#i have more but they're not DONE yet so i will post them later but look him for now!!!!!!

[kkupttown]

MY LITTLE KEYCHAIN BOY IS ARRIVED TODAY!!!!!!!!!!!!!!!!!! MY BOY MY KEYCHAIN!!!! HIM!!!!!!!!! HE CAN DO ANYTHING

[willowser]

what's to come...

multi-chap stuff will be updated on a two week schedule ! 🤗 the rest will be posted depending on where they rank in the poll ! 🦋

pleased to meet you, dabi x f!reader ! (roughly) five chapters remaining.

southern charm, cowboy!bakugou x f!reader ! two chapters remaining.

my heart's aflame, my body's changed (but, god, i like it), werewolf!bakugou x f!reader ! modern au — no quirks, angst-heavy, explicit.

i fought them all off just to hold you close and tight, vampire!dabi x f!reader ! post-apocalyptic au, a bit bloody, explicit.

loving me is all you need, dabi x f!reader ! this is the 'if he's a serial killer...' smut chapter, gore/body horror, explicit.

hell was the journey, but it brought me heaven, ex-husband!bakugou x f!reader ! dad bakugou, mom reader, explicit.

remember me, love, when i'm reborn, dragon!bakugou x f!reader ! cross-species courting, accidental marriage ???, explicit.

*reminder that nothing is being posted yet !! this is for in the future only, when my hiatus has ended !!

[floweryfandomnerd]

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[actual-changeling]

welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.

the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.

they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.

they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.

now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.

a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.

the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.

i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.

additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.

the movement in order:

bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:

a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.

the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.

to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.

as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.

don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing

[mac-tirs]

the usage of different types of english in elden ring

most human/tarnished NPCs we meet, like rogier, ansbach, and nepheli, use late modern english:

"a sorcerer, as you might have guessed. i'm looking for a little something, here in the castle. when i'm not hotfooting it from the troops, that is." - rogier, first meeting "general radahn. a pleasure to see you, after all this time. but those remains do not belong to you." - ansbach, upon summon for PCR

but older demigods like messmer, ranni, and morgott use early modern english:

"thou'rt tarnished, it seemeth. mother, wouldst thou truly lordship sanction, in one so bereft of light? yet… my purpose standeth unchanged." - messmer, pre-battle cutscene "thou needst not indulge them unduly, but they too wish to appraise thy worth. it hath been a passing long time since a newcomer entered my service, after all." - ranni, after agreeing to serve her

then there are the younger demigods, like miquella, malenia, and potentially melina, who use a later variant of modern english, similar to the tarnished NPCs we speak to:

"if we honour our part of the vow, promise me you'll be my consort. i'll make the world a gentler place." - miquella, post-PCR cutscene "the scarlet bloom flowers once more. you will witness true horror. now, rot!" - malenia, phase 2 transition cutscene

finally, the hornsent NPCs like the hornsent, hornsent grandam, and the hornsent spirits such as the one outside the whipping hut, who use late middle english similar to the english found in shakespeare's sonnets:

"fie, another? ... then, as that woman would surely say, we are in our purposes well aligned. but understand. your kind are not forgiven. the erdtree is my people's enemy. by marika long betray'd, set aflame." - hornsent, first meeting "all your resentment lingers yet... the raw stuff from which i shall surely forge a curse. upon the dastard messmer's head. upon marika's children each and all." - scorched ruins hornsent spirit

i find it interesting how different the usage of english is in the game, and i feel that it can be a hint on how to properly date an individual's occupation in the lands between/land of shadow. the hornsent, being a people much older than many in the lands between, use the most archaic version of english, while the tarnished and younger demigods use a form of english more closely related to our own in the current period. older demigods (and marika herself, as heard from melina's recounts of marika's spoken echoes) use a form of english more closely related to the period of transition from middle english to early modern english.

additionally, another interesting thing to me: mohg is almost certainly nearly the same age as morgott (since they're referred to as twins), yet he speaks a little differently compared to morgott:

"tarnished, thou'rt but a fool." - morgott, post-battle dialogue "dearest miquella. you must abide alone a while." - mohg, pre-battle cutscene

this makes me wonder if it's possible that, assuming that miquella's verbiage is indicative of his younger age in comparison to the older demigods (aka the demigods born before the marika/radagon union), miquella's charm altered mohg's perception enough to also alter his manner of speaking and carrying himself in some way. if his pursuit of finery (dressing in embroidered robes and handling himself with poise, juxtaposing his bestial growls and strength) was mainly done in an effort to fit into miquella's ideal of a consort. of course, mohg could just be as vain as he seems to be all on his own accord, but i find that it's interesting to entertain the idea that even his current state of being was due to miquella's charm.

i'd love to hear what others think about this. i'm not very learned when it comes to english (it's not really my first language), but i find this all very cool to think about.

[bamsara]

I dont know if it was intentional but I love that Narinder when he sees Lamb throwing up he turns gentle and pushes their wool and ears back so they dont get stained with vomit and for some reason it reminded me of how when Nari was throwing up too after the nightmare he had when they were on route to fight Leshy, Lambert helped him with camellias for the nausea.

Ahh, parallels. I think.

IM SO GLAD YOU POINTED THAT OUT allow me to ramble for just a moment.

Narinder was trapped in the Afterlife for over 1000 years, with little social skills and plagued by wishing for vengeance and his only company being two kittens who become disciples under his rule. He has terrible social skills, if not lacking them entirely.

(I would argue that Aym and Baal also have horrific nonexistent social skills, so those three cat's can't really help each other communicate properly to anyone else outside themselves.)

It can be argued that since The One Who Waits had other vessels to pass time and try to kill /annoy his siblings before the prophesized Lamb arrival, that he would have developed them a little bit more, but I would argue that the power balance would have been oodles more severe since the vessels weren't the promised one. He didn't need them, so if they no longer were of service or disobeyed him, he got rid of them. Whether just sending them out or killing them, any how.

Lamb, however, knows they are the last Lamb, the prophesized liberator of The One Who Waits, and therefore his only option. They knew that they were his only reasonable way out of there (whether they asked for it or not) so they were oodles more comfortable than how a professional relationship would have been.

So they asked questions, bothered him, played and ran around him. Complained and vented to him. Yapped and yapped. What is he gonna do? Kill them? Find a new vessel? He can't. "You're as trapped into this prophecy as much as I am, so let's be friends"

Example parts from Chapter 3:

The power balance equalizes because Lamb did not see his presence a God, but rather a fellow prisoner and victim of fate. Rude and demanding, but in the same chains as they were. 'My lord' was simply formalities at first.

This puts Narinder / The One Who Waits in social situations he hasn't been in (or hardly been in) in over a thousand years, and frankly, he had no idea how to navigate them:

Example from Chapter 5:

The God of Death has not needed to comfort or 'be there' for someone in a long, long time. The Lamb's presence is what forces him to try, even if his first attempt aren't perfect. So in that same chapter, he'll ask them a question to distract them. Conversation. Like how they do it.

While I won't post a screenshot of everytime this happens in written format (not including the dreams/memories/flashbacks that haven't been posted yet)-

The One Who Waits is pushed outside of his bubble when it comes to socializing in a way that isn't just 'God-to-Lowly-Vessal' format. He has to talk to them like a person, because he's being talked to like a person, not a god on a pedestal.

Obviously after the final battle and betrayal (to both of them, otherwise known as the Grand Miscommunication) this means nothing for a while as tempers are still high and feelings are hurt. But overtime, this returns, and can show in small ways (ways that may not seem like comfort but is certainly an attempt) like just in Chapter 18:

Trying to bring them an 'offering' (breakfast) mirroring other times the Lamb has done the same for him:

Crudely offering to replace something they are upset at losing/later offering reassurance abet in a curt way:

And what you mentioned: earlier when the Lamb is throwing up, narration shows they're having trouble with keeping their wool, cloak, bell, ect all back at the same time. He can see that. He has a mental boiling pot explosion over the fact that helping them is even a want that he has after the denial crisis he's experiencing where the only answer a minute ago seemed like he needed to kill them, and he chose comfort.

It is intentional. Narinder is learning how to show care, and allowing himself to show care. Slowly, and not perfect, but learning.

[jeonginsleftcheek]

Yes, master

pairing: lee felix x afab!reader

word count: 3k

description: you and your boyfriend are youtubers who share cute prank videos on youtube. one day you decide to prank him with a maid outfit, and it ends just how you intended.

genre: smut, fluff

warning/s: use of master, spanking, lots of dirty talk, degradation & praising, reader is called slut, unprotected p in v (don't do it)

a/n: inspired by renjie&binbin on yt, go check them out, they're adorable. also yes another felix scenario, what can i say he inspires me hehe

Your outfit was finally here. You had ordered it on the internet 2 weeks ago when you planned out the next prank for your dear boyfriend. You couldn't be more excited.

Both of you loved playing harmless jokes on each other, and most of the pranks you did had the goal of riling each other up for later. Every time you turned off the camera, you would be all over each other, sometimes you'd even leave it on and later watch the footage together, careful to cut out the sexual part before posting the video online. You kept all the spicy parts to yourselves, it was somewhat of a private collection of yours.

You had quite a good following of loyal fans who watched you grow with each other through the last 6 years of your relationship. Everything was filmed, not only the pranks, but vlogs of your travel adventures, your move to a bigger apartment, you getting a promotion at your work etc. Both of you loved having sort of an online diary of your memories and loved sharing your good vibes with other people.

People always viewed you two as two cutie pies, yes, your pranks were suggestive but no one could guess how freaky both of you actually are. Felix especially was seen as this sweet innocent sunshine boy but you knew better. And that's why you couldn't wait to provoke him with that maid outfit you ordered.

