#i have a lot of fun blues.. used a good bright blue for it

[thestrangecarrotcake]

i just remembered that when i originally drew my merMay drawing i was like,, bothered by the fact that i was using colors i had saved to my palette??

like bestie what do you think you saved the colors FOR???

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[rafecameronsslut4ever]

CASUAL — lando norris (smut, angst, nsfw)

pairing; fem!reader x lando norris summary: whatever you and lando have, it's anything but 'casual'. warnings: smut 18+, a LOT of angst, mdni, fingering, oral (f receiving), (situationship?) a/n: i lowkey want chappell roan's casual to be inserted into my brain and OMG this one is too sad

"nah, nah. the two of us... it's complicated, y'know? just a casual thing, honestly."

the words echoed in your mind on the flight from london, replaying as the seatbelt sign dinged off.

casual.

the word had always carried a negative connotation, but hearing him say it made you feel so much worse. it made you feel insignificant, as if the months that had passed meant nothing to him, while it had meant so much more to you.

you were anything but casual.

all those nights, the mornings after, the kisses, the rendezvouses. they meant something, didn't they? you thought they did, at least.

the way he'd look at you when the lights dimmed and his voice would turn soft. the way he'd kiss you as if it was what he was made to do.

he knew every inch of you. every freckle, every curve. he knew you better than he knew the tracks he raced on.

but, then again, lando norris was never known for being reliable.

he was young and wild and carefree, a bachelor to be envied by all. a party boy, a flirt, a ladies' man. he was charming and he knew it.

he was good at making people believe that they were special.

everyone loved him. the oh-so charming lando norris. the young driver who had a bright future ahead of him. he was bound to get whatever he wanted, right?

the first night he touched you, the two of you had come to an agreement—no attachment. he made it clear that he didn't have time for anything serious, but that he would love to have fun with you.

you, of course, had agreed to that.

in the beginning it was nothing. 'accidentally' crashing into each other at parties, accompanying the other into hotel rooms, and then disappearing as soon as the sun rose.

but do these 'no attachments' things ever work? it wasn't even a complete month before the two of you became more and more involved and realised you weren't just having fun.

as you exited the airplane, your heart clenched at the thought. the two of you had never actually said anything, but it was there, hanging in the air, almost suffocating you.

the first time you realised it wasn't just fun, you were in the passenger seat of his mclaren. he was on his knees, big blue eyes staring into yours as he flicked his tongue in you. you were so close, you had been for a while. he could tell. his eyes were locked onto yours, a glint of smugness in them. and then, with the tip of his finger, he brought you over the edge.

after you both came, he had crawled into the driver's seat and smiled at you. his lips glistened, his chin damp, and his hair sticking up in places.

"you look beautiful." he said, a hand coming up to tuck a strand of hair behind your ear.

"i think i like you." his voice was barely a whisper, and if you hadn't been staring right into his eyes you might've missed what he said.

"yeah, me too." your voice was breathless.

and that was the only time either of you'd ever said anything about it.

was it casual?

then, that one time when you had flown to his family home in the uk and met his parents. they'd welcomed you with open arms and treated you like one of their own, and lando's face had glowed with joy the whole time.

"i still can't believe that lando has such a pretty girlfriend." his mom had said to you, giggling as the two of you shared a bottle of wine.

"mom!" lando had whined from the other room. "can't you just shut up for once?"

"oh, hush! i'm just saying it as it is." she shrugged.

you had blushed furiously at her words, looking down at your feet as you took another sip of the expensive italian wine.

you had thought he would deny the 'girlfriend' title, or at least laugh it off, but he didn't. instead, he grinned like an idiot and you wondered if the wine had gone to his head.

"yeah, guess i got lucky." he'd muttered, and his mom had smiled, nodding knowingly.

when the day ended, you had fallen asleep curled up next to him, his body warmth enveloping you like a blanket.

now, your eyes stung as you walked through the airport, a million thoughts running through your mind.

you'd spent the rest of the week there and it was the best time you'd had in a while. he'd taken you on a day-trip to oxford, but the two of you ended up staying the night at some cottage. he'd held you closer, kissed you harder. you slept together as many times as you could.

fuck, you weren't just casual.

and the time the you woke up in each other's arms, his face buried in your hair, hands wrapped around your waist. he had asked you what your plans for the future were.

"get an apartment in monaco right next to yours so that i can stalk you everyday. binoculars and everything." you had joked.

"really? not gonna say you're going to marry me and have a billion kids and we're gonna grow old together?"

you'd looked up at him, eyebrows raised. and then the two of you had burst out laughing.

"what the fuck, lando. i'm not having a billion kids with you."

he just smirked in response.

or the time when the two of you vacationed in italy with his friends, and at the pier he had introduced you as his 'hotshot pr girl'.

"he's paying me a million dollars to pretend to be his girlfriend because he doesn't like being called a virgin."

"hey!" he'd laughed, nudging you.

"shut up, loser."

and then you'd pushed him into the water.

"i'm never talking to you again." he'd pouted.

"oh yeah, find someone else to have your billion kids with. my uterus will be happy."

or the countless times he would call you in the middle of the night and tell you about his new merch drop, and you'd whine about how it was 2 in the morning and you couldn't give a flying fuck.

and when you had just gotten off the phone with his sister, "flo is such a sweetheart, i love her."

"my sister talks to you more than she talks to me. you know she likes you better, right?" he'd mumbled, looking offended.

"what can i say, i'm such a charmer." you'd said in the most british accent you could muster, and he'd rolled his eyes and shoved your face away.

december came, and cisca invited you to celebrate christmas with them.

"if he doesn't ask you to be his girlfriend, promise me you'll tell him it's over." your best friend has said, looking at you sternly.

you had just sighed in response, shaking your head.

"i'm serious. you don't deserve someone like that. not if he doesn't think you're worth the commitment."

"you're right. i know. i'm just... i'm just scared. i like him so much. i don't know what to do."

the morning of christmas, you'd landed in london and gone straight to his place. he was all dressed up, and you'd almost cried at how gorgeous he looked.

"merry christmas, darling." he'd murmured, and you'd melted at his words. he welcomed you with a kiss, the way he always did.

the day was spent exchanging gifts with his family, watching christmas movies and cuddling under blankets.

his family adored you.

"i'm glad you're here." he said.

"where else would i be?"

"anywhere else."

you smiled at him, and he returned it with a cheshire cat one.

that night, the two of you had been invited to dinner with his parents, and halfway through the meal you'd excused yourself to go to the bathroom.

as you stood there washing your hands, you'd heard the door swing open, and the familiar figure appeared next to you, locking the door behind him.

"lando."

"yeah?"

"what are you doing?"

"i need to wash my hands." he'd shrugged.

you raised a brow at him, looking at him pointedly.

he shrugged again, taking a step towards you.

"you look too good in this dress, can't help it."

you rolled your eyes as he stepped closer to you, fingers about to grasp your waist before you told him to back off.

"what?"

"wash your hands first. didn't you come here to wash your hands? there's no way in hell i'm letting greasy salmon fingers touch me."

and then the two of you had laughed before his lips found yours lips. it felt so natural, the way your body reacted to his touch or the way your lips melted into his.

"lando, we shouldn't." you protested, neck arching as he pressed kisses everwhere.

"shut up." he grabbed your waist before pushing you against the counter, his lips crashing back into yours.

"what happened to your hands? i told you to wash them."

"fuck the hands."

"technically-"

"shut the fuck up." he groaned, dipping a finger between your thighs. "you're dripping. fucking hell."

pulling his fingers out, his knee pushed your thighs apart, spreading your legs apart.

you gasped, shifting your hands as you balanced yourself against the counter. his eyes locked in yours as his finger dragged across your core.

"fuck, baby, you're so pretty." he whispered, eyes digging into yours.

"lando, please."

"please what?" he asked as he slipped two fingers inside you.

your eyes squeezed shut, head leaning against the mirror behind you. "oh, fuck."

"i asked a question."

you were quick to answer, fisting his shirt as his fingers moved inside you. "please fuck me, oh my god."

he smirked before dropping to his knees, spreading your thighs and pressing his tongue onto your clit. you yelped at the sudden feeling of his mouth sucking at your clit; eyes rolling back.

his hands grabbed your legs, swinging them over his shoulder. hand sprawled over your stomach, pushing you back against the counter.

when his tongue curled into you, brushing that spot he never failed to miss, you couldn't help but let a loud moan escape you.

lando hushed you; tapping your thigh. “gotta be quiet baby,” lando said through heavy breaths before pushing his face back into you.

biting into your lip, your fingers ran through his curls, admiring the sight of his head moving between your thighs.

your moans filled the small bathroom, the sound like music to his ears.

"lando," your voice was shaky, breath hitching as he picked up the pace, his hands pushing your hips down.

he hummed in response, the vibration sending waves throughout your body.

"oh, god, lando. right there, right there. oh fuck."

and then your body was trembling, and you were gripping his hair, his tongue still moving.

you were seeing stars, vision going white as your legs quivered around his face.

"oh, god." you sighed, chest rising and falling as he pulled his fingers out, smirking up at you.

"c'mon baby, give me one more."

it wasn't casual.

now, walking through the terminal, dragging your suitcase behind you, the tears threatened to spill from your eyes.

maybe he said 'casual' just to tell his friends he was still a player. or maybe, he was referring to the fact that the two of you were just friends who hooked up sometimes.

but whatever he meant, it wasn't the truth.

both of you knew it.

casual wasn't the way he held you close during thunderstorms, wasn't the way he'd make sure coffee was the perfect temperature, wasn't the way he'd look at you as if the world stopped turning.

the way he'd stare into your eyes as the lights turned off, the way he'd press a kiss onto your temple, the way he'd say your name.

it wasn't casual.

[kroosluvr]

temptation

i lowkey have too many notes to write down properly KDFHKDS but ill write them down for Future Cele so i can read it later and be like omggg past cele ur so fun and interesting

in general, the more "color" the scenes have, the closer it is to "real life" as opposed to the muted/hushed winter blues of maruki's reality

i.e. the dark frames w akira smiling and the very last panel are when reality sinks in: first for akira, then for goro

by the way this is long winter au but sumire is still brainwashed. this also works for canonverse but i just had long winter au in mind:o

youve heard of laundry and taxes now get ready for coffee and pastries

in every panel, akira is smiling! :) and goro is very much not smiling.

intentionally his face is hidden in the last 2 pages so its unclear whether it's the "ideal reality" already (akira/goro's daydreams/wants/desires), or if goro is still fighting akira on making sure he picks the right choice

the smoke from the first page kinda leads into the 3rd page omfg COMPLETELY UNINTENTIONAL BUT REALLY COOL LMAOOO

that's nameless and belladonna in jazz jin!!! i love them. I LOVETHEM. i miss them so bad is it obvious

the cafe is loosely based off of caffe strada @ uc berkeley LMAO. my parents used to take me there a lot as a little kid so that's the first cafe i think of when i imagine one. its like right on the streetside, basically on the sidewalk, so its very bustling and people are always walking by... probably a little disconcerting to see everyones summery bright smiles despite the bitter cold and snow

in long winter AU, the Ideal Reality starts before 1/1 so yeah they get to see the new years fireworks together (or something)

also intentional that they wear the same winter outfits in the whole comic although it Probably does not take place at the same time. in maruki's snowglobe, time seems frozen in place... but akira and goro are both acutely aware that the sands are running thru QUICK

goro's frustrated expression on page 3 is one also of disdain: "don't speak FOR me you fucking imbecile" type of expression.

goro, who's never lived a normal life and therefore doesn't know much abt "normalcy" nor really actively seeks it. this 3rd semester is basically purgatory for him and he doesn't care to try and go through the motions the way akira does. akira what do YOU know about the type of "normalcy" i deserve? how do YOU know if i "deserve" that?

im thinking that this is a naive akira who is mostly set on taking the deal because he feels hopeless... seeing all his friends with good happy lives while goro and himself are alive and miserable and shouldering the weight of the world during the horror of long winter......

oh but if he takes the deal they could all be good and alive and happy!!!.... and goro knows this. i feel like in any other universe (i.e. akira is 100% certain on not taking the deal and goro knows this) then goro would be happy and carefree to do these little indulgences for himself and akira's sake, to just enjoy the snowglobe world while it exists.

but this goro is discontent. he sees how akira is enjoying the snowglobe and knows maruki is depending on this. goro has to be the one to remind akira that none of this is his to keep........ in this fucked up world, routine is dangerous. becoming comfortable is dangerous. they cannot keep any of this.

on that note, goro says "i hate you" in a halfhearted sort of way (it's not true and akira knows that.) but he's trying to think of a way that he can dissuade akira from picking the wrong choice.....

and i think the thing is, goro thinks all of this, but he still falls into the rhythm of routine with akira anyway. in a way, goro feels hopeless too.

all of this is maruki's doing........ paralyzed by the inability to choose... whatever you do, you lose. goro needs to hold akira at arm's length so the stupid sentimental fool doesn't get too attached and falls into the wrong universe. akira needs to make a concentrated effort to detach himself from goro even though he wants the simplest thing in the world: just one more unremarkable day with him. it's lose-lose..........,

also i liked drawing the tentacles in the last pic the freaking blue lines on them were SO satisfying to draw

edit: also the last page: the blood flooding the panel….. the idea of the ideal world being built off of the blood and sweat and tears and bodies of the people who could have been. of those lost in the actualization, of those destroyed, of those stitched together and brought back to life. all just for a little false happiness. goro sees it but akira doesn’t, and it’s a grim sight.

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[saetoru]

✩ ‧₊˚ ✩。YEARS LATER — GOJO SATORU. (rich boy au!)

contents. you and your rich husband, sitting and eating sushi years later on your wedding day. the end of one chapter, but the start of a new one. enjoy your happy rich boy gojo ending. with love, tee bee <3

satoru’s eyes are pretty when the sun sets, almost green instead of that usual icy blue—you can’t help but stare. it’s shamelessly, even. you watch as he brings the sushi to his lips, pausing just before he can take the bite as he notices your eyes on him.

“if you’re so busy staring at me, you might not notice it when your food is gone,” he hums, grinning cheekily at you.

you snort, rolling your eyes as you shake your head. “oh yeah? then i’ll just make you buy me more.”

“first day and you’re already admitting to marrying me for my wallet?”

you laugh—it’s a free, bright sound that he has memorized from plenty of experience. and it’s his turn to stare as the sun settles in the crinkles by your eyes, years and years of laughter and smiles evident in the lines of your skin. beautiful, he think, you’ve always been so, so painfully beautiful.

your wedding dress is expensive. a pretty, flattering little thing. you buy it yourself, despite his protests. some years ago, you’d have stared wistfully at the price tag and considered the purchase in another life. you’ve come a long way since then—satoru is proud. so proud, he feels an ache building in his chest from the way things have changed as time crept past the two of you.

not a bad ache, perhaps. a dull throb of nostalgia that settles under his heart, in that spot he has saved just for you.

“i don’t need your wallet, you idiot,” you grin, reaching over with your chopsticks to steal from his roll. he lets you, just like he always used to when you were younger.

satoru thinks now, if he could, he’d love to pat his younger self on the back. the version of himself that used to watch you walk out of class without sparing him a glance, the version of himself that ached so badly for a chance with you, he’d collect stars from the sky to trade for an ounce of your love. he’d tell his younger self that he made it—that he’s sitting here, years later with his grandmother’s ring on your hand, eating sushi go after your wedding.

for old times sake, you’d told him when you asked to stop by, we always celebrated with sushi go when we were younger, remember?

as if he’d forget, he wanted to laugh. but he drives over anyway, parking the car in the same old spot as he used to. this time, there’s newly wed! written on the back of the window—and the words miraculously enough crossed out underneath. (he thinks that’s courtesy of shoko, but she doesn’t fess up, and suguru insists it doesn’t matter. soon enough, he’ll get to the bottom of it.)

“are you sure?” he hums, “you’ll have a lot of fun with it, i promise.”

“i think i’d rather have fun with you,” you hum, giving him a small wink as you take a sip from your soda, making his lips curl into a wide grin.

“oh, isn’t that sweet,” he drawls, “i’m a lucky guy.”

“maybe if you’re on your best behavior, you’ll get extra lucky later tonight.”

“yeah?” he chuckles, folding his hands as he sits up straighter and nods seriously, “i’m a good boy.”

