#i feel like i am learning to love again

[neptunejheart]

Lately it feels like my heart is melting. It is as if the iciness I once used to protect myself is melting and my true heart is being revealed. I am not sure how to feel about it, however it is progress.

[lazylittledragon]

do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great

i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually

[sysig]

Two skeletons in a trench lab coat (Patreon)

Bonus:

He’s very careful! Everything was fine before you interrupted!

[cerise-on-top]

König Teasing Reader in His Dialect

I finally got around to writing for König being sappy with his S/O in his native tongue! Native dialect, in fact!! I'm not gonna include any translations for this one! And don't bother putting it in Google Translate either, it won't work :3c

“Du host so a liabes Gschau.”

A gentle twilight it was, the sky donning a beautiful coat of orange. With the few fluffy clouds floating by, you watched your boyfriend glow in the soft evening light. It was almost magical, the way the sun set behind the mountains, the way it created a halo of utmost pulchritude on König. He was a rough man, who found it within himself to be as gentle as one would never imagine. His hands were calloused, but the way he caressed your face made it seem as though he was a lover by nature. Although he may have killed more people than you have ever known in your lifetime, that fact barely came to mind when his voice would call for you. Strong his accent, yes, but with it came a sense of familiarity that you would get nowhere else. König was a beautiful man. If you could have, then you would have knelt in front of him, allowing him to tread his fingers through your locks. If you could have, you would have slung your arms around him, burying yourself in his warmth and scent. But alas, all that came to mind was confusion. What did he say this time?

“You know my German isn’t that good just yet. You gotta be patient with me. Can you translate?”

With a certain glimmer in his eyes, he smiled as he shook his head. “No, I’ll let you figure this one out. It would be boring if I translated everything for you.” But even so, he walked towards you, quiet as a cat, hunting for its prey. All there was to devour was you, unity through the purpose of consuming one another. He stood still in front of you, eyes almost hazy as he seemed a little unfocused. He was a hunter, but whenever you were around he laid his weapon to rest, craving your attention more than he felt the bloodlust. You calmed him more than any restful night ever could. Your touch was the remedy for his loneliness, his fear, his anger. And this time, it was his turn to repay you, gently running his thumb across your cheek.

“Du bist mei ois. Für di leib i. I bin dir so vü schuidig. Söbst wenn i dir die Wöd gebn darad, warads ned genug. Danke für ois. Bitte bleib bei mir so laung wies nur geht. Hah, i reid grod so vü Scheiße, aba des stört mi ned. Du mochst mi so fertig, aber i hob di so lieb. Eigentlich wuid i heite schiacha zu dir sein, oba i kauns afoch ned. I bin so verliebt in di.”

Should you feel angry at him? For all you knew he could have been cursing you worse than any string of English words ever could. And yet, his expression betrayed him. That gentle smile, that soft gaze, that tender touch. König let out a content sigh, placing his hands atop your shoulders. It was evident he wanted something, he wanted more, but all he could do was stare as love overtook every fiber of his being. In that moment, he wasn’t a hunter, he wasn’t a fighter, he wasn’t a soldier. If there was one thing he could call himself, it was yours. Your boyfriend, your partner, your loved one. It didn’t matter as long as it was in relation to you. He pulled you into a tight embrace. His pride was a wall made of steel, but you burned yourself through the metal and settled down in his heart. All you knew was that he was so much kinder towards you than he gave himself credit for.

“Love, I’ve got no idea what you’re saying.”

“Brauchst a ned. I wü afoch nur so mit dir bleibn. I mechat di für imma so hoitn. Du bist so liab. I hob so vü Scheiße im Militär durchgmocht, oba es wor’s ma ois wert wal i di kennanglernt hob. I darad ois no amoi so mochn. Bitte sei ma ned bes, oba i glab es is gscheita wennst ned wast, wos i grod sog. Du suist mi ned als schwochn Maun sehn. Oba nur damit du’s wast, es gibt kan Menschn auf dera Wöd, den i liaba hob als di. I hoff, dass ma ewig zaumbleibm kennan.”

“Are you being sappy right now?”

But the only response you got was him holding onto you as though you were a beautiful, fleeting memory. Wrapping your arms around him in return, you resigned yourself to your fate. He could so very easily snap you in half, and yet he chose to use his strength to make you feel protected. Indeed, König was a different man with you. You knew him as the anxious colonel that was still capable of leading people. Deadly precise, viciously efficient, always successful. And today he felt as giddy as a child watching its first rainbow, all because he was with you.

“Ich hab dich ganz doll lieb.”

Finally, some words you could understand.

“Love you too, König.”

[seagull-scribbles]

“Ain’t turtles supposed to be endangered?”

“Only the ones who can’t do this!”

[auriidae]

goofy hermit doodles!! because uhh why not!!