The next morning, you quietly slipped out of bed, having to cautiously roll out of Felix's arms cause he always clung onto you like a koala while you slept. His brows furrowed and you gently pushed your pillow between his arms so it would replace you. You tiptoed to the bathroom, after grabbing the maid dress you hid in the closet last night. You got ready and hurried downstairs to make breakfast before your boyfriend wakes up.

When you were done, you ofcourse went to set up the cameras. One was above the bed, and you had to basically do gymnastics quietly just so you can set it up without waking Felix up. You also set up two other ones in different corners of the room.

"Hi guys! It's morning and Felix is still sleeping."- you say to the one of the cameras in the corner, moving your body as you scrunch your face up and point at your boyfriend's sleeping form behind you. "Sleepy head."- you giggle quietly.

"As you can see, I'm wearing a maid outfit. I'm going to prank him or rather surprise him today with serving him dressed like this all day."- you announce. "I'm also gonna call him master. Let's see how he reacts."

Satisfied with the intro, you go back downstairs to grab the tray with breakfast that you prepared. You set it aside on the night stand, and sit on the bed next to Felix.

"Lixie, wake up."- you whisper quietly, caressing his hair and winking at the camera above you.

"Mhm."- he grunts, eyes still closed.

"Lixieeeee. Baby. I have something for you."- you giggle as you continue carding your fingers through his soft hair.

"Mm. What?"- he turns to you and finally blinks his eyes open. He squints at first, the expression on his face that of confusion. He didn't register your outfit yet. You wait for him to rub the sleepiness out of his eyes.

"Oh."- his eyes widden when he takes in your appearance. You were sitting back on your feet, a skimpy maid dress revealing your plush thighs and giving you the perfect amount of cleavage.

"What're you wearing?"- he asks, blood rushing downwards, but then he notices the camera placed perfectly above his face, he groans and starts chuckling.

"I'm here to serve you, master. I made you breakfast."- you say and start giggling with him because that coming out of your mouth at this moment is funny to the both of you.

"Oh my god, you're crazy."- he laughs, his face red as he pulls the blanket up to his neck. "Wait."- he adds, his hand sneaking out from under the blanket and landing on your thigh.

"Are you wearing anything under this?"- he smirks, lifting up on his elbows and sliding his hand towards the hem of your dress.

"Felix!"- you squeal pointing at the camera and he laughs.

"What? We can cut it out later."- he chuckles, making a motion towards the camera.

"Stop it."- you laugh slapping his hands away. He groans again, smacking his head on the pillow.

"Come on, eat your breakfast."- you say. He sits up and looks right between your legs, wiggling his eyebrows at you suggestively.

"The food I made. With love. For my master."- you bat your eyelashes at him, you've never called him that before today but even though he was laughing at it because of the camera, you could see how it affected him.

"Ask nicely, hm?"- he says and there's a shiver running down your spine.

"Please, master?"- you bite your lip.

"Alright, when my baby put in such an effort."- he smirks and you chuckle at him. He grabs the tray but before he can put any food in his mouth, you grab the fork and bring it to his lips.

"Are you gonna feed me?"- he chuckles.

"Well yes. My master doesn't have to do anything. Today is the day I serve you master."- as you keep talking, his eyes are getting darker and your cunt is getting wetter. For some reason, you liked calling him that and liked seeing his reactions. You caught even the smallest ones, like his eyebrow twitching every time you said the word 'master'.

His hands kept wandering to your thighs as you fed him and you had to constantly remind him that the cameras were on even though you were pressing your thighs together. And he knew. You were getting needy too but he wanted to tease you too, it was one of his favorite things to do anyways.

So when you moved to the bathroom, carrying a camera with you, you grabbed his toothbrush and he chuckled again. He looked a bit flustered when he realized you actually wanted to brush his teeth.

"Y/n, that's sweet of you but I can do it on my own."- he chuckled, his hands coming up to hug himself as his face got redder. He glanced at the camera and you laughed, feeling shy suddenly.

"Please, let me do it. Master."

He couldn't say no. Both of you were trying not to burst out into laughter as you attempted to brush his teeth. It got too messy so he just grabbed the toothbrush and continued on his own as you playfully pouted at him.

"I'll help you wash your hair. Please, master?"- you ask when he's done.

"Sure, that'd be nice."- he chuckles.

You adjust the camera so the viewers can look at you both from the side. You put a towel on the sink so he can lean his head down, and he chuckles again, eyes trailing to the camera. You start getting his hair wet and Felix looks at the viewfinder, finding a blind spot where no one could see his wandering hand.

You almost jump out of your skin when you feel his hand on the back of your thigh but you opt to act like nothing is happening. Felix looks up at you innocently as you grab the shampoo. His hand slowly travels up, fingertips tickling your sensitive skin. His fingers come into contact with a wet patch that formed on the thin lacy panties you wore under your maid dress.

Your hands tremble and you almost drop the bottle of shampoo on his head, but for the sake of entertainment you ignore his hand and start joking around. He jokes back with you, but you can feel his fingertips pressing into your cunt, teasing you as he slowly runs them over it then to your clit, making little circular motions into it before sliding his fingers down your lips again. You let out a shaky breath and clear your throat to cover it up.

You start rinsing his hair out, and he decides to move your panties to the side just enough to uncover your hole before he pushes one finger between your folds. Your knees buckle but you chuckle nervously as he eyes you, his eyes darkened with lust but there's still an innocent smile on his face. If only the viewers knew.

You stay perfectly still, only spreading your legs a bit so he can fuck into you deeper. He's moving slow, torturing you but you know you brought that on yourself. As you grab another towel to dry his hair, he presses his thumb into your clit and pushes his middle finger deeper into you making you gasp.

"What's wrong, darling?"- Felix grins at you.

"N-nothing."- you shake your head glancing at the camera as you dry his hair. He pulls his finger out, moving his hand away from you much to your disappointment but you had to go get the hair dryer. You still need some content for your video. So you stand between his legs and dry his hair, his hands running up and down the back of your knees and thighs as you both continue chuckling and talking like he didn't just pull his finger out of your cunt. You're becoming desperate now and you can't wait to film the outro so you can turn off the camera and let your boyfriend fuck you.

But Felix had other plans for you. As soon as you walk back into the room, you put the camera down so you can film an outro together but before you can even start talking your boyfriend grabs your face and crashes his lips into yours.

"Lix-" - your voice is muffled as he kisses you harder and forces his tongue inside, making you moan into his lips. You grip onto his arms and try to pry him away from you.

"L-Lixie we didn't film an outro."- you heave, trying to catch a breath after he stole it from you.

"Oh we're filming it now, sweets."- he smirks at the camera and then looks back at you.

"You said you'd serve me all day. As far as I know it's not even noon so you're not done yet."- Felix says and he's rarely so dominant with you. It makes you tingle with anticipation.

"Get on your knees and serve me then."- he says, his voice low.

You look at him for a moment but there's nothing but dark lust in his eyes so you know better than to not obey. You slowly fall down to your knees as he pulls his pants and boxers down.

"And it's master for you, not Lixie, okay?"- he adds, his cock now inches away from your face, you lick your lips and nod fast.

"Words."- he warns, slapping your cheek with his hard cock and you whimper.

"Mm yes master."- you say and he smirks again.

"Open your pretty mouth for me."- he orders and you do as you're told, opening wide for him and he slowly pushes his cock in. You glance at the camera and see yourself in the viewfinder, your mouth stuffed full of your boyfriend's pretty cock.

You moan around him and Felix tangles his fingers in your hair.

"You look so pretty like this. Come on darling, show everyone how desperate you are for my cock."- he grips your hair pushing in deeper and you choke a little, tears forming in your eyes and arousal pooling on your panties. You start bobbing your head, taking as much as you can and jerking off the rest with your hand. Felix keeps grunting and holding your head in place so you don't dare lift off of him.

"Mm everyone will know how you're such a slut for me, darling."- your boyfriend coos at you and you feel like people are actually watching you do this live even though you know they aren't. It makes you feel so embarassed but so aroused at the same time, the thought of people knowing who you belonged to and whose cock you were drunk on. Your throat relaxed a little and you breathed deep through your nose as you slid down on Felix's cock, his tip hitting the back of your throat and your nose touching his navel.

"Fuck baby!"- he grips your hair hard, his legs shaking. "You're gonna make me come"- he hisses and pulls you off, a string of saliva between you and his hard cock.

He smirks at your expression, turning your face to the camera.

"She looks so fucked out and I haven't even touched her pussy"- Felix talks like he's talking to your viewers and a wave of hotness washes over you.

"Please."- you whimper.

"Please what?"- he looks down at you darkly.

"I need you inside me. Please master! I'll do anything!"- you beg on the verge of tears, your pussy aching for him.

"Anything?"- he lifts his eyebrow and you nod fervently.

"Oh, we'll explore that."- he smirks. "Face the camera."- he adds and you do as you're told, your heart beating fast in anticipation.

"Get on all fours, darling."- Felix orders and you do so, leaning down on your hands, your ass up in the air and legs spread for him. Usually, he takes his time with you especially with his tongue and fingers, he enjoys eating you out maybe even more than you do. But, today he's had enough of your teasing, the maid dress driving him more insane than anything you've ever worn for him.

You feel him massage your wet pussy with the tip of his rock hard cock and you melt instantly, leaning back to feel him more.

"Is this what you want, hm?"- he teases a little more.

"Please please please!"- you whine, pushing your ass into him.

"Fuck!"- he curses as he pushes his length in, his eyes rolling back as your cunt sucks him in fast, since you were so wet and needy.

You moan loudly at the familiar stretch, your boyfriend's cock fitting snuggly inside the space made only for him.

"So tight for me."- Felix whimpers.

He grips your hips and starts fucking you semi-fast and you start moaning immediately, scratching at the wooden floor beneath you.