“you’re anything but that, toru,” you snort. and then you soften, staring at him as you reach over and grab his hand. he lets you, lacing his fingers with yours as your thumb brushes over his knuckles.

years and years worth of love resides in between your skin. the first time your hands touched him, you didn’t want him the way he needed you to. then one day, they touched him hesitantly, carefully, slowly exploring him with cautious gentleness. eventually they touched him like he was the world pressed in your palms, heavy with the weight of being your everything.

he likes being yours. more than he likes you being his—he’s always had more than enough. but there’s something about giving himself that feels better than taking, better than wanting, better than having.

satoru has always loved you. he thinks the first day you glared at him, he was doomed from the start. he thinks right now, as you stare at him with fondness, he’s even more doomed now.

he doesn’t mind it, not even a little.

“hey,” he murmurs, making you raise a brow for him to continue, “i’m your husband now.”

“i know,” you nod in amusement, “we just got married…like two hours ago. i didn’t forget that quickly.”

“good,” he wipes his forehead in faux relief, “i was getting worried for a second.”

“you’re too much,” you roll your eyes, squeezing his hand delicately.

“now that we’re officially married,” he starts, grinning cheekily as he bats his lashes, “we should list all the things we love about each other. in alphabetic order. you go first, of course.”

“i don’t have to alphabetize it.”

“why? you numbered it or something? is it organized by importance? i’ll accept that too, i suppose.”

“well, there’s only one thing,” you tease.

he huffs, grumbling a petulant, “so mean. all these years and you can only think of one thing? can’t you be a little nice to me in our wedding day?”

“i’ve worked smarter, not harder,” you shrug, “i’ve condensed all my reasons down to one thing.”

“and what would that be?” he pouts.

“everything.”

“that’s cheesy,” he snorts, but there’s a flush on his cheeks that makes you grin, snickering as you lean over and poke at his cheek.

“you’ll just have to deal with it. you’re my husband, after all.”

“did you ever think about it? when we were kids?” he asks softly, staring off at a young couple in the distance with a tiny grin. the boy pulls out the chair for the girl, pushing her in and tripping slightly on his way to his own seat. satoru chuckles softly at the sight.

“think about what?”

“us,” he mumbles, “getting married some day. before we got serious, at least.”

“i don’t know,” you admit, “i didn’t even think i’d date you, to be fair.”

“you hated me,” he pretends to sniffle, “you wanted me dead. you wanted me to blow up into smithereens and leave my poor mother a grieving mess, didn’t you?”

“maybe not then, but i might now,” you sigh tiredly.

“well, i knew i was going to marry you since the first time you insulted me,” he nods proudly, earning a loud chuckle from you.

“you were a little freak back in the day,” you laugh, “i believe it. only you’d be romanced by degradation.”

“baby,” he huffs, glaring at you (his eyes are soft, playful, even. so sweetly affectionate, your teeth could rot), “you should appreciate a man seeing the best at you. even when you put him through the ringer.”

he almost regrets saying it when your hand pulls away from his, but then one by one, your palms reach over to cradle his cheeks, brushing a thumb along his soft, familiar skin as you stare at him like he’s the only thing that matters.

he is, you make him believe. he’s the only thing that matters. the center of your universe. he fought tooth and nail to get there, of course, but he has no intentions of leaving.

ever.

“i will always appreciate you,” you say softly, eyes watering as you swallow thickly, chuckling when a small tear slips from your eyes. “thank you for loving me, satoru. even when it was hard. even when you had to fight to do it. no one has loved me like that.”

“aw don’t start with the waterworks now,” he mutters, looking away and blinking suspiciously enough that you suspect his own eyes are just as teary, “we can’t have you crying for me already—that’s for later.”

“never any decorum with you,” you huff out a breathless laugh.

his thumb reaches over to swipe at your tear, pinching your cheek affectionately as he grins. it’s toothy, boyish, hopelessly and completely in love. even back then, and even right now. he’s always so in love. it’s you—always, from the day you first rejected him to the day you said yes when he got in one knee, it’s been you.

“thanks for loving me too, sweetheart,” he whispers, his own voice choking a bit as he swallows, “it can’t be easy. i’m a handful.”

“at least you’re self aware,” you snicker.

satoru beams—and he’s yours. your rich, spoiled, beautiful boy. all yours to love for the rest of your rich, spoiled, beautiful days.

i cried writing this. what a man he is truly

[doctorsiren]

Okay, doodle request:

Reigen meeting Serizawa before Claw got to him. Maybe helping him start leaving his room?

I had a lot of fun with this one. I wanted it to parallel the scene of Serizawa meeting Suzuki, and so pages 6-8 are directly referenced from the manga (just in a flipped format so it reads left to right like the rest of the pages) and I also referenced some shots from the anime (like the final panel of page 10). For the dialogue in those middle pages, I referenced lines from the unofficial English translation of the manga, the official English translation of the manga, and the anime. (I was picking and choosing which lines I liked better). I also had fun with the colouring, which is something I love to do in comics especially. It starts out with Reigen in a muted, paler, desaturated palette with no highlights. But when he meets Mrs. Serizawa (I gave the name “Azumi” because it means something along the lines of “safe home/harbour”), she’s much more warmer and saturated and she has highlights. Once she starts explaining her son���s situation, that’s when Reigen has the variation of colour as well as the introduction of some small highlights. Then, the colour palette changes in every panel after that point. Serizawa is done with a grayscale palette, with the only colour on him being the bright light of the TV screen (reflecting video games as his only joy and his escape from reality). As Reigen talks to him, Reigen slowly start to lose some of that variety and saturation (AKA hope) he got from Mrs. Serizawa until he goes grayscale as well when he thinks that Serizawa might know he’s a fraud. He decides to switch up his approach and actually open up, which is what causes the variations in colour to return. Serizawa stops being grayscale in the panel where Reigen reveals that he too is lonely. (He’s a gray-blue palette, but it’s not true grayscale). The next page is in bright colours as Reigen opens up and doesn’t lie, which causes Serizawa to have bright colour as well, since now there is light and hope. In the page after that, Serizawa’s colour fades until he is grayscale again because it’s him not believing fully and still having doubts, while Reigen maintains that bright colour. (Also silly Falsettos reference on that page). I have Reigen’s colours shift from yellow until he reaches pink which is the colour I just have assigned as His Colour (since his tie is pink). Serizawa gains colour again and he shifts from that muted dark blue to finally orange (which is his colour) as he finally accepts Reigen’s help. The light from the TV is no longer coloured, and is just white, because Serizawa now has a new source of colour in his life (that being a real friend.) It ends with them being in their normal palettes at a normal happy saturation, contrasting the muted colours of the start of the comic. With the umbrella, I still wanted to include it and give it a role in the story, but in a different way from how Suzuki used it. While Suzuki used it to directly manipulate and control Serizawa, Reigen used it as a way to open up a choice for Serizawa to either let Reigen stay or make him leave. He asks Serizawa if he can sit and stay for a while since it’s raining outside and he didn’t bring an umbrella, despite clearly having done so. And then I ended the comic with a shot of the umbrella to emphasize that point.

Sorry for the long and probably unnecessary explanation. I just really love explaining my intentions and symbolisms in my art. Yeah I just had a good time over the last few days doing this :) I thought it was an interesting idea and I couldn’t think of a way to reflect it better than in a comic (which was also partially inspired by this wonderful Ageswap AU comic made by @fend13th about Reigen helping Serizawa)

[cherry-leclerc]

the set up ☆ ln4

genre: fluff, humor, parent trip vibes from oscahhh, strangers to lovers (bc of course it is), uni!reader

word count: 2.12k

Caught up in work, you find time to join your friends at the McLaren welcome dinner; meeting a certain British driver along the way. Whom you don't make the best first impression with.

req!...oscar+lily playing matchmakers? cute cute cuteeee. quick one for my lando lovers mwahhh

It takes a lot to convince you; like—a lot. Partial credit is due to your pride, but honestly, it drove your friends mad. 

Let's go out and celebrate! Just a good ‘ol round of drinks. I have to study. Maybe next time.

Oh! I heard of this new place down the street where you custom make your own jewelry. Fun, no? I have enough already, thank you.

Five minutes—let’s just go grab coffee! Too tired. Go on without me.

“It’s my welcome dinner, mate. You can’t do this to me now.” Oscar’s brown eyes flicker between you and his girlfriend, to which she apologetically shrugs. Deep down, it's like she can forehear your excuse. An essay is due, your internship, helping out at your local library. There's been too many times where you’ve flaked, and they were starting to worry. The pile of clothes makes her wince as you greedily type away. 

“I-I’m sorry, but I have to—”

“Reckon you don’t have anything on your agenda that is as important as you make it out to seem,” he hums. Narrowed eyes burn down, flipping your screen towards him.

 Compile a series of current events…BLAH BLAH BLAH. He stops caring, already bored.

“I wish I could—seriously, Oscar—but I’m needed elsewhere.” A beat. “Lily will keep me updated! Go Mango!”

The Australian rolls his eyes, sharp brows expanding with desperation. “Papaya, mate, papaya.” You giggle, mimically apologizing. The clicks continue; round eyes laser focused. He tries getting your attention once more, but you don’t look up at him at all. The driver’s girlfriend purses her pink lips, crossing her legs gingerly against the couch.

“I can help you write your paper. All of it. Just please, come with us.” Blue eyes wink back as you come to a halt, temptation swirling. “We’re your friends and we want you there. Pretty please?”

The McLaren rookie thinks it has to do with his girlfriend's cute pout, but that is so far from it. It was well known that Lily Zneimer had a wicked talent for conducting a killer research essay. From her resources, to her dialogue. It’s astonishing how smoothly it gets done too. With her, it’s a guaranteed pass. Now that was what you needed. 

Berry lips twist back and forth for a second before stretching out. “Touch up on globalization effects in different cultures and we have ourselves a deal.”

-

The paper was coming along so perfectly that you almost wanted to cry. Your eyes buzz with excitement as you jot down a row of bullet points, conversing with Lily before settling on what to write. 

“This is not what I had in mind when you both made this stupid pact,” Oscar groans for the millionth time as he passes by, spotting you and his girlfriend crouched down on a table; computer, notebook, pencils, index cards, books—everything—in hand.  

“Mate, this is worth half of my grade,” you shriek, jotting a few more possible ideas. Finally, your dazy orbs connect back onto him. “As in fifty percent.” You gag. “Do you realize how terrifying that is?”

Lily shoos him. “We’re almost done anyway, darling. Go enjoy the party.” The Australian’s jaw drops and she huffs, raising her neat brows. “Go, go, goooo.”

Despite his girlfriend and his best friend ignoring him, he has a splendid time. He curses beneath his breath when a large hand sprawls against his back. Lando laughs. “Don’t worry, my date ditched me too,” he teases, blue eyes sparkling against the fuzzy lights. The rookie sighs plainly.

“I wasn’t ditched—'' He angles his head to face back to where you and the dirty blond hunch over, whispering, attention drawn onto the bright screen. A few people even go as far as to try and take a peek, probably thinking you were working on anything McLaren. “Yeah, uh, I guess you could say I was ditched.”

His teammate rubs his watch a couple or times, nothing but music lingering between them. No one really speaks up until Lily delicately makes her way. Oscar tilts his head politely. “Done?”

“No quite yet, but she has it all under control.” She faces the British driver with a sheepish line formed between her pink lips. “Hello, you must be Oscar’s new teammate.” A beat. “I’m Lily.”

“Lando,” he can feel himself proclaiming. “I thought she was Lily…” A lousy fingers points over to you. They both let out a weak chuckle. That’s my friend from back home, Oscar confirms. Her and Lily are super close, too. She beams, light blush feathering her full cheeks.

All of a sudden—the Australian sparks up. “Come, let me introduce you two.”

The twenty-four doesn't really have anything better to do; business convos that have him apologizing profusely, cameras being shoved straight into his face, girls who never get the hint. “Sure.” 

First thing he notices is the faded scar that hugs the bridge of your nose. It's almost completely gone—and he really shouldn’t even be able to spot it—but it's there, almost a glassy color that shines back at him. He notices how quick you are at typing, fingers flying at a constant speed. He’s impressed. Or the way you barely spare him a glance. 

“Don’t be rude, he’s talking to you,” Oscar hisses as he and Lily tower over you like a strict parent duo. You can distinguish the panic that laces through her when you didn’t first respond, too worried at making a bad impression, even if it wasn't her leaving it behind. 

“Of course, I…um, I’m sorry—shit!” The laptop blinks back at you as a warning before settling in its death. A groan slips by, hands pressing harshly against the keys, then the screen. Nervously, you look up at Lily, biting your bottom lip. “What do I do? What should I do? What should I do?”

“Charge it when we get back,” Oscar advises, still waiting for you to greet the older McLaren driver. Lando stands back amused. “As I was saying—”

“It’s due at midnight, dimwit!” It’s eleven-fifteen. “I need to find a charger.”

“O-okay, lets just all calm down.” Lily turns to her boyfriend. “You always carry one with you, let her borrow it.” He winces. Only during races, sweetheart, not an important event. She rubs her temples, curly hair running against the wind. “Let’s just calm down!” she screeches.

“Not helping,” you wail. “That’s it—I’m leaving.”

Oscar is quick on his feet, already tugging you to stay firm. “We haven't even gotten to the speech!” A familiar fire rushes through your orbs, burning him along the way. I don’t give a shit about that right now! I need to turn this in. 

“I’m sure Charlotte has one,” a friendly voice slides in, leaving you three to turn and face it. Lando awkwardly shrugs. “She’s really well organized, you know her. I’ll be right back.”

“Can I go with you?”

Blue eyes shift over, surprised to hear you speak. Anxiously, you bounce up and down against your heels. He gulps. “Of course.” He turns back to the Australian, who is busy comforting his girlfriend as if it was her grade on the line. “I’ll be right back.”

There’s a sort of tension that hangs steadily—or maybe he’s the only one who thinks so—but he tries his best to push past it. Of course, he was right, and Charlotte did have an extra charger, so that’s quite nice. As if this were the one and only resource of water in a hot desert night, you immediately take it from him, plugging it fiercely.

“You don’t know how grateful I am. You’re an absolute angel.” You’re quick to pick up where you left off. If you try hard enough, you can remember exactly what you need in order to have it done in a few minutes. 

“Glad I could help.”

He should probably leave, he thinks. He’s done all he could, but he doesn’t. Instead, he takes a seat across from you, contently closing his eyes as the sound of your keys brings him to a deep sleep. The sound of a computer shutting gently is what nudges him awake. You grimace. “I’m sorry, I should’ve been more quiet.”

Lando scrunches his eyes, rubs them for a couple of minutes. “It’s alright. You done?”

“Yes. Just in time—you really saved my ass, thank you again.”

A large hand waves you off, reclining against his comfortable spot. “You’re pretty dedicated to your work,” he mutters.

“I sort of have to be if I want to graduate on time and on top of my game. All those sleepless nights couldn’t have been for nothing.”

“Well, I don’t really know you that well…but I hope you pass,” he says. “Lando, by the way—you were probably too busy to catch it the first time.” He cocks his head to the side, a cheesy grin playing out. “And the second, as well.”

You giggle, shaking his humid hand. You don’t even seem to mind. “Third times a charm, no?”

“It appears it is.”

-

The objective was quite clear. Get you to leave your rotting bed. It was astounding how long you could go without getting up. You always blame it on the fact that—I’m finally done with my most important courses and I can sleep all I want—and—I never wake you up, now do I?

So, naturally, when they march into your room, flashing a phone—you curl a full brow. “What am I looking at?”

Oscar smiles. “Save his number. Right now.”

Lando Norris—winks back at you, digits causing a migraine to stir. You huff, reaching out for the blankets once again. “And why would I do that?”

Lily hums. “I tried to stop him, I really did.”

Beady eyes peek demandingly. “What are you talking about?”

“It’s really just one date—”

“What?”

“And if it doesn’t work out—”

You sit up straight and agitated. “What?”

“—then you won’t ever have to see him again?” The Australian flinches at your cold stare. “He thinks this was your idea…because I told him it was, but…” He winces harder. “Don’t make me look bad and please go!”

Lily squeals when you fling up, hunting him down your flat. “I am going to kill you!”

-

The Brit beams sweetly at you, pinching his hand a couple of times to pump his circulation that was suddenly lacking. “I’m a bit surprised you wanted to see—”

“This was all Oscar’s idea.” He blinks and you purse your lips. “I’m sorry for dragging you into this. I think he does it because the third-wheel act is starting to get to him. Asshole,” you hiss at the thought of the rookie.

Lando coughs, playing with his bracelets. “You’re not dragging me into anything. I want to be here.” Now it’s your turn to stare back at him, caught off guard. He chuckles. “I take it you haven’t gone on a proper date in a while?”

“Is it that obvious?”

“Nah,” he yawns. “Oscar told me.”