[wistfulwatcher]

2.08 IT CHOOSES | 1.03 THE DOLLHOUSE

[stormyoceans]

LINE READING SO DEVASTATING I NEED TO DIE ABOUT IT

[hauntingofhouses]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended up being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

thus, when i refer to mizu as nonbinary, i am interpreting mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that when i say nonbinary, it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

okay before i go deeper i'd just like to address some important things. first of all, this post is an analysis of canon, and thus everything i am arguing for is about my own interpretation of the show, and not some baseless projected headcanon i am projecting onto the character. please remember there is a difference between an interpretation (subjective; interpretations will differ from viewer to viewer, but ultimately it is firmly rooted in evidence taken from the source material) VS a headcanon (unrelated and often even contrary to what is presented in canon; opinions wildly differ and they cannot be argued for because there is no canonical evidence to back it up).

ALSO please note that nonbinary is an umbrella term. this means that it applies to a vast range of gender identities. other identities that fall under the nonbinary umbrella include agender, bigender, genderfluid, and so on. however, it's my personal preference to use the term nonbinary as it is, simply because i'm not a fan of microlabels (more power to you if you do like them and find they suit you more though!).

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no singular way to identify as anything, as everyone's views on gender, especially their own, is specific and personal to the individual.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading of the text. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or not always transmasc because i still believe femininity and womanhood is a very inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised racial identity, hates herself for being a racial Other. hates that she has no home in her homeland. thus it is important to note that these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns for her, but this is a personal preference. i find it's easier to use in fanfic (singular they is confusing to write stories with, but again, that's just my feelings on it, and this is coming from someone who uses they/they pronouns). i also lean towards she/her because it's what the creators and all the official promotional copywriting of the show uses. and even though i am a "death to the author" enjoyer, i feel that when interpreting things that are left open-ended, it does help to look at the creators' take on things. also because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does, constantly.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my argument.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[crossbackpoke-check]

Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman

part one | part two

[kaidanalenkosprmanager]

THE BEST OF SHENKO 1/?

The end of the world has a way of reminding you of all the things you forgot to say do. Mass Effect: Legendary Edition (2021)

[jyminie]

Just finished the trials of Apollo and I NEED TO TALK ABOUT IT

These books were so different to me because they directly revolved around a topic Rick clearly wanted to touch - abuse. Specifically, familial abuse. Personally I think he’d done it gracefully in a way that really sinks in for me now, but I’m not a victim of abuse and don’t pretend to understand the subject.

Regardless, I think the way Rick wrote Apollo, Lester, was absolute perfection. There’s an art to writing a literal god in first person perspective, and have him be one of the most human characters in the entire franchise.

Lester STRUGGLES. And he’s not perfect at all, he doesn’t even begin to understand everything at the start - not the world, not consequences, not the stakes and not the people around him. But fuck he learns, he learns the hard way, the only way, by doing. And it’s not a linear journey either - between book 1 and his more or less lucid identity in book 5, he goes back and forth between learning, and relapsing to his old ways, and learning again, and trusting and understand and rising victorious in all the confusion. He doesn’t shy away from his emotions - he cries a lot, and gets frustrated, and laughs. He learns to feel for other people. But he also learns to heal himself. And he does it by helping others heal, too.

To me, this red thread tying the books together by a common serious subject, made the reading somehow more whole. I can’t explain it, but Apollo slowly verbalising (well, thinking), realising there are similarities between his relationship with Zeus to Meg’s relationship with Nero, was so satisfying. Although I feel like “satisfying” might be a bit of a harsh word. Mostly I felt proud of him. I /felt/ for him, so very much, for so long. He’s likeable because he’s so human, and that includes both his silly and tragic sides, because these coexist within all of us. And I think he as a character encompassed that beautifully.

Reading that last book, expecting a showdown of sorts between Apollo and his father, and receiving a short conversation, an understanding, instead, was amazing. Because that’s Rick’s way of showing us what’s important. No use trying to fix what we can’t, what isn’t our responsibility to fix, what makes us miserable. Humans have this natural ability to rise from their own disasters and forge out of them their own paths in life. And Apollo did just that. It took him time, but that’s how it goes for all of us. And instead of fighting Zeus, he chose happiness. He chose focusing on what’s important, his old hobbies, his friends.

In a way, I’m bittersweet- I wish he didn’t have to stay at Olympus. I wish he could spend as much time as he’d like on earth. But the thing is, a god is what he /is/. But now, he understands for the first time that he gets to pick what kind of god he should be.

And he chose the human kind.

[keymintt]

CONGRATULATIONS!!!! You got the mural job, that's amazing news =D

THANK YOU!!! i've haven't quite done anythin like this before BUT i have enough experience from other projects to where it's not a super super daunting thing. like yeah it's Big and that'll have it's challenges but i'm excited !! :>

i don't know if i can show my proposal sketch off else i'd put it here but i will certainly show the finished mural off here once it's done >:3

[floorpancakes]

[suddencolds]

. not snz

on healing and on fear (tags)