Tumgik
#i knew it was coming bc i'd seen stuff about it in fics and on here too in brief mentions but it still made me sad
mieczyhale · 9 months
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thank you @ alice oseman for including the "explanations for american readers" at the end of the nick & charlie novella. truly a god-send bc it covers a few things / phrases i've been lost on and haven't found a simple answer for anywhere else
like no, i didn't need to know these school terms to understand or enjoy heartstopper, but i wanted to know and understand them and now i do
little joys
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pitter-patt-art · 17 days
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Ace Attorney AU August oops-august-has-been-over-for-a-week Update!!
Hiiiii well okay first and most importantly of all! Happy investigations collection day everyone!!!! My copy is supposed to arrive by 10pm although I'm not sure I'll be playing it right away, but, hey, once it arrives I'll have in my possession at least one physical copy of every game in the series (2 for aai1, woohoo)!!! *Coughs* uh except all of the OG Trilogy which instead I own like 2 times over digitally (3 in T&T's case, thanks Wii) lmao. Ah well.
NOW the actual post. Yeah it's not August anymore but I've been recuperating or w/e so shhh, better late than never!
Overall I wrote over 50k words (actually in August itself) and posted 5 fics (with many more in progress), which is honestly just, wild???? That is so cool. Apparently the way to overcome writer's block is just overcommit to a month-long prompt list, who knew!
Here is my post about the first 17 days/AUs! And over here's my Ao3 series for these! Below the cut I'll wrap up the last 14 days of AUs, some thoughts, etc!
I am setting the goal for myself to actually finish writing these before the end of the year even if they're not technically "AU-gust" qualified anymore by the time I get to them sooo ...wish me luck!! In the meantime I am proud of myself for (tbh completely unnecessarily and to my detriment lmao) coming up with actually a full 31 solid AUs based on the prompts that I feel inspired by.
This post is gonna be a bit more rambly than the last one because I definitely did more of my writing last month the first 2 weeks rather than the last 2, but nevertheless--
Onto the remaining AUs!
18 - Space Travel
So, I actually started a draft at the airport before my vacation where I got wayyyy too sidetracked getting detailed about this one and thus ended up not being able to finish the post before takeoff lmao. I'm not sure whether it's annoying or interesting to include all of that here, but it's my post so fuck it, here's August 21st patt to tell you aaall about it so I don't have to: The Martian AU (I've only seen the movie and not read the book but i *did* literally just re-watch it because this thought crossed my mind lol. (Hello! It's future me popping in to say: fun fact, rewatching this movie literally ended up being the reason I knew a bar trivia answer last week lmao. Huzzah for the powers of Ace Attorney refreshing my movie quote knowledge.) Be glad this one occurred to me because my first inclination was to lean into the dark past of my vld phase (I'm super joking I had a lot of fun with it before the last few seasons haha sorry idk what to tell you friends) and see how much I'd retained if i tried to make that work but the martian sounded more fun in the end). Apparently my Thing™ is a) poisoning Phoenix and b) putting Apollo in an insane situation in which he's completely on his own--which all things considered is probably far meaner lol. I think Phoenix is to blame for creating his own problem here for choosing to eat the stupid necklace but I fully blame Capcom for all the BS Apollo has gone through after AA4 (bc...the stuff IN that game is. coincidentally also Phoenix's blame to claim. lol). That said I'm part of the problem teehee. Apollo can be Some Guy from the real world who gets isekai'ed and he can also be Mark Watney :P (sorry bud I love you but you have just the Worst case of unavoidable main character syndrome). ((Which is QUITE funny actually because I'll never get over Capcom calling 4,5,6 the """"Apollo Justice Trilogy"""" (it's really not and it's frankly insulting they're trying to say it is.) Like he's. Y’know. The main character in exactly one of those games...... so.)) What was I talking about? Lmao oh yeah so Apollo is left on Mars (not sure he actually has much in the way of Botanist™ vibes but the indomitable, never-say-die, highly sarcastic vibes.... ye haha that's my boy right there). Omg wait sorry I'm writing this and realizing this whole thing actually fits the 18th AND yesterday's (the 20th) prompt as well. Whoops.
Clay as the captain (let him do something, says I)
Trucy as I think the pilot ONLY because I am literally constantly on the lookout to make a Wright Flying Brothers joke, sorry
Klavier aaaas. Uh. So the German astronaut in the film is the chemist and navigator and I know Klav's not necessarily supposed to be actually German canonically but there IS something funny about it
Athena as the flight surgeon and EVA specialist (for a couple reasons but mostly so she can be a doctor lol. I imagine she also can be there for psych stuff too, like, it's a long ass space voyage, that does shit to your brain)
Kay as the SysOp and reactor tech, tbh mostly because for some reason i really have a thing for hacker/programmer Kay, i guess?
Ema I want to be there also lol so that would be exceeding the actual number of OG astronauts but eh it's my AU. The rest of these I'm just directly comparing to a crew member from the martian but I think some of the titles and tasks could be redistributed a little to allow an extra person as a treat for me.
Originally i kind of wanted Sebastian (....SIGH. or...Eustace. (I fear even though it's AAIC release day today, I truly may die on this hill forever, falling on my sword of devotion and gratitude to the fan translation team... That said, while I think Eustace is, like, a Deeply Fine name, I have to say that Excelsius is a fucking knockout name lmfao, that one took me out. Anyway, ahem: "I wanted Seb/Eustace...")) to be there too but I think that's getting into too many cooks territory just specifically bc I'd have too many voices to play with lmfao. So instead I think he's the operator who works the satellite and realizes Apollo is alive, I think he'd fit that well. NOT THAT that needs to be. Included. In the AU. I have...so much self control.
Anyway I have too many thoughts about it, it's a problem, ironically I think I would prefer to focus on the crew and not Apollo himself, so that would at least make it more than just a rehashing of the movie/book. (Or, the movie at least. Does the book spend more time with them? I should read the book.) ...I did, Of Course, also came up with a funny, pseudo-future-science-y way to do a Sibling Reveal in this one, so there's that, too, haha. OKAY AND, SCENE. Snatching my mic back from myself. I'm actually so devoted to the Martian AU now hahaha, I really didn't think I'd let that happen to myself but here we are... You'll see in a bit, but I for-better-or-worse do truly have an extended universe going on for it now, eheh... (Help.)
19 - Spies
Franmaya?? Franziska POV??? Here's the deal: I cannot BELIEVE I got this many days into the month and STILL hadn't come up with a franmaya-centric AU, it's terrible. Also I need a Maya POV if I want to hit my self-set, self-indulgent goal of having POV of every "main" character I can (did I exactly accomplish this no but that's perfectly fine obviously haha it was just a side achievement I had my eye on). So to that end, I ended up with something here that I'm not COMPLETELY sure I won't end up changing when I sit down to actually work on it, but in short: semi The Princess Bride vibes but with spies instead of pirates! Or uh! So um okay full disclosure lol I got all excited about an AU of this kind and then like an hour into daydreaming it into existence I realized I was heavily relying on / leaning into ASSASSIN territory rather than SPY. Which are notably different things. (Wait lol should I blame Spy x Family?? Totally Endo-sensei's fault and not at all mine, boom, take that.) ...And not to go even harder into sxf territory, whoops, but my idea was something along the lines of like, since Kurain School Channeling changes spirit mediums' appearance entirely, I was going to have Maya be something of an expert in disguise, and Franziska I was almost more or less going to let retain her actual position of international prosecutor with Interpol, although perhaps I'd lean more into a James Bond-esque intelligence agency sort of thing than what we see them do in-game, I'm not sure. Maya gets "killed" for real in 2-4 except she actually just becomes an international assassin(?) apprentice. Does this make sense? Probably not lol. But is it a little funny and a little sad? Yes, yes it is, and that's always my sweet spot as a writer. The only problem with this premise is I can't stop myself from considering what Phoenix would do / be doing in the background, because the problem with Maya "dying"-only-being-secretly-alive leaves at least twofold problems in justifying why Nick hasn't gone full conspiracy theory board stop-at-nothing-to-find-her, in that a) If she's not dead, Pearl can't channel her, and knowing Pearl I have to imagine that would be her first move to try tbh, and b) even if that weren't an issue, if the police were never able to track down Maya's body at all, I fully believe Nick would still throw himself at the problem until he's able to find answers irregardless, so. This ain't about him though!! So we'll just all have to deal with knowing he's taking reaaally really bad care of himself while he single-mindedly tries to figure out what's going on ahaha...ha. He's most absolutely the drowning child in the facebook post meme. Don't worry about him.
