#i hope that’s not too niche to get

[piepiepiemag]

i want marigold to beat the living shit out of me send tweet

[trouticide]

dennis reynolds and jerma985 are the same genre of charismatic freakazoid

[feralportalmaster]

First Joel mentioning the Blue Axolotl in Hermitcraft got my creative sense tingly.

Now Lizzie’s just posted a picture of her in New Zealand on Instagram with the caption “Wish you were here.”

Bruh.

You know what’d be cute?

The Wish You Were Here by Pink Floyd album cover, except it’s Joel and Ocean Queen Lizzie shaking hands. Lizzie is the one on fire (or maybe fading away?) and the background is Joel’s Hermitcraft build.

[noweakergirl]

dare I say... superior trope

[arthur-lesters-left-arm]

the pope sure can’t say that word, but we’ve got a clergyman (sans left hand) with a plan who almost certainly can

[musicofthenightphantomoftheopera]

So I'm back on my percy Jackson bs again and I saw this one post on Tiktok claiming that Solangelo is "Klance Coded" and I simply had to laugh because that couldn't be any further from the truth...

Klance is Red and Blue, Fire and Water type polar opposites in both personality and aesthetics

However, not every polar opposite style ship is "Red and Blue Coded" there's also Sun and Moon, ( Or in Solangelo's case, Sun and Star) Light and Darkness.

so basically, and this might be controversial, but I know those who will get it will get it, what I'm trying to say is.....

Solangelo is NOT Klance Coded.

Solangelo is SORIKU Coded

I can go into heavy detail, and I will!

Will is definitely a lot like Sora in that even when surrounded by so much bad happening or even when he's going through his own stuff, he still puts on a smile and pretends nothing is wrong. of course to his own detriment and also has self sacrificing tendancies. Overworking himself to heal others to the point of exhaustion and even down to the self esteem issues. Sora sees himself alone as worthless without his friends ("My Friends Are My Power") and Will feeling like Healing is the only thing he's good for since he didn't inherit any of the other natural talents most of his other siblings have as demigod children of Apollo. And the incident with Octavian probably didn't help either. They also have somewhat of a hero complex and struggle with dealing with the fact that they can't save everyone. Sora broke a major taboo in order to bring kairi back in kh3 because he didn't want her to die, and Will being a medic that had been through not 1 but 2 LITERAL WARS, one in which he lost several of his siblings and of course being a medic in general, no matter how hard you try or how good at your job, it's just a fact that you cannot save everyone that's put in your care. Also, Both Sora and Will are heavily associated with Light both literally and figuratively

And then we got Nico, who just like Riku was lost for so long in lieral and metaphorical darkness, both trapped in metaphorical labyrinths of their inner turmoil of thier feelings, their pasts, their trauma (wether it be losing someone they care about, or being abused and manipulated at the hands of a shifty adult figure for their own gain) , and feeling that they have no place of belonging. only to be brought back by the people that care about them the most and through their own self determination and strength. And also both characters associated with darkness literally and as a concept.

Riku and Nico also have a teensy bit of Angel character symbolism with Nico's last name being Angel in italian and Riku's original keyblade Way To Dawn having both a monster/demon wing and Angel wing at the hand guard and for the "teeth" of the keyblade

you could also argue Riku could technically be seen as a "Fallen Angel" type character since he was originally chosen to be a keyblade wielder by Terra but lost that right when he fell to darkness hence why the keyblade went to Sora instead, then Riku spent the next several games on a very angsty redemption arc.

And of course, Nico and Riku aren't strictly associated with darkness. Nico is a son of hades, a prince of the underworld, The Ghost King. However, he isn't all doom and gloom. He's still just a teenage boy that's secretly a giant nerd and is actually a a good kid.

Riku as well, has the power to wield both the powers of light and darkness and it was Riku's light inside his heart that sora reached out to that dark and stormy night on the beaches of destiny island that let him wield the keyblade in the first place

And don't even get me started on how Riku is 100% gay coded (don't beleive me? look up the "Riku Is Gay" video on youtube, grab a snack and enjoy. you're gonna be there a hot minute)

Both characters in both medias are opposites to each other but both also compliment and balance each other out. But not like Fire and Water. Like Light and Darkness. Not only hat, but the dynamic between Sora and Riku and between Nico and Will are kinda similar. not identical by any means, but enough to where I definitely noticed it.

If anyone else has anything to add to this, let me know! I had this lightbulb a few nights ago and I haven't been able to stop thinking about it since!

[theswedishpajas]

Good morning 🦴🦴🦴

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[allisonreader]

I don’t know what this is, where it came from, what its purpose is. It’s supposed to be a time loop piece to put up for the Chesterton challenge for the prompt repetition; which it definitely fits, but why all the sewing? I’m writing it, but I couldn’t tell you. It became derailed from the first word and thinking of the phrase “a stitch in time”. So here we go, my sewing heavy time loop musing? Story? I’m not sure what to call it.

