#i guess the problem is that TV writers are mostly kinda stupid

[tanadrin]

fish-out-of-water character in science fiction to whom humanity is deeply alien, but who does not continually get themselves into awkward social situations because they looked up Human Ettiquette For Dummies, they learned about basic human social dynamics including how humans bond socially, and it is immediately obvious to them after five second of introspection how a highly social tool-using species like humans would benefit from spending a lot of time building social ties

[surveys-at-your-service]

Survey #384

“watch your tongue or have it cut from your head”

Do you post to say happy birthday on other people’s walls? Sometimes. Depends on my mood and the person. When was the last time you saw a rainbow? Idr. What’s your favorite television commercial? I don't watch TV enough at all to have one. And who has a favorite commercial, anyway? Do you trip a lot? I don't really trip a lot, but kinda fumble over my footing and stray a bit. I'm horrible at walking straight, and it's gotten worse as my legs have. How old is your television? The one in the living room is god knows how old. My parents were still together when they bought it. When did you last talk on the phone with someone? A couple days ago for my appointment with my psychiatrist. Are you currently sleepy? I'm quite convinced I'm permanently tired. Are you hot or cold natured? I am ALWAYS fucking hot, ugh. Do you take any advanced classes? I took mostly Honors classes in school. Do you have weak upper body strength? My body is just weak as a whole. What is the worst insult someone can call you? Emotionally weak. Are you good at sketching? If we're talking meerkats, haha. They're the only complex thing that I can freehand no problem without needing a reference, honestly. Ever play Angry Birds? Nah. I thought the movie was cute, though. Have you ever been to the zoo before? Yeah. Has anyone ever been weirdly obsessed with you? No. Are you afraid someone might steal your identity someday? It's not something I actively worry about at all. Like, you don't want my identity, I promise. Do you have any talents that come naturally? Growing up, adults always told me I was a "gifted" artist and writer. Also that I seem to have an unnaturally strong connection with animals. I've always been that person where a pet's owner is like "omg ____ never lets people do that" and whatnot. Have you ever had plastic surgery before? I haven't. It's funny though, how opposed to it I used to be... Like goddamn, I was such a fucking stupid and honestly judgmental teenager, regarding many things. I look back on her and cringe. Like damn dude, if you have a safe surgical procedure to help you enjoy the body you're stuck with the rest of your life, you go for it, boo. Are you afraid of airplane rides? Not really. What’s the best Valentine’s Day gift you’ve gotten? There was this one year where Jason had to go to work on Valentine's Day and I was super bummed, yet he still surprised me with a heart-shaped box of chocolates, roses, and a game I really wanted, Heavy Rain. I thought it was the sweetest. What is something you lose often? My phone. ;-; Do you enter a lot of sweepstakes? I don't enter any. Do you consider yourself physically active? *chuckles nervously* Do you have Netflix? Yeah. Favorite salad dressing? That Olive Garden replica you can buy at the store. Do you enjoy dancing? Once upon a time I did. My body could never handle it now. Have you ever considered writing a novel? Many times. Snow or sand? Snow, by twenty thousand miles. It is VERY hard for me to walk through sand, and I also hate hate hate hate HATE the sensation. Do you like sour candy? Heeeeeell yeah man. Have you gotten any injuries lately? If so, what & how? Nothing notable. Are you a clumsy person? Like you would not fucking believe. Last male you talked to in person? I think my primary physician's nurse. Are you thinking about asking anyone out? No. Pink lemonade or regular lemonade? Pink lemonade, for sure. But I love both. Chocolate or strawberry milk? CHOCOLATE. Strawberry milk is disgusting. Have you ever won a contest on the radio?No. Is there a song that reminds you of your best friend? There's quite a few. Has a book ever made you cry? Yes. Do you automatically check your phone when you wake up? Yes, for the time. Do you know anyone who has a pet bunny? Not that I'm aware. What store or website would you most like a gift card for? Rebel's Market. How do you feel about wolves? I adore wolves. Beautiful, majestic creatures with very interesting social dynamics. Name your top 3 favorite musical instruments. Electric guitar, violin, piano. What was the last book(s) you bought at a bookstore? At an actual bookstore, I think it was The Fault In Our Stars, which I never actually read. Do you use Pinterest? Yes. Do you know any sign language? No. Do you have a favorite poem? No. Do you have a dog? No. The one we were pretty much stuck with has a home now. Have you ever read The Little House on the Prairie series? I haven't. Have you ever gone on a service trip to an underprivileged country? No. Have you ever performed in front of more than 100 people? Yes, for dance. When (if ever) was the last time you went to church? Forever ago, I don't even remember the last time. What's a quote you think is really powerful? There's a whole lot. The first one that came to mind was, "An eye for an eye will leave the world blind," which I do believe has great depth in it. Have you ever had to do your laundry at a laundromat? Yes. Are you the oldest person who lives in your household? No. My mom is turning 60 (... I think?) this year. If you have tattoos, how long have you had them? I got my first the day I turned 18. Do you and your dad have similar personalities? We're alike in some ways, imo most notably in that we have NO fucking common sense, embarrassing as that is to admit. We're both kinda slow at understanding things, too. What were the last three things you had to drink? Mountain Lightning, milk, and water. What did your family usually do for Easter when you were a kid? Us three kids all got Easter baskets full of stuff, and we'd go egg-hunting when we were all awake. My little sister Nicole would always wake our parents up in excitement, haha. My parents hid plenty throughout the house, and there was always this one "special" egg that was actually from Mom's childhood and was extremely intricate and beautiful. You basically "won" the hunt if you found it, and it was extremely well-hidden. When you have house guests over, where do they sleep? Historically since living here, my two half-sisters and their spouses (the only people who've stayed over) slept in what is *technically* Mom's room, but for whatever reason this woman still insists on sleeping on the couch in the living room, I guess because she's used to it after all the years she didn't have her own room and bed. Are you emotionally stable? LOLOOLOLOOLLOLOOLOOLOLLOOLOLLLLLLLLLLL Do you still talk to the very first person you had sex with? No. Are you an atheist? No. I don't quite know how to define what I am, but since I believe there's SOME higher power, I don't think it's fitting to call me an atheist. What’s the largest bug you’ve ever found in your house? Hm... I'm unsure. Probably a male mosquito, 'cuz them bitches are big'ins. Would it annoy you if a stranger called you "sweetie?" If it was a man, I'd be creeped out. Are you into fashion design? Not really. What’s the worst thing you’ve gone through in the past year? My leg muscles continuing to degrade, honestly. I have to do something about this shit. How did you get your last bruise? I fell when stepping over the stupid dog gate. Have your parents ever forgotten your birthday? Yikes, no. Would you rather have some bacon or beef jerky? Bacon. Do you like your orange juice with lots or no pulp? NONE. Do you wear skinny jeans? Back when I wore jeans, they were the only kind I wore. What projects are you doing now for school? I'm outta school. What’s the most number of comments you have on a Facebook picture? What is the picture of? I have no idea. Do you like coconut flavored things? No. Have you ever met a famous author before? No. Do you know anybody who has been raped before? No, thank god. I know someone who might've almost been, though. I don't know what the fucking pig was going to do to her if my sister and I weren't there. Have you ever wished for bigger boobs? No. Being overweight, I just want smaller ones now, haha. Have you ever gone a full day without interacting with another person? I've gone many days without it. How many relationships have you been in that lasted less than a year? Four, if you're counting everyone that had the "boyfriend" title. Where were you going the last time you were on a plane? Home from Illinois. Where were you going the last time you were on a train? I've never been on one. Have you ever been significantly more physically fit than you are now? Holy fuck, yes. You would never guess now that I was perfectly healthy in high school especially, yet I still thought I was kinda fat. It hurts so much to look back on. When growing up, did you parents keep the house very tidy? I mean not excessively, but Mom was pretty dedicated to keeping the house in decent condition. With three kids though, of course the house was somewhat messy with toys and all. When you shop at IKEA, do you always stop to eat a snack/meal in the cafeteria? ... There's a fucking cafeteria in a furniture store? o_o I've never been there before. How many watches do you own? None, save for one in my "treasure box" from when I was a kid. I was SO SO SO obsessed with Finding Nemo that I kept my broken one. I did the same with my horribly aged sneakers, like the soles were coming off and Mom finally made me stop wearing them, ha. Are there any ways in which you greatly differ from everyone else in your family? I do fucking nothing and am useless to society. Should teenagers be allowed to have their cell phones with them in class? Yes, because emergencies happen. I personally think it's best to maybe have your cell phone flipped over on the corner of your desk or something and on vibrate, that way the noise isn't too disruptive and the teacher can see you're not just using it for other purposes. Do you have any gay relatives? Yes. Have you ever had to have a pet put down? Sigh, multiple. Have you unfollowed, deleted, or blocked anyone on social media recently? If so, what was the reason? Not recently. How many cups of coffee do you typically drink per day? None. Do you know what your vocal range is? No, but it's not very broad. What’s the biggest financial mistake you’ve ever made? I haven't been in this position before. Have you ever been in a relationship where there was a large difference in maturity levels? No. What’s the longest you’ve ever stayed as a guest at someone’s house? I wanna say over a month while we were technically homeless. How bad was your acne when you were a teenager? Oh dear, it was rough. Like there were people who had it worse than me, but ya girl was lookin preeeetty rough lmao.

[girls-scenarios]

Maybe It’s Not So Bad

Idol: Choerry (Loona)

Prompt: heyyyy could I request loona’s choerry/yerim in “Person A as a babysitter of Person B's younger sibling, who got hired to watch over the kid, because the parents don't trust Person B enough to leave them alone with their sibling for extended period of time.” with choerry as person A and can you make it kinda fluffy pleaseee? thank you so much!

Writer: Admin Kiwi

A/N: I ended up using her real name because it’s just more comfortable to write. I hope you all enjoy!

♡ Tip Jar♡

“Mom, I don’t understand why you’re hiring a babysitter! I’m in high school, I think I can take care of us just fine.” Your voice rose as you crossed your arms, glaring at your mother, who just shook her head and picked up her purse.

“Listen, we already called the babysitter,” she said, and you resisted the urge to scream, sighing instead to calm yourself down and running your hands through your hair in frustration. Behind you, your younger sibling watched from the couch with wide eyes.

“But why? I already watch them whenever we go to family functions or to the mall. And you’re having us order pizza, so it’s not like I’m going to mess up cooking or anything. I’m practically grown already! Do you know how embarrassing this is for me?”

“We’re not trying to embarrass you, we’re just worried. When you watched your sibling before, we weren’t very far away for you to call if you needed help. But tonight we’re going out for a while. I also don’t know if they’ll listen to you since you’re just their older sibling. And since it’ll be late when we get back, we just think it’ll be safer if there’s three of you instead of two. Plus, Yerim knows how to do CPR and has her babysitting license, so she can help in case of emergency. You don’t have that, (Y/N). That’s why we hired her.”

“But-!”

“End of discussion.” Your mom held up your hand and you snapped your mouth shut, still angry but knowing better than to talk back. “We’re about to leave. The money for pizza is on the table. If Yerim needs your help with anything, listen to what she says.” There was a knock at the door and your mom smiled. “Oh, that must be her now.”

Groaning, you covered your face and wondered if it was possible to actually die from embarrassment. Were your parents trying to ruin your school life? Maybe you’d just go over to your friends house. Wait, your sibling would probably tell on you if you did that. Wasn’t there any way to get out of this?

“Hello Yerim! Thanks for coming on such short notice.”

“Hello! It’s no problem at all!” A perky yet somewhat familiar voice rang from the doorway, and you looked up to see that the babysitter Yerim was the same Yerim that was in your class, because of course she was. As you wished to melt into a puddle, she looked away from your mom and saw you, then raised her eyebrows.

“Oh? (Y/N)?” She let out a laugh. “Am I babysitting you too?”

Oof. Even if she meant it to be a joke, it still stung. You frowned and her face fell a bit, her eyes widening, but your mom spoke up before you could say anything stupid.

“No, we just wanted someone who knew CPR to look after the young one, they’re over on the couch. There’s money on the table for pizza and if you need any help just ask (Y/N).” Suddenly chipper, your mom turned and waved at you. “Have a good night! We’ll be back!” And with that, your parents were out the door, and you scoffed.

“Wow, were they that eager to get away from us?” You asked, and Yerim let out a small laugh.

“I guess that’s just an adult thing.” She placed her bag on the coat rack and took off her shoes, falling quiet. Suddenly, the atmosphere was awkward, the room silent except for the sound of the Disney movie your sibling was watching echoing throughout the room. “Um, hey,” she said, clearing her throat, “sorry about what I said earlier. I meant for it to be a joke. I didn’t mean to offend you.” Yerim was nice, you knew that from being in class with her even though the two of you weren’t close. She always offered to help other students and was known for her bright smile, so you knew she meant her apology. Awkwardly, you rubbed at the back of your neck.

