Okay so today my housemate just messages me telling me that I've lost the recycling box???
They said they didn't take it out, and that I took it out last, but like last time I took it out was before it went missing, we had guests who cooked and used the bin, when emptied it there was no recycling from their GF.
they where all like 'well, no one knows where it is, and you had it last. What do you suggest we do?" They aren't looking for solutions they are looking to place blame. What kind of question is this even like, if the bin is missing there are only two options: find it or replace it.
They don't even know that I was the last person to empty it, they have just assumed it and ran with it.
Trying to get me to buy a new one as if we haven't just replaced the washing machine, and you have just gone on a trip to the dump.
I think its easier to lose a medium green box in a large dump than it is to lose a medium green box in a small courtyard.
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Something I really don't understand is this obsession the anti-Israel crowd (in the West) have with death and martyrdom. All they care about is dying, and often killing for their cause; I see nothing about building a better future that isn't based on the murder of 9 million Israelis.
It's easy to die for a cause. The challenge is living to make a better tomorrow.
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"are you asking me or making me?" is soooooo interesting to me because i think armand only asks it when he can't gauge whether he's letting louis down. it's barely even sexual - it's a hail mary. it's a show of trust, indirectly admitting that he wants to do something other than what louis expects of him, but that he's willing to obey louis anyway, for the sake of their relationship. it's sort of heartbreaking watching them at the sacré-cœur, because if louis had said "i'm making you" armand would've done it in a heartbeat. he would've taken it as a show of committment on louis' part, and he wouldn't have betrayed him. but louis takes the question just as an expression of disagreement, and so he doesn't play the game. ironically, he respects armand's independence too much to make him turn madeleine if he doesn't want to. and so armand isn't convinced of louis' commitment to him, and he betrays him.
and by the time we see them in san fransisco, louis knows what the question means now, and answers "no, arun, i'm not asking" without question. and armand accepts it without complaint, even as it pains him. companionship really is the most important thing in the world to armand, just like it is for lestat, and he's willing to do any number of horrible things to louis and himself just to keep him as a companion, just like lestat. louis' biggest mistake is not realising how to use that to his advantage sooner.
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Remus: oh right i forgot to tell you. Sirius and James are in jail.
Lily:
Lily: i’m sorry??!!
Remus: yeah
Lily: and when were you planning on bailing them out?
Remus:
Remus: tomorrow
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Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow
hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.
like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.
anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better
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I’ve talked before about the different ways Perseus and Pentheus react to Dionysus, but I think another interesting dichotomy is how they react to the maenads, Pentheus wanted to imprison and enslave them. When Perseus defeated them he executed them, as if they were male enemy combatants, the differences could end there but Perseus also genuinely showed respect to them, burying them and even making tombs for the higher ranked ones. Compare that to warriors in the Trojan war being hellbent on desecrating their enemies corpses.
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It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo
Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j
Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.
Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)
-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.
We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.
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writing after 16+ months of Not Doing That is... really really hard. Getting the images in my head into words on the page is like pulling teeth from the mouth of a conscious raptor who's also very hungry and also you are the raptor.
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