"You want a good outro baby? How about this, hm? Letting everyone see how dumb you are on my cock."- Felix growls, pounding harder into you.

"M-master"- you moan, unable to form any coherent sentence with the force of his hips on your ass and his thick cock splitting you apart.

"Look at you."- he coos grabbing your hair and pulling your head back harshly so you can see yourself in the viewfinder.

"Taking it so well. Such a good girl. Made to be fucked like this."- he says lowly. Your mind buzzes along with your whole body and you think you've never came this fast or this hard.

Felix whines at the feeling of your pussy clenching around him.

"You came already? So desperate. So pathetic." - he chuckles at you, spanking your ass. You whimper and bite down on your arm to stop yourself from screaming at his words and his relentless hips.

"You like when I talk to you like this?"- he asks and you whimper and nod fast.

"Use your words!"- your boyfriend spanks you harder.

"Yes, yes master!"

"You like when I tell you that you were made just for this? To be fucked dumb on my cock. Just my little play toy."- he talks as he fucks you harder, the tip of his cock hitting that sweet spot inside you every time he pushes in.

"Mm yes master"- you whine, your mind cloudy.

"Made to please me. My little slut"- he chuckles darkly pulling on your hair and you explode all over his cock again.

"M-master!"- you cry out as he helps you ride your high. "I can't take anymore."

"Yes you can. One more. For me. Come on baby, you can come for me one more time."- Felix coos at you, hovering over you and caressing your hair, his hips less brutal but still moving deep inside you, abusing that sweet spot.

"I- I can't master please"- you whimper, but you know you're close and you want to obey him.

His hand is between your legs, fingers pressing into your clit as he flicks it and starts fucking you faster again.

"Oh my god"- you whimper, pushing back into him, the pleasure in the pain of overstimulation driving you wild.

"Yeah just like that baby. Fuck yourself on my cock."- Felix moans behind you, his hips stuttering and you know he's close too.

You keep pushing back into him in the same pace he's fucking you in, and it doesn't take long for you to be on the edge again. He knows when your pussy clenches around him deliciously.

"Come for me darling"- he says, gripping your hair and you do. But this time you squirt making him pull out and whimper as you coat him with your juices. Felix watches it slide down your thighs as he jerks off once, twice before he explodes, hot spurts of cum painting your ass and the back of your thighs, mixing with your arousal.

"Fuck"- he groans as you breathe hard. He hovers over you, moving your hair out of your face gently.

"Are you okay, baby?"- he asks, a sweet smile on his face, contrast to the dark look he was giving you just a few moments ago.

"More than okay. That was really hot."- you turn a little and he scoops you up in his arms, pulling you into his lap, not caring about the mess you both made.

"I agree. How about next time I wear the maid dress for you?"- he looks at you with big innocent eyes, the look everyone's familiar with but only you know the meaning of.

"I think that's a wonderful idea."- you chuckle and lean in to kiss his pretty lips.

"Mhm. But since I'm not done with you yet... how about you lay down on the bed and spread your legs for me?"

"Yes, master."

[l4long-winded]

i really wanna see carmy groveling 🤭 might be fun, after a fight or something

how cruel... i like the way you think! i tried to write him as close to his character here while still adding in that groveling element. i hope i've done it justice!

o.s. a guilty heart's plea(s)

summary: carmen's said some unforgivable things to you. and yet here he is at your doorstep, pleading for you to forgive him (carmen berzatto x afab!reader)

reflection: as much as i pride myself in my ability to write scenes and descriptions, i still struggle a lot with making dialogue sound good while flowing with my writing. i think this has been good practice for me to really get inside this character's head and see what he could possibly say with a prompt as heavy as this. this took me about a week to write so i really hope i gave it the time and energy it deserves. thank you all for reading and feedback is always welcomed, appreciated, and encouraged!

warnings: cursing, angst, established relationship, implied smut, reminiscing, they're on a break, inner monologue, carmen's pov, rambling, self-loathing, carmen pleading, inability to express feelings, apologies, missed calls, insecurities, acts of service, sydney sweeney mention, smoking, somewhat happy ending (please let me know if there are other warnings i need to add)

word count: 2,132

( this work has been cross-posted to ao3 )

Carmen knocks on the screen door ahead of him. It’s his seventh time doing so, the clattering and aggravating sound of metal reverberating against the second door behind that one. Dust coats his knuckles because it transferred from the opaque metal, a small spot shinier than the rest of the door because he continued to rap at the same area. Maybe he should clean it for you later if you actually decide to speak to him again. His hands fidget at his sides, clenching and releasing, staring blankly as he thinks of all the times he’s come over. For his first initial visit, you unlocked the door, gave him a cautious glance over your shoulder, and then led him inside. During the second time, you held his hand as you stepped past the threshold, squeezing it in reassurance.

On Valentine’s Day, when he surprised you with an assortment of flowers from the farmer’s market, you greeted him with a deep kiss, tugging the collar of his shirt to pull him inside of your house. He didn’t show any resistance, blindly following your lead, dropping off the flowers onto your couch as your hands lifted his shirt, and your mouths departed from one another for a smidgen of a second before they found each other again, more impassioned and desperate.

“Open the door, come on, I’m sorry,” he says, more so to himself than your screen door. He’s been close to shouting at it this entire time, making his pleas, encouraging you to open it for him so he can have a discussion with you face-to-face.

He’s called you plenty of times. Each one has either rang for as long as the line allowed or went straight to voicemail. Two weeks have passed without seeing each other. Two long weeks of unanswered text messages he’s sent day by day and missed calls clogging up your phone’s notifications. You’re ignoring him and he knows he deserves it, guilty as the hand in the cookie jar, but he still can’t shake this overwhelming feeling inside of him to see you again. The albums dedicated to you in his gallery are not enough to satisfy this. His fingers twitch every time he swipes at an image and relives the sensation of running them along your skin. That’s when his nose begins to miss the scent that clings to your neck. That’s when his ears long to hear the lilt of your laughter and that particular way you say his name. That’s when his tongue rejects the nicotine and implores him for a taste of your chapstick, or the bubblegum flavor lingering in your mouth greeting him after a shift at work, or the giggles you fall into as he chases the subtle pecks you graciously feed him.

The door behind the one he’s attending to opens. There you are. He can’t see you since the sun is positioned right behind him, warming his back as it sets into the background. At most, he makes out the silhouette of your frame, recognizable to his eyes as he’s acquainted himself with every curve and slope of you, but he’s aware you fully see him on the other side. He wonders if you’re able to tell how little he’s slept since a look in the mirror this morning painted the picture of an exhausted man through dark rings under his eyes and a slackened jaw.

“What do you want, Carmen?” You ask. Not Carmy. Not Bear. Not any of that cheesy shit Richie pokes fun at him for. Carmen. He’s not sure whether he’s relieved to hear the sound of your voice or offended he’s lost every sweet moniker you’ve bestowed upon him.

“To talk,” he explains quickly, “I just want to talk. If you want me to fuck off, then,” he inhales sharply. It would kill him if you told him to fuck off, but he’s also not about to make you uncomfortable for an issue he caused. “Then I’ll fuck off.”

Unlike Carmen, you’re not rapidly firing away sentences in response to him. You’re quiet for a beat and it’s rather agonizing for him because even though there’s only a door separating the two of you, you’re still so far out of his reach. He’s tempted to cup his hands over his eyes and look past the individual holes of the door to check if you’re still there.

“Go ahead,” you say, interrupting his thoughts and refuting his fear you’ve stalked back inside your living room.

“Talk.”

He gulps. He was hoping to at least do this without a barrier in the way, but he’s not about to fumble the one opportunity and chance you’ve given him after two weeks of nothing. He’d be a fool to.

“Fuck… I…” Well, this is off to a great start. He tries to think about the texts he’s sent. He had time to sit down and write out apologies and yet none of them are splurging onto his tongue to save him the awkward discomfort currently stirring in his stomach.

“I’m sorry. I’m sorry for what I said,” Can you let me figure this shit out without breathing down my fucking neck ringing in his ears, haunting him like a phantom stuck on his shadow because it’s one of the last things he said to you before you took off and rightfully gave him the cold shoulder.

“I was stressed and frustrated and, and I wasn’t thinking. Those aren’t excuses for being shitty,” he shakes his head so hard that his hair untucks from his hat and grazes his eyelashes, “If anything, they make me more shitty because only assholes do that and that’s what I am. I’m a fucking asshole and and and and…” He’s rambling, losing the point of this. He’s got a talent for berating himself. He falls into it naturally if he’s not careful.

“And I fucked up. I really, really fucked up. I didn’t mean any of it. I never wanted to hurt you.” But you did. “I don’t know why I do that. I don’t know why I ruin shit, I don’t know what the fuck is wrong with me, but something is and you, you, you always… you’re always there and and and then you weren’t and…”

This is hard. He’s never been good at articulating his feelings. He wants nothing more than to just tell you how he’s fucked up and you’re one of the only people who doesn’t think he is, but after his true colors have splintered out of him and sliced at you as they have other people in his life he cares for, your perception’s possibly changed from that. He believes he’s confirmed every horrible thing he’s ever thought and said about himself and usually, he can handle that self-loathing and dissonance on his own, but consternation bubbles in his ribcage and sparks embers licking at the lining of his stomach at the very idea of you becoming desensitized to the version of himself you’ve fallen for. He wants to shove the curtains back into place, pretend you never stumbled upon the man behind them, and continue walking hand in hand with you in the reverie he knew wouldn’t last. But damn it. He wants it to last longer than this. It wasn’t enough time. He craves more of it, grasping for the seconds in his hands despite how much they’re attempting to evade him as the clock ticks and ticks. 