Pounding your fist against the table, you yelp. “That little—he wants to ruin my life, I see.” You force a tight smile. “I’ve been busy with work…and…I’m—” A flash goes off from somewhere far away and you flinch. “A total catch. Like—total.”

Blue eyes flicker to the careful watchers surrounding the restaurant. “I don’t doubt that.”

“Good,” you respond, finally allowing yourself to rest easy. You raise a sharp brow. “Don’t you get tired of this?”

A few murmurs dance across the room, blinding lights continue. He sighs apologetically. “Right now I am. Let’s get out of here?”

You blush. “The bill…”

“My friend owns the place. I’ll pay him later.” He grabs your hand. “Let's go.”

The moment you slip into his car, panic rises fast. “I don’t hook up on first dates,” you spit out. “It’s not in my nature, I-I-I would rather get to know the person—”

“Then let’s get to know one another. I wasn’t looking for anything like…that,” he whispers, timidly. His blue eyes burn against yours. “I only wanted the chance to get to know you now that you don’t have your nose pressed up against a screen.”

A kind smile. “Okay.”

The more you two converse inside his crowded vehicle, the more you find yourself giggling against the rich seat. “You’re quite the charmer, Mr. Norris.”

“Thank God,” he jokes. “It’s working.”

Another giggle erupts when you nod. You’re sure that you're flustered, burning bright red from all his pick up lines, but you don’t have the strength to look away. “I’m glad we got the chance to talk. For real this time,” you add, sheepishly. 

“So am I.” 

And something inside of him tells him this isn’t the last.

taglist: @blueflorals @starmanv @coolio2195 @lovrsm @weekendlusting@chanshintien @brune77e @myownwritings @timmychalametsstuff @milasexutoire@alesainz @c-losur3 @darleneslane @togazzo @urfavnoirette @namgification @lpab @d3kstar @anniee-mr @nebarious

[sirfrogsworth]

Hard & Soft: An Explanation of Light

I was watching a video from one of my favorite tech YouTubers, Mr. Whose the Boss. He was showing off some of his favorite tech and pulled out this tiny LED light.

And then he placed a diffuser on the front and said this...

"You can equip a softbox on the front which *massively* softens the light on your face."

Sorry, Arun.

No it doesn't.

I sometimes wish I could get a job as a YouTube lighting advisor. So many creators have to set up and use professional lighting but very few actually have an understanding of how their lighting works. And with just a little knowledge they could up their lighting game big time.

If nothing else, I could stop the plague of ring lights.

Ring lights are my nemesis.

*shakes fist at ring lights*

Arun repeated a classic myth. Diffusing a light does *not* make it softer. And despite the name, a softbox is fully capable of producing hard light. Especially if it is only the size of your granddad's wallet.

I'm afraid softboxes are a bit misnamed—much like how the tremolo system on a guitar is technically a vibrato mechanism. Tremolo is a fluctuation of volume, not pitch. Personally, I just stick to calling it a whammy bar because that is more fun anyway. And, like, what does "whammy" even mean in the context of a guitar? I'd rather call something by a nonsensical name than an inaccurate one, ya know?

What the hell was I saying?

SOFTBOXES!

They should probably be called "light homogenizers." Which is a mouthful, but more accurate.

Or, hear me out... WHAMMY BOXES.

Froggie Note: I am trying a color coding technique to help make the most important information stand out. Red means PAY ATTENTION and blue means "do your best to remember this." Let me know if this is helpful or annoying or if a different color combo is preferred.

Hard Light vs. Soft Light

Hard light is a less flattering light source that creates high contrast, sharp shadows, and accentuates texture.

Soft light is a more flattering light source that creates soft shadows and reduces texture like pores, blemishes, and wrinkles.

You can *only* get hard or soft light by changing the apparent size of a light source from the subject's point of view.

If you remember only three things about light, they should be...

Bright light = sharp photos, less noise Hard light = small light source Soft light = large light source

Now, it's important to remember that hard light is not *bad* and soft light is not *good*. In photography, the oft-used parlance "flattering" just refers to the rendering of facial features and blemishes. So you might use a more flattering lens to make sure faces do not distort or a more flattering light modifier to reduce wrinkles.

But there are situations where soft light can be very boring and hard light can be much more dynamic and interesting. But if you have someone who is insecure about their skin or has a lot of blemishes, you can mitigate that by making the light softer. But if you have someone with great skin and a lot of angular facial features, you might use a hard light to show that off.

Which of these do you prefer?

The one on the left was taken with a 7 foot diameter light source and is *very* soft. But the other had a 1 foot diameter and I think it is more dynamic and interesting.

You can also mix hard and soft light. And with something like a parabolic reflector or a beauty dish, you can even modify a light source to be hard and soft at the same time.

This technological terror of a light modifier is sort of like having 24 individual small lights around the edges but the entire surface of the reflector also acts as a single large light source.

And when it isn't atomizing Alderaan, it is taking photos like this...

This creates a falloff of light around the edges of her face, nose, and arms while also reducing the intensity of the shadows. Lenses with longer focal lengths prevent distortion of facial features but also flatten our faces. So a modifier like this can bring back dimensionality.

Neat!

Now I just need $8,000 to buy the Death Star light.

There are a ton of possibilities when it comes to modifying light sources, but most people typically want the main light on the subject to be in the realm of soft and use hard light sources as edge lights.

Also, everything is a spectrum and light is no different. There is a giant space in between hard and soft to play with. In fact, the hardest light possible would be cast on a subject floating in space.

And the softest light possible would be on a planet that has 100% cloud coverage that still allows sunlight to scatter through.

So, I have determined the surface of Venus to be the most flattering light in the universe.

Look at how dark and sharp that astronaut shadow is! And I'm sure Venusian photography would be quite popular if you wouldn't burst into flames.

On planet Earth, noon on a clear day would be the hardest light and a very overcast day would be the softest light.

How can the sun be both hard and soft light?

Well, the sun is quite large, but it is very small in the sky and very far away. It is the only thing humans can observe that is close to a "point" light source—the smallest light source possible that shines light equally in all directions.

But on an overcast day, sunlight scatters through all of the clouds and becomes a HUGE homogenous light source. The clouds become a singular giant light above us. And as you can see, the light is so soft the woman does not have a hint of shadow on her face. And shadows can draw attention to pores, wrinkles, blemishes, and other textures.

But wouldn't the smallest light source be a laser or something?

When photographers refer to a small light source we mean from the perspective of the subject being lit. This is referred to as apparent or angular size.

But you also have to account for the size of the area the light source can illuminate.

This is the area a laser can light up.

And this is the area the sun is able to cats cast light upon.

It doesn't matter if a laser is close or far away, it focuses light onto a very small area. But the sun lights up half the planet. So look at imagine the apparent size of the sun in the sky and compare its size to half of the Earth. In that relative circumstance, the sun is a super tiny light source.

And the sun becomes an even tinier light source on the moon because there is no atmosphere or clouds to scatter and enlarge it.

You can change the apparent size of a light source in two ways...

The physical dimensions of the light and the distance from the subject.

A light with small dimensions can be a large light source if it is close enough and if the subject is small enough. So a flashlight could be a large light source for an ant if that flashlight is directly next to said ant. But a flashlight could never be a large light source to a human.

However, we can enlarge small light sources with modifiers.

A modifier can be a softbox. It can be a piece of paper. A large poster board. A wall or a ceiling. Anything that changes the nature of a light source can be a modifier. But not all modifiers increase the size of a light source.

So, you can take that flashlight, shine it on a wall, and reflect the light to make a giant light source capable of producing softer light.

But what you cannot do is put diffusion material directly in front of a flashlight and make the light it produces softer.

When Arun put that diffuser on the front of that tiny light, he was not making the light any bigger. He was only making the light more diffused.

What does diffusion *actually* do?

Diffusion scatters light. It makes light bounce in all directions and keeps it from being focused. And while this is an important aspect to making a light source larger, it does not change the apparent size of a light source on its own.

Diffused light is homogenous.

A homogenous light source has the same intensity across its entire surface area. And that homogenization is the key to creating a better soft light source. It can *assist* in making a light source larger, but only if you know how to wield that diffusion properly.

When you shine a flashlight toward a wall, you increase the apparent size of the light source.

Fantastic! You now have a softer light. Mission accomplished.

But if you do not diffuse it, you will create a hotspot.

That bright hotspot will reflect more light than all of the other light reflecting off the wall. That reflected light has different intensities across its surface area and you end up creating TWO distinct light sources—one hard and one soft.

This can sometimes be desired if you want to create graduated light that falls off like I showed earlier. But if it is not controlled well with a specialized modifier a hotspot can cause more problems than benefits.

This can reveal unwanted texture, double shadows, cause harsh glare, and it may not achieve the desired amount of soft, flattering light you were hoping for.

However, if you diffuse the light from the flashlight before it hits the wall, the light will scatter and reflect off the wall more evenly. You will create a more *homogenous* light source that acts as a single entity of light.

Diffusion does reduce the overall intensity of the light, but that is usually a worthy trade off for the increased homogeny.

These pesky hotspots are actually a big problem with those cheap softboxes you can buy off Amazon.

Many of them do not have enough diffusion to create a single homogenous light source. So they end up with a hotspot that gives you that double light source effect.

I was able to fix this with my friend Katrina's softbox by adding a layer of tracing paper in front.

You can see the chip clip holding the tracing paper in place on the right side.

Photography is just problem solving all the way down.

A higher quality softbox will have a second layer of diffusion already built in to prevent this, so make sure the softbox has this feature before buying.

Or invest in a roll of tracing paper and some chip clips.

Softboxes are an ingenious light modifier when built properly. They take a small light, diffuse it, enlarge it, and then focus it toward your subject. It's essentially a paradox of scattered & focused light. And since all of the scattering only happens *inside* the softbox, it gives you great control over how that light hits your subject. And you can focus it even more by putting a grid on the front.

This keeps light from "spilling" off to the sides though it can reduce intensity a bit and create unusual looking catchlights in the eyes.

Whereas a cheap shoot-through umbrella kinda "shoots" scattered light all over the place and causes a ton of extra reflections off the walls and ceilings. That may end up giving you unwanted second, third, and fourth light sources contributing to your exposure.

You can see light hitting the left and right walls and the ceiling—those pesky photons are going everywhere! And while it is giving a soft, flattering result due to that umbrella being so freaking big, you have almost no control over the light and how it affects your background.

So, yes, a softbox can make a small light source bigger, but that doesn't always mean you will get "soft" light.

This softbox takes a 10 inch LED panel and creates a 12 inch light source. This is mostly a scam product.

The marketing says it makes the light softer.

And while that is *technically* true, I'm afraid people are going to be disappointed if they think this thing is going to dramatically soften their light. A small increase in surface area like that would only be dramatically different if you were lighting a little toy car or the hypothetical ant friend I mentioned earlier. Something the size of a person is not going to see a difference in softness. Not to mention you are going to decrease the power of your light by adding diffusion and have no softening benefits.

Photography gear companies love taking advantage of new photographers because the desire to buy more gear to improve the quality of photos is quite strong. This is jokingly referred to as G.A.S. or "Gear Acquisition Syndrome." And while there is absolutely gear you can buy to improve your photos (lights, lenses, tripods), knowledge trumps any piece of gear at any time.

So, no, this scam softbox will not make the light appreciably softer. The only way to make this light softer is to find a softbox that enlarges it more than 2 friggin' inches, bounce it off something larger, or bring it closer to the subject. Move your light as close as possible and you will enlarge its apparent size.

Or, conversely, you can move your light farther away to make it hard.

Meaning you can technically make a softbox a hardbox.

Seriously, can we just do the whammy box thing?

So, what have we learned?

Soft light is more flattering to skin and reduces texture and harsh shadows.

Hard light increases contrast, sharpens shadows, and highlights texture.

Neither is good or bad. Soft light can be boring. Hard light can be interesting. A mixture of the two often produces the best result.

The only way to make light softer is to enlarge the light source.

You can enlarge a light source by...

Increasing the physical dimensions with a modifier.

Moving the light closer.

Reflecting the light off a larger surface.

Diffusion alone does not make a light softer.

Diffusion makes a light source more homogenous by mitigating hotspots.

Softboxes create homogenous light that you can direct and focus.

A softbox can still produce hard light if it is really small or really far away.

We should call it a whammy box.

How can you use this knowledge?

Well, the first thing you can do is...

DON'T BUY A RING LIGHT.

YES, I AM RANTING ABOUT RING LIGHTS AGAIN!

That giant hole in the middle of your light is a great spot for extra light.

And as we just learned, a larger light source is softer. So unless you specifically need a ring light and know how to use it (facial close-ups, camera goes in the hole), you are better off getting the biggest light you can fit in your space.

Look at how much bigger this light is than if it were a ring light.

It's like all of these influencers are throwing perfectly good light into the garbage.

Sorry, let's try this again.

Once you avoid ring lights, how can you use this knowledge?

I know a lot of you reading this are not influencers or YouTubers or photographers. And you may be thinking all of this knowledge I just shoved in your dome is useless.

But here's the thing...

We all take photos.

And I think we all want our photos to look their best.

If you start thinking more about light when you take photos, I promise you will be able to improve their quality.

If you are taking a selfie, think about where you can go that has a larger light source. Perhaps you have a large window. Or you have a big overhead light or floor lamp that shines up into the ceiling.

I actually had this idea to create a mega light that could blend in with a house's decor, but secretly be a photography light for taking pictures of people and pets indoors at night.

Secret Photography Light Ingredients Cheap Floorlamp Dual Light Socket Adapter 9000 Lumen LED Bulbs

(Seriously, if you put that together, stick it in a corner, and turn it on when your kids or pets are playing, you will never have another blurry photo from inside your house unless they are going full zoomies.)

If you are outside on a sunny day, don't stand in direct sunlight.

Remember, THE SUN IS ACTUALLY SMALL, angularly speaking. Find a shady spot under a tree. Or put the sun behind you and face a big white wall so the reflected light smacks you in the face.

Walls are light sources!

The ground is a light source!

Remember that moon photo?

You were looking at the sharp shadow earlier because I drew your attention to the sun being a small light source.

But the surface of the moon... HUGE LIGHT SOURCE.

How do you think the front of that space suit is lit when the sun is behind him? Either Stanley Kubrick has a big reflector offscreen or the ground is a soft second light source.

If you can't make it to the moon, just wait to take that selfie on a cloudy day. I think overcast light is a little boring, but your skin will look buttery smooth without using those stupid Facetune apps.

You can also wait for good light. Sometimes sunset has some nice, soft directional light because it has more atmosphere to scatter, diffuse, and enlarge it.

If you are indoors, don't use direct flash on your phone. Never ever use direct flash if you can avoid it. But perhaps you are with friends and they all have phones too. Use one or more phones to bounce the flashlight off a nearby wall. Or open up a paper napkin and hold it just out of frame and shine light through it and diffuse it.

A piece of paper can even work!

Flashlight 3 feet away shining directly onto my face...

Flashlight shining through a piece of paper a few inches in front of it...

Flashlight shining through a piece of paper 2 feet away that is just out of frame...

I started with a small light source.

I then made the light source a little bigger with the paper, but the diffusion was too close and it created the dreaded hotspot of doom.

And then I made the light source as big as I could by moving the paper as close to my face as possible without being in the shot. This also gave the light more room to scatter and diffuse making it homogenous.

Froggie Tip: I was using a pretty powerful flashlight, so with a phone you might get better results *bouncing* the light off the paper rather than shining the light through the paper.

So, before you take a photo, just think about how you can make your light source bigger, brighter, and more homogenous and you might be surprised how much better you look.

ANYONE CAN DO THIS!

[ohimsummer]

Uh- Gojo is a dom in canon. It’s show in the manga and anime and gege said he had a canon god complex.

“f-fu—, ah!” your boyfriend cries into a drool-soaked pillow, stuffing his face in it to hide from your endless giggling.

“is this too much for you, satoru?” your tone is evil and mischievous. it’s obvious you’re having wayyyy too much fun here. “just do what you tell me all the time and take it. take my dick like a good slut.”

at this point, he can only answer in grunts and moans, eyes clenched beneath furrowed brows as you pound deep into his ass. it’s sore and bruised, imprinted with layers of your red handprints and the occasional bite mark. maybe you went a little feral when he agreed to let you fuck his ass…whatever, it’s his fault for being so annoying about it,

“try not to go at a snail’s pace”, satoru teases, giving his ass a cheeky wiggle against your rubber appendage. “you don’t have to go too easy on me. i can take whatever you can give, pretty girl.”

you glide slippery lube up and down the the fake dick strapped to your pelvis. “you better, because i didn’t intend on it.”

the lack of reaction from you somewhat intrigues gojo, but he assumes you’re putting on a confident facade in front of him. just wait, once you actually get ready to put it in, you’ll be all hesitant and nervous and begging him to help poor little you.

