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veryhappyunbirthdaytoyoutoy-blog · 2 years

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Alright y'all, story time!!!!!!! This takes place after S2 episode 1, The Curse of Cornelius Sigan. SO! Pretend Arthur's half-ass apology (or rather, LACK of apology. Which really doesn't make sense, since Arthur had some character development in this episode, willingly thanking Guinevere for saving his life instead of being all "I would've been fine", but whatever...) doesn't happen at the end of the episode, and Arthur ACTUALLY tries to make amends with his servant. Enjoy!! Or don't!!! Whatever!!!!!

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After the situation with Cornelius Sigan, Arthur felt… bad. Really bad. More remorseful than he could have expected, strange ESPECIALLY as he was feeling this way for a servant, yet here he was pacing his chambers, trying to figure out how to apologize to his said servant.

But Merlin was never just an ordinary servant, was he? Very bravely, he had tried to warn Arthur about Cedric's untrustworthy-ness, had come to him first with information about Sigan, and had been willing to make himself look like an ass in an effort to warn his prince.

And what did Arthur do? Call him lazy, accuse him of being on the cider, and fire him.

A clotpole indeed.

And so the morning after the whole fiasco was resolved — Arthur still isn't quite sure how— he found himself making the long walk to Gaius's chambers to collect Merlin on a surprise hunting trip. When Merlin, unsurprisingly, tells Arthur he doesn't work for him anymore, Arthur says, "well, as my previous servant ended up being pure evil, so I am in need of a replacement. Plus, I'm the prince and you'll do as I say, now come on!"

Which, even Arthur can admit, wasn't exactly tactful after everything that had just happened.

Merlin was immediately suspicious — which made Arthur feel like even more of an ass, since his manservant can’t even really trust him anymore — when during the trip, Arthur insists that they visit a tavern near the edge of the kingdom, in disguise, for cup of mead.

Which led to them avoiding each other's gazes as they nursed their drinks, silent in the otherwise noisy tavern.

As difficult as he had found it to say thank you to Guinevere for saving his life a few days prior, Arthur found it SO much more difficult to apologize to his manservant, who had proven himself time and time again unfailingly loyal and deserving of trust (and who could, and WOULD, definitely give him a hard time for an awkward attempt). But as he watched Merlin uncomfortably sip his cider and keeping his gaze fixed on anything but Arthur, he knew he had to try.

Arthur took a fortifying breath.

“Merlin.”

The manservant looked at him, straightening slightly. He was biting his lip, and at the sound of Arthur saying his first word since they ordered, he slowly set down his cup, trying to manage one of his silly grins.

“Sire?”

The prince shushed him at the title, looking around frantically, and let out a sigh when no one seemed to notice. Taking one more swig from his cup, Arthur slammed it on the table, and then met Merlin’s eyes with the intensity that he carried into battle.

Then he took another breath.

“Merlin, it was my fault that all of this happened. I was stupid, and as much I hate to say it, you were right. I should have taken your word instead of the word of some boot-licker I had just met, because every single time you have warned me about something — which is an awful lot, by the way, how the hell do you find out about these things? Anyway, you are usually right, and you have proven yourself loyal over and over again. I should have shown you the same curtesy and I am sorry. I swear on my life, Merlin, that I will do my best to make sure something like this never happens again.”

Arthur's chest was heaving and he quickly looked away from his servant's wide-blown eyes in favor of another swig of his mead. When he mustered the courage to look back at the other boy, Merlin was blinking fast and looked quite stunned.

The raven-haired boy cleared his throat, took a sip of his drink, and cleared his throat again.

Then he spoke:

"Well, Arthur, to be quite honest, I'm surprised you managed to get through that whole thing without fainting. I thought for sure admitting you were wrong would actually kill you."

Arthur scowled as Merlin began to smile — really smile — at Arthur over the top of his mug.

"Yes, well don't get used to it Merlin, despite your uncanny ability to sense disasters, though that may have something to do with being one yourself—"

"Hey!"

"— you still are truly the worst servant I've ever employed."

Merlin giggled and then raised his eyebrows before saying, "now Arthur, after that apology, how can I possibly believe that. Just admit it, you softie. You—"

"Merlin?"

He looked up, doe-eyed and innocent.

"Yes Arthur?"

"Shut up."

Merlin began to laugh fully at that, and Arthur allowed himself to relax in the tavern where no one knew who they were. And as Arthur watched Merlin laugh, he swore to himself that he would always trust this boy. This fiercely loyal boy who would call him out, tease him relentlessly, and had managed to carve himself a space in Arthur's heart.

#bbc merlin #merlin #could be read as #merthur #my work #fic #arthur pendragon #i just wanted to write something that shows Arthur having some ACTUAL CHARACTER GROWTH #because he was kind of an ass the whole episode #and Merlin was just so sad #and he deserves an apology #and Arthur deserves to be more than a stupid prat-prince #just saying #curse of cornelius sigan #i don't know how to tag stuff

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inawickedlittletown · 3 years

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Queerbaiting and Buddie

(word count: 1,900)

I keep saying that I don’t want to spend any more time on 9-1-1 meta or fic, but the events of this weekend made me open up a document where I had some unfinished meta and in light of the S4 finale airing tonight, I thought I might at least write this:

“Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation. They do so to attract a queer or straight ally audience with the suggestion of relationships or characters that appeal to them, while at the same time attempting to avoid alienating other consumers.”

That is how Wikipedia defines queerbaiting. And I really feel like everyone needs to read that and then read it again and realize that what is happening on 9-1-1 with Buddie is NOT queerbaiting.

I don’t want to go into the long history of queerbaiting because we would be here all day and anyone that wants to do some research should go and do so. There are a lot of resources out there. Use them.

But the short of it is this: queerbaiting has a lot more to do with the way a show is promoted, with the way that anyone involved in the show talks about a queer ship, and with the show deliberately scripting scenes that hint at a relationship without any intention of following through. Expectations and wanting a queer ship to go canon and those expectations not being met do not alone equate to it being queerbaiting.

For any of us that have been around a long time there are a lot of perfect examples and if you compare Buddie to any of them, they are very different. I’ll name a few:

Merlin/Arthur

John Watson/Sherlock

Emma Swan/Regina

Derek/Stiles

Castiel/Dean Winchester (though they did go canon...barely)

Lena/Kara

Buck and Eddie do not fit into that list. Which isn’t to say that someday they could belong there, but I just do not believe that they will even if Buddie never becomes canon. And this all lies in how Buddie as a ship has been treated both on screen and off. I’ll break it down by season.

S2:

Eddie is very clearly introduced as a new character, a straight Army veteran with a disabled kid and family drama. He and Buck have immediate chemistry. We can’t deny that, or deny that from that first episode there are immediate sparks. Unintended sparks, but sparks nevertheless. And it is easy to tell that no one on the production team expected that and the story reflects that.

Yes a foundation for their friendship is formed and yet the season long story focuses on Eddie’s relationship with his estranged wife and Buck is dealing with his own growth after being left by Abby. Their friendship shines and their scenes are great but none of them suggest romance and there are actually a lot of episodes where Buck and Eddie barely interact in S2 aside from in the background or for small work related moments (this mostly happens after Shannon returns).

S2 does give us the first acknowledgement from the powers that be aka Tim Minear that they know what the fans have seen. This is why the elf scene exists, but it exists in a space where it’s a nod to the fans and not meant to do much more than that. The other moment is during the call with the livestreamer. But S2, places them completely and without question on a strong friendship.

S3:

We see a lot more conflict for Buck and Eddie in this season and we see how close and important they are to each other. Those are the two main things. That can be read as friendship easily and it’s a season where both Buck and Eddie deal with their pasts and in one way or another start to get closure while their friendship remains intact.

Yes there are some scenes that make us squint and go huh, wtf? (I’m looking at you kitchen scene), but narratively we also know that neither of these boys is ready for a real relationship with anyone, let alone each other. But we can bask in how close they are as well as how Christopher fits in into all of it.

But in S3 we are also introduced to Ana and we see the return of Abby. We also get to see that Buck and Eddie have become closer than ever and that the lawsuit only serves to highlight the importance that they both feel about having the other available to them. I’ll also quickly mention that Eddie Begins worked hard to highlight Buck’s devotion to Eddie.

S4:

Without considering the events of the finale (I am avoiding spoilers and know nothing about it or the speculation), we’ve seen Buck and Eddie both grow and get further closure on their past. This season has paralleled them well and their friendship has not faltered, they’re as close as ever.

The beginning of the season was heavily focused on Buck and we saw him grow as a person and begin to work on himself in a healthy way and we’ve seen Eddie be supportive of that.

We also have Ana to consider and her relationship with Eddie as well as the return of Taylor and yet the appearance of these women has not changed the Buck and Eddie dynamic. And I find it fascinating that Eddie beginning to date Ana, is the thing that prompted Buck to start dating. The parallels are all over the place but it is the strength of the friendship and the way they care so deeply about each other that remains whether that becomes romantic is still to be seen, but it could still go either way.

Off-screen by the end of S2, Tim Minear had already addressed Buddie by throwing in that elf scene in a wink/nudge fashion that said “I see you” and in the scene with the girl with the livestream with the comments. During S3 he tweeted about being frustrated by the fans demanding and being hostile and thinking that that would make him more likely to do what they want (I’m paraphrasing what I remember seeing). Tim has never once said that Buddie will happen or shut the door on the ship entirely, but he did say he did not want to engage in conversation about it because he doesn’t want to get into arguments with fans.

Oliver has always been enthusiastic about Buddie and has even said that he would be perfectly fine with it happening both a while ago and more recently in promo for S4. Conscious of queerbaiting and not wanting to give fans false hope, he has specifically said that he does not know if it will or won’t happen and that he wouldn’t speak on that as he’s not the one making that decision. His support for it happening does not mean he has any sway one way or the other. He’s said this a few times and even wrote a letter to the effect to make it clear to fans that the last thing he wants is to disappoint someone due to something he’s said.

All in all, it just isn’t a constructive environment for anyone working on the show to interact with fans on this topic because any time that they do, they get attacked by overly enthusiastic buddie shippers that in many ways are making everything worse.

In all of the interviews from Tim that I’ve seen, he has always been very quick to hint at what was coming up on the show in a way that at times has been misleading on purpose. The number one thing that comes to mind is early in S4 where Buck was said to get a new woman in his life. Tim absolutely made it out to seem like it was a girlfriend while knowing fully well that it was a therapist. This is an excellent example of what promoting and hinting is actually like. No one from this show has done that in regards to Buddie.

No one has gone out of their way to hint that it may happen in a way that excites the fans. And this is one of my main reasons for knowing that Buddie is not a queerbait. At no point in the life of the show so far has anyone used Buddie in a promotional way to bring in viewers. Because THAT was the whole point of queerbaiting in the past.

It was a way that some showrunners found to bring in a lot of viewers when they needed to up their numbers in order to show networks they were worth keeping around. Someone figured out that LGBTQ people wanted to see themselves represented so much so that they would tune in to anything that promised an LGBTQ character in some fashion. It was a tactic that worked well in the landscape of tv where there was so little LGBTQ content on mainstream media that anyone wanting it would latch onto anything. And then they just wouldn’t deliver on those relationships or characters. In 2021, that is not the world we live in any longer.

In today’s tv landscape there is so much to watch and so much to pick from and diversity has grown, it is celebrated. Queer characters are well represented as are queer relationships and queer stories. The times are different. A while back I was listening to a podcast (Bait: a queerbaiting podcast) and something I found interesting was how the hosts both agreed that in today’s tv landscape there is no more real queerbait and that we won’t easily find anything like the ships I mentioned above. I think I agree more with this than I expected to, because I do think that it exists in some spaces, but it definitely isn’t what it used to be. This is a good thing.

Specific to 9-1-1, this is a show that has that diversity and that isn’t afraid of tackling that diversity and giving us interesting and nuanced perspectives and stories embracing that. We have characters of color, women in positions of power, a F/F relationship, two multi-racial relationships, a disabled character, other queer characters including a M/M relationship. There is so much in this show that embraces diversity and that embraces the reality of what the world looks like. To call it queerbait is to disrespect everything else that this show is and has done and the hard storylines that have been tackled that we would not have seen on tv ten years ago.

And I get that Buddie would be another breakthrough. It would be a novel way to tell a queer story, and it would be amazing if it were to happen. The set up is there, but it isn’t fully realized, and Buck and Eddie can still be read as just friends if we take off the shipping goggles. But it also isn’t queerbait or likely to become queerbait and people have to stop calling it that.

What Buddie resembles is one of the many unintended slow burn ships that have frustrated viewers in many forms across fandoms and we just have to go along for the ride and maybe it will happen. Or maybe it won’t. But if we know anything about relationships on tv, it is that a lot of the fun comes from the journey, even if the destination is good too.

#911 fox #buddie #911 meta #911 on fox #buddie meta #buddie is not queerbaiting #long post #this is almost 2k long

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loveatfirstwriteblog · 3 years

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A Complete Analysis of Harry Potter

Like a lot of kids, we probably grew up on Harry potter. We were obsessed and rightly so. The universe created in the world of Harry Potter was, and is, a hugely successful one because of the fact it gave kids a world where magic exists! It seemed to be a great world to live in and it made even better with the fact that it included elements of empowerment, Whether it be showing girls can be just as successful if not more in various pursuits(Hermione), or the fact that even if you have a history of bad events, you can have a good heart(Hagrid), Harry Potter teaches us a lot.

JKR has written a mind-blowing plot in a world of magic, wizards, witches, wands, potions, friendship, love. Our inner-five-year olds--and actually most of our young adult selves too--jumps around excitedly at the beautifully penned words that creates an exit out of this world and into one where magic does exist.

As you get older, though, you begin to think of Harry Potter in a more critical fashion. The thought of “oh my god, it’s magic” no longer completely overrides my mind, but more of “but what are the laws regarding this? Can people just do this whenever they want? Are there no ethics?”

No matter how much we’re going to expose the flaws and plot holes in HP now, we’ll always love the books--we grew up on them! But some things just niggle you as you get older, and that’s what we’re going to be focusing on in this post.

Something I adore about the HP books is that everyone, including the “good guys”, has flaws. Harry has a “save the world alone, do first, think later” complex, a driving force that makes him go save Sirius, Ron is very, very insecure to a point where he ditches Harry twice, probably when Harry needed him the most, Hermione is a judgemental, narrow-minded nag (her thoughts on Luna, divination, Trelawney, basically anything that doesn’t fit her black and white world), Molly Weasley is misogynistic and blatantly favourites her children—probably being one of the main factors behind Ron’s insecurities, Arthur is condescending towards Muggles and makes several comments you cringe at while reading the books as a young adult/adult, Sirius, Snape, and Lupin still haven’t let go of their childhood grudges and hatred, etc etc etc.

These flaws are what make these characters so three-dimensional, so layered, so human. But the problem was, most of these flaws are never intentionally acknowledged. And honestly, that could have been such a good character arc, because the main characters are mostly students. No student is the same through their teenage years—they change, they evolve, they get over their flaws, they try to better themselves. I would have loved to see Ron becoming his own person, Hermione opening her mind up a little, etc.

