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gogglor · 3 years

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Cap-Ironman RecWeek: What-If Wednesday

Time for another installment of @cap-ironman rec week! Today’s theme: AU’s.

I know AU’s in different settings are half the reason most people read fanfics, but they’re not really my thing on the whole. AU’s where different choices are made, or different events transpire? Absolutely. Coffee shops? Not my cup of... you know.

So, here’s my AU recommendations for mostly “turn left” scenarios. This time with an under-the-cut break so I don’t take over everyone’s timelines (sorry about that last post). Also with some summaries truncated for length.

Alone Like This

Author: GotTheSilver

Word Count: 7,452

Summary: Steve, post waking up, runs away from SHIELD, and Tony's the one who tracks him down.

Why You Should Read It:

First off, GotTheSilver’s been consistently and regularly putting out solid Stony since 2012 and not only are they not stopping, they’re only getting better. This writer doesn’t get nearly the fanfare I’d expect in Stony circles for someone who puts out this much good stuff, and here’s hoping this post can be a part of changing that.

While I am always a sucker for enemies-to-friends-to-lovers, there’s something to be said for stories where Steve and Tony hit it off right away. And watching these two very different people look at each other and see the same sense of being lost, then finding each other again is... excuse me, there’s something in my eye, ignore me.

Second Chance Lives

Author: raeldaza

Word Count: 43,872

Summary: Tony's gonna die of palladium poisoning anyway, why not join a pointless expedition to recover Captain America’s body? And after, well, why not dedicate his last few months to making sure an American hero settles into his new life? What else is he going to do, get drunk at parties?

Why You Should Read It:

This writer doesn’t write a lot for the MCU but when they do, dang.

“Tony is the one helping Steve acclimate to the new century before Avengers 2012″ is a whole genre of Stony fanfics that scratch an itch I didn’t even know I had before I started reading fanfiction, and this is one of the best ones out there. It’s got it all - Steve poorly coping with his PTSD, Tony poorly coping with his immanent mortality, some breathtakingly poor communication between the two most emotionally stunted men in the MCU, and a cat named Roomba. What’s not to love?

Should You Choose to Accept It

Author: elwenyere (look, you’re gonna be seeing a lot of them this week, sorry-not-sorry)

Word Count: 27,106

Summary: After a terrorist attack and a field operation gone wrong, the Avengers realize that Nick Fury's secrets are just the start of a much bigger mystery. Steve and Tony try to keep some things from each other as well, but that can't possibly affect the mission — right? Mission Fic + Getting Together (or Mission: Getting Together) that mashes up elements from Iron Man 3, CA: Winter Soldier, Agents of S.H.I.E.L.D. season one, and Mission Impossible 3.

Why You Should Read It:

You can see my post yesterday for singing El’s praises, but what I really liked about this fic was how how damn creative it is. The CAWS/IM3/AOS mashup is everything I wished the actual MCU gave us and more, with well-developed characters and an exciting story to put them in. And because it’s El, you know the banter’s gonna be on point, the way the characters care for each other is gonna be emotionally constipated but touching, and the pacing’s gonna be exciting enough to draw you in and keep you there. Also, this fic doesn’t have nearly enough kudos so please go read it and fix that or I’m gonna have to try to hack AO3 and that’ll just be embarrassing for all parties involved.

What Happens In Vegas

Author: sabremc

Word Count: 161,951

Summary: “What the hell, Tony?” Rhodey demanded brusquely. Tony winced and drew the phone away from his ear. “You’ve got cops and Feds all over the hotel. I’m watching you perp walk out of the police station on repeat on CNN. They’re saying you tried to bribe Stern? Fox News has you selling weapons on the black market, and God that picture they’re using is the one from Bali in ’09. You look like shit. They wheeled Stern out and put him in an ambulance, by the way. Got some paparazzi swearing you decked the guy. Now they’ve got ‘copters following it like he’s OJ.”

“Yeah, don’t worry, Sourpatch, I’ve got it covered. Uh, though, I should probably tell you that, purely in the interests of national security and the greater good, I kind of had to fake marry that stripper-gram you sent. Thanks for that, by the way,” Tony added quickly.

Why You Should Read It:

If you’re deep enough into Stony to see posts like this on Tumblr, you probably know sabre’s what we in the business call a “big name author.” They’re prolific, they’re popular, and most importantly, they write words good (technical term). Seriously, sabre just keeps cranking out high quality stuff over and over again, raising the bar for the rest of us like a jerk (not really. I’m not bitter they write stuff so good I wish I’d thought of it first. Not at all.)

I never read stripper!Steve or stripper!Tony as a rule, but this came so widely recommended that I broke that rule and boy am I glad that I did. This is also the only fic on this list that’s a true-AU, with Steve being a non-powered vet from Afghanistan who left his army career to help Bucky and is stripping in Vegas to raise money for a prosthetic arm. He’s booked to do a private show for Tony, shenanigans ensue, and now they’re fake-married. This fic’s got some top-of-the-line banter and character development, but I particularly love it for its rich setting. Sabre paints a Vegas not just with strip clubs and blackjack tables, but KISS-themed minigolf, romantic dinners on the Eiffel tower, gaudy hotel lobbies, and making out on giant ferris wheels. It’s such a richly developed playground for the characters to play on, and through it, Steve manages to find a life for himself he’d given up on, and Tony finds multiple ways to show his kindness and depth of feeling for Steve. I know the word count’s long for this one but trust me, you’ve gotta read this fic.

Wait & Sea

Author: Lenalena

Word Count: 53,244

Summary: In which Tony and Steve get sent on an undercover mission aboard a cruise ship to make contact with Hydra. In this AU the military has kept the discovery and defrosting of Captain America a secret, so Steve and Tony have never met before. Yet they are to pose as newlyweds....

Why You Should Read It:

This one’s old and popular enough to be considered one of the “classic” Stony fics, and for good reason. Lenalena doesn’t write too often and not as much as they used to, but the fics they have up there are an absolute delight.

This is another fic that I skipped a bunch of times for being outside my comfort zone, but when I finally read it I saw why everyone’s so wild about it. In this story, Steve’s defrosted a bit earlier and not revealed as Captain America. He and Tony are sent undercover to sniff out Hydra shenanigans on a cruise and, because it’s fanfiction, they’ve got to pretend to be a married couple while onboard. There’s tons to love about this fic, but the things that bring me back to reading it over and over is first, Tony’s kindness and the way he’s attuned to Steve’s feelings, which... God, just inject “kind, observant Tony” straight into my veins, please and thank you. This is also another really rich setting for a story, and Lena knows how to fold the the hokeyness of the cruise into the seriousness of the mission and the depth of feelings Steve and Tony are finding for each other in a really beautiful, layered way. It’s funny, it’s heartfelt, it’s steamy, it’s gripping... why are you still reading this here? Go check it out for yourself!

Ashes to Ashes

Author: dirigibleplumbing

Word Count: 51,582

Summary: After regrouping following some surprise time travel, the world's heroes and sorcerers come up with a plan to protect the Mind and Time Stones by taking them into space in opposite directions. The result involves a lot more time loops than Steve would like, but at least they're getting a second chance to stop Thanos. (As well as a third, and a fourth...) And if Steve takes the opportunity to try to reconcile with Tony, too—well, they have the time, and Steve's going to make the most of it.

Why You Should Read It:

Dirigibleplumbing’s another name in Stony fanfics that does not get nearly as much fanfare as they deserve. They’re consistently a really creative voice in Stony fanfics and I always look forward to their stories showing me something new. Go read all their fics, I need more people to geek out with me over them.

I tend to limit myself on Steve-and-Tony-mend-things-after-Civil-War fics not because they’re not good, but because they’re so heavy, and also the Sokovia Accords have five hundred layers of crap in them that no good fic could possibly hash out well. This one, though? When you add in the Infinity War/End Game fixit? Poetry. Art. Music to my ears. DP wrote a really engaging, twisty story where it’s hard to predict what’s coming next, in spite of it literally being a pseudo-Groundhog day scenario. The characterizations are great, the story is engaging, and the feelings are big and sad and eventually happy. Go read it, you’ll love it.

I have tons of other recs for this category but this seems like a good place to stop for today. Tomorrow’s Alternative Media Thursday, and I’ve got some real gems I’ve been saving for that day (aaaaand possibly a self-rec or two ;)

#capimrecweek #tony stark #Steve Rogers #stony #fanfiction #MCU #ficrec

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vrishchikawrites · 3 years

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I gotta ask though this is definitely not your everyday question... how did you manage to read mdzs? It's so cringy and rushed and filled with short sentences and over exposition. I personally managed to only read like 20 chapters before I gave up and decided to learn the story from fanfiction and english isnt even my native language. But you are such a good writer and I love your style and it's so much different from how the novel is written and yet you praise it so much so I guess what I'm asking is how did you manage?

(And to make sure there are no misunderstandings I dont ever wanna blame any of the translators who are doing an amazing job!)

Honestly, since I don't know better, I can't say the cringe factor actually exists. MDZS wasn't written for me (as in a non-Chinese person), so parts that make it an uncomfortable reading for me may not bother the Chinese readers at all. Readers from different cultures expect different things. Aren't short and concise sentences considered good in Chinese linguistics? Someone correct me if I'm wrong here, but I recall reading it somewhere. But I digress.

I'm sort of accustomed to things sounding strange once they're translated because a lot of nuance from the language gets lost (I read a lot of classical Sanskrit and Tamil works, some of them don't sound pleasant when translated) That's the case with almost any work you translate. (not the fault of the translators, but that's just how things are.)

When I read these kinds of works, I don't necessarily focus on the words, but more on the spirit of the text. The surface just fades away when I'm intent on understanding the character and plot nuances, tbh.

I praise MDZS because imo it is very tight work, especially from an author's perspective. The characterization is beautiful, the plot is interesting and makes sense, and there are many things MXTX lets readers figure out without telling them. All elements fit in well and if you remove one puzzle piece, the plot unravels. The work is that tight.

It is also very satisfying. You end the novel on a pleasant, content note that feels completely realistic as well.

Sometimes, the dialogue and scenes are a little unpleasant to read, but looking beyond that into the motivations of the character can help. Like the WWX confession scene, on the surface, is cringe. But underneath, you can tell there are several factors influencing it:

WWX definitely doesn't know if he'll survive to the next moment, not when a wire is literally cutting into his neck.

He was just told about LWJ's devotion to him.

LWJ has risked everything to support him.

LWJ was hurt by their relationship dynamic.

He has been holding himself back without the need to do so. And he may have inadvertently given LWJ the wrong impression that may be hurting him even now.

When you take factors like these into consideration, WWX's confession takes on a much deeper meaning. It is essentially the words of a man who has died once, who knows what it is like to take secrets to the grave, who is naturally compassionate, and who loves LWJ.

It becomes less of an 'omg, this is an embarrassingly public and clumsy confession' and more about, 'oh, a man who doesn't know what's going to happen next has just poured his entire heart out, honestly, and without restraint.' I think that's beautiful.

TL;DR - Some novels just need a deeper, slower reading. Just ignore the surface and look underneath (underneath the underneath, heh). You can just skim sections you're uncomfortable with, too.

PS; All of this is my personal opinion and experience. Every person interacts with the material differently.

#reader asks

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zet-sway · 3 years

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@the-wip-project day 35:

I don't know what today's question is but I gotta write a wall of text about what happened last night because holy shit

I was on the verge of falling asleep and, like I usually do, I decided to hunt for some spicy fanfics to read on my phone. I found one.

All my posts are long but this one is real fucking long. CW for touching on dub-con and injury mentioned in the type of context it probably shouldn't be.