All I know is that (as @melliabee and @lover-of-the-starkindler know) it came after sharing fic recs and having read a fic dealing with time loops. So vaguely and indirectly those two mentioned inspired this in an extremely roundabout way as I still don’t know what this is.

But anyways, this is my piece for the Chesterton Challenge for the prompt repetition. (As repetitive as this note is getting, the writing piece below will be more.) @inklings-challenge

Time loops and sewing 🧵🧵🧵

Stitch, stitch, stitch. 🪡_ _ _

The needle goes into the fabric and is pulled out again and again. 🪡_ _ _

Into the fabric and pulled out. 🪡_ _ _

The same motions over and over.

The pull getting shorter each time a new stitch is made. Until a new piece of thread is started and the process starts a new, with the stitches continuing.

All working to create something; whether it be practical, decorative or somewhere in between. Connecting past and future.

There’s a reason that the phrase a stitch in time is brandied around.

Sewing and time have more in common than you might think. Both deal with fabric/material that can wrinkle, snag, tear, rip, ripple, gets stuck, fold up on itself, and can be seen to be linear.

But let’s talk about the snags, the hang ups, getting stuck sewing in the same place.

If you’re using the sewing machine sometimes it’s not always immediately obvious that you’ve caught up on something; until there’s a whole pile of thread under your fabric, getting thread jammed up through the needle plate, tangling everything up and potentially needing scissors and removal of the needle plate to fix the problem.

Not so for hand sewing.

By hand, built up thread is most likely intentional unless you weren’t paying attention and were stitching in the same place, but being an easier catch as soon as your attention returns. None of the thread the same place as it builds up.

Time loops are much the same. There are some that you enter and everything seems fine at first, but once you realize that something is wrong, then you realize how big of a mess that you’re in. That your situation might require scissors and the removal of the needle plate.

Other times you don’t catch what’s happening right away, but the build up is less. Your attention is drawn to what’s happening sooner. The solution is not always as large.

And other times again you know exactly what’s happening. You want it to happen. You want it to happen again and again. You are purposefully repeating your stitch over and over, creating your build up purposefully before moving on.

Slight differences between each time. Each cycle never truly being the same, though it feels like it. The uneven stitches are being laid, but just because each stitch is uneven, it doesn’t mean that something isn’t being created that’s beautiful or has hidden strength.

Teaching you a lesson if nothing else. Sewing and time loops will both teach you just as many lessons as the other. Both feel like they go on for forever but both do eventually come to an end, leaving you shocked that the project or loop is finally finished.

For sewing you simply pick up another project and go again, though I’ve never met a person who wants to figure their way out of a time loop again. Not unless they’re the one to start the loop in the first place.

🪡_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

The fabric folds and creases.

The needle goes in and out, in and out. Pull. Watch the stitches being laid. One stitch, two stitch, around and around.

A satin stitch here, some backstitching here, maybe some chain stitching for added interest. Still the needle goes in and out, just like time goes on and on, even if it repeats itself.

Time loops are like thread in a tangle, knotting up on itself and being a pain to loosen its loops out of the knots.

Be careful, the fabric of space time can rip and tear. Stitch it up carefully, you don’t want it to fray.

When fabric frays it will keep fraying depending on exactly what type of material you’re using. Some fabrics won’t fray. A knit generally doesn’t fray, but it can unravel. Woven material is what frays, some more than others. It depends on the fibres used and how it was woven together.

The right needle helps go through the material properly.

It’s all about using the right tool when needed. Sometimes you need something more specific than the generic works for most thing tool. A ballpoint/stretch/jersey needle works best on knits and stretch. The needle will push beside the fibres instead of through them like a sharp needle will.

Sometimes you have to test to find out what that right tool is. The right tool will make the job easier and help you finish the job quicker. There’s less of a struggle that way. But it will still take time to do things right.

🪡_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

The needle goes in, the needle goes out, a stitch has been formed. The process repeats. Needle into the fabric, needle out of the fabric.

With a needle and thread the stitches can gather the fabric. Tight folds making there be a greater volume of material in a smaller place.

A time loop of its own kind. A repeating process to get a similar result. Though never quite the same from one to the next.

A stitch here, a stitch here; to gather as you go or to gather all at once. Both ways having their own difficulties. Both having their benefits.

Gathering can even be done by machine.

Two rows of stitches side by side, pulling the threads of both. But beware if one thread breaks, you can come close to losing it all. The strands of time can be just as fickle if you’re not careful. Pull the wrong one too hard and you could end up stuck permanently or with the wrong spot to stop or simply starts it all again.