“wait, ‘s too—,” a pathetic whimper leaves satoru’s plump lips, decorated with teeth indentations. “it’s too much, fuck, sl-slow down—“

“slow downnn??”, you feign utter shock, the hand pumping his leaking dick picking up pace. “satoru! don’t tell me the strongest can’t handle it? i thought you told me not to go at a snail’s pace?”

he huffs, using whatever energy he has left to direct glaring, teary blue eyes at you. “i-i did, but—“

“but what, sweetheart?” you spot the wobble of his pouty lips, entire face tinted a bright red hue. you’re pulling out all his own teases and tricks, all the mockery satoru makes you endure when it’s you getting fucked into the mattress.

“nothing.” he grunts it stubbornly into the pillow, facing away to keep whatever’s left of his pride.

“ohhh, so now it’s nothing?” his length twitches in your palm. “that’s so good to hear, baby. it’d be a shame if all that talk you were doing beforehand was just a bunch of lies.”

you can feel satoru throbbing in your hand again, and you know he’s close. another smack to his behind pushes a high-pitched moan from his lips.

“i wa-wanna cum.”, he says, turning slightly to look at you.

“oh?”, you thumb over the dribbling tip of his cock. “are you asking or are you telling me?”

“asking—!”, satoru whines. he fucks wildly into the palm of your hand. “please! please let me cum!”

this must be how he feels when he watches you writhing and squirming beneath him any other night. this towering sense of pride and accomplishment and smugness.

“since you beg so nicely,” you indulge him, “go on, then. make a mess for me, pretty boy.”

and he does. satoru gives a few more weak thrusts before letting out a deafening moan, and hot, thick ropes of his seed come shooting out—it’s a lot, enough to coat both your hand and his stomach and leak down to the sheets below.

“empty?”, you ask, and satoru gives a weak shake of his head. “good! now let’s go again.”

[crevicedwelling]

I see at least one cool bug a day, and usually many more, but it’s not because I live anywhere particularly rich in strange, wonderful creatures (I live in an unremarkable corner of Pennsylvania, USA) or spend all of my free time looking for bugs (well, just *most* of it). in my experience, finding interesting bugs is less about actually locating them and more about looking closely at tiny things you’d otherwise ignore!

this very long post was compiled over a couple days in late July, although I spent less than 10 minutes at a time searching. there’s a lot of fun creatures just out in the open.

plants are always a good place to start when looking for bugs, and I chose this small fig tree (Ficus carica) with a mulberry sapling friend. feeding on the sap of the fig and mulberry is the first group I’ll take a look at, the planthoppers:

these two are flatid bugs, Metcalfa pruinosa and Flatormenis proxima. flatids are slow-moving bugs that can be approached closely, but once they get tired of circling around stems to avoid you they may launch themselves into a fluttering flight with spring-loaded rear legs.

Aplos simplex, a member of the related family Issidae, also likes fig sap. its “tail” is actually a tuft of waxy secretions, which get shed along with the bright colors when it assumes a lumpy, bean-shaped adult form.

cicadellids, or leafhoppers, are just about everywhere on plants, but can be hard to approach without scaring them.

Agallia constricta on the left is a tiny species that feeds on grass, but many were scared up onto the fig by my footsteps. Jikradia olitoria is a much larger species that does feed on the fig; juveniles like this are curled, creeping goblins while adults’ rounded wings give them a pill-shaped appearance.

this big, pale leafhopper belongs to genus Gyponana. it’s tricky to get to species ID with these.

Graphocephala are striking little hoppers that eat a variety of native and nonnative plants. G. coccinea is the larger, more boldly colored one and G. versuta is smaller but more common locally. they’ll sit on the tops of leaves but take flight if you get too close quickly.

another group you’re almost guaranteed to encounter are flies (Diptera). these are a very diverse group, so much more than houseflies and mosquitoes (though I did run into both)

where I live, any plant with broad leaves is almost guaranteed to have a few Condylostylus, long-legged flies that come in shades of blue, green, and red. despite their dainty physique, they’re agile predators, typically feeding on other small flies.

next, a few hoverflies: the ubiquitous Toxomerus geminatus and a Eumerus that I’ve been seeing a lot of this year (but maybe I’ve just noticed them for the first time). syrphids have varied life histories, but most adults drink nectar and many of the larvae are predaceous on aphids.

the metallic green soldier fly is Microchrysa flaviventris, nonnative here. Coenosia is a fun example of a “fly that looks like a fly,” with big red eyes and a gray body, and you might think they’re just another dung-sucking pest, but they’re actually aggressive predators! this one seemed to have nabbed itself some sort of nematoceran fly, maybe a fungus gnat.

many flies are very tiny, just millimeters long. the first two little fellows are lauxaniids, while the last one, an agromyzid leafminer Cerodontha dorsalis, burrows through grass leaves as a larva.

while moths and butterflies (Lepidoptera) are drawn to plants for their flowers or to lay eggs, many small moths can easily be found resting on or under leaves during the day.

these first two are tortricids, many of which are flat, rectangular moths resembling chips of bark or dead leaves. the apple bud moth, Platynota idaeusalis, feeds on a wide variety of hosts, while this beat-up old Argyrotaenia pinatubana would have developed in an edible tube nest of pine needles.

Callima argenticinctella feeds in bark and dead wood (a resource used by more caterpillars than you’d realize!) while the last moth, possibly an Aspilanta, is a leafminer.

although beetles (Coleoptera) are famous for their diversity, I didn’t find too many on the fig. the invasive Oriental beetle Exomala orientalis resting here can be found in a wide range of colors, from this common tan to to deep iridescent black. the other beetle is a Photinus pyralis firefly, sleeping under leaves as fireflies do.

a few spare hemipterans: a Kleidocerys resedae that blew in on a wind, and below, the mulberry whitefly Tetraleurodes mori feeds on its namesake host. as for Hymenoptera, I saw manny tiny parasitic braconid wasps and various ants attracted to the planthoppers’ honeydew excretions—always worth checking underneath roosting hoppers for things having a drink.

a couple handsome spider boys were scrambling through the fig seeking females, a jumping spider Paraphidippus aurantius and an orbweaver, Mecynogea lemniscata.

and to round it off, a young Conocephalus meadow katydid and a Carolina mantis, Stagmomantis carolina.

there’s 31 species of arthropod in this post, and I probably saw some 45, not all of which stayed for photos. if you walk slowly and look closely, you can see a sizeable chunk of your local biodiversity in under fifteen minutes! of course this will depend on where you live and what time of year it is, but there’s almost always more cool bugs out there than you’d expect, even on just a single plant.

[periprose]

Fly Away

Michael Berzatto x Reader

You're a family friend of the Berzattos and you're invited to have fun at their annual Christmas dinner. You think you still harbor feelings for Carmy, but as the evening progresses, you feel something for his brother.

Genre: friends to lovers, former crush on carm, really everything w carm is mostly platonic, unrequited stuff, insecurities, age gaps (reader and carm are 25, Michael is 38), takes place in 2017, takes place in S2E6, lots of angst, anxiety, some fluff, no use of y/n (you have a nickname: Birdie)

Word count: 11k

There’s a bauble and trinket everywhere you look. Festive, Christmas spirit seems to ebb from the very walls of the Berzatto household– and you would be remiss not to compliment it vocally in some way.

Donna is clearly waiting, teetering on a response from you as you take everything in from the front door. And you know how she reacts if you don’t say things in that perfect, supportive tone that she so desperately thrives off of.

“Wow, Mrs. Berzatto!” You clasp your hands, trying not to seem too cloying or ironic. “I love what you’ve done with the house. Such an eye for details.”

“Oh, stop.” She giggles, and lightly taps your shoulder as she takes your coat and hangs it up in the closet. 

“No, really. I wish my house was so… Christmassy this time of year.” You shrug, knowing that your dad isn’t the festive type after divorcing your mother.

“Aw. Well, we have love to spread here.” It’s a strange unseen sympathy coming from Donna, and she pulls you inside, and you take off your shoes, shuffling around in your socks and your comfy, hopefully chic, green loose turtleneck sweater. “Except you might have to wait a bit, because some of these fuckers are late.”

There’s that bitter tone you remember from Donna. You don’t really care for that– you tend to have an avoidant personality especially with how your own mother acts sometimes– and she yells out for Carmy and Mikey to greet you.

“Boys! Birdie’s here!” She calls from the stairs, and you suddenly feel self conscious.

Ever since your dad, a former co-worker and friend of Cicero’s, starting taking you as a teenager to these Berzatto hangouts, you have always had a eye for Carmen. It was hard not to be, seeing this bashful, slightly angry, awkward boy, around the same age as you, with dirty blonde hair and bright blue eyes. You felt like sometimes, he really, really listened to you, and that was all you needed.

You wish you could be there for him too. 

It’s something you’ve never acted on, never bothered to actually approach him about– he always seemed so absorbed by his own thing.

You relished in the fact that he never had a girlfriend. You felt secure in that, because he just seemed safe. And it’s not like he would’ve been mean about rejecting you if he knew– you were always close to the Berzatto siblings. You were Bear and Birdie, ready to head out on a walk together, while the adults gossiped and drank.

Of course, you haven’t seen him in about… two years now. Around after he left to his apartment, and did his chef-education-training (you’re a bit vague on the details, honestly), and ever since then, as far as you know he’s slowly been doing what he loves. He does text you from time to time, but you’d be overstating those texts’ importance if you pretended it really quantified a relationship.

Mikey clambers down the stairs, wearing what looks to be pajamas, or very chill homebody clothes, and he raises his arm in a big, Italian gesture.

“Oh! Is that little Bird I see?” He exclaims, and pulls you into an eager hug. Maybe a little too eager– you think it’s almost as if you’re comforting him as you hug him back, his face coming down onto your shoulder, as he encapsulates you– and he pulls away, grinning.

He actually looks really good. You don’t know when you started thinking that Mikey was good looking, but it’s true– he has a certain, rough around the edges appeal that you find yourself drawn to.

“Merry Christmas. You’ve been keeping away from us.” Mikey points as you, intended as a stern remark, but you snort.

“Yeah, Merry Christmas. I’ve been busy with work and law school, Michael. I’m not a kid anymore.” You resist the urge to comment on his beard, and then do it anyways. “Are you sure I’ve been keeping away? You’re the one with a hermit-ass beard.”

“Oh… they grow up and just start taking shots at you, don’t they, Ma?” Mikey places his hand over his heart, as if he’s wounded, and Donna shakes her head in agreement, before heading back to the kitchen, already seeming annoyed about something. “Beards are fashionable in 2017, Bird. Maybe come back to our current time– no reason for you to start dressing like a grandma already.”

You scoff at that, pointing at your sweater. “It’s semi-formal, c’mon! It looks nice. Respect the gathering’s rules.”

“It’s my house, babe.” Mikey leans in with maybe a little too much comfort, his eyes shining with some warmth, mirth even, and you don’t exactly pull away– the guy is like thirteen years older than you, and even if he does kid around, play up an older brother thing, you’ve started feeling like he’s restraining something more as of late, maybe some primal level of attraction that he knows better than to mess around with. You know that the feeling is kind of mutual– but you really don’t know how to quantify it. “I’m man of the house, and I say you should wear something that maybe, uh, shows off the pretty twenty-five year old that you are.”

The last part of this sentence has you swallowing a little, and you feel your face turning warm, and Mikey himself looks embarrassed that he’s said it, that he’s given a bit of evidence to your theories– he seems to brush something off, inside himself. 

You have never thought you were all that. You’ve always been pretty sure you should be glad that you’ve gotten by without having to worry about your looks. The idea of wearing a nice, somewhat revealing dress to the Berzattos’ house has you cringing, because you know it would just be… bad. 

“I’m not–” Mikey scowls at himself and you can visibly see himself fighting something, looking a little anxious, and you tentatively grasp his forearm.

“I know what you mean. I’m not offended.” You smile slightly, making the effort to calm him down a little, because you would never want Michael to beat himself up over you (he really seems to do that as of late and you know you’re not worth the trouble), and he nods and inhales. “You look good, too.”

“Right. Right on, Birdie. You can do what you want, anyways. Not up to me.” He seems to really dial back some of what he said, and before you can respond, Carmy walks downstairs.

“Hi. Hey, Birdie. Merry Christmas.” He says, kind of quietly, and you find yourself somewhat happy to hear him say your nickname again. Carmy looks especially nice– deep blue has always been his colour, it brightens up his eyes– and he has slightly longer hair than you remember. 

He leans in for a brief but firm hug, and glances at your eyes once, before looking towards the floor again.

Mikey nods and proceeds to exit to the kitchen, and you’re left with Carmy grappling with what to say.

“How have you–”

“How’s law sch–”

Carmy coughs awkwardly, and you find your face turning warm as he looks towards you.

“Sorry, Bear.” You let him speak, hoping not to scare him away. “How’s everything? You okay?”

“Yeah. Uh… well, I’ve been training at Copenhagen?” He furrows his brows, runs his hand through his hair. “Just learning as much as I can.”

“Oh. Uh-huh.” Your curiosity is piqued– you didn’t know he was in Denmark, much to your disappointment– but you want to pry more of an answer out of him. He doesn’t seem interested in talking about it more than that. 

“Sorry. Sorry. Stupid answer, there’s just not much to say.” Carmy shrugs, and then realizes suddenly that you’ve been standing at the foyer of the house for quite some time now, which isn’t very polite or inviting of him. “Wait, hold on. Let’s go sit inside and talk.”

Carmy makes some offhand comment about how you need to speak up sometimes and stop being so nice and accommodating to idiots like him, and you snicker, knowing that this is the Carmy you remember– snarky, ready to fight people on sometimes, even if he is a little weird and bashful. Although he’s short– he makes up for it with his resilience.

Carmy leads you through golden-lit hallways, a certain pepperminty, pine tree scent seeming to overlay the entire house, and there’s bushels and wreathes and mistletoe everywhere, and somehow even more baubles, ornaments, trinkets, knickknacks, all gold and red and warm tones that do make you feel a little fuzzy.

Carmy sits you down in the living room, on the sofa, and you’re next to him, and you place a foot under your knee, trying to feel casual. Not freaking out about him sitting right next to you. Weirdly enough… you don’t think you feel anything anxiety inducing. 

Perhaps you’re just getting more reassured of yourself with age. 

“So? How is Copenhagen, otherwise? I know Denmark is really interesting, but you’re probably busy with chef stuff, huh?” You prod just a little further. Just out of your own personal curiosity to see how far Carmy will go for you, and he nods. “Any friends?”

“Ah…” Carmy winces a little. “Can’t say if he’s a friend yet, but there is this guy that’s out of this world with pastries. I don’t know if I can meet his standard on that.”

“Oh, please.” You roll your eyes. “Bear, you make my dad cookies all the time. Or, well, you used to. You can’t be that bad at it, considering that he always eats all of them.”

“Oh, really? Fuck, man.” Carmy looks at you in disbelief, settling more into his corner of the couch, closer to the tree, but looking more openly at you. You feel yourself cower a little under his watchful gaze. “I didn’t know your dad enjoyed them that much… I would’ve made more. Did you ever try them?”

“Hm?” You were getting lost in the details around Carmy– the dark blue shirt, the little bits of stubble around his jaw, the tattoos peeping out from under his long sleeves– and you nod. “Ah, I tried a batch around the last time you gave him some. I think it was… macadamia, matcha, white chocolate? Really good.”

Carmy is unreadable, his eyes flickering from the ground to your eyes– you think maybe you’ve embarrassed him a little– but he thanks you. “Where is your dad, anyways?”

“Ah. He’s got the flu, and he was kind enough to not want to infect you guys.” You admit. “Even though he was trying his best to walk over here from our house.”

Carmy remembers that you live in the neighbourhood over. You two used to hang out a lot during elementary and high school. He kind of missed you– something he’d never say out loud, but Carmy knows friends are few with him, and you were always a good friend to him growing up. You were always a comforting presence for him– you never asked him for too much, and he could tell you were being careful to do so. No pressure.

You just became really busy with law school, and he became really busy with chef stuff, and now you’re both… you both just lost touch. He feels bad about it– bad like he always does, with former friends and acquaintances from high school that he’s accidentally ghosted and lost– but at least you don’t seem to be annoyed about it. 

He thinks it’s probably because in this case, you pulled away just as much as he had to.

“How’s law school, anyways?” Carmy counts the years in his head. “You’ve either just finished or you’re in your final year?”