“Fucking fuck,” he bellows, “Man, fuck me, fucking fuck me.” Vulnerability is so fucking repulsive. Who the hell invented it? He can’t finish a keynote to save his life.

“I’m sorry, I’m so sorry,” he settles on.

“I can’t fucking sleep, I can’t fucking eat, Richie keeps calling me a dumb shit like I’m not already thinking that. I-I-I need you. I’m sorry for making you feel like I don’t, but I do. I don’t blame you for leaving and I don’t blame you for ghosting me, but please, I can’t fucking do this anymore. I know I’m being a selfish fuck, but I can’t shake what you make me feel and I won’t leave until you talk to me.”

He stares hard at the door. The sun’s lower in the sky, making it more difficult to see if you’re still standing there listening to what he has to say, as jumbled of a mess that it is. His hands leave his sides, anxiously pressing palms first into the metal like it’ll ground him. An urge presents itself to rip it off its hinges and see it for himself rather than wait for verification, but he manages to remain steady where he stands. It’s about the same experience he’s had over the past two weeks of texting and calling to no avail. You’re not saying anything. You’re not denying his insecurities, you’re not soothing his temper, you’re not reflecting it, and you’re not engaging like he’s envisioned time and time again. You’re eluding him. You’re slipping past his fingers like liquid as he desperately grasps.

“Please, please, please say something.” His forehead leans into the surface, eyes shutting tight. “Tell me I’m not shit, tell me you never want to see me again, please talk to me.”

Please forgive me, he swallows. Please forgive me and take me back.

“Just… please… I… I want to fix this. I want to make it up to you. I’ll do anything to make it up to you. Please don’t shut me out. I’ll make you something? Yeah? Your favorite? What about that place you wanted to go off Lake Shore? Or, or that movie you wanted to see with, uh, that Sweeney girl? What the fuck was it?” Carmen’s eyebrows knit together as he tries to remember the name. “We can go see it… we can go to dinner… I can make dinner. I can take time off work and we can travel somewhere, we can take a trip like you wanted, whatever—I want what you want. Please…? Hello?”

Carmen speaks your name a few times among his pleading. His forehead slowly detaches from the door, indents of the mesh left behind on his skin. He goes quiet to listen for any movement, but he can’t even hear your breathing like this. He can’t hear anything besides the wind picking up, blowing cold over the tips of his ears sticking out from his hat. He steps away from the door, a lump in his throat alongside all the affection he doesn’t know how to let out that he swallows with great difficulty. Instead of walking away from your house, he sits on the cement step leading up to the walkway. He meant it when he said he wouldn’t leave until you talked to him.

He camps outside your house. One hand fishes for his carton of Sapphires, plucking a cigarette from the box. He’s got about two left since he’s been chain-smoking to fill the void. Carmen greatly considers trying to make his plea again on his knees in front of the door if that’s what it’ll take as he lights the end away from his mouth. The pressure of the cement will be a motherfucker, but he’s concocting another game plan to gain your attention since he’s already here and the walk back to his apartment is too long for him to jump at it. If that doesn’t work, then he can leave and come back in the morning before work. He can afford to be slightly late as his normal is showing up early and Sydney and Tina know the prep work that needs to be done.

All his thoughts fade as he hears the door behind him creak. He glances back suddenly, catching it as it slowly swings open. He’s in the midst of standing to his feet and flicking his cigarette into a patch of dirt when you come into view. Your hair’s messy, a white tank top on your torso, and a pair of fleece pajama pants he knows are new. His hands yearn to become acquainted with them as he has your other bottoms. Carmen stares at how you’re hugging yourself, presumably because the cold air is filtering into your warm house. The goosebumps littered over your biceps and forearms confirm his theory.

He’s on you in an instant. His arms wrap firmly around your frame, sighing out as his stress undergoes the mitigation of your own arms embracing him back. Your hand finds his hair, incidentally causing his hat to fall off to the floor, but he doesn’t care. He’s far too busy stamping your temples, cheeks, jawline, and lips with kisses he has weeks of time to make up for.

“M’sorry,” he mumbles into your hairline, “so, so, so sorry. Missed you.”

[justporo]

Even more fluffy relationship headcanons for Astarion and Tav

Listen guys, I'm not done yet. For now, as soon as I get one idea out, three more pop up in my mind and since you guys seem to really like these (it's seriously and positively insane to me), I'll happily provide you more as long as I am able to. So, let's-a go: more headcanons and little ideas about them being together!

(I formerly used an reuploaded and stolen version of this gif here - I didn't check where it came from and that wasn't right - I'm sorry!)

You love when Astarion smiles at you - just openly and full of joy; the sort of smile you've rarely seen from him during your adventures but they keep getting more and more, also they make him look just so young and carefree and beautiful and your heart just... melts

When Astarion quickly notices how you basically faint whenever he does this, he starts employing it to work his charms on you when he needs it - not the real big and joyous smiles though because they are so real and cherished to him he wouldn't dare use it to tease or manipulate you - they're only reserved to make you happy

Charming you is like breathing to Astarion though, you are just so helpless against his flattery and flirting because why would you resist if you could just give him everything that makes him happy?

When you mention once though that you'd hope to gain some immunity to it some time, Astarion is insulted: "No, love, making you blush is my favourite thing in the world. You are so beautiful with your cheeks all flushed. As long as I have a say in it, we will never stop!"

Tav likes teasing him just as much as Astarion enjoys it the other the way around: "You know if you would stop drawing your brows together all the time, it'd take fifty years off your face immediately." Moments of silence in which Astarion is just utterly shocked by your burn, then: "Who taught you to be this brutal, darling?" You raise an eyebrow at him, he helplessly lifts his arms: "Yeah right, I have only myself to blame."

Also, Astarion and Tav are definitely the kind of power couple that throw each other meaningful sassy looks when they're with other people and those are talking shit or something

Also, afterwards they will most definitely discuss and gossip over everything they experienced

Astarion is definitely the kind of man that would shower Tav with gifts, from coming home with a single beautiful flower that "reminded me of you, my beautiful blossom" ("How cheesy..." "Ah, so rather a gouda next time?") or a nice bottle of wine to share to bigger gestures like jewelry or expensive dresses ("When am I ever gonna wear this, Astarion?" "I don't know, we'll just make an opportunity!")

Tav loves all of his gifts but probably the small ones or the hand-crafted ones the most, she's happy with the little things but Astarion insists she deserves the big ones just as much

One time though, Astarion comes home with something else entirely; it's pouring outside and he's completely drenched and hiding something in his doublet jacket; "What do you have there, Astarion, a wheel of cheese?" Astarion carefully opens up his jacket to reveal a small white kitten that is just as drenched as him and is desperately trying to cling to the vampire's chest. "I found her all alone in a dark alleyway, cold and completely soaked, I thought maybe we could take care of her and she could be friends with Scratch?", he says while he carefully lifts up the small ball of fluff with an incredible softness in his eyes. Your heart is thoroughly melting as you walk over to them and you give Astarion the most loving of kisses

Well, the last one would almost be a drabble on it's own, I saw a similar post that made me think of this (I will find and tag them later!) Hope you enjoyed and I'm late for work now, whoops...

This is the post I mentioned before, by @mushy6902 (I hope it's okay I wrote a somewhat similar idea, thanks for inspiring me!)

[toon-tales]

Hiya! Ok, so, I'm here to analyze, again. But! Not a scene. I'm here to analyze the evolution of the one and only #Broppy, from the first movie. I've been planning to include the three movies and the holiday specials, but I figured I can't add that many pics in one post. I can only add ten, soooo-

Let's take it from the beginning: the first appearance for Branch.

If you ask me, he was being rude, maybe even embarrassed Poppy in front of everyone. Yeah, I love Branch, and he's my baby and all, but dude, you shouldn't have done that, especially not in front of everyone. Like, yeah, we later know his backstory and his grandma and his brothers, but still, it's not Poppy's fault, he shouldn't have treated her like this. Sure, her believing life was all cupcakes and rainbows might have been provoking to Branch, but he's still at fault, and I think more people need to make peace with that.

Also, something I noticed, is that Branch and Poppy were close even before the events of the first movie, cause, literally everyone calls her 'Princess Poppy', except the snack pack. They just call her Poppy, and the fact that Branch also calls her Poppy just proves they were close.

Now, later, we see Branch holding Poppy's scrapbook, then staring at even more scrapbooks on the shelves. Like, cute, sure, but it's not what you feel, it's what you show, Branch.

Okay, now, this scene:

The fact that Poppy was knocking on the rock just means she never got into Branch's bunker before. But she knows the address, so that counts. Maybe he had given it to her when they first met in case she needed something after he'd found her hurt with a broken arm or something then they became friends- I'm totally drifting from the post. Sorry about that.

Now, there are two theories:

Annnywayyyy, let's focus on the scene after:

"Which is why I have to ask you..." she hesitated, before continuing, "will you go to Bergen town with me and save everyone?"

She hesitated! She freaking hesitated! Meaning? She probably never asked Branch to help her before. She surely had problems in her life, but she also had her friends, so I belive she always went to them whenever she was in trouble. But now those friends aren't here, which forces her to ask the person who she trusts the most after them. Branch. And, disappointedly, he refuses, because of the fear he's living in.

Moments later, Poppy surprisingly invites the entire village to Branch's bunker to keep them safe. Which was wrong of her. True, she was trying to protect everyone, but using Branch's house without his consent was wrong. Sorry. Sure, it was the safest place for now, but that still doesn't justify it. You can see he was clearly annoyed (which she loved). But I don't really blame her, just like I don't really blame Branch. They both did wrong.

Skip, skip, skip, skip, skip- hold... rightttt here:

Ah, yes. That scene. Now, look. He showed up, because he knew there was no way Poppy could do this by herself, and he wasn't wrong. Poppy, in return, also knew he would come, because it was the third hug time by then.