Neville is not one of my favourites, but I love his growth and development, from someone who was scared of his potions professor to a man who faced down Lord Voldemort. Ginny Weasley could have had character development, from the trauma she went through in second year, but that was never written in. She went through this terrifying ordeal when she was only twelve years old, and jump to a year or two later and she’s absolutely fine, with no transition from her trauma whatsoever.

Some of JKR’s characters are brilliantly written and fleshed out, but some of her others lack the structure and complexity that usually comes with being vital to the plot—Ginny Weasley for one. Her internalised misogyny also plays a huge part in the way her female characters are written. We see this again in the case of how she wrote the character of Ginny.

Ginny Weasley is not a favourite of ours (if you don’t know that by now). She feels a lot like a convenient male daydream—when she waits for Harry to notice her by dating other guys, gets annoyed by Hermione “not knowing quidditch”, etc etc—and fits the “not like other girls” archetype too much, almost like she was made for it (hint hint). She’s portrayed to be strong-willed, spunky, and independent, and I love the idea, but I really don’t see it. To me, she’s a very shallow character, the least fleshed out one.

Just like James Potter wasn’t necessarily redeemed just because JKR said he was, and Ginny isn’t interesting just because JKR writes that she is.

Hermione also fits the archetype, but she’s JKR’s self-insert, so we really can’t say much about that.

To make things worse, Ginny and Hermione are pitted against each other in a very subtle way. Ginny is the sporty, pretty, flirty girl who’s never single from book 4. Hermione is the not-conventionally-attractive, nerdy girl who’s had a few dates here and there but never a relationship. They’re very different characters (the only thing they have in common is the archetype) but they’re against each other in the defence of Harry.

Another place where JKR’s misogyny shows up is the way other girls are written. Lavender Brown is shown as vapid and immature, just because she likes clothes and boys and didn’t know how to handle her first relationship. Cho Chang is perceived as shallow because she’s emotional. Pansy Parkinson is seen to be throwing herself at Draco Malfoy. The Weasleys hated Fleur because she was beautiful and sexy and French, and that was ever really resolved in the end (Molly accepted her, but we never got Ginny’s and Hermione’s opinions again). You see where we’re getting at? The typical “girly girls” are portrayed as insipid, shallow, emotional, and boring, while girls like Hermione and Ginny are seen to be fun and multilayered.

The problems with Harry Potter don’t just stop with non-fleshed out characters. There are plot devices that go unacknowledged, issues like blood purity—which is the basis of Voldemort’s tyranny—are never really resolved, huge Chekhov’s guns that aren’t fired.

A common misconception, which if cleared up could probably expose a load of problems in wizarding society by itself, is that the wizarding world is racist. It’s not racist. Muggles and Muggleborns are not a different race, they’re a different class, at least according to pureblood wizards. Mudblood is a classist insult (a direct reference to nobility blueblood and aristocracy).

Another factor that wasn’t talked about but made the HP world so complex and realistic is the inherent classism in every single pureblooded wizard, including the Weasleys.

The “Light” wizards all operate on the notion “at least I don’t kill or torture Muggles”. The Weasleys refuse to talk about Molly’s squib cousin who’s an accountant, the Longbottoms were so desperate for Neville to not be a squib they nearly killed him trying to force magic out of him, Ron makes fun of Filch for being a squib, thinks house-elves are beneath him, and confounds his driving instructor in his mid-thirties, the ministry workers kept obliviating that muggle at the quidditch World Cup, etc.

This could have been a metaphor for how small prejudices and microaggressions (kind of the wizarding equivalent of white privilege) enable discrimination and murder, if JKR had actually acknowledged it.

The parallel to Nazi Germany is very twisted and definitely shouldn’t be taken too far, but the Nazi ideology grew on the basis of everyday antisemitism, “that’s not that bad” little things. Voldemort’s circle and army grew because the wizard superiority complex festered and blew up in some people, egged on by a deeply classist society.

Ultimately, Harry Potter has very, very shoddy worldbuilding, the kind of worldbuilding that’s obsessed with answering the “what” of the wizarding world, rather than the “how” or the “why”, which is strange, considering that fantasy or dystopian-era novels’ driving plots and conflicts are usually answering the questions the worldbuilding raises--The Hunger Games and The Shadowhunter Chronicles are two of the best examples of brilliantly written YA fantasy and dystopian novels.

In HP, however, the main plot just avoids the questions the worldbuilding brings up like the bubonic plague.

Voldemort’s agenda is built on prejudice towards Muggles and Muggleborns, but the plot just validates the negative perception of them—at the end of the day, being a wizard is what’s special. The Statute of Secrecy is the foundation of the main concept—blood supremacists believe wizards shouldn’t be hidden away—but only vague, barely-there answers are given to why it exists (a Chekhov’s gun that was never fired).

There are love potions that function like date rape drugs (even Harry was given one by a girl who wanted him to ask her out), potions that force people to tell the truth, potions that literally let you disguise yourself as another person, but the ethics are never talked about, and the laws are so lax that three twelve-year-olds broke them and were never caught.

But at the same time, the worldbuilding is so authentic, because it transforms the wizarding world into straight-up fridge horror. The everyday horrors are just accepted and rolled with. A corrupt government, constant obliviation of Muggles, slavery that isn’t even talked about. These things aren’t obvious to us as readers, or to the wizards as characters, because they match up to the real world, which is filled with things that are horrifying if you dig deeper. The multiple, normalised forms of abuse, police brutality, the violence in prisons that nothing is done about, the glaringly obvious cultural problems we have with consent, etc.

The abusive authoritative figures in HP, like Rufus Scrimgeour, Cornelius Fudge, Dumbledore, Umbridge, etc, are so authentic because real-life politicians and people in high places of power behave that way, and their abuse is excused.

The wizarding world is just like the real world. Corrupt, prejudiced, messed up, but if you’re privileged, or at least have certain privileges, you’re probably not going to notice. The ultimate problem is that the plot doesn’t acknowledge a lot of fridge horror things are messed up either, which is why it miserably fails.

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magnusmysteries · 3 years

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Part 4: The Sixteenth Fear

The Magnus Archives was a horror podcast. It is now completed. Many of the show’s mysteries were never explained on the show. I intend to explain them. Spoilers for the show, but also spoilers if you wanna solve these mysteries yourself.

In part 3 I said every fear has an opposite. But the Flesh didn’t exist before the industrial revolution. So there would have been 13 fears then, an uneven number, and not every fear could balance against an opposite. So how could that be?

The answer is, there were only 12 fears before the Flesh. The Corruption and the Desolation used to be the same fear.

Diego Molina of the Lightless Flame cult worships Asag. A Sumerian god of disease that could make fish boil. So Asag seems to be of both the Corruption and the Desolation.

In Infectious Doubts Arthur Nolan complains about it: “Not like I can vent to the others about what a prat Diego is. Got a lot of funny ideas. Still calls the Lightless Flame Asag, like he was when he was first researching it. I just really wanna tell him to get over it; I mean Asag was traditionally a force of destruction, sure, but as a church we very much settled on burning in terms of the – face we worship, and some fish-boiling Sumerian demon doesn’t really match up, does it? Plus there’s a lot of disease imagery with Asag that I’ll reckon is way too close to Filth for my taste, but no, he read it in some ancient tome, so that’s that –“

Ancient is the key word. The tome predates the industrial revolution and the Flesh. Asag probably isn’t a thing anymore and Diego is indeed a prat for worshipping it.

In The Architecture of Fear Smirke writes “I know you say the Flesh was perhaps always there, shriveled and nascent until its recent growth, but to grant the existence of such a lesser power would throw everything into confusion. Would you have me separate the Corruption into insects, dirt, and disease? To divide the fungal bloom from the maggot?”

It is not random that Smirke uses the Corruption as an example here. The Corruption is the opposite of the Flesh, so the Corruption is the fear that Smirke believed had no opposite for hundreds or thousands of years.

In part 3 I said vampires where Corruption/Desolation/Hunt. This is a little far-fetched, but I wonder if the vampire’s we’ve seen have been old ones that predate the Flesh. And that’s why they are part Corruption, since Corruption and Hunt used to be next to each other. Maybe there are more modern vampires without the long sucking tongue. Maybe instead of sucking blood, when they bite you begin to burn or boil. Since the Hunt is now next to the Desolation instead of the Corruption-Desolation combo.

In Vampire Killer Trevor says “I have killed five people that I know for sure as vampires, and there are two more that may or may not have been.” There is a missing middle part of Trevor’s statement. Maybe there he talks about killing two vampires that are modern and therefore different so he’s not sure if they’re actually vampires.

Speaking of fears splitting up, why is the Darkness the opposite fear of the Slaughter? In Last Words we hear of the first fear “A fear of blood and pounding feet, a fear of that sudden burst of pain and then nothing.”

And of the second fear “The fear of their own end, of the things that lived in the darkness, became a fear of the darkness itself.”

I think the first was a general fear of violence. It includes what became the Hunt “Blood and pounding Feet...” and the Slaughter “...Sudden burst of pain and then nothing”, and the End “The fear of their own end…” And the second fear was the Darkness. They were the opposite by default, simply for being the two first fears.

When the Buried became a fear, the Hunt split up from the Violence to oppose it. When the Vast became a fear, the End split up from the Violence to oppose it. All that was left of the Violence was Slaughter, still opposing the Dark. When humans began warfare, fear of war fit nicely with the Slaughter.

The Eye might have been part of the Dark at first. Still from Last Words: “...because they knew the dark held flashing talons and shining eyes…”

When the Lonely became a fear, the Eye split up from the Dark to oppose it.

So what about the Extinction? Does it have an opposite? Yes! There is a sixteenth fear. And what can be the opposite of the fear of the end of the world? The fear that the world isn’t real. That we’re all just living in a computer simulation. If you think the world isn’t even real, you’re not gonna be so worried about it ending. I’ll call it the Simulation.

Here is how the fears are arranged on the wheel, with the two latest fears added:

Description of image: A circle with 16 spots similar to a clock. On each spot is a number and the name of a power: 1. Corruption. 2 Extinction. 3. Desolation. 4. Hunt. 5. Slaughter. 6. End. 7. Lonely. 8. Stranger. 9. Flesh. 10. Simulation 11. Spiral. 12. Buried. 13. Dark. 14. Vast. 15. Eye. 16. Web.

The Extinction is next to the Corruption. Disease and garbage are both gross. Possessive is an Extinction episode, even if not acknowledged as such by any of the characters. It’s about garbage. And Maggie is creating people out of garbage. She is making the inheritors mentioned in Time of Revelation. There are also creatures made of garbage in Concrete Jungle. And Maggie was full of moving insect legs, showing Corruption influence.

Quote from Adelard Dekker from Rotten Core: “I’ve spoken before about how keenly I’ve watched news of possible pandemics, which is where I suspect the Extinction may pull away from the Corruption during its emergence.” Adelard knows the Extinction is next to Corruption.

The Extinction is next to Desolation. That fits, nuclear weapons cause fire. Quote from Times of Revelation, describing corpses: “They were stiff, and desiccated, mummified by some process Bernadette could not begin to guess at, but that rendered their flesh like tightly packed ash” Ash as if they were burned.

The Simulation is next to the Flesh. The Flesh makes you think humans aren’t people, they are just meat. The Simulation makes you think humans aren’t people, they are just NPCs.

The Simulation is the next to the Spiral. Both make you question what is real. The Spiral makes you doubt your mind, the Simulation makes you doubt your world.

There are four episodes about the Simulation: Binary, Zombie, Cul-de-sac and Reflection.

In Binary Sergey Ushanka uploads his mind into a computer. He becomes a simulation and it hurts. There is influence by the Spiral, the statement giver isn’t sure if she’s going crazy. And there is influence by the Flesh. Ushanka uploads himself into a computer and then he eats the computer. So that’s cannibalism.

In Zombie the statement giver thinks other people aren’t real, they’re philosophical zombies, In other words they like simulations or NPCs. The man that follows her repeats the phrase “Just fine, thank you for asking” and says nothing else. Just like some NPCs in video games will say the same phrase over and over. The man is identical the three times they meet, except for his t-shirt changes color. Sometimes in video games some NPCs will be identical, except for some colors are changed. (Because it’s less work to recollar a character than to draw one from scratch.)

John thinks Cul-De-Sac is about the Lonely. And yes, the statement giver was lonely. But the people affected by the Lonely choose to be lonely, and the statement giver didn’t. His boyfriend broke up with him because of cheating and then he lost his friends because they sided with his boyfriend.

I think the theme of the statement is unreality, not loneliness. In the Magnus Archives, when someone gets marked by a power it is because they made some wrong choice. The choice the statement giver makes is to return to the place he found dead and soulless. He drives back to his ex-boyfriend to deliver the moose, rather than send it by mail. He specifically wants to meet his ex. Not an act of loneliness, quite the opposite. Also he is returning a moose that is angular and creepy, in other words it is unreal.

When the statement escapes from the nightmare it’s because he got a phone call from his ex. And he says “I love you.” and that fits neatly with the Lonely. But it also fits with escape from the unreal. He escapes because he communicates with a real person.

The road signs says “Road” and “Street”. Generic and unreal. All the houses look the same. Like in a computer game. The statement giver wonders if they are the same house. Like in a computer game where one might reuse the code for a house many times.

The house he enters has stock photos. Unreal.

The people on TV have something wrong with their eyes, similar to the eyes of the zombies in Zombie. And it's a fake cooking show, and a fake infomercial.

The dead woman upstairs was someone who had social media profiles, and that nobody notices had died. Meaning she lived her life online. That sounds like she was lonely. But living online also makes her a good victim for the Simulation. Everyone she talked to was on a computer, she couldn’t know for sure if they were real.

The woman had killed herself with a mirror. I think what happened was she had looked into the mirror and seen that her eyes were wrong, like the eyes of the people on TV. And she had thought she was just a simulation, like everything around her. And therefore she killed herself. Or perhaps she wasn’t reflected in the mirror at all? Like in…

Reflection. Adelard speculated that this statement was about the Extinction, but I don’t think so. The protagonist was in a world that seemed unreal. A fun fair is artificial so that fits the theme. The people were playing games, which fits the theme via computer games maybe.

Adelard says “I can’t quite get past the detail that there was no reflection at all in the mirror he used to return.” It is almost at the end of Adelard’s letter, it’s clearly meant to be significant. The no reflection might be symbolic for the statement giver starting to think he isn’t real, which might be what happened to him after he gave the statement.

Reflection has influence by the Spiral, with the maze of mirrors. There is influence by the Flesh, with the cannibalism.

#the magnus archives #tma #magnuspod #robert smirke #adelard dekker

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fatesdeepdive · 2 years

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Entry 84: Arthur’s Son Is A Murderer

Paralogue 19: Great Heroism

Arthur’s son Percy, tired of only having his wyvern Ace for company, sneaks out of his baby jail. Arthur runs into him as he’s running away. Something I’ve noticed, every time a child sneaks out of a Deeprealm their parents by coincidence happen to be there. Great writing.

Percy decides that Arthur is a villain for never visiting him and declares our defender or justice to be his archenemy. Some wandering mercenaries come by and assume Arthur is a bandit, both because he made Percy cry and because he looks just like the famed bandit Gazak. First of all, no, he doesn’t. Secondly, having the bandit from Forrest’s chapter be mentioned is an oddly good bit of connection between these chapters. That said, the fact that you can recruit Gazak makes Arthur insisting that he isn’t associated with that evil bandit.

Arthur says he isn’t Gazak, but Percy says he is to get back at his dad. People die in this chapter because of Percy. Innocent people. Who probably had families. Percy is kinda evil. Fortunately, you recruit him by beating him up.

Actually, to be fair, you don’t have to kill any enemies to beat this chapter. Spread around the map are Dragon Veins that scare away enemies, giving you gold for each enemy scared away. I decided to try and beat this chapter without killing anyone as a personal challenge. The problem is, half of the enemies are programmed to stay still instead of charging in to attack you, meaning I couldn’t lure them to the Dragon Veins. And because this is a route chapter, I had to kill nine people. Because Percy is a brat.

After the battle, Arthur apologizes for abandoning Percy and recruits him as his sidekick, which is what Percy wanted all along.

Percy

Arthur’s son, a gee golly holy noun Batman sidekick. Which would be fun, if he didn’t just cause a dozen pointless deaths because he’s a brat. Hating the fact that your dad abandoned you is a trait half the characters in his generation share, but no one else was so sad they killed someone. Design wise, he is wearing a cape and a mask, because the superhero thing was too subtle with Arthur. His personal skill, Fortunate Son, prevents him from being drafted into the Vietnam War and also boosts Crit Evade of him and nearby allies.

Support: Arthur/Percy

C: Arthur asks if Percy and Ace are getting along. Percy says they are.

B: Arthur asks if Ace has gotten aggressive. Percy says no.

A: Arthur sneaks around and watches Percy and Ace. Percy catches him and Arthur explains that he found out Ace's parents were evil dragons. And by dragons, I mean wyverns, because this game keeps making that mistake.

Review: Wow that sucked. It was boring, repetitive, confusing from a lore perspective, and felt kinda out of character for Arthur.

Support: Percy/Mother

C: Percy's mom tells him to eat his dinner slowly and wash his hands first.

B: Percy scrapes his knee while training. His mother, remembering this takes place in the oldentimes, chastises him because a cut like that could get infected and make him lose a leg.

A: Percy worries about not being strong enough to protect his family from monsters. His mother tells him he'll be strong someday and that, until that day, she'll protect him.

Review: The A-Rank is good. The other two aren’t. I am getting tired of complaining about child soldiers.

Support: Percy/Corrin

C: Percy and Corrin spar. Percy wins because a tornado shows up and distracts Corrin.

B: Percy is depressed because he always wins fights through luck rather than skill. Corrin tells him to train to become more like his father.

A: Percy duels Corrin and wins via luck, again. Corrin says he's better at fighting though.

S: Percy proposes with a toy ring. Then a bird shows up and gives him a real ring.

Review: Percy being supernaturally lucky is a good inversion of Arthur’s bad luck, something reflected with his amazing Luck base and growth rate. That said, this one falters with Percy just winning via luck anyway.

Support: Moron/Percy

C: Percy says he wants to be a great knight, like his father, who needs to use a Heart Seal to become a Great Knight. Percy says he respects his father because he can shrug off being his by lightning and trampled by horses without losing heart.

B: Percy and Corrin train together. Corrin throws rocks at Percy, which don't hit him because he's lucky.

A: Percy suggests Corrin throw a beehive at him. Corrin is stung by bees.

Review: A bit shallow, but fun.

#percy fire emblem #percy fe #arthur fe #arthur fire emblem #corrin fe #corrin fire emblem

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facets-and-rainbows · 4 years

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Blue Exorcist 10th anniversary book Q&A session

The 10th anniversary book has a section where Katoh answers 100 questions submitted by fans on Twitter, so here they are translated/paraphrased! May contain manga spoilers up to the recent flashback arc, so be warned.

(Note that I’m playing it very fast and loose here because there are A HUNDRED OF THEM, so not exact wordings, but it should capture the gist. Lemme know if there are any you want elaborated on)

1. Katoh likes the feel of traditional drawing more than digital but is impressed with how far digital has come

2. Meph THOROUGHLY ABUSES spacetime to watch all his shows and ensure that he gets all the merch he wants

3. Did the girls take all of Yukio’s school uniform buttons in middle school? Yes, they did (apparently it’s like A Thing for girls to ask for a button from their crush at middle school graduation, based on some sad movie from the 60s where a guy who got drafted as a kamikaze pilot gave a girl one of his uniform buttons to remember him by)

4. Rin's tail is about a meter long

5. There are tons of servants working at Mephisto's mansion. Belial is in charge of them

6. Katoh borrows from all sorts of neat real locations when making settings

7. Katoh identifies with pretty much all the characters the most! Except Lucifer.

8. Demon designs she's proud of include the impure king and hachirou, pretty much anything that was the main one in an arc

9. Katoh lists a bunch of her favorite musical artists/music she’s listening to recently: King Gnu, Official Hige Dandism, Kenshi Yonezu, BAD HOP, Sakanaction, Keyakizaka 46, Hypnosis Mic, Aimer, B’Z, Queen Bee.

10. Awww the rabbit manga that characters are often reading isn't just Robo to Usakichi, it's an even older one that she drew as a little kid

11. She likes industrial style interior designs

12. Rin and Yukio alternated who got the top bunk growing up, because they couldn't agree on it lol

13. Katoh cares a whole lot about panel layouts and speech bubble positions, might even be her favorite part of the process (it shows!)

4. Katoh does NOT have a mashou, lol

15. Rin has probably been practicing in secret so he can learn to carry stuff with his tail

16. Izumo probably got into shojo manga around 1st grade, her mom had some around the house

17. Specialty dishes: Rin - lots of stuff but especially nabe Yuri - stuff you can throw together quickly Shiro - stuff he learned from Yuri and/or cookbooks, alongside teaching Rin Yukio - Does. Not. Cook.

18. Can't pick a favorite place she's been on research, but there's no place like Japan

19. Kinzou's band isn't currently meeting because demons, but he's probably still thinking of new songs

20. Hardest characters to draw: anyone with detailed flowing hair. Hardest to write for: Lightning and Gedouin. She had to go read books about serial killers specifically for material for Gedouin, lol

21. Suguro actually gets a dorm room to himself, though allegedly Yukio is technically assigned as his roommate, lol. Didn't end up that way what with Yukio being a teacher and also Rin’s whole...situation

22. Shiemi makes some of her own hair accessories! Cute

23. Katoh doesn't mind if you include stuff with fan letters but check with the editor first

24. Time for making each chapter: Planning/storyboarding: 1-5 days. Sketching: 3-5 days. Drawing/inking: the rest. Just...the rest of the time

25. Neither Suguro nor Izumo have dated before and neither is currently dating. But that's probably just because things were hectic for them! It could happen

26. Yukio breaks 5 or 6 pairs of glasses a year, someone get this kid a strap or something

27. How many spare glasses does Yukio have? Check the fanbook lol it's in there (dang it Katoh)

28. The demon she wants us to pay the most attention to is Lucifer. Because plot.

29. What's under the Order's big meeting table? It's a BOTTOMLESS PIT and if you fall in it you DIE that's what makes it COOL (laughs)

30. What are the job requirements for the angelic legion? Literally just Arthur liking you and inviting you to join

31. She WANTS to do more character profiles but just hasn't gotten to it

32. Rin's tail feels like a cat tail, texture wise

33. The "red Assiah fire" is literally just actual fire nothing special

34. Rin's current hair color is light blue fading to white at the ends

35. Thoughts on Rin's growth: she likes that he stays positive in awful situations and she also thinks it's very main character of him to face the past instead of avoiding it

36. Mephisto didn't purposely surround Rin with stuffed animals when he woke up after going crispy. Mephisto's bed is just Like That

37. Kurikara was based on a cool sword she found in a sword book, but that one was technically just a ceremonial sword. The symbol on it us a Sanskrit letter kaan (sp?) associated with Fudou Myouou

38. Kuro can communicate with normal cats and hangs out with them often

39. Sometimes Shiemi's skirt is extra fancy around the hem what's up with that? Apparently it's an optional accessory that comes with the skirts help I haven't noticed this and don't know any fashion terms in any language

40. When coloring, Katoh always tries to have an overall theme in mind ("emphasis on blue" etc) so it comes together in the end

41. Yes the twins are genetically related to Shiro because of Goro (she says they're like his nephews but I say GENETICALLY at least they'd be indistinguishable from his children)

42. Strongest mom of all the strong moms around here? Yuri! Did you SEE her give birth??

43. Are you careful about your own health Katoh-sensei? Not particularly! Her mom has had to bring her food at work sometimes! Don't do this at home kids

44. At the dating events Shura goes to, does she drink cocktails in moderation? Yeah, she probably downplays her normal drinking habits at these things. But normally she's down for just about any kind of drink

45. Lucifer just really likes oysters okay

46. How many pages of manga does Katoh draw in a day? If she's being good about self-care: three. Maximum number ever: TEN

47. Mephisto is one of those folks who can eat like a garbage compactor and never gain weight. Possibly because his body resists that sort of change the same way it resists aging etc

48. First food Rin cooked: fish burger type patty. Yukio's favorite things Rin cooks: fish simmered in soy sauce, yellowtail with daikon radish. It's fish all the way down

49: Did Rin ever get more monthly allowance from Mephisto? It doubled! He gets TWO 2000 yen bills now (rip) [T/N: That's uh, that's USD $37.26 a month or 33.10 euro]

50. Why isn't Rin more popular with the girls? He gets nervous talking to them, plus he's too oblivious to notice even if he DID have some fans

51. Why change Suguro's hair? She gets bored with keeping everything the same, and she wanted a visual representation that he was getting serious and going into kind of a training arc

52. Things Katoh pays extra attention to when drawing: trying to capture the feel of whatever she's drawing (like "that looks warm and soft" or "I bet that guy stinks" cough Lightning cough)

53: Does Rin take after Yuri more? (He's got her eyes!) Katoh tried to draw Yuri so she looks like both twins. Personality, too - Yukio has her smarts and Rin has her optimism

54: Do you ever wanna be like Mephisto? Well she'd like to be able to get away with just ANYTHING EVER, but no, let's not be like Mephisto

55. Konekomaru not only carries around a cat toy in case he meets any cats, he MAKES cat toys to carry around based on what he thinks the cats would like

56. How'd you come up with Shima? Go read the fan book!

57. Do the kids have Twitter/Instagram accounts? Rin - probably not. Konekomaru might be on some social media. Paku and Izumo are totally on instagram

58. Is there something Rin makes that you wish you could try? All of it! That's the whole idea! He's good at cooking!

59. Will we ever have a (G-rated) reveal of what ALL of Mamushi and her family's tattoos look like? Maybe! She'll think about it

60. Does Arthur have a repertoire of different hairstyles? Not really, he just puts some of it up on the top. Heck he might even have people to do that for him

61. If you wrote a shojo manga what would it be about? She'd have to do a lot of research before even coming up with a story, since there are so many style differences between the genres aside from just the subject

62. The other two of Mephisto's top 3 favorite foods: Cup ramen and....f-fried bubblegum?? Is that a THING???

63. Where do you start when drawing a character? Usually the outline of their face but if it's a complex pose/composition she'll start with whatever's in the foreground (like hands)

64. If Katoh could have a familiar, what demon would she choose? Mephisto. As the all-powerful author, she might actually be able to command him as a familiar!

66. If you swapped Yukio and Rin's relationship around what would change? not much, you'd pretty much have Rin going to the Illuminati and Yukio going to the past

67. Top 3 foods/souvenirs to try in Kyushu? Well she doesn't know what’s good CURRENTLY but when she was there she always used to like burdock tempura udon, hakata torimon (a kind of manju with white bean paste inside), and Chikae style cod roe. today I learned Katoh went to high school in Kyushu

68. Katoh listens to music a lot while she's storyboarding, then when she and the assistants are all drawing and inking they put various videos/movies and stuff on in the background

69. For all his hitting on girls, is Shima actually popular with the ladies at all? He's got enough girls in his life that he probably COULD find a girlfriend if he really wanted, but the double agent thing tends to get in the way. He still wouldn't be as popular as Yukio though (side thought/translator’s note: Shima would be proud of being number 69.)

70. Katoh has the ending planned out in a big-picture way, but there are still a few details here and there that she's fretting over

71. It's cute when the boys put their ties over their shoulders when they're working on something! Where'd that come from? She just figured a tie might get in the way and that seemed like a realistic way to get it out of the way

72. Looks like Yukio is getting some facial hair! What about Rin? They're both about the age for it, but maybe Rin can't grow a beard yet. Maybe a little peach fuzz here and there

73. Katoh's favorite blue exorcist merch? There were some exorcist licenses a while back, and the exorcist pins. Basically it's really cool that these little accessories she drew ACTUALLY EXIST NOW, LIKE YOU CAN HOLD THEM IN YOUR HANDS

74. Okay realtalk how long do we have left, I don't want the series to end yet? We're solidly in the second half by now but it's not, like, ABOUT to end yet

75. Katoh would be a Knight meister, based on what characters she likes to play in games and such

76. How many people in the whole exorcism cram school? More than you think! She doesn't give a number but apparently licensed exorcists also attend classes for new meisters, etc, so there's a wide age range attending

77. How's Arthur feel about, like, studying Taming on the way to becoming Paladin? He's at least mostly accepted that you have to use demons to fight demons effectively

78. Konekomaru started wearing glasses in his first year of middle school, so like 7th grade (more recent than I thought!) He has one spare pair, in contrast to Yukio lol

79. Katoh's current obsessions? Ghost/scary stories! She's even been going to live readings of them recently

80. Media Katoh consumes for inspiration? A wide range of foreign teen drama, horror/suspense, shojo manga, light novels, anime, etc. Special focus on things where two boys are in conflict or there are brothers involved

81. If they weren't exorcists what jobs would they have? Rin - chef. Yukio - doctor. Shiemi - uh, florist?

82. Inspiration for the design of True Cross Town? Katoh and her assistants gathered up a bunch of references, picked out stuff they felt matched the tone, and mashed them all up together

83. Did you use any references etc for the school/exorcist uniforms? She says she probably should have but she just kind of made them up before publication

84. Favorite part of drawing? For color pages, picking out a color scheme. For black and white, drawing in all the little details (though she doesn't always get time to lately)

85. Once again confirms the demon kings' weird hair is a representation of their horns. ADDS THAT PEOPLE WHO CAN'T SEE DEMONS CAN'T SEE THE WEIRD HAIR