20 - Crossover/Fusion
Soooo. Okay. First may I say, I'm not the most crossover-fic-y person in the world neither as a reader nor writer. HOWEVER. Unfortunately. My one undying weakness has proven to be Ace Attorney x Legally Blonde (and more specifically Legally Blonde the Musical, the best version, though I do love Reese Witherspoon's performance ofc it's iconic but the musical is just MWAH ugh. One of my all-time favorite musicals and definitely the one I've listened to the most esp the past couple years hahaha.) The problem is, I've joked about so many slight variations / one very Long Intensive specific AA/LBtM crossover AU ideas, that trying to limit myself to a one-shot I could conceivably finish within a day proved too much for my decision paralysis and I didn't end up writing any of them lmao. Alas. Mostly, I just think it would be funny to see the characters interact in something of a vacuum just for fun, the problem is just that I happen to be uniquely terrible at not thinking through a Crack AU until I can, ahem, "crack" it, so to speak, to make it actually justifiably function. So in theory all I want to write for this day is some combination of like, Elle and Phoenix interacting and Miles and Emmett interacting, or the four of them having a conversation that goes something like "omg wait me too!! i also went from a creative undergrad degree directly into law to chase after some guy!! what are the odds teehee" while Emmett and Miles watch in horror, and also alternatively Emmett and Phoenix mostly bemusedly watching Elle and Miles geek out over like, fancy ass high class (pink) clothing like "uh yeah i have no idea what any of those words mean. she bought me this suit and i honestly wouldn't even be able to find the store again. oh no way he bought you yours too?? man, wild." Etc. (If anyone's interested in really watching me suffer and spiral: my longer and more intensive idea for an AU with them is to have them be tackling parallel cases where either of them (Elle and Phoenix) has specific knowledge that is helpful to defending the others' client, and they get like place-swapped through dimensional shenanigans somehow also related to the cases. And Phoenix has to abide by, like, nominally-accurate US trial law (I know he wouldn't really be licensed shhhh) -- by which I mean Emmett is sitting as his co-council and exercising the most restraint possible to keep from bashing his head into the table every two seconds. And Elle has to abide by guilty-until-proven-innocent Japanifornia trial law ("wait WHAT omg what do you MEAN the prosecution can just, like, not submit their evidence before the trial???? wait what do you MEAN we should just TAKE THAT that is EVIDENCE AT A CRIME SCENE--"). On the bright side, Elle gets to experience being one of the most normally-dressed people in a courtroom and not at all being looked down upon for her general vibes and wardrobe (like tell me she wouldn't fit right in in the ace attorney universe and seem completely ordinary), and Phoenix gets to experience a real jury (take that jurist system trial that Capcom would like to never ever talk about again) and also the judge going "so, Prospective Juror No. 103, do you understand that the defense in this criminal trial does not need to say a single word in order to be doing their job? the burden of proof lies entirely on the prosecution the entire time and the defense and defendant could choose to remain silent every day of trial and that would be completely within their rights, do you understand that? are you okay with that?" etc etc, shout out to my jury service a couple month ago and the kinds of questions a real life California judge asks jurors that would seriously blow the minds of every single character in Ace Attorney lmfao can you imagine? Anyway.) So yeah idk. Also something something, spirit mediums and the whole Greek Chorus bit from the musical... "School Spirit"... much to think about in crack AU land hahaha.)
21 - Absurd Tragedy
To be honest with you, this is the entire series lmao, so much so that I had trouble even thinking of an AU to be "alternate" in any way here, hahaha. What I sort-of landed on and have vague outline notes about in my doc is (not to make another excellent-musical-adaptation-of-an-already-top-tier-movie-which-is-itself-a-highly-unfaithful-adaptation-of-a-fairly-obscure-book reference) a Shrek the Musical "I Think I Got You Beat"-style debate about whose canonical absurd tragic circumstances are the worst, lmfao. Granted, this then turned into a "wait what if I use said argument as an absurd way in which to make Apollo and Trucy have a siblings realization completely on their own, which both compounds the fact they've both already lived such tragedy to begin with but also could touch on Phoenix knowing about it and not telling them about it", and uhhhhh lmfao a debate specifically between them is OBVIOUSLY not the romantic flirting banter of the song between Shrek and Fiona lmfao but like still, the general premise, just in a sibling bickering coat of paint instead. Also was toying with it being an Athena POV just to sell home / for the additional absurdity of the experience of "you've gone over to your friend's house to hang out and suddenly they're obnoxiously arguing with their sibling and their parents are nowhere to be seen and you're not exactly sure what you're supposed to do with yourself except awkwardly wait for them to be done" lmfao. Which I've most absolutely experienced from both ends multiple times hahaha. The alternative option for this prompt is just for me to write an excessively long essay debating and attempting to personally rank the main cast's level of absurd tragedy compared to each other, lol.
22 - Orphan
I wrote 324 words (slash one physical lined page in my actual notebook) of this while I was on vacation, lol. AU where Miles invites Phoenix to go watch one of Gregory's trials (or Phoenix invites himself, or Gregory invites him while Miles tries to hold the landline phone away from him, lol) and I mean of course the trial he goes to is The Trial (like, Jeffre... AW CRAP wait I don't actually know what Jeff Master's or Kate Hall's official names are lmfao uhhh. Well you know what don't worry about that. Happy AAIC day once again..? Lol. Anyway, the concluding day of Gregory's last trial, obviously, ignore the defendant's name.) Like, basically, here's my thought. AU where Phoenix is also there, and not only does that mean he knows what happened to Miles and Gregory but also, like, it's Phoenix. Tell me even at 9 he wouldn't be insisting on taking care of the poor kid who just lost everything and has nowhere in the world to go. Tell me he's not like, begging his parents they need to help him, lol. I think really this is just sort of an AU to explore one of my several personal headcanons for what Phoenix's parents are like, because I've spent a lot of time on a different version of them (coughs for the last AU on this list...coughs) but I also have a version of them which I find fun / funny where they're like, kinda hippy-dippy and like very hands-off (tbh almost all of my hc's about the Greater Wrights is they're very hands off, just in different ways) but in more of a "we want our child to experience the beauty and wonder of the world on his own time and not influence him or set rigid standards to conform to" kind of philosophy. Anyway my point is they like adopt/foster Miles somehow before Manfred can actually get his hands on him (he's still too busy dealing with the fresh bullet wound I guess?) This is just a gen au of course, not only because they're 9 lol but also the logistics of being adoptive/foster siblings gets weird quick lmao, but mostly I just find it interesting to think about what might have happened if Miles was in an environment where people paid more attention and cared more (and weren't explicitly influencing and manipulating him to exasperate the problem on purpose), because I have to imagine examining his nightmares a little more closely a little more quickly might have led someone (say, Phoenix who was also there in this AU) to find something slightly off about it or like start putting pieces together quicker, idk. I, uh, I'm not gonna lie to you, I don't actually remember how I intended to end this one hahaha ;; I started it but I was on vacation and neglected to outline / summarize the rest of my ideas the day of, so I guess I'll just have to see where my mind takes me when I get back to it.
23 - Musician
So my FIRST thought for this day was to use it as an excuse to finish my First Ever Ace Attorney Fic, which has been in WIP stasis for...uh.... 6. Years. i--SIX????? Shit. lmfao. yeah uh. I guess I created the first version of the doc (on my OneNote, god) back in 2018. So. Yeah. Hm. Omfg. This fic has partially existed since before Phoenix Disbarment Day. That is so. Wow. Damn. Y'all we're so close to aa4 time (2026) what the hell??? Ahem. Pianist Phoenix. That's. My point lmao. I know the original thing that sparked me loving this concept was actually some tumblr post I saw apparently a LONG long time ago, hahaha, and I know there's no way I'll find it with tumblr's abysmal search function, but just know it was not a completely original idea of mine when I say i fucking LOVE the headcanon that, you know what actually Phoenix CAN play the piano, he just chooses to do it as shittily as possible because that's kind of what he's like post-disbarment and he'd absolutely get a kick out of fucking with people like that even if they have no way to know they're being fucked with. It's like, he's no virtuoso or anything, but he can passably play the piano! He's just being an ass on purpose! It kills me every time lol. I won't say I think that's necessarily true in canon so ofc it's not like an end-all-be-all hc for me or anything but it's just sooooo funny to me that I like to break it out any time I possibly can. Look me in the eyes and tell me he wouldn't. Honestly, look me in the eyes and tell me if he actually put his mind to it in any meaningful way he wouldn't be able to get decent quickly regardless, considering the fact he became an accomplished lawyer on more-or-less a total whim. This to say: that was my intention, to finish this fic I've had brewing that was about Phoenix actually being able to play the piano and hiding it for a really long time but eventually being found out by Miles by chance. Except then I sat down on the plane and started writing a Pearl POV instead? In which she finds out about more or less the same exact concept but from Iris--also by chance, but less actually catching him playing and more being asked, "Oh, does he still play? He was always good at that." And then bc it's Pearl (Pearl I love you), of COURSE she goes and confronts him about it. Pearl might be the single most confrontational character in these games tbh which is SO FUNNY to me. Like I'm kind of exaggerating obviously but also am I? I know she has psyche-locks you have to break through multiple times throughout the series but stiiiill. Everyone else is so repressed and weird about anything remotely vulnerable, I stg. Props to Maya for making sure Pearl turned out pretty okay I guess, lmao. Anyhow yeah that's sort of the AU I ended up with. Pearl POV where she and Iris know they're sisters (don't get me started on this I have so many thoughts about the amount of information I'm positive Maya and Pearl are NEVER given skjflj) and Pearl visits Iris in prison regularly and on one such visit maybe she mentions Nick's job at Borscht and Iris makes a totally innocuous comment to the effect that Pearl learns he actually knows how to play the piano and she goes to get mad at him about it because he's definitely been pretending he can't and Pearl's pretty sure he's told neither Maya nor Trucy the truth and that cannot be left to stand.