It's time for me to admit that not only am I a oneshot writer, I'm also a oneshot reader. I am drawn to short fanfics. If I click on a chaptered fic, it's (usually) because it's rated E for smut and I'll go in with every intention of skimming it for the spicy bits. I'm not proud of this. I've avoided saying this for years because I don't want to disappoint people who work hard on their very long and well thought out chaptered stories. I have a short attention span, and I know what I want.

But anyway, last night I clicked on a fic with 5 chapters and some amount of words, around 30k? Long, by my standards, but I was tired and I just wanted something to read while I dozed off.

This particular fic hooked me in, though. I still skimmed it, but the writing was so unique in a way that made me writhe with writer's envy and admiration. Whoever wrote this had their own language - nothing borrowed - their own vision.

I guess I should tell the good people who read my posts (ya'll, seriously, thank you) that the fic in topic is called Fault Lines by Recidiva on AO3. I would link to it but uhhhh I may be using my work PC for "extracurricular purposes" right this moment ^^; so maybe when I get home I'll remember to add it.

I skimmed it - like I said above - for the spicy parts. It generally follows the plot of Bioware's canon. Thane begins as possessive and manipulative, likely uncomfortably close to dub-con for a lot of people. He kisses her and knows full well that his kiss will make her willing but intoxicated, and how he will use that to fulfil himself. But as the story progresses, he falls in love. Their relationship is what I'll call "edgy." Both of them are renegades. There's a scene where they get down in the shuttle after a fight and they're both still injured and it borders on downright unrealistic but fuck it, it's fanfic and I bought it. However their relationship develops a certain heart-wrenching tenderness. She asks him what Siha means over and over again, and eventually tells him she thinks "bitch" when he says it. But in that moment they have a playful banter, he knows full well she's probably already looked it up on the extranet, and they fall into bed together. The smut is mind-boggling.

By the time it gets to Shepard's arrest, he's taken up a place on Earth and visits her, breaks into her house arrest. There's a scene where they see each other for the first time in a while, she tells him how much she's missed his mouth and how it's not right how bad she wants him, and wants him bad enough to smother him with affection. She says something to the effect of "if you're looking to die, I'd volunteer to be the cause," implying that her lust is powerful enough to endanger his life. And it was at this moment I realized I fucked up.

It's established that I live in my own headcanon and I'm not burdened with considering the end of Thane's life as part of my fics. And the suspension of disbelief was such that I forgot he doesn't make it. So at this moment in the fic, chapter 4 out of 5, I realized "Oh shit this isn't going to have a happy ending." I skipped to the end right away, I wanted to confirm my fears.

In their final exchange, she asks him to lie to her - something that's repeated in other chapters of the story. I forget what he says, I was reading desperately, but he asks her in return to tell him something true. She kisses him and tells him she loves him, and he breathes his last breath with the lingering tingle of their kiss to carry him to the other side.

I was so entrenched in the depth of their relationship up to that point. The level of fathomless love the author conveyed, unlike anything I've ever managed to write before, but more realistic to my own understanding of love as I've experienced it. Not because they're renegades, but just the selflessness with which they feel, communicate, banter, and make love.

When I read that last paragraph, something inside me broke. That sounds dramatic but that's honestly how I would describe it. It felt like waking up from a night terror, when you bolt up in bed from a dream so bad you immediately get up even if it's 4am because nothing feels real and you're so terrified you have to get up and do something - literally anything to take your mind off it, to ease you back into reality. I put my phone down and stared into the darkness of my bedroom and told myself "it's just a fanfic, no need to get upset." And then I started to cry and I didn't stop for 30 minutes.

My husband was downstairs watching Bohemian Rhapsody and I went down there and wrapped myself around him so tight and cried. Bless this man, from the bottom of my heart - bless him - for his unfathomable kindness. I felt like a fucking fool because I was crying over fanfiction but he paused his movie and just listened while I tried to articulate how it wasn't exactly about the character death, or the characters at all, it was just the writing and how it wormed into my brain so convincingly. I felt the loss like it was my own loss. I am terrified of losing my husband. So many feelings coalesced and I realized one day I may be in that situation, kissing the man I love goodbye for the last time, never to hold him again. I'm at work right now and I'm tearing up because it's so hard.

I tip my hat to the author, but I genuinely wished I hadn't read that fanfic. And isn't it kind of funny after that grandstand I took yesterday about not wanting to write the pain of loss and grief, that I ended up reading it instead and probably fucking myself up just as badly, if not worse, than if I had tried to write it myself?

It gets worse, too. Because it got me thinking about my own writing, and how I could never hope to achieve what that author did. So I sat there crying out my painfeelings while simultaneously feeling like a shit writer and like nothing I put out matters. I got up from the couch, sat down at my PC and picked up where I left off in the Omega DLC in ME3 because video games are great for taking the mind off things. It didn't exactly help with the intensity I'd hoped for, but I managed to fall asleep, by 3am.

Fast forward to this morning. I dragged my sorry ass out of bed 4 hours later and drove to work. By some fucking miracle, no one is here right now except our field director. And I'm stewing in how this one fic really fucked me up bad, reconsidering everything. I feel like I've been put in my place.

So what changed?

Yesterday I posted about how I'm struggling to write a plotline. I know what happens, but I'm not interested in the little bits that tie it together. I want to write the romance. I think there's a way to write the plot and the romance at the same time, but it's damn hard.

I started doing this because I wanted to grow my skills as a writer, and I knew it might be more than I could chew. I'm at that moment now where I'm about ready to give up.

Even if I felt like a shit writer last night (and still kinda do this morning), I know that the stuff I've put out has value. We can't all write these epically tragic smut-romance-renegades-to-lovers tales, we'd all be sad all the damn time. There's a time and a place and - I would argue - even a need for lighterhearted fic out there. There are really no rules. I'm confident in what I know how to do.

But the plot. Fuck it, man. I think maybe I'm trying too hard to be something I'm not. I'm trying really hard to write like other people. I may have mentioned before that I saw a post about how many artists spend their time pining for the skills of others, thinking "wow, when I can draw like that, I'll have made it as an artist." That same post cautioned against this, basically saying you already have your own unique style, it's just harder to see through the lens of your own eyeballs. It's fine to challenge yourself but try to acknowledge what you do that sets you apart already. I feel like I have that something - maybe not to the extent that I wish, but I have something.

So what's the point of the plot? Why do I need to tell my readers how I cured Keprals? I'm asking myself important questions here. I like to think I've come up with ideas that no one else has, but as I said above, I don't read a lot of chaptered fics. I very well may have come to the same ideas as other writers and I'm not even aware of it. I don't know if my ideas are unique but I still arrived at them all by myself.

The challenge here - the thing I'm struggling so much with - is how to put them together with the same elegance of my fellow writers. I'm looking at you, shrios fam (yeah I'm calling you that, yall know who you are). I know I can write words, but it's like I have a bunch of pieces from completely different jigsaw puzzles and I'm struggling to make a new picture out of them. I struggle with the transitions between them.

The point here is I have to find my own way. And I have to stop taking myself so seriously. In fact this level of "seriousness" is one of the things that got me into so much angst over World of Warcraft over the last two years. At least I know how to recognize it.

I have to find my own way. I have my own things that are worth sharing. The author I read last night had a language all their own, and I have a language all my own too. Their wordplay was actually more choppy than I would ever write. I've talked before about how I'm scared of starting too many sentences with pronouns, how I maybe write too many run-on sentences, whatever. This author did that with reckless abandon. It worked for them. So if they can make that shit work, I can make my own shit work.

I have to find my own way.

My most current WIP is Thane and Shepard's first time. I've been working on it pretty nonchalantly because I hadn't intended to publish it until I built up to it. It takes place further into my timeline, and it would probably ruin the point of a slow burn if I put it out there now. There are some really memorably moments in this WIP, and there are other moments that need to be smoothed over as well. I never knew what I'd really imagined for their first time but I think I've mostly developed something that's unique in its own right, and I think will be fun for people to read.

I'm just so fucking torn over what to do with it. I feel guilty for working on it. I should be writing "other shit" leading up to it but I don't fucking want to. I actually wrote probably 2-3k words this weekend, which is a pretty staggering amount by my standards. Some of it was for this smutty WIP and some was for something I just threw together, Thane observing Shepard on Horizon and the emotional toll it takes on her. He's seeing her humanity. I don't know if it's worth it to continue but I wrote a lot of it and the words are more precise than usual for a draft, I don't know. I have so much fucking insecurity. Fuck dude. I want to write this longfic, but I don't want to write it. I want to skim to the spicy bits like I always do.

I am wracked with insecurity, of my own making. I know what I can do but I feel compelled to see this idea through. Somehow I have to find my own way.

TLDR I feel like if I don't publish something soon I'm going to burst and I don't even know what the fuck to work on first and fjslfjsojoiejrj

I would be really down for, like, a bunch of hugs and a bowl of ice cream shared over memes and fanservice.

#this post is EXTREMELY fucking long send help #ITT: i read something that probably changed my brain chemistry for a few hours and it's painful #zet vs 100days #i'm just glad to get this off my chest good lord #anyway if people want to send me links to their favorite shrios fluff i would welcome it

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maivalkov · 3 years

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I have seen not long ago a post about "spain's dark side" so...your opinion about that? (I kinda have a feeling of knowing why himaruya came up with that and, if I am right, I am not sure if I like it. It's not that I don't like the dark side thing, but if the reason is what I think, then I don't fancy it)

Great question! Please excuse the length of this response in advance, and if I go off on any tangents. To directly answer your question: I have a horrible feeling that Dark Spain is inspired by the Spanish Black Legend/La leyenda negra, and I don't like that at all. You've really hit on an important topic here, so I'm going to extend this discussion. I call this upcoming piece: Why I don't like Dark Spain and why we, as fans and creators, need to be mindful of how we enjoy our beloved series.

Side note before we begin: I'm going to be talking from a writer's perspective, since this is what I mostly do. My opinion is just that, nothing more. Some will agree with me, others won't, and that's okay. If you're happy with the terms, let's crack on.

Part 1: "Dark" characters I'm not against 2P or "dark" versions of a character if it's required for a particular setting. Let me show you what I mean, using some fic plots I just pulled from my head: Example one: You've got this gritty, fantasy gangster city plot. You use a real city as your location, but the characters are human. Antonio's the leader of a huge criminal organisation and therefore he will do incredibly bad things. It's trigger warnings ahoy. Is this portrayal okay? Sure. (read on before you hit that reply button) Example two: You're writing a horror fic. Antonio's a sexy merman who's more likely to decorate his cave with your entrails, than serenade you on a beach. Is this plot fine? Absolutely. It's dark af, but you're writing sexy merman horror. It kinda’ comes with the territory. Did you see how I wrote "fantasy" and "human" in bold? And did you see that I used Antonio, not Spain? There's a reason. I personally believe in this: When your story uses Hetalia characters in their human form (i.e: Antonio is just Antonio, he does not represent Spain), there's much more freedom and flexibility. I've read many excellent works with darker themes who use real locations alongside human versions of the characters, and do so brilliantly. They're wonderful stories, and they don't cause harm. They're fiction. Fantasy. Fiction. Did I mention fiction? On the flip side: When we are writing the characters as country personifications, who represent the people and the history, we must take proper precaution. The same applies to writing about historical events. (To be continued down below.)