“I’m in my final year.” You stretch out your arms, looking eager. “It’s a lot of work– I’m only here because I’m lucky enough to have a bit of a break in the winter months, and I’m ahead on my courses. But, uh… I don’t know. It’s fun.”

“Fun? Wow.” Carmy grins a little. 

“What?”

“I don’t know, Birdie. Fun is more… fucking, I don’t know, fireworks or something? Drugs, maybe, yeah.” Carmy watches as you laugh, and laugh, at what he’s said, and again he’s never really sure what’s so funny about what he’s said, but he likes to hear you laugh.

“Clearly you don’t know either.” You snort, and lightly punch his arm. “When did we become workaholics?”

“Probably when we became, uh, adults and entered the workforce.” Carmy states, and you wrinkle your brows.

“We’re not really in the workforce yet, but–”

“What, really? C’mon. You’re a fucking receptionist or some shit, right?”

“Business administration specialist.”

“Yeah, there you go. That’s work, especially with all the school you have to do.” Carmy shrugs. “But what do you really want to be, then?”

“Oh, we getting into dreams, then?” You cock an eyebrow at him. “I didn’t think you cared that much, Bear.”

Carmy, for some reason he can’t detect, turns a little red. “No, of course I do. We’re still friends, right?”

“Acquaintances.”

“For real?” Carmy looks back at you, affronted, but you have a little smile and he knows you’re teasing. “Oh fuck you. Stop it.”

“Sorry, sorry.” You shake your head, giggling a little, glad to have so easily fallen back into a comfortable, friendly banter. “Of course we’re friends, it’s just that… I always thought very highly of you, Carmen, and I can’t always be sure that feeling was returned. You know? I assumed that you’d be out doing sophisticated cooking in big, upscale restaurants, and the rest of us would just be reading about it. Forgive me for feeling a little behind it all.”

“No, no, no. You got it all wrong, Birdie.” Carmy half-laughs at how you put him on such a pedestal. “You were always the one doing real work, as Mom would call it. You’re the one who’s actually smart and good at arguing, debating– that’s a real skill coming from me, because I just yell fuck at everyone and hope it works. I always thought you were the impressive one out of all of us.”

You snicker, but you’re actually quite pleased with that, and you feel your heart warm at his praise. “Ah, that’s so sweet. Thank you. If it makes you feel better, I’ve been surviving off of ramen and convenience store food for the last month. I can hardly make the time to cook efficiently.”

“...” Carmy shakes his head. “That doesn’t make me feel better. You’re gonna eat good food today then, I hope.”

Almost as if on cue, Donna calls for Carmy to come help her with something– and you’re left sitting as he tells you that he’s going to hear about your dream job when he gets back.

/

Fifteen minutes later– Carmy is still MIA, and you’re starting to get a little hungry. 

You know it’s rude, but luckily Michael comes by and asks if you want a snack.

“Yeah, how’d you know?” You ask, and Michael snickers.

“You’re the same girl that can eat a whole number four combo at the Beef. I’m pretty sure you were hungry before you got here.” Michael jokes, and you blush in embarrassment.

“Oh my god, stop it.” You shake your head. “Anyways, yeah. A snack would be nice.”

Michael gives you a wink that strangely has you a little twitterpated, before you shake that off. He comes back a few minutes later, chewing on something himself– and he hands you a bowl full of Italian sausage stirfry.

“Thanks, Michael.” You smile up at him, and he nods, trying not to smile too much back at your gratitude, but he likes how you take a bite and look super relieved, happy with the food. He’s always loved giving food to people– taking care of them. Especially you, for some reason.

Michael heads back to the kitchen, and Natalie comes by and takes his place.

“Birdie!” She hugs you tightly, and you hug her back, equally happy. “Oh my gosh, if I knew you were down here I would’ve come by ages ago!”

“Aw.” You beam at her. “That’s okay, Nat. I’m happy to see you too.”

She’s off ranting about how Pete, her husband, is late, and how she can barely manage everything going on, and you’re sympathetic. You know Nat gets more of a harsh treatment from Donna, and you tell her that you’re there if she needs a person on her side.

“Oh, Birdie. I couldn’t do that to you. Even if you are amazing at talking, Miss Lawyer-to-be.” She lets you continue to sit down in your corner of the living room, as she heads off to check on her mom– maybe pour out some alcohol.

 Carmy comes back in, slightly powdered with flour on his forehead– and he sits back down, sighing, as he drinks a glass of water.

There’s the slightest air of awkward tension still– even if you and Carmy have fallen back into your old ways, he still keeps a slight distance, one that he’s grown into, and you feel that you have to break the silence. You don’t know if he’s just tired or if there’s some level of irritation of having to deal with all the holiday bullshit, but you take a guess it has to do with Donna.

“That bad?” You grimace, and Carmy matches your expression.

“That bad.” He shakes his head. “She always gets a little woo-woo around these fucking events. Like, I never wanted her to do all of this– but she insists and insists and doesn’t know how to let go of the, uh…”

“Hubris.” 

“Yes. Hubris.” Carmy sighs, glad you still have the perfect word for everything. “Whatever. Anyways, haven’t forgotten. Hit me with your dream.”

“Okay, it’s going to sound a little weird, but, um… I’m really interested in becoming a labour relations lawyer?” You feel almost too much glee at the fact that Carmy remembered, and you see Carmy bite his lip, a little confused, so you continue, hoping you don’t sound like too much of a fucking nerd. “Meaning to help employees get out of their shitty situations with wages, working hours, benefits and fight for their rights. Union stuff. I don’t know, just feels like everyone is struggling with this nowadays… might as well push forward and try to help them out.”

“Wow, now that you’ve said that, it makes a lot of sense.” Carmy blinks. “I mean, uh, it’s not just that you’re good at arguing– you always go for the justice part of things. Remember when Michael and Sugar were arguing about cleaning the basement?”

You do remember that. You suggested dividing up either equally or by who owned what, and they eventually came to an agreement based on that. Michael wanted to dip because he was older, and Sugar thought it was demeaning to ask a girl to clean.

“Or when Lee said that women can’t think analytically, or what was it… mathematically?” Carmy laughs as he watches your face turn angry again.

“Yeah. I especially remember that. I told him to think about Ada Lovelace and to shut up.” You wince. “Maybe not the most mature thing I’ve ever said. I don’t think that’s such a great thing… sometimes I don’t know when to let go of arguments.”

“It’s alright, it was funny.” Carmy plays with his fingers. “That being said, I think you’ll be good if you choose to be that. A labour relations lawyer. You’re smart, and god fucking knows we all need the help. You should check out how many chefs get fucked over because they work at places for the prestige of doing so.”

“Damn.” You make a mental note of that, feeling embarrassed over how much praise Carmy has freely given you. “Is that going to be you?”

“Doesn’t matter if it is. Sometimes you gotta do what you can.” Carmy doesn’t really give you a clear answer, and you feel bad for him. Bad that he’s still stuck in that mindset.

/

You can hear people hooting and jeering near the stairs, as you walk around the house, exploring a little. Tiff was grateful that you visited her for a brief moment– she told you being pregnant was not all it was cracked up to be– and now you’re just on the upper floor, near the stair railing, on your phone.

You’re not really one to eavesdrop, but you hear– you believe it’s Mikey and Richie– they’re chanting “Claire! Claire Bear!”

Your stomach drops, as you hear them hoot about how hot she is, whoever this Claire girl is– how stacked she is, apparently, the banging body she has, the glasses no longer ruining her appearance– and although you know it’s gross men talk, there’s a small, sad part of you that wants to be perceived as attractive, too. 

Still, even as you find yourself frowning and turning away in disgust, you can’t stop yourself from listening.

You remember her. Claire, one of the neighbours down the street. Went to the same high school as you and Carmy. She was really something, someone of note if you remember the popular kid cliques correctly, but she had largely gone unnoticed by you, and it wasn’t for any reason in particular. You can’t be close with every person in high school.

But still– you feel jealous. Just a teeny bit. What was so different about her?

Sure, she was a nice girl. But weren’t you? You arguably had more history with the Berzattos, and yet… it’s as if you’ve simply blended into the wallpaper, their assortment of home decor and furniture. You’ve always been here, and so you don’t stand out.

You might never stand out.

You can hear Carmy trying his best to argue against them, asking them what they did, telling them to fuck off with their teasing– but he sounds sheepish, embarrassed, righteously mortified in the telltale way one would be when they have a crush, and you feel sick. 

They’re heaping compliments on her. You know what they mean when they talk about her like this– she’s the clear, obvious choice, probably closer to the family, more interesting, more affectionate, a genius. You don’t really know Claire that well, but apparently, she’s perfect. And you know you, in your silly frumpy sweater, in your attempts to dress up– you are not. You feel humiliated that you even believed Mikey when he said you were pretty– he was clearly complimenting you just to be nice. 

You weren’t even an idea in their minds, not for Carmy, anyways. You don’t even think Carmy is capable of seeing you like that now, and it’s with a crushing blow that you realize you were holding out hope. Mistaking familiarity for affection.

It’s a rookie mistake. One that you thought you were self aware enough not to make, because you’ve always known Carmen Berzatto was just out of reach for you.

You wait for them to leave, and come down the stairs, running into Carmy as he groans in annoyance.

/

Carmy says he needs to wipe some of the flour out of his hair, and you let him go upstairs, not really wanting to look at him, doing everything you can to make your way back to the living room unnoticed. In the meanwhile, Michael comes back and flops into Carmy’s seat on the sofa, next to where you sit, sullen.

“Hey, Birdie.” Michael starts, and you can’t read his tone, and you’re a little annoyed with his fake-nice attention. “Why not sit with me, the Faks, Michelle and Stevie? They’re really good people, I promise.”

“How do you know I’m avoiding people?” You snap back, maybe a little too aggrieved.

“It’s written all over your face, little Birdie.” He touches his knee to yours, and you bite your lip, swallowing your confusion, and Mikey enjoys the fact that you’ve chosen to wear a deep, brick-red Christmas lip colour. It’s hot– he doesn’t get how you don’t seem to be aware that you’re attractive.

He wants to kiss you. Maybe mess up that fancy lipstick and that sweet, annoyingly justice oriented, always-right character of yours. But he keeps it to himself.

“Don’t be antisocial. You of all people shouldn’t be alone during the holidays.”

“I’m not trying to be antisocial. I promise.” You shrug, trying to keep your emotions, that sinking feeling in your gut at bay– the last thing you want is for Michael to see you upset. “I was keeping Bear company, but I can come sit with you guys.” 

“That’s my girl.” Michael pulls you up by the arm, and you can feel your face warming at his choice of words– you like being in Michael’s good graces, even if you feel less than great right now.

Michelle, cousin of the Berzattos, has always been sweet to you. She’s impressive in her own right, and as you sit down in front of her and Stevie– she gushes about New York.

“Ah, that’s not to say Chicago isn’t impressive. Right, Birdie?” She smiles at you, not unkindly, and you feel happy to be included. 

“Right.” You shrug, knowing that the law firm you work at isn’t all that crazy. You can’t shake the feeling that you’re nothing special, not after what transpired just a few minutes ago, and you voice it. “It’s just okay.”

“No, c’mon. You work at one of the top fucking law firms in the city– you’re gonna make it.” Michael admonishes you. “Out of us Chicagoans, I mean, Michelle, before you take offense.”

“Yeah, Mish.” Richie echoes, popping up out of nowhere.

“None taken.” Michelle fixes her eyes between you and Michael– perhaps reading on something that you’re not even really sure how to understand, let alone explain– and she laughs. “Anyways, what was I saying? Right.”

She launches into a story about hating a woman who didn’t understand the Berzatto name. It’s quite funny– you find yourself laughing every now and then, the dull ache in your heart less noticeable, especially with how good Michelle is at telling stories, and somewhere along the story, Michael’s hand has stayed intertwined with yours, without you really noticing. You only notice when he lets go, and again– a pitfall in your stomach, wondering if Michael just feels familiar around you because there’s nothing to be attracted to and thus respectful of– and it’s such a stupid thought, but you still just know you want to feel wanted. You want to get a hold on yourself– remind yourself you’re not owed attraction and there’s nothing wrong with Mikey or Carmy seeing you as just a friend.

You realize with a start that you’re feeling confused about Michael, too. Was it just a weird quirk of his, calling every single girl pretty just for laughs? Could you even trust what he said? Why does Michael’s opinion of you feel way more pertinent and important than Carmy’s does?

You find yourself mulling over these thoughts, not sure of what’s going on around you, and you hear Michael tell the Fak bros, Ned and Ted, to shut up about California, which they do.

Donna starts screaming in the background, which causes you to turn abruptly. “Oh, fuck me!”

Michael turns and looks at you with some caution– he’s used to his mother’s outbursts, but he never ever wants you to face them. You don’t deserve that, you’ve probably never done anything to deserve it. Not like him.

Stevie gets up, much to the surprise of everyone around him. “Looks like Auntie D needs help, huh?”

“No, no, no.” Everyone tries to stop him, including you.

“What?”

Michelle pushes him back down, but he gets back up, resilient. 

Lee decides to comment in. “Let him, why not?”

“I’m sure she could use a few extra hands. I’m going.” He goes, and you stand up to follow, not willing to let an innocent person get dragged into Donna’s insanity.

“Wait, Birdie. Where are you going?” Michael holds your hand again, and you turn red at his action– a little angry, a little glum that he seems to care for you, and you can’t even be grateful for it. “Don’t throw yourself to the wolves. It’s not fucking worth it.”

“Not throwing myself– just want to make sure Stevie is protected.” You move forward, your face stony, and Michael lets go of you, sighing as he wraps his blanket around himself, wondering when you got all pissed off, but glad that you’re not so upset that you wouldn’t act all lawyer-y for Stevie.

Lee is glancing at him, while Michelle looks pleased as punch.

“What? What the fuck are these expressions?” Michael looks around questioningly, and Richie gives him a side glance.

“When’d you get all sweet on her, bro?” Richie gags a little. “Not that she’s not your type, but, uh–”

“I’m just being friendly.” Michael dismisses him, leaning back in his seat. “It’s the holidays, she shouldn’t be lonely.”

“Bullshit you are.” Richie sniggers, and Michael lightly shoves him.

“Yeah, I call bullshit too.” Michelle grins. “I can see it– you’re blushing.”

Michael groans, hating to be so obviously vulnerable in front of everyone. 

“Well I, for one, think it’s a huge, fucking catastrophic mistake.” Lee starts, and Michael feels himself blanch under the judgement of this guy. “You’re going to ruin that young woman’s potential if you go around messing with her.”

“Lee, she’s not that young–” Neil starts. “I think she can decide that herself?”

“Whatever. This one knows he isn’t right for her– always wants what he can’t have.” Lee mutters, and Michael feels that white-hot rage– the anger he feels bubbling inside of him as of late. 

He does his best to swallow it down, but a part of him knows that it’s true. As much as Michael enjoys your random visits over the past two years, he knows– you’re too good for someone like him. Too young, too selfless, too honest and good and pretty, and he feels an overwhelming wave of shame that he came so close. It’s like he just… doesn’t know how to be a good, responsible person, and it kills him on the inside that he could be so shameful, be so abhorrent and take advantage of you like that, and even if there is a tiny part of him screaming that it’s not so black and white– that you could be just as interested, of your own volition, in him as he is in you– he feels guilt. 

Michael is ashamed of who he is. Over, and over, there’s that feeling again– kill yourself– that he doesn’t know how to suppress, and he ignores it as he starts up a new story.

/

Natalie is tearing up as Stevie hugs her.

You came towards them in the midst of Donna yelling for Stevie to get the fuck out of the kitchen, and Sugar shushing him and shoving him away, and you now place a hand on her shoulder– clearly Stevie has it handled, somewhat.

When he lets go, she sniffles and you smile encouragingly, albeit a little sadly, and Natalie wipes away a tear. 

“It’s okay. It’s fine, it’s nothing. You don’t need to talk to her.” She starts, and you shake your head.

“I’m not going to. I can see that would make things worse.” You squeeze her shoulders, and Stevie nods.

“Yeah, Natalie. But we’re here. We’ll always be here if you want to talk.” He tries, and you smile at her– but something about Nat’s slightly upset, off putting expression, and Donna’s grumbling in the background– you feel your heart seizing a little at the tense emotions, so similar to your own, and you excuse yourself.

You walk until you reach the pantry, hot tears already working their way down your face. Every single negative emotion have come to a head, and you’re in terrible danger of having to explain things if you don’t get it together in under ten minutes or so.

