return," he pulls out almost all the way, leaving just the tip of his cock inside you, and then slams in hard, presses his lips against your ear and says, "In return, you throw those pills out and make me a real daddy. Sound good?"
You know a good deal when you hear one.
oh lord. oh my. oh me. oh dear. hhhhhh OUYGHHHHHHGG
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ghost fucking soap so hard and so good he passes out but he utterly panics about it
he thinks he must’ve ignored soap asking to stop; was it pain that made him pass out? how bad could it have been to make him pass out when he’s been shot and kept going? should he bring him to medical? he’ll never touch him again, he’ll never so much as look at him again; he’ll ask for a transfer- fuck that, a dishonourable discharge. there’s no coming back from this
he spirals, guilt chasing hatred chasing despair chasing fear, until soap finally wakes back up
soap's still floating, loose-limbed and buzzing; fucked so thoroughly out of his head that it takes him a while to notice ghost isn't in bed with him anymore. he frowns, lifting a heavy head off the pillow and freezes. ghost's on the other side of the room, curled up tight in the corner as far away from soap as he could get without leaving him alone
(he would've left, would've made sure soap never had to see his face again and be reminded of what he did to him, of the monster he’d let into his bed- but he couldn't just leave him unconscious; what if he didn't wake up, he had to make sure he was safe first even if he'll rightfully hate him forever when he does wake up)
soap's voice when he calls out to him makes him flinch, his head burying deeper in his knees. cold worry chases the bliss from his blood and soap pushes himself up but his shaking arms can't hold his weight
the sound of him collapsing back onto the bed makes ghost rear up, his panic growing and soap's heart breaks at his red rimmed eyes
it takes a long time for soap to coax him back to the bed, countless loops of, "sweetheart, please, come here, what happened? it's okay, everything’s going to be okay.”
(and how ghost’s self-hatred grows hearing soap comforting him; hearing the concern and love in his voice when he doesn’t deserve a drop of it)
it takes even longer for ghost to believe soap when he says that he passed out because he felt so good; that he never asked ghost to stop, never wanted him to stop. that he trusts him more than anything and knows he'd rather die than ever hurt him, especially like that
“you’re not a monster, love,” he promises, soft with conviction and it’s as much a surrender as a relief when he collapses into his lap and lets him hold him close
ghost believes johnny but he still can't bring himself to be intimate with him for a while; that fear still haunting him, but soap doesn't hold it against him, doesn't complain about ghost's perceived "step back" in their relationship
hell, ghost seems to hate it more than he does; he misses being with soap, misses the connection, the closeness they shared, the safety and quiet he found in his embrace, but he's always trusted soap more than he trusts himself
soap doesn't let him be consumed by his fear or worse, sabotage them and turn it into a punishment; doesn't let him even get through the suggestion of switching because he knows how much he hates it and he won’t let him twist something as good and pure as their physical love into something self-harming
instead, he brings them back to the basics, working through the steps to get ghost comfortable with intimacy again, to get him to trust himself again; spends happy months just grinding and exchanging handjobs like when their relationship first started
and it's a happy day for them both when soap finally falls apart on his cock once again, anxiety the farthest thing from ghost's mind when his arms are wrapped so tightly around him, kissing a smile against his lips
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talking to normal people about mha is always so enlightening because someone told me they didn't like season six and i was like???? THE BIBLE??????? YOU DONT LIKE THE BIBLE??? BAKUGOU KATSUKI RISING?? THE APOLOGY??? THE CHASING AFTER HIM TO FIGHT SHIGARAKI, THE REVEAL KATSUKI HAS BEEN WORRIED ABOUT IZUKU, IZUKU'S FERAL RAGE WHEN KATSUKI IS STABBED, KATSUKI BEING THE ONE TO FIND IZUKU AND THEN THE ONE TO BRING HIM HOME??? YOU DONT ENJOY THE SACRED TEXTS?? and then i'm like oh right not everyone is a fujoshi high on that sweet, sweet bkdk yaoi
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im bored of animal crossing will be drawing gj again will be mental illness-ing once more.
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let him fish in peace, he earned it....
Vetted Gaza Evacuation Fundraiser List
E-sims donation
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Every single time I draw for an anime I think to myself "never again will I draw for an anime" and then I am proven wrong. So here, take my daughter Lulu.