86. Now that Yukio's at the Illuminati, where's he gonna get his Jump SQ and spare glasses? Well he probably never planned to stay for long, but hey it's a big ship and they might have an optometrist and/or newsstand there

87. Do you base the demon characters on any references etc? Not really, she just gets a general idea of popular demon designs and then makes up her own in her own style

88. Merchandise Katoh personally wants to have made: stuff that an adult could just use in their day to day life. Also, it's not gonna happen, but if her favorite figure brand made AoEx figures she could die happy

89. If Beelzebub's host body was a beautiful woman, how would Shima react? Would the womanizing win out over the bug phobia? Katoh replies that Shima would probably just faint from being near a girl that pretty, before the bugs even got involved

90. Will the twins ever get to smile and eat dinner together again?? We'll just have to wait and see!

91. What do you check at a "scenario check"? what's a scenario check man I dunno They check for people being out of character or the setting feeling off. They had a lot of these checks for the anime, but they also do them for the drama CD, games, and all that other stuff where multiple authors are involved

92. Why does Shura use baldy as an insult for people who are clearly not bald? She feels like they have some kind of metaphorical, mental kind of "baldness" and she's calling them out on it. Whatever that means

93. After Blue Exorcist ends, what do you want to draw next? She has SO MANY IDEAS, SO MANY

94. Did Katoh make up the Shinto chants that, for example, Izumo used against Gedouin? They're assembled from bits of actual Shinto prayers according to what feels right in the scene

95. Yukio reads the Jump SQ, right, and, just hear me out here, he likes gag manga, right? Does this mean he reads Salaryman Yukio? It's something he would read, but let's say that in the AoEx universe there's just a very similar manga that he finds oddly relatable

96. What do Yukio and Shima do in their free time on the Dominus Liminus? oh my god you guys this ship has so many amenities. Yukio probably spends time reading in the library, which they totally have. There's also, like, a gym, and a movie theater, and a THEATER theater, all of which are free. Shima probably hangs out at the pool (!) and goes to the movies, and hits on illuminati girls, lol

97. Easiest character to draw? The ones with boring simple hair, lol. Lightning gets an honorable mention for ALSO not having eyes in most shots, but Rin wins--he was specifically designed to be easy for Katoh to draw because that's what you want in your main character

98. How do demons understand gender? They just possess whatever feels like the best match to how they feel in Gehenna, whether that's a man, or a woman, or a rat, or whatever

99. Where do you start when you're coming up with a story? She starts with character design and how the characters relate to each other. Currently she's just continuing an existing story, so she works on splitting up the overall plot into episodes and fleshing it out with scenes and information about characters

100. When do you feel most happy? She honestly feels like she lives a very happy life overall. Mentions noticing a lot of little things, like how nice her cats' heads smell when she cuddles them or taking a nice cold refreshing drink of water. There's happiness in everything. aww.

#blue exorcist #interview #Ao no Exorcist #translation

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kitkatopinions · 4 years

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You know, despite having read and loved most Sherlock Holmes stories and having once upon a time been interested in one of those bad Sherlock Holmes adaptations, I didn’t realize Arthur Watts was meant to allude to John Watson (my favorite character) until I read someone else’s post about how stupid the allusions in RWBY are and I think that’s telling.

In hindsight, his name alone is a dead give away, and I guess… Gun, fancy clothes with the three piece suit, moustache… The gimmicks were all there. But he was so far removed from anything to do with Watson’s character or story that I had literally never thought of it. This is one of my problems with RWBY’s Fairy Tale inspiration, they took away anything that made Watson Watson, left a couple of gimmicks, and thought that was good.

I read on the RWBY wiki that Watts was meant to be ‘John Watson if he’d connected with Moriarty instead of Holmes.’ Even if Watson had connected with Moriarty, he’d still be nothing like Watts. Watts acts like a twisted version of Holmes, with all of Holmes’s bad tendencies - showing off, being flippant, believing himself superior, prioritizing his work over others’ feelings, etc - and none of Holmes’s redeeming qualities of justice and righteousness. A Holmes without his better traits (and without his better half in Watson) is easy to imagine falling into jealousy, cold-heartedness, and violence in pursuit of recognition and in pursuit of his interests. Instead of using his skills to aid the world and stop the person responsible for the criminal underground, he uses them to attack the world and aid the person responsible for the criminal underground, staying where his skills are appreciated. Watts shows only a vague interest in Salem’s group and her end goals (if I recall correctly,) and it seems he’s only there to be able to better do what he wants, and has rivalries with other members of Salem’s circle, which is kind of reflective of Holmes’ interactions with Scotland Yard and its members, only without growth into respect and comradery. Watts even faked his own death and fell off the map, hiding out until the time was right and then making his return in a secretive way and even revealing himself to a friend before really getting started. Like…

And then they say he’s Watson? Are they trying to trick us? Watson, the military man? Watson, the loyal follower? The more social one? The ordinary one? Watson, who spent years of his life documenting others’ successes with little regard for his own fame? The one who balanced out Holmes because he was humble, at least partially understood and cared about physical and mental health, and wasn’t as gray, so was able to be a moral sounding board? Watson lacked real brilliance, and his true qualities had to do with the depths of his emotions, like his bravery and love. He was open and honest and countered Holmes’ more secretive and sly tendencies (which are also more in line with Watts.) Watson was the one with a grounded life and stability. The only real reason Watson ever did anything criminal was either because he thought it was the morally right thing to do or because he was simply following and supporting Holmes. Watson thought it would be worth it to be wounded over and over again just because he saw that Holmes loved him during a time where he got injured. He was quite literally just an army doctor, who dearly loved and was there for his friend, and took it upon himself to document their adventures in pursuit of making that friends’ brilliance known to the world. There’s interesting things you could do to alter this kind of character into an evil villain role, but instead, Watts doesn’t connect with any of it.

Could you argue that Watts is a completely flipped version of Watson, where basically all of his traits are turned into the opposite? Yes, I guess you could, but it makes him seem pretty not Watson. Instead of being a military man and war vet, he hates the most military and war vet coded character in the series. Instead of having to mourn a death and continue his life, he faked his own death. Instead of being grounded and kind hearted, he’s an overly dramatic, remorseless killer. Instead of being humble and open, he’s arrogant and crafty. Instead of being a supportive, loving friend, he has no real friends, uses everyone, and is very selfish. Instead of being based on loyalty and what he could do for others (which might actually be doable, with Salem,) he seems only out for himself, and only seems to submits to Salem because it’ll get him what he wants. Most importantly, instead of being an everyman who lacks the talent of the people around him but makes up for it in other ways, Watts is a total genius who actually seems better than Pietro, who was just overlooked.

Watts has no allusions to writing, no friend to help, no military background, no quality of character, seemingly no recognition of his flaws, no humility, not even Watson’s dumb ‘ladies man’ title, and he’s the opposite of anything Watson was. You could say he's the anti-Watson, but an anti-Watson actually isn't Watson at all. An anti-Watson is basically just an evil Holmes.

Even then, the 'Watson if he'd connected with Moriarty' line makes it seem like 'anti-Watson' wasn't what they were going for, either, so I don’t feel like I can even give them credit for that. Are they saying that if Watson hadn’t had Holmes, he’d have been an evil crafty mega-genius? It doesn’t connect to me.

Personally, I'd usually think that Watts not being like Watson at all was just unintended, and that they either did think they were doing something clever without taking away from the Watson allusion or they just gave their Watson allusion a couple of Watson gimmicks and then just built their own character around it. Except that Watts faked his own death, one of the most iconic Sherlock Holmes storyline things. I'm being totally genuine when I ask if they just said he was meant to represent Watson for some reason when really, he was meant to be Holmes with a dark twist, or maybe Moriarty, who already is basically Holmes with a dark twist.

I mean, I’m not pretending to be an expert on the Sherlock Holmes works, I just don’t get how Watts is inspired by Watson.

#rwby #rwby critical #rwde #arthur watts #rwby's fairy tale and literature and sometimes meme inspiration is just so...#weird in my opinion #Maybe this allusion to Watts just hit me a little close to home #since I love John Watson with my whole heart #and Watts is one of the biggest jerks

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lesserfandomappreciation · 4 years

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Pregnant s/o (Rsat7d)

Merlin

Bless this idiot, it’s going to take him a minute to understand what his s/o has said. S/o will be in the living room curled up with a book or working in their office with a couple of nerves after having told a seemingly indifferent Merlin the news. Then they hear quickly approaching footsteps. And a slamming door. “You’re pregnant?!”

It’s 4:00pm. They told this moron first thing in the morning. Telling him anything when he’s in the library is pointless.

He’s trying very cool to stay calm about this and seem enthused. Really, he is. It’s just all his anxieties and insecurities he pretends to not have are suddenly at his throat. He hasn’t a clue what to do. Send help.

All of the nervous maniac energy composing Merlin is transferred into a transformation none of the F7 thought they’d live to witness. The young, reckless lightning idiot becoming a responsible adult. Who mother hens people. And reminds them about medication. And food. And gets them to sit down while he takes care of everything for them. Hans is proud, the others are concerned.

Some of this new-found need to mother-hen in a valid attempt to avoid overthinking whether or not he will be a good father is used to come up with useful spells. By first trimester’s end s/o has a small stack of spells to use when needed. The “cold pad” and “hot pad” spells are wonderful. The usefulness of the “vomit into a portable void” spell is debatable.

Jokes aside Merlin is worried about being a good father. This is a man with a lot of insecurities who worries about his own self worth- the idea that his child could dislike him haunts him. A lot of comfort is needed to chase away this fear.

He is very protective about them and will deal with any threat with lightning. The house spiders quake in fear.

Arthur

His s/o could tell him at multiple points for many awesome reactions, but the best way is if they tell him in the middle of training. His standard “showing off because bae is watching” show is cut short as Arthur’s eyes widen. His sword, Excalibur, hits the ground with a thud. Next thing s/o knows, they’re in the air being spun in a straight-out-of-Disney twirl by an excited Arthur.

All of F7 knows by day’s end. He’s telling everybody with a massive grin on his face and 0 shame.

Arthur is a family man waiting to happen. Pull this idea out of my dead hands if you want, but you cannot convince me that this man hasn’t dreamt of having a loving partner and some tinies to spoil rotten with stories. He’s either been waiting to bring up the idea with them or the s/o is well-aware.

Every single tiny milestone is met by the sweet puppy Arthur embodies. He’s just so happy and supportive, it’s kind of adorable. His s/o mentions the baby kicking their bladder and suddenly there’s a prince up against their belly desperately wanting to feel the baby kick too.

One thing s/o is going to have to watch out for is expectations. Arthur’s parents seemed to have had a lot of those for him, and he’s probably internalized a lot of them too. It’s going to have to be up to his s/o to remind them that putting that many expectations on any person is a bad thing. The baby is going to be awesome. But let them be awesome on their own terms.

Wants to carry them everywhere when their feet start to hurt. What if they get hurt going up the stairs? He’s strong, let him carry them for a bit dang it!

Jack

Jack is really a wild card here. Personally I see him being really connected to his own family, being a self-made prince who has worked hard to make sure his living family lives comfortably. On the other hand, this is a baby. A new person. That’s half him and half s/o. Wow. Wow.

Drops anything he is holding. Stunned still. It’s taking all of his processing power to debate the aforementioned two points on his conflicting views. S/o is going to be able to wave a hand in front of his eyes and have no response.

Make some tea. Read a book. Give him a hot minute to think.

Out of the princes (besides Hans) Jack is going to be one of the few to really sit down with s/o and talk about what this means for them. He wants the kid, no worries there, but having a kid is a huge undertaking for anyone. How do they want to raise the child? Where (if his s/o is royalty too for example, which kingdom should they raise them in?) should they set up their life? Is Jack 2 an acceptable name? Is any jewel-related name acceptable?

Jack’s s/o wins the pregnancy lotto in terms of access to feel-good supplies. Jack, the man, the prince, has facial masks in what appears to be a medieval-renaissance-inspired fantasy realm. From France. How he achieved this is a damned mystery. His whole bathroom is probably lined with the nicest creams and moisturizers money can buy. Jack’s not going to let his partner who is pregnant skip out on self-care. Absolutely not.

Jack is surprisingly good with helping his partner out emotionally at this time. He recognizes feelings and responds pretty well to them, so during the pregnancy and afterwards he is very supportive to their emotional needs. This is a very happy, but intense time and he is 100% there for them, through every high and every low.

Hans

Do not - I repeat - do not tell him when he is in the kitchen. Anything he’s cooking is going to burn, get stuck to the ceiling or is otherwise rendered inedible. Actually, any of those cute “bun in the oven” related announcements are not going to work on him. He’s going to be more upset at the concept of someone not cleaning his oven or risking burning a perfectly innocent loaf than anything else.

He does, eventually, figure out that this was meant to tell him that the love of his life is pregnant and he’s very happy, but food safety is no joke.

Hans’ reaction depends entirely on s/o’s reaction. How are they feeling about all this? As one of the only two emotionally intelligent people in the F7 (the other being Jack) he’s very responsive to his partner on this. Any fears or concerns they have are going to be his top priority. Though, once told that they are happy about, Hans lets out his own happiness and shows just how over the moon he is about this.

Hans is a great guy. He really is. He’s also an unapologetic mom-friend whose knee-jerk reaction to someone he cares about going through stuff is to feed them. Unless his s/o puts their foot down hard (which they aren’t because hell-o growing people is hungry business) Hans is going to live in his kitchen. Great in that he’s willing to cook up their weirdest cravings even if he does judge them on it. Bad in that s/o might accidentally wind up feeling lonely because he’s over-focused on feeding/caring for them to actually be around them. One good conversation though and that’s nipped in the bud quick.

Loves his friends. Truly. Really. Has seen his friends do some truly stupid things. He’s not above standing behind his s/o and giving any member of the F7 the side-eye something fierce if they be acting up around his partner.

Average

Average is an idiot. I don’t mean that insultingly, I’m just stating facts. This man could not pick up a subtle hint if it punched him in the face and rummaged his pockets for common sense. Unless his s/o tells him point blank to the face, he’s not going to get it. Cute messages/hints do not work on the man. Just tell him. Even then it’s going to take a second.

Average’s reaction is really hard to pin down. During the events of the movie I do not see him having an s/o, at least not one he has a good relationship with and by the end of the movie all his potential character growth that could lead him to having a partner is implied to happen as he breaks his new-found curse. Growth that could lead his personality in several different directions. For the sake of not having to write down every single possibility I’m going to go ahead and say that he’s shocked.

Regardless of personality growth I can say he’s going to be very demanding of everyone else around them. His partner, the love of his life, deserves only the very best. Now that they are with child he has to make sure they have the best for them and for his heir! None of this subpar stuff. They’re royalty, they deserve the best. If he’s not stopped the nursery is going to cost more than the GDP of a small country.