You sit on the high table in the pantry, trying not to cry anymore than you already have, your head between your knees– but something about today has all your nerves on edge, and you know it’s because you put in some effort to come here, to see your dear friends, to look appealing enough, to be someone worth talking to, and now you feel as if they never really cared about you at all. 

You know these are lousy, immature feelings. You know you can be above them if you really, truly tried, but you let yourself sink into them further, because something about this environment is terrible and you just can’t let it go.

Even worse, no one has really done anything wrong. If this was a court case, you wouldn’t even have any evidence to make a claim. You’re simply confused, perhaps looking at things from the wrong angles– but the fact that you can’t look at this rationally makes you feel worse. As if you’re not as smart as you believed.

You don’t know how long you’ve been in here, when you hear someone shuffle into the pantry, next to you– it’s Michael.

He’s quick on his feet– you try to move away, let him grab whatever household ingredient he needed– but his full attention is on you as his eyes narrow, scanning your tear stained face and your hunched over body.

“Birdie?”

You can’t quite look at him, and you desperately try to wipe your tears, burying your face more between your knees. 

“Hey, no. Birdie.” He shakes his head, grabs your arms. He thinks it’s a little strange he’s had to cheer up two different people in the pantry, but he chalks it up to how his house always is. “What happened? Was it Ma?”

“No.” You sight and swallow down the sobs in your throat.

“Then what was it?” Michael’s eyes turn steely. “Fucking ‘Uncle’ Lee? Asshole. Told me I can’t finish any fucking businesses.”

“But… you run the Beef, don’t you?” You say, amid sniffles, entirely honest about it, and Michael’s eyes soften. “That has to count for something.”

“Yeah, little Bird.” He’s glad to have you here– he doesn’t care if it’s fucked up, not when you’re the only person on his side at this moment. “But why don’t you tell me what’s up?”

“I–” You shake your head, and feel your head hang heavy as you slouch over the table, and Michael leans over you, pressing your head to his chest, and you feel yourself crying silently into his shirt, as he shushes you and combs back your hair, his other arm caressing your back.

Michael’s not the best person– not the most comforting to be around– but he knows, by being an older brother, by being someone people want to be around, he knows how to make it count when he does give in to comfort. 

He just wishes he didn’t feel so goddamned depressed himself, so he would know the right things to say. He doesn’t want to be so useless all the time.

“Mikey?” You voice is timid. Small. 

He feels both elated that you would trust him with this, and devastated that he’ll never be good enough to deserve your trust. 

“Yeah, Birdie?”

“It’s so juvenile, but I…" You shake your head and decide to commit to it. "I wish I was pretty."

“Is that it?” Michael’s arm wraps around your shoulder as he squishes onto the seat of the table, next to you. “You think you’re ugly, huh?”

“I don’t think I’m–” You inhale deeply, and wipe away your tears again. “It’s not about being ugly. It’s more like an objective reality that I have to accept. I’m just not… I’m not anything special to look at.”

“Wow, kid.” Michael tuts and shakes his head. “Ever heard that beauty is in the eye of the beholder? That stupid fucking mantra, right?”

“Yeah.”

“Well, it’s true.” Michael almost starts laughing, but you look so solemn and serious, he resists the urge. “You’re not ugly. You might not think you’re all that, but you don’t see what I see.”

Michael tenses, and you watch as he falters over how to explain.

Michael thinks you're so damn annoying with that ardent, sweet expression– even if your tears are staining your face, you still look so grateful to hear him say those words– and it just crushes him. It crushes him to know that you look for his approval so much, when he knows you're worth so much more than that.

He doesn't want to let you down. You and Carmen– he will never be enough for the two of you. 

"I don't– I'm fucking stupid, Birdie, don't listen to me." He swallows, but you're hanging onto his words and your face falls again. 

"But I can listen to you get all poetic about Claire, right?" You mutter, angry, and you get up to leave– but Michael grabs your forearm, and he's quite a bit stronger than you are. 

“Hey. That’s different.” Michael tries, but you shake your head, and you’re left sitting on the table again. “I was only teasing Bear. It has nothing to do with you.”

“I know.” You turn even more glum, and Michael is left feeling terrible, wondering what was so wrong with what he said. 

You’re silent for a moment– you know that you like Carmy, but something about telling Michael about it feels weird, like you’re pre-emptively rejecting him rather than Carmy by confessing feelings that are slowly disappearing– and you just don’t want to.

But you know you need to. You need to accept that Carmy would never see you that way.

“I just… for a really long time, I thought that I…” You fall to silence, again, and Michael is staring at you, hanging onto every word, watching your side profile shake as you try to gather your thoughts. “I really liked him, you know? I don’t even know why– maybe he was just the clearly available, safe option, and now that’s not even true and I feel like I’m mourning something that was never even real. How stupid and childish can I get?”

“Wait, Birdie–”

“And I just… I know I’m not like Claire. I don’t know what I got myself into. I don’t even really like him anymore– it’s just that the situation makes it so damn apparent that I am just average.” You huff out your words with an air of finality that even has Michael flinching a little, and he runs his hands through his hair, unbelieving of what you’ve said. “You can’t even say I’m not, Mikey, because I know how you talked about her and it was just so different to how anyone here has ever thought about me.”

“Birdie, shut the fuck up.” Michael breathes out really heavily, pinching his brows, thinking that he regrets everything he said and he wishes he could take it back. “I didn’t really– I was trying to tease Carmy, you know? It didn’t mean the shit you think it does. Hell, I would be way more serious if I was talking about you.”

He takes a beat of silence– should he read your reaction to that, or keep going? And he decides to keep going.

“You can’t just act like you can read everyone’s minds because you’re a lawyer, Birdie.” Michael says it with a slightly lighter tone, and his hand traces the small of your back as you lean against your knees, staring up at him. “Didn’t you learn about intent or whatever the fuck it was? In school?”

“Yeah, I guess.” You admit despite yourself, and Michael smiles but continues seriously.

“I don’t think that about Claire, okay? If anything, I’m fucking embarrassed you heard me talk all of that shit– that was just meant to be, uh, guy talk. I swear.” Michael swallows, feeling guilty that he still had to be so low about it. “I don’t– I care so much about him, I just went too far in working him up. I think it would be a good thing for him, right?”

Hurt flashes across your face– you still don’t think you like Carmy anymore, you just don’t know how to feel about someone else being portrayed as a “good thing.” But you inhale– you know part of getting over it is having to accept this, and you let yourself think and then nod.

“Yeah. Yeah, I could see that.” You agree, and it doesn’t hurt as much since Michael is looking at you sympathetically. “I just… I want to be a good thing, too. Not for Carmy, just…”

“For someone?” Michael answers as you trail off. 

“Yeah.”

“Listen, Birdie. I’m gonna tell you something you gotta hear.” Michael has that determined look where you know he’s going to say something smart– he has his fleeting moments of wisdom even if he doesn’t believe in himself– and he goes for it. “I can’t believe no one has ever told you just to, I don’t know, fucking love yourself a little? Like, c’mon, you should be able to like yourself! You’re an incredible person and you deserve– you have the right to be insanely fucking confident and it’s so fucking annoying that you don’t see it.”

In the heat of his argument, Michael’s come too close again, and he can feel your breath on somewhere near his jaw or neck, and he has to remind himself to pull away again.

“I’m sorry.” You whisper, and Michael combs back a strand of your hair.

“Don’t be sorry. Just listen to what I’m saying.” Michael inhales, thinks over why he can’t do this himself– Tina always tells him to be a little easier on himself, but he just struggles– and he thinks that you look terribly cute so it’s just a lot easier to root for you. “Don’t do it for some idiot guy who will never really appreciate you, little Birdie.”

You can feel the conclusion of that sentence, even if Michael doesn’t quite say it: do it for yourself. Be there for yourself. Listen to the good part of yourself, rather than him.

“Oh. I guess that’s…” You swallow, taking it in, knowing the value of his words. “It’s true.”

“See? You know it.” Michael leans in a little too close again, his face a mere breadth away from your own.

“I think you’d actually make a fantastic lawyer.” You slyly comment amid wiping your face, and Michael blinks and then laughs.

“You’d like that, wouldn’t you? Then you’d get to see me and hear my advice all the time.” Michael mumbles a little over his words but to his surprise, you nod. 

“Yeah, then I’d get to see some idiot who really does appreciate me.” You murmur even more quietly, and Michael, feeling stupid, has a wistful smile on his face that he maybe has not felt in a decade. It’s so sweet– he thinks his heart is bursting with something. 

Maybe love. Maybe that jovial, Christmas spirit that seems to emanate as the food smells closer to ready, maybe what Carmen gave him as a kind gift, most likely the closeness he feels with you– not just being close in familiarity, more like– he can make out the little spots and freckles adorning your face, every single eyelash your still watery eyes have, the faint lines in your still-red lips, and it occurs to him that he’s too close. Somewhere during this talk, his hand has stayed around your back, and you have been tentatively tracing his right hand’s knuckles with your own thumb. 

Michael knows how it looks. If anyone was to walk in right now (and he’s sure Michelle or Richie have already put it together that the two of you have been gone for a while) they would assume you two are a couple.

He has a sudden air of regret– it’s not because he wants to reject you, he just… he struggles a lot with feeling wanted. He struggles with the standards that people seem to put on him. Michael has always known he’s not a good guy– he doesn’t know how to be the person that everyone seems to think he is. Carmen, Natalie, Richie, you– you all seem to think the best of him, and he doesn’t know how to deal with it. He nearly had a breakdown watching Carmen look up to him so lovingly.

Before he can pull away– with another responsible refusal, telling you that he’s too old and washed up, and that you deserve the whole world and he is not enough to offer that to you– you gently but firmly grab his face, tracing his cheek, and he thinks it could be wrong– what if you’re just feeling all confused and willy-nilly about feelings because you’re displacing what you felt about Carmen, what if you don’t actually like him and you’re assuming that you do because of his clear attraction to you, what if you’re just feeling the moment and the sweet guidance he’s given you?

Tons of questions seem to flow from his mind, things that he wants to ask you, but Michael thinks fuck it, because you’re leaning in first and pulling him in and it’s something he would’ve never expected in a million years, that you could be just as attracted to him.

He kisses you maybe a little too hard– maybe it should’ve been softer, more gentle since you’ve opened up to him so much, but you kiss him just as eagerly back, and he doesn’t fucking care to be gentle anymore. He’s leaning over you and Michael knows he’s quite a bit taller, so he has to pull you upwards to really reach your lips, and the table the two of you are sitting on is quite small– it shakes a little and there’s not much room for Michael to really feel you.

Until you climb into his lap, because of course you do, and now you’re just tangling your fingers in his hair, and he thinks he can feel whatever migraine that the day’s events have spurred on him slipping away, and his hands wrap around the smallest part of your waist as he pulls you in, pressing his chest against yours. 

You feel like Michael’s beard tickles a little– but you don’t mind that. You weren’t sure until you did it that you’ve wanted to kiss him for a while. You feel like maybe you’ve actually been more attracted to him than you ever were with Carmy, maybe even just going for Carmy due to his aforementioned security. 

Michael groans, and he slips his tongue into your mouth, and you sharply inhale as his tongue roams around your own, and he knows he likes hearing you gasp when his hands come up under your sweater, just to feel your bare skin, and you pull away.

Michael comes in too close again, placing a soft yet firm kiss on the corner of your mouth, and you laugh at him, and it’s one of the best sounds he could hear. No longer are you all gloomy and sullen in the corner of the room– but there’s still an air of heat around you two, and he knows he should let you go before things go too far. 

“Consider that a Christmas present.” You murmur softly, tapping his face, genuinely smiling despite the smeared lipstick, and you clamber off his lap, and peek out the pantry. “I think you’re good to go eat dinner– let me just…”

You wipe the red lipstick from his mouth using the corner of your sweater sleeve, so not to leave evidence, and it’s an intimate moment that has Michael staring at your hand, to your eyes, and there’s something in his eyes– maybe sorrow, maybe appreciation, but most of all, tenderness, and he takes a silly, soft moment to just kiss your hand. You beam at him.

“How long have you wanted to do that?” You tease him, because you know that Michael has always had that look, and he stiffens for a moment.

“Ah… maybe around when you came back from graduating college.” Michael admits, feeling weirdly high and low all at the same time, but he questions you too. “What about you? Don’t tell me you just decided to kiss me right now. That would fucking… that would be too much.”

His heart falls for a split second– thinking about how again you could’ve just been having a little fling– why would you ever like him? He struggles to think how you could, even after having kissed you.

“No, no. I swear it’s not like that.” You turn a little red and play with your hands. “Um. You’re not like a rebound, Mikey, I just… I think I liked you ever since I started coming around more, maybe around last year? I probably just didn’t notice because I thought I was into Carmy. You know? Absence makes the heart grow fonder and all that.”

“Yeah, I know.” Michael tries not to let the relief show through his face too much. “I thought maybe I was… reading too much into it. Putting pressure on you.”

“No, you’re good.” You shake off his concerns. “I don’t think that at all. I really do like you… might’ve just been obsessed with the idea of a childhood friend turning into a lover.”

Michael grins. “Well, who’s to say that didn’t fucking happen, Birdie? Are we not childhood friends?”

“Eh… kind of. You’re a bit old.” You give him a so-so motion, and Michael jokingly pushes you a little. “I’m kidding! This is more like– your friend’s hot older brother gives you a chance and it’s crazy and exciting and you just want to know more.”

You were half kidding, but you’re so honest about it, and Michael loves it, but there’s still that undercurrent of agony– he wants to just openly like you, too, but he doesn’t want to be such a fucking failure about it.

“I’m gonna just head to the dining table, I think.” You check your watch. “Gotta go think about this a little more– is that okay? Not in a bad way, I’m just overwhelmed with everything that’s happened today…”

“Yeah, yeah, yeah. It’s okay, Birdie.” Michael presses a kiss into your hairline. He knows it is a lot for anyone to handle– getting over a crush you thought you had, realizing that you like someone else– he gets it. “Take all the time you need.”

“Okay.” You smile eagerly at him and then walk outside through the hallway, wiping your mouth so it looks less kiss-stained, and peek around so no one is looking at you. 

Michael feels a million emotions hit him at once, and he knows he has to cool himself down before explaining to everyone where you’ve gone, what’s happened– or he’s certain to implicate himself, and he can’t have that. 

/ 

It all goes to shit not even twenty minutes later.

You’re sitting pretty between Richie and Tiff, who seem to be a little bit… awkward, maybe arguing mentally about something you don’t completely understand. No one has really commented on your disappearance, but you’re sure it’s obvious based on how Michelle and Stevie are whispering and smiling at you.

Michael gets a massive, depressive episode right after you’ve left him. He can’t exactly pinpoint why– he feels like a creep even if he isn’t one. Hell, he only actually met you when you were nineteen– he was in a different state when you started visiting the Berzattos. But even if Michael ignores his potential, old-man creepiness… he also feels like you’re headed for so much more than he ever was, and he knows he’s holding you back if he does this. 

For once in his life, he just wanted to be happy. He just wanted to be wanted without the stigma of not being good enough. 

You, Carmy, and Nat. He knows you guys are on your way. Michael feels a pit in his stomach as he imagines why you guys all have to look up to him so much– he just happened to be in the right place, at the right time.

He can’t ignore the feeling that he is just a major fucking loser.

That’s why Michael goes and gets high. He knows he’s making a mistake, and he doesn’t want to do something so disappointing– but he figures he’s already a disappointment anyways. He’s grateful you’re not here outside to see how pathetic he really is– how much he craves a hit just to feel a little less shitty. And yes, it calms him down as he feels the high of the painkillers exacerbate positive memories, like with you, Carmy, Natalie– but it still makes his anger, his depressive tendencies strong, too. 

When he sits down at the dining table– he’s not that intoxicated, but he knows it’s a little apparent on his face, based on the mild alarm on your own. You’re sitting just far enough from him for there to be plausible deniability, but still– you are worried about him.

“You good?” You mouth, and he waves away your question with an air of fake nonchalance. 

You don’t look convinced. You can see the red in Michael’s eyes, the general tension in his shoulders, the unnerving sense of resentment in his expression. You wonder what could have happened in the last ten minutes that you’ve been sitting at the table, why Michael decided to go and get intoxicated just minutes after kissing you.

Were you too much for him? Maybe.

You know Michael gets high. In fact, last Easter, you’re pretty sure he spent the entire time high on something– but you only vaguely know about his anger flare ups. About his negative emotions, the supposed depressive periods he goes through. You’ve seen him argue a bit with Richie, you know he’s gotten a bit harsh with Carmy, but you know he’s a bit more troubled than that. The whole family seems a bit troubled. Natalie has told you that much, and you have your experience with that– your mother and father’s fights are ones that still make you quiver to think about. But with Michael?