"I guess we were both right." That line. It speaks volumes for their relationship, yet no one talks about it! They both look at things from different perspectives, BUT, it doesn't mean either of them is wrong.

Like when they arrived at the troll tree: "The troll tree." "Bergen town."

Or when they found out the others were still alive: "They're alive?" "And on a silver platter too. We were both right."

Please writers and artists, we need more content with this line. Add it to your fanfics/art!

Skip, skip, another skip (yes, I skipped the part where Branch tries to avoid talking about his feelings cause it's kinda... i don't know, i just don't know what to say about it. It's sorta obvious), skiiiiiip, annnndddd, right here:

THEIR. FIRST. HUG.

My babies, oh my sweet precious babies. They've been through so much together, and finally, Branch has found it in himself to actually open up about his past (mostly).

I've spoken about this scene in more details in this post.

Now, we're going to talk about one of the most important scenes in the history of Broppy. This:

Branch is talking. He's always used to being in the shadows, never helping anyone, and here he was, helping a Bergen. If that's not a big change, I don't know what is.

And let me tell you, not only Branch was changing in this scene. See Poppy?

She's learning to look deeper into things, even persons. She's finally realizing that Branch, the grumpy, sarcastic troll, might not be as bad as she thought. They're both developing.

Until the rules are swapped.

Branch is the one to find the bright side, and Poppy is the one to cover it. And you can see how disappointed he is.

"I can't wait to see the look on your face when you realize the world isn't all cupcakes and rainbows." But when it happened, Branch realized that this wasn't what he wanted. He didn't want her to be like him, because this was him - a person who doesn't see the cupcakes and rainbows in life, not even in the slightest.

The way he was trying to cheer her up

And the way she actually smiled. Poppy was still there, her happiness was inside, not gone but hidden, and Branch was trying to find it again.

Yet she didn't even notice her own colors returning. Maybe because she was focused on the change in Branch? She wasn't startled when he sang at first, she wasn't happy, just like he used to be. He didn't use to care, until later, when his feelings began to resurface again, because Poppy helped him. Just like he was doing now. Neither did he notice his colors coming back

Aaaaaand, I think the rest doesn't really need analyzing.

Feel free to add or comment on anything.

Part two

Part three

[lakesbian]

recently remembered that at the end of worm aisha talks about stealing people's pants every time they go to the bathroom and it was cracking me up. she's so fucking funny.

Like imagine what this is like from the perspective of the person she's stalking. They go to the bathroom, and when they're done, they realize that their pants are gone. They know they were wearing their pants, they clearly remember pulling them down. They were looking at them less than a minute ago. It's completely confounding, because it's not possible for them to have simply misplaced an entire pair of pants somewhere between pulling them down and using the toilet. And yet, their pants are gone. They check the laundry room, their laundry hamper, their bedroom, and anywhere else they could have feasibly put their pants in the event they were just...imagining that they were wearing pants into the bathroom? But the pants remain gone, having seemingly vanished from the universe while they weren't paying attention, so they have to just go put on new pants. Maybe they post about it on Earth Bet's equivalent of a glitch in the matrix subreddit or whatever, but without any real chance of an explanation, they eventually stop thinking about it.

Until the next time they go to the bathroom. When their pants disappear again. And the next time after that, and the next next time after that, and so on. It is no longer mildly bemusing. Things have evolved beyond "that weird thing that happened to me once that I might tell as a story later" and into "I only have 2 pairs of pants left, because the rest of them disappeared into the fucking ether when I went to the bathroom, and now I'm both scared to pee and afraid that I am either going crazy or being haunted by some sort of niche vengeful ghost that other people will think I'm crazy if I try to tell them about."

And, more practically pressing than the subtle horror of a large object just magically disappearing off your person at regular times in a way you can't ascertain the cause of or stop: They're gonna have to buy new pants.

So they go to a clothing store. They briefly consider using the bathroom while there, but then remember The Consequences, and go straight it the changing rooms instead. They hang up their new pant selections. They look away for a mere moment to take off their current (and last remaining) pair of pants. They look back up and reach for one of the pants they're going to try on.

All Of The Pants They Brought Into The Stall Are Gone.

They immediately look back down, with the frantic horror of someone who already knows what they're going to see, and well you're not going to fucking believe this, but: The Pair Of Pants They Were Already Wearing Is Also Gone.

like what do you even do about this. absurd form of psychological torture. aisha smiling smugly while her victim stands there stranded in naught but underpants, haunted and vexed by the unbelievable pants-stealing ghost. maybe they try to tell their friends about it and demonstrate after that and it's the one time she Doesn't take their pants. they think they're going completely batshit or being tormented by a very immature demon. aisha laborn you are so so special and famous to me

[itsclydebitches]

Zevlor: An Angsty Character Analysis

Hey, Zevlor simps. Can I interest anyone in 4,000 words about our favorite disaster tiefling? 💀

“We can’t stay, but we’ll be slaughtered if we leave—we’re no fighters.”

Back during my first play-through this is the line that turned Zevlor from another dime-a-dozen, exposition spouting NPC to a character I was legitimately interested in. “We’re no fighters.” My DnD ignorance abounds, but even I could see that wasn’t an accurate statement. Here’s a mountain of a man sporting fancier armor than my level 2 Tav knows exists yet, having wrecked half the goblin hoard with his crossbow and, if you let him, he'll happily turn to punching as a solution to verbal disagreements. Plus, he’s clearly the one giving the orders, so what do you mean you’re not a fighter?

Having explored the Grove a bit I chalked it up to a generalized assessment of the refugees as a whole. They’re mostly kids, civilians, and would-be protectors who only look the part of fighters in cobbled-together armor. One woman is grappling with the guilt of killing someone for the first time, even an enemy. Lakrissa is sure they’re all going to get slaughtered and is willing to put money on that fact. Meanwhile, the couple you meet are more concerned with what pet they’ll get when they somehow, someway, make it to the city. Don't worry about how that'll happen. You learn later that even those like Ronan are small potatoes compared to most of the baddies you’ll face. On paper he looks and sounds like the real deal—dressed in robes, talking up an apprenticeship with the famous Lorroakan—but scenes like the celebration light show and his own fury at needing to be saved, again, highlight how far he still has to go. The point is that Zevlor is right: these aren’t fighters and he at 18 strength, paladin, former commander, is definitely the exception.

However, BG3 is the sort of detail-heavy game where I’d expect them to include that exception in the dialogue. “We can’t stay, but we’ll be slaughtered if we leave—these people aren’t fighters.” Zevlor’s inclusion of himself in this assessment continued to nag at me and it didn’t start to make sense until I delved into his tag here on tumblr, with more patient players than myself posting everything there is to know about the tiefling. (Thanks, all.) Zevlor is fascinating to me in part because he has this contradictory nature, one example of which is that he’s a very talented fighter who desperately doesn’t want to be a fighter anymore.

…but also he totally does.

We overhear in his dialogue to Tilses that Zevlor is adamant about shedding the titles he’s earned through combat: Hellrider, Commander, Sir. He insists that they’re just civilians now and it’s not like he’s being disingenuous here—note that he introduces himself as just “Zevlor” to Tav. Zevlor means what he says to Tilses and we can see that he’s trying to both reinforce his point and lesson the blow by referring to her as “Tilly.” The nickname is a sweet one, hinting at their close bond in just a single word, reminding her that he’s not saying this to hurt her, he cares for her… but the nickname is simultaneously something he never would have used as her commander. The intimacy meant to comfort is also a hard blow to weather. They're now people who use nicknames inappropriate for the hierarchy of battle.

So Zevlor means what he says here, means it enough that Tilses is convinced and drops her use of “Commander,” but there’s definitely a hint of bitterness in his voice. At least, I’ve always heard it. Zevlor is steadfast in his conviction here, even going so far as to say, “I’m done soldiering, Tilly” when discussing what will come next at Baldur’s Gate. Yet for all of that his tone conveys (understandable) anger and disappointment that it’s come to this. Zevlor doesn’t act like someone who truly wants this change, but rather someone who’s been forced to accept it.

Is it outside forces unwillingly influencing him then? Did Avernus truly change things irrevocably? No, not really. At least, not in the way Zevlor likes to claim. Tilses herself states that being a Hellrider is for life; nothing can take away that title. You lost your post? Your whole city? Most of the people under your protection? Doesn’t matter! You’re a Hellrider forever, no matter the circumstances. I can easily picture a time in Zevlor's life where he would have agreed with Tilses wholeheartedly. They are Hellriders, dammit, and so long as there’s one person looking for their help they will wield that title alongside their blades. And right now, Zevlor has a lot more than just one person in need of his assistance.

So it’s not that Avernus truly stripped them of that identity. Nothing can do that. Zevlor is not rejecting titles and planning retirement because the mechanisms of fate are forcing him to.

He’s doing all that because he’s lost confidence in himself.

Even as someone with a shaky understanding of DnD classes, I love the parallel between a broken oath and the rejection of a lifelong title. If Zevlor can fail in his oath—or in his faith entirely, according to the memories stemming from his pod—why-ever would he think that any other ‘permanent’ part of his identity was worth fighting for? If you can loose the very thing you’ve built your entire life around, every important aspect of yourself, tied to your very soul… what’s a bestowed title compared to that? Zevlor doesn’t believe himself worthy of being a Hellrider anymore, but I think that goes deeper than a string of horrific circumstances making him feel incompetent. As an Oathbreaker, Zevlor likely believes that if he couldn’t uphold that, he can’t uphold anything. Calling himself a Hellrider would be a lie. A fiction. A pathetic, dangerous, insulting fiction at that. It’s like calling yourself the “Hero” while continually failing those around you. Sure, others might insist it’s a title you’ve earned, one you will always carry with you, but you don’t believe them anymore and at a certain point calling yourself that feels worse than embracing the title of “Villain." You don’t want to be the villain… but you want to pretend you’re the hero even less. Pretending is exhausting.

We see this struggle in the many ways that Zevlor fails, or almost fails, to uphold the ideals that originally guided him. I use the term “villain” above deliberately because Zevlor is not merely a former hero-type who’s self confidence has been shattered, or who has been reduced to a civilian, or who thinks themselves useless; he’s actively fighting against temptations that, under less stressful situations, he’d never even consider. I don’t think he is a villain, I think he’s a flawed, struggling victim who sees his own, inevitable mistakes as villainous—and the longer that warped perspective continues the easier it is to fall into bad behaviors. This cycle is perfectly summarized in the autobiography Zevlor keeps by his bed:

“When every passer-by thinks you a thief and a heretic, it is deeply tempting to become one.”

We don’t know if this is Zevlor’s autobiography (as far as I’m aware, anyway) but even if it’s not the words have clearly resonated enough for him to keep them nearby. This particular line paints a pretty clear picture of Zevlor’s struggle. If everyone you meet says you’re devil-kin, vermin, or would-be criminal, isn’t it easier to just give them what they want? If you can’t persuade them otherwise, why put in the effort of trying? If he can’t be Faithful to his God, why have faith in anything at all? If he can’t save these people—setback after setback, mistake after mistake—why is he even making the effort?

Zevlor obviously is trying, very, very hard, which is why such thoughts are merely temptations rather than actual, questionable actions. Still, the Grove gives us numerous examples of the precipice he’s balanced on—and the ways Tav can tip him in one direction or another. You can talk Zevlor down from his anger and get him to acknowledge his disgust in nearly sinking to Aradin’s level. You can also let him boil over and punch the human at a time when the last thing anyone needs is more violence. You can convince Zevlor that there are peaceful ways of stopping Kagha's ritual, or you can help him in pursuing the darker temptation to kill her. It’s a “low” thought, but at his own admission he hasn’t been above entertaining it. Zevlor’s requests for help, though always polite and humble, carry a spark of manipulation in them too. He’s not above leveraging your previously selfless good deed to his advantage—"She owes you for saving this grove"—and if you approach him before speaking with Kagha he’ll claim that the ritual will “be trouble—for all of us.” Except, no? Not really? Tav can make it clear that they’re just here for a healer, they’re only passing through, and as a fighter they are not beholden to the Grove’s sanctuary as the teiflings are. It’s not trouble for everyone involved, yet Zevlor frames it as such in the hopes that (unnecessary) self-interest may motivate you if selflessness fails. Finally, if Zevlor dies in your play-through and you use Speak the Dead on him, he will admit to having “plenty” of secrets, none of which he’ll share. Admittedly, this may be the result of cut content, specifically a story-line in which Zevlor knowingly betrays the tieflings rather than being tricked by the Absolute. Still, the game as it stands is the story we have and within it we’re given a man who is both fighting against these dark urges (ha) and has a past riddled with secrets. If Zevlor is anything, it’s blunt when it comes to his own failings, accurate and otherwise. So how terrible must these secrets be that he outright refuses to divulge them when, generally speaking, most corpses speak freely in death?

However, out of all of this the struggle I’m most intrigued by is the one surrounding the gate. Zevlor represents the tieflings: persecuted refugees, vulnerable civilians, people seeking to survive through cooperation, specifically by joining a community. Kagha represents the druids (or at least a vocal subset of them in Halsin’s absence): bigoted individuals, powerful fighters, people seeking to survive by giving in to their fears, specifically by keeping themselves isolated. This is the moral dichotomy of the Grove and it is symbolized through the gate. Zevlor wants to open it to everyone whereas Kagha wants to close it, permanently.

So isn’t it odd that Zevlor is the one ordering it shut?

When the scene first starts Kanon shouts down that no, he won’t open the gate. Zevlor said that no one is allowed in. Notably, he’s saying this to Aradin and his crew, people that the Grove is at least passingly familiar with, given that Halsin left with them to search the temple. It’s also notable that Zevlor isn’t expecting goblins to attack the Grove. He’s shocked that this is suddenly a problem, brought about by Aradin’s decision—“You lead them here?”— and the entire point of staying at the Grove is that it’s at least comparatively safe. Yes, there have been more attacks lately, but Zevlor seems to be relying on the Grove’s relatively unknown location, as well as the fact that goblins are normally disorganized. The safety is only compromised because Aradin brought a hunting party back, so Zevlor has no reason to expect any visitors, let alone ones that would be a threat.

More importantly, he should welcome such visitors even if he did expect them. After all, that’s precisely what the tieflings are: strangers with no ulterior motives other than to survive. Broadly speaking it makes perfect sense why he'd shut the gates. Zevlor’s first priority is to his people, so anything that keeps them safe is, theoretically, a good thing. But through the lens of his specific characterization and this specific, moral dilemma, it’s an awfully hypocritical decision. Based on everything we’ve seen, our party would not have been welcomed by Zevlor if we’d arrived without danger on our heels and a rescue to endear him to us. So his people should be welcomed, trusted, kept safe, given the benefit of the doubt… but Zevlor isn’t necessarily willing to extend that same trust to others. At the end of the day, he and Kagha want a version of the same thing: safety for those they deem are worthy of it.

It’s precisely these flaws and temptations that make Zevlor such a great character to me, even before he’s tricked by the Absolute. The fandom has leaned hard into Zevlor’s self-loathing and let me tell you, I love it (kisses, hugs, and cookies for you all), but canonically I think he has more reason to fear himself than we tend to portray in the H/C fics. I’m not saying he’s a bad person. Rather, it’s precisely because Zevlor is such a good person that he has the capacity to fall so far. It’s his all-consuming desire to protect his family that leads Zevlor to do and consider so much that a paladin would normally balk at. Denying others the safety you’ve been granted. Subtly manipulating others to do your dirty work. Considering murder.

Zevlor is someone torn between doing the Right Thing and the thing he believes will help those under his care survive. Importantly, when we first meet him he considers these to be two separate courses of action. So can you imagine what goes through his head when he first sees Tav saving everyone and doing so righteously? I think it’s integral to Zevlor’s characterization that the game all but forces you to play the Good Guy in that initial encounter. A cut scene starts, you’re thrown into combat immediately afterwards, and unless you plan to start attacking the Grove members alongside the goblins (which the mechanics discourage through the coloring that distinguishes enemies from allies) you will always finish this fight as Zevlor’s hero. Sure, you can be an asshole afterwards and demand payment. You could already be plotting your betrayal and the slaughter of all the refugees. But in this moment you are nothing but a miracle made flesh in his eyes. Right from the start Tav is succeeding in all the ways Zevlor feels like he's failed. You're the hero.

More specifically, you’re an Every-Man Hero. We might have epic backstories for our Tavs, but within confines of the game you’re largely a nobody when not playing an Origin character. How powerful must that have been to witness then? A total stranger, someone who has no ties to the tieflings or even, depending on your class, any sworn reason to help others, putting their life on the line to save what is most precious to Zevlor? I think a lot about the fact that he never asks Wyll to step in and try to change Kagha’s mind. She owes him just as much as she does Tav—Wyll is an equal participant in that fight and, if your shoddy play style is anything like mine, he likely did more damage—and Wyll is clearly invested in the tiefling’s survival, training the kids as he is. Now, obviously Zevlor’s reticence is largely a question of assigned roles (we need to be the one engaging with Kagha because we’re the protagonist/player) but, like Zevlor’s choice to include himself in the Not a Fighter group, it would have been all too easy to explain this away within the narrative. One comment about how Wyll already tried and failed, or how Kagha doesn’t trust Warlocks, or hell, maybe you don’t meet Wyll in the Grove at all. It’s an easy thing to accomplish and though this is edging more into the realm of headcanon than anything else, I can’t help but think that Wyll isn’t the kind of person that Zevlor could turn to for help right now. Because he’s a folk hero. The Blade of Frontiers, known far and wide for his impressive, selfless deeds. Zevlor is struggling so hard to keep the tieflings safe, tempted by all the unsavory solutions that might achieve that, drowning in self-hatred as his past and current failings catch up with him, wanting nothing more than to be his peoples’ protector:

“I would be a paladin again—with a god’s purpose, a god’s power. Everything I needed to protect my people. And all the while, the cult tortured them. They fought, and ran, and died around me, while I imagined myself their savior.”

Three of the things Zevlor mutters while trapped in the pod are “Hellrider… for… life…,” “Trust… in me…,” and “Children… look away… look at me…” He wants to be the protector, the one children look to for reassurance, he wants his words to Tilly to be a lie and he wants a way to prove that he is a Hellrider for life… but he’s not. At least, Zevlor doesn’t believe it. He lost his titles while Wyll still proudly bears his. Wyll trains the children to fight while Zevlor can only get swept up in anger at them being threatened. The people trust Wyll, adore him, he’s the hero and Zevlor… is not. Not anymore.

It’s too painful to approach Wyll and admit all that. That would be a hell of a blow to Zevlor's pride. But Tav? A stranger? A nobody? The Every-man who had no reason to help or reputation pressuring them, saving them anyway? That’s inspiring. Someone like Tav could be the answer and even, perhaps, the proof that Zevlor could redeem himself. Neither of them are folk heroes, untouchable in their assumed perfection. Tav is a living, breathing example of how the flawed, everyday adventurer can be everything Zevlor strives for.

No wonder he won’t shut up about them in the Shadowlands.

All of this is why it’s so tragic that Zevlor wasn’t given a redemption arc. Sure, you can recruit him for the final battle against the Netherbrain, but there’s no quest to change the cast’s opinion of him—or change Zevlor’s opinion of himself. All his content at the end of Act 2 and Act 3 reinforces that self-hatred.