He’s a little lost on a lot of pregnancy stuff really. Average isn’t an emotionally intelligent person, so he’s not great with comfort. He doesn’t do well with making runs for food (great at getting servants to fetch the strangest food combinations though), or with massaging, or with a lot of the physically demanding parts. The thing is? He knows. He knows that he’s lost on this. And it worries him. If he can’t do much now, how is he supposed to be a great father when the kid does show up? It’ll take some picking away at his walls, but eventually his s/o can talk to him on this and help him through it. They’re a team. They will get through this together.

Don’t let him name the kid. “Superior” is not a good name for a child.

#rsat7d #rsat7d imagine #red shoes and the 7 dwarfs #imagine #jack #merlin #arthur #hans #average #prince average

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imbellarosa · 4 years

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Hiii! I was wondering if you read fanfic?? And if so, what are your fav tropes/works??

Hi!!!! I read A LOT of fic from A LOT of fandoms! My fav tropes are either flat comedy or enemies to friends to lovers or friends to lovers or something like that! I only read happy endings, but I don’t mind some angst in the middle. Idk what fandom you’re looking for so I’m gonna give you a list of some of my all time favs from EVERY fandom, and I’ll add one that I’ve written!

Walk That Mile by purpledaisy- 150k words 1D enemies to friends to lovers road trip AU across the US for a fun, banter-y time with some real communication issues that really get resolved well. People always say that a rom com should have a good answer for “why can’t they be together NOW?” And this one does it really well! No real angst, and a lot of fun.

Have Love, Will Travel by @kingsofeverything - 97k words 1D YouTubers on a roadtrip AU! If you liked the first one on this list, you’re gonna love this one too! Sweet and long and full of the memories you would make on a road trip. Lots of laughs with this one, and I wish I could see the “Have Road, Will Travel” video series irl!

Tell Me Now, Tell Me Now by @vanillabeanniall - 55k words 1D Miraculous Ladybug AU but you don’t need to watch the show to ADORE it - I know that I sure do!! Funny and sweet and SUPER ironic, with superheroes and Paris mixed in and great characters! Who wouldn’t love it?

So Let’s Cross the Lines We’ve Lost by thecoloursneverfade - 165k words 1D friends to enemies to friends to lovers uni AU that was one of the first that I read in the fandom and really made me fall in love! Good friends, some angst, hard convos that lead to real growth, and lots of really great characters. This feels real, for a lack of a better word, and is always compelling.

Ain’t That A Kick in the Head by keysmashlesbian, wreckingtomlinson (karasunonolibero) - 23k words 1D comedy AU ft. football player!Louis, Disaster gay!Harry, memes, frogs, head dives, Blue Coolattas (whatever those are), and a very sassy Red Robin waitress named Fiona. I cannot tell you how many times I’ve read it, and I always laugh, and I always find something new to fall in love with.

Leave it To the Breeze by @hattalove - 82k words 1D GBBO AU. This one feels like a warm hug. It’s gentle, fun, has great characters, believable angst, has you rooting for more than one of the characters to win, and is also hilarious, somehow. I’ve read this fic over and over and over, and I especially do it when I have time before a new season of GBBO. Also, have snacks!! It makes me hungry

The Section by bananaheathen - 11k words 1D Uni AU with grad student TAs, sophomore undergrads, art classes, movie analysis, and final essays as methods of seduction. Also, nicknames, nude models, a Halloween party, and absolutely shameless flirting. I loved it, and laughed the whole way through.

I’ve Heard it Both Ways by @adoredontour - 26k words 1D Psych AU. I love this one. I love the fic, I love psych, I love the author. I’ve read most of her works, but this one has such a special place in my heart. Go read it!!

Play it All Night Long by janine_tangerine - 43k words SPN radio AU with DJ!Dean and bartender!Cas, with music, annoying coworkers, sassy siblings, and lots of love. WHOAH WHATS THIS A LIVEJOURNAL FIC??? I know but I read this ages ago, and it has music EMBEDDED WITHIN THE FIC! It was my first introduction to Bob Dylan, who remains one of my favorite artists of all time.

Crossroads State by Mercy - 51k words SPN slice of life AU with Mechanic!Dean, Teacher!Cas, Law Student!Sam, and lovely lovely moments. All sweet, some tension, but no real angst. I read this forever ago, and still come back and back and back to it.

Peace and Good Luck to All Men by KismetJeska - 31k words SPN College Au. DO YOU MEAN THE BEST CHRISTMAS FIC EVER OF ALL TIME??? I read this on the first day of December every year, and it makes me laugh every time. Cas falls in love with his sister’s boyfriend, Gabe and Luke are in a seduction competition, Michael is tired of everyone, and Dean doesn’t know what hit him.

For All You Young Hockey Players, Pay Attention by @thursdaysfallenangel - 144k words SPN enemies to lovers hockey AU. Just. Please go read this. Gorgeous and still one of the best fics in the whole fandom, imo. Cas is the new transfer on Dean’s team, and Dean doesn’t like change.

The Complete Works of Emmanuel Allen by @violue - 54k words SPN small town AU ft. writer!Cas and local business owner!Dean. Dean meets his favorite author, but does not know it’s him. Shenanigans ensue, with a lovely warm feel. Dean builds a mausoleum and owns cats and lives in the woods. Cas needs a change of scene. Sam thinks everyone needs some more company.

The Mirror by cloudyjenn - 25k words SPN parallel universe AU. This was one of the first fics I ever read, and I still love it. Dean touches an enchanted mirror and travels through universes in search of an answer to a question he hasn’t asked. Full of love, family, and companionship.

Asunder by rageprufrock - 24k words SPN AU with Social worker!Dean, Doctor!Cas, Sober!Sam, and RUBY!!! Ugh I love this fic for Ruby alone. This one is more bittersweet. Dean hasn’t spoken to Sam in years due to his struggles with addiction. Sam, now sober, is getting married, and has invited him. Dean can’t face his family alone.

But It’s a Good Refrain by lady_ragnell - 23k words Merlin Radio AU! Merlin has an anonymous gossip radio show, and someone calls in to put Arthur on blast! Morgana is a fan, Arthur is not amused, and a sort of enemies to lovers thing occurs. Just lovely, and it makes me laugh every time.

And Like the Cycle of the Year, We Begin Again by @katherynefromphilly - 208k words Merlin canon compliant. This is the Season 6 we should have had. If you’re at all into this fandom, go read it - it’s still an all time fav for me. Hundreds of years later, Arthur walks out of the lake. Merlin has been waiting.

Give The Dragon a Chili by @supercalvin - 47k words Merlin magical AU based on the story in New Zealand of the cat stealing someone’s underwear. Merlin’s dragon is sort of a thief.

Fundamental Imperfection by Starlingthefool - 12k words Merlin famous author AU. Arthur likes Dickens. Merlin does not. They get into it on a panel, and twitter stan wars ensue. And enemies to friends to lovers where literary arguments are an expression of love, and stories are magical.

The Student Prince by FayJay - 145k words Merlin Uni AU. What a classic!! It’s a magical realism royal enemies to friends to lovers AU ft. a dragon in the walls, a lovely gay soc, Gwen as a Muggle, and some really great characters and moments. Do yourself a favor and go read this one.

Call it Love by @dalek-in-heels - 30k words Merlin RPF. UGH THIS ONE!!! Okay 1.) the author is one of my best friends, and she’s amazing! 2.) lovely fic that takes place at the end of Merlin, and still has one of my all-time favorite misunderstandings in fic ever. “Yogurty Heart” is my favorite way to say I love you.

If Nobody Speaks of Remarkable Things by @watsonshoneybee - 35k words Sherlock AU canon compliant through season 3. This one is sad, but the title is taken off of one of my favorite books, and the writing is gorgeous - as is the characterization. Happy ending, though! I promise! So the journey is all worth it!

In All of the Lives We Are by @dalek-in-heels - 20k words The Magicians canon compliant through the first half of season 3. Sarah does it again and writes one of the best fics I’ve ever read. Art as therapy, a sweet love story in more than one universe, and finding the will to keep going through the worst days. The writers of the actual show should have read this fic and put it on the screen. This is my canon.

A Happy Ending? Sure Enough by me (imbellarosa) - 8k words The Magicians canon compliant up to season 4. This is the only one of mine I’m putting on the list, because I still really like this one! You need some context, but not much? Idk, just if you want to see how *I* write!

#fic recs!#anon asks #i answer #long post for ts #hey anon if you want a more targeted fic rec in one particular fandom come back and let me know #and i'll make you another list!

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panharmonium · 4 years

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why are you being like this?

people i’ve met - they’re not like you. they don’t care. i don’t matter.

don’t ever think that. we all matter.

just some meandering thoughts on where the thematic center of merlin bbc lies for me, and how it weaves itself in and out of my fandom experience.

under a cut because this is a) sort of long and b) not really directed anywhere but my own brain, as i keep thinking about and creating for this show.

[as always, before i get rolling, a reminder: when i write about how i engage with this show, it’s just me talking about what gives me, personally, the most satisfaction or enjoyment, not the way i think everybody should do things. if this isn’t your particular read, please feel free to scroll past. i am not ever going to bother anybody for engaging with this show in their own way, so please don’t worry about it if we are not on the same page.]

that post about kilgharrah really got me feeling things.

i struggle a lot with the sort of...non-nuanced ‘fuck kilgharrah/fuck gaius/fuck arthur/fuck whoever’ mode of engagement that i sometimes run across in fandom. (and i’m not saying there’s anything intrinsically wrong with it; if you have the most fun engaging with the show in that way, please continue to have fun. i’m just writing, on my own blog and in my own space, about what i personally do or don’t find compelling.)

i struggle with this mode for the same reason that i struggle with the whole ‘fuck yoda!’ narrative that pops up sometimes in tumblr’s star wars fandom. because it’s not the narrative that the story is actually trying to create, and though this fact doesn’t mean you can’t twist things that way if it gives you more enjoyment, for me, there’s nothing about it that feels good.

writing fictional characters off like this, when the narrative is clearly not asking us to do so, feels...frustratingly false, and externally-imposed, as if characters are being evaluated based on the exacting standards of a universe in which they never lived, in a context where they were never intended to exist. doing so requires you to willfully ignore what the story is actually trying to say, and it’s fine to go ahead and do that if you want, but for me it strips away so much of what makes the story meaningful.

bbc merlin’s core plotline is about believing in someone’s better nature. the central storyline is that merlin commits himself to someone who doesn’t always give merlin reason to believe that this commitment is worth it, and yet still there’s always this hope and faith and belief that one day arthur will make it right.

and this is presented as a worthy choice. are there problems with it? of course. the show knows that, and it gives us places to think about that. but even with this being the case, the ultimate message of the show is still never that this commitment was useless, worthless, or foolish. the message of the show is that under the right conditions, people grow. this show says that when we are given deep love, care, and companionship, we can change for the better. it says that people, under the right conditions, can learn how to be better than they were before, and that everyone deserves the opportunity to grow into the person they were meant to be.

bbc merlin is not asking us to cancel any of its characters, ever. that is never the show’s intention. i won’t try to stop anybody from doing that, if that’s how they have more fun watching the show, but i am still going to contemplate, in my own space, how small that makes the story feel for me.

sometimes i see things like ...‘morgana/gwen/whoever is the only valid character in merlin bbc,’ and i just...first of all, neither of them are perfect, okay, and second of all, it doesn’t MATTER, because that has never been the point of the story. this story is not asking us to rank characters on a scale of how righteous/unproblematic we think they are. it’s asking us to CARE about the characters - ALL of the characters - and to root for them (yes, ALL of them), in the fullness of their imperfection.

when i explore the wider fandom, i typically bump up against one of two mindsets. there’s the shipping mindset, where everybody loves arthur and he’s helplessly in love with merlin. but i don’t want that mindset (because i don’t ship that pairing), so i look elsewhere. but the other mindset is an attitude that dislikes arthur, full stop. and i don’t want that either!

this ‘either/or’ divide is the opposite of what bbc merlin is asking us to do with its characters. i criticize arthur all the time, but i still don’t think the story is asking me to reject him. and i don’t WANT to reject him, either - why would i even watch this show, if i didn’t think it was important to see him become who he was meant to be, if i weren’t invested in his growth, if i didn’t ultimately believe in his possibility? if i didn’t think the show was asking me to root for him - not uncritically, of course; the show is never asking me to do that - but with the core understanding that arthur is somebody worth caring about?

the same goes for morgana. the show never asks us to write her off. up until the very end, the show wants us to care about her. the show wants us to root for her. the show never asks us to forget that she and the other characters used to love each other; it never tells us to stop wanting morgana to get what she needs.

gaius, too - the show never wants us to kick him to the curb. it knows he’s not perfect. he knows he’s not perfect. he tells merlin, when talking about his own life, “there has, for the most part, been very little purpose to it.” but the show doesn’t want us to fixate solely on his failures, or to dump him for his more cowardly moments. the show wants us to know that he still has value. it wants us to know that he is doing more good in the world now than he did before, which is all we can ask of a person, in the end. it wants us to know that he cares, and that he is trying.

and kilgharrah - the show is never asking us to hate him, either! yes, i get that it’s funny to joke about how “unhelpful” he is; i think that stuff is funny, too - but i also think it matters to understand that in canon, in the show, we are not meant to read kilgharrah as a malevolent figure. we are not supposed to read him as a villain. we are supposed to care about him. we are supposed to understand that he, too, is working, ultimately, for the triumph of Good. even though his version of this may feel convoluted to us, because kilgharrah isn’t human and can’t possibly be evaluated by human standards, we are supposed to understand that he, too, is trying. we are supposed to be moved when merlin asks him, “what will i do without you?”

we are supposed to care about all of them. we are supposed to find all of them worthy. we are not supposed to evaluate them (and then discard them) according to inflexible, merciless, decontextualized standards imported from a non-merlin-bbc world.

and this doesn’t mean people aren’t still allowed to do that, if it’s fun for them, but for me, analyzing this show outside of its context doesn’t bring me any satisfaction. we can go ahead and say things like ‘arthur should get his head chopped off’ and like, okay, that’s funny as a joke. but as an actual analysis of the show - as a sincere interpretation of the story - it fails. it’s devoid of all context. we aren’t supposed to be evaluating this story from the perspective of ‘let’s overthrow the monarchy, kings should die, etc etc.’ the context of merlin bbc is that albion is waiting for a righteous monarch, and that this is a desirable, acceptable, correct thing, in the context of that world. we are supposed to understand that arthur IS the once and future king, and that this IS a good thing, in this universe, and that the journey we are on here is one where he becomes worthy of his seat on the throne and then ushers in a time of peace and justice for all of albion’s people.