You don’t know how much you believed it, until now, because Michael always seemed kind of… like he always had the right thing to say. You almost feel like he’s in the right to get upset, because he’s had a hard time, with his family, some of his luck surrounding his career– especially with how Lee continually riles him up.

The table is formal and nice for a bit. Michael and Tiff converse about something, Carmy asks if you’re okay and you mostly are. Michelle asks Mikey to say grace, and he sounds resentful, again, of Lee cutting him off so often. 

Cicero, being the responsible uncle that he is, tries to push off grace to Stevie, who promptly rejects it, and Michelle decides to ease the tension by asking what the hell the seven fishes are all about. Lee, of course, gleefully answers, about the dutch potatoes and the bible.

Michael glares at him and throws a fork. A real, honest-to-god, heavy piece of silverware. It clatters on the carpeted floor– you feel yourself flinch, and you watch Natalie and Pete’s expressions crumble into the realization that Michael is not okay, and everyone seems to look towards him in fear.

“You see what you did, right? You already did that. You already bitched about the dutch oven.” Michael retorts at him, not completely coherent, and you can feel the lights glazing over– the Christmas tree, the wreaths and baubles, everything seems to lose focus in comparison to the red-hot anger that Michael is bubbling over with.

Cicero and Carmy try to call him off, but Michael isn’t listening, and you can tell– he’s in a place to be upset. It’s like a slowly proceeding car crash– as much as you don’t want him to do it, you understand why he’s going to. You feel like there is a bit of a double standard in place here– Cicero seems to want him to respect his elders, and Michael is being kind of childish, but you can’t say you don’t understand why.

Michael asks for Fak’s fork, in direct opposition to Lee’s attempts to play the father in this house. Despite Fak’s insistent refusals, Michael successfully takes it. Everyone speaks with the intent to stop him, and he’s too focused on Lee to stop.

You know you hate Lee too. But such a severe reaction, coming from Michael? It has you wincing a little. You want to pull him away– tell him to be the nice older brother you’ve always known him to be– but you know it takes time. You know it’s probably going to get worse. You try to catch his eye– and he can't quite look at you.

You have faith in him. You know Michael can do better than this– you just hope he can see it, too. 

Michael throws the second fork, and you feel regret in trusting him, again, because he’s making things bad but it’s almost as if he can’t help it. You catch Natalie’s eyes– she’s clearly disappointed, too.

Michael feels a sick sense of pleasure, as he often does when it comes to acting out his worst desires. But he feels a flash of anger with himself– is that what he did with you? Is he really this guy? He thinks that he is, he is a bad dude and he can commit to that role if that’s what’s needed.  

“Cousin, you’re scaring the normals.” Richie tries, looking at Tiff and you, but you’re still yearning to catch his glance– and Michael can only respond that it’s nothing, everything is fine, and you’re suddenly reminded of when your parents used to fight and how you used to have to be the middle man and convince them that things were alright.

Michael looks towards you this time– but you’re not looking at him. You have your hands neatly clasped in your lap, your eyes are focused on the set of candles in the middle of the table, and you look horribly upset, with your neck all tense as you wait for things to blow over, and he can tell– he’s fucking up big time. Stevie, Carmy, everyone is looking pained, and Michael can only think that he doesn’t give a shit. He wants to make Lee feel just as terrible as he does.

"You see– I can throw forks because this is our father’s house." Michael scoffs back, and there's real agony in his tone. “My father’s house.”

Michelle inhales. “We have lift-off.”

“Okay, you got everyone's attention, so go ahead, tell us a story we've all heard a million times already.” Lee spits out, barely holding back his own contempt for Michael, and Michael starts laughing as if everything’s alright. “Tell a story about how you're living with your mom and you're borrowing money off of her and any other sucker who'll listen to your bullshit.”

Everyone looks towards the table, feeling terribly awkward about Lee’s accusations– it’s not that it’s necessarily untrue, but there’s a hefty amount of his own assumptions, his own bias thrown in there, and you want to speak up.

“Lee, shut the fuck up.” Cicero looks absolutely pissed off at him, and you’re grateful someone has taken some of the heat off of Michael. It’s Lee’s fault, too.

“I’m sorry. I told you not to be a sucker, Jimmy.” Lee comments, and Cicero exhales, exasperated.

“Lee. That’s not really fair– you’re being too hard on him.” You utter through gritted teeth, and Lee’s eyes narrow on you. It's the first time you've spoken, and Michael glances at you– his eyes are bright and he genuinely looks sorry. Sorry he had to go this far.

“Oh, am I? Really, Birdie? I would suggest I’m not being hard enough.” Lee raises his hands, invites you to speak more, and you know that it’s not really your place to do so, especially because Lee and Michael seem to have a lot of history.

But you have your almost-lawyer tendencies, and of course you’re not exactly unbiased either, because you want to see the best in Michael– you want to like him. 

"Please, Lee… Michael's working on himself. You don't need to lie to him." You stare at him, and Lee’s face seems to turn darker with that. “I’m sure we all have our issues… it feels like a lot.”

"Is that what he's told you, Birdie?" Lee sneers at you, and you suddenly feel small. "He's a sick, fucking twisted man, and you would trust him, wouldn't you?"

He doesn’t go further than that– but it’s enough that you feel humiliated for being read so thoroughly. It’s obvious what he’s implying– you’re a silly little girl who doesn’t know any better. 

“It's fine. It's fine. Because this guy's nothing and he's nobody.” Lee points at Michael again, and his expression sours so much. You watch as Michael seems to zero in on what Lee’s rambling on about. 

Natalie shakes her head in little no-no motions.

“Hey… Petey… I just need to, uh… I need to borrow this for one second.” Michael’s got that nonchalant expression again, but there’s pain in his eyes, and there’s a clamour of everyone again telling Michael to stop, calling his name, trying to distract him.

"Michael. Michael. Please don’t do this. Hey. Hey. Hey!" Natalie calls at him, and you know she's just begging for him to leave it alone. “I love you. Okay?” 

You watch as Michael, holding the fork, just holding it, clear malicious intent in his eyes, tension building in the air and you feel a little sick, but his eyes are watering and he clearly doesn’t want to do what he thinks he has to.

“I love you too, Sug.” Michael says honestly.

Stevie giggles, Cicero de-escalates things further, and you think you see the light at the end of the tunnel, if not for the fact that Michael is still holding the fork. Still standing up, taunting him, acting like a big old child as Carmy rebukes him– and it’s really just two grown men beginning to get all macho and toxic about who’s tougher, who’s really the man of the house, and they start screeching at each other and you watch as Michael’s eyes glaze over with something, with Lee’s final insult that “he’s nothing.”

You watch as Michael takes his seat. He seems ambivalent, hard to read– he’s not meeting anyone’s eyes and you feel terrible about it.

Donna comes in and takes her seat– she seems rather drunk, too, and the last thing you need is more evidence that substance abuse is a bad thing– and Stevie starts the most wonderful prayer that still isn’t enough to dissuade Michael. You catch his gaze– he’s mulling over something, his eyes are watery, and you want to go over there and talk him down, even if that idea is unwise.

Donna cries over the prayer, and Natalie commits the most cardinal sin that she could at this moment: she asks if she’s okay.

You flinch with recognition as Donna starts screaming at her, about how she is okay and could a person who isn’t okay make such a gorgeous meal, and she exits the room in visible anger, and Natalie begins to hyperventilate, while Michelle tries to calm everyone down.

Donna throws a plate down on the floor, and exits the room continuing to scream– and there’s a beat of tense silence, full of angst and what-nows, and Lee decides to take initiative breaking that silence with a silly joke– almost in a paternal role, again, a hot topic between him and Mikey– and you watch Michael’s eyes start narrowing as he leans against his hand.

Michael throws the third fork.

It’s like every single nerve you felt, every bit of tension that was already in place, comes to a head as Michael starts going batshit, trying his best to attack Lee, while the Fak brothers and Richie are between them, and you can barely think straight as everyone starts screaming at each other. 

Tiff almost gets dragged into the chaos, and you're left shielding and comforting her from the fight. Pete and Richie hold Michael off and you're thankful– the last thing you want is to go up in there and get caught in the crossfire yourself. It’s genuinely a blur– you have no idea how bad things are getting until Cicero starts telling them to get the fuck out.

Suddenly, the wall of the living room bursts inwards, the Christmas tree getting dragged in the crossfire, and you realize with shock that someone’s driven a car inside.

Not just any car– that’s Donna in there, driving, and you think for a moment she’s dead. You can’t believe what’s happening– you can feel your heart hammering through your chest.

Michael runs towards the car, tries to open the front door, yelling and asking her what she did, asking her to open the door. She stirs a little.

Everyone else is standing there, in shock, not focusing properly on what to do, and you pull yourself away from the crowd of people, as they stare on in horror. You don’t want to be a part of this, but you are, and you know what a responsible adult would do. 

You go outside, into the December night’s cold air, and call 911. Specify for the firefighters and ambulances, because Cicero has a big thing against narcs and cops and you’re not getting into that right now.

Even though you’re freezing, and that’s what you should be focusing on? You’re in an incredible amount of despair because of what’s taken place. You hang up the call and feel exhausted by everything that’s happened, and you wonder if Michael really knows better. If he can be more than this. It’s not something you’re judging him for– but you feel terrible about his circumstances and you want him to get out of there.

Worse, you can’t help but feel a little upset with him. Because you know that Michael didn’t have to stoop that low– he chose to, and that’s what bothers you the most. He let his emotional responses dictate how he was going to act, and you know it’s hard to not be so provoked in this environment, but still: you are concerned and upset with him, and you know you need to take a step back. As much as it hurts you to stay away, you feel like it’s going to hurt even more if you intentionally stay around.

You wait for the ambulance and fire trucks to show up– you take a minute to direct them through the house, and then you trust that someone else has got it from there. Carmy, Natalie, Michelle, Stevie– they’ve got each other, they’re whispering about something, and you know where you’re not needed.

You grab your coat and leave, leave as silently as you can without interrupting everything that’s going on. It’s an strange walk home– ten minutes of you thinking about everything.

You hope next Christmas will be better.

/

Michael comes down from his high hard. Someone’s wrapped a blanket around him, and he’s sitting on the front porch’s staircase, wondering what the hell is going on. Donna’s apparently been taken to the hospital– and there’s a makeshift tarp where the wall has been crashed in. Everyone has gone home.

Where did you go? He has a moment of panic. Are you okay? Did he fuck it up that badly? That you would leave without saying goodbye? Michael can picture the disappointment on your face, and he wishes– he really wishes he was someone else.

He’s stressing really hard, his eyes are beginning to tear up. God, he knew he wasn’t really worthy of your attention– you’re young still, you have the whole world ahead of you– and he wonders if he can apologize. He wonders what he could possibly say to make it right. After such an insane situation, he can’t even blame you for taking off.

Natalie tells him, kind sister that she is, that you were the one to call emergency services. Of course you were– you have a strong head on your shoulders and Michael feels strongly that his family is in debt to you. And then you headed home, but Natalie doesn’t know why.

He does have your number. But he’s not going to call you, not right now– he’s not going to make a bigger mistake and fuck things up further. 

Michael sighs, and leans back. He doesn’t deserve to be happy.

[somanyratsinthewalls]

Omg congratulations on 700! 🎉 It is so so we’ll deserved. I must admit that I reread your work a lot because it is just so good and some of my favorites! 🥰

For the prompt, as always I am a SUCKER for the one bed trope, but I’d like to add another fun element so….

Blue + Lion + Hummingbird perhaps? 😈

Okay this one was a request by many, including my cutie pal @thirstydiglett and @truebluesanji and HOT DOG is it a good one!

Just One Bottle (+18)

Pairing: Sanji x Strawhat Fem!Reader

Prompt: Only One Bed x Aphrodisiac

WC: 2000 lol

Warnings: Open for interpretation on how the pals ended up ingesting the aphrodisiac, forced closeness, unprotected sex, p in v sex, morning after pill discussion, drug use, creampie, Sanji being a gentleman!

— — 

You strolled the aisles of the bookstore as you waited for Sanji to finish up his snail call outside. You ran your fingers across the labels gently as you passed by each shelf. You glanced towards the shop windows and saw that Sanji was outside giving some choice words to whoever was on the end of his transponder snail. The sun was setting and you found yourself captivated by the way the low light reflected off his blonde hair. He looked handsome. 

But he wasn’t your type. He was always fawning over you, even more obnoxiously so than for Nami and Robin. You never gave him half a thought in terms of a choice as a romantic partner, he was just a crew mate that you cared for deeply… as a friend. You turned down another aisle of bookshelves as you could clearly tell that Sanji wasn’t finishing his conversation any time soon. 

You found yourself stopped at the romance section and pulled a bright purple tome off the shelf. “Part Time Human, Full Time Lover…” You read the title to yourself before flipping it open. You find yourself reading a rather graphic passage describing an intimate encounter between the human protagonist and her well-endowed centaur lover. “Goodness…” You whisper to yourself as you find yourself flipping the page in interest. 

“Y/n!” You snap the book closed instinctively as you hear your name called. Sanji was rounding the corner of the aisle and came up to you. 

“Sanji! Hi!” You hurriedly put the book back on the shelf. “Any news?” 

“Well, the sun is going down fast and the moss head idiot got his group lost so we have to stay on the island for the night. We’re all too far apart to get back to the Sunny. We can find an inn around here and get some rooms.” Sanji explains to you. 

“Fine, hopefully somewhere with a restaurant. I’m starving.” You smile. “Wouldn’t it be nice to have a night off from cooking?” You raise an eyebrow at the tall blonde. 

“I guess. Don’t expect the same quality of food that you’d get back on the ship. Shall we?” Sanji remarks as he gestures to the door of the bookstore, letting you go first. 

— —

After wandering the small village for awhile, the two of you find a small inn that had a tavern on the first floor. You ducked in, trying not to draw attention seeing as the two of you were highly wanted pirates. 

Sanji strode confidently to the front desk. 

“We require two rooms for the night. Money is no issue.” Sanji stoically demands of the innkeeper. 

“Sir I’m sorry… but we only have one room left tonight… I’d be happy to give you a discounted rate…” The mousey old man behind the counter said as his voice trembled. 

“This kind of dump has no vacancy? You’re telling me that this hole in the wall has only one room available-“

“We’ll take it.” You pushed past Sanji’s shoulder and placed your stack of Beri on the counter. 

The innkeeper’s eyes danced from your smile to Sanji’s scowl. 

“We’ll take it.” Sanji echoed, lowering his voice. 

“E-e-excellent news! I will issue you your keys now. Would the couple like one set or two?” The old man sputters out. 

“Two.” “One.”

You say two and Sanji replies with one. He clears his throat. 

“Two, please sir.” Sanji changes his response. 

The old man issues you two sets of keys and hands you your change after you pay for the room. 

“Please, enjoy our restaurant. You may find that sharing a room is not uncommon among couples at this hotel.” The innkeeper mentions. 

You look up at Sanji. 

“I am kind of hungry, Sanji. Shall we?” You question. 

“Can’t go to bed with any empty stomach, can we?” Sanji shrugs. 

Sanji put his hand on the small of your back and led you in the direction of the small restaurant. 

“Two of you?” The stout hostess asked and you nodded. She led you and Sanji to a candlelit table in the back of the pub. Of course, Sanji pulled your chair out for you. Once seated across from one another, you picked up the drink menu. 

“The room was so cheap… should we get the champagne?” You smirk over the menu across the table at Sanji. 

“Nami would kill us… what’s the label?” Sanji gestures to grab the drink menu from you and you hand it to him. His brows furrow. “I actually haven’t heard of this brand before… but it’s expensive… must be from the South Blue…” Sanji quirks a curled eyebrow up at you. “Should we?”

The sides of your mouth curl up. 

“Yes.” 

Sanji breaks into a grin as the waitress arrived at your table. 

“Anything I can get you two tonight?” The cute redheaded waitress asked you both. 

“We’ll start with a bottle of the champagne.” Sanji says to the waitress. “And for food… anything your recommend for a night on the town?” He says with a smirk. 

“Oh, I think our chef can do something for you.” The waitress says with a smile. 

“Perfect.” Sanji says as he snaps his menu closed and hands it to the waitress. 

— — 

The two of you had finished your bottle of champagne and dinner and were waiting around for the waitress to bring you your bill. 

“No no, it really was lovely. I just have never had a champagne like this…” Sanji says as the two of you discuss dinner. 

“The oysters were a nice touch, I thought.” You remark. 

“Mr BlackLeg sir thank you…” The waitress interrupts as he places a large stack of Beri on the tray containing your bill. 