Part 2: Dark Spain

As someone who's been in fandom 10+ years now, my problem with Dark Spain is this: a number of creators back in the old days seemed to agree with my Black Legend theory/concerns, and yet they willingly made content for it. Not everybody did this, but I certainly saw some who thought "wow dark crazy Spain because Inquisition", applied it to certain ships because "ohh angst leads to romance, what a plot" and that is wrong on so many levels. If you know the Spanish Black Legend, then you know how bad this is. It's an incredibly difficult topic because it is, in the simplest sense, massive propaganda designed to seriously damage a country's image. I welcome Spanish input on this, but personally I think using this as some edgy portrayal of Antonio in your fics is insulting. Don't bloody well do it.

(Please note that the fandom is MUCH better now, but it doesn't change the fact it has, and could still happen. I used past tense for a reason, as I do think things are improving.)

Russia is another character which suffers this treatment, and I do think we have a responsibility to be considerate. Many countries have done awful things, mine (the UK) included, and yet our characters have escaped receiving this Dark persona. It's not fair, it really isn't. It's a poor judgment call on Himaruya's behalf if my theory is true. If I'm wrong, then this argument is void. Either way I feel like Himaruya should've specified how and why Dark Spain came about. Part 3: Historical writing

Here's where it gets interesting. I'm not saying "don't write historical hetalia fanfiction", and I never will say it because historical fiction exists. You can go in your local bookshop and boom, people are making real money off it.

I'm not one of those lucky sorts, but I am contributing to that genre myself. Despite lots of magic, fantasy and general artistic license, my story Gatito can be considered historicaI.

It's set in England, 1569. Spain and the Netherlands are two of the main characters, and yes, their conflict is referenced. It coincides with the timeline, and all the while I write them as personifications, I can't pretend that tension between them doesn't exist. If I did, that'd probably be even more insulting to their history, and no doubt confusing for the reader.

The main plot is a daft mash of Arthur misusing his magic, a vile fictional man from Antonio's court who wants his head, and poor Netherlands and Portugal get wrapped up in the drama along the way.

The Dutch conflict is featured, but not the plot. The event is occurring right in the middle of a fictional disaster which Antonio is trying to overcome. It's acknowledged, but it's on the side, to put it simply.

I use human names (Antonio and Abel) and explore that situation from an emotional, human perspective. I do not claim that Abel is a victim, and no one thinks he is either. Personal HC time here: I don't think any of the characters look back at their history and think "wow, poor me". Everyone's made mistakes, and they've all played a role in hurting someone else. My history teacher once told me this: The more you look, the more you see. There's many sides to a story, and even to this day, I doubt historians have truly, faithfully documented events so that it's fair on every nation involved. That's why we need to try and learn history from multiple perspectives, and why when writing hetalia characters during a historical event, we should show the reader as many viewpoints as possible. If you don't, then... well. I frown at you. More on this in part 4.

Part 4: Conclusion/advice

I won't pretend to be a saintly figure in the fandom, and this rant is a bit of a mess, but I hope you get what I'm on about. Thank you if you're still reading.

I'm going to finish with a bit of advice that has helped me have a positive time, and allowed me to create works for a series I really love:

1- If your story is historical, and you purposely want to paint a country in a bad light, think before you do. Don't slander another country for the sake of your comfort character or ship. If your story is set during a battle then yes, they can moan about the opposition, but don’t go hardcore. You know what I mean.

2- Research, research, research.

3- You want to write a particular character. Their human name is unconfirmed, or you don't know a part of their history, but you want to write about it. What should you do? Talk. I had this very dilemma regarding Portugal's surnames, and I just asked Portuguese mutuals on Tumblr for help. I received numerous valid responses in under an hour, and I felt better for it. 10/10 highly recommend.

4- If you've gotta' write Dark Spain: Keep. It. Fictional. If you don't believe my theory behind it, cool, crack on. But if you agree with me, then yeah, I've said it enough. Respect the country.

5- DO explore history. It's fascinating.

6- If you write historical hetalia and you feel that something might be misunderstood: PLEASE USE DISCLAIMERS, END NOTES ETC. I write number 6 from experience. There is a scene in Gatito where a significantly stressed Antonio attempts to summarise the Dutch conflict. He's being blamed for countless fictional issues, and rather than think things through, he blames himself for Abel's pain as well. He does it on a purely emotional basis. Have you ever had that really bad day, and things keep getting worse? Someone comes along and says "you did x y z and I'm mad", and rather than argue your side, you accept it?

That's Antonio in that scene. I know it is, because that's how I intended it to be read. His answer is flawed, to say the least, but in his human heart, he can't help it. I used the end notes as a warning/apology/explanation for this scene. I don't want it to be misinterpreted, and I don't want to disrespect Spanish history.

7- If someone does comment/ask about a sensitive, historical part of your work: don't rant. And don't get offended. I believe we all need to talk more. Have conversations about HCs, how we would write/imagine different scenes, and use it to improve your work.

8- Have fun, and be sensible. Thank you again for reading, I hope this helps to some extent. I know I've thrown my opinion out here, but if you strongly disagree with me, don't @. Move on, embrace what you believe, and everyone's a winner. (This really should've been number 9 on the list haha.)

#ask #hws spain

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mammoney-honey · 4 years

Text

Summoning Circles: What to Offer the Brothers GN!MC

MC doesn’t need to set up anything to summon them since they have their pact but sometimes its just nice to add a bit of drama. It’s also a good way to get the brothers to accept Just Because gifts. So what would would MC lay out as an offering for their favorite demon in their pentagram?

Lucifer

Lucifer is hard to get gifts for because hes a man of few words and fewer guilty pleasures

MC does their best to keep an eye out for things he does like and finally sets things up when they feel that Luci needs a bit of a break

They mostly offer things that would make for a good date night but with one small exception: special gourmet dog treats

He won’t admit it, he says Cerberus is just a well trained guard dog, but that big boy gets only the best and MC knows that Lucifer will appreciate the gesture

The rest is all about setting the mood so Lucifer couldn’t possibly say no to staying

The first thing to accomplish this is the finest bottle of hellfire aged wine, a special request put through to Diavolo for whatever he thought Lucifer would like most

And to accompany a good drink you need some good food as well. A charcuterie board supplied with recommendations from Barbatos and Luke. The little guy should be called a mouse rather than a dog with how much he loves cheese. It took a long time for him to stop talking about it

One of the things that MC looks most fondly on of their time with Lucifer was quiet nights in listening and dancing to new music. They didn’t always share the same tastes but they were always willing to give it a go

So MC would find a vinyl, the only thing Lucifer would listen to the purest that he is, of their most recent favorite song or band so that they could share it with him

The last thing offered is that which Lucifer would want above all else as his own, MC

They can think of nothing else that would gain Lucifer’s attention more than offering their full and complete self. His pride could never allow him to deny taking MC when they offer themselves so willingly

He appears in full demon form, he can’t think of who would be ballsy enough to try and summon him and he has to pull back on his full power once he sees its MC

“MC, my dearest love, the pageantry is appreciated but overall unneeded. All you ever have to do is call my name, all I wish is to hear my name on your lips. But now that I’m here lets make sure you are screaming it”

Mammon

He is another one who is hard to gift things to but for the opposite reason as Lucifer. He likes too many things, wants everything and so it makes it impossible to tell what would actually mean something to him

MC tries their best to lay out things that will show how much they love and appreciate their favorite demon

Money of course is the first thing that is set out but not just spare Grimm or human cash

No, MC will put gift cards out for Mammon’s favorite places or for a date that they can have together. It feels more personal that way and they hope it shows that they pay attention to the things he likes

Mammon has a wardrobe to rival Asmo’s but he insists that it all has to do with his job as a model. Gotta keep up appearances and all that yanno. Hes just a label whore though and everyone knows it

He also just melts at the idea that MC might be thinking of what he would look good in so if they put out a new outfit or accessory, even if its just new sunglasses or a belt, he just about explodes

He will scoff and say that hes not sure if human styles are really his thing but of course puts whatever it is on quickly

Next would be a very special edition of the TSL dvds, a directors cut that even Levi couldn’t get his hands on. He has watched it with MC so many times he could practically recite it but they were always borrowing from Levi so it was about time to start wearing out their own copy

The last two things are more personal, something that shows just how much MC thinks of and misses being with him

The first of that is MC’s favorite set of pictures they took with Mammon, a silly photo booth strip that captured their first kiss. MC had surprised him on the first snapshot and it showed a progression of him getting redder and redder before finally kissing them back

Lastly is a page from their diary, as intimate an offering as they can possibly give. Its from a day where the longing for Mammon was at its strongest and filled with sweet words of how much they miss their first man

Mammon is freaked out at first thinking he is being summoned by another witch and is confused to see MC before taking it all in

“H-hey you don’t have to go through all this. I mean of course The Great Mammon won’t say no to the the things he deserves but ... b-but you only ever need to say my name, there is no where I’d rather be than with you”

Levi

Levi has a bad habit of just buying whatever he wants but considering that he has so many fandom’s its not hard to find some piece or another he doesn’t have

MC feels like his brothers don’t give much thought to his gifts though, just typing in a name they know and getting whatever they find. They want to give him something more personal and can’t just be bought and shipped in two days

MC starts to watch a lot of craft, cooking and cosplay YouTubers to try and put everything together themselves. It felt more genuine that way at least to them

MC tries to keep things diverse, hitting a couple of Levi’s favorites but mostly avoiding anything Ruri related since they are afraid of messing it up lmao

Instead they focus on the anime’s and games that they watched and played together. Almost like a collection of inside jokes that they are using to summon him

The first thing MC sets out is a prettily decorated plate of macrons, doing their best to replicate the colors and flavors described in the one bakery time management game they always played

MC also went through Levi’s super secret fanfiction accounts I will fight you he is totally a fic writer because he has so many self inserts and fix it fics and wrote out comments for every single thing he had written. They printed them out not because they didn’t think he read them but to show that they were the ones that left them

Along with the comments MC also created art for Levi’s most beloved OC, creating cute enamel pins of them in chibi form with the cannon character he paired them with

The last two things came as a sort of combo, a couples cosplay from the romance anime they had watched together. The protagonist had been a shut in otaku who had found his soulmate when they were reborn into his world and Levi had latched onto him immediately

It had taken a lot of blood sweat and tears trying to get both of the outfits cannon perfect but damn it MC was not going to settle for anything less

At one point they forgot they were making it for Levi and just got caught up in the the drama that was finding the perfect buttons and trim color

Overall they were so proud of the sewing skills they just wanted to call on him the moment they were done so he could see but they got a hold of themselves so they could set up what they had planned

Levi was summoned into the circle still wearing his headset and fingers tapping at a controller that had been left behind

His demon side comes out at having been cost a serious match from the sounds of it but his anger turns to confusion at seeing MC and then into wide eyed amazement at all of the things in front of him

He started to gush about every single thing he saw before he realized that MC was there beaming at him

“You went through all this trouble to prove that you aren’t a normie and yet you summon me this way?? J-just say my name like you’re supposed to! I kind of like hearing you say it anyway ...”

Satan

Satan surprisingly doesn’t like being the center of attention and thus doesn’t really like surprises or receiving gifts. He also doubts that anyone understands him enough to give him what he wants cocky ass that he is

The idea for the things to set out in his summoning circle came to MC when discussing love potions with Satan and Solomon one day. They were talking about how smell plays such a strong part and Satan let slip some of the things he might smell after MC listed some of theirs

So while MC doesn’t have much, well any, experience in magic or potions they do want to try to stir up those feelings those smells produce in Satan

The first thing he had said came as a surprise to no one, the smell of parchment and ink

MC used each of them as their own separate offering on the pentagram. They used a fancy new calligraphy quill dipped in green ink that matched his eyes to write a long love note for him

The ink was still wet on the parchment that they set down and left the quill and remaining ink as the second gift

The next thing he mentioned was another one MC expected: tea leaves

So MC just walked into their local tea shop and let their nose lead the way. Anything that caught their attention or made them want to keep smelling they bought, creating their own special blend just for Satan

It wasn’t necessarily something that Satan would say for himself but MC had started to burn different candles in their room when he would come to rant when he was angry, trying to find a scent that he could associate with being calm when they helped him work through the anger

Whatever candle seemed to work the best is the candle that MC sets out for him. Probably something woodsy, pine or balsam or even sandalwood. It brings back good memories for MC, kissing all those worries of his away and hopes it does the same

The last item is one that made MC blush when they heard Satan admit it, he had liked the scent of their shampoo

He hadn’t said that specifically but he had closed his eyes and described a scent that he couldnt place but that he adored and when MC was taking their shower that night it clicked

It might have been a little lame, leaving a bottle of shampoo out for Satan but MC knew that when he realized what that scent he loved so much was that he would get the cutest blush

They weren’t disappointed when they summoned Satan. He hid his shock of being summoned this way well, taking his time to walk around the circle and examine each offering. He immediately knew where they had gotten the inspiration and teased them about being such a sap

He stopped when he got to the shampoo though, not sure how that fit into the equation until he smelled it. It dawned on him and there was that blush that he tried to hide by turning his face away

“You always did like to make things difficult on yourself didn’t you? I’m only ever a call away for you kitten. Now come here and let me really breath you in, you’re simply intoxicating to me and I can’t stay away.”

Asmo

Asmo is never shy about when he doesn’t like gifts that people have given him but he has only ever cherished what MC has gotten him. Every small trinket and gift he has on full display in his room and he will wear something that MC got them when he misses them the most

He also will do it when he wants to bother his brothers and show off that MC simply lavished him in gifts (Mammon and Levi are the only ones who fall for it lmao)

So MC decides to offer Asmo things that will allow him to parade around their love for him, things to keep them close when MC isn’t there

The first thing that MC gets Asmo is new nail polish, a color that they agonized over finding because they wanted it to match his eyes perfectly

Asmo has a very organized planner, its how he keeps track of all the events he is invited to, when he has dates, who hes slept with, who hes going to sleep with and everything in between

MC commissions custom made stickers for him so he can decorate the pages of his planner even more. Specifically a whole sheet of cute stickers of them together he could use for when they planned date nights

The next thing was something for Asmo’s room which he was always changing and refreshing so it looked forever interesting for Devilgram pics

MC gets a large print of Asmo’s favorite picture of them together and puts it in a beautiful frame that perfectly matched his favorite decorating style. Perfect to show to the world that Asmo was their favorite demon and that they looked so good together

And so they can take even more pictures of themselves together MC buys a Polaroid camera for Asmo. His phone will always be his favorite thing to take pics on but this way they could have them printed instantly and it continues to let him be trendy

Lastly MC gets Asmo a necklace. A dainty rose gold chain that he can wear with practically everything and with a diamond accented heart shaped locket that could easily be tucked away if needed. It was an enchanted locket, thanks to the help of Solomon, and it warmed when MC was thinking of him

Its the first thing Asmo grabs and quickly puts on, showing it off for MC

“Oh MC you are simply the cutest thing I have ever seen~ I’m sorry I don’t have something to give you in return. I hope the fact that my heart beats only for you will make up for it, now come here I’ve been without kisses too long.”

Beel

Its SO hard not to just grab whatever is in the kitchen at the time and throw it in the summoning circle and call it a day for Beel

But he is more than just his hunger and MC is always striving to show him that they understand that

It was harder than expected, just because asking anyone what Beel might want always got them food answers. They thought Belphie might be helpful but only got told “he probably just wants a nap ... its what I would want”

MC starts to think of all the most special moments they had with Beel, trying to think what about them made them so memorable and they knew for a fact that it wasn’t the food

The first thing they come up with is a banner that MC made to cheer him on at one of his games. It had gotten a little tattered and torn because it had rained that day but they just couldn’t let it go

Mostly because Beel after winning had ran up into the stands and kissed them for the first time. It wasn’t as if they hadn’t ever kissed but they had always been the one to make the first move but this time Beel had come to them. Of course in the biggest gesture possible

It was cheating a little bit offering a cookbook, it was still food related, but it felt better than putting in actual food

This particular cookbook was special to MC too, they had spent several months trying to recreate one of the recipes from it down in the Devildom when MC didn’t have it. Even their D.D.D had been no help in finding the human world dish they were trying so hard to recreate

It had finally been Beel who had found someplace that sold the food they had been craving. He had even been able to bring it back completely untouched just so that they could have it all though he didn’t complain when they offered him several bites from their fork

MC pulls the next thing from their own shelves at home, a well read copy of Lord of the Flies. The spine cracked and little notes about their favorite parts scribbled in the margin

It was one of the human novels that Satan had and one of MCs favorites from school. Beel had caught them reading it and thought the title was ironic but the more he watched MC get engrossed in reading the more curious he got

He eventually asked MC to read it to him, he actually liked books even if most didn’t take him for the type it was just that he had a hard time actually reading himself. He always got distracted by food but audio books always worked well for him when he was working out, it turned out to be even better when MC read to him when he was eating

It was the best of both worlds for him and he found the story actually pretty funny, slightly worrying MC but they figured they couldn’t blame a demon for getting enjoyment out of a story like that. He did find their lack of food concerning though so at least there was that

One of the things that Beel often complained about when MC was living in the devildom was that when he went to go eat they weren’t always there. Sure Beel would ask them to tag along whenever possible but it didn’t always happen. He would call them from the kitchen at times and tell them that he missed them

MC was sure the other brothers would have something to say about it but knew that Beel would genuinely enjoy the next thing MC offered. Amagnet with his favorite picture of them. It was MC caught in a candid he took, mid bite in a dessert he had made them and his hand could just be seen wiping some whipped cream off MC’s cheek

It was a way that Beel could have MC with him at his favorite place every time

The last thing that MC laid out was something that was inspired by Beel. He had once given them a coupon for a free meal by him and they had thought it was just about the cutest thing ever

They made him a whole coupon book of favors ranging from cooking any meal he wanted to recording his workouts for him and of course lots of coupons for hugs and kisses

Beel isn’t used to being summoned at all so hes slightly disoriented when he finds himself suddenly in the human world. As soon as he sees MC though its nothing but smiles and he doesn’t even notice the gifts until after

“MC did you know I was thinking about you? Sometimes I just say your name and hope you will appear ... so if you ever think of me just say my name. I want to be here, even if its during dinner”

Belphie

Belphie is not one to beat around the bush at all. He is a creature of habit and just wants more of the same things that he already has. Dont fix something if its not broke right?

So its fairly easy to fill his summoning circle with things that he loves, just adding to his ever growing collection of happy nap time things

That isn’t to say that MC just grabs whatever blanket or pillows they have laying around, they still want it to be special for him

So yes the first two things they offer to Belphie is a pillow and blanket, there was never going to be anything else but MC spent a long time putting their love into finding just the right ones for him ... and still couldn’t find what they wanted

MC used this as an excuse to create something themselves for their sleepy boy. They dived deep into youtube and pintrest and spent more money than they care to admit on materials until finally they made what they wanted

The first was a quilt large enough for three cause the twins like to make MC a sandwich in a cow print pattern that matched his pillow and demon form marks, lined with the softest fabric she could find that was the same purple as his eyes

His pillow was another quilted design, this time of a cloudy night sky with a sleepy cow jumping over the moon. MC stitched his name in pretty gold thread on the back long with a sweet ‘I love you’

There was one last fluffy thing to give to him, this one MC knew he would probably scoff and tease them about but they couldn’t help it. They saw the angry looking cow plushie and just could not walk away

They have actually been sleeping with it when they miss him most and even if he doesn’t like the plushie the fact they have slept with it so much will make him a bit fonder of it

Even though they were pretty sure that Belphie knew every star in the sky MC couldn’t help but get a book with stories about the constellations. He might already know them all but they thought that he might still enjoy hearing them read to him as he drifted to sleep

The last thing MC has to offer him is also star related. A star map of the day that they made their pact. It was the day that MC had fully forgiven everything that had happened before and their relationship had truly began

When Belphie was summoned he was half asleep but knew who it must be even in his sluggish state. He gave a big yawn and looked around at all the things around him

“At least things are already set up for the perfect nap, including having you. MC next time just say my name alright? Its much more of a drag this way ... and I want to know when you are dreaming of me”

#obey me #obey me hc #obey me lucifer #obey me mammon #obey me levi #obey me satan #obey me asmo #obey me beel #obey me belphie

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starlightsearches · 3 years

Text

Writer Q & A

Thanks for the tag @daydreamsofren! This was fun 🥰

1) How many complete fics/one shots do you have that you have not published (yet)?

Zero. Unfortunately I am not very good at delayed gratification, and so I typically post stuff as soon as I've finished. When I first started writing Office Romance, I had at least two chapters done before I posted the next, and then I got behind and I haven't been able to catch up since. I'd love to be the kind of person that could let something finished sit in my drafts while I work on the next part, but it doesn't look like that's in the cards for me.

2) How many WIPS do you have right now?

Around 20 apparently.

3) Do you take writing requests or write original ideas, or both?

I do both! I typically prefer requests, since it's fun to take a prompt and put my own spin on it. Prompts are also more motivational—I work on ideas I come up with on my own much slower.

4) If you do take requests, how many do you currently have?

I currently have 11 right now! I like to have somewhere between 10-15 requests in my drafts so that I can jump around if needed.

5) How many fandoms do you write for?

I tend to focus on individual characters, so I don't know if I'd really call it writing for a "fandom." There are a handful I like to write, but mostly I get requests for Hux (which makes sense because he's my favorite.)

6) Are there any fandoms you wrote for in the past that you no longer write for? I

Nope.

8) Niche fandoms/characters you write for?

It's gotta be Hux. I love that greasy little man 🥺

9) Do you read fics as well as write them?

Yeah, although I go through more ups and downs with reading than I do with writing.

10) What is your favorite genre to write for?

Uhh, I love angst, and fluff and probably smut

11) What is your favorite trope (to read/write)?

Mutual pining, friends to lovers. I'm more comfortable writing the beginnings of a relationship rather than something in the middle.

12) What do you do to get motivated to write?

Read other fics, or daydream. I'll also read back through old comments or read my own stuff that I liked.

13) Is there a trope/genre you like to read, but not write?

Fake dating. I don't know if I could do it justice but it is one of my favorite tropes.

14) Any characters/fandoms you want to write for that are never requested?

Not never requested, but I do really like Frankie Morales and Benny Miller from Triple Frontier, and Laszlo Kreizler from The Alienist.

15) How long have you been writing fanfiction?

A little over two years. I started at the very beginning of 2020.

16) Did you read fan fiction before you started writing?

A really long time ago. I used to read Star Wars fics about Kylo and Hux when TFA came out, and then I stopped before writing my own.

17) Do you only post on Tumblr, or any other sites as well?

I post here and on AO3, but I started on AO3. I don't think I could handle wattpad 🙃

18) What do you personally consider the word counts of “Drabble”, “One shots” and “fics”?

Idk, mostly I just go by vibes. I really don't look at the word count of most of the stuff I write.

19) Which do you prefer to write more? HC, drabbles, oneshots/fics, multi chapter stories, other?

I like oneshots/fics the most. Anything that involves planning suddenly turns into 4D chess in my head and I have a way harder time finishing it.

20) Are there any stories you have discontinued? If so, why?

I don't know. It's hard to say that anything is discontinued because when I look back at what I've written I really like it. I'd say Indecent Arrangements, but I still think about it all the time, so maybe there will be a chapter update soon.

21) What is one of your main “pet-peeves” as a writer on Tumblr?

Uhh, I guess it's hard to tell why certain stories get less traction than others. I don't like how much time of day/the tag function/whatever else plays into whether or not my stuff gets noticed.

22) Do you write at a particular time of day?

I'm a much better writer at night, probably because I'm too tired to be mean to myself.

23) Do you listen to music, ambiance/noise, etc to write or do you need silence?

I have two playlists full of slow-ish music that I listen to while I write. One is called Rainy Days, and the other one is called It's Folkin' Fall, Babey!

24) Do you outline your fics at all before writing?

Only if they're complicated. Indecent Arrangements and The Runaway both have outlines, but none of the others.

25) Do you post your writing as soon as you finish it, or do you schedule it to come out at a specific time/day?

Once it's done, even if it's the middle of the night. I should probably hold back on stuff more so that I can make edits before I post it, but I'm too impatient 🙃

No-pressure tags: @generalthirst, @thembohux, @girl-next-door-writes, @jynzandtonic and anyone else who wants to participate!!

#tag games #about me #star speaks

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greycappedjester · 3 years

Note

Since I log the fanfictions I read, I’m realizing that June 19th marks the first day I read one of your fics! I read All in the Cards and was blown away by the storyline. Then, I continued to read your HQ series, the other cards fics, and your Dr.STONE fic too. I want to read your DC fics as well. I don’t know much background on it though, so I’m working on it. I just wanted to say how much I appreciate your writing and how it has honestly made this past year a lot better. With all that being said though, what’s your favorite thing/theme to write in each of your individual series? Like world building, relationships, etc.? Also, what inspired you to write in the first place?

Ahhh, thank you so much! This is honestly such a sweet ask and I am so, so glad that I could make your year better.

For what's my favorite thing/theme to write in each series, that's a tough one as a lot of times in changes; but, after thinking about it, I think these are my favorite things overall for each....

(I also thought I'd do something fun and put what my favorite line to write was in the last few chapters for the ongoing works. I always wonder what lines are people's favorite so figured it would be fun to add mine)

Hq at Hogwarts: I really love writing Oikawa and Hinata's relationship. Which is kinda an odd thing to say since they purposefully only have a few conversations spread out through each story. But, they're my two favorite Hq characters to write hands down and so I absolutely love showing them as foils to each other in the series. That said, I also love writing them (and especially Oikawa and Suga) as foils/parallels to the Giant and Hisashi (Suga's grandfather). I love both foil relationships and writing parallels between generations--especially if the next generation is completely unaware/uninformed of the previous generation's mistakes

Favorite Recent Line to Write: Kenma met his eyes and his voice broke: “Why am I the only one you have to hide?”

*Note: Okay, technically not the most recent chapter but fun fact: I wrote the Kuroo/Kenma conversation waaaay in advance and used it a lot as a reference to where I wanted this relationship to be headed and I viewed this line as one of the biggest break points (along with "I am waiting" from the dance)

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Cards: This one is the most tricky for me to think of one since it changes a lot. I love doing the world building for this one (like the huge long time line I have for the history of the country). I love writing fantasy politics. As I consider a Hearts Civil War story more, I'm getting back into the groove of just really love writing Oikawa's complicated relationship with being King. And, of course, I love writing Tsuksihima and Hinata's relationship

Favorite Recent Line to Write: Oikawa swept across the office, never seeming to pause for even a second as he pointed a quill at Iwaizumi. “So, tell me, are invasions just like a semi-annual thing?”

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The Hq/Scooby-Doo AU (Investigations Inc.): the humor and banter

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Walking With My Eyes Open: I think this might be my favorite romance thing I've ever written. I really, really wanted to show a view of romance that emphasized the choice to be in love (and the work that goes into a functioning relationship). I especially wanted to do this with Hanahaki since this trope is so tied to the forfeit of choice on the patient's end and the inherent unfairness/weight on the person they're in love with. Couldn't imagine it with any other characters but Senkuu and Gen tbh.

Favorite Recent Line to Write: But, human shoulders weren’t meant to bear the expectations of divinity.

*Note: Lol, this scene got cut and reworded so many dang times in editing, the one thing that stayed consistently I feel like is me really wanting to keep this specific line

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After the Fall of Olympus: Three things and I find it really hard to pick which one is my favorite.

(1) I love that this story format lets me show the slow growth/aging of Dick as a character and (I hope) that each chapter shows how he's grown to the point that Dick at age 14 in Ch. 1 is noticeably younger in internal monologue than Dick in his 20s in the latest chapter.

(2) I love writing tricky political/social issues where all characters have their points and there truly is no write answer...with that, I love writing Dick and Jay Garrick's relationship.

(3) If I had to pick, I don't know if it's my favorite but I think it's the most important element of the story. I very much wanted to show a more realistic view of grief where it feels like the world ended; but, it's not actually an apocalypse. They recover. At the start of the story, it is without a doubt the lowest/most devastating point, but they rebuild. It's slow and there's set backs but they are rebuilding a world that isn't (and shouldn't be) the same but is there and is new and is important. I know a lot of stories that focus on grief view it as a tragedy and an end which it is in a huge way. There's the phrase "it gets better" but a lot of times I think it's viewed as "things will go back to what they used to be" which is understandably hard for people to believe because a lot of times, it fundamentally is impossible for what's lost to be regained. That doesn't mean it's the end of everything. I think sometimes we forget that the previous world (be it actual in this story or what feels like the entire world) may not exist anymore but something different can still be built. The new world and old should never be compared because they can't be. It won't be the same. But, it can be good and they can be happy.

Which is honestly the recovery of what Dick Grayson, to me, should represent rather than the constant grief/vengeance of Batman.

Favorite Recent Line to Write (technically the last line here, just doesn't make sense out of context)

“You need someone with you. I’m not just leaving you alone!” Selina shouts.

“No? Why not?” Dick spits back. “You’re so good at it !”

Selina flinches back and Dick is viciously, painfully glad.

“You don’t get to care just when it’s convenient, Selina,” he says and it hurts, a wound that’s never going to heal. “I needed someone eight years ago. I needed someone when Bruce died, when Batman was gone, and the city was falling apart, and you weren’t there. You didn’t call. You didn’t check on me. You didn’t even say bye. And that’s fine. I lived, I rebuilt it.”

He steps away. “But, you don’t get to come back now and pretend it never happened. I don’t have to let you just because it hurts either way.”

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Flash Facts of Bart Allen: Lol, what might be my least popular but in my opinion best written story. Favorite thing is Bart and Len's relationship hands down, followed by showing Bart's relationship with how he navigates the weight of the Flash legacy while feeling like he's fundamentally different than the Flashes that came before.

Partly since this is getting so long and partly because personal story, I'm putting why I started writing under the break.

I started writing for a lot of reasons.

My first fic--and the first book I ever finished--was the first Hq at Hogwarts story (Mirror of Erised). For background, I started the story when I was in my first year of getting my master's degree (which was surprisingly a lot less busy than my undergrad for a number of reasons but me getting sidetracked into that is a whole other ask about grad school).

My first reason I started writing was that I had more time. I'd had the idea for the story for years; but, I finally had enough details that I was like "okay, now, I gotta write it" so I did. I'll say exactly what the final straw was when I actually get the series finished since it's a major spoiler.

My second reason probably didn't consciously occur to me at the time but is what I consider the most important reason I write and continue to write. I fundamentally want to write stories that make people's days better. It doesn't have to be anything big; I just really wanted to write the kind of story that people could get lost in for a few hours when they're scrolling through AO3 and looking for a distraction. I wanted to write something with happy endings.

Here's the more personal part. I really don't mean this in a sad way so please don't take it as such. However, when I started writing and posting, my dad had just died completely unexpectedly a few months earlier and right before I had to move cross country for masters. It was definitely a hard time (though I had friends and a good support network, again please don't worry--it was years ago now). But, writing then definitely helped me be in a positive happy attitude while thinking of plots and friendships in my favorite anime that always puts be in a better mood.

My point here is that while that was never the reason that I wrote, it's something I reflect on a lot for why fanfic can be such a positive force. Someone can have either the worst day ever, a mildly inconvenient day, or a perfectly fine day and still want distraction. To have a community with both writers and readers interested in the things you're interested in. To have a site where fic can be easily shared and for free. There's something just wonderful about that.

So, most of all, why I write: I want to show people that care about each other. I want to make someone's day better and often that day is mine.

That's really all there is to it.

#atfo #hq at hogwarts #cards #wwmeo

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sanzu-sanzu-sanzu · 3 years

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Hiiiii.🙈

Just came here to say that I love your Songs About Toxic People so much.❤️ I've been obsessed about the Bonten Executives ever since I caught up with the manga and it's just so sad how we don't have enough content about them yet.🤧

I love all the Bonten Executives and my favorites are Sanzu and the Haitanis.🥺🤧💕

It's funny because I don't even know how that happened and I didn't notice it right away but the next thing I know I'm simping after the three of them so hard and for days my mind has been filled with nothing but thoughts of them ever since. Oh, the struggle. (😂)

The lack of content about them almost turned me into a fanfic writer right then and there (🤣) because I seriously wanted to read something about an OC who's also the only female executive in Bonten and I almost wrote it down myself, I swear.😆 I have never written something before in my life. Never. That's why I am soooo glad to find Songs About Toxic People. You have no idea how you saved me from the thirst I've been having ever since I got introduced to Bonten!Sanzu and Bonten!Haitanis and how you silenced the raging thoughts in my head about them if only for a little while, may God help me.

Now. About your absolutely beautiful and wonderfully written fic. Let me just say that I love everything about it.✨ The characterization, the little details about OC, their interactions, the dialogue, everything, is chef's kiss in my opinion. English is not my first language and (I'm guessing your's isn't as well? If I'm wrong, please ignore this but if I'm right then) I admire how beautiful your narration is. The words you use and the way you can create an image in your readers' minds using your descriptions is amazing.❤️

Your "show, don't tell" skills in writing is very beautiful, very admirable, and it's also my most favorite part of your story. I love it very much, seriously. That skill is the one thing I lack that made me give up in being able to write something of my own.😌 I realized that when it comes to writing, there are so many factors to remember and consider in order to make it interesting and engaging for your readers. Worldbuilding, character development, pacing, to name a few. But the hardest for me to master is the one thing you're so amazingly good at. And I admire you for that. That's why whenever I come across a writer like you with such excellent "show, don't tell" skills, I always make sure to make my appreciation shown. ❤️

Another thing I love about your story is the OC.😭 God, I love her so much. She is everything I've wanted to see in a fic that involves the Bonten Executives. She's a badass, she's feisty, and she perfectly fits right in with the other characters. I could just cry with how perfect she is in my opinion and you made that happen.😭❤️ I'm very satisfied with her character and I want to thank you again because I just know that if I did followed up on my need to write my own fic despite my inexperience, I just know that I'll end up disappointing myself and possibly even hate the plot idea because I was not able to meet my own expectations so thank you, thank you, thank you.❤️

She is amazing. You are amazing. Your whole fic is super amazing. I am glad and relieved that I don't have to write my own because yours already exists and it's so perfect.🤧

A female Bonten Executive, and the only female one at that.🥺🤧😭 I am so incredibly happy that the idea is finally out there and someone finally wrote it and that someone is also such a good writer. 🙌🏼

Kudos to you and I hope I can do more than just read and then say thanks. I believe you deserve more than that because I've been looking for this exact content you made and I've been looking for days. And now that I found one, even just the one, I'm relieved because it's already perfect on its own.😌

It's possible that it would take a long time for other writers to write something like this: a female OC that involves the Bonten Executives, my favorite flavor.🤧 It makes me sad, but no matter. I don't mind if I have to reread Songs About Toxic People again and again and again like how Sanzu takes drugs I'M SORRY for a long while because it's enough to satisfy my hunger and my thirst for the time being.❤️

Wow. This got super long. My bad. 😅 I did not mean for this to happen. I hope you don't mind this long ass appreciation message. I love leaving this kind of messages to writers like you.😊

Anyways, yeah. I just came here to tell you that. I hope you're having an amazing day and that you're safe wherever you are. Please take care of yourself. I'm looking forward to more of your works and what you can come up with. I am super excited! 😁

Best of luck and God bless.

- ✨

helloooo :”( this one took me a quite a while to answer because i just couldn’t stop gushing whenever i’d open my inbox huhuhu but you have no idea how much this truly means to me and i wish i can write better words at explaining how this made me feel. <3

first of all, your obsession with the bonten executives is COMPLETELY understandable i’m literally on the same boat as you my friend hahaha with sanzu being my main guy <3 they’re just so hot and dangerous but i also think there’s something kinda funny with all those guys being together LMAO (especially sanzu and the haitanis…add in a dead-eyed manjiro omg..)

just like you i am quite sad about the lack of content on them hahahaha it’s the main reason why i started writing about them in the first place, actually! (also because i'm just obsessed with sanzu) but that was more at the beginning when i still mostly relied on ao3, and then i got more active on tumblr and now literally everyday there’s new fics about them and that makes me extremely happy 🥺 i always did think that the bonten executive OC would make for such a nice flavor so i just latched on to the idea, and i also wanted to keep it a little more casual because i’m not the best with dark themes hahaha but it also helps me imagine the bonten execs in friendlier, more human, more everyday settings—a very fun exercise when you can’t stop thinking about them!

i am beyond happy knowing that you’re enjoying my fic to the point of sending me this lengthy message (whose length i don’t mind at all!!!) 😭 painting a picture with words is one of my favorite things ever when it comes to writing and i just…tear up when people enjoy my descriptions and the interactions and the little details huhuhuhu you have no idea. i didn’t even know i was doing a ‘show, don’t tell’ manner of writing until you pointed it out, so i gotta thank you for this cause it made me think more about how i write (in a good way!), so thank you, i super appreciate it.

i also hope you do get to write if ever you wanna! manifest the things you’d like to see in the world—something like that! hahahaha but also yeah, it can be fun and the possibilities are endless and it’s fanfiction so you can always do you <3

again, this really just made my day and i’ve saved it to my notes to read for when i’m feeling meh hahaha. i gotta say in advance tho that my updates might not come as regularly as before cus (1) life and also (2) need ken wakui to reveal more about my favorite bad boy sanzu LOL so we get to know him better.

and here’s to hoping more people write about oc’s that are bonten execs! so you’d get to have your share of this genre of bonten fic! hehehe you deserve it <3

THANK YOU SO MUCH, i hope you’ll have a nice day too 🥺 and take caaaaare. MWAH.

ps. oh yes, you’re right! english is not my first language hahaha.

#I LUV YOUUUU

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botwstoriesandsuch · 4 years

Text

Whoopsie King Rhoam’s a dick but I gotta flesh him out so

Read Part 1 here!

Part 2

If you’re on mobile, and tumblr hates this post, follow along on this google doc!

Rules/overview this rewrite in the beginning of Part 1

‘sup ya beautiful bastards it’s time to gush about the process of storytelling and writing as we fix up the fix it fic so let’s just jump into it

- - - - - - - - - -

A quick recap of Part 2, and I swear this recap is faster than the recap last time: Chapter 3 of Age of Calamity opens with a more substantial scene the beginning points of Revali’s character, and contrasting the old position that Link and eggbot have, so that their later changes in this chapter (well, at least for Link in this chapter) are more pronounced. We edited a bit of the dialogue to make Revali’s intentions make a bit more sense, while also putting some little foreshadowing points with some camera tricks for the Hollow Champions. The Hollow Champions can now speak, which means their potential for being used to bring out the flaws or bitter aspects of each character is more readily available further into the story. And of course, we’ve introduced the main antagonist of Astor, and coupling his presence and dynamic with Zelda’s insecurities. While his intentions of needing Zelda for something is clear, his motivations and backstory remain a mystery as of yet, the only true clue we have so far being some sort of connection to eggbot.

I didn’t get any big asks or comments about Part 2 so I’m going to assume that it was mostly well received (although I will note that I promise I’m going to flesh out Revali to be more than he has been presented as of yet, this is just the very very start of this development don’t you worry your feather loving butts) that being said, you should totally critique me or give me your opinions or comments. I’d love to hear them! Although, keep in mind that I am restraining my rewrite to the guidelines already said, so don’t get mad at me for not killing off all the Champions or something. Thaaat’s a rewrite for another time. So yeah if you reblog you get a little kiss from me because believe it or not I spent a lot of time trying to rewrite an entire storyline while keeping it’s tone and integrity intact. So thanks much <3

Okie dokie then chaps! Let us finally delve into Urbosa lesbian vibes, a zest of Zelink angst, rants about pacing, and a couple tablespoons of Astor backstory, all starting in the latest stage of Chapter 3: The Road Home, Besieged

So right of the bat, big problem here. This Chapter follows directly after the events of Korok Forest, so you assume that maybe “The Road Home” refers to the team, going home, back to the castle, to tell King Rhoam what’s up. But...that’s apparently not the case.

So this entire stage, firstly, it brushes over any scenes where Zelda, Link or the other Champions might talk to King Rhoam about the Master Sword, or the Deku Tree, or...hmm what else happened last stage that might be interesting to see—oh yEAH HOW ABOUT that mysterious magic guy that tried to kill Zelda and was going off about the future and stuff?? That guy that wielded a bunch of dark magic and malice looking stuff and, uh yeah, you’d think it might be important and interesting to see the King’s take on was is essentially a wanted traitor to the crown who may or may not be leading the entire movement for the Calamity’s uprising. But nope, no one asks questions, no one says anything or has interesting conversations that reveal stuff about the plot. It's just….just all about Zelda and ooooOOooo she can’t awaken her powers oh no what’s a gal to do!

And I do mean that quite literally, this entire stage is all centered around two scenes with Zelda. The first, an admittedly narratively important scene of Zelda having a quick flashback about eggbot after he sings her a song, but it lasts for five seconds. And the second, being a pep talk with Urbosa as Link eats rocks in the background. For the majority of this stage, it’s all focused on Zelda, and pacing wise, it does virtually nothing to progress the narrative/plot forward.

And on paper, there’s nothing wrong with that! Hell, people read entire fanfictions dedicated to character development and relationships that have absolutely no external plot. Having a scene dedicated to just character development is completely fine, it’s something that’s pretty common and even encouraged to an extent. The problem arises when you remember that this is a story being told through the medium of a video game.

Now, I am going to try and breeze by this because, similar to Age of Calamity, I have to also construct this post with pacing that keeps my audience engaged, while progressing with my core narrative and story. But I highly encourage you to watch through this video by hello future me (On Writing: How to Master Pacing) because a lot of what I know about this I’ve picked up from his videos, and if you’re a writer or just someone who thinks storytelling is cool, it’s a great guide to the art of pacing.

youtube

Anyhow. There are two levels of pacing within a story. There is the small type of pacing, like for the structure of a singular scene. And there is the pacing of the overall core narrative, how the larger beats of the entire story is revealed. Good pacing for your core narrative is about whether the reader feels like they are getting closer to the big thing, the big climax or answer or promise of satisfaction. The smaller type of pacing, for your singular scenes, focuses on that timing between how close you get to achieving new information, this refers to your slow and fast pacing, tension versus rapid action.

So, overall the rule of thumb is: the amount of time you invest into your smaller scenes, even put together, that must correlate with a big enough payoff in the core narrative. That’s what good pacing is. (And that’s why people make stuff like the Three Act Structure to help visualize this pacing process but obviously other forms of pacing guidelines exist like the Five and Seven Act Structures but that’s too complicated for this Nintendo Game anyhow that’s just some educational flavour for ya to impress your highschool English Teacher I guess)

So knowing that, the question now is: Does The Road Home, Besieged contribute good pacing to the story? This is going to be my excuse for changing up other later scenes in the game, so when I mention pacing and narrative again, remember this. The time spent playing for thirty minutes, minimum, in the game, to only be paid off by two lines of character development isn’t good pacing. So the answer is “no.”

Delving as long an amount of time as thirty minutes, means that pretty much everytime a stage is complete, you must introduce new substantial progress to your story. A game like this just doesn’t have time to waste it’s valuable cutscenes on character development alone. There’s an even further wrench in the issue when you consider you also need to account for sidequests, so you could really be forcing your player to go through hours of gametime before you introduce new details in the story.

Obviously it’s not always gonna be cut and dry like that—sometimes you have to account for how enjoyable the gameplay is, and sometimes the amount of character development offsets any lack of narrative development—but for the majority of stages I’m gonna change, they all suffer this pacing problem. In a game that's entire story hinges on these cutscenes, bad pacing is just something it doesn’t have time for.

Anyhow anyhow anyhow, I got to get my dose of serotonin by talking about pacing writing structure and stuff and blah blah, so now I shall grace you with the changes that address these problems that would theoretically lead to vast improvement. I gave you this reasoning and backstory to writing because I am making hella changes, to hopefully make the experience more “poggers,” which is something the cool kids say these days if you didn’t know.

Firstly, timeline wise this stage is gonna take place directly after the Korok Forest battle. The gang is returning home from the battle, with Link, the new wielder of the Master Sword, along with this new information regarding a certain Astor character.

We open the same way it does in game, focusing on Zelda’s face, before the frame is suddenly blocked by the pommel of the Master Sword. A wordless way to express how the sudden revelation of Link being the hero has forced its way into Zelda’s mind, great use of camera Koei Tecmo 10 outta 10

Now I don’t want to immediately jump into Zelda’s “oh poor me I can’t awaken my powers” dialogue because—and this is something even Breath of the Wild is guilty of—This game seems to forget that there are other characters besides Zelda. It’s marketed towards kids, sure, but I assure you that kids playing this game have a longer attention span than 2 minutes. You don’t need to keep reminding the audience every single scene about how Zelda is anxious about her powers. It gets redundant, you waste the audience’s time, and therefore you waste your own time, because you could have been using that precious screen time to develop some other thing further. So anyhow, goes a bit like this.

Zelda’s walking, the Master Sword comes into frame. Zelda looks down at the ground but keeps walking, but you can tell from her expression that she’s troubled. Don’t need to waste time on dialogue for her here, show don’t tell, we need to make the most of the scene here. Camera is still on Zelda, but the focus blurs shifts from Zelda to the Champions behind her. We can start with Mipha, I don’t have my heart set heavily on any specific dialogue, but I want her to say something along the lines of “how proud she is of Link” and what an honor it will be to fight by the side of not just her dear friend, but also someone selected by the goddess to be the hero. Subtextually, I want her to say this in a tone that suggests that she doubts the need for her to be here at all. She’ll say something like “He’s grown so…” glances up at Link who's just walking ahead, “...so much stronger than I could ever imagine. [Something Something] His power has grown so much over the course of a few days, more than I have achieved in a lifetime.” She looks down, but she still has a sweet smile.

Now I’m doing this because I want to develop further this plot line of “getting stronger” that Age of Calamity sets up but never does anything with. Remember how in Chapter 2, Mipha asks Daruk to train with her to get stronger? I really like the possibilities of this arc with Mipha as it can not only parallel with her feelings for Link, but also make her character better as an individual. Mipha wants to get stronger so that she can protect Link, but now she thinks that Link’s already growing stronger to an extent that she might not be needed. She’s not jealous of Link, nor does she wish him to be weaker, she simply wants to be more than she already is. This is literally echoing her words that she left her father, about how leaving the Domain and experiencing new challenges would be “good for her.” So I wanna run with it. The dialogue here establishes Mipha’s motivation to grow stronger, almost equivalent to a rivalry of sorts.

So after Mipha says this, Revali scoffs and butts in. Again, I’m not too set on any particular dialogue here, just something like “Hmph! Well, I don’t know about that. Seems to me all that’s happened is some magic sword gave the knight an ego boost. Blade’s only as strong as the little Hylian who wields it, and—based on my own extended experience and professional observations of course—I’ve yet to see this ‘stronger’ boy that you speak of.” Another camera pan to Link a ways in front of them. “If you ask me, hero or no, that knight is still exactly the same as I first met him.”

Revali places a wing on his chest dramatically. “Perhaps if you’re truly keen on seeing growth in skill and strength, Mipha, you’d do well to—”

“Flattering of an offer as that may be, Revali,” Urbosa interjects, “But I think Mipha might find it difficult to observe growth from one of the shortest Rito in Hyrule.”

Cue laughter from others or snickering or something. We just need some banter to add a bit more flavour to the characters. Revali can do a little huff and cross his wings or flip his scarf or something. But then Urbosa continues.

“Although...he is right about one thing.” Urbosa looks straight ahead. “A sword does not alter a hand, just as strength does not alter character.” She puts a hand on Mipha’s shoulder. “Grow as he might, there is no doubt in my mind that he is the same boy as he’s always been.” Urbosa looks up in the direction of Zelda. “Whether you realize it or not.”

Ok so, scene’s not done yet, BUT quick gush on the dialogue flow here. I’m trying to establish parallels in these character perspectives based on the flow of conversation. We started with Mipha who, like I said, wished to grow stronger along with Link. This flows into Revali who also has a similar parallel as he wishes to grow above Link’s shadow. But the distinction between Mipha and Revali is that Mipha think’s Link’s strength is earned, and Revali thinks he cheated, gaining authority through a magic sword, and not through merit and skill. Thus, leading to Revali’s perspective of Link being exactly the same as he’s always been, he believes the sword doesn’t change anything. Urbosa then speaks, because she thinks exactly the same thing. However, her distinction is that Link is the same as he’s always been: a determined young boy earned his place and cares for his friends. Then she looks to Zelda who, as we know, will develop a perspective that contradicts this. So you get it? This scene is like 20 seconds long but it already mirrors nearly all the character parallels and perspective, that’s why the flow of dialogue is important. And I know half of you probably think these kinds of details are a stretch but I promise you it’s not, just look at any movie or show ever and I guarantee you can find similar stuff there too. Ok moving on moving on—

Urbosa looks up at Zelda, comments her, “He’s the same boy, whether you realize it or not” piece of dialogue. Camera shifts back to Zelda and Link, who, idk if I mentioned this, but in the scene there’s enough distance between the Champions and Zelda and Link that the Champions can speak without the other two listening. So they didn’t hear any of this.

So the camera is back on Zelda, and now we can get her “How can I…..If I am unable to awaken my inner power….” line. Eggbot senses her sadness, does his little cheer up dance, Zelda gets a flashback.

One small change I wanna make to this flashback: Instead of just a baby Zelda going “nighty-night” I want there to ALSO be a figure in the background behind eggbot wearing a silk royal blue dress. And said woman has blonde hair and she’s by the table back there. We don’t have to show her face or anything because Nintendo hates that. Just place the woman somewhere in the back somewhere

Also possibly you could add the shadow of another figure by the doorway, maybe? It would serve good continuity purposes for the plot points that I’m telling, but that part is not as necessary. I just need at least the woman there.

Then Zelda is like “I remember you” to eggbot and all that and blah blah… Now, instead of Impa offscreen just yelling “enemy ahead!” I just want it to be a full on ambush. Not like a major one, but just enough where the group is surprised a bit. Maybe on the cliffs above, a lizalfo throws a boomerang, or a bokoblin shoots and arrow, or even just throws a rock. I don’t really care. I just need this to happen because…

As soon as this danger is presented, Link turns around to grab Zelda’s hand and they start running again. And he can like use his body to try and shield her a bit, I need it to parallel how he acted during Chapter 1 on the road to the Royal Tech Lab. However, this parallel has one important distinction because…

Zelda rips he grip from Link’s after a moment. “You don’t need to coddle me!” She says, or something along those lines. “Y-You...You’re the hero aren’t you! I’m perfectly fine, you don’t need to spend your precious time playing babysitter to me.” In the distance, a horde of monsters is beginning to form. Zelda looks between the monsters and Link’s Master Sword, her expression unreadable. “Well? Just...just go do what you need to do.” Link hesitates, looking between her, and the approaching monsters. Zelda speaks more sternly now, “Go!” So Link, not one to disregard an order from the Princess, gives one last look to Zelda before setting off towards the monsters. Maybe Zelda can take a deep breath to steady herself after he leaves, but as soon as Link unsheathes his sword, the metal glistening in the setting sunlight, it cuts immediately to gameplay. Start battle.

For essays’ purposes this is the part where I explain why this is better than the original. So here’s my reasoning:

Uhhh, it just is. :3

Ok but seriously, I’ve already talked a tone about why the pacing and dialogue flow is better than the original. But also this scene doesn’t just say “Ooo Zelda is sad about her powers,” because that’s not interesting. Like I said, it’s redundant information. What is interesting is see how characters deal with that internal conflict and how it affects their relationships. AKA Zelda’s relationship with Link, who now basically embodies the success that she’s been working so hard towards but never achieved, is deteriorating a bit. I wanted to get that sense of the Zelda that we see in Breath of the Wild because all things considered, they should be roughly the same character.

So that’s that, you fight the battle, the Hollows show up a bit, so insert “dark evil Champion” dialogue because if you’re gonna use the evil clone trope might as well use it to the fullest. Then you fight the Talus and hurray horrah the day is saved.

Then we have that iconic Urbosa motherly pep talk to Zelda as Link eats rocks in the background. Now honestly, I’m not that big a fan of the first half of the dialogue, so I wanna change it into something more interesting. But the rest of the beats and camera work go roughly the same.

Zelda: “Link is...so much stronger now”

Urbosa: “‘And yet I have not.’ I presume that’s what you’re thinking, hmm?”

Zelda: “Well it’s true, isn’t it? More and more, monsters have been appearing around Hyrule. It is a sign that the Calamity draws near. So...there isn’t much time. And still, no sign of my power awakening.”

Urbosa: *sighs* “Little bird…”

Zelda cuts her off, in an attempt to change topics: “Why do you call me that?”

Urbosa: “Hmm?”

Zelda: “Little bird...I feel like I’ve heard it before. Why do you call me that?”

Urbosa, after a beat looks off in the distance or something: “A long time ago, my dear friend would call me to the palace, or perhaps invite herself over to mine, [she chuckles] ...and she would talk with me all day, and ask me to gaze upon her little bird with her. Her dearest daughter...a princess”

Zelda: “You mean my…”

Urbosa just smiles with a soft nod: “Back then, times were a bit different. The destiny that you have was still upon the Queen, who worked day and night to refine her powers and fulfill her destiny. In just a few short years, I went from being friends with a Queen, to friends with the destined sealer of the Calamity.”

Another pause, before Urbosa speaks again: “But...she was still the same woman I had grown with. Still the same loving mother who spoke about her little bird with joy. She had not changed one bit.”

Urbosa: “Even when your mother passed, her loving smile was there until the very end. She always loved you—believed in you, Zelda. She had great hope, great faith that her daughter would grow into the beacon of light Hyrule needed. That even with her gone, you would spread your wings and fly, because you were just that amazing to her.” *Urbosa puts her hands on Zelda’s shoulders.*

Urbosa: “Destiny did not change your mother’s love, just as it does not change Link’s courage, or your value.” *the camera can pan to Link eating rocks now*

Urbosa looks directly at Zelda now: “Look how hard we’ve all worked to get this far, how hard you have worked to get here. While we may grow in strength, in that regard, we’re all one in the same.”

Zelda: “...I….well…”

Urbosa: “What did the Great Deku Tree say? There is no need to fret princess.”

Urbosa: “Our faith, Link’s, your mother’s, it’s all as strong as ever. And everyday, with every moment that you travel towards your destiny, it just grows. It is always with us. So believe in that, have hope, yet, little bird.” *Eggbot can scurry up and make cute noises here next to Zelda*

Urbosa: “I know, you are where you need to be. You must accept that too.”

Zelda: “...”

Zelda gives a solemn nod: “Thank you, Urbosa.”

So that’s that scene! Don’t let the length fool you, it’s technically even shorter than the original scene in Age of Calamity. So why is it, in my opinion, better? Because for one, we actually get an insight into Zelda’s mom and Urbosa’s relationship, something that was PROMISED To us but never given and I’m still a bit salty about it. Anyhow, in addition to just getting some lore details, that relationship between the Queen and Urbosa is important for this scene because, just like Urbosa spells out, it’s in direct parallel with Link and Zelda.

Before the Queen suddenly got sick and died, she was destined to seal the Calamity. But she didn’t let that destiny change her, she was still the same loving mother to the end. Now that is something that Zelda needs to realize about Link, as his newly acquired destiny doesn’t change who he was before, the knight who cares for her and wishes to protect her. Zelda needs to realize he’s the same and that she can still trust and confide in him. Hence, that’s why this mom backstory is in this scene and not somewhere else, because it serves to the narrative but also more impactfully to the character development.

The dialogue could probably be polished a bit more but come on, not half bad for an improvement yeah? So that concludes Chapter—

SIKE we’re not done yet. We still have to move into the entire point of this stage, the road home, to the castle.

So, badabing badaboom, I’m adding an entirely new scene from scratch right here at the end, because it is VITAL that I set up something new about the story, as a sort of clincher. So anyhow

Zelda is alone with her father, let’s set it in the royal library (Intact, not ruined, of course) because we don’t see enough of that location and it’s really cool. So Zelda is briefing her dad about the events in Korok Forest and on the journey back home. I know I always gush about cinematography but it can’t be fully appreciated since I’m….writing,,, this, BUT I think it might be fun if the side shots of Zelda have her background be some bookcases of the library, maybe half bookcases and the other half the ornate walls. Then the background for the King’s shots is the full symmetry of the elegant staircases.

[And if you needed the specific reasoning for that, because it makes camera shots more fun. Like when Zelda says something that aids in her scholarly side, the camera angle can change slightly where the bookcases take up more of the frame, and then when the King’s will takes more power, then the book cases can be angled a bit more out of frame. And then the symmetry of the King by the staircase is a way to show his higher power dynamic to her, and contrasts well with Zelda’s shots since the bookcases are dark and the stone is lighter, so on a meta level is also makes it easier for the audience to understand where they are. Shot composition is fun ok, and that’s not even getting into color theory (Thinks about Baby Driver and LaLaLand....even videogames like Undertale and Hollow Knight have such wonderful shot composition and use of color theory hhhhh love it)]

Ok so Zelda’s briefing the King in the library, she’s standing while he’s sitting at a desk. There’s maybe two or four Royal Guards on the staircase entrances, but for the most part, they’re alone. You can tell that this meeting between them has been going on for a bit now, as from Zelda’s dialogue, she’s retelling events midway through the story.