(and as i’ve said before - this is why the merlin bbc finale is so stunningly bad. it’s not that the show subverts our expectations, it’s that it annihilates its own story, which it has been consistently telling for sixty-three episodes.)

that aside, though - this same overlooking of contextual nuance is the reason why i don’t connect to takes that consider ‘oh no, merlin kills people!’ to be evidence that he’s “changed,” “gone dark,” or “lost his soul.” merlin does go through a dramatic (and tragic) change by the time we hit season 5, but what happens to him has nothing to do with the fact that he’s killed people. the context of this show isn’t one where killing is a universal evil. killing in battle or for the purpose of self-defense is not a morally problematic choice, in this world. merlin, like everyone else in this show’s context, understands this, and killing a group of enemy soldiers to protect his own life is not something the show intends for us to interpret as an erosion of his humanity.

what IS framed as an evil act, in the context of merlin bbc, is when someone chooses to kill despite the fact that mercy is an option. if arthur had killed odin when he could have instead made peace with him, if arthur had executed annis’s champion or vivian’s father when he had already defeated them in single combat, if merlin had killed kilgharrah whilst having absolute power over him - those are morally bankrupt choices, in merlin bbc’s context.

we’re not supposed to see things like merlin killing agravaine as evil decisions. in the context of the show’s world, killing agravaine is a necessary, morally uncomplicated act. it isn’t something merlin wants to do, certainly, and he tries to avoid it, and he doesn’t strike back until agravaine tries to kill him first, but ultimately this moment is not supposed to be illustrative of merlin turning down a dark path. it’s grim, sure, but in the context of the show - in the context of the era - it’s nothing more than the justified wages of aggression. agravaine brings this fate down upon his own head. merlin is not a pacifist, and neither he nor anyone else would expect himself to just stand there and let a group of enemy soldiers murder him when he could instead kill the soldiers and get away. that’s nonsensical and utterly decontextualized. it’s not an expectation that anyone in-story would have, nor a standard that merlin (or anyone else) would hold himself to.

all that aside, though -

the issue, for me, in summary, is just that i think sometimes we...evaluate this show in ways that it really isn’t meant to be interpreted, without considering the story’s context or thinking about what the story’s actual intent is. and i think that these decontextualized interpretations are often less generous than what the show is actually trying to say to us, and that sometimes we write characters off when the show absolutely is not asking us to do that.

and of course, nobody has to listen to what the show is trying to say if they don’t want to. if it brings someone more enjoyment to pick one character to stan and say ‘the rest of these characters are Bad People and i’m not interested in them,’ then that’s fine! whatever floats your boat.

it just doesn’t float mine.

the point of this show, for me, is that everybody deserves a chance. the point of this show is exactly what merlin says to daegal in the woods, even as daegal is leading merlin into a trap: we all matter. the theme at the heart of this story is that it is possible to love someone who doesn’t deserve it, and that this can be a worthy choice, a transformative choice, a powerful choice - not necessarily a perfect choice, or even the right choice, maybe, for the person making it, but still a choice that holds value, a choice that creates something good in this world, even at cost.

listen to me, clotpole. i don't care if you die, there are plenty of other princes. you're not the only pompous, supercilious, condescending, royal imbecile i could work for; the world is full of them. but I'm going to give you one more chance.

should merlin have done that?

we can debate that forever. i am critical enough of arthur pendragon myself, when it comes to merlin’s well-being, and i could easily argue that no, merlin shouldn’t have given arthur as many chances as he did; he shouldn’t have stuck around; he shouldn’t have offered so much of his life to someone who continued to make arthur’s kind of mistakes.

but i think it matters to remember that in canon, thematically, the story’s answer to this question is yes. mercy, in this story, is the most noble gift a person can bestow on someone else, and i think we are asked to bestow this same kind of mercy on the show’s characters, heroes and villains alike. we aren’t ever told, in this show, that some of these characters “weren’t good enough” to deserve their chances. we are told that in this world, compassion is always worthwhile. love is never wasteful. it is never foolish to care for people, even and especially when they aren’t yet their best selves. giving someone a chance does matter. choosing to care does make a difference, in the end.

people don’t have to import these themes into their own personal analysis, by any means. but i am still committed to remembering, in my own work, in my own space, that when we raise the question “was it worth it” in reference to whether these characters truly deserved to be loved, or trusted, or given a chance to grow - the story’s answer is unequivocally yes.

#the once and future slowburn #meta #i don't know what this even IS #i'm just feeling so emotional about this show right now #i love it so much #and i can't love it piecemeal #i can't #i has to be everything #or the message doesn't hold #the show doesn't want us to pick our faves and toss out everybody who doesn't measure up #it wants us to listen when merlin says 'we all matter.'

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fuckyeaharthuriana · 4 years

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Cursed - review (spoilers) up to episode 8 (very long post)

I am going to write a non spoilers review and a spoilers review when I finish the show as well, but for now. Here we go.

The review will be divided in:

Plot: alias, who I am supposed to root for? What the hell is that sword? Characters: alias trying to peek around Nimue to get more scenes from the secondary characters, plus... name droppings? Romance: zero chemistry?? tropey endings?

I generally enjoying the show, especially after the first episodes, which were just boringly long and could honestly be avoided.

1. PLOT

The story starts to be a bit more delineated by episode 7, I have to say. When I started it, I was extremely confused about who I was supposed to root for, what was happening, why all the arthurian names where mixed up.

First of all, let me say that the show looked very pretty. A part from the hideous transitions (animated transitions), the way the show uses colors was absolutely lovely.

a) The plot is this: Someone made a magic Sword (let’s call it Sword) which was able to give very good fighting abilities (and magic) to whoever was using it. Merlin came to use it, at some point, but the Sword ended up fusing with him, corrupting him into a need for revenge. He helps raise kings with the use of his sword, until the Sword consumes all his power and almost kills him.

He is saved by a Sky Fay woman who takes the sword out of his body and hides it, trying to save Merlin from his dark power. They fall in love and are together, until Merlin leaves, angrily, when he finds out that the woman has “destroyed” the Sword (but she has just hidden it). She later marries a guy, and has Nimue, who is actually Merlin’s daughter.

The story starts when the Red Paladins attack Nimue’s village and Nimue’s mother asks her to bring the Sword to Merlin. During her journey he encounters Arthur, who is a thief, and Arthur’s sister, a nun called Morgana who actually works with the Fey people, trying to save them.

The plot picks up once we are around episode 6 and 7, and Nimue is finally back with the hidden Fey, alongside Arthur and Morgana, and they decide that they will keep the sword and fight against the Red Paladins.

b) This is the overall plot. The beginning of the show is extremely slow. The show is heavy handed in his need to show us how oppressed and suffering Nimue is. She is shamed by her own people for being “demonic”, she is discriminated by humans (even if she is one of the fey who has zero fey features), she is attacked by both. When the Red Paladins destroyed her village... I was confused, because we didn’t really see any positive feelings Nimue had for her home (she hated everyone, she was discriminated, she was trying to leave). Also, somehow everyone could tell she is Fey? I was confused by how badly she was able to hide, her who looks like a normal human and could have easily cut her hair or something.

Her meeting with Arthur is also... strange. He is introduced as a love interest, we get bits of his story (thrown away from his family, his father has been killed, seeking honor) with the show, he is a thief and his “attachment” to the plot could have been a bit more... consistent. He helps Nimue, bringing her to Morgana, and conveniently Morgana is working to help the Fey and working for an underground smuggling operation. I think I would have enjoyed it much more if Arthur had been more involved in Morgana’s smuggling operations.

The other side of the plot revolves around Merlin or the Vikings (Pym). He is Uther’s advisor, and Uther is a shitty king. He is just there to... give Merlin something to do? I think the show would have worked well without him.

c) Uther and Pym are the comic reliefs of this show. Uther is shown as having no spine, so I am not sure why he was there. He had no interest in the Red Paladins, or the kingdom, he just wanted the Sword because apparently that gives power to the king? At the same time, we have Pym (Nimue’s friend, thought dead in the attack), who ends up as a healer for a raider ship. Honestly, the people in this show were so horrible that I definitely rooted for Pym’s Vikings. I am not sure if the show wanted me to root for the fae or the vikings, but I definitely wished for the vikings to keep raiding.

Now, for the main plot point that confused me:

d) The Fae and the Red Paladins

I was very confused about why the fae were chased and hunted. The world has Christianity, the Pope and the Church but is basically in a fantasy land (but also it has the Ninth lost legion and the Roman Empire, but the gods are not from anything I could recognize). We are supposed to believe that there is an old ancient religion, and that the fae follow.... Hidden gods? shadows? they have power related to the land? But do they? None of them seemed to have any powers, only Nimue had magic. The show seems to imply that they do, but we only see Nimue using her powers, while the fae is powerless against the Paladins. So... I suppose the Paladins attack them just because they look different? Or because they follow another religion?

I wish there had been a bit extra information about why the Red Paladins are so anti-fae. Something maybe related to the sword, like the Sword murdered a bunch of people and it was made by people following this specific religion?

How powerful are they? Why do they have a fortress? Are they getting taxes from the kingdom, is that why they have the “money from the Beggars Land”. Furthermore, in episode 8, why don’t the Red Paladins fight Nimue? Why leave her fight one on one? There has not been enough time for the reputation to build yet, and we have not seen her reputation building (I take as example Black Sails, and the way John Silver’s reputation was built there). The conquest of the Red Paladins in episode 8 was a bit... too easy. All these religious zealots suddenly are like nope, we surrender. The politics were generally quite confusing, I was never sure where the characters were because they could fast travel to any point at any time.

e) The Sword

I have to say that I really enjoyed the idea of the Sword as something that drains (took Merlin’s power) and corrupts. I definitely want to see what happens to Nimue after using it, and how Arthur will end up with it, as king.

f) Too much gore

TOO

MUCH

GORE

There is no point in it. The Red Paladins are shown to mutilate and torture and kill more than once. It is not needed. We need to see it once, then... just cut away. The guy who is following Merlin to kill him? He is immediately shown torturing a poor person buried alive. There is no point for the majority of these gore scenes.

g) Characters just ends up at the right place at the right time

There is no map or order. We NEVER know where character are. They can instantly transport themselves to any place. They are hidden in the forest and surrounded? It’s okay, they can immediately teleport an army to the Red Paladins’ castle.

Nimue is in the caves, hidden? No worries, she can immediately reach Arthur who is in another place, when she needs to.

Gawain is wandering the forest? The Weeping Monk is right there!

h) If you’re a secondary character you die

Unless you have an important arthurian name (and unless you are Kaze), then the character is dead. Ambushes will happen, the main characters will always survive.

2. CHARACTERS

Name dropping

I want to start with something that really annoyed me because of the over use. The name dropping.

The show did this at least four times, if not more. A character would be introduced with a name (ex. here is the Green Knight!) and then the character or the narration would rectify it by giving us a new name (”He is Gawain!”), with a long pause that leaves us (the audience) the time to GASP IN SHOCK BECAUSE “I KNOW THAT NAME”.

It just seemed.... too much, after the first time.

Gawain

Alright, let me start with Gawain because he literally came out of nowhere. It almost felt like the show introduced him at the beginning (Gawain is supposed to be Nimue’s dearest friend) but then they edited out the scenes so when we meet Gawain we are supposed to be shocked by we are not.

A part from this, he really grew on me. He is the Green Knight, the hero of the hidden fae, and he hates humans (somehow all the main fae, Nimue and Gawain, look like humans). His character arc is well done, because he learns to trust Arthur and that is basically his character growth.

Morgana

HANDS ON, BEST CHARACTER EVER. Morgana’s journey was amazing, also because of what we know of her arthurian character. She starts in a convent, using the family name Igraine, and having Celia as her lover.

I wasn’t too impressed by the fact that the show seemed to use her being wlw as a way to show how progressive and different Nimue is. Still, at least we have our first tv wlw Morgana! She fights for the fae and helps them escape, which shows her sense of justice, even if it is never really explained why she would do this, or even how she started to relate to the fae.

Still, she was soon set to the path of her personal pain when she lost Celia (I’ll talk more about them down in relationships), and the show is never cruel to her pain. We see that she wants revenge (when she writes the letter! Amazing! Stunning!) AND justice most of all, but she accepts the deal with the demon when she sees Celia again, when she is offered something she really desires. Love THIS FOR HER. I am sure her journey will be more and more interesting by episode.

Nimue

I wasn’t too impressed with Nimue. She feels like a character who needs to be there to forward the plot, but I was also sad when the scene moved from other characters to return to her. I understand the need for her character, but I was not too invested in her character arc? I don’t want to sound cruel, I understand the need for her character development and how she had to discover herself and her destiny, but it was all very guidebook and very expected.

At episode 8, Nimue becomes queen of the Fae and conquers the Red Paladins and allies with the Red Spear? This... happens so fast. Nothing had really happened before this point, no plan, no showing us how the Paladins were in one place only... there is really no sense in it. It was just so fast, as if the show didn’t want to spend too much time investing in grand battles or showing us things.

Pym and the Red Spear

Pym is the comic relief of the show. She miraculously escape the massacre and ends up with the Red Spear and her raiding ship. Honestly, they were the best characters. I wish they had had more screen, more than comedic relief. They just conveniently are at the right spot at the right moment (somehow the Red Paladins don’t kill them? After normally slaughtering everyone they find, they are just captured) and thus are thrown back in Nimue’s main plot line, but I am afraid that because of this they will just disappear from the show??

Arthur

Arthur is a mixed bag for me. I really enjoyed how his character arc revolved around honor. He felt like he lost honor and had to reclaim it. But when he steals the Sword we never see him regretting it, which was disappointing, as that would have been part of his arc. Also, he somehow ends up working with the fae but he never shows any emotional investment in justice because the show is too occupied to show us how Arthur and Nimue are falling in love.

I think he shines the most in the episodes where he works with Gawain. We see how he is smart, strategic, and a good fighter, but also able to lead (he saves Gawain with a sacrifice) even when surrounded by people who distrusts him. I truly enjoyed it.

I think his character loses when he is in the same scenes with Nimue.

Kaze

KAZE WAS SUPPOSED to be Nimue’s right hand, giving her advice. And her character is shown to have both advice for Nimue but also being wiser than her. Nimue needs her counsel. Still, when Nimue actually takes the throne, Kaze is not really seen counselling her, as the show needs to immediately pass to the next plot point, and only shows us Nimue and Arthur.

Merlin

Merlin’s plot started strong and then... sort of got lost. He starts being Uther’s witty advisor. He doesn’t really care about Uther, but wants to use his need for the Sword to also get the Sword for himself (to get his magic back?). He doesn’t have magic anymore, and his character arc shows us how he goes from being selfish (he wants the Sword to get his magic back) to selfless when he finds out Nimue is his daughter.

Still, many parts of his plot were...??? He steals fire from the Beggar King (supposedly to destroy the Sword) and this leads to the Fisherman being hired to kill him? But this whole Fisherman subplot was a bit out of nowhere.

He allies with the Vikings (sorry, I forget the name of the king) because their king also wants the Sword... and against Uther... but Uther is literally doing nothing worthy and he could easily manipulate Uther, but ends up losing any upper hand against the Viking king? What was the point of all that?

3. .Romance? Relationships?

Nimue and Arthur? Nope. Their relationship just happens. I have nothing to say about it, a part from the fact that I always found Nimue and Arthur more interesting when they were interacting with other characters because those were the moments where we got characterizations. Arthur with Gawain? We see Arthur’s ability to lead, and the way he reclaims his honor. Nimue with Kaze? We see her insecurities and her hope for the fae.

DOF AND PYM? Yes please. They were just so cute, and Dof’s death was useless.

Morgana and Celia? Yes? But here we are again with the “buried gay” trope, because we cannot have a happy wlw. I understand that she is Morgana and she is not supposed to be happy, so I am not too annoyed at it, especially if Morgana’s love for Celia is used to give conflict to Morgana.

#morgana #gawain #cursed netflix #cursed #nimue #arthur #review #netflix cursed #spoilers

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flying-elliska · 5 years

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S5 Review pt 2 : the Bad

So in my last meta I listed a lot of reasons to like this season...but then why did it not (at least to me) all add up together ? Looking back, I can think of so many clips that I thought were incredible. But looking back at the season in general, I just feel a big ‘meh’ and it’s sort of puzzling - why exactly ? Here is where I thought the season could have been a lot better :

I loathe love triangles : I hate the trope in itself. Is S5 the worst example of it ever ? No, it served somewhat of a thematic purpose and the resolution was interesting. But I can’t help it, when I feel a love triangle coming on, I generally disconnect emotionally because I have been annoyed to hell and back by it before - one big offender being Skam France s4, in which the love triangle/quadrangle marked the beginning of the season going down in flames, with it overshadowing everything else and making the characters behave in completely obnoxious and puzzling ways. S5 isn’t quite as bad, it feels more respectful of the characters, but I find it weird that the writers chose a love triangle again on the heels of the reception of s4.

The problem with this trope is not ‘oh we don’t want drama ever’ it’s just so bloody annoying, so trite and overused. It rests on centuries of sexist tropes : either a wishy washy girl in the middle who doesn’t know what’s good for her/her own heart ; or two girls competing for a man’s attentions. It often ends in the fandom villifying the women involved no matter the shape of the triangle, comparing them against each other, which definitely happened this time (Twitter was just so annoying this season), and this whole ‘team x’ thing gives me hives, as the assumption that this is what young women viewers care most about.

Also it generally involves the characters showing that they have very little self respect, letting themselves be walked over, bad communication, implications about what the ‘better woman/man’ should be like, cheating, etc...it’s very rarely fun or interesting to watch because we’ve seen it a thousand times before in teenage soap operas. Again, the s5 ending avoided the total trainwreck but this is a show you watch in real time, and for weeks I was afraid it was going to be absolutely terrible, and it ruined a big part of my experience of the season. When they introduced Noée I started being scared, and when it became clear Arthur was developing feelings for her, I basically noped out emotionally. I started following it in a much more detached manner, I wasn’t looking forward to the clips anymore, I stopped writing meta so much. And it sucks. I wanted to love the season. But this was just not a ride I really wanted to be on.

Alexia (and Noee) deserved better : I love Alexia and developing her character is one of the best things Skam France ever did. In OG, the character of Chris, if interesting, is just continually reduced to the ‘funny fat friend’ persona and it really sucks. So giving Alexia a real personality, making her bisexual, giving her more of a role in s3, making her a dancer and a singer was really cool. I’m bi myself and I spent most of my high school struggling with my weight and if I’d had a character like her, who radiates self-acceptance, it would have meant so much to me. I was really stoked for her to have more of a role in s5 - only to spend most of the season feeling really sad for her. It was just...not fun. I so wish she could have had her own season and her own story that didn’t revolve around a dude she was so supportive of and still ended up treating her like shit.

Also, real talk : when is a curvy girl actually a love interest without it being shown as funny or not good enough ? Especially of the main character ? Almost never. Coline might have lost some weight, but she’s still written as a curvy girl this season and it’s an important part of the character. So for her to have this particular role this season - the girl that isn’t romanticized, that doesn’t get to have the cute and thrilling moments, that is just sort of there and patient and understanding as if she couldn’t get anything better, it just leaves a bad taste in my mouth. Sure the end of the season did her more justice but god it took so long and in the meantime, it just felt...very ill considered and careless.

In the same way, I wanted to love Noée, I thought she was amazing, but because of her role in the plot I just felt this instinctive defiance towards her character. It would have been so cool to have her in a friend role, or even a love interest outside of the triangle or I don’t know like...have someone else fall in love with her. Also, I just did not understand why she loved Arthur ? Like she just met the dude a few times, and he’s mostly been a total asshole to her, who makes very little efforts to communicate with her...I get she could get attracted to him but love ??? The moment where she tells him ‘I love you’ felt demeaning to her, like the moment in OG where Noora falls after running after William. It’s like, Arthur has just been an enormous asshole to her, and she pushes herself to do something she’s never been comfortable with in the first place ? Why ? This show romanticizes teenage boys being assholes and girls being desperate way too much.

The Skam dilemma, love vs politics and “Let’s all just be nice.” : There is a reoccuring problem accross all Skams, starting with the OG : they bring up very political topics, usually in the beginning of the season, and then they...don’t really do anything with them. In the OG, Noora’s feminism is really just window-dressing and we see her bend over backwards to accomodate this super toxic asshole into her life. And we see Sana’s struggles as a Muslim in Norwegian society, but then love drama takes over, and it’s waved away with an insulting ‘everyone should just communicate more’ ending. Skamfr s4 made it even worse, by making the girl squad a lot more overtly racist, never having them make a big gesture for Imane, putting her in a position to apologize, and never showing that the girl squad had an idea of where they messed up or real growth. It was insanely frustrating, especially since the beginning of the season was so good at showing all the little micro-agressions. In the end it felt like all the racism was just there to motivate Imane’s breakdown for plot reasons and not to actually say something. S5 never stoops quite that low, but there was a bit of a similar dynamic at hand here. Instead of the boys actually have a real conversation after their fight, most of the denouement of the show was consecrated to talking about the love drama. It was, again, as if the focus of the show was on the wrong things, and it robs you of the catharsis you’re expecting. As if they used the love drama for a metaphor for the actual issues, have it do all the emotional heavy lifting, and in so doing bypass having to adress the actual problem. There is this weird ideas that the audience of the show - teenagers and young women, mostly, in the end care the most about the love stuff and that everything else has to take a backseat and...this feels neither a good message to send, nor realistic to me. I like it when shows about teenagers decenter love and show the real complexity of their characters’ lives without making them paragons of virtue or wokeness - Derry Girls is a brilliant example of that. Skam, and Skam France in particular, feel a bit immature still compared to those, punching below their weight for shows that pride themselves on their social impact.

Hit with the idiot stick : Speaking of underwhelming resolutions - yes, the boy squad messing up with Arthur, I found relevant and realistic. But...did they really even adress it ? I was really hoping for the boys to have more of a conversation, for Arthur to open up to them about what he went through, about his father, to tell them that they should have asked him/listened to him more, etc...and I know ‘teenage boys’ or whatever but ...aren’t they trying to change those stereotypes too ? Like when Arthur went to see Basile, they must have had a conversation, why the fuck did we not see it ? That’s the emotional bond I cared most about ! And we just had a hug ...underwhelming tbh. Same Arthur talking with Lucas but then it was just about their love lives ? Or when they came to the hospital, again, it was just about the love drama ? God it really sucked out the oxygen out of the season. The resolutions of those things just being hugs or speeches or handholding at the end felt hollow, and a lot less powerful than they could have been. And again, there has to be a tolerance for messiness, but I found the boys so incredibly dumb at several points in the season. Especially them being like ‘oh cheating isn’t so bad’ after they found out that Arthur’s dad was cheating on his wife ? Like why the fuck did they take Patrick’s side ? What kind of lack of empathy ? It would feel a lot more coherent for teenage boys to be furious at the destruction of a friend’s family, not talk like cynical 50 yr olds who just divorced for the fifth time. It felt so unrealistic and stupid and just meant for Arthur to finally clue in to the idea that cheating and lying is bad maybe, himself first without external clues from characters that really should have known better by now. Especially Yann and Lucas advising Arthur to keep his mouth shut after what happened in s1 like...did whoever write this read the previous seasons of the show ? There were just too many times where the boy squad felt out of character and mandated to be idiots just for plot reasons, and it felt...very crudely drawn. Disappointing, because the beginning of the season was awesome. But again, Skam France failed in delivering real growth for their friend group. At times, it even felt like character regression. Them holding hands at the end of the season made me emo but damn it could have been so much more.

Also some plot twists - the car crash in particular, just felt dumb and unnecessary, seriously.

A too distant main : In the end, like I said before, my main issue is that I didn’t feel as connected to Arthur as I wanted to. I mean, the cheating bit was just very unrelatable to me, after how they showed how supportive Alexia was and how she supposedly made him happy like...why. But maybe that’s just me. Regardless - in the first few episodes he felt distant in an interesting way, because it made sense for his character to be so walled off. But...I felt like his self discovery was way too blurred with the ‘oh I like Noee’ part to the point where it ended up being obscured. I would have loved more clips on his own, maybe something more about him questioning his path in life, whether he truly wants to do medecine. And like apparently he liked fine arts ? Then, why didn’t we see anything about that ? Did he paint the x-men painting ??? That feels so relevant, why the fuck didn’t we see that ? Also why didn’t we see him take those LSF classes with Camille and actually make an effort this time ? Having almost all of his realization moments tied to Noee was just...the manic pixie dream girl trope. That’s what it’s called, when you use a quirky female character as a device for the emotional development of the male one. It’s...not flattering tbh. And then that farm episode - it was funny but for a week I felt like I completely lost touch with Arthur’s POV ? I’m really not sure that was the right choice. All in all, there were just not enough introspective, small, intimate clips for it to really feel like Skam, and that’s a shame tbh. I recognize a lot of myself in Arthur, and Robin acted his heart out to make him relatable, but because of the writing, there were way too many times where I was reluctant and puzzled instead of in it. I saw several people saying it was too much tell and not enough show and I think that’s very on point. I feel like a lot of Arthur’s actual character development happened behind the scenes in moments where we didn’t see it.

Yeah...I think as a conclusion most of my issues are tied back to the preponderance of the love triangle. The season wasn’t bad but god it could have been so excellent if they hadn’t gone that route, and this swerve from greatness is just sooooooo frustrating. I don’t think it’s enough to condemn the whole season but...

Next up : some things I’m just very ??? about and a general conclusion.

Bonus bitching round, fandom edition : oh my god, I don’t get into this often but...the fandom was so bloody annoying this season. Starting with the people sending death threats over a tv show (like...what the fuck) or thinking them being nasty assholes is somehow for the greater good (???), from people that don’t want anyone to use even 1 analysis capacity (especially on Twitter) and go beyond praising everything on the show, or the people either villifying Alexia and Noee and indulging in that ‘team’ crap, to the people that shoot down every single detail of the show without discernment or accuse the creators of being ableist sexist garbage or maltreating their actors ... And then you have the other remake stans coming to pollute the tags talking about how we were all stupid for liking the show in the first place. Like...seriously, what is up with you people. I really loved the block button this season, damn.

#skam france #skamfr s5 #my meta #arthur broussard #skam france meta

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romancing-lady-whistledown · 4 years

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the fandom was exactly like this, every time Lucas or Eliott weren't a perfect human and had flaws the fans here would say they were ruined. like Lucas saying some ignorant things on s5 and s6 doesn't mean they ruined him?? and it wasn't ooc he said some ignorant things on s3 as well. but he apologises. fans are obsessed with purity, they want their fave characters to be 'woke kings' . I read fics where Lucas was super "woke" and honestly it made me cringe so much bc that's not him

Hi anon! I have no idea when I recieved this as Tumblr never notified me about it, so I’m sorry if this response is really late! This got kinda long so I’ll leave my response under the cut.

Personally when it comes to Elu-fanfiction (which is the only type of fanfiction I read, actually) I’ll enjoy anything that can give me the Elu-feelings, just in different ways depending on the genre/trope, and that also includes when they’re pure fluff and the angst that maybe would’ve happened in the actual show is cut down or cut out. Sure I’ll notice when Lucas or another character says something I could never hear canon Lucas say, but overall as long as the character has enough traits from Lucas, whether it’s more from soft Lucas or more from fiery Lucas, I’ll just take that as the writer using their freedom to make the tweaks to the characters that they wish for their story. With that being said, when it comes to the canon characters themselves and the way they’re created and presented in the show (and this is in general not just in Skam France, but definitely also in Skam France), I completely agree with you. Alot of people do want their favorite characters to be morally pure and fully woke, but that has never been Lucas or Eliott and personally I don’t know anybody in the real world who are perfect in that way either.

To me personally a well-rounded and well-developed character is a character that on some level feels real and relatable, rather than a character that always pose as an example for the ideal response to every situation they’re put in. The latter will, to me personally, make them feel less real, well-rounded and relatable because nobody has the ideal response to every situation they’re put in. People do mess up and they mess up often, whether it’s in what they say or what they do. People also do grow and change and learn but that takes time. I won’t recognize any real human I know in a character that always does and says the right thing. That’s not to say that every character with flaws is a great character (examples of characters I personally don’t think are well-crafted, relatable or likable on any level are Charles from Skam France and, from the little I’ve seen of her, Kato from Wtfock). I think the key to creating a great character is giving them a combination of flaws and pleasant traits that make them either interesting or lovable or both, in a way that fit with the role they’re supposed to play in the story, whether it’s as an antagonist or a protagonist or something in between.

What makes Lucas so lovable to me is the combination of him being hot-tempered and passionate and him also being very emotional and incredibly soft and sweet with the people he loves. He wears any emotion on his sleeve, whether it’s sadness or joy, anger or love. He’ll demand an explaination about Lucille multiple times until he gets one, but when he knows it’s Eliott and him he’ll turn into a softie who demands kisses every other minute and buys Eliott flowers and croissants when he’s not feeling well. He’ll lose his temper and he’ll sometimes say ignorant things as we saw in both S3 and in the newer seasons, but he’ll also apologize for things he say, as we saw both with Arthur, Lola and Chloe. Lucas is to me the perfect example of a character with a lovable combination of positive traits and flaws.

My one big complaint about Lucas and Eliott’s parts of S5 and S6 is not that they were ruined in any way, it’s that I feel like the writers started an arc on screen that didn’t get a good conclusion on screen. They introduced insecurities for both Lucas and Eliott that we got to see them discuss with others (Imane, Arthur, Lola) but never with each other. We actually saw Eliott very rarely in S5 and Lucas very rarely in S6, but when we did see Lucas in S5 it was partly for the part of the storyline where Arthur felt left out and in S6 it was basically to set up the club-incident towards the end of the season (that he understandably got upset about), and in both S5 and S6 his tendency to get angry and speak before thinking (that always has been there) got a bit more focus on screen than his soft and sweet side (although it was still present), but that doesn’t mean that his soft side isn’t there just as much as before. To me that is a problem in the writing and storytelling with them prioritizing showing the angst a lot more than the happy or healing moments, instead of having a better balance, but it did by no means ruin Eliott, Lucas or Elu for me. I saw enough in S3 to fully believe that the conversations that needed to happen did happen or will happen, and sometimes conversations between them were referenced but not shown on screen, like when Lucas told Lola at the video-store that Eliott had explained her and Eliott’s relationship to him.

I think it’s important to acknowledge that Skam is always gonna be frustrating with things like this because of the one POV per season thing. Conversations that we would very much like to see will take place off screen when the main isn’t there, we did for example not see Isak and Even talk about Mikael and Isak’s jealousy or Noora and William talk about their drama in S4, we were always told about this through Sana, and the people we did see Lucas and Eliott discuss their insecurities with in S4-S6 were always the mains of their respective seasons. But the thing with Skam France is that they did break the POV for the Fifi-clip or Basile and Daphne talking during S5, so it’s hard not to wish that they could’ve done that here. I also wanna add that when I say I wish they gave Lucas and Eliott’s arc in S5 and S6 a good conclusion I don’t mean Lucas and Eliott getting rid of their insecurities so they’ll never be a potential cause of conflict ever again, because I don’t think insecurities work like that. I don’t think being in a loving relationship for a year will take those insecurities away. As I said earlier, growth takes time, and deep-rooted insecurities are certainly no exception to that.

Anyway, this got long and ranty and I’m sorry about that, but the bottomline is this: I definitely agree with you that there seems to be a huge need in for beloved characters to remain as morally pure and woke as possible in the fandom in order for them not be concidered “ruined”. In reality the flaws we saw in both Lucas and Eliott in S5 and S6 were, in my opinion, very much present in S3, I think they were very much in character, but the difference is that now we only got small glimpses of the characters, their words and their actions, they were not the main focus and we didn’t get to see them up close with all of their qualities explored the way we got in S3. We only got what we got in those glimpses, and sometimes that was a glimpse of Lucas and Eliott doing or saying something they shouldn’t have, but that doesn’t mean all the good qualities of them as characters and as a couple disappeared, we simply didn’t get to see the full picture on screen the way we did in S3. In S5 and S6 I had some issues with the storytelling for Elu, just like I did for other characters, but to me personally the characters and the couple were by no means ruined.

#ask #skamfr

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burn-in-the-dawn · 4 years

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"CURSED" Characters' Age Breakdown (per the book)

Squirrel: 10 years old

Iris: 11 years old

Pym: 16

Nimue: 16

Gawain: 23 (see discussion below)

Uther Pendragon: 26

Arthur: age unspecified, likely 25-26 (see discussion below)

Lancelot: age unspecified, presumably same age range as Gawain & Arthur & Uther (to be discussed in more detail at a later date)

Morgana: age unspecified, likely 21-24 (she's stated in the book by Arthur to be 2 years younger than him, but he's an unreliable narrator about his past so that might be unreliable as well...see discussion below)

DISCUSSION/Explanation of Questionable and/or Speculated Ages

Gawain: Okay, so, the book expressly states him to be "7 years older" than Nimue & have left Dewdenn "at age 14", specifying his departure as having been 9 years before the story itself takes place (Nimue is confirmed several times in the book to be 16 - almost 17). And despite the fact that actor Matt Stokoe (29-30 at time of filming) does not pull off passing for early-mid 20s the way his costars do (IRL he's a few years younger than Daniel Sharman who played The Weeping Monk / Lancelot & only two years older than Devon Terrell who played Arthur), that's something I'm willing to suspend my disbelief on & mentally compartmentalize as "world-weariness & war have taken a toll & 'aged' him beyond his years". In part because, looking back at some of his roles several years ago, the actor looked damn near 30 when he was 23. My own ex looked at age 24 (when I met him) older than Stokoe does now, I've got a friend who looked mid-30s at age 19, I have old photos of my mother at age 13 where she looked completely indistinguishable from her wedding pictures at 23 or her nursing school graduation pictures at 27 & I myself was consistently mistaken for my mid-20s by the time I was 14. The classic "Gawain" hairstyle also does him no favors; there's a scene very early on in his introduction, when he & Nimue are alone in one of the caverns discussing the Sword & Merlin, where he's freshly clean shaven with his hair pulled back away from his face in a ponytail & while he still doesn't look 23 he does look considerably younger than in any other scene in the series. (I genuinely think that production was just kind of oblivious - with 34 year old Daniel Sharman so easily passing for a decade younger - to the fact Matt Stokoe was not 'reading' early-mid 20s the way his costars do). But more pointedly, in the context of 'Cursed', Arthur's fear of loosing Nimue to Gawain is played out only as jealousy directed at a perceived rival for her affection. Regardless of which one's responses & behaviors to other situations present as mature vs childish, they very expressly interact with eachother behaviorally as rivals & contemporaries, NOT like a youth vs an older adult (in fact, Gawain behaves markedly immaturely around/toward Arthur - on pretty much every level - up until Moycraig). They even choreographed the majority of Gawain's/Arthur's postures & movements to mirror eachother from their 2nd scene together onward, to draw a cinematic visual parallel between them from the very beginning. I think if Gawain being considerably older had been an intentional/conscious change on the part of the show, the dynamic of their relationship wouldn't have been staged so specifically to mirror eachother to such an extent.

Arthur: Now, that being said, even though the book doesn't specify I strongly suspect book-Arthur himself to be canonically no younger than 25. Reason being, in the Arthuriana Tradition, Arthur unknowingly being a Pendragon bastard or secret offspring is one of the single most consistent themes throughout centuries of varying lore, hand in hand with the magic Sword, for his claim to the throne. And the book does have him expressly introduce Morgana as his younger half-sister, which not only suggests same mother with different father but also that despite Arthur having been raised by him they know he's not biologically Sir Tor's (although Arthur thinks of him as such). Now, 'Cursed' is obviously forgoing the traditional lore of Arthur being Uther's illegitimate son, because no matter how you slice it Uther's too young to have fathered him even if you aged show-Uther up a decade+ from the book's specified 26 years old & aged Arthur down a bit. But beyond that, they've thrown in the added touch of Uther himself - having been secretly switched at birth for Queen Lunette's still-born son - not in fact being the previous king's true-born heir. Once the Sword passes eventually to Arthur, even with legends about "he who wields the sword will be the true king", Man Blood society will require more than prophecy to recognize/legitimize a his rulership. Though strictly speculation, if I had to make a prediction about Book/Season 2, it would be on Merlin or someone else uncovering evidence that Arthur's actually the previous king's illegitimate biological son rather than his "father" Sir Tor's - conceived shortly before the old king's death sometime during Queen Lunette's pregnancy - at a guess that evidence coming from either Arthur's aunt or uncle. I figure that evidence will wind up being publicly recognized/acknowledged as part of the climax of a redemption/growth arch for Uther, naming Arthur his "brother/heir", prior to his own death - giving Arthur a legitimate claim on the Pendragon throne that supercedes Cumber's claim as a Pendragon cousin. If I'm right in that prediction, since the old King had died by the time Uther was born, Arthur can be no more than 9 months younger than 26 year old Uther, making him at least 25. (It's debated within the fandom that he doesn't look or act like the character is out of his late teens, but considering the actor himself is 28, I'm really not sure how that's defined? Appearance-wise he's got more chest hair on display with his doublet on than Lancelot does with shirt off & his immature avoidance of responsibility seems from the book to be more reflective of subconsciously modeling Tor's example than an age indicator but he's old enough he's spent several years already as a sword-for-hire mercenary. So, while I do allow my theory in his parentage & age is speculation which Book/Season 2 may prive me completely wrong able - not ratified canon - I do stand by that theory for my fic-verse; how old someone "looks" is really subjective & debatable, plus if "maturity level" was meant to be any kind of concrete age indicator in the Cursed-verse then King Uther wouldn't spend the entire series & book acting like a spoiled 6 year old.)

[The following doesn't change anything about how old I think Arthur himself is, but creates some potential flexibility regarding Morgana's age: When Arthur's reflecting on memories of childhood - even via internal monolog - he's consistently inconsistent regarding what age he claims to have been for key noted childhood events (at one point in his thoughts he recalls being 16 with his living mother away tending to a sick relative when Tor died, but later on in the book he reflects that he'd been 10 when Morgana was sent away to Yvoire Convent after he inherited all of Sir Tor's debt with presumably no living mother around to prevent it; alternatively, the show specified he was age 12 when Tor died & Morgana was sent away). At first I thought it was a total screw-up in the writing, but then I reread Morgana's repeated characterization of him as inconsistent & flighty & self-serving & utterly full of shit, paired with Arthur's own characterization of Tor (who again, I don't think was his biological father but was certainly his most formative male role-model) as quite literally talking out of his ass about his imaginary exploits pretty much 100% of the time & Arthur himself repeatedly bending the truth to get what he wants as an ingrained survival habit consistently seen via interaction with people like Bors & Druuna. Again, this is purely speculation, but I think it his written contradictory self-reflections were probably very much on purpose to intentionally establish him as a starting off a significantly "unreliable narrator" the same way he recalls Tor being, to the point of lying to himself rather than deal with painful memories or take accountability/responsibility for uncomfortable personal flaws & faults. I suspect that him overcoming that tendency that he learned from Tor's example - with actions like admitting to Nimue he was in the wrong going after the first man he ever killed (mistakenly believing him to be one of those responsible for Tor's death) shaming his father's memory & like coming back to fight with/for the Fey - are going to be a driving feature within his growth/redemption arch in Book/Season 2.]

Morgana: The book specifies Arthur telling Nimue that Morgana is 2 years his junior; however, he establishes himself as such an unreliable narrator that I feel like anything he says about him & Morgana that's not directly corroborated by Morgana herself is suspect, even their age difference, so I'll allow for the possibility of the age gap potentially being up to 4 years instead of 2. If my guess (see above) about Arthur's paternity - therefore his age - is correct, that puts Morgana herself somewhere between 21 -24. Per societal norms of the period, that actually puts her into "old maid" territory, but contextually to the historical era, she would have been able to get away with dodging societal pressure of being married off against her wishes by that age - up until leaving the abbey at least - because of having been at convent (in contrast to 16 year old Pym, who in both the book & the show says her mother's trying to force her into an unwanted marriage to "Stinky Aaron" the human fish-wife's son).

(note: I compiled this mostly as a quick reference citation I can direct myself or my fic readers back to for my 'canon' logic on the ages I've assigned characters in my stories. I went with the ages listed in the book for my fic-verse because of the express lack of clarification of most of them given in the show & am speculating on the others based on lore-related theory, so yes the potentially problematic age difference is present. I don't intend to villainize Arthur over having pursued her, partially because even though the readers know she's 16 there's nothing in the book & only one brief comment from Gawain in the show which isn't followed up on - Ector calling her a child doesn't count because he dismisses all of them as children - to indicate that Arthur knows she's that young & many contextual reasons for him to have assumed she was older. I apologize if that offends, but it's not meant as an endorsement of it; as the story outline/concept for this fic-verse stands I have no plans on romantically pairing Nimue with anyone & no plans for Pym so soon after Dof's death to be seriously looking at anyone in that capacity until much later in the story.)

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kyeshirosaki · 4 years

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Cursed Episode 3

I watched the whole season despite being skeptical after the first episode because I wanted to like it and enjoy it and I very much did enjoy parts of it in spite of some of the show's bad aspects. Cursed has a lot of flaws, but I still plan on watching a second season if it’s renewed. I’ve never seen BBC’s Merlin, nor do I have much of a background in Arthurian legend like most folks that have been talking about the show. Anyway here are some of my thoughts about the show, good and bad, including spoilers for the whole season.

IRIS. My creepy wayward child. Emily Coates does a fantastic job cementing just how unsettling this young girl is and her whole arc is truly entertaining. I think that her performance can only be compared to Lily Newmark as Pym based on how much life and interest they bring to their characters with what they’re given.

This episode is truly where the series starts to draw you in. We’re introduced to Sister Igraine, but we don’t know anything about her or her motives other than some kind of connection to Arthur. Like Nimue, we just have to trust her and I think this is done very well, even if we can guess that she’s Arthur’s sister before she’s actually revealed to be. Every revelation doesn’t have to be a surprise. I also like the foreshadowing we get with the Weeping Monk finding Nimue’s old clothes.

Nimue’s attempted escape from the abbey only to realize it’s swarming with red paladins was a great moment. I also like that she’s forced to come face to face with her actions by being charged with helping the very red paladin that she struck with the Sword of Power. Up until now Nimue has at least been able to attempt to runaway from her abilities, but now she’s trapped in a room with the results of her uncontrolled abilities.

Bless Abbes Nora. She’s just a woman trying to run a convent and now she’ll be killed if the red paladins think the abbey has any connection to the fey. I choose to believe that the abbes has some idea about Sister Igraine’s extracurricular activities, but in the sense that she’s willing to turn a blind eye to it. I don’t think the abbes is actually a part of the underground. She checks to see if Nimue is a fey, yes, but once she’s questioned by Father Carden and puts two and two together, she actively chooses to lie and protect Nimue when it would have been much safer for her to be truthful and let whatever happens happen. Instead she send Nimue to find Sister Ingraine.

If I’m not mistaken this is our first time meeting the queen mother. I’m rewatching the scene because I don’t quite understand everything we’re supposed to be getting from it. Our first shot gives us a close up of the food she’s left to rot and I expected something unnatural to be going on or for her to be revealed as a decrepit woman, yet she’s dressed in a gown with a tedious, yet simple hairstyle. Uther’s purpose for visiting her is to get information on Merlin since she has a high enough vantage to be able to see things. We know that she poisoned a taster with a tart. I’m assuming that the tart was meant for Merlin since she has so much resentment for him. Again, the vibe is that Mommy didn’t approve of Uther’s boyfriend. It’s possible the food is left to rot because she’s paranoid that she’ll be poisoned, but it seems like she’s been imprisoned in that room for far too long to not have starved to death.

Sister Igraine is queer! Her scene with Sister Celia was very tender and I appreciate Nimue’s assurance that there’s nothing wrong with it whether the assumption was that it was inappropriate because of homophobia or the general assumption that nuns are supposed to be chaste and not take on lovers.

Arthur. Arthur, Artur, Arthur. First of all, I’m surprised I’ve made it this far without making my contempt for his hair known. I think it’s made worse when Morgana is revealed to wear her hair in braids showing that it could’ve been an option for Arthur all along, not to mention dreadlocks or simply using period correct grease to pull it back into a tighter ponytail so it doesn’t look like he has a false ponytail attached to a modern hairstyle.

I digress, it was nice seeing karma come back to smack Arthur upside the head. It’s odd though that such a wealthy uncle would want to go out to a bar instead of drinking his own supply of ale or wine in the comfort of his own home. I also don’t know what Ector or Arthur thought was going to happen from starting a bar fight. I assume Ector simply paid a fine and left Arthur to the stocks.

I love the costume design of the Afflicted that Merlin meets. Their whole vibe down to the subtle touches in set design is purposefully unlike anything else in the series.

Lastly, I genuinely love the natural growth and trust that Nimue and Morgana have with each other. I think it’s very important to show queer people having meaningful relationships with people that they could be, but aren’t, attracted to. I have a lot of hope for Morgana’s character arc and hope the writing does her well.

#cursed #cursed netflix #cursed 2020 #review #nimue #kyeshirosaki

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