“Nah, it’s okay, I was just sensitive. This is super embarrassing, you know.... My parents, calling a babysitter when I’m in high school.” You kind of wanted to cry, but you just let out a short laugh instead. “It’s pretty pathetic, right?”

“Actually, a lot of parents do it. More than you might think.” Yerim smiled as she approached you. “I think they’re just worried. But don’t worry, if you don’t want me to tell anyone at school, I won’t.”

“So you’ve babysat other teenagers too?” You asked, unable not to smile as well. Her smile was too contagious.

“You bet.” She laughed. “With some of them, they were so immature that it actually felt like I was babysitting!”

“I’m sure. I promise I won’t do that to you.”

“You seem responsible in class, so I didn’t think you would.” She glanced at your sibling, who was contentedly watching the movie, then back at you and shrugged. “We can always make it fun by playing games and chatting! It’s nice to have company other than kids sometimes.”

She had a point. If you were left alone with your kid sibling, you’d probably be bored out of your mind. Maybe this wouldn’t be such a bad thing. “You’re right. If you want to order pizza, I’ll go find the card games we have. Oh! And order whatever you want to eat, my parents left enough for all of us.”

“Okay, I will!” Her smile brightened up the room and you blinked, feeling a skip in your chest. Oh.

-

Yerim was a fun person to be around. She laughed and smiled easily, didn’t take the games too seriously, and kept your sibling happy and mostly quiet. Oh, and she was cute. As in, the cutest person you’d ever been around. How had you never noticed this in class? All of her reactions were adorable and bright, and your heart wouldn’t stop skipping a beat every time she let out an excited little squeal or did anything remotely cute. By the time she had put your little sibling to bed and joined you on the couch to watch TV until your parents got home, you were pretty sure you’d fallen for her already.

“How were we never friends before this?” She asked you as she sat down, accepting the snacks you held out to her. “We have so much in common!”

“I don’t know, I guess our friend groups just never overlapped,” you replied, pondering the question. “We’ve talked a few times, but it was never enough to learn anything about each other.”

“You’re right. Our class is pretty big and we weren’t in many classes together before this year.” She held out her hand and grinned. “Let’s change that from today on! We can exchange numbers and get to know each other better!”

“I’m down.” You took her hand, then paused. “How are we going to tell people we became friends if they ask? Because I still don’t want to admit that my parents got you as a babysitter.”

She laughed and tucked her hair behind her ear with her free hand. “We can say that your parents hired me as a babysitter because you were gone, and when you came home we hit it off?”

You thought about it for a moment, then nodded. “That should work. Thanks for keeping my secret, I appreciate it.”

With a giggle, she took back her hand and shrugged her shoulders. “No problem! I’ve had fun tonight. I’m glad your parents hired me.”

“Me too,” you admitted, despite your annoyance at your parents distrust. As embarrassing as this situation was, you wouldn’t have become close to Yerim without it. Despite your earlier anger, you found yourself yourself looking forward to school and, even more, the next time your parents went out. After all, there was still much more you wanted to learn about her, and plus, when else would you be left (mostly) alone with the cutest girl you’d ever met? “Do you think there will be a next time?” You asked, and she beamed, blinding you with her beauty.

“I certainly hope so!”

[ofthelabyrinth]

Instructions: Always repost with the rules, answer the 11 random questions left for you and leave 11 more for the people you tag!

TAGGED BY: @moonwoken​

TAGGING: be gay do crime

questions i am answering

1. how are things going?

They’re going, man! They’re...going. I have the next two weeks off work which I’m not thrilled about (I actually love my job) but like...my bestie and I keep trading silly little gifts back and forth, so that’s cool. I think I’m mostly still reeling from the blow-out of a breakup and like...feeling like I don’t belong anywhere? Maybe my depression’s just kicking into high gear again but I feel like I’m not wanting/don’t belong anywhere but maybe work. Like everyone and everywhere else just tolerates me. IDK man.

2. if you were someone else’s muse, how would your mun describe you?

Depressed, spontaneous, fickle, lacking in self-esteem but always available to build others up, loves too quickly and too easily, book smart but so fucking stupid otherwise. :/

3. if you could only recommend me three songs, movies or books to get to know you better, which would they be?

Ooooo, this one’s kinda tough! Well, for starters, my go-to movie is The Rocky Horror Picture Show, and I feel like knowing it’s my favorite movie (and having seen it at least once, lol) really explains a lot of my personality. What Rocky Horror can’t explain, my favorite novel probably can: Ray Bradbury’s Something Wicked This Way Comes. I really am haunted by this book. My recommendation for a “song” would actually be the whole Beetlejuice: The Musical album, but I think “No Reason” and/or “Say My Name” nicely encapsulates either my split opinions (former) or my energies (latter).

4. what was it that first inspired you to write? what inspires you today?

My sixth grade English teacher. He was very supportive of my writing and became a touchstone for inspiration in my life. I really started down that track after his class, and even though I’m not doing what either of us ever thought I would, his words still ring true. I don’t really know if I have any inspirations today, though, per se. Performers, I guess. Most of my strongest muses/writing have been born out of my fascination with the performer/s I’ve used for their FC’s.

5. if you had to put together a team of 5 fictional characters plus yourself to save the world, who would you choose and why?

Captain Katherine Janeway, Q, Commander Spock, Doctor McCoy, and Charles Xavier (PatStew). I’m going to be honest here: between Janeway and Q...we don’t need anyone else. Q’s powers and Janeway’s moral compass in combination with Janeway’s leadership and Q’s simp status will solve the problem on the then and there. I just happen to like both Spock and McCoy and think they would contribute a lot of flavor to the adventure, although we’d need Xavier to mellow shit out when all those hot heads start to collide--in particular, Patrick Stewart’s Xavier, since he fits the Star Trek vibe and would thereby have a little more sway with Q than otherwise.

6. what is your favorite fictional trope? least favorite?

My favorite...ever? Period? At all? In all of tropedom? Dark circus/carnival. The exact flavor of the circus/carnival/other travelling show as well as the degree of darkness doesn’t matter, I just always end up drawn in and stupefied by it. I think it’s a combination of the tonal juxtaposition (the light, bright, fun, easygoing, smoke-and-mirrors sensation of the show juxtaposed to the darkness and the horror) and my unending fascination with performance and performance spaces being used outside of their “traditional”/majority context. Backstage mysteries have the exact same effect on me, as do haunted theatres. My least favorite was formerly the misuse of the Persephone myth--twisted by modern, romantic minds into a love story where one isn’t existent in the original mythos--but it has since swung back to that of the unaware Mary Sue/Gary Stu. It’s a trope that can be fun when the writer is self-aware enough to perceive it, but it’s otherwise irritating beyond belief.

7. what unpopular opinion do you have toward the rpc or tumblr?

Soft-blocking is an exercise in pointlessness, as it rarely actually results in the blocked party staying away. This website is too glitchy to make that kind of thing work. Have conversations with the people you’d rather soft- than hard-block about the offense they’ve caused or just hard-black them, myself included.

8. if you could spend one day with your main muse (or your muse of choice), what would that be like?

Look, I’ll be real. My muse of choice? Very much not advertiser-friendly, as they say on YouTube. The things we would do would horrify people unaware of my sex drive and wild attraction to him. A night of debauchery on all levels--because we’d spend a night, not a day, that’s just the way his canon rolls--and if unreleased canon has anything to tell, it’s that I’d end up pregnant with his son and then probably die but it might have been worth it, especially if we can skip the reality TV show in the middle. So let’s just pretend I said I’d spend a day getting high with Jareth and wandering around the Escher room tripping the most balls ever.

9. if you found yourself in one fictional universe of your choosing, which would it be and why?

................. I’d either end up in space on Star Trek because I’m a lonely space gay or I’d end up in a creepy gothic castle singing and dancing--is it Rocky Horror or Labyrinth?--and perhaps legitimately feeling like the siren I long to be as people compliment my voice.

10. a character you’ve always wanted to write?

Mirror!Spock. I wrote him once and I loved it and I would love to write him again, but I don’t use AOS canon so finding people to write with is often difficult.

11. what are five things that spark joy for you?

Space, Rocky Horror, singing, my pets (did I tell you about my new dog?), Renaissance Festivals.

.

my questions for you

1. how have you been holding up lately?

2. what are three surefire ways to make you smile/happy?

3. who is your comfort character and what are they like?

4. explain your URL!

5. what is one article of clothing you love above all others and why?

6. what is your favorite kind of thing to write? what about your least favorite?

7. what is one belief you hold but do not often share?

8. if you could choose one person (alive, dead, or fictional) to spend the day with, who would it be and what would you do?

9. what is one piece of media that continues to hold your attention?

10. what drew you to writing on tumblr?

11. what is one thing you wish you got to talk about more often?

[initiumseries]

CAOS Part 3 - review

Uh, okay, so I think by now, we all know this show is terrible. Netflix gives showrunners a lot of creative freedom, and I think, for better writers, you could get some really interesting content, but they just seem to keep giving these assholes who wrote the travesty called Riverdale, so many opportunities to make more shitty television, and I feel like they really deserve to be limited in their ability to create/write if not stopped completely and thrown into a well with Julie Plec.  Anyway, I’ll try to break this down as best as I can into different piles of shit and this will contain spoilers:

Characters

Prudence and Ambrose

So, to be really honest, I watch this show exclusively for Prudence and Ambrose. Because, well, look at them: 

I wish they had more chemistry because they are super hot together, and I still ship it. A young Black couple? On TV? In this sea of shitty interracial relationships? I’ll take it. Anyway, of course, the progression of their relationship is ridiculous and frustrating. Ambrose decides at the last minute, not to kill Father Blackwood because he has a weird time egg thing that they don’t really understand, also he has the twins under some weird mind control for no clear reason, so they stay their hands. It doesn’t make sense, but it becomes clear, Father Blackwood has an insane amount of plot armour and ultimately would have to serve as a vessel for Satan. Father Blackwood uses the manipulated mind of the other weird sister to sic her on the coven, and she ends up killing Dorkus, whom Prudence finds. She then blames Ambrose for not allowing her to kill FB, and they break up. Now...this would kinda make sense, if not for the fact that they trapped one of the pagan witches and forced her to change everyone back, but no one bothered to do anything about the mentally ill witch who you all strapped up for a reason? Lol ok. Seems like an oversight on your part Prudence, but...okay. Clearly manufactured breakups are exhausting, especially since [young] Black couples with no serious relationship dysfunction are now an endangered species. It’s also frustrating because we barely got to see them....*be* together, especially after they returned home. 

Nick & Sabrina

So, I know from the beginning, we were supposed to believe that Nick and Sabrina had that kind of, Bad Guy, seduces the girl Good Girl, luring her into the dark side, hot, intense, passionate relationship. But their lack of chemistry and really shitty acting just made them really dry (which I get into here). I don’t believe them, and I definitely don’t believe that Sabrina would, once again, break a shit ton of rules to get Nick back. I just don’t buy that they had that kind of an intense, desperately in love, kind relationship, because they do not look all that comfortable around each other, much less in love. 

I personally find Sabrina utterly unlikeable as a main character, largely because who IS she? She has no personality, she just does whatever the plot needs her to do in the moment, and the actress makes Sabrina appear smug and unremorseful while she fucks up everyone’s lives. There is a lot of exposition of everyone telling us she’s this power hungry, manipulative character, but we never see that. She just does stuff and everyone is all “Sabrina how could you?!” and there are never, ever any consequences. I would have liked to see her push so hard to get Nick back and the struggle being, sure she wants him back, but mostly she’s doing it because she can. But that’s not what happens. 

So Nick ends up in this weird drug addiction, alcohol, sex demon spiral because he has parts of Satan still in him and it all just falls so flat and lame, because this show is SO bad at pacing, and these actors suck, so nothing is believable. The idea of him scrubbing his club foot, having nightmares, suffering PTSD, is fine, the execution was trash. Nick sees Caliban and Sabrina have one interaction and he’s like WELL, GUESS I GOTTA CHEAT. And just ends up in some S&M situation with sex demons and heavily self medicating, but none of this has any weight, and we don’t really see him...spiralling. He just immediately resorts to these things and it has no real impact on anyone or even him really, and that’s it. 

Harvey and Roz

Uh, they’re probably the most confusing match here, because there is no lead up to their relationship, there’s not suggestion, there’s no pacing. Just BOOM, we’re into each other now. BOOM, Roz is the only sexually active person in her friend group (lol of course the Black girl is sexually active. Gotta maintain white innocence at all costs), so she’s just ready to jump Harvey’s bones any second now. So of course, the show punishes her by having the pagans turn her to stone. And as if that’s not bad enough...