Let’s make a list, shall we?

Nearly every line of his reunion with Tav has Zevlor painting himself in the worst light possible, from “a lie kinder than the truth” to his refusal to join you because he believes he’ll stab you in the back. You cannot convince him of the Absolute’s manipulation and there’s no response to his belief that such horrors start within the person like, “Of course it does! Because we’re all flawed and equally capable of good and evil deeds! That potential doesn’t make you irredeemable, Zevlor, it makes you mortal!!”

He’s utterly failed as his peoples’ champion and he’s also deemed “unworthy” of being a True Soul. Obviously not being chosen by the Absolute is a good thing, but for a man drowning in self-loathing that’s one hell of a complicated rejection.

Nearly all the tieflings hate him now, all those people he’s been sacrificing his soul to keep safe. I found it particularly devastating that this is one of the rare occasions where nailing a persuasion check doesn’t change the person’s mind. There’s at least one tiefling at Moonrise (I’m drawing a blank on her name) who will believe you when you explain how the Absolute influenced Zevlor, but that doesn’t lead to forgiveness.

Zevlor is deemed unimportant on a literal, narrative level. He is very easy to miss in the pods (I nearly did on my first play-through) and the game does incredibly little to dissuade you from that mistake. Putting aside for a moment that obviously an Origin companion is more significant than a minor NPC, compare this to Shadowheart screaming from her own pod, the game making it abundantly clear that this is someone in need of help—someone worth rescuing. She’ll even say later that you could have run past, more concerned with your own survival and the big picture heroics to bother with her. How must it feel then, if Zevlor ever learns that Tav was there and never stopped for him?

If you do miss Zevlor… oh boy. We’ve probably all seen at least a recording of Orin’s so-called gift. There are plenty of characters who can meet untimely and devastating ends, but very few go through this level of horror. Zevlor—after being held captive, remember—is tortured by God’s Favorite Torturer. He is stripped of his personhood and reduced to a mere “message,” a “pet.” Zevlor is further humiliated in death by being literally stripped of his armor—not just vulnerable in his nakedness, but denied the last symbol of his faith, his status, his power—and it’s always struck me that this is the closest we see to him 'enjoying' an intimate moment, this parody in Orin’s painting. Zevlor is one of the NPC’s most in need of physical comfort and instead he’s forced into this torturous mockery of a sex scene. It also hits hard that when Tav first spots his body the narration says that Zevlor “might almost be sleeping.” Undoubtedly this is a man who isn’t taking good care of himself. He needs a good night’s rest, yet this horrifying trick is all he gets.

As if all this weren’t enough, most of your companion are VERY critical of Zevlor while commenting on his demise. It’s one thing for the tieflings to believe the worst given their ignorance and the fact that they are the ones who suffered from Zevlor’s failure, but your company understands the Absolute and the ways that she gets her hooks in people. Still, Astarion calls him a “wet rag” even if he did deserve better than this. Shadowheart wouldn’t have wished this on him either, but she can’t help but slip in a “no matter his failings.” Lae’zel, often the most blunt, straight up says that he was “always destined to fail his people—and to fail us.” Wyll shakes his head and intones that “even good intentions can lead us down deadly paths.” Only Gale and Karlach stick to mourning the dead rather than airing his shortcomings.

When I spoke to my allies before the final battle Zevlor didn’t have a cut scene. It became clear to me later that this must have been a bug in my play-through, but at the time it only reinforced my feelings that his story was incomplete. Looking on Youtube I’ve found recordings of him saying that he is a Hellrider once more and he would “die a proud man if [he] were to die this day”… but that rings as terribly hollow given where we left him. Last we were together, Zevlor was saying in no uncertain terms that he could not be trusted, he would fail again, he was unworthy of forgiveness. Where did this change of heart come from? It makes perfect sense that he would help Tav in this moment—he begs to be of some use after getting free—but not that he would present himself with such confidence. Within the story as it’s been told this feels… fake. Like Zevlor is putting on a mask to fit the mood of this lively, optimistic party. Which, in turn, gives the “I would die a proud man” line a terrifying implication to me. Does Zevlor expect to die this day? Does he intend to? What would persuade him not to lay down his life here and now? His mission is complete. The tieflings are safe—though not by his hand. There's no hero's welcome waiting for him after this battle. They hate him. He hates himself, and by his own admission the one thing that could still make him proud would be to die at Tav’s side, trying to do one last bit of good. If someone said that to me after everything Zevlor has been through I would keep them far away from the front lines.

(I did, for the record lol.)

I’m not saying anything new then when I go, “Larian, PLEASE add more to his story.” Give us a Zevlor side-quest to renew his oath. Let us invite him to our camp. Something to link the broken man mid-game and the confident fighter at the end so that the latter doesn’t feel like an alarm bell with two legs and a tail. I mean yeah, I get hooked on minor characters so 75% of this is simply me wanting more content of a fave, but I also I do legitimately believe that BG3’s story would benefit from tying up loose ends like this.

Zevlor is a fantastic character, someone who contains an astounding amount of complexity for so little screen time. You have to follow up on that complexity though. If he’s meant to be a purely tragic figure, okay, fine, that’s the ending you get with Orin. But one where he joins you with a smile and reclaims a title he's previously rejected with such fervor requires more work in the middle; a through-line that explains how someone with so much self-loathing learns to think of himself as the hero again.

Because it does all come down to Zevlor’s perception of himself. He was always a hero, flaws and all. He always was and always will be a Hellrider.

The UI knows what's up :)

[yesitsmewhataboutit]

Out Of Sight, Out Of Mind

Alpha!Shoto x Omega!Reader

➤ Part 2 to this fic - Shoto has no memory of what happened, or what he did (u can find request in part 1 comments)

Warning ⚠️: injury talk

»»——⍟——««A/n: I feel like Todoroki is OOC here…. The title sucks and I feel like the fic sucks. Why am I posting it? Who knows 😭😭but ig maybe yall will like it

Omegaverse Key

Masterlist

̶̶̶̶ ̶«̶ ̶̶̶ ̶ ̶«̶ ̶̶̶ ̶ Requests open　 ̶»̶ ̶̶̶ ̶ ̶»̶ ̶̶̶ ̶ ̶

You spend the rest of the night there with Todoroki. When he's asleep, you manage to slip away to put the groceries away and clean up the blood from his face and hands. By the morning, he's still out cold. You call his agency to tell them he won't be in and start making breakfast, preparing to wake him.

You walk to the couch and kneel down next to Shoto, putting your hand on his shoulder and shaking him a bit. "Sho. Sho, wake up," you say gently.

He groans, his eyes opening and chest rising as he takes a deep breath. Shoto tries to turn his head and look at you, but the second he moves, you can see the slight flitch in his face, his hand rising to his shoulder, feeling the bandage over his scent gland.

"What happened?"

"Your scent glands got infected. Do you remember yesterday at all? Or how it may have happened?"

Shoto groans. "That's the last time I use that stupid detergent from Kaminari."

"What?" you laugh.

"There was a... incident after a fight, involving some weirdly constructed slime, some dirt, and flower,” he mumbles. “Anyway, long story short, I had to wash my suit at the office, and Kaminari offered a special mix of detergent he uses. Considering his "special mix" of slime was part of how I got into that situation, it was a poor decision on my part. Must’ve had a reaction.”

You can't help but snicker a little. "Oh, Shoto." You shake your head and stand. "Come on, I made breakfast. Let's go to our room."

Shoto spends the day recovering in bed. While he's taking a nap, you begin washing the dishes from breakfast. In your own world you don't hear him walking up behind you. "Hey, Love," he says, resting his hand around your waist and leaning on your back, a normal action for him. Before you can respond, though, you feel the slight surge of pain jolt through you, him unknowingly touching the bruise on your back, making you jolt away from him.

You try to play it off, turning around and smiling at him. "Hey, how are you feeling?" You lean up to give him a kiss, but he backs away, a frown on his face.

"What was that? Are you ok?"

You turn around, shrugging like it's nothing. "Yeah. I'm fine." Shoto stands behind you, watching you closely. He raises his hand, gently touching you again. You don't react as much, but he notices how your body tightens up a little. "Y/n-"

"Shoto, I'm fine-" you begin, turning around to face him again, and as you do, you hit a glass off the counter, it shattering on the floor. "Oh, sorry!" you say, putting your hand out so he doesn't get cut.

"Y/n, be careful!" Shoto says, reaching out his hand to help you over it. You take his hand, stepping over the glass and grabbing the broom.

You and Shoto being cleaning, you'd like to believe it really was an accident and not a subconscious way to distract Shoto from your reaction. You knew he'd feel crushed if he saw the -still fresh and red- marks all over you, and you know he doesn't remember, so you decide to move on and not mention it to him until they're a bit more healed.

Three days later, Shoto is feeling better and heading back to his agency. In the area you work for, your schedule is one week on, and one week off, but the week off is set as only on-call, this's your on-call week.

You end up getting a call around two o'clock, and by the time you're done, you're tired and sore, especially where the claw and teeth marks are, your hero suit having been rubbing against them for hours. When you get home, you shrug off the top of your hero suit, figuring Shoto isn't home yet from the fight you heard he was in earlier in the day.

You stop at the counter in the kitchen, wanting to make a quick snack that you can take with you to the bedroom. You hear shuffling in the hallway, and then a voice. "Y/n." You turn around and smile.

"Oh! Hi, Shoto," you smile. You can make out his figure in the darkness, and you're hoping he can't see you clearly with only the light you turned on over the sink.

You know if he sees you, you'll be busted. You have a tank top on, but it doesn't hide what's on your shoulder.

"Hey! I was just making a snack," you say, turning around and reaching to grab your plate and turn the light off. When you turn back, he's only a few feet from you, and he stops with only inches between you. He takes one hand, taking the plate out of your hand, and at the same time reaching behind you and flicking the light back on. You can only look up at him, as his eyes focus on your shoulder and his hand slowly sets down your plate. "Y/n," he asks lowly.

"Yeah?"

"Who did this to you?"

"Sho, it's nothing," you say, trying to turn and walk away, but getting caught by his hand instinctively flying out, catching your side and again, making you flinch.

Shoto makes a face, his hand dropping away from you. "Let me see."

"Shoto-"

"Let. Me. See." You sigh in defeat, turning around and lifting your shirt. "Are those claw marks, Y/n?" The color in his eyes darkens, the color of an alpha coming out, the telling sign of anger levels rising.

"Yes, but they're not even that deep-"

"Who. Did. This."

You couldn't look at him, you didn't know what to say, how to say they were his claw marks. "They aren't that bad, Sho, it's fine."

"You're bleeding Y/n! How could you say that!"

"It's only sometimes, they're healing. How'd you know?"

"There's been blood on your shirts. It's small, not super noticeable, but not to mention every time I'd get too close or touch a certain spot you flinch. How did it Y/n? These are claw marks, deep claw marks. And a bite, that's frankly too close to your mating mark for my taste. And I know it is not from a fight, that no part of this is from a fight. What happened Y/n?"

You look down at your hands. "You did. Um, you were pretty out of it when Recovery Girl came over. So, to make sure you didn't attack her and stay still, I had you lean over me. You're body reacted automatically, it's really no big deal, Sho." You look up at him, and part of you wishes you hadn't. The anger and darkness in his eyes were replaced with hurt and sadness.

"Y/n, you- why didn't you tell me?" his voice sounds so small, so broken and it nearly breaks you.

"Cause, I knew you would beat yourself up. It's really not that bad."

"Y/n, it could get infected. Why aren't you treating them?" Shoto takes your hand and leads you to the bathroom, making you sit and take your shirt off.

"I'm sorry I didn't tell you," you say as he starts treating the marks on your back.

"It's alright Y/n, just please don't do this again. You need to tell me next time. Accident or not. I thought you were attacked."

You sigh again. Shoto coming around and looking at your face, his eyes meeting yours, his hand tenderly caressing your cheek as he places a kiss on your lips. "I'm sorry, Love. And I promise I'll make this up to you."

"There's really no need. I told you, I'm fine."

No, Y/n. You're my omega and I left marks on you. Lasting marks. I will make this up for you. Promise."

Masterlist

[noellefan101]

Your First Date-Genshin pt 3

Characters: Lyney, Freminet, Wriothesley, Neuvillette, Alhaitham x gn reader

Summary: Your first date with them,

Warnings: lyney flirting, tea

Note: omg im finally done, i really liked writing these tho, ye thats all i have to say school literally destroyed my brain, love you

Lyney

he would definitely preform a TON of magic tricks during your first date, both romantic, some are just pretty to look at and then there´s the brother-you're-just-embarrassing-yourself magic tricks

: said ever so kindly by Lynette

wouldn't make your date as public as his shows, since he wants to share the moments and magic tricks with you only

(+ Lynette, Fremi and "father" if she asked him so, but yk, they're only made for you)

after he had given you more rainbow roses than you could ever count to, he set out some homemade goods, like cookies, a cake, cupcakes(whatever you lik)

(in which he definitely didn´t spend a few days learning to make)

overall 10/10 (if you dont ask lynette, she had to leave bc of the amount of secondhand embarrassment(she was there at the start)) and it was enjoyable for u.

Freminet

yes, you would be underwater for your first date, but if you really don´t like it(yet)he can just take you some other time

^^but he would prefer to show take you on your first

[and yes, Lyney and Lynette (+his other siblings at home)did bet on when he would finally confesses and take you on a date]

he would let you wear his diving helmet if you really wanted to, but he would also just wear it if he felt embarrassed, or wanted to tell you a story (most likely abt pers)

he aslo ended up showing you a few of his mechanics(robots?)

and showed you some works in progresses other people haven´t seen, other than him and pers ofc

Wriothesley

he would drink tea with you in his office

^^maybe Sigewinne baked you something too,

but you mainly drank tea and just talked the whole time

(bro likes tea so much, someone pls make him shut up abt it)

well other than showing you and talking about his (absolutely massive) tea collection (and cake/bakery(sry))

if he´ll ever let you talk, ofc he will(its a very unfunny joke), he´ll listen to you for as long as you´d want to talk

you also laughed a little when he told about how melusines and stickers dont work well

and he liked seeing and hearing your laugh, so he might go for a date number two

Neuvillette

he would take you out to a fancy restaurant or he would just sit and talk with you somewhere more private

but maybe include a Melusine passing by here and there, checking on you both or for some work-related reasons (that they then put off, just a little, when seeing you both together)

i imagine that you would try some different types of water with him, by his request, and tried your dam best to find a difference.

but he would also get you any kind of drink, dessert or food you´d like

all in all its pretty easy bonding with him, and he just likes being beside you and spending time with you

Alhaitham

he would take you to a quiet cafe where you could sit in peace, since he doesn´t like loud places and want you two to be alone for the most part

he would pay 100% he doesn't even give you a chance to try and pay for anything (he´s nice when he wants to be)

he definitely brought a book with him to read(+ one for you) and would either let you talk while he reads a "little", or he would just read out loud so you know what kind of books he likes

he´s not good at doing any kind of romantic things, but he did try and do something

that including:

taking you out on the date later in the evening so he later could show you the stars, and point out some constellations

asking your friends (and maybe family) what you like food-wise, so he knows what kind of place he should have in mind when picking the place of your date

thank you for reading i don´t think i´ll make any more of these, but if you want it i´ll do it, luv ya-Masterlist

You are welcome to reblog and like any of my posts, but you CAN NOT translate, copy or hate on anybody for liking my posts

[pixelchills]

Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):

(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)

I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.

Intro:

So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...

But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.

My biggest issue with TSAMS:

I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.

My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.

Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).

The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.

I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.

I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.

The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.

Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.

Why I ship Sun and Moon:

Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.

The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.

I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.

But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.

This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.

And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.

Why I stopped watching TSAMS:

And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.

It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.

Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.

I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.

But hey, at least there's fanfics. Which is why I am rambling here today.

Fanfics:

It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.

I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.

Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?

The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.

The FIC that is making me question everything:

So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".

I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.

Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.

Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.

I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.

But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.

End words:

I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.

I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.

Thank you.

(This text has been typed on my phone, so pardon for any typos).

-Chill

[gffa]

I keep updating my feed to see if you have more opinions about the acolyte episode. I feel like this recent episode could’ve used a couple of your posts as reference when it comes to how the Jedi canonically go about acquiring [redacted for spoilers just in case you haven’t seen it yet]

Honestly, it felt like the show was trying really hard to portray the Jedi's methods as hinky, but couldn't actually do anything about it because of established worldbuilding. The Jedi of the High Republic have explicitly said they have to get permission from the parents. The Jedi of the prequels are explicitly shown as not adoption-hungry, the only time we see potential Jedi younglings, neither of them are taken from their parents, one says they'll be going later, one is just handed back to her mom, no indication Roo-Roo is going to be a Jedi at all. So, I think it's a weird situation, where The Acolyte is working so hard to create tension and mystery, but I'm not sure how it's going to shake out. I keep thinking of Torbin, like, yeah, what happened was a tragedy, but why was he specifically so torn up about it that he felt he had to die to obtain Mae's forgiveness? From what we saw in the episode, Mae set the fire, Mae ran off and the scaffolding fell and she was assumed dead, the Jedi never forced Osha to join them, Osha was the one who said she wanted to go. Therefore, unless the show is really, really poorly written, there has to be more to the mystery that we haven't yet unraveled. I feel like that's also influencing everything going on with the Jedi potential adoption, that this situation feels like we still don't have the full context. Why was Aniseya so worried about the Jedi finding out how the twins were conceived? Why do the Jedi care so adamantly, when we see in both the High Republic and the prequels that the Jedi live perfectly fine with other Force using traditions/cultures? Even if this coven was dark, that doesn't mean anything to the Jedi, they were perfectly well aware of the Nightsisters' existence and did nothing about it. Unless this show is extremely poorly written/ignoring top level canon, there has to be more to what was going on with the coven than we know about. Because what we see is the Jedi felt very strongly about these two girls for some reason, but they were clear that, while they had the right to test them, it still relied on the parents' permission. We see that they're pretty aware that Mae and Osha were failing on purpose--Mae can't fake her blood results, after all--and they don't push Mae, but they do gently push Osha because everything about her is straining towards wanting to be a Jedi. And EVEN THEN they just say she passed the test, it's Osha who talks to Aniseya and gets her to agree to letting her go, not the Jedi. The show's vibes kinda feel like there was pressure from the Jedi there, but the actual content of the episode is that the coven agreed to it specifically because they didn't want to attract attention, like they weren't part of the Republic, they specifically said they didn't have to agree, the others were willing to fight about it, but Aniseya was the one who said, no, let them take the test. Yeah, the Jedi are pushing for some reason, but it feels like it's not because that's how they operate in any other situations where we see them with Force-sensitive children, but because they know something specific about this situation. So, I'm fine with everything presented so far and, honestly, it was a lot more positive than I was expecting! Like, this show isn't just a big lore dump, it has a specific story to tell, you know? It's a situation that has its own unique circumstances and, sure, they were borrowing elements from other Jedi worldbuilding, but everything we saw in there was done with permission and they made a point to roll with what each girl seemed to want. Sol was so careful not to unduly pressure Osha, just ask her what she really wanted, gave her a little nudge because he could see what she wanted. They made sure it was her choice! That it was her mother's choice! How could I have asked for more than that?