The needle goes in, the needle goes out, the stitch is formed, push the fabric close. Knot the end of your thread and begin again.

🪡_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Stitch, stitch, stitch. A stitch in time and all that, you know dear?

The needle goes into the fabric and out.

In and out, sometimes in different movements, but there’s always going into the material and the needle being pulled through until it’s out.

Repetitive, soothing, traditional. A constant that changes, but is always needed in some form.

Time is much the same. Repetitive, following patterns, a constant that changes. Day in, day out. The same activities day to day, week to week.

A time loop in constant motion. Drudgery unless it’s made to be more.

Haven’t you guessed it by now? Different but the same. New but old. Stitching all along, talking about time?

Well, maybe you need a few more rounds yet. I’ll still be here stitching, waiting, changing the same, because time has similarities to sewing.

I won’t be the one to unravel the mysteries of the greater universe, that’s for a higher power than me. I’m just a person who sews, watching and passing the time as I move my needle through the material.

[r0semultiverse]

WAIT- is this one of the alternate timelines created from the space-time sword ("Shintō Amenogozen")!? 👀

I'm an anime-only bsd enjoyer & ever since that damn sword popped up after Atsushi & Akutagawa killed him on the boat but he was able to erase/undo(?) that timeline, I've been thinking that technically means there's multiple timelines. This would be the one where Fukuchi won that conflict we just saw or something else entirely is going on given the way he's dressed (if that even is him)! 👀👀👀

[rubberbandballqueen]

ever since i found out that highway gothic (typeface commissioned for use in the american highways) is optimized for legibility with just a brief glance at high speeds i cannot stop thinking abt how easily readable it is. like my eyesight isn't like immaculate or anything so i can sometimes have a hard time reading fine print but even when the roadsigns are kind of blurry they're still pretty easy to read

[loppiopio]

the chances of the people seeing this aren't super likely so this is highly inefficient but i'm too afraid to approach people personally…. yet i've been burning with the need to express my gratitude for the tags i've received individually somehow and figured, i could do it the way i do best. in the tags 😅

(sorted by most recent) (i capped the limit hard here) (some ✂️✂️ had to be done 😔) (i still like this format a lot though) (might do this again in the future idk would people like that??) (i hope it's not mortifying for anyone……..)

it's sorta the way i like it, indirect and unimposing, even if it's kinda. wieldy. but it's just on my blog so anything goes right? although in saying that, i am open to being imposed on. like if someone wants to talk about aci or something, like other fic?? i'm a big fic fiend. or anything else lol not sure what else you'd wanna chat about since so much of the stuff i've put out is just. about fic. but hey, if you're a person i don't mind being approached :>

(lol the way i've made this like a *throws out a bunch of paper slips* find your's 🎉) (might be obnoxious hm) (sorry...) (find your's if you want though 🫡)

[ocarinaofpride]

sometimes the popular interpretations of a character can be very wrong/kinda boring. maybe referring to sephiroth here….

[allieisacrybaby]

seeing sammy without danny “Where’s the rest a ‘ya?!”

[kkoct-ik]

i really appreciate that post you made on did. i've suspected i've had it for a very long time but the culture thats grown around it on the internet has made me afraid to talk about it or look for help.

i sympathise a lot anon. i was diagnosed a few years ago but absolutely hate talking about it because im so at odds with how the internet portrays it. i hope you can find answers and treatment for your issues soon

[icewindandboringhorror]

Hrmm... Revising my game and I feel like there's still sooo much writing left to do, for something that probably won't even amount to much, so.. I do want to narrow my focus more (especially given my health problems seeming to get worse/less energy the past few years), but I'm not sure how would be best to...

I currently have 5 characters as the Main ones with full planned questlines and such, with each character having 6 quests you can do for them. But I haven't really started the writing for the 5th main character. So then I was thinking, if I were going to write 6 full quests worth of content anyway... is it better to allocate that time on just doing a Complete 6 Quests for ONE single character, OR would it be better to do something like.. choose THREE side characters and do 2 quests for each of them? So that people have a wider variety to interact with and sort of sample around (of course with the idea that, once the first version of the game is released, IF people actually care about it enough to make it worth the effort, I would then add additional content to complete those 3 characters stories as well)

-

SO... If you were playing an interactive fiction sort of game centered around talking to & doing quests for a cast of characters (like there's no larger plot, more it's just about interacting with people, every character kind of has a self contained story, the focus is just learning about them and the world and exploring the area) --- Which would you rather have?

(and of course it would be stated up front which characters have only partial questlines, so people don't expect them to have full quests like the others and then get disappointed, or etc. etc.)

Basically, is it better to just focus in specifically on having one fully complete questline? Or for there to be a few stories that are not complete yet, but have more initial options available?