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man
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Ngl as a small business owner who puts out something extremely pirate-able and who has never earned enough to make a pay check, this...
...is extremely upsetting.
Do y'all realize that most small business are maybe a handful of people? Do y'all realize that company's like LLCs exist to protect owners from legal and financial repercussions if the company falls apart? I'm not a company because I have stockholders, I'm a company so that if the business goes bankrupt the banks can't seize my fucking house. It's not evil to use existing legal structures to protect my family's assets. It's not unreasonable to ask people not to steal from businesses like mine.
It's like on Tumblr when it's One Artist or One Author Doing The Thing Themself you guys are all about it but the minute anyone tries to collectivize to do better we go from One Person Against The World to The Embodiment of Capitistic Evil with no in between, which is especially insane coming from the website that claims to think individualism has turned toxic and we should do more with community organization. The minute lots of people are involved in a business, there HAS to be legal structures like contracts and shit to protect the people involved. The Lone Creator Forging a Path is great for that one person. What about everyone else?
And so... some of us try to make a company to lift up a group.
And then I see shit takes like this.
Maybe. Maybe DONT fucking pirate from literally anyone just cause they've got the word "company" I'm the name?
Maybe remember that for small businesses, yes even when they're a company, there's a single person, or a family, or a group of friends, who are working their asses off to build something, and actually? Stealing from them makes you a FUCKING DICK.
Like. You realize we're just people right? Other regular people trying to survive the dystopian hellscape that is the now?
Maybe stop acting like you're automatically entitled to the labor and creations of others solely because you've decided that there is an entire huge category of people it's okay to steal from.
Like honestly. What the fuck.
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Was gonna write a long ass post about this but honestly I think I've said everything that could be said but it is really insane to me still that Hank McCoy loved the X-Men enough to torture, kill, assault and betray anyone that needed torturing, killing, assaulting or betrayed, but he didn't love them half as much as he loved Simon Williams. Isn't it insane that Simon was the only man in the 5 years we've seen him descend to give him something resembling a conscience, to make him give up everything if it meant Simon would be safe. Isn't that fucking insane.
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5 for the isat ask game!
5 - What's your favorite optional event?
VERY TOUGH ONE TO ANSWER. I'm gonna go right ahead and disqualify twohats bc it's a predictable answer. If I had to choose just one though I think it'd probably be the sus event. It really got my goat on my first playthrough bc I didn't realize you had to do it in ACT 4. If I remember correctly I think sus is the only optional event locked to ACT 4??? Now that I've actually done it though I'm quite fond of it.
Sus event is one that you really have to go out of your way to do. It kind of reminds me of the True Ending in SASASAP but More and I'm sure that's intentional. Like the requirements for sus quest necessitate that you're going to do it, if not the loop before ACT 5, very soon before it. You have to know pretty much everything about Time Craft and Wish Craft already, so whatever you're doing in the loops now is basically taking out any optional stuff before you hit the end. You have to pretty thoroughly remember how the script goes just so you know all the best ways to break it. I feel like if the True Ending route is Loop going through the motions so many times that they can't deal with holding their facade together any longer, the sus route is Siffrin waving a big red flag around for help. There's just no way you're going to stumble into sus without preplanning what to do to rack up your points and make Odile aware of how Wish Craft works.
So I think it's interesting how much Siffrin pushes back against Odile trying to figure him out. It's a pattern of behavior that I am well aware of where you're desperately going "HELP ME" but you're not willing to accept it when it's offered to you.
Siffrin spends an entire loop screwing everything up, to a point that's frankly kind of egregious even by Late Stage Timeloopers standards, and then they can't reckon with the consequences of it. I don't think sus event is as intentional of a cry for help for Siffrin as it is the player, mind you. But I do think it's. Very tragic. Yeah of course "it's too late" in the sense that Siffrin's about to talk to Euphie and the whole journey will end, but moreso it's that by the time that Odile can piece together all the information necessary to figure Siffrin out, Siffrin is just far too deeply entrenched in his self hatred and fear of abandonment to be dug out. I think if Odile could somehow figure it out in, like, early ACT 3, or if Isabeau was just a bit more pushy in getting Siffrin to do a feelings talk, maybe they'd actually be able to reach Siffrin a little. But they're always just a little too late, every single time.