“That was a nice tip you left…” You say as Sanji ushers you softly out of your seat, covering your back with his suit jacket. “Far more than most would.” You didn’t feel drunk, but you felt some strange warmth growing in your lower half. It started building when you drank that damned champagne. 

“It’s nothing for someone who used to work in hospitality. Their service is worth far more than the champagne.” Sanji says as he guides you to the stairs, leading you up to your room on the third floor. 

You reach your room and Sanji fumbles with the keys before getting the lock open. The door opens to reveal a small room with a queen size bed and an ensuite bathroom. 

“I-I can sleep on the floor.” Sanji says immediately. You turned and saw that his cheeks were bright pink. Was it from the alcohol?

“It’s fine, we’re adults. Let’s just get to bed.” You respond and begin stripping off your pants. You then unstrap your bra and take it off through the front of your shirt. Sanji hesitates for a second before stripping down to just his boxers. 

“I’ll take this side.” You said awkwardly as you slide into the bed. 

“Right. Goodnight then.” Sanji shuts off the lights and hops into bed on the side opposite you. 

“Yep. Night.” You curl up into your side, so that you wouldn’t encroach on your crew mates sleeping space. 

All you can hear is labored breathing. 

Was it your own?

Was it Sanji’s?

Something was off. You couldn’t sleep. 

Why was your pulse thrumming in your privates? Why was there slick gushing out of your slit to soak your underwear? Nothing even remotely sexual has happened tonight and yet your levels of arousal were off the charts. You tossed and turned for several minutes trying to ignore it, having the ache between your legs only grow more intense. 

You couldn’t take it anymore. 

“Sanji?” You whisper out into the darkness. 

“Gods, Y/N, tell me you feel like I do right now.” Sanji responds in between pants. 

“What the fuck happened to us?” You breath out to the dark ceiling above you. 

“Something in that drink…” Sanji breathes out. “It fucking hurts…” 

You peer over to your left and see Sanji grabbing at his crotch beneath the sheets. 

“They drugged us.” You pant out, right hand delving into your panties and rubbing at your clit, trying to get some relief from the burn this mysterious wine was causing you. 

“I-I don’t know how to say this, mon cherie… But what if we… helped each other…" Sanji said as he saw you pleasuring yourself beneath the bed covers. 

“Right… it’s just helping a friend…” You say softly as you touch your sex further, reaching your left hand out under the sheets to wrap around Sanji’s erect penis. 

“YES- I mean, yes-“ Sanji jerks at your touch. “It’s just relieving each other…”

“Okay… fine…” You relent. 

Sanji jumps up and positions himself above you in a nanosecond. You take this time to push your panties down and your t-shirt over your head.

“Spread your legs for me, my love…” Sanji whispers as he hovers over you. “Show me what you need…” 

“Sanji please, I need you inside of me.” You pleaded as you brought your hand down to spread your pussy lips. “Sanji why does it hurt?! Please help me!” You bucked your hips in his direction. You were desperate. 

“I’m gonna fix it, okay? I’m gonna stop it from hurting. Do you want that, y/n?” Sanji asked. 

“Yes! Please help me!” You cried out again as you saw Sanji pull himself fully from his boxers. 

Sanji dances the head of his dick across you clit as you whimpered. 

“I’ve got you, mon amour…” Sanji assures you as he leans down and pushes his cock into your trembling hole. 

“OH-!” The moan is ripped from your lungs as you feel the throbbing head of Sanji’s member push past your g-spot to fill you completely. “Fucking finally-“ You groan as your eyes roll to the back of your head, the fullness you’ve been craving in your bones finally being fulfilled. 

“More, more, more….” You chant as Sanji bucks his hips into yours with a fervent pace. Whatever aphrodisiac was in that wine had fully engulfed your brain and all you wanted was a thick cock inside of you stretching you out. The only thing you could focus on was the wet glide of Sanji’s heavy dick in and out of your hole. “Please, more!” You cried. 

“My love, I’ll give you everything you want…” Sanji’s eagerness to please came through as he pushed your thighs up towards your chest, allowing him further access to your favorite spot. “Need you to cum on me… please..” He begged. 

“M-More.. want more..." You whimper out. 

Sanji takes one of his hands from the crook of your knee and places it around your neck gently. He leans in and places a tender kiss on your lips. He moves his other hand to the top of your sex. Sanji slips two fingers inside of you next to his own cock, assuring you're full to the brim and your favorite spot is being stroked with every thrust.

"San-ji! So- Fuckin- Full!" You cried out in the throws of pleasure, finally feeling exactly what you wanted.

“I can’t do this much longer, mon cherie, so wet and so tight…” Sanji groans into your lips as he ruts into you like an animal. “Need you to cum…” 

“I’m…cumming… fuck!” You scrunch your eyes shut and scratch at Sanji’s naked back. 

“So perfect….” Sanji whimpers into your sweaty neck as he shoots his load into you. You stroked his neck all the way down to the base of his spine. 

“Aaah- Fuck- Ah!” You hear the cook grunt into your flesh as he digs his hips into yours further. 

“A-are you cumming again?” You ask with a heavy sigh, coming down from your own orgasm. 

“Sh-shiiiit….” Sanji groans. Tears prick at your eyes as overstimulation sets in. “M-my love…” 

You feel Sanji’s hips drive further into yours, impossibly deep. He was emptying yet another massive load in you in less than a few minutes, it was spilling filthily out of your hole around his cock. Sanji collapsed almost immediately on top of you without pulling out. 

Sanji wrapped his arms around your torso and settled in.

“You know you’re going to have to ask Chopper about a ‘morning after’ situation, right?” You muse as you stroke Sanji’s lower back. 

“I think the embarrassment is worth it.” Sanji smirks as he nuzzles into your breast. 

You smile and pull your love-cook close to fall asleep.

— —

Hope you ALL enjoyed!

xx

Mo 

[tokkiiecloud]

It’s hot outside so get hit by this bus take whv this is (Also don’t mind my writing, I ain’t no writer I have written a few fanfictions here and there soo..yeah)

WHB : it’s summer and it’s hot / Beach dates :

Characters : gn!reader ; Belphegor ; Bael ; Gamigin ; ppyong (Juno p) +angel : Raphael

CW : Sweating ; OOC

Belphegor :

this dude just sleeps through the heat

He’s inside with the air conditioner on

You just came back from a small trip in town with Agares and Vassago, and directly joined Belphegor who was sleeping in his room, you were drenched in sweat because of the FUCKING HOT AIR OUTSIDE and you were too lazy to go shower and change into a pair of fresh and cool clothes(he rubbed off on you)

You collapsed on the bed where Belphegor was sleeping, when he felt something that resembled a wet rat, he had to wake up from the discomfort, when he saw it was you he pushed you off the bed :

“WT- BELPHI?! THIS HURTS!” You yelled at him, he ignored you and went back to sleep, you were forced to take a shower and change when you came back he finally used you as a pillow.

Bael :

This man works through the heat (ac broken)

Collapsed bcs of the heat after waking up he started working again.

You walked inside of Bael’s office, he was still working despite when entering you could feel the unbearable heat, you started sweating profusely how could Bael work in this environment??

He smelt you’re sweats and looked at you giving a weak smile, he was close to collapsing, alerted you quickly went to him and grabbed his face worry in you’re eyes :

“Bael?! Your office is like an oven?!” You said worried, he just looked at you and apologized

“Sorry..the ac is actually broken but I’m used to the heat do not worry about me, go somewhere where the ac is on-“ he couldn’t finish his sentence before you dragged him out of the room, he wasn’t able to fight back because of his brain being turned to mush because of the heat.

After dragging him to a random chamber placing him onto the bed, making him drink some water, changing him into more comfortable clothes and going into the bed to cuddle with him.

He smiled softly before kissing your forehead and letting himself be taken care of by you.(Bael my beloved)

Gamigin :

He’s very worried about you staying hydrated

“Please don’t go outside too much”

Paradise lost, for some reason is not that hot?? But Gamigin still worries a lot about you he heard from Lucifer that human’s can’t withstand too much heat so he’s constantly checking on you, giving you water to keep you hydrated!

Ppyong (Juno p) :

Spends his day at the beach to be able to cool himself in the water

Listens to Avril Lavigne while swimming

He begged MC to go to the beach with him so he could spend some alone time together! Drinking wine together, watching the sunset together, swimming, his perfect idea for a date! Sadly he can’t hang out because the others will tag along…

At least he got a kiss on the forehead for the cute idea! It was worth it :

“Ppyong, I mean Juno, this is a very cute idea! Let’s do this next time!”

He giggles as you kiss his forehead, his smile is super bright almost blinding you more than the sun

Raphael :

Doesn’t give a flying fck at the heat

Has tried to kiss you while watching the sunset and will continue to try when he can

Interestingly, you found Raphael at the beach while hanging out with the devils of Gehenna and when he saw you…He took you away from them so for the rest of the day you spent you’re time with him

It was fun! You had a really good and goofy time with him he was still acting high and mighty but he was softer than usual until the sun started to set, both of you were sitting down on the golden sand :

“The sunset is beautiful..all those golden and pinkish mixed with a hint of blue create such a unique and ethereal look…”

He looks at you, eyes sparkling, he smiles at you as he grabs your chin and forces you to look at him, extremely gently as if he was handling a crystal glass :

“You know what else is beautiful and ethereal?” He looks deep into your eyes, leaning in closer to your face, when suddenly a bunch of demons intervened and brutally ended the sweet moment by starting a fight after the fight Raphael left but not without saying one last thing :

“Our moment was interrupted but we’ll have time to continue it some time later. See you dear” he smirks and flies away.

It’s donneeee!! YAYY! Don’t mind it going from weird /goofy or cringe ?? To sweet, I couldn’t stop myself from writing about them I just had too before the fandom completely dies you know?? So every time I get an idea I’ll write it!! :3

[mylifestylearedilfs]

⇢ ˗ˏˋ joost klein x tinder date!reader ࿐ྂ

ੈ✩‧₊˚ OCEAN EYES : mention of sex (but no smut) fluff ; use of alcohol ; imagine ; all is fictional ; english is not my first language

(part two)

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_________ ׂׂૢ་༘࿐ CREATING AN ACCOUNT on tinder wasn’t on your to do list, but after another failed attempt on meet your future ‘husband’ in real life, you decided to seek luck at this app. after choosing your best pictures, you set your profile with hope that you wouldn’t have to text with all of those weirdos that probably were on this site, asking themselves why i don’t have girlfriend?

you honestly couldn’t understand people (mostly the whole alfa men) on this kind of platforms, where they acted like they’re better than everyone else, but in reality they wouldn’t even say ‘hi’ to you. also what’s the point of having a dating app, if you can’t even properly ask the other person to date. you personally hated texting, it was the worst way to communicate, because you weren’t able to show your emotions clearly and it was easier to misunderstand the intentions.

you tried to ignore all suspicious looking people, but you lose hope, when even people your type were weird or impolite towards you. you were close to just delete app and forget about everything that happened. but then you received some kind of ‘super like’ from very good looking blonde man, the first thing that caught your attention was his bright blue eyes. how ironic, you thought. blonde hair and blue eyes, if he were a girl, he definitely would be miss universe. but god knew that he would be too powerful if he was a woman.

before you even checked his profile, you saw that he already messaged you. he already had big plus, because it was usually you who needed to start a conversation.

‘you & me, beer in an hour?’ okay, he definitely was really straightforward but you couldn’t tell that you didn’t liked it.

‘okay’

it was an irresponsible decision, but you couldn’t care less right now. you were truly tried of the endless conversations about nothing, you needed some adrenaline in your life. and even if it turn out that he’s a murderer, you will have an interesting story to tell your future kids — of course if you will survive in that scenario.

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it was almost twenty minutes after the set time, but you still waited like a fool, because you were curious if you were just scammed at this point. when your second cigarette started to slowly gutter out, you checked your phone to see if he tried to inform you about his lateness, but as you thought — nothing. you were honestly irritated that you couldn’t met a proper guy, not even for a relationship but just good sex, apparently you just missed to have someone close, in physical and mental way.

fuck it. you said to yourself and deleted this stupid dating app, right after you did that, you heard someone’s calling your name. before you turned around, you throw out a cigarette.

“i get it that i’m late, but you don’t have to ignore me” you saw the blonde guy in front of you, with two bottles of wine in his hands and two beer cans in his jeans pockets.

“so your real miss universe, nice to meet you” you said with a bit of irony in your voice, and he just laughed, giving you bootle of alcohol.

“or maybe i’m just in your imagination, guess we will never know” he said with smile, and you realised that he loved to laugh a lot, but honestly that was exactly what you needed now. some positive energy. “but now let’s go, shall we?”

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at first it was supposed to be quick meeting to get each other better and then probably forget about the existence of each other. but to your surprise it turned out that you were sitting in some sketchy looking place with joost for almost four hours already, and the fun only began.

you couldn’t believe that your perfect type of person was right in front of you and he was interested in you, which was the most unbelievable part. he was the first person that could make you laugh only by saying something random, or maybe it was because you were under the influence of weed, that you just smoked. either way his ability to turn every little thing into a joke was hilarious and you simply loved it.

suddenly you both became silent, but it wasn’t uncomfortable for you, which was also something new. all you could hear was the sound of wind and some other birds but you decided to interrupt the silence.

“you want to come to my place?” you said without thinking twice, well. . . let’s be honest your brain wasn’t working at all at the moment.

“to do what?” he looked at you with his typical smirk, sipping his beer.

“obviously to play monopoly” you said sarcastically, but underneath you had a little smile. “i want you to fuck me” you added and he seemed to be taken aback with your directness, as he watched you getting up.

“so you’re coming or i will need to please myself on my own?” you said, walking slowly in the direction of your house.

“you don’t need to tell me twice” he quickly said and you just chuckled as you felt his hands on your waist.

that was a great match, for sure.

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⇢ ˗ˏˋ thank you for attention! hope you liked it!

[hoodedjelly]

Nicktoons unite main 4 in their respected styles ( minus jimmy neutron i'll explain more below)

i feel very mixed about these but it was still fun either way studying all of these cartoons respected styles. the final does make me happy, seeing all of them together ^__^ 💞

below i will explain my thought process working with each style so get ready for a wall of text:

first before anything you may be asking: why no jimmy neutron style!? it's because i tried and gave up! i was starting the rendering process for timmy and i hated it so i just didn't continue! no point of making myself miserable for something thats harmless fun style studies. but have these as a little treat:

Fairly Oddparents style: the easiest style to work on and research for, fop style is not that complex. i should also add i didn't draw each style in one sitting i drew each character together and then edited them all, so that might be the reason why some look better then others, i just got good. but i'm saying that because the character i started with was spongebob! specifically because i was tired of ppl thinking dp style and fop style are the same and how spongebob would look the same in both styles, just a flat square. which is wrong! fop style is very different! i would prob describe it as a flat paper style. has sharp and rounded thick lines. the main source of research i used for it was the designer for fop was Ernie Gilbert. he has designed a lot of iconic characters for the show and i highly would check out his work, this is his website

Danny phantom style: now this one was tricky, prob the hardest one to figure out and i honestly don't think i really DID figure it out. the possible reason is i am still trying to go through the show atm myself, but i'd doubt it. they all just look off to me, just a little. which no need for me to work myself in a circle trying to make it "perfect". im no professional character designer! especially not Stephen Silver.

Spongebob Squarepants style: this one was tricky but in the opposite way to dp style, where i didn't know what to reference! to start off the show is mainly nonhuman characters, so finding character refs were hard. the refs i did use were the mermaids and the superheros, so i used that for timmy. but in the middle of working on jimmys i was watching a video of someone ranking every single spongebob ep and TURNS OUT in the later seasons, i think season 13, there were human designs! (technically elfs but whatever).

and weirder thing is how they draw patchy but im not going to get into that. i am assuming that style is for characters that are supposed to be real life humans up on land in that universe (but why not just use real life humans? idk, maybe tom kenny is getting to old for the role). BUT ANYWAY, i used the elfs for a main source for jimmy and danny, they turned out a lot better then the timmy in my eyes. i wanted at least one of them to have the black eyes but they all have bright blue eyes and the show usually always colors blue eyes. i get ahead of myself cause there was a lot more factors i still had to figure out. like the line art. the show doesn't have a clear line style like dp or fop, its just relatively consistent medium lines. so i just went with more recent show stuff then older stuff since it's HD.

ok but thats basically it, i can prob go on more but i'd feel no one gaf. i made these for fun and it was fun making them! i love all of these shows a ton so it was nice looking up the designers and artist for these shows. support the artists!!! fuck bitch fartman!!!!!