The King is flipping through some paperwork, not really looking Zelda in the eyes. She continues speaking.

“And so...with the malice cleared and the monsters being dealt with, Link and I made our way into the heart of Korok Forest.”

The King hums a response, flipping through another page. “And this is when Link pulled out the Sword that Seals the Darkness then, I presume.”

Zelda paused, as of thinking of how to phrase her next words. “Not exactly. I...we both encountered someone beforehand. A man, with a pale face, and dark hair and robes, and he had the power to control malice, using a strange object in one of his hands.”

Rhoam stops writing in his journal or whatever. He doesn’t look up, but the sudden stop he makes is obvious. Zelda notices, but continues.

“He talked about...the Calamity, and my birthday...destiny, and the future….I’m not quite sure I can remember his intentions word for word. But he did introduce himself as—“

“Astor…” Zelda and the King say simultaneously. The King has fully perked up now, looking at Zelda. She’s pleased to see a reaction from him. The King rises from his chair, and starts pacing a bit, stroking his beard thoughtfully like the asshole he is.

“So you know him then? This Astor man? Who is he, father? What does he—“

“Were you alright? Did he hurt you, or mention anything else?”

Zelda pauses for a moment before shaking her head, as if the concern he was expressing was uncharacteristic. “N-No. No, I’m fine, and Link was there. During the battle, as Link fought him off, that was when the sword was pulled. Then Astor fled, or...” Zelda pauses for a beat, “retreated...he expressed his wish to speak with me again.”

Another beat of silence, as Rhoam gets up, hands clasped behind his back. “He used to work at this very palace.” The shot is now directly on Rhoams back, as he faces a bookcase, although it’s clear that he’s just deep in thought, and not just staring at books. Rhoam is in third column of the shot (he’s to the right, not in the center)

“A trusted advisor. Someone gifted with foresight, who many years ago, had first predicted the coming Calamity.” Cut to shot of Rhoams face, the camera being by the bookcase, so that we see Rhoam’s expression and Zelda’s.

“In truth, I thought him dead. For the last time I saw him alive—truly, truly alive—was ten long years ago...” The shot goes back to the original establishing shot, of Rhoam facing away from the camera, towards the bookcase, he’s standing to the right, hands still clasped behind his back.

“...when your mother still graced this earth.”

From left frame, a younger Astor walks up and stands beside Rhoam. He runs his fingers along the books. Rhoam looks to his left, as if he is seeing Astor. Camera cuts to Astor’s right, as if looking at him from Rhoam’s perspective. He continues brushing his fingers against the spines of the books, before he finds the one he’s looking for. Pulling it out, he opens the book, flipping through its pages, before giving a genuine smile. Cut back to wide angle behind them. With the book, Astor starts walking back out left frame, but this time the camera follows him. Filter fade to a memory tint as the camera pans right to left

[when the camera fades fully into the Astor memory, the figures can have that silhouetted effect like you see in botw. Cause I know Nintendo hates making new character models for some reason.]

So if it wasn’t clear already, even though the memory filter doesn’t come immediately, Astor isn’t actually there, but it’s just a flashback. I’m a sucker for merges, which is something this game and botw NEVER do which bugs me because there are so many creative ways you could introduce flashbacks without just doing “ooOooOoo fade to sepia filter and then oooOOooOOO we fade back to reality and no time has passed.” I apologize if my explanation of the camera doesn’t make sense as it’s hard without much visual aid, but hopefully it makes sense so far. Anyhow! Let’s continue.

We’re now fully immersed in this memory, but King Rhoam’s voice still narrates overhead.

Astor brings the book to one of the desks in the library, where a woman sits writing something onto paper. News flash, it’s the queen. Astor hands her the book and starts speaking about something, although you can tell the tone of their conversation is light, almost akin to Zelda rambling about Sheikah Technology. The Queen laughs about something unheard, as Astor continues ranting about something, his hands moving to like a professor giving a lecture.

Rhoam Narration: “When he had first predicted the Calamity, things were much more hopefully for our kingdom. As although his foresight granted him only glimpses and fragments of a future, he was almost certain that with the Guardians, and the strength of your mother’s power, our victory would be absolute.”

Scene changes to the Queen walking down a corridor, Astor is leaning against the wall by a window.

Rhoam Narration: “He and your mother would often work together tirelessly to study the ancient arts, to make the most of the powers given by the goddess.”

The Queen has walked up to Astor now. She crouches down and gestures to her left, the side not yet seen by the camera.

Rhoam Narration: “In fact…”

The camera changes to focus to where the Queen was looking towards—a young Zelda, crouched behind her mother’s dress, stares up at Astor.

Rhoam Narration: “I would not be surprised if you found within yourself, a memory of such.”

I would prefer if you could see the expressions of Astor (giving Zelda not a smile, but not really a frown or anything rude either) and young Zelda. But I guess it can also just be silhouettes too cause again, Nintendo hates giving us younger character models outside of first person POV stuff. Anyhow.

The scene fades, the light from the window dimming as everything darkens.

Rhoam Narration: “I often times wish we could go back to such a time, when victory and pride swam in every corner of this castle. But of course…”

The scene brightens again, although not as bright as before. It’s the exact same corridor with the large window, but now it’s raining. A young Zelda stands alone in front of it, looking outside.

Rhoam Narration: “Such a time did end…”

We now cut to a new scene, King Rhoam is walking down a hall, the camera’s perspective is of a bird’s eye view, like we’re peering in from outside a window. We can see the shadow of Astor chasing after him, as he starts speaking frantically about something, not quite, but almost to the point of shouts.

Rhoam Narration: “After your mother died, the visions of the future shifted drastically. No longer was there glimpses of rolling fields and shimmering skies, but instead, of rubble, red earth, and death.”

You can now more clearly hear the words coming out of Astor’s mouth. He is telling something about failure, and souls, and the Calamity to the King’s ear. He’s still walking forward.

Rhoam Narration: “He was adamant that our demise was now coming faster than ever, and that without your mother, we were doomed. That even you, should you take up your mother’s mantle, could not save everyone.”

Astor: “I’m telling you Your Majesty, if you go down this path, there is no going back.”

King Rhoam: “There is no other choice, we are moving forward.”

Astor: “I don’t think you quite understand the true gravity of the fate you’re choosing for yourself. It is a guarantee that you, me, and countless others shall die.”

King Rhoam: “I don’t want to hear it.”

Astor: “And of course, there are a multitude of possibilities, but the end result is the same.”

Astor: “Do you have a preference, perhaps? Crushed by rubble? Suffocation under ash?”

Rhoam’s tone is deadly: “Stop.”

Astor: “I’ve seen fire too. I’m not yet quite sure the exact circumstances that lead to flame appearing and spreading so quickly, but rest assured that if you—”

King Rhoam: “Stop.”

Astor: “If you saddle someone else with this duty I am absolutely certain that you and I will—”

King Rhoam, voice not shouting, but still with a booming intensity: “Just like you were so certain of our victory 10 years ago?”

Astor’s face darkens. He’s silent for a moment, collecting his words before practically spitting the first articulation: “...That, future, was the one that would come to be if Her Majesty was alive. If you’re so unsatisfied with my departed wisdom you can go ahead and flail around with destiny alone. You think I choose for these events to happen? You think I lie when I saw I want what’s best for this kingdom—”

King Rhoam: “What’s best for you.”

An ugly pause.

King Rhoam: “It is decided, Seer. It’s time you accept this. My wife is dead. That is the truth. Thus the role of sealing the Calamity shall pass to my daughter. She will work to awaken her own ability. It will be her duty to save us.”

Astor half laughs: “A child?! Surely you don’t need the supernatural to see how foolish that is.”

King Rhoam’s voice is even more stern: “You are living proof that the future is not absolute. Therefore I...must place all belief in her ability.”

The King walks away, leaving Astor alone. Weirdly, he smiles. Perhaps to mask some other emotion.

After another moment, Astor yells to the King: “I’ll fix this! Alone if I must!” He’s chuckling as he shakes his head. “Your useless faith may cost many lives, but even so mark my words, I will fix this.”

The King looks back, but says nothing, his expression unreadable. He continues forward, leaving Astor alone chuckling, or perhaps something in between chuckling and crying to himself.

Rhoam Narration: “We haven’t spoken since that day. I simply left him to his devices. If he was so determined to find another way to stop the Calamity, then who was I to stop him. I doubt my word could have swayed his mind regardless.

We’re now looking at a room, the camera is just by the doorway, looking at an office, circular and domed. It’s stone brick walls are covered in parchment and ripped books, covered in symbols and frantic writing. An old Sheikah tapestry hangs crudely on the left wall, and the window on the right seems to tint grey, or even a deepest crimson. Centerframe, is the back of Astor, robe hanging just above the paper ridden floor. He is flipping through something on his desk.

Rhoam Narration: “Fixated as he was on the perfect future that you mother might have led, I still had hope that with time, he might still assist you with your destiny one day.”

The camera slowly comes closer to Astor. We can see more clearly the type of stuff that sprawls the papers and books and diagrams across his office. Some depict stars and constellations, and even a few notes on Ancient Technology, although in a noticeably cleaner font. However, as the camera moves close and closer to Astor, the papers and books depict only one clear topic: the aura of death that comes only with necromancy.

Rhoam Narration: “It seems…”

Astor finally reacts to whatever he was doing on his desk. You don’t see his eyes, but as he fully turns around to face the camera, you see his smile, along with him holding a dark orb of unknown energy. It hovers in his hand.

Rhoam Narration: “...I was mistaken.”

The camera cuts to a wide angle, looking at Astor from behind a stack of books on his desk. The stack of books on Astor’s desk brighten in color (from the memory dull filter), until the scene fully fades back into the Royal Library. The camera is now focused on a similar stack of books on the desk behind Zelda, where Rhoam was working before.

Zelda is still looking at her father, who is still turned away. Now, he turns back around to face her.

“He had disappeared completely one day, so it was my understanding that whatever he was working on killed him. However, if he is truly back as you say…”

Rhoam walks closer to Zelda, close enough that he might have put a hand on her shoulder, but his arms stay behind his back.

“It is in your utmost interest to prove him wrong. I know not what he plans on doing, but it would be wise to stop him before he does.”

Rhoam turns away now, pacing back to the otherside of the desk. “But, your more important priority is unlocking your powers, understand? Now more than ever, is not the time to get distracted.”

Zelda, taking this all in, takes a deep breath. She then nods at him. “I understand...Father.”

After a moment, the King makes a motion as if to dismiss her. She starts to walk away, her thoughts churning in her head, heart thumping to the same beat as her echoing footsteps. Suddenly, Rhoam calls,

“Zelda.” It’s not a question, but the tone is asked like one.

She turns back, looking at him, expectantly. Rhoam only stares at her, an uncharacteristic moment of uncertainty for him. The words he wants to form seem stuck in his throat, until finally, he lets out a quiet breathe through his nose, before simply saying:

“You must.”

Zelda can only frown, her shoulder’s slumping slightly, as she ducks her head and leaves.

- - - - - -

And that’s that! That’s the complete end of Chapter 3. So tune in next time for Chapter 4, including a new slight but important story changes, Yiga husbands, and shocking turns of events.

Edit: I forgot that posts with link’s dont show up in tag results so a rb is appreciated :p

#Hwaoc: The Kip Cut #fuck this is the biggest one yet #hwaoc #age of calamity #hwaoc rewrite #hw age of calamity #hyrule warriors age of calamity

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