I think the fact that you start really getting a bunch of weird points in ACT 3 gives this event a lot of buildup. For potential dozens of loops you'll see Odile brush against the truth of the situation, and then just barely miss. By the time she figures it out, it's too late. Explodes
Expounded upon slightly more in tags bc I don't like typing in post bodies I feel like a fish on land. eek
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i literally read the book of bill days ago but its only now kinda hitting me how fucked ford and bills whole thing was though cause ford literally talks about being so unable to sleep (to try to keep bill away), and when sleep inevitably caught up to him, he would wake up to his body abused and things messed with and he just couldnt seem to find an escape (and he literally didnt get to truly escape until 30 years later)
(also keeping people awake for unhealthily long periods of time is another tactic used to mess with and control people because of how it impairs brain function)
listing off the things we see in those few pages in the book of bill:
i mean, punching and scratching at a steel door for hours would be so damaging to your hands and probably hurt like hell for at least 2 days after. then bill says he was hitting fords head against a wall, though its said in a post-it as if its a joke, but he also isnt exactly above doing that, and honestly he says most things like its a joke.
i also dont need to say 'bill really doesnt know how to take no for an answer' because he makes that very clear in literally any interaction we see with him.
bill literally puts a venomous snake near ford while fords asleep, which could have killed him if he wasnt lucky+skilled enough to deal with it.
he nearly gives ford hypothermia, and in the same action actively threatens ford with the idea of making him jump off of a high spot, and like ford says, doesnt do it just so he can send a message to ford about how hes the one in control.
he gets ford in trouble with not only the law, but also with other people that are probably not very happy with him after. he mutilates fords body in several ways, and i dont think i need to go into detail on them because theyre... so ew. and he even exposes part of fords body to the world. like, its just taking his shirt off, but thats still showing off his body in a way that he didnt agree to or want
and then he attempts to (or purposefully fails to) call stan, using fords voice to threaten suicide and tell stan that ford never loved him.
and he punctuates it with a final power move, in a hallucination that he creates, hes messing with stans memories and making him feel like his body was basically about to implode
and like. okay, we all joke about toxic old man yaoi, and its a good joke and toxic old man yaoi is great and its an interesting ship, but holy fuck.
like. to say the absolute least, that had to be so, so deeply violating. its no wonder that when we see ford in the past, when he finally contacts stan, he looks like hes on the verge of shattering into a million pieces. he just went through, and still wasnt yet out of, some deeply abusive shit.
like... everything coming out lately both in this book and what ive heard is on the website, mixed with what we already knew from the show itself... the stans are both so, so fucking tragic dude. their whole lives were thrown away over things that really didnt even need to be the way they were, and then they both get into situations that are pretty damn screwed, and those situations follow them for the rest of their lives. its basically a miracle that things worked out in the end for them.
i dont really have a point, i just had to talk about all that. i read almost all of the book of bill in one sitting, and while i was really enjoying it, i was also getting kind of tired of sitting in one spot only doing this one thing for several hours straight. i still felt a lot of the emotional bits of it of course, but man this part specifically just really didnt hit me until now.
i mean, to say the absolute least, i know what its like to feel violated in a similar way, though not anywhere near to the extent of what he went through at all. someone get that man some therapy got damn
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hot take, mike and el arent in love, because they are fourteen
well i guess mike is fifteen but still like as someone who has been fourteen/fifteen
GUESS WHO I WAS NOT DATING:
A. THE LOVE OF MY LIFE
B. MY FUTURE SIGNIFICANT OTHER
C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT
D. ALL OF THE ABOVE
(the answer is D by the way)
LIKE Y'ALL THEY ARE FOURTEEN
THEY MET WHEN THEY WERE TWELVE
"I knew right then and there in that moment that I loved you" MY ASS
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my sweet little baby man is no longer with us
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working on the Lights Out outline is so fun because there's always a new Thought that makes things more complicated but i want to include it so. this is a hell of my own design
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In the wake of the IA situation, I've seen a lot more posts circulating about using your local library and I just. Sigh
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