Which I talk about here and here, because honestly I’m just sick of this show’s antiblackness.  Theo & that other guy

So I was watching this unfold like, yeeaahh, they’re gonna make the trans guy get with the enemy aren’t they? And yes, they did. Cool, they didn’t kill him off, but I’m still perplexed at how Theo isn’t even a little upset that this guy was basically sent to infiltrate his friend group and sat by while his people harmed Theo’s friends, and also...used him? Like...we just...are gonna...gloss over that because he changed his mind? Lol ok. Sure.

Mambo Marie and suddenly Zelda?

I...I mean her name is Mambo Marie. I love the idea of Black witches finding Black spirituality and magicks through Vodun and a Hatian Priestess. But they quickly undo that, by ensuring that Mambo Marie only teaches Prudence in the presence of these white witches. And we see her...doing...an African drum circle (eye roll), only to be interrupted by the High Priestess of White Feminism, Zelda Spellman. It quickly devolves into thinly veiled racism where Zelda doesn’t trust Marie because she’s Catholic (says the woman who worships Satan, has an anti Pope and prays to Lilith with the same prayer for Mary mother of Jesus? LOL. Not even unpacking the fact that Vodun is an African spirituality having 0 roots in catholicism WHITE WRITERS). Then suddenly, out of nowhere, Marie and Zelda are a thing for no reason? After the way Zelda treated her? Why did Marie even stay? This isn’t her problem. This is a white witch problem. Okay. That’s too much to unpack. 

Plot

So, my biggest problem with almost all Netflix English programming is that they are so obsessed with aesthetics, and don’t pay enough attention to actual character chemistry, plot, story flow, details, pacing etc. Like...things that actually make stories interesting to watch. So they slap all these people together and throw them into aesthetically pleasing backgrounds, shake it up with so much exposition that nothing actually happens, and are like BEHOLD A STORY. And CAOS is *especially* guilty for this.

First of all those musical breaks were annoying as fuck. Musicals serve 2 story functions: advancing the plot or telling a story. These musical numbers did neither and were honestly ridiculously gratuitous, highly annoying and totally pointless.

What time of year is this? Why are we having pep rallies and how the fuck and when did Sabrina and Roz join the cheeleading squad, and why?

for the aesthetics and not for any real plot reason. It just seems stupid because now I don’t know how much time has passed between Nick going to hell and this, because you’re all handling it like it’s been a few weeks and is still relatively fresh, but suddenly, Theo, Harvey and Roz are in a garage band? You’re a cheerleader? For what? Since when? Why? These choices introduce more questions than they answer and serve no narrative purpose. So much wasted time on shit that doesn’t matter. 

Sabrina is supposed to be fighting Caliban (who is literally the only person she has chemistry with on this show and they killed him bc ofc they did), for her seat on the throne, and yet the trials only seem to come up when it’s convenient, and also seem to be directly related to her dealings with her coven, which is also convenient.  I’m so confused about Satan. His powers come from being a celestial being, and so, because his coven mistreats him he’s like...lol okay, well fuck you guys and goes through all these convoluted small motions to greatly inconvenience them and withdraws his powers? This is so petty and pathetic. Also, what’s the point? He could just wipe them out and start over, instead of skulking around inside FB then suddenly decides to track down Lilith. Again, convoluted. This plot is all over the place. Why does Satan need Sabrina to be Queen of Hell in the first place? He seems perfectly healthy. Why can’t he just rule it? Like...that makes no sense. What is he gonna do? Retire? WHAT is going ON?

How did Sabrina come back in time to herself stuck in stone? Is that trip to Pontius Pilate (lol) supposed to have created a loophole for her to save herself and everyone? This is giving me hardcore Twilight Breaking Dawn vibes, where, the show finally, FINALLY gets interesting, there’s real stakes, shit is actually happening instead of everyone talking about things happening (Hilda ending up killing her fiance was literally the only time I felt something watching this show because it was genuinely sad, and well acted, and Hilda coming through with that doll at the end was pretty disturbing, I’ll give them that), and ofc, Sabrina goes back in time and undoes it all. Lol. Okay. God forbid there be real consequences to anything on this show.

Final thoughts

Once again, the white feminism runs high on this show. They treat this Black Vodun Priestess Marie, like garbage, allude to her “foreign” magic, but Marie is sitting here like “we’re not men, we’re women, let’s work together.” This is why I hate white writers writing for Black characters. Black characters should have Black motivations, and a Black Vodun Priestess, should know that white women and Black women do not have aligned motivations just because they share a gender. Once they started with the bullshit right from her arrival, she should have handed Prudence her card and peaced tf out. Instead she tolerates the isolation, ostracization and thinly veiled racism...and decides to stay, and help. WHY? Marie has gained nothing by sticking around helping these ungrateful ass witches. I honestly would have preferred Prudence asking her to stay to learn more about Vodun, and them building a mentor/mentee type of relationship, especially since Prudence was the one who invited her and stepped to Zelda to defend her. I want(ed) to see that relationship go somewhere. The deliberate denial of healthy Black female friendships on tv is frustrating.

 These witches finally finding their power in their ancestors and I donno, some female creator or whatever, reminds me of white women “finding” wicca and praying to “Gaia”, (reminds me of BTVS s4 when Willow joins the wicca group) which is basically what happened but lol okay whatever. I guess they aren’t satanic witches anymore. Lol, I love how Harvey and Roz and Theo are teenagers, human teenagers, who have lead largely normal teenage lives up until this point, but see their loved ones tortured, deformed or murdered in hell, with basically no residual issues, and are all like, YES, let’s roll up on these adults with shotguns and swords and kill the FUCK outta these people!! That absolutely sounds normal! Like...what? Lol. God this is just so bad.

Also, I’m so confused by this aesthetic choice for Sabrina as Queen of Hell. Like what the fuck. Why is she dressed like a Victorian era queen, with shoulder and a broken rib bodice? What?!

This show is truly awful, this season made no more sense than the last two and now that Prudence and Ambrose aren’t together, I might be done watching. 

-20/10

[lovecanbesostrange]

There was no reason for Station 19 to go that hard on all fronts, but wow they did. I honestly watched S1+2 mostly out of habit, but S3 was like cleaning house, setting everybody up as a character with their personal flashback gave them far more layers and now I truly care. Thanks. Well, and then Grey’s happened and I cried for like half the episode...........

Maya and Jack have definitely profitted the most from the shift in tone and the character development overhaul. And I liked both their storylines. Maya dealing with all that crap from her father and coming to terms with why she maybe isn’t 100% ready for this very steady relationship and sharing all her emotions was great. Can she tell Carina everything she told Andy? In almost exactly this way, please? Because being afraid of slipping and finding these moments and naming what she has trouble with adjusting to - that is all good. And Carina is one of the most compassionate and patient people (from the limited scenes we have had with her over the years). Dear Maya, if you communicate, she will be there for you.

And wow, Carina than talking about her home and her own fears. Magnificent. Early days of covid? All the horrible, horrible news from Italy come to mind. So thanks writers for building that international bridge. (I wonder how any Italian tv shows that will incorporate the pandemic will deal with this. Every country has their very unique story in this.)

Of course we will see nice side characters getting covid and probably die. Gonna keep my fingers crossed for Marsha nonetheless. Jack having this make-shift family did wonders for his character and I don’t want him to take a blow. It’s a found family on the side, not bound by trade and I like it. I love that thanks to Marcus the masks with plastic windows were mentioned (even tying back to Dr. Riley’s visit to Grey-Sloan. Good job.

Well, Miller and Sullivan. That all happened. And I am exactly 0% qualified to discuss the issues raised. I do empathise with Sullivan a bit more (not that I dismiss Miller’s points, because like Sullivan and Warren say, he is right). Because I absolutely hate this thing were being part of a (minority) group makes you the spokesperson and you get judged far more harshly. And then also taking in-group crap about it. Yes, it is how the world is. But it’s unfair. (And tbh luckily Sullivan hurt mostly himself and he did stand up and face any consequence coming his way. And yes, he was the kind of person to always tell everybody else to better not make mistakes *blablabla* and look, he fell down that high horse... I do think that is something Miller pointed out very rightfully.)

Glad Travis talked to his dad. And I do like the way he did. Just letting him know he knows and leaving that door open. His breakdown about how the church/religion is letting gay people down, while so many sins are just forgiven... damn. Hard to watch. And if just one viewer watching suddenly went like “huh, fucked up”, it was worth it.

Vic is the unsung hero of this episode. I loved how she kept defending that drugged up dude. Yes, he is stupid and it’s horrifying that he stays with his obviously abusive wife, but also keeps drugs around and just... lives like this. But she kept talking about how he didn’t mean to hurt anybody else and that he needed help far more than punishment. Travis and Vic are both good people, but in that situation I think most of us would react more like Travis. Being annoyed, mouthing back and wanting those two shut the fuck up. It’s a normal reaction. What Vic said is the harder choice. And it felt like there was an untold story there.

Okay, wow, much to say about Station 19 for once. But oh boy, Grey’s...........

I remember the “early” episodes we met Bailey’s father. And then we barely talked about her parents. They were somewhere in the background. Until in “(Don’t) Fear the Reaper” we met her mom, got that whole thing with her dead sister and got this picture of her early home life. It was really good. And last week her parents get mentioned again, because hey, elderly people. AND NOW THEY TELL US HER MOM HAD ALZHEIMER’S AND THEN SHE DIED............................................................... it was so fucking heartbreaking start to finish.

And I love all the quiet scenes we got out of this that are just so human. Sad and human. Bailey talking to Meredith, saying she misses her and relating to the whole seeing your mom withering away (so dying twice in a way). I like the use of the beach, because Meredith is semi-conscious, she hears it all, but she just can’t wake up long enough. And then Maggie and Bailey on that bench.

Two people sitting on a bench, talking. Nothing special happens. They don’t need to distract by having them in a busy hallway or somethng. It’s a whole ass conversation with no shorthand. Showing all the emotions. Having Maggie go back to that time her mother died and how she views it all in a different light now. Talking about dying with dignity. Chandra Wilson was so good in this scene. (Her best performance to me will probably always be when Charles died in front of those elevators, I can cry just thinking about that.) And she was allowed such a variety of feelings. And the pain of it all brings up joyful memories. Thanks so much for that hilarity that her scholarship came from the fucking Daughters of the Revolution. HA!

I don’t get people who still watch Grey’s and the relationship drama is the thing they care most about. This is what I’m here for first - the personal lives and relating to all these emotions (and also the mistakes and the way to do better next time).

Well, at least Tom got better quick, I guess. Nice way to give Amelia a reason to get to work for a day and thus have her confronting Teddy. Look, I am done with storylines involving cheating and all. Teddy as a character is often hard to like. But the way she is isolated and like the most contact she has is with DeLuca when he updates her on Meredith’s vitals... it’s harsh. And I liked that Amelia can talk to her without making her feel more terrible. And then I did like Teddy talking to Tom, who was his charming self in the end. Bonuspoints for mentioning that the kids are with Owen’s mom. And hey, I give this to Owen, I believe this must be hard for him, because being a dad is the biggest deal for him. Actually something to make him more likeable - if handled correctly - and this situation sucks for him as well.

Which brings me to Link. Who was left at the Grey home. With Zola, Bailey, Ellis and Scout. Wow. Who would have thought? Amelia’s pregnancy was a good thing, I guess, to give them the excuse of baby time and also Link sorta moving in to deal with all the kids. (Shipping all of them off to their own living Grandma isn’t an option. lol ) Link is a good dude. So please, okay, it was news to him, no need to hate on Tom, push through the irritation, Link! Ahahahahaha.

Jackson being so nervous about his mom being a bit too proud to always keep her mask on - wonderful. Sure, she’s a doctor, she’s also stubborn and he was so scared of losing her not that long ago. Family drama everywhere! I always like seeing Jackson and Webber together. And then they had another big talk, hammering home the fact that people are affected differently. That it’s worse for poor people and not by accident, but systemic problems, most of them are PoCs. So many black and brown patients dying left and right, and it’s clear where the problem starts... I do believe for some viewers this is actually news, because the “news media” they consume won’t talk about that.

So, well, and then there is the Jo of it all. OMG where do I even start? Now, first off, Levi and Jo living together is still hilarious and thanks so much for getting two scenes at the loft. Especially that first one with Levi pretty much pushing her out of bed. Now, I do want Levi to talk to his mom, I desperately need to know how things are. I’m sure the pandemic has shed some new light on what’s important. Second I’m also glad Levi is with Jo, so she is not alone, which makes it harder for her to fall into really bad habits and down that depression hole.

I kinda freaked out seeing Val again and was sure she’s gonna die (might still happen aaaaah). They have a tendency to kill the nice ladies. Still haven’t forgiven Grey’s for killing CeCe. So it was cool that the surgery was a success and wow, did I love when Jo sent Levi out to just listen to Val and connect. And then the baby delivery happened and....... what is going on? Jo even just casually thinking about switching specialties? TO OB?????????? WHAT?????? Dear writers, you dropped the ball on her entire medical journey so often, giving her a bonkers fellowship, having her residency take way too long and shoving her into general, because oops no mentor or anything. And now you give me this? Please, so this is how I would accept this as a set-up for an actual carthartic moment:

Let Jo stalk Carina, play out this thought “what if this thing that made me happy for a day is the thing I am supposed to do longer”. And then let her have joyous moments, but also something complicated, and finally a very distressed woman in labor. And Jo feels for the woman, is compassionate and all and when the baby is there, the woman struggles to connect. And this joyous second is withheld from Jo. And boom, full circle, this woman feels like shit for not loving that baby instantly, for the feeling of resentment and being out of her mind. And finally Jo can forvige Vicki. And that’s the end of that particular journey.

I mean we all pretend that we have forgotten that time Jo stole a baby, right? Because that was the S16 hiatus and there was a storyline set in motion that blew up with Justin leaving like that. And we have had Jo interacting with babies and new moms so often over the course of the show. While also staiting that Jo’s self-worth is tied to being in an OR, which is also her safe space. So this whole thing...

Sometimes it’s easy to forget that Addison was the attending OB/GYN once upon a time. (”I’m being stalked by pregnant women!” “You are an obstetrician.”) She was also a fetal surgeon, which was what Arizona eventually became. So it’s not like when Meredith wore pink scrubs for a few weeks and got made fun of. There could be a long interesting road that eventually does include  surgeries. But it’s just so....... dumb. In a way. Especially with Jo having so many issues. And the writers - who give out pregnancies and babies like halloween candy - constantly skipping a potential Jolex-as-parents-storyline.... which kinda bites them in the ass now. ugh F R U S T R A T I O N......... I could write a five page essay just about Jo so far this season, I’m sorry. (Also if I ever have to see Jo in pink scrubs, a part of my brain will explode thinking back to Jason for sure.............)

Oh, and then there was Ben Warren. Just existing. Being a good man. Thanks. :3

[ailuronymy]

Book Club: Tallstar’s Revenge, chpt. 1-9 overview.

Thoughts on the new Windclan, courtesy of famed Erin Hunter impersonators: 

“DIRT BOYS!! LET'S MAKE THEM ALL DIRT BOYS!” -- K. 

"I understand we've stressed extensively that ALL Windclan love running and are skinny binches and need to be under the sky or they're sad, BUT half the clan has always been buff as fuck and live like moles :) :) we just didn't mention it before because it wasn't important to Harry's journey :) :) :)” -- S.

For this first share, we’ll keep to the questions posted earlier in the week so that there’s some kind of structure to what we’re doing! Please feel welcome to do the same and @ailuronymy + use the tag #ailuronymy writing challenge. Happy reading and I’m looking forward to seeing your feelings about this book. 

1. First impressions? 

S. better than Bluestar's Prophecy.   K.  Not as bad as BP but also hoo boy, you peel back the onion and it only gets uglier the more you think about it huh K.  Me, reading the book initially: Wow I actually kind of enjoyed this! Me now: I See. I See The Truth.

2. How did you feel reading this section?

S.  mostly the usual amount of exasperation! But it was also fun and I like Tallpaw K.  About the same! Not as bored as BP, and I do like Tallpaw, so that's a blessing in disguise.

3. What chapter did you find most interesting/moving/effective, and why?

S. probably the one where Heatherstar causes a ruckus and acknowledges Tallpaw's best interests. There was genuinely tension and it was refreshing to have a character in authority actually act reasonably towards Tallpaw.  K.  I agree, that one had me really excited to read.

4. What chapter did you find least interesting/effective/most frustrating, and why?

S.  I honestly struggled with chapter eight. If I have to read too much action being described, I black out. I just find it so boring. That's not actually a criticism at Erin Hunter. I just have a short attention span for people Doing Things that aren't talking, sword-fights, having big emotions, sex, or any combination. And even then, the sword-fights and/or sex still have to keep to a reasonable word limit or I wander away. I'm the worst. I'm literally like a child who only wants to eat sweets, but in written form.  S. I forgot basically all of chapter eight for the above reason of being terrible, so that's on me.

K. I have nothing written at all about Chapter 7. I liked seeing the apprentice training being like, at least marginally different than Thunderclan's but also It Sucked Bad Chapter Moving On.

5. Is there a passage that stuck in your mind–for good, or not-so-good reasons? What is it, and why did it stand out? Try breaking it down and analysing what this passage does and how.

S. I actually had a nice time reading about Plumclaw and Tallkit interacting. She was talking him through having his first mouse, I think, and it was genuinely sweet and moving in a way that Erin Hunter's writing almost never is. There was a legit connection and for a moment, I actually believed in these characters as people who lived together and actually have relationships and care. That’s really what I’m about, so it was a pleasant surprise to find in this book. 

K. I have two brief passages for different reasons:  “He’s my son,” Sandgorse snarled. “I’ll decide his future.” Heatherstar  stiffened.  “I decide  the  future  of my warriors.” LOVE Heatherstar showing the fuck up. Absolute legend. K. “Tallkit heard worry in her mew. “Is that why we tunnel under the moor?” he asked. “To hide from the dead warriors in other Clans?” — First tunnelling mention! The idea of Windclan taking shelter from/expertly evading the ghosts of their enemies because of their speed is honestly pretty fun, but I don’t trust the Erins with it one bit. K. This kind of legend is something I think I'd much prefer in like, a Watership Down style myth or story? K. But not if Erin's touching it. S. I was like, "oh this is the sickest thing you've ever--no no no no no" K. (oh, and just for fun, one of my other fave quotes was Dawnstripe saying "We guard the edge of the world." That felt cool.)

6. What themes did you notice in these chapters? What motifs or repeated symbolism/description appeared to you?

K.  Love is a big one, obvs. K.  Also, lots of stories and storytelling? Which feels just like Erin slapping more bullshit in here but like, that feels kinda relevant.

S. I struggled to find cohesive themes in this chunk, except I think division? The division between the tunnellers and moor runners, between Tallpaw and his mum, between Heatherstar and her clan. That's really what popped for me.

K.  Oh, and like... expectations. The clan's expectations of Heatherstar, Sandgorse's of Tallpaw, Tallpaw's expectations for himself.

7. How do you feel about the characters, their motivation, their choices?

K.  They're like. Not the worst? Lots of them fucking suck, as usual. But I'm at least very happy that I actually want to see Tallpaw succeed and grow. Also Heatherstar and Dawnstripe and Barkpaw are great.

S. I like Tallpaw! That's a lot of projection on my part, but I've found him a lot less grating than Bluepaw (who I also wanted to love). S. One of my first major aggravations in the early chapters is Shrewpaw. He's unbearable, and what makes him so is the one-note bullying. It's the equivalent of reading someone go, "I'm not touching you," in an annoying voice for nine chapters, which I feel is another example of Erin Hunter's habit of repetition.  There was less of that in this book than BP, but I still counted a few instances of cats having the same conversation a few times. S. The other cat I can't stand is Sandgorse. My god. That moment when he tells his literal infant son to go cheer up his depressed mother made me just about scream. S. “Go cheer up your mother, child” GO CHEER UP YOUR WIFE, HUSBAND

K.  This is where it's gonna get interesting, because I think my fucking senses were dulled by how much Erin fucked up dads last time, because I didn't hate him off the hop!

S. To me, he smacks of a lowkey toxic masculinity. And the kind of emotional manipulation he does makes me [narrow eyes]. S. (I didn't take very good notes about this bit, because I forgot. I only have "Sandgorse is such a loser" but I trust past me's judgement).

K.  I strongly do think that my impression of Sandgorse is different if only because I think I was so tired at seeing all the non-existent dads in Bluestar's Prophecy that the fact that he actually has conversations with his son and wife for more than like, a sentence, made me go "Oh thank god" And maybe this too is a bit of a projection, but I sort of initially saw him as like... that well-meaning dad who tries to be nice but still manages to fuck up and not actually listen to what people need at all. Like, the classic stupid dad in a bad TV movie who has A Dream for his kid. Where he doesn't mean to be an asshole, he just thinks he's right and that his kid agrees with him because Why Wouldn't He. So I think I took a lot of his dialogue and actions to be a bit more well-meaning-but-still-not-great rather than fully toxic. Obviously it doesn't end well for anyone, but I guess I've just seen too many father figures go around with nice intentions who have absolutely Zero ability at reading a room let alone their kids

S. I think for me, that is the problem. And I think I am less forgiving towards it.

K. Stormtail [Bluestar’s father, Bluestar’s Prophecy] feels like more of the asshole dad, to me, but like. They're both different brands of Not Good.

S. Stormtail is super just a complete prick, no doubt. I think Sandgorse is more engaged with his kid, for sure. But I think it's a very hollow engagement, because he denies everything about Tallpaw's actual personality and desires and just sees him as an extension of himself to control. Which is sort of parental abuse 101.

K. Oh, and while we're discussing them: Palebird huh. Again, Erins, can't write a woman, but like. I don't know, I think that like... she felt like a neat character for the first chapter and now they're doing their Bad Things with her by making her boring and Just Sad and kind of useless in the background for them to mess with and probably kill off later. Like, she doesn't have a whole lot of personality, but she could. S. I think I'd like all the characters more if I spent less time with them. Like, I think for me, the pace is too slow, the dialogue is too long, and because of that, I get bored and annoyed with the characters. Whereas I think if it was only a couple of chapters, forcing the dialogue to be more punchy and illuminating of their character, and less mired in sadness (Palebird) or digging stupid holes (Sandgorse) or bullying (Shrewpaw), I'd have a lot more fun. But as it stands, Palebird starts talking and I start zoning out because they've really done her so dirty in this.

8. If you could ask any character in this section a question, what question would you ask them?

K. Heatherstar: How does it feel to be the baddest bitch in the room at any given moment K. Palebird: Why the FUCK are you with this bastard K. Sandgorse: WHY are you LIKE THAT ALL THE TIME

S. Barkpaw: what is it about learning medicine that you love? Or.... Barkpaw: how did you decide to give up your future with others, for a future in medicine? What was that decision like?

K.  A more serious question from me, hehe: Tallpaw - If no one was watching, what would make you happiest to do or say? K.  Shrewpaw: What about yourself do you feel most inadequate about? What part of that drives you to act towards others like you do?

S. Shrewpaw: what's your fucking damage, buddy?

9. In your opinion, what is “world-building” and how important is it to you as a reader (or writer)? How do you feel about the world-building of these chapters so far? If you could, would you change anything, and what would you change?

S. Oh, I hate it. S.  What's hilarious is that for maybe the first time ever Erin Hunter is putting effort in. You can see how hard they're working to make tunnelling sound "cool" or relevant, how they're describing all these tunnel-related skills and techniques the way they do with fighting or whatever. S. And the irony is it's such a wasted effort because personally? Could not care less. This world-building enraptures me none amount and I spend the whole time scoffing like, sure Jan. 

K. One of my notes off the hop is: "I know that Erin’s trying to like… make Windclan look unique by adding these new positions, but just labelling some warriors as “moor runners” doesn’t cut it. Their job is: “hunting and patrolling the borders”. That’s just? An average warrior thing to do? It’s not special, and naming it something fancy doesn’t make me feel like you’re actually adding anything to Windclan’s mythology here." Which is really just tunnel adjacent, but it's still relevant.

K.  Other choice tunneling notes:  "...Listen, I get it, inter-clan conflict is wonderful. But WHY do the moor runners and tunnellers hate each other? If the tunnels are so important to Windclan’s way of life, SURELY the above-ground warriors would feel respect for them? And if Windclan holds such value in their tunnels (Palebird literally just said that the tunnels mean they’re “stronger and cleverer” than the other clans), then WHY would Windclan cats hate them for it?? To have this weird seemingly generational distrust between the two castes is just. Fucking bananas." k. "Hey Erin: Why introduce the tunnellers at all if you keep putting them down and saying how much worse it would be to be one. What’s the point."

S. “I'm still not over the fact they're [Erin Hunter] like... "what can we do to make Windclan, the clan who famous won't even build nests because they like to live under the stars, special and different from the rest... oh I fucking know."

K. "Why is no one in charge in this clan that’s been a tunneller?? Heatherstar and Reedfeather just… fully don’t understand tunnelling and tunnellers needs?? If I were making this system, I’d have it be mandatory that the leader and deputy have to be one from either caste." S. Why not just ban it already. S. I mean, the book tries so hard to convince us tunnelling is useful. I believe none of it.

K. ALSO why don't the tunnelers b a t h e K. "They're permanently soiled with dirt and soot" DO THEY BATHE??? DO THEY?? WHY DO YOU HATE THIS NEW CASTE THAT YOU SEEM TO LOVE? K. Erin Hunter: look at my cool new worldbuilding set! I'm going to shit on it for an entire book

K.  Like. I'm having a hard time pinpointing what I would do better, but like...  I think I want it to feel 1) more cohesive and believable. 2) It needs to be useful and cement this clan as a group of living, working people. It has to make some kind of sense (to an extent) but also have a purpose! 3) sometimes worldbuilding doesn't need to be "uhh they need more jobs" sometimes it can be "we have this myth about running faster than the ghosts of our enemies" and that's just as successful if you do it right. Like, Erin thought you needed to entirely overhaul Windclan and make them Different to make them better. Instead of working with what's already there!

S. I personally feel it doesn't take much to make the clans really different from each other, and it's more the subtle things that make huge differences, not--like you said--more jobs or anything.  Really don't want to blow my own horn, but like, to use the chapter I just wrote as an example: just by making elders vote to make major decisions alters the clan significantly. That's just one thing, that's putting different emphasis and a new swing on a preexisting facet of every clan.  But immediately you get the effect and it has run-on effects too, which is what good world-building should do. It should be hard to remove any one piece without the whole castle crashing down. And this book is basically about how removing one “major” piece (tunnelling) effectively didn’t change anything, really.  K.  It just doesn't feel right to me! It's too big a change to feel natural, let alone how fucking bad it is.

K. And like, honestly, the Erins even did okay with just highlighting the territory and environmental differences! I've read all the different fucking ways they can write a forest after 30 books and they really have written them all. Even just making THAT a focal point helped to make this book feel somewhat distinct and fresh! 

S. One of my long-standing gripes with Erin Hunter is that their environments are boring and basic and they need way more close detail on plants and whatnot but that is a personal preference, and not actually a flaw. Although admittedly, if you do spend time making an environment interesting, it turns out that becomes a reason to read and a pleasure, instead of something you have to trudge through to get to the Actually Good Bits. But that's not what they're about and I can acknowledge that, if not respect it. 

Extra notes:

S. [Sandgorse’s] basically the dad equivalent of a pageant mum? K. Yeah! K. Sports Dads are just Pageant Mom Regional Variants. S. Oh my god. 

K. The story isn't about [Palebird] and at this point it just feels kind of sad to have her onscreen. S. Yeah, I get the feeling she exists to make Tallstar feels unloved, basically. K. Which sucks! S. "Your mum likes your dead sibling more" is uhh a brutal way to tell a story, Erin.

K. For one: Barkpaw is... the best cat S. YES S. My boy.  K. The Erins only know three medicine cats: Softe, Don't Fucking Touch Me, or The Only Reasonable Gay

K.  1) “Tallpaw swallowed a purr. “No racing, I promise. No having fun whatsoever on the dawn patrol.” I Love Him. 2) Dawnstripe seems nice and I think she and Stonepelt need to be friends. 3) I loved Tallpaw's little chase sequence and how clever he is :>

S. I just can't get over how much it breaks my suspension of disbelief to imagine cats digging. S. Of all things.  S. I can tolerate the bullshit fighting better than I can believe cats digging with any efficiency whatsoever. K. They remind me of the Meerkats from Lion King 1/2. K. And I. K. Despise. K. That film. S. Windclan: https://www.youtube.com/watch?v=U76zyUFg3Xo K. PLEASE END MY SUFFERING

K. I think what pisses me off about [Shrewpaw] the most, sidebar, is that he's like this from the start. Who is teaching him this??? Who is raising this little monster boy???? Who in Windclan is just? rearing xenophobes???? S. Like, he's newly born and walking around being a little fascist. S. And no-one is doing anything about it! All the adults are like, "huh, yeah, kids, am I right?" K. He isn't even as cool as Thistleclaw! He's just a little mean weasel boy! S. Sandgorse is literally like, "yeah that little weak moor runner punk child, what a coward, scared of getting sand in his eyes." Like, that's not the right response At All. K. EVERYONE IS SO RACIST ALL THE TIME SEND TWEET S. And none of the moor runners are being like, "hey stop calling him wormcat, his name is Tallpaw and he's your clanmate." S. Additional sidebar: Shrewpaw calling Tallpaw "wormcat" is my favourite thing in the book. S. It's like if I walked up to a nerd I didn't like and was just like, "lol wormboy." S. Devastating. K. RIGHT S. It's so funny. I was literally there like, "okay this is bad behaviour, Shrewpaw, that's not the right way to act, but also? fucking hilarious." K. It was funny at the start and now that it's his Thing it's even more funny. Like you can't think of anything better to say that you keep invoking the "Wouldn't you like to know, weather boy?" goof at all hours. S. It kind of reminded me of the time I was teaching and I had to put a ban on the word "Elmo" because the kids kept basically making it a slur on each other, but it was also the funniest thing and it was SO HARD not to fucking lose it. S. Me, being a good teacher: "All right, that's enough, no-one is allowed to call anyone else 'Elmo' anymore." S. Me on the inside: [dying]

[itsswimmingtragedycollection]

Netflix’s ‘You’ or ‘Why (young) people need to read more books’

First of all. the obsessed stalker plot is overdone. I mean Misery, Sleeping with the enemy, Fatal attraction, Secret window, The vanishing?? They’re suing. And despite this unimaginative plot, You is being sold as some kind of groundbreaking, fresh, modern take on the Stalker ™, so I guess it’s no wonder only teenagers can buy into that load of bs. Don’t get me wrong, a boring outline, doesn’t necessarily mean a boring story. Consider heist movies for a second. They are all the same, a group of people use their unique skills to pull off a never-been-done-before job, and get away with it. Regardless of whether it’s your cup of tea or not, different approaches, fresh perspective, suspense build up, comedy, action, character development can make this trope interesting over and over again. Unfortunately, You seems to have missed this memo since all of its characters, situations and outcomes have been done, in the same manner, a million times before. This is probably because the entertainment industry is big on recycling. As soon as a new generation of people, who are too young to have seen the classics of the past, matures enough to actually enjoy them, we are flooded with remakes  of this and that. Easy money. But, you know what? Being boring and unimaginative isn’t a crime nor does it do any real damage. The actual problem with You is the message it sends. Or better yet, doesn’t send. Not only do we see Joe humanized to the point where he might just be in the right, the show failed to condemn his actions at any single point. And if we take into account that their main audience are young people,it becomes worse. By a lot. As much as the term ‘young and impressionable’ is a cliche, it’s true. If you showed Joe Goldberg to a thirty year old, aka someone with a clear sense of self, firmly set values and moral compass, they wouldn’t face the dilemma of ‘Shit! Maybe he has a point!’ and ‘Damn lock him up and throw away the key!’. Like, for example, an eighteen year old would. At the same time, the vast majority of events that unfold in the season are presented through Joe’s eyes. Therefore, it’s reasonable to assume we don’t get an objective perspective on anything. Or anyone. Which is a fairly weird choice if the aim is to show how easy it is to sympathize with a psycho given the fact that we don’t usually experience those type of people through the inner workings of their minds, but through their actions. But, that alone didn’t have to be a deal-breaker, if we had something to compare his impressions to, for good measure. Contrast is a powerful tool and its proper usage is what accentuates the main message in a movie/tv show. But who tf is Joe’s contrast. Peach? She’s about the same as he is, except for the fact that her idea of ‘helping’ Beck is using her wealth and influence in hopes she will stay by her side forever, and Joe’s is to essentially bend her to his will. Beck? I don’t think so. The only striking difference between them is how she doesn’t fit in anywhere, not her first job, not her second job, not with her friends, not with her family, not in her apartment, while Joe seems to fit in anywhere you throw him. Probably stems from the fact that Beck feels like a fraud while Joe feels everyone but him is a fraud (also part of the reason why we found the characters boring or fake, since he described them to us). His past? If anything it justifies his present actions. Paco? Joe’s mini-me? His purpose is basically to paint a picture of how an abused child grows up, so we’d find it even harder to dislike Joe. Even more so since Joe tries so hard to make life easier for him and eventually kills Paco’s abuser, which, in retrospect, justifies what he did to Mr. Mooney. Ethan? The most annoying mash up of every hipster stereotype you can think of? Barely even worth a mention. Honestly it would have been quite interesting to see the differences between how he experiences the world vs how it really is. Or maybe point out some red flags that nice-guy-by-day-murderer-by-night archetype displays, so we can spot them out. And it would also help get the point the show claims to make across. Instead, what happened was, people liked him and hated everyone else, and the show producers, writers and actors acted as if they pulled some grand prank.  ‘HaHaHa joke’s on you, even though we made him completely relatable,good-intended, smart, understandable and likable and all those other people stupid, shallow, boring and mean, he’s the shithead and you all fell for it!’ Kinda like when a three year old covers his eyes and thinks no one can see him.   I mean, the only time his portrait of Beck is questioned is when she pours her heart out to Dr Nicky and we get a glimpse of what is actually going on with her. But by that time, there’s no escaping this diluted, fantasy, basic white girl with daddy issues, attention thirsty, cheating whore, promiscuous fraud Joe’s been showing down our throats. Not only that, but up to that point, his conclusions were, one way or the other, confirmed. He didn’t like Benji, Benji turned out to be a prick. He had doubts about Peach, Peach turned out to be obsessed with Beck. He said Beck craves attention, what do you know, she has no curtains in a first floor New York apartment she can’t even afford. He says he knows what’s best for her, she becomes happier and more fulfilled when he takes over her life, until he kills, that is. The viewers don’t side with him because they really, really, actively want to, they side with him because it’s in the structure of the story. Which is reflected in the ‘Ozma of Oz’ by the way. That’s the first book of the series where Dorothy doesn’t crave Kansas anymore and Oz becomes what she wants. Much like the whole world of You is Joe’s fiction, and we are invited to abandon this world, where psychos are not desirable. Similarly, Peach and Joe both have a thing for the Oz books, specifically ‘Ozma of Oz’,they even get into a bit of a conflict over it, meaning they both want their ‘Oz’ to win. Also, another detail I consider important to the plot, is that Peach is a Salinger. Obviously not a coincidence. Salinger is known for his ‘Catcher in the Rye’ and controversial life. But mostly ‘Catcher in the Rye.’ That book is crowned *the* coming of age book, emphasizing how societies high expectations of young people and no consideration of each person as an individual put too much pressure on them that eventually leads to mental disorders. Basically, how the world ruins innocence. But on the other hand, and more interestingly, the most famous criticism calls it ‘a fictional hall or mirrors in which his own self was replicated and congratulated for its brilliance, charm and integrity over and over again.’ Doesn’t that sound familial? Isn’t every character in You just a version of Joe? Paco is a young Joe, Peach is a rich, female Joe with pedigree, Benji is a brute, rich, stupid Joe, Mr. Mooney is what Joe could have become, Dr Nicky pries into people’s lives and abuses his power (sleeping with a patient), same as Joe. Even Beck. She’s your average Joe, not taken to the extreme. And on top of that, he is congratulated for his charm, brilliance and integrity throughout the season, hence why the audiences like him over everyone else. As interesting as that may be, You asks the questions no one needs asked. And gives the wrong answer. Under which circumstances are psychos likable? How easy is it to identify with one? Can sick obsession look desirable? You says yes to all of that. And it says it to teens and preteens who are already being told that boys hit girls when they like them, so why tf not sell them on hot and sexy murderous stalkers as something to lust over? And them blame them for giving in and not their poor storytelling. Encourage your local teenagers to be better than that. See, shows like You, only thrive because they are well accepted. If young people read more books, watched more old and older movies, took more interest in understanding things in depth instead of taking them at face value, we wouldn’t have to even have the conversation ‘Why being attracted to Joe Goldberg is wrong.’ If more young people knew how may bigger, better things exist, a watered down, bland story like this wouldn’t stand a chance. And most certainly couldn’t get away with calling itself fresh, new, brilliant and provocative. My lit professor used to say ‘Every story has been already told.’ We change the names, the places, adapt it to our time, but in essence, all the love stories, the tragedies and everything else in between, have been written. Basically, everything ‘new’ draws its inspiration from somewhere, it doesn’t come from thin air. With that in mind, the more you see, read and hear, the wider your grasp on things becomes, and the easier it is to smell the bs. Which Netflix in general is full of.

[dcarevu]

DCAU #14: I’ve Got Batman In My Basement

“Say, Batman, you wouldn’t be single, would you?”

… Let’s just do this.

Villain: The Penguin Robin: No Writer(s): Sam Graham, Chris Hubbell Director: Frank Paur Animator: Dong Yang Airdate: September 30, 1992 Grade: F

So my original plan for this episode was to write a really sarcastic review where I would jokingly praise every aspect of the episode and write it up to be some kind of masterpiece. I was even going to give it an A++++++ grade, but then slip in the real grade at the end (and as a reminder, I’m not a professional, skilled, or trained critic. The grades simply mark my general enjoyment of an episode for those who are into that type of thing). Well, I tried a few times to write the damn thing, and I just couldn’t do it. Truth be told, it’s even difficult to jokingly praise this episode because it’s not like it’s entertainingly bad, minus one scene where we see Batman using a screwdriver as a weapon (ugh, puh-lease). It’s just kinda dry and unentertaining to watch, so it does not make for any kind of decent comedy.  Instead, let me start with a little story.

Back before I owned this series on DVD (and hopefully Blu Ray soon), I would watch it everyday on The Hub network. This is how I got back into the series after a long time of sort of forgetting about it (Nostalgia Critic helped re-spark my interest as well). I got exposed to many wonderful episodes this way, such as Sideshow, You Scratch My Back, and Vendetta. I was starting to figure that this show could do no wrong, and so when my dad sat down once when an episode was just starting, I got pretty excited! I was happy that my dad would get to see what great cartoon possibilities could be produced out of a superhero that he mostly remembered from the Adam West TV show (I would argue that this show is great too, but in a very different way). Well, guess what episode came on that way. No, seriously, I want you to just take a guess. Ayup. Now this is before I had ever seen or heard of I’ve Got Batman In My Basement. And with a promising title and title card (although Char thought that the title sounded a little bit creepy, and not in a good way…I will admit, I do get some BDSM vibes), I wasn’t worried. And then the episode started. Wow! Then Penguin! Hadn’t seen him in an episode yet! But I did have his action figure (from the show), and I had heard that Birds Of a Feather was absolutely fantastic. I wish I could even say that there was more buildup before the unfortunate letdown, but really, this episode doesn’t even start out good, particularly if you don’t have any expectations about the Penguin. Hell, if you’re an outsider, I wouldn’t say that the Penguin looks particularly exciting in the slightest. Yeah, he’s got those flipper-fingers, but paired with the sloppy animation of this one, I’m pretty sure Char thought that it was an animation error or something at first. And by the time we get to the two main characters of the episode which are a couple of children, and especially when Batman gets knocked out, I started to realize that not every episode of Batman The Animated Series was perfect. In fact, I knew then that there was at least one that I never wanted to watch again. And this was the one episode my dad happened to see! I almost wanted to change the channel, but I was holding onto a little bit of hope that things would improve. Even if it wasn’t until the end. But, well, you saw the rating. Now, I’ve since seen this episode twice more, via my own decision, merely for the sake of watching the entire series. I’m assuming that if I ever watch through again, I’ll skip this one, but for right now, this is business, and I’ve gotta get the word out about this episode, even though I’m apparently far from the first. Don’t watch it, man. It’ll break your spirit faster than the ground will break an egg from 5 feet up. Oh. And to make things even better, my dad caught another episode a little while later. It was The Forgotten. Yeah. I’ll leave it at that.

So one of the things that I see constantly complained about is that this episode is supposedly pandering to kids, and overall taking a show that was evolving to become more adult and wonderful for all ages to watch, turning it into a typical Saturday morning cartoon. And yeah, I won’t necessarily disagree with this all the way. It certainly does feel like a more typical Saturday morning cartoon. But let’s not throw Saturday morning cartoons under the bus here. By this point, we did have some established quality in cartoon-land. Ren & Stimpy, The Real Ghostbusters, Ducktales, and Tiny Toon Adventures had each been airing prior. Yeah, the episode does focus more on being aimed for kids, but this isn’t inherently bad, and only explains the problems on a very base level. There’s a difference between being aimed at kids yet still being god damn awesome, and talking down to your audience so that the only ones able to enjoy it are kids who a lot of the time will watch anything that moves. This episode seems kiddish because of two main factors; as stated it talks down to the audience, and the two main characters are children (and I swear, they look like they could be Velma Dinkley’s kids). I guess to add a bonus reason, it simply was not approached with love. The team behind the show has basically come out and said that the writers and storyboarders of this one didn't care, and Frank Paur, the reluctant director, tried to shape it up a little bit, but when you have deadlines, there is only so much that you can do. Keep in mind, we are less than 20 episodes into the series. Not everyone they were hiring was necessarily going to be on the same page. When this episode was started, it’s very possible that not a single episode had even been aired yet. After the show was watchable, that’s probably where new writers (and old ones) could watch other people’s work and determine what would work in this newly created DC Animated Universe. I’m a little interested in what Sam Graham and Chris Hubbell could have done with more knowledge of what was expected, but hell, for all I know, Bruce Timm could’ve gone over the series bible 234 times over to them. Lazy work is lazy work. Hard to redeem that because, well, often times the person is too god damn lazy! This is all just some speculation based on things that I know about the show, but ultimately I don’t even care that much. Only watch this one if you’re a completionist like I am.

Now, if held at gunpoint (and maybe I am, given that I really wanna move on to Heart Of Ice instead of finishing up this post) and made to find some positives, I would first tell you that the screwdriver fight is so stupid that it has to be seen. I’d rather just search that scene up on youtube or fast-forward to it, but hey, I didn’t say these were positives that turned that F into an A, did I? Ha ha haaaaa, I don’t think so. But the fact that Batman would wage a tink-tink battle with the Penguin in such a way, oh my god. it’s baffling. This is straight-up Adam West territory, guys. But y’know, I’m probably talking this scene up to much. I always say that it’s ridiculous, that it’s hilarious, that it’s so awe-inspiringly bad, but then I watch it, and it's never quite as entertaining as I remember. Not quite. Maybe being one of the only action sequences (and the only memorable action sequence) causes this effect on me or something? I don’t know. I feel like as goofy as this is, it’s soooo much funnier on paper when it’s purposely comedic. And alright….another positive quality before Sam and Chris push that big red button… Well, Roberta was actually pretty likeable, surprisingly. She was Char and I’s favorite character from the episode, believe it or not. Weird how even though episodes about kids don’t often end up stellar, they can still create a big strong kid character. It’s a case of personalities vs scenarios. Being delicate when it came to children-related plots was maybe a requirement? Then again, Robin’s Reckoning, guys. Robin’s Reckoning. And lastly, uhh, there were a couple of lines that made me chuckle a little bit, and in a way where the line was meant to be funny. Batman’s “Ma’am” at the end was perfectly in character, and Sherman’s response was great. Penguin gets a few good lines as well, despite such a lackluster debut. This episode went ahead to turn Char completely off to the Penguin, which is reluctantly expected, but hopefully after a nice long break from the character, a future episode can turn her around on him. We shall see. This debut is pretty hard to shake.

It embarrassed me a little bit when I first watched it, and it made Char want to vomit. Now that is some quality…Sherman. (Kill me)

Char’s grade: F

Next time: Heart Of Ice Full episode list here!

[christinaroseandrews]

Part 1

First off, I’m going to have to break this review up into pieces. I’ve got too much to rant about - complete with screen grabs - that tumblr will hate me. Not to mention, I want to show you the pain and then talk about some of the more salient problems with this book in depth. 

A little over a month and a half ago I said I was going to do something stupid. I was going to read my way through Faleena Hopkins’ book You Don’t Know Me. I got through the first half in a fairly decent clip - the writing was not good, the characters weren’t good, the plots were flying more than mosquitoes in summer... and then I got to the part where I just started continually shouting.

Laws of physics, laws of nature, laws of storytelling were all thrown aside as if they were garbage and then literal garbage was shoved into its place.

This was not a good book. This is not me ragging on her as an author. But I am not joking when I say I’ve read stuff by actual teenagers that was much, much better than this. And because I had to suffer through it, you have to suffer through my ranting.  Aren’t I nice?

The story takes a common trope “Secret Love Child” and combines it with another “The Missing Heir” and adds a dash of “Draco in Leather Pants” and “Poor Little Rich Boy” into the mix. By the way, if you can’t guess, TV Tropes is my wiki-walk rabbit hole and I have no regrets. The same cannot be said for this book.

Rue Calliwell (and I don’t care if I misspell the name - the author doesn’t; why should I?) is trying to make it in Los Angeles. She works the graveyard shift at a local grocery store while trying to catch her big break as a dancer. When Jack Stone, one of America’s Famous Billionaire Playboys, suddenly appears on her doorstep hopping mad, she wonders what died in his Wheaties and maybe if she can kiss away the frown he’s fixing her with. (Yep, she’s dreaming about some brother banging.) After dragging the story out for way too long, it’s finally revealed that Rue is the bastard daughter of Jack’s father and that he’s been embezzling from his company to stock up an inheritance of $50 million that has Rue’s name all over it. If she refuses the money, it goes to the KKK and she can’t allow that to happen. While her other brother, Sean, treats her to a Pretty Woman makeover, Jack wrangles their best friend Alec (and super hot lead singer of a band that’s never mentioned and isn't important to the plot in any way) to seduce his sister and then break her heart. Because that’s what all pissed off brothers do, dontcha know? 

So where do I even begin with this?

How about at the beginning... I have over 120 notes that I made on this as I read it. I’ll share some of them with you.

This is the opening paragraph to this book. There is so much wrong with this I just can’t even. From the random thought, to the run-on sentence (a Faleena Hopkins Trademark), to the weird-ass descriptors. Frowning Forehead? Are there lips on this forehead? Another face? Not to mention that there are missing en-dashes and it’s in a confusing tense. (Most of the book is in first person/present tense... because of the contraction, the sentence can be read as both present and past tense.)

The story introduces us to Rue, Jack, and Sean in pretty short order. Rue is supposed to be the heroine. The one we’re rooting for. Jack is the antagonist. One of the two wronged brothers and the one who thinks that Rue has an agenda. He is not a nice character. Then there’s Sean who is too good for this world and is written like every single stereotypical gay best friend but he’s got a “SECRET!” You have one guess what that is going to be.

If you can’t tell, this is in reference to Jack. But not only do we have a wild apostrophe, but we also have Exorcist levels of neck contortion. Not to mention a super awkward sentence.

This is also a Faleena Hopkins Trademark.

See...

I also mentioned that the story was in need of a good editor. Not just a proofreader, but an actual story doctor who could prune the 15 or so subplots down to something manageable while actually giving us a romance. Not a sex story shoved into a family drama. By the way, this story BARELY qualifies as a romance and I’m not totally convinced it is. The main characters end up together, but it is in no way satisfying and the focus of the story wasn’t on the relationship. More on that later.

But let’s go back to the editing.

Sorry about the italics not translating between Goodreads (where I can access my notes) and what’s in the actual book.  Trust me when I say that this woman hasn’t met an italic she didn’t love, except when she should use them.

As you can see, there are now enough errors for me to mark it down a star for poor proofreading.  And I’m not even a quarter of my way through this. The errors continued including something I find a death knell... the author spelling her main character’s name wrong. I’m not going to bother sharing more of her proofreading errors, unless they are really eye-roll enducing.

Another reason why this book is so bad is because the foreshadowing is heavy-handed as fuck. Like I’m going to hit you over a brick with it but I want you to act surprised when the reveal takes place. It’s that bad.

Here’s one of the most egregious examples.

We didn’t get the actual reveal of what was in the summary until 7% of the way into the book. Which is 21 pages and 5 Chapters into the book. Even then, the author played with it for a while, making it so that Rue didn’t believe the lawyer and thought this was some elaborate reality show prank. Yeah.

The author also wasn’t terribly good at hiding her foreshadowing.

This was in the character’s head. You don’t hide that kind of thing in your own head. It’s why most mystery writers don’t write from the POV of the killer, “The Strange Case of Roger Ackroyd” aside. It gives away the mystery. Coupled with the over abundance of POVs and this heavy handed handling of the character. I would have dropped this plot line entirely.... More on this later.  Trust me, what goes on with Sean is a rant in and of itself and is enough for me to rate this one star.

Now let’s get into the flashback portion and will portion of the plot.

This is where the first gif really starts showing through.

Part of me really wanted to send Hopkins the Wikipedia article on cancer. The other part of me wondered: if this is what she considers hyperbole, then what other horrors did I have in store?

I shouldn’t have asked.

This is brought up, but never actually addressed. Also I need to talk about how the father gave Rue the money. He gave it to her in a lump sum. $50 million. Not a trust. Not a foundation. Just here! Cash!

The author tries to address it later. But fails.

And that’s assuming that there aren’t locality taxes and again congrats you’re in a higher income bracket.

The biggest problem with this is that the father would know better. Or have the money offshore... not something that would be transferred into a U.S. checking account to make the IRS piddle their pants like an errant puppy. The father who claims to have loved the mother and the daughter, would make sure that the daughter had the money to keep her comfortable for the rest of her life and not able to spend it or give it away all in one go.

I used to work for a lawyer’s office who specialized in estate planning (and real estate) - in most cases, if you have more than $250,000 in assets that will survive your death, it’s recommended to have a trust because the federal government takes so much.

These tricks are one of the many ways that the rich stay rich.

As I mentioned before Rue gets a makeover, courtesy of Sean.

I’m thinking of the now deleted video of hers... But here’s the author.

So of course from here on out, I’m picturing Faleena as Rue... which did not help matters.

The reason why I say this is a nice lampshade is literally until she finds out that Jack and Sean are her brothers, she’s fantasizing about sleeping with them and kissing them.  Which again is “Ew!!!” for the reader and not funny and kinda crosses the pseudo-incest vibe that Amazon will allow and goes into Incest because again, we the reader know what the score is, it’s in the damned summary.

This is a huge problem in the book. The sainted mother who died of the mystical cancer is the sole woman who doesn’t get the slut/bitch/sexist treatment. Huge problem. Not even Jenna is immune (which happens later) and Jenna falls into another bad trope which I will get to later.

There’s more, but let me tell you, headhopping in the first person, present tense is tough. You’re deep into one character’s head. That takes talent.

Crappy talent. But talent.

This is where I’m going to stop my first post. We’ve just got the first mention of the love interest, Alec. And opened up another problem.

How is Alec Sean and Jack’s only friend? I say this as someone whose best friends growing up were identical twins. Most siblings, especially those that aren’t twins, won’t have the same bestie. They don’t want the same bestie. It’s a thing. They may have friends in common, but most best friends tend to be someone else. Mostly so they have someone they can rant to about the other.

If you think this is bad, wait until you meet Alec and the new siblings have a night on the town.

It’s going to be great....

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[proantagonista]

I still don’t want to open a can of worms by getting into specifics, but I think a lot of my feelings toward the TV show have to do with that character on screen…not being Loki.

He looks and sounds like Loki, but he doesn’t talk or act like him. And it weirds me out because of how foreign his character feels when he should actually feel pretty darn familiar. Since, you know…we’ve seen Loki post-Avengers 1 before.

Yes, this is partially the fault of the TV show’s oversimplification of his redemption arc. All of Loki’s character growth was completely wiped out, and we were presented with a shallow, cheap alternative. But the problem is much more basic and stupid than that. The show runners have not put enough thought and effort into fully defining who they want Loki to be going forward. And they sure as hell aren’t playing up Tom’s strengths as an actor.

Part of the problem is the result of the tone change of the Thor franchise. It went from being this Shakespearean Space Opera to slapstick comedy, and Tom’s acting is much better suited to Shakespeare. (I mean, have you seen him on stage?) Tom gave Loki so much power and life and visceral emotion because he’s damn good at interpreting that kind of script. The loss of that more dramatic tone caused Loki’s character to fade into the background of Ragnarok. Tbh, that’s really when we saw the original Loki vanish off screen. Now we have another tone change in the Loki TV show, and Tom’s Shakespearean Loki is still out of a job.

People love to bash The Dark World as the worst MCU film, and I think that more dramatic tone gets unfairly blamed. Never mind that the first Thor film did quite well and that the audience couldn’t get enough Shakespearean Loki in the first Avengers movie. The criticism of TDW and the relative unpopularity of the character of Thor in Phase 1 resulted in the massive tone change that was Ragnarok. And yes, Thor became much more popular with the masses. (Because guess what? Chris is great at comedy in the same way that Tom is amazing with stage acting.) But the problem is that Loki’s original characterization was sacrificed in the process of the dramatic tone change of the franchise. And even though he has his own show now, it does not appear that Disney wants to revive him. They want a new Loki altogether.

And herein lies the problem. They gave the TV show a definite feel and flavor but um, forgot to do that with the main character. He’s still in the background like he was in Ragnarok. It’s like they thought “oh, the audience already knows Loki so it’s okay if we put most of the focus into defining the other characters and setting.” But uh, you kinda gutted his character a few films ago, so maybe back up a sec first?

The whole show feels like a TV pilot where the actors and writers haven’t completely nailed down their characters yet. Like good lord, what a waste of an actor. Do they…not understand what made Loki so popular to begin with? Yes, comedic-Thor is more popular than dramatic-Thor, but the reverse is true when it comes to Loki.

Do something with him. Give Tom something to work with. Let him command the stage the way he did at Comic Con.

That’s the Loki the audience wants.

Unfortunately, the Loki that I connected to so much was the old one. The one that raged against fate and both loved and hated his brother. And I don’t think he’s the kind of hero Disney is looking for.

And this is really stupid, but I also hate Loki’s TV wardrobe. Loki should be in dramatic strappy leather with boots and horns and KNIVES and instead they made him look like Joaquin Phoenix’s Joker with the color palette and the clothing and I HATE IT.

Uh, oops - my hand slipped, and I accidentally got into specifics. I should shut up now before I really get going because yes, there is a lot more I would like to rant about. Mostly, I just want my dramatic/imperfect/powerful/impulsive emotional support character back.

I’m suddenly having belated but extremely strong opinions about the Loki tv series that no one wants to hear and I don’t really want to talk about, and I don’t know what to do with it all except glare at the wall.

[officialthiamlibrary]

Welcome to another profile on Behind the Screens, giving you personal insight on who your favorite creators are and what they do when they aren’t wowing you with their creative ability.

This week, I’m excited to bring to you our first artist, Dalyane, or Da-Smiley99. Although, in her case, a more appropriate title would be jack-of-all-trades. As our resident fic writer, song-inspired pic spam creator, and incorrect quote aficionado, she shares her inspiration behind incorrect quotes, her writing persona, her meta-author plans to dictate Thiam’s relationship, and much more! Take a look :)

So, Dalyane, let’s ease our way into things. Tell us about yourself. The catch: the word count should be equal to or less than the number of letters in your two favorite Teen Wolf characters’ name. 

Stiles Stilinski + Theodore Raeken = 25 : My name’s Dalyane, I’m a ray of sunshine in human form. What I want the most is to make people happy with what I do.

And, how did you find the Thiam pack? What about Theo x Liam drew you in?

To be honest, I don’t have the slightest idea. It just came smoothly to me. When I saw Theo and Liam interacting, I was just drawn into it. I was drawn by the silent conversations in their eyes, every word that came out of their mouths that sometimes meant something else or something they haven’t said, their mutual violence towards each other. (I absolutely hate violence, but I don’t know why I’m deeply hypnotized by their banter and their complicated Like/Hate relationship). 

I’m like the most oblivious person ever, I wouldn’t even know if somebody is hitting on me, but there’s something romance-worthy (Is that even a word?) about their complicated relationship that drew me in the Thiam fandom. 

Not mentioning Theo’s past, Liam eventually learned to trust him at some point even if he was still a little hostile towards Theo. A little part of himself learned to forgive him, so he could fight alongside him. In the entire sixth season, I felt like they developed a whole new relationship based on building trust. Apart, Liam and Theo are quite strong alone, but together they cooperate, fight and act like they were a “whole”. Liam may not trust Theo yet, but I felt like his body, his own being told the opposite. I was extremely glad to see their relationship grow with their characters. So long story short, I just basically just dived into it. And it’s without a damn shame that I can say that I don’t even regret liking them together. And it’s also not because of the amazing, beautiful and breathtaking gifsets on Tumblr...Not at all.

Yes!! That sums up their relationship perfectly and worded so well. Let’s keep that going for a moment. Say this was a ‘Stranger Than Fiction’ situation and you could alter their relationship, their lives with your writing. How would they live through the following scenarios:

a. Their First Date: 

Oh, they would know for sure they’re on a date, even if it’s not a date. Theo and Liam would hear my annoying voice every five minutes. Like Liam would ask Theo to hang out at his place, it’s just two dudes hanging out, nothing extraordinary really. But I would still break the nice atmosphere by saying random things that comes from their heads. Like -Wow, Theo’s ass looks great in those Jeans, Liam thought- or -Had Liam’s lips always been that pink?- and God, they would be as red as tomatoes. Awkward much.

b. Their child’s first boyfriend/girlfriend

Theo would absolutely refuse to admit or say out loud that he doesn’t like his child’s significant other. It would hurt his pride, but he doesn’t want to hurt his small bean and his husband, Liam. Of course it’s my job! Theo would be outraged, but it would be so worth it.

c. Their first conflict as an official couple

Because of me, their fight would last for 5 minutes maximum. They would be in a situation where Theo would get jealous because he thought some random guy was flirting with Liam, when in fact he was just being super friendly. So Theo was being an asshole out of jealousy. Liam would start getting angry at him, asking what was his problem but Theo wouldn’t respond. I would just whisper in the air: “Hey, he was jealous you dummy.“ Then they would apologize to each other, followed quickly by a make out session. Yeah, you’re welcome Thiam. 

Haha, honestly, they’d be lucky to have you running the show! Piggy-backing off the craziness you’d put them through, sometimes, characters  find themselves in situations they aren’t sure they can get out of. In your life, is there a time you found yourself in a situation like that and what did you do?

Oh god. Almost nothing happened to me in my life. But I will share this particularly embarrassing moment of me. So one day I was going to my high school, I was inside the school bus. But suddenly the bus stopped at my old middle school, then our chauffeur turned to us saying our high school was closed because of the snow. 

So we went inside the middle school to call our parents so they can pick us up. But that day my mom was working, so she wasn’t available. My grandma didn’t pick up the phone either. So I was like “I can’t stay here anyway, what should I do?” Then my stupid old self just got out of the school, walking all the way to my home. Yeah, I was pretty stupid back then.

 I was freezing and couldn’t see a damn thing in front of me because I was in the middle of a snowstorm. A random guy slowed his car close to me and asked me if I want to get in. Then I remembered what my mom said about getting in a car with a stranger, Oh hell no. I lied saying I was close to home, so he would leave me alone. It worked. 

30 minutes later I think, another car stopped close to me and a woman speaks to me, “Get in, I won’t let you freeze on the road.” I hesitated, obviously. Until I saw my friend in the passenger seat. Finally, I got home safely! I was incredibly embarrassed and horrified; I felt like an idiot. I never thought that I would get home. Holy molly, that was terrifying. When my mom asked why I was home early, I lied to her saying that the chauffeur brought all the students home in the morning. Well, I’ll never ever do that again.

Oh my goodness! Girl, I’m glad you got home ok and didn’t freeze to death! Before we jump into your work, who would be on your ultimate paintball/laser tag team. Any five characters from Teen Wolf. Also, Why?

I would have Stiles on my team, because he’s extremely smart and no doubt he would make up an excellent strategy on the field. I would have Theo, he’s also smart, but he’s a bit reckless and surely takes risks a lot so it can come in handy. I would have Malia, she’s a badass and would dominate the field with some girl power! (You go girl!) I would have Corey, he’s very subtle, doesn’t make a sound and he definitely would blend in the background and that is definitely handy for sure. What a great sneaky sniper. 

For the last member of my team, I would take Mason, he will probably use his charm and his charisma to lure the opposite team’s members. Or just make jokes and references to his favorite Tv shows. That kinda does the job too.

Perfect! And now your work! *Rubbing my hands together in anticipation*

You do a little bit of it all when it comes to creating for Thiam: fanfiction, fanart, edits, incorrect quotes. Which would you say is your favorite art form? And how do you balance creating them all? 

I guess my favorite form of art is writing. I had a talent for writing since I was a kid. I could express myself better on paper than with my voice. Many people had a hard time to believe that everything I wrote came from my mind, because I can’t express myself properly when I talk. For me, writing is an art and fanfics are masterpieces. Writing has been a way for me to escape the real world, my problems and my worries. Writing is a way for me to talk indirectly to readers and expressing my feelings to them through my writing. 

It’s kinda hard to balance my creativity in my posts, because I always do something different. If I see something I like on Tumblr, Instagram or Twitter, I tried to include it in them. I always try to get better. I’m trying to find my own style and keep it. I’m saying it again, I want to make people happy with what I do and when I get positive comments on my works, that makes me want to get  better. A part of me does all of this for my followers, to put a smile on their faces or make them laugh. Seeing them happy makes me happy too.

And, if your process was a person, describe them. What do they do? Wear? Listen to?

Well, she’s pretty thoughtful. She always paces back and forth in her room, trying to find a title to her work. She bases her work mostly on the title, that is most of the time based on a song. She’s always in PJ’s and some good old crocs. She just sit on her bed, listening to her favorite songs, TV shows, movies or her favorite YouTubers. She’s a little lazy girl, I guess. I can’t really blame her, it’s how she is. :)

What would you say is both your (and her) Writing Kryptonite, haha? How do you fight it?

It’s really strange, but I can’t write anything if I don’t listen to some music. Music always has been the source of my imagination, I just didn’t realize it until a few months ago. If I don’t have my phone and headphones on me, I can’t do anything. I need music to write. Depending to the meaning, the lyrics and the beat of the songs I listen to, my works change. If I write something sad, I listen to songs about heartbreak, death, breakups, etc. If I write something fluffy and happy, I will listen to songs about happy endings, falling in love, weddings,etc. 

When I know exactly what to write (theme, feeling expressed in it and other minimal things), I know instantly what song to listen to. Every time there’s music in my ears, I get in my own writing world and my hands just start tapping on my keyboard on their own. This is pretty unique, huh? Music gets me really emotional and I can’t do anything about it. It’s very strange. Since Music is the source of my creativity and imagination, it’s very rare that I have writer’s block.                  

To get rid of my writer’s block, I simply sit back on my couch and close my eyes, listening to some soft music. I take a break, because I can’t write something for a whole day, I would get a huge migraine. I would just relax and let everything come to me.

Your love for writing with music. Is that what inspires your song edits, like this one? What makes a song shout Thiam to you? How do you choose images that embody both the song, their relationship, and your writing for it?

I always choose a song that reflects their complicated relationship and what they’ve been through. I choose songs that are very specific for them, that express their banter, their problems and their backstories. Depending on the songs I choose for my edits, the colors, the pictures and themes are different with each one. For example, for a sad song, the colors and pictures of my edits will be darker, the theme of the edit will likely be sadness, sorrow, breakups,etc. For a more happy-go-lucky song, the colors and pictures will be clearer and brighter, and the theme of the edit will be happiness, calmness, comfort, etc. 

Everything I do in my edits will change with the song I choose. I chose pictures very carefully, they have to call to me (my creative style, I mean). When I find something perfect for my edits, I just know it. It’s hard to explain it, but I can feel it in my gut when I got something good. I’m a weird phenomenon.

And, incorrect quotes. How do those come to you too? Are they inspired by things you see of hear in everyday life? 

Most of them are inspired by my favorite YouTubers: Game Grumps. It’s a gaming channel, where two grown men play some video games while sassing each other, telling semi-bad jokes, swearing 95% of the time and saying perfect incorrect quotes material. Most of them came from the mouth of these awesome guys. Is it the time when I say you should check their channel out? Yeah, go check it, please. :)

Oh wow, one of my roommates watches their channel religiously!! I’ll have to join her sometimes, when I hear them blaring from her room haha. You’ve recently started a new multi-chapter fic, Catch & Release. Can you give us a quick summary, for anyone unfamiliar. 

The story happens one year after the events of season 6. A mysterious girl come knocking on Liam and Theo’s door, seeking their help. Her name is Skye Andrews.She’s a true Alpha who’s fighting against an hostile pack that plans to take Canada. When they saw that she wasn’t a threat and saying the truth, Liam and Theo accepted to help her, also accepting coming to Canada.

And did something inspire the concept?

I don’t even know. It just weirdly came to me just like that, while I was listening to the song “Catch & Release” by Matt Simons.The story made itself when I listened to the lyrics of the song. Now you know where the title came from.

Finally, you know I have to ask. Are there any spoilers you can slip us? 

Eventually you’ll get to know all of my original characters I included in the story. I can’t give any spoilers, because I still don’t know where this story is going. But here’s something I know for sure: Nolan/Alec and Thiam will be canon at some point in the story, I just don’t know when exactly. But if you want some precise informations, my ask box is always open.

Hahaha, fair enough. I guess we’ll have to read along and see. Ooh--perfect question segway. Bonus Question-if you could read only one author/fanfic writer for a whole year, who would you read? And what story of theirs would you horde?

Without hesitation, I say Captainmintyfresh (@Thiamfresh on Tumblr). I just adore her writing so much. It calls to me and her writing style absolutely hypnotized me. She’s incredibly talented and I just can’t stop reading her works. “Airplanes” is by far her best work. I think everyone should read it; it’s a piece of art, a masterpiece. I’m not even exaggerating. Her writing is truly amazing; it gives me the chills. I really wish I could write like that. She can capture the personality and the dynamic of the characters in the Teen Wolf universe. The way she writes their interactions is truly a treat. Seriously, If I could read her works forever, I would. She’s incredibly talented.

I share that sentiment, wholeheartedly. You’re not alone! Before we wrap, I want to ask about advice because I think it’s amazing when we’re given the opportunity to learn from one another. What’s the best writing/drawing/edit-creating advice you’ve ever gotten? Is there any wisdom you could gift us?

I didn’t get any advice in writing, but I would like to give some. If you are struggling with your writing, just take a breath and lean back to look at your work. If nothing comes out, it’s useless to work endlessly and working your brains out. Just take a break and work on it later. There’s no need to be rushed, take the time you need. Writing can be hard and demands a lot of concentration and creativity. Just take the time you need, take breaks and write everything you like. You are the creator of your story.

What’s next for you? Both in life and the creation world?

Well, I’m taking a year off of college. It was becoming too much for my brain to handle so much anxiety every day. In this year, I will eventually think about where I want to go and what I want to do. Maybe it will shorten my time for writing, but I want to do the most I can. I guess there’s nothing next in the creating segment, I’m just going to continue writing and drawing. But there’s nothing huge specifically.  

Any creating is always a perfect amount, so I’m sending you all the luck and inspiration juice in the world! Anything else you’d like to share, in general. The floor is all yours! :)

This concerns anybody reading this. I’m saying this for the third time now, but I’m writing fanfictions, doing edits, drawing fanarts and writing some incorrect quotes for you (all of you). I’m doing this to bring a smile on your faces, make you laugh and make you feel so many different emotions with my work. Seeing you guys happy, makes me incredibly happy. On everything that I do, don’t be shy and comment on my works. If you like my writing style, if you like how I make aesthetics, if you like my incorrect quotes or just quotes in general and if you like my fanarts, go ahead and tell me about those things. I probably won’t respond, because I have a social life outside of Tumblr and I’m actually pretty busy.I want to get better not just for myself, but for all of you. I don’t want to let anybody down and I don’t want to disappoint anybody. I really hope that I meet your expectations. I love each one of you (I’m definitely not crying right now).

Awww! And so with that, BTS presents Dalyane, Da-Smiley99! As always, you can keep the conversation going; respond to any of her thoughts, ask more questions, send a prompt, or simply swing by for a chat with Dalyane anytime. To quote her, she would be “absolutely thrilled” to receive your thoughts! If you’d like to dive into her works, check out both her AO3 and Tumblr.

Tumblr: Da-smiley99

AO3: Dasmiley99

Ask Box: Da-Smiley ask

A huge thank you to her for being so excited about our chat and sharing us piece of her life with us! 

Have a Thiam Creator you fan over, from any platform (AO3, Tumblr, Wattpad, Instagram, FFN, etc). Definitely drop us their names. Bonus points if you include any questions you’re dying to ask them. 

Likewise, if you as the creator, would like to be a part of the Behind the Screens series, give us a shout too! We’d love to get to know you, as well.

Mic drop!

[changhomin-hatsukoi]

I love you rant. I have been feeling this since episode 1x01. I don't ship Clary with Jace or Simon because I can't stand her character but I recognize chemistry. Simon x Clary have great chemistry but she treats him horribly as a friend and especially now. I watched Clace in ep 2x14, they are so bland, no chemistry and rarely smile around each other. It is forced and awkward. Maia has chemistry with Simon and Jace but those ships won't last because of fans and ultimately book ships. Tbc.

Magnus x Alec are the one couple exception to the rule. They have great chemistry, emotional scenes and writing. They sizzle yet fans pit Magnus and Alec against each other, trying to rush their relationship with a marriage and kids like you said. The problem is they need to stop trying to put a square peg in a round hole. The tv show is so different from the books, the characters are adults with the exception of Simon/Clary/Maureen who are 18. No one is barely a teen on this show at all. Tbc.

I agree again about Simon x Isabelle. Sizzy barely interacts. It is zero romantic chemistry. Their relationship is shallow. Izzy has way more depth and a connection with others. Simon has better chemistry and connection with Maia also. He really has it in spades with Jace and Raphael too. The show is so flawed but the writing has turned into its own entity. 2B is moving even further from the books and turning things political like what happened in the Seelie Court with Jace/Simon/Clary.

Simon doesn’t deserve this! I refuse to feel sorry for Clary though. She knowingly kissed him back despite having lingering feelings for Jace even after the truth came out about Jace. I don’t care for Climon because of Clary mostly. The writers also don’t have the real balls to go against the fans. I feel like the only 2 book ships that crossed over to tv are Malec because they are more visible and Luke x Jocelyn before they killed her off. Sorry about the asks. Your rant set me off next.

See, that’s the thing: I don’t hate Clary.. infact, I actually like her. I really do. I mean, she’s the typical ‘tries to do the right thing as long as the right thing is in line with her interest’ kinda main character… which is normal, i guess.. PLUS Kat is cute and so sweet and nice that I can’t help but like her character too.

BUT I disagree the fact that she keeps leading Simon on when she knows for fact that she’s still undecided about Jace. That’s not fair.

That’s downright cruel actually..

Clace fans were all like ‘Serves him right’.. ‘Simon should know better. Clary belongs with Jace.’.. ‘Simon is such a creep. Perving on his best friend’.. ‘Simon shouldn’t force Clary to be with him’..etc..

I wasn’t even a diehard Climon fan nor am i anti-Clace (I just think Climon is cute due to the characters developed such sweet and happy atmosphere when they’re together - again, chemistry is something we can’t control) and even I was like:

How on earth it was Simon’s fault? In which way he was wrong? Because he was happy that his longtime crush finally reciprocate his feeling? He never did anything beyond being her best friend and just steadfastly be by her side, supporting her - no matter how much it must’ve hurt to be ridiculed by Jace and yes, even Alec.. for being a mundane (and later vampire). He didn’t even confessed until after Clary and Jace broke up (and was so nervous about it too). And it was still up to Clary to accept him or not.

How the hell was he to know or even suspect that Clary never fully loves him? Yeah sure he might’ve  realize that Clary wouldn’t get over Jace so quickly.. but he figured it’ll okay since they found out that Jace is her brother. So obviously he felt insecure when Izzy told him that Jace wasnt Clary’s brother after all which was why he decided to follow them to Seelie’s Court - some fans called him a jerk for this..

Hello~ excuse me? Simon never once forbid Clary from doing anything/interacting with Jace.. never once questioned her.. He trusted her but yeah, he is still an 18 years old boy and yes he still feel that insecurity and felt this need to show Clary and prove to himself that he is useful… that he has nothing to worry about.. Clary is his best friend and lover, of course she loves him..‘

His face when he found out otherwise in the most humiliating way possible.. just… hurts my heart so much.

What gets to me is that  at the end, Clary will get her happy ending with perfect Jace (coz OBVIOUSLY Jace is only concerned about Clary’s feeling and who the fuck cares bout the guy he just so gloriously up’ed one more time, right?) and thats that.

And if Simon dares to even show that he’s hurt and doesn’t want to see/help the Shadowhunters for a while after this, if he dares to show normal ‘ i’m done with all of you’ reaction, fans would crucify him. They expect and want him to just accept it and brush it all off and jump into bed with Izzy as soon as possible so he won’t be a bother to Clace ship anymore.

And if he dares to be otherwise.. to show how deeply hurt he feels, well~ he is a jerk and stupid for not seeing this coming.

I never hate Clace but (most) their fans seriously are horrible jerks.

Oh and btw:

Clary kissed Simon first.

So tell me again how it was his fault that he thinks Clary likes him back?

See, I’m all about chemistry..

- That happy laugh that Clary have when she’s with Simon.

- That beautiful easy smile she always have when she looks at him

- That at first cocky turned bewildered turned awed turned amused turned affectionate turned shy looks/smiles Jace has for Maia throughout their encounters.

- That contempt turned annoyed turned pity turned grudging respect turned ‘you’re pretty but you’re still annoying’ turned affectionate ‘you idiot’ look from Maia to Jace

- That soft looks in Raphael’s eyes when he looks at Izzy

- That shine in Magnus’s eyes when Alec is near

- That barely concealed affectionate smile Alec has for Magnus when he thinks Magnus is being cute (to be fair, Alec thinks Magnus is always adorable^^)

- Those glances Alec keeps giving Magnus as if to constantly checks that the warlock is okay.

[wmb-salticidae]

# always bugs the shit out of me when neither the data/spock character nor the supposedly intelligent normie human they're talking to # can ever think of a reason why highly social animals might spend time on apparently meaningless activities that facilitate social connection # or why that might be extremely useful # i guess the problem is that TV writers are mostly kinda stupid

fish-out-of-water character in science fiction to whom humanity is deeply alien, but who does not continually get themselves into awkward social situations because they looked up Human Ettiquette For Dummies, they learned about basic human social dynamics including how humans bond socially, and it is immediately obvious to them after five second of introspection how a highly social tool-using species like humans would benefit from spending a lot of time building social ties