24 - Pretend Hate
Okay, this exists in a similar realm to the Orphan prompt, except instead of Phoenix being there for the trial or the Wrights taking Miles in before Manfred can, it's more just AU where Miles doesn't actually cut all contact and he and Phoenix successfully end up exchanging correspondence (in semi-secret) during the time they're separated (i.e. they remain friends and close during the 15 years they're separated in canon). "Semi-secret" because they--esp Miles--somehow hide who exactly it is they're talking / writing to all the time but don't necessarily hide the fact they are doing that. Like, a fake cultural / language exchange program or something? I feel like there could be a world where Manfred really doesn't give a shit what Miles is up to as long as he's being molded into "someone Gregory Edgeworth would hate" (I don't think he would lol but that's another AU) and becoming a model von Karma protege prosecutor and such. He obviously goes to lengths to cut Miles off from everything he's familiar with in that he takes him to Germany, but I've always thought it's way more on Miles feeling guilty and blaming himself and thinking he's unworthy / pushing people away being the reason why they never talked before aa1 despite Phoenix's "attempts to contact him," whatever those may be specifically. And, yeah, I've watched that one episode of the anime but tbh I don't really use anime canon for almost anything besides maybe some of the fun visuals, haha, so I'm kind of disregarding that anyway. ANYWAY. My point is. The "pretend hate" part is that--sometime over the course of exchanging correspondence, Phoenix starts thinking something's weird and gets it in his head to "investigate" himself, since he's still in LA / has access to the scene of the crime and stuff, and then as a combo of him just plugging away at it until he has enough (circumstantial) evidence to be like "Miles I think you're wrong about this" and also a younger, slightly less repressed, slightly less in Manfred's pocket Miles actually being somehow willing to consider alternatives a little--they're able to put their heads together and eventually come to the (correct) conclusion ahead of time, before the 15-year statute of limitations, that it was almost certainly Manfred who did it. And then they work together to figure out how they can possibly PROVE that but they haven't thought of anything foolproof by the time aa1 events start rolling around (or at the very least, the 5-years-ago sections of aa3? It might make more sense if it's as soon as Miles returns to Japanifornia, and also I think Phoenix has way less reason to fall for Dahlia/Iris so hard if Miles is around and *coughs* available lmfao. Anyhow). So, in the hopes it'll keep Manfred from getting suspicious of Miles, they publicly pretend to hate each other, putting on a show of more of the canon attitude Miles esp. has before 1-4, but behind the scenes they're actually working together trying to think of a way they can definitely get a conviction to stick that Manfred won't be able to worm out of. And that's the AU! Idk, in terms of additional thoughts, I couldn't decide what to do / what would happen to Mia in this AU either, which doesn't super matter but did give me pause. So she might live, idk, depends the exact timeline. I do also think a scene where--Dahlia still hits on Phoenix in the reading room/courthouse library but he's like, actively there waiting for one of Miles' trials to conclude for a covert meeting, so when Miles gets there and is like "What are you messing with over there?" Phoenix is like "Oh, hey, check out this weird bottle some girl just gave me because apparently she fell in love at first sight, haha, isn't that so funny--" and then Miles recognizes it from the Fawles trial and they catch Dahlia earlier or something, idk. Or alternatively Phoenix was AT that trial so HE recognizes it. Or maybe it's funniest if he was there but doesn't recognize it until Miles does lmao, this is not the point of this AU but I can't stop myself from considering this part of it.
25 - Scientists
So THIS is the day I sort of alluded to earlier, many many words of post ago, where I got so invested in my The Martian AU that I started accidentally worldbuilding about it. What I've started and have about 400 words of (slash one notebook page, again from the plane after my vacation), is like, AU where it's NASA instead of law and I can make Phoenix go "What, like it's hard?" only it's about literally rocket science this time hahaha. Basically for this fic I just thought, well what if Phoenix just shows up as a flight tech or engineer or something (idk I don't really know that much about real life astronautics) as Miles is preparing for some space mission or something and he's just like WHAT are YOU doing HERE. I know I know I made Apollo literally be the titular martian and yes he ALSO has a (or tbh probably has a WORSE) canonical debilitating fear of heights, so, shhh, but I do like the idea that Phoenix is like, oh, who, me? In the flying metal death trap? No fucking thank you, I will be down here watching and talking directly to you through a headset or something. You cannot escape me however i can at least escape the building I'm in. No interest in seeing the Earth from above, thanks. Actually iirc Miles also doesn't love heights but meh whatever I'm fairly certain Phoenix talks about it the earliest in the series so there you go. Anyway, this would all be a mission prior to whatever mission it is that Apollo & Co. go on to Mars for the first part of the AU, so I guess you could consider it a prequel? And probably a fairly shippy one. I have other reasons for which it's fun for me if wrightworth is at least together if not outright married before the events of the "The Martian" part of the AU, so this one would be, like, about how exactly that went down.
26 - Victorian Era
Okay, once again, this just. IS. Literally. Dai Gyakuten Saiban / The Great Ace Attorney. Lol. That said, I've always loved the fanart I've seen of like Ryuunosuke and Phoenix (and respective Co.'s) interacting, or like, one or the other ending up in the other time period somehow, so I thought it'd probably be fun to try my hat at that. I feel like I've neglected the tgaa characters anyway, considering I actually somehow managed to reference PLvPW already, which is obviously significantly more of a spinoff and also just largely non-canonical, lmao. Also tgaa is just SO GOOD, augh. I'd love to have the multi-witness cross examinations from both of those games back sometime again, and I had so much fun with the jury in tgaa too, excellent mechanic. What was I talking about? So, I never completely decided on a concrete direction to take this, but even before AU-gust had started I'd already been toying with the idea of an AU where maybe Maya or Pearl channels a character from tgaa specifically because some documentary or special or something comes out talking about the real-life Herlock Sholmes (as opposed to the Totally Fictional "Sherlock Holmes" who Phoenix references in that one trilogy line, because I really think that's the funniest possible explanation for the discrepancy) and they're arguing over how that cannot possibly be a real person and no one was named that and etc etc and then to prove once and for all one way or the other Hurley is channeled and also for bonus joke content "recognizes" Phoenix at first (idk pretend his eyesight got worse in his older age, I know Phoenix and Ryuunosuke look, tbh, less alike than Ryuu and Apollo do, lmao, but again that's another AU) and then I get to play with Phoenix's mom's maiden name is Naruhodou and his middle name is Ryuuichi or such to that effect, because that is also a favorite headcanon of mine (not in small part because I can project my own life onto him by making him half-Japanese from SoCal, lol). So that's an idea I'd had that was already decently fleshed out and the ONLY problem is that if I'm having characters actually be channeled then there's a very real limiting factor of how many spirit mediums exist, and also that means Maya and/or Pearl don't get to interact with them, which for the sake of not overwriting would be good but for the sake of my love of a chaotic group conversation would be bad. But, uh, hopefully I do manage to hold myself to a less broad cast of characters, ideally, instead of bringing a bunch of them over to the other time period to see how they'd deal with that and interact en masse. Ha. Haha.
27. Younger / De-Aged
So here's another AU I'd already had idle thoughts about before AU-gust had even started! I...will get into this later, TRUST I will, lmfao, but I do have an extremely involved AU already in which Time Travel of the "regression" type is involved, i.e., they have their memories of the "future" but are thrown back into the past including their own younger bodies however-many-years-ago. So I've got that type of thing covered, I promise I do, haha. And additionally, I've actually already written them "younger" for my colorless AU way back on day 2, so I did think perhaps I'd just continue that one and say it was for this prompt (a smart person thing to do. this is the objectively correct option). On the other hand. I find pre-DL6 Phoenix and Miles reacting to how their lives actually turned out in the end HILARIOUS. Tell me it's not funny. And tell me it's not, like, some sort of depressing-yet-ultimately-hopeful for the older/current them to look at their child selves and be like Kid, Oh, You're Going To Go Through Some Shit, but also reflect on how they did make it and things turned out okay and life goes on etc etc. My problem with this kind of thing is that it's hard to come up with a justification for and that's not a problem in itself but it is a problem in me not knowing how i'm going to end a fic, which often gets me decision-paralysis-ed into not being able to start it in the first place, which did in fact happen to me here, haha. I think ideally I'd just do a quick "wait, was that a dream?" kind of thing where they (Miles and Nick) have a short conversation with themselves, but... Uh-oh, what, did you think that was all I had? You clearly don't know me at all. OTHER au option where young Phoenix is in the future/present and rather than himself and Miles it's the Wright Anything Agency who like, idk, find him roaming the streets of LA (fun fact! I actually came up with this AU one day while I was quite literally roaming the streets of LA myself at like 3am-ish. Do with that what you will). He is of course wearing a hat or beanie or something at first because come on, that's way more fun, and no matter how much Trucy, Apollo, and Athena are like "hm idk something about this kid seems familiar" I just don't think my first thought upon seeing some vaguely familiar kid alone on the street would be, like, "Oh, that's obviously a child version of my father/coworker/boss!" So. I'm not really sure that one has an end point either, though, so the same problem still stands, haha. The bad, someone get a spray bottle to spritz me, option of this is, obviously, to combine the two, so it's like the WAA find him first and then are like UHHHHH we need an adult (never mind actual adult-age-ness between them) and somehow end up getting Miles there too, but idk. I... should not. Overcomplicate. I shouldn't. Even, even if...august is over...so theoretically there's no longer any sort of On-Time component since it's late either way........ definitely not.
28 - Caretaker
Here are my exact notes / entire doc for this day. Ahem. And I quote: i brought up the lighthouse keeper thing but i dont know where that would be going exactly maybe this is a thing i could do franmaya for??? since i still havent gotten there? actually lol that as a lighthouse thing is funny. ghost romance? my three tropes rattle End quote. Anyway, shout-out to my friend hailstorm for being the one there to brainstorm "lighthouse keeper" with at the self-same bar trivia that I mentioned previously, lmao. I actually think that was even the same exact day as the The Martian quote was a relevant answer to a question. So yeah, even though I already kind of have franmaya planned for the spies day, that's both kind of sort of a darker AU overall and--WELP well, okay, so, i do, you know, recognize maybe a ghost romance isn't, uh, necessarily the fluffiest kind of AU lmao. Don't mind that. My point is, I love the vibes of a lighthouse keeper AU, and I generally like ghost romance as a trope, so that does feel like a viable option. Honestly, I kind of separately wanted an excuse to practice writing miego also, so maybe the Feys are just all chillin' in this lighthouse for...Some Reason, and that's side-plot relevant somehow, idk. I know Franziska and Godot exist in the same place for a minute in 3-5, but I honestly can't really remember them interacting? I think she'd fucking HATE him though lmfao. He'd think she's funny but I actually think she'd be too reactive for his most preferred teasing/fucking-with-people dynamics, haha. Regardless, if he is there at all, it's a very minor B plot, I think, 'cause this ain't about him, lol.
29 - Forced into Hiding
Achtung, baby, 2566 words of this are written! Lol. So uh, yeah. In short, AU where Klavier gets hounded by fans on the street while he's also having just a bad personal day, and the closest and best place he can think to hide from them is at the WAA. I, um, actually hadn't realized I'd written quite this much of this, haha, it was supposed to be short and fairly silly but then it turned into Klavier having a little bit of a panic attack maybe and getting consoled by Apollo, sure, of course, but then also having to deal with and experience some amount of closure / reach some kind of understanding with the Wrights, also. It's kind of part Klav character study, kind of part complaint against freaking Capcom for neglecting him (boo, I love him, stop ignoring him, or, yknow, worse, whatever the heck turnabout academy was supposed to do for him, which honestly almost felt like a step back to be quite honest). Okay, also, taking a slightly closer look at what I've already written, the REASON I'd thought I'd written way less than this is definitely because he hasn't even GOTTEN to the Agency yet, never mind spoken with any of its members, lmao. That would do it. In any case, I like the idea of Klavier having a bit of a vulnerable moment, and I also like the idea of him and Phoenix actually, like, talking for real, instead of, once again, whatever Turnabout Academy and DD was meant to tell me, which seems to be less than nothing. I kind of like the fact that it gave him a law mentor? I mean, she was very dead, but I have a very meaningful Use for her in later-to-be-announced-AUs-I-keep-teasing, haha. I of course considered other people and times when people in AA might be forced into hiding, but this felt like a silly but also meaningful way to do that without it just being an exploration of Miles and his not-suicide note (which wasn't exactly "forced" anyhow, he did that all on his own) or like, Zak Gramarye (who also completely did that to himself but w/e). Making it about Klavier completely escapes the bounds of canon, because canon is a weenie about talking about any of his actual feelings EVER, so screw you Capcom, I'm doing it for you. Don't worry about it. Trucy commiserating with him about still Loving someone, perhaps the very closest person biologically related to you you've ever known and depended on in your life, who not only did you very big harm personally but explicitly used you in a very real and participatory way to perpetuate the harm elsewhere and all the complexities about Feelings For And About Them Therein, and Phoenix somehow having enough self-awareness to recognize that shutting down completely and isolating yourself away doesn't actually do you any good even when you're at your lowest, and recognizing that Klavier doesn't exactly have a "Trucy" to be a focal point to draw him out of that, and that therefore he needs to be a bit more open to his peers. (Insert joke about "Well, I'm really definitely not suggesting you go adopt an entire child, that's really probably, uh, not the way to go, actually, but, you know. Everyone needs people, that just makes us human." Etc.)
30 - The Beginning of the World
So, hm, as it turns out, I got extremely sidetracked this day thinking about the next day on the docket. Whoops! Unfortunately this ultimately means my ideas for this day as of now are relatively uninspired: I had the thought that I could explore the beginning of Troupe Gramarye, which is its own sort of world, or else, maybe something about the beginning of the series itself but from the somewhat unconventional POV of a one Mr. Larry Butz. Yes, that's a bit self-serving in that it lends toward trying to complete a list of "main, recurring characters' POVs" that I've had as a sidequest all month, but, still. That said, just exploring actual canon through Larry's POV isn't exactly what I'd classify as an "AU" necessarily, so I feel like something would need to be different here. Okay, wait--not to draw inspiration a dang week late to the party, BUT. Now that I'm typing this up, I'm thinking, okay, maybe, what if. The "Beginning" of the series, technically speaking, is basically the fact that Phoenix gets put on (class) trial for stealing Miles' lunch money--which notably only happened because Larry himself picked it up when it fell on the floor. So, perhaps, what about an AU where he doesn't do that? I mean, I guess it would just turn the entire world of AA into something of a terrible series of tragedies with no real closure about them, lol, rip, but it could possibly be interesting? I dunno! (And, yes, I know DL-6 itself is more or less the basis of the series, if we're being ticky-tacky, but Phoenix wouldn't have been involved without meeting Miles, and that somewhat necessitates the class trial, and without him none of canon would get resolved, so. I will say, I do love going back to the earliest points to see how and how much you can make canon deviate or stay the same--reasonably speaking--via minor tweaks and butterfly effect and all that, so this could be interesting, although I once again must say I think it really just means a bunch of innocent people, Miles included, are going to be put away and possibly executed over murders that weren't their faults, lol. Hm. Much to consider.)
31 - Two(+) of the Above:
Beginning of the World + Younger/De-Aged + Canon Divergence (+ Feat. Jokers: Guardian, Everybody Lives)
With all of this, the ONLY prompts I've actually missed on this list become Animagus which I swapped for the Wings joker, and the last joker of the four, Thriller, which was never exactly a priority of mine because I'm not sure I'd write that sort of thing particularly well, so! Wild! Completionists everywhere almost rejoice, haha. SOOOOO. For the eagle-eyed readers out there, I'll bet you're just dying to know what this one AU I've been teasing all post could Possibly be to warrant such a build-up, right? (...Right?) The answer is the at-ow! (Phonetically, lol. I've been calling it that instead of out loud saying all the letters in AATTAU out loud every time.) My friend Ben can attest to the fact that this behemoth AU (her word which I'm stealing) has been in the works for, uhhhh... months?
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MONTHS. AHAHA. Ha. That. Sure says March! It sure does! And it is not lying. Lmfao. (Ignore the time, I was working overnight then--my beloved work schedule whomst I miss dearly--so that's a perfectly reasonable discord-ing hour for March-me.) Also, once again, I'm choosing to blame Ben for my extensive AU problems, she sent me a very cute time loop AA fic that utterly destroyed my entire mind because it got the mere idea of "Time-based AU" caught in my endless void-idea-hole. So. Here's the real rub. The literal reason I started doing this AU-gust challenge in the freaking first place was that I was absolutely Desperate to find a way to overcome my writer's block. And one of the (admittedly many) reasons I wanted to do this was because I have been ITCHING to write this stupid behemoth AU for real. I have a massive outline doc already, I have a whole slew of scenes planned, I have lots of character archage, I have sooo many things I want to say and explore about them all you have No Idea. It's extremely self-indulgent and absolutely my personal magnum opus for all my very specific favorite AA headcanons and ideas and thoughts. And obviously, it worked! I did indeed overcome my writer's block! And I had so much fun doing it!! And I'll admit, from the very beginning, I had been eyeing that "Everybody Lives" joker prompt, because...that's it! That's basically the point of the AATTAU (Ace Attorney Time Travel Alternate Universe, if that wasn't clear, haha). I don't want to let myself get TOO into it, because Oh Boy, I sure will! If you let me! Haha. But basically the premise is EXACTLY what I stated in that very first discord message I could find about it. Maybe not so much "time travel" technically speaking than it is "gaining memories of everything that happened in canon right as the DL-6 earthquake happens", so it's more regression than actual time travel since they're in their own younger bodies and everything, but still. It's basically my excuse to treat canon like it did happen and YET allow for everybody to survive and for the very fun cocktail of traumas and joys that come from remembering what happened but having the chance for something different (and all the effort that goes into making something different happen in the first place).
Now, as far as AU-gust goes. I was obviously not about to even pretend I could remotely start this during August itself or justify connecting any of it to the series and the prompts I'd already written for it, lol, but I also couldn't get the idea out of my head, so I got it in my head I really wanted to end the month with SOMETHING that somehow tied into my AATTAU, if only to motivate myself to actually get on it and start writing out instead of solely outlining everything that's been in the works all these months. So to that end, I saw the "Everybody Lives" and the "Beginning of the World" prompts, and an idea came to me. I'd been dancing around the justification aspect of this AU for most of the time I've had it because let's be honest, it's just a very self-indulgent idea and it does not NEED "justification" to serve the purpose I want it to serve and be what I want it to be. But the AU-gust prompts gave me some actual inspiration and an Idea as to a way to solidify my unnecessary "justification" but in a way that it doesn't need to be directly part of the final product of the AATTAU (like, I could make it a separate one-shot and either just link it to and from the AATTAU fic itself, or if it all ends up being a series, then I could just include it in the series but it wouldn't be necessary to read to understand what's going on. And so, I present! The Ami Fey one-shot special I came up with just to fit these prompts :3 ...And by "i present" i mean, uh, I wrote 4k words of it on the 31st and didn't even come close to what I wanted to cover, because I suck at being concise. Lmfao. (Shocker.) Basically, I used Ami Fey as a semi-self-insert kind of godlike figure to reason out a semi-plausible way to make the concept I want to explore happen, happen. And I had a lot of fun, but I do still have a bunch to finish, but either way, I'm very pleased to have a (somewhat silly but ultimately fun for me) reasoning as to the gears ticking behind the scenes of my idea! To be somewhat less vague, the whole AU is predicated on the idea that, Phoenix and/or Miles (who remember from the beginning / from December 28th, 2001) meeting the other characters at-or-after the time they originally met in canon are able to recall their memories of the "original" (i.e. canon) timeline. I've used some magatama shenanigans to have some fun with this, and I'm now using Ami Fey and magatama shenanigans to explain how and why this is A Thing, even if it isn't necessarily the objectively most logically sound argument I've ever made. It's still a good one, in my book, and more importantly I like it, so that's all that really matters.
To briefly explain the "two" (by which I mean 5?) of the "above" I'm using here:
Beginning of the World: This fic specifically would show the beginning of the "world" of this AU specifically! Woohoo! Go Ami Fey, creating a whole new set of problems for our beloved little Guys to go through, hahaha. I think I may have based her character a little too much on Maya mischievousness, but, oh well. Let's just say that's where she gets it from.
Younger/De-Aged: As I've already kind of expressed, the premise of this AU is mostly just them being their own younger selves except they also have the memories of all of canon (and maybe a year or two after the fact, I need to confirm a couple dates).
Canon Divergence: I feel like this is decently self-explanatory, but then again maybe it's a bit cheesy to include this here, since it basically diverges from nearly the first major event of canon (DL-6), but that's not the only time things go almost-canonically but diverge a bit in some way, so I think it really does fit here.
Guardian: This one is a bit multi-fold. It somewhat refers to the way I'm making Gregory Edgeworth the de facto guardian (as in, legal guardian) of mostly everyone I possibly can because I love him and he would be great at it. But also, guardian in that, Mr. Savior Complex Phoenix Wright himself has literally all of the information at his disposal to try to "save" the potential Happy Lives of literally every person he loves, and, well. He does a pretty good job about it; not without cost, haha, but I feel like I can definitely call him a "guardian" of others in this AU. And, as for specifically the one-shot Ami fic, she is essentially the guardian of the entire Fey lineage, in this AU at least, so that also totally fits and is most immediately relevant.
Everybody Lives: I think this one is pretty self-explanatory at this point, lol. But for the one-shot: Ami is essentially trying to secure an "everybody lives" scenario, even if it hasn't been achieved yet, so it's more an aspiration at that point, but ultimately it is indeed successful. Now, "living" does not mean, like, "totally healthy" (mentally or physically), so there's lots more to it, but in short, yes, they live.
And......that's basically a wrap on that!
I mean, it isn't actually at all, since I still have to finish 26/31 fics, lmfao, but as far as the idea generation stage goes, and the use of the AU-gust prompts, that's what's up in my world! Somewhere out there maybe there's an AU of my actual real life where i finished more of these on time, but i'm still pretty pumped by all the work that's already been made on making so many AA fics a reality for me. I've come a long way since starting that first AA fic in 2018...!!
I still have all the aforementioned 26 fics to finish obviously, and I also have AU continuations planned for at the very least, day 2's colorless prompt and day 3's dark academia prompt (let alone day 31's, lol, but that's its own monster entirely), but I'm optimistic!
Thankfully I actually finished using nano to word track for me before they, you know, doubled down on AI and called everyone "abelist" (???) for not supporting it, which, uh. Well. But for my own posterity and if anyone's curious, here's what my word counts looked like throughout the month of AU-gust--admittedly including some planning and outlining:
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It ended up being 51,377 words total in August on these AU prompts alone!
I feel like I wanted to say something poignant and meaningful at the end here, but it's almost 9:30 and I work at 4am tomorrow, so I'm going to go ahead and wrap this post up here, haha. If you read all of this, thank you very much for joining me on my little journey!
Once again, here is the Ao3 series where I'll post anything more that gets done, so if you'd like to see how any of these AUs turn out, feel free to keep an eye on that!
And here is the previous post with the 1st half+ of the AUs if you missed it and are interested now!
My copy arrived literally as I was writing this up so I've spent the last several prompts of this post listening to the AAIC soundtrack in the music collection, and, oh man, it's seriously so surreal this exists??? I might be an old fogey who has and will for an indeterminate amount of time continue to have trouble letting go of the fan translation names I've lived with for the past decade or whatever, but it's seriously so awesome the entire series is finally available internationally!! Let's hope for my sake AA7 doesn't come out before I finish any of my AATTAU, because that would really throw a bit of a wrench in my decision-making process, lol.
Bye for now!
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whoslaurapalmer · 5 months
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been going through some old wips so behold!! some scene sketches i have done for various sugar bowl gen fics and stuff, bc i will probably never make them more than these few sentences (or they will transform into something else) and that is not terrible. sometimes you just have little snippets that exist as they are, and that's cool ⭐
wait hold on first. that time i wanted to crossover hades and hamlet but i have read hamlet too few times and need to really bite into it to make this work right. also wasn't sure if they should talk in iambic pentameter
[ "i dream of ophelia," hamlet says, suddenly. he is wiping the blood off his knife with the hem of his jacket, and horatio watches the movement, still. "i dream of her in such a dreadful state -- she has old flowers in her hair, and when she comes at last close enough to touch, she is the softest and the saddest thing i have ever seen, as if all a rotting petal. she smiles at me, with tears on her face." he pauses. "a hideous sight." ]
[ "my lord," horatio says, "perhaps it is not death."
hamlet looks away. "if not to death," he murmurs, "then to what end, horatio?" ]
that time i wanted to well i guess crossover hades with lemony but just in the sense that lemony dies and comes back repeatedly and it wasn't a time loop. just needed a lot of words about death and living i didn't always wanna pull out
the first time it happened, bertrand had dragged lemony out of the water, and lemony was coughing out lungfulls of water in the dark shadows on the pier, his whole body cold and wet and trembling, and bertrand was trying to figure out what he was supposed to do, and lemony said, in a harsh whisper –
“i’m going to die.” he coughed again and looked petulant, closing his eyes. “don’t tell kit.”
"i'm sorry?" bertrand said. 
then he was holding a dead lemony snicket in his arms, and before the absurd horror of it could really sink in, lemony opened his eyes again with a sharp, clear breath. 
because lemony snicket is sometimes the kindest, most aware person bertrand knows, lemony takes him out for lunch. 
"does this happen often?" bertrand asks.
lemony makes a face. "no," he says. "not often. i'd rather it didn't at all." 
It was a lot to take in. But lemony was trusting him -- lemony, who, Bertrand knew, trusted less than three people on any given day. bertrand was touched. 
bernadette and lemony go out for ice cream
her mother had told her to cause uncle lemony a reasonable amount of trouble, and bernadette, being six, was good at causing a reasonable amount of trouble. if only uncle lemony wasn’t equally good at causing a reasonable amount of trouble back. she’d kept changing her ice cream choice all the way to the ice cream parlor down the street from the movie theater, to keep him on his toes, and he had retaliated by buying one little cup of each of the ten flavors, for them to share.
they sat at a table outside the parlor, under the awning of the shop and so in the shade and out of the hot summer sun, and taste-tested them all, bernadette writing the results in the notebook from her pocket.
“what did you think of the mint chocolate chip?” uncle lemony asked.
“it needed more chips,” bernadette said. she held her pencil very tight and wrote slowly so all the letters looked like they were supposed to. her penmanship was not quite up to her troublemaking skills, but bernadette was determined to fix that as quickly as possible. “what did you think of the salted caramel?”
“less salt,” uncle lemony said, and paused while bernadette crossed a still-too-big t with neat precision. “the smores?”
bernadette smiled, because the smores ice cream was always her favorite. “perfect.”
that time i was testing out ideas for college au and wound up nearly writing the basic eight and went 'well that is NOT the tone i want'
This, thing has been happening lately. (beatrice can just see lemony, where he usually sits in the basement of the library with her, gently circling thing in her literary analysis and telling her the word is too vague. Since when does lemony police her thoughts? She flexes her grip on the steering wheel and taps her nails against it. anyway.) when she’s with olaf, she almost doesn’t feel real. She looks at him out of the corner of her eye, cigarette dangling out of his mouth, sticking his hand out the window as beatrice drives down center street. It’s like she has to remind herself who he is. Because the second she sees him she thinks of kit all over again, in the backyard of olaf’s parent’s house, punching olaf in the face, blood on her knuckles when she pulled back. And again, and again, with a coiled rage in her eyes, because he was laughing at her around the blood he was spitting into the grass, that wheezing laugh beatrice had always loved rising to a frenzied pitch, and kit didn’t stop until olaf was on his knees and jacques grabbed her around the waist. Kit twisted in his grip like she could’ve hit him, too – and it’s the stupidest fucking thing, beatrice thinks, the only reason kit stopped was because jacques was still wearing the party hat beatrice had snapped onto his head when the snickets had all arrived. Because it was beatrice’s birthday, and kit and olaf had ended an eight year relationship in one five minute fight between lemony and bertrand pulling the cake out and josephine cutting it. Jacques had pulled kit into the house, and olaf got to his feet, dragging his forearm over his mouth. 
“Didn’t think she had it in her,” he said, and how was he still laughing? Something cold and hard was curling up inside beatrice – it was her hand, gripping the cake fork so tight it was going to leave a perfect mark on her palm. She let it drop under the table, into the grass. 
Beatrice got the details from kit later. And she couldn’t look olaf in the eye, now. 
that time i was trying to work something out about olaf and esme and just tried rewriting the same idea over to see if i could make it work
you don’t love anything, olaf told her, like it was supposed to hurt. and if esme was anyone else, maybe it would have – if she was olaf, perhaps, who thought baiting for a rise, an argument, a power play the height of appreciation, who thought hate as intoxicating as love. maybe. as it was, esme rolled her shoulders, said, mmm, no, put her heels back on, and left olaf alone. he could come back to her when he was being less exhausting. she had absolutely no patience for his shit moods.
and it was a lie, anyway, esme thought, taking the elevator down to the lobby, fur coat hooked in her fingers and dangling just enough above the floor not to touch. she loved lots of things. rumors. gossip. attention. a very nice pair of hands. good food, in clothing, being looked at. when all eyes were on you, it didn’t matter why. you could get anything you wanted, just because you got people’s attention if only for a moment. just because you played your cards right.
“you don’t love anything,” olaf told her, like it was supposed to hurt. like if he said it all right, he could cause pain in someone else. he liked doing it. pain in someone else meant power.
esme, however, was not just someone else. she raised an eyebrow at him, bending over to do the clasp on the side of her heels. “I love lots of things,” she said. “just because you aren’t one of them doesn’t mean you have to have an attitude about it.”
and it was a lie, anyway. Esmé loved lots of things. rumors; gossip; attention; a nice pair of hands; good food, in clothing, being looked at. admired was better, but just having eyes on her was pleasing enough. being special. and it wasn’t hard, really. she was very good at being special.
that time i was thinking about ernest and lemony and bertrand but wasn't quite sure where it would go and also i can never get them all in the same damn room
“This is lemony snicket,” said lemony snicket.
Ernest paused. “Well, that’s a neat trick,” he said, digging his elbow against the glass of the phone booth. “Dialing bertrand’s number and getting you, instead. Do you do weddings? We’ve missed dewey’s bar mitzvah, of course, so that’s out – how about funerals?”
“How would that work?” lemony asked immediately. “Would i be doing card tricks over the deceased? Isn’t that inappropriate?” 
“Depends on the funeral,” ernest said. “Please do it at mine. Is bertrand there?” 
“He’s supposed to be,” lemony said. “I believe he’s been detained.” 
It figured, of course. When ernest was actually calling in an emergency, bertrand was out somewhere being a good person to someone else. Well, it wasn’t – really an emergency. That was genuinely too dramatic, and the last thing ernest was was dramatic. Bertrand had just given ernest the number for his office at the theater and told ernest to call if he wanted to. If he needed to. He’d smiled when he’d said it, the way bertrand always smiled, one cheek dimpled and a sunshine kindness pouring out of him. And there was no time like the present, ernest thought. The present being, jammed in a phone booth blocks away from the hotel, which was still not enough distance, because – 
It didn’t matter. It was fine. Ernest would be fine. 
“Is there anything i can help you with?” lemony asked, because of course he was still on the other end. In bertrand’s office. 
Ernest closed his eyes, his jaw working. “No,” he said. 
that time lemonberry ice were supposed to be playing like some absurd hide and seek game but i could not quite work out exactly how they were playing and went well! too bad, gang
Beatrice is luminous in the lights above Ramona’s garden; they hang halos in her dark hair, in her eyes, catch on her ruby-red smile. There are the tiniest sequins sewn in her mask, Bertrand realizes, glittering like diamonds in the shape of a crescent moon curved over half her face. She’d shown him her costume before, of course, but here, at the party, it looks different than it did in the apartment. Beatrice glows even in private, but out where people can see her, she shimmers, flashes, beams, like the whole world bends around her and into her hands (balanced on his shoulders, tapping out something that feels like Magalenha). It is dizzying. He could kiss her, if he just tilted his head – they’re pressed that close in the sliver of space between the bushes at the pond. He could absolutely, definitely kiss her, and she’s grinning like she knows exactly what he’s thinking. 
But! This is supposed to be professional. They have rules. Bertrand holds himself very still, raising an eyebrow at her, and Beatrice bites her bottom lip hard around a giggle.
“Shhh,” Bertrand says, trying to sound stern. Does he look stern? Probably not, not at all. 
“I’m sorry,” Beatrice whispers, still giggling, “you just look so – ” 
“Shhhh,” he insists. Now he’s trying not to laugh. “We have to be quiet, Bea.”
She schools her expression into the perfect patient look. And just in time – there are footsteps behind them, quiet on the patio. Dress shoes, not heels, moving slowly from one corner to the next. Someone is taking their time. 
that time i idly considered a sugar bowl gen groupchat fic, but i could never figure out the right circumstances to put them in where the groupchat mattered enough to be the main focus of the fic, bc the nature of a groupchat means you are getting things secondhand, which can cut down on actual story content. but i did come up with usernames, of course. and of COURSE lemonberry ice shenanigans went down in the background.
itstheduchess has renamed the chat ‘don’t tell lemony anything we’re about to say, part 5’
itsthecount: tell me every single detail of the juicy gossip itsthecount: I demand answers and I demand them now itstheduchess: where’s kit itsthecount: do not. sidetrack this conversation. itsthecount: but she’s in the shower itstheduchess: ugggggg itsthecount: who do I have to kill to get the hot take on snicket’s latest fuckup itstheduchess: THIS IS WHY WE DON’T TALK, OLAF itsthecount: and yet here I am, in the fucking group chat theretheir: ????? Did something happen? theretheir: I tried to call Beatrice earlier but she didn’t pick up plainspoken: ramona I respect your desire to respect their privacy but if something has happened it might be better to tell us now itsthecount: yes, so I can plan my funeral outfit accordingly itsthecount: this bright green suit has been dying to be worn theretheir: Olaf, I want you to know that I saw every single thing wrong with that sentence and that I’m going to give you hell for it at a later date kitsnicket: he doesn’t even have a green suit. kitsnicket: what happened? itstheduchess: from what I can tell I think they ran into bertrand plainspoken: oh, no. theretheir: I thought he was out of town? I thought he was in Boston? kitsnicket: do not tell me l and b are in boston itstheduchess: he came back for the summer, they ran into him at the diner on route 9 and I don’t know what happened because beatrice won’t tell me but i’m ASSUMING something did not go well from her tone theretheir: Well, tone is notoriously hard to tell in the written word. itsthecount: josephine have you ever read anything by lemony snicket because I think that will change your opinion on tone kitsnicket: o has a point.
itstheduchess: do you ever get the feeling that since we’re, for lack of a better word, spies, that we maybe shouldn’t have a written record of all our conversations?? kitsnicket: frequently. but that’s never stopped us before. theretheir: I often wonder where I’d be without the ability to personally call you all out on your grammar. itstheduchess: josephine. itstheduchess: you do that outside the group chat.
itsthecount: can’t we just do a murder mystery for snicker’s birthday and call it a day itsthecount: we’re all used to that itsthecount: I will supply the bodies kitsnicket: we’re going to have a conversation later about how that was not the wisest thing to say, next to trying to say ‘flammable’ was a compliment. itsthecount: I will NOT rehash that argument but I will say again that i’m RIGHT kitsnicket: regardless. we are not putting my brother through a murder mystery.
the original incarnation of all phone, no sex, which was instead more about the newspaper
when lemony came home that evening, he took off his hat, looking thoughtfully off into the distance. “apparently,” he announced to beatrice and bertrand, who were bent over a newspaper crossword puzzle in the kitchen and sharing one pen, pressed together from shoulder to hip, “i’m having a torrid love affair with you, bertrand.”
beatrice gasped, her head jerking up. “you are? and no one told me?”
“torrid?” bertrand echoed, taking the pen from beatrice and filling in another answer. “bit of a strong word, don’t you think?”
“i do,” lemony said. he crossed to the kitchen, loosening his tie as he went, and sat down beside beatrice. “i prefer something like passionate.”
beatrice rolled her eyes. honestly, the two of them were lucky they had her, otherwise they’d go around calling their magnificent relationship something boring like passionate. but torrid certainly wasn’t the word either. “you two have no imagination,” she sniffed. “how about steamy?”
bertrand and lemony shared an intrigued glance. beatrice pulled the pen back and contemplated 45 down, smiling to herself.
“i don’t think we’re particularly steamy,” lemony said.
“barely any steam,” bertrand agreed.
“sensuous, then,” beatrice suggested absently. out of the corner of her eye, she saw lemony’s face flush red to the tips of his ears, and her smile grew.
bertrand cleared his throat for a solid five seconds. “you can’t say words like that with a straight face, bea.”
the two of them were so cute when they were flustered. “how is sensuous any worse than torrid?” beatrice asked.
“now is not the time to argue the semantics of language,” lemony said, with all the wisdom of someone who has done that very thing for hours at a time and once drove josephine anwhistle to tears over his opinion on metaphors. “but it has to do with the sound, I think.”
“what about ardent?” bertrand said. “it’s sort of sophisticated.”
“it is sophisticated,” lemony said, “but does it have quite the enthusiasm?”
“you two are going to make me bring out the dictionary, aren’t you,” beatrice muttered.
“nothing would please me more,” bertrand said. he even batted his eyelashes at her for emphasis, which did nothing to sway beatrice’s opinion, although she had to admit he was cute when he did that.
“how about heartfelt?” bertrand suggested behind her.
goodness, he was sentimental. grinning at her coat, she told him, trying to be firm, “affairs aren’t heartfelt.”
sigh. for many years now i have toyed with doing a lemony pov of my babybea fic, but it has just never panned out. but moxie got the bulk of the good lines in the scenes i considered. oh i did have a title though! it was 'but all folks are damaged goods' to continue pulling lyrics from the crooked kind
moxie swings her office door open, grinning wide. “you,” she says brightly, “look like hell.”
“That’s very kind of you,” lemony snicket says, leaning against the doorjamb.
“have you found your niece yet?” moxie asked.
“no,” I said.
“have you been looking?”
“have you?”
moxie sighed. “no. and that’s because you asked me to look for the baudelaires. I thought you’d personally want to find your niece. she is your niece, you know.”
“i am well aware who she is, moxie.”
“are you?” moxie snapped. “because i’d think a man who cared about his family wouldn’t be slumped in my office, asking to be forgiven by a woman who’s already done that, many times over. and begrudgingly, I might add.”
I met moxie’s eyes, and found them cold and grey. they no longer looked as washed and sad as I thought when we were children, instead tempestuous, a word which here means “unwilling to let lemony snicket get away with anything at all.”
I had never forgotten how lucky I really was, to have been forgiven by moxie mallahan.
she was wrong to say it was begrudgingly, though. it was at first. but there is nothing begrudging about exonerating a man from inaccurate accusations.
“what else can I do?”
“well whose fault is that?” moxie shouted. “who’s been hiding, all these years, and not doing a single thing about it? pain isn’t supposed to be comfortable, lemony! it’s not something you get used to! it’s something you drag yourself out of and then never look back at, especially when there’s someone out there who needs you! you don’t lounge around in it and let it eat you alive and forget about your daughter, leave her all alone to deal with everything you were supposed to take care of, all the secrets you never told her! you help her, so she’s not out there running away at sixteen and forcing it all down so she doesn’t think about all the people who were supposed to be there for her!”
it took me a moment to realize that moxie was not talking about my niece.
i have also heavily considered writing a sequel to (the three-part folding mirror) i just wasn't in a great space at the time so it kept getting shuffled to the back of my priorities but it had such TASTY things in it. specifically this was going to reveal that bea and bertrand spent that evening planning the opera
it had taken years to amass the amount of furniture that sat in the green room backstage, and somehow that hadn't turned it into a cultivated bastion (the word of the day in the life section of the punctilio) of good taste. the green room was the ugliest place olaf had ever been in his life. first of all, it was green. not because someone had decided to be funny, which would've been a reason olaf could try and respect, but because it was an organization theater, which meant a majority of the walls were all green outright. olaf had long since stopped lecturing anyone who would listen that it was the most egregious (last tuesday's word of the day in the life section of the punctilio) calling card in the world for an organization that made such a big deal about secrecy, but it was. second, the furniture -- stately little straight-backed chairs one of the snickets had put against the wall that baudelaire always put his jacket on, the most enormous but out of style set of brown chairs sebald had had to take the door off to get in, a coffee table with a permanent slouch from olaf's shoes getting kicked up on it. at least there was his couch, beautifully lurid purple, plush in the right spots, that he'd convinced one of the other snickets to push the six blocks to the theater while he and beatrice lounged on it. old books olaf had read cover to cover more than once, last season's marked-up scripts still piled around, a set of glasses he'd taken piece by piece from his parent's house (taken, not stolen. you could not steal your own family's possessions), excellent wine from esme (definitely stolen). cool in the summer, warm in the winter from the blankets ramona made, a permanent glittering floor from an age of makeup residue. ugly. shit. fucking beautiful. his. 
he wasn't welcome in every space the organization had created, but the theater, above anything else, was a theater, and he was always welcome there. it liked drama. it lived on it. a theater was the place you could break rules, set things right, change the world. no -- not change. change wasn't the right word at all. he wanted to rile it. bite it back. watch the world simmer. let it burn, just a little bit, nice and slow, before anyone noticed, and then it was too late. it was a shame nobody else understood how good it looked when you turned the world on its head just to watch it spin a little differently. not his parents, not the organization, not even beatrice really got it, not like this. nobody but this space, where the theater was one big throne and olaf was its very willing king. 
speaking of beatrice. it was monday, now, and it had been an excellent weekend, and she'd missed the whole damn thing. unforgivable, but olaf was a generous man. he'd tell her. she didn't live in the green room like she'd used to, but he knew he'd still find her there. and when he leaned into the green room door, palm down on the handle and let his weight push it open, there she was, sprawled out in that red sundress that clashed with their couch. ankles crossed over a pillow, her face hidden behind some book, and she hadn't noticed olaf come in. well now, but that just would not do. 
olaf sauntered over and dropped himself into sebald’s chair beside the couch, throwing his legs over the arm, then kicked the sole of beatrice’s heel sharply, grinning. “and where have you been, brat?”
beatrice kicked the bottom of his shoe back with perfect aim. olaf slid farther down into the cushions, his limbs sticking out at stupid odd angles. "rude," he called, waving his hand at her, even if she couldn't see it. "i come, out of the goodness of my heart -- " beatrice snorted, and olaf grinned wider. " -- to fill you in on all the hot drama, and this is the thanks i get?" 
"oh, please." she turned a page of the book. she'd started picking off her nail polish again, he noticed, little pieces of red missing off her nails. "it's been, like, forty-eight hours since i saw you? that's not nearly enough time for hot drama to happen without me, brat." 
“oh, but it did. ernest turned out to be a dirty, dirty traitor who’s been hiding information.” beatrice didn’t need to know that ernest had also given information to olaf, and that olaf had been stacking it away for future use. beatrice got drama, and the theater, and the rush when you did something special and all eyes were on you – but special to her meant noble, not different. she got away with it because she was still beatrice, but she didn’t have to know everything. (and olaf himself wasn’t a dirty, dirty traitor. some people knew how to play the game properly and bide their time, ernest.)
beatrice sat up, the book tumbling out of her hands and onto the floor, looking beautifully scandalized. “ernest did what?”
olaf wriggled himself back into a sitting position to match hers. “as far as I can tell,” he said, leaning forward, “at the party at the hotel, he was supposed to give one of the snickets something important, and pretended to be frank about it, and then he got caught."
olaf grabbed her wrist and pulled her back into the room, her arm bent between them, his knuckles brushing her shoulder. “you okay?” he asked.
beatrice flashed him her bright, stunning smile, the one that almost split her face with her delight. “peachy keen,” she said, and slipped her hand out of his grasp and took off.
beatrice knew the rule – when you were acting, nobody knew, and if you did it right, not even you would know.
but that was the thing, she knew all the time.
if you did it right, then when you were acting, nobody knew. not even you. 
bertrand was asked it over and over again, but he could never come up with a good answer. how could he tell the denouements apart? he just -- could. it wasn't anything as obvious as different facial structure, or the way they talked, or the way they moved, bertrand just looked at them and knew. you spent enough time around the three of them, you didn't learn tells or tricks (which could be imitated, anyway), you learned dewey, and ernest, and frank. 
this wasn't to say it was kit's fault ernest had lied to her. it wasn't. but bertrand also knew that if they didn't want you to know who you were talking to, you wouldn't. ernest had done it to him a few times. 
that time violet experienced The Silliest Childhood Horror, based on my own personal life experience
in her -- ugg, old age, bertrand keeps calling it, although he is a year and a half older than her and they aren't even thirty -- heightened state of mature thinking, beatrice will call it, she no longer makes the impulsive, rash decisions of her youth, like, climbing furniture (she has a stepstool now), or, throwing breakable things (she has pillows), or, launching herself across a rooftop (she has -- well, she hasn't found a replacement for that particular activity yet). she has the wherewithal to stop and think about something before she does it. but this summer is hot, and no matter what she does with her hair it just keeps finding ways to stick to her neck or her shoulders and sits in a thick, heavy weight on her head, so she takes the scissors from the bathroom and gives herself a neat, wavy bob one morning, along the line of her chin. 
and, it's not that beatrice forgot about violet, because violet was just in the other room, making piles of cheerios on the table of her highchair with bertrand instead of eating them for breakfast, it's that beatrice forgot children were just, like that sometimes. because the second violet saw beatrice lacking three-fourths of her hair, her daughter burst into tears. 
"oh no," beatrice said. 
that time i am constantly monitoring the level of Angst i am writing to make sure i do not descend back into high school levels of horrible prosey pushing it WAY too far angst but sometimes you do just write a heartbreaking thing just to see how it looks on the page
[frank says it, one night, very quietly. “You would’ve rathered it was me,” he says. “That i was the one who died, wouldn’t you.” 
Ernest stares at him.] 
that time i wanted to write the events that bring moxie and lemony back together as friends but i just got stuck on the exact vfd assignment details bc i can never find it in me to make them vague, so it progressed no further. but somehow arson was definitely involved and lemony (and r!) were doing it for Reasons. anyway it did have a neat ending of asking moxie to be the editor
"alright, snicket," moxie says, and she sets her typewriter down on the rickety table between them with the gentleness it requires, but there is a hard look in her eyes that she hopes tells lemony that if it was any other item she would've slammed it down. or thrown it on the floor. or thrown it at him. instead, she throws herself into the seat across from him and pushes her hair away from her face. he hasn’t said it, but he looks like he doesn’t have a lot of time to chew the fat on a cloudy thursday evening in her small but neat newspaper office. and moxie mallahan is a busy woman now, anyway. "start talking."
lemony clears his throat. he looks run-down, and moxie feels only the smallest bit satisfied at what this world has done. but it really is a shame, she thinks. he looks so anxious where he used to look so determined.
"where do you want me to begin?" he asks softly.
"why don't you start," moxie says briskly, feeding paper into her typewriter, "with why you're alive, first of all. last i heard you were dead, or at least missing."
lemony leans back in his chair, and he certainly takes his sweet old time in answering her. "i hadn't intended," he says, "for that to come out."
moxie raises an eyebrow. "that you're alive?"
"yes."
"why?"
lemony is silent.
moxie sighs, a hard and angry shot of air. "snicket," she says, "i agreed to this meeting under the condition that you would talk to me. if you aren't going to say anything, i will throw you out of my office, and i'll continue looking on my own for answers. i thought you were finally coming around, but if you're still going to be a secretive stick in the mud, then i don't see—"
"i'm sorry," he says. he meets her eyes this time. the look he gives her is startling in its intensity. "i am sorry, moxie."
moxie frowns. she taps her fingers against the keys. "tell me what happened, snicket."
"there was an incident at mulctuary money management."
“that’s not what I—”
“that’s where this story starts,” lemony says.
moxie stares at him for a considerable amount of time, one that she hopes is enough to make lemony uncomfortable. she stops when he finally shifts in his seat some minutes later. "the papers said it was a filing error," she says. she remembers the headlines from the previous week—mischievous money mismanagement at mulctuary money management! she'd thought it was a little much. she certainly wouldn't have been so alliterative. filing error at local bank would do the trick.
"it was not," lemony says. "it was a robbery that just happened to look like a filing error, that was used to cover up a much larger crime happening nearby.”
"how do you know?"
"i was driving the getaway car."
moxie tilts her head in thought. "which car?"
lemony almost smiles. "the one from the much larger crime."
“when did you leave stain’d-by-the-sea?” lemony asks.
“don’t you know?” moxie replies.
“i do,” he says, “but I wanted to hear it from you.”
“i was eighteen,” moxie says.
moxie stares at him, her fingers frozen on the typewriter keys. "what?" she whispers.
he doesn’t say a word.
“that couldn’t have been the only way,” moxie says.
lemony sighs, his expression blank. "we don’t know any other way. sometimes the only way to stop ten fires is to start one."
moxie can think of a million other ways. "you -- "
"what did you think i was, moxie?
a friend, she'd thought at first. a mystery, she'd thought, one she'd wanted nothing more than to unravel. a detective. a hope that was going to save her town. a best friend. then a liar. a murderer. a thief. a coward. and now --
sad, she thinks. she feels sorry for him, and she can’t even be angry about it now.
"i've made a lot of mistakes," lemony says.
"you've made more than a lot," moxie murmurs. "you've made a considerable amount."
"and i know i can't apologize for all of them."
"i don't think you can."
[more before this, slumps in his seat, etc] he runs a hand through his hair. “i’m trying,” he says. “i am trying to make up for them.”
“leave, then,” moxie says quietly. “get out of it. start over.”
“where am I going to go?”
"i have no right to ask you," lemony says, "but i think the day may come when i will need the help of an impartial third party to tell the truth. the whole truth, or as much of it as I can bear. can i count on you when that day comes, moxie mallahan?"
moxie sighs. "we'll see," she says. "we'll see, snicket."
he smiles at her, a sharp and fast thing, and then it's gone. he climbs out of the window and drops into the alley below, and when moxie looks down into the alley he’s already disappeared.
every now and then i try and figure out, if i was going to deal with the taxi, which we all know i am not necessarily a fan of, how would i do it
in general, the taxi, much like jacques snicket, was reasonably unseen, always undetected, and often nearby. but that did not mean that jacques snicket liked the taxi. he had tried to return it after the initial assignment with it, one that had taken him through the city and into the hinterlands and back again at, he’ll admit, an even speed with fair gas mileage, but he was told that the taxi was his now, and it would make things much easier for him. he did not see how, but he figured it was easier to keep the taxi.
he asked kit to take a look at it and make sure the car was working properly.
“I can’t believe you get to drive this car,” kit muttered, bent under the hood of the car and getting grease all over her hands. “do you know what I would do to drive this?”
“please don’t tell me, I would rather not be an accomplice,” jacques said. he was sitting in the driver’s seat with the windows down, reading the owner’s manual, in particular the safety recommendations, because someone should. “did you check the – ”
“yes, all fine,” kit said. she waved a dismissive hand at him from around the hood. “start it. I want to hear the engine.”
jacques started the taxi, and he assumed it sounded like it was supposed to. it sounded like a car.
kit closed the hood, wiped her hands off on her handkerchief, and got into the passenger seat, looking pleased. “well, it runs perfectly. start driving.”
“what? kit – ”
“jacques, do you expect me to let my brother go tearing off with a perfect engine without knowing if it runs right?”
bea's letter fic references 'the time bertrand tried to come up with nicknames' which was a wip i had tucked away somewhere
bertrand put his pen down on his notebook. “alright. I think i’ve got it this time.”
“i doubt it,” beatrice said, cross-legged on the floor in front of the record player, “but give it a try anyway.” she looked up expectantly, her hand on her chin, elbow digging into her calf.
before bertrand had a chance to say anything, lemony walked out of the bedroom, took one look at bertrand’s notebook, and said, “bertrand, I don’t think you should say any of those words out loud.”
“okay, how about this one – buttercup?” bertrand offered.
beatrice looked at him, her face almost dangerously blank. “why do you build me up, buttercup, baby,” she intoned.
“just to let me down,” lemony called from the bedroom.
“and mess me around, and then worst of all, you never call – ”
“baby,” lemony shouted.
“when you say you will – ”
“okay, okay, I get it,” bertrand said, laughing as he crossed the word off his list. “not buttercup.”
“you alright, bea?” bertrand asks.
beatrice startles a little, her wide brown eyes fixed on him, and then she smiles, her shoulders relaxing. “just wonderful,” she says, walking past and dropping a kiss on the top of his head as she goes. “i’ll see you later, the shop down the street is having a sale on fruit and I cannot not take advantage of it.”
“don’t let jo hear you use a double negative,” bertrand says. he smooths down his hair, and then eyes the door. “you aren’t following lemony so you two can have outrageous sex in an alleyway without me, are you?”
beatrice laughs, swinging the door open. “you know i’d take you with me if I was!”
more messy lemonberry ice thoughts, where i was trying to eventually write them all dancing and just got caught up in the semantics of How Exactly I'd Get There
number one on bertrand’s list of spring resolutions (he’d forgotten all about new years resolutions, and had taken the next most timely opportunity) was to learn to paint, and so he set up an easel by the floor-to-ceiling balcony window in beatrice’s apartment, to catch the sunset as it filtered in through the glass at the end of the day. the sun moved so quickly now in the evening, and bertrand wanted to capture the way it fell in soft, fuzzy gold patches against lemony reclined back into the couch, with beatrice stretched out at his side, her head pillowed on her arms in his lap. how it sat, warm and inviting on the line of lemony’s collarbone just visible beneath the open neck of his dress shirt, on his sleeves rolled up to his elbows, on the curve of his hand in beatrice’s hair, on the constellation of moles down beatrice’s left shoulder, on the triangle of skin at the top of her knee where her slip folded open a little.
bertrand was not good at faces, or incredibly distinct lines, or, if he was being honest, a great deal of art in the first place, but he was good at shapes and colors, so the painting didn’t necessarily look like beatrice and lemony but it still looked like beatrice and lemony, the shapely smooth strokes of beatrice in the thin black slip, the easy angles of lemony relaxed against the cushions, his feet (with those very beautiful blue flowered socks) propped up on the coffee table. the record player in the corner of the painting did look more defined, though. it looked-looked like a record player. but it was only spring, bertrand reasoned, and maybe by autumn he’d be able to get their faces down. he very much wanted to.
the record player in question hit the end of the b side of one of lemony’s slow jazz albums, and beatrice groaned at the silence and rolled off of lemony, graceful to her feet even when she stumbled, trailing over and removing the record. one of the straps of her dress slipped down her arm as she sorted through the record box. bertrand brought his brush back to the beatrice smudges on the canvas and tried to make the little line of the strap on the sleeping beatrice, but it came out thicker than he wanted. he frowned, looked back at the beatrice fitting a count basie record into the player with one hand, the other pushing her hair back out of her face, sunset orange spilling brightly down her back, and then turned the strap into another sweeping curl instead. that looked better.
"lemony," beatrice said, "do you want to waltz or do you want to two-step."
lemony opened an eye and looked in her direction. "i would like," he says, "a sandwich."
"bertrand, do you want to waltz or do you want to two-step."
“I am painting,” bertrand said, waggling the paintbrush.
beatrice was hunched over the record player on the floor, at the right angle that the orange sunset filtered through the balcony window and spilled down her back, over the constellation of moles along her left shoulderblade and the low v of her black slip. bertrand didn’t think himself much of an artist, not really, but he liked the feel of it, putting lines and shapes on paper and trying to get them to look like what they were supposed to. he had a little sketchbook for that purpose, and he kept it on the table behind the couch – now it was propped up against lemony’s head as bertrand colored.
he’d already drawn a scribbly lemony in the upper left corner, the top of his hair and shoulders highlighted at the edges from the sun, shaded in lightly with the crayons piled atop the rug. bertrand had thought even colored pencils would be too extravagant for the occasional drawing of beatrice or lemony, or the doves in the yard, or the dandelions coming back in the garden. also, they’d already had the crayons. they were beatrice’s.
beatrice takes another critical look around her living room, and then pushes the end table further towards the wall with her foot. she has her hands on her hips, and her hair pinned back from her face, the evening sun gold in the hollow of her collarbone and all the curves of her, resting on her fingertips like it was always meant to be there, bertrand thinks.
was it smart, bertrand wonders, for the millionth time (and he has kept track), to fall in love with beatrice baudelaire? it’s not like he had a great deal of choice in the matter, really. beatrice pulled people towards her like – some very nice simile that doesn’t involve fire he will definitely think of when he is not standing in her kitchen and lemony is not putting away the dinner plates and that’s it, that’s why it isn’t smart, because of lemony. both of them have a magnetism, really. beatrice, loud and uncompromising with a quick laugh and clever eyes, lemony, quiet and stubborn with a stunning, deep-rooted kindness. you just can’t look at either of them without your whole chest trying to rearrange itself.
[like a wave to a shore, maybe? like raindrops pooling together on a window sill. inevitable things.]
and both of them are in love, with each other, not bertrand, and it’s – it’s fine. it’s totally fine. bertrand is honest enough to think that it’s not exceptionally fine, but it’s, regularly fine. it’s decently fine. he’s here, after all. they have a standing saturday dinner and bertrand has gotten very good at not looking too long at either of them.
and – they are teaching him to dance.
[he didn’t know what was more surprising – that lemony looked the most affronted that bertrand couldn’t dance, or that lemony could dance. but bertrand had to keep expecting the unexpected of lemony snicket.]
that time i was ttoally going to rewrite singing in the rain as lemonberry ice. oh clearly it didn't follow the movie it just had Some Vibes. but god i had the best music number in this opening, and also lemony and bertrand hadn't met bea yet and clearly i had a not-concrete idea of where vfd was in the background here. also beatrice was driving by and stopped to fix their car
lemony sighs, his hands dropping from the steering wheel. “when I woke up today,” he says, eyes fixing off somewhere in the distance. “i had a feeling something like this would happen. I should have listened to it.”
“you had a feeling the car was going to break down in the middle of the morning?” bertrand asks. “that’s incredibly specific.”
“we aren’t holding you up, are we?” bertrand asks.
“not at all,” the woman says. “i’m not in a hurry. i’m running early today, anyway.”
“it’s good to be early,” lemony says. “some would call that the mark of a noble person.”
“is there a reason,” beatrice says, hoisting herself up and sliding a foil out from the mess of gears, “that you guys have a sword in your car?”
“i was wondering where that went,” lemony says. “thank you.”
beatrice stares at lemony, and then fixes her eyes on bertrand, a deep, penetrating brown gaze with one raised eyebrow. bertrand has a vague thought that he might be able to get lost in those eyes before beatrice ducks back down under the hood.
“what are you two?” beatrice asks. “actors? spies? extreme hobbyists?”
bertrand and lemony exchange a glance.
“yes,” they say together.
bertrand grins with delight. “you know how I say there’s a song for every occasion?”
“oh no,” lemony says. “bertrand, I cannot handle that, not at this hour.”
“you might have been meant for each other – ”
“you can’t just change the words to make the song work – ”
“to be or not to be, let your hearts discover – ”
“i don’t intend to discover anything, I only met her five minutes ago – ”
“you’ve got a feeling, it’s a feeling you’re concealing, i don’t know why – ”
“this song doesn’t have a narrator, bertrand, and I cannot abide by such flagrant disregard for the lyrics – ”
“oh, come on – it’s just a mental, incidental, sentimental alibi – ”
“jacquelyn will be furious if we get to the studio tomorrow and you’ve done something stupid to your voice, you really shouldn’t – ”
“but you adore her, so strong for her, why go on stalling, you are falling, love is calling, why be shy?” bertrand stops and waits out the pause between the verse and the chorus, staring expectantly at lemony.
lemony stares back at him, stretching out the pause much longer than is musically necessary. he raises an eyebrow.
“fine, be that way,” bertrand says, still grinning, and he swings the door shut. “let’s fall in love, why shouldn’t you fall in love, your hearts are made of it, go take a chance, why be afraid of it – ”
“are you quite finished?” lemony asks.
bertrand clears his throat and takes a step back, tugging on the hem of his vest. “well, if I have to be,” he says, trying for a smile.
lemony starts humming let’s fall in love while making dinner, and gives bertrand the dirtiest look of all time when bertrand starts laughing.
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thegeminisage · 11 months
Text
SEARCH FOR SPOCK breakdown
i watched THIS movie three days ago and im still not over it. incoherent phone liveblogs translated to normal human language below:
firstly, this movie is extraordinarily quiet. even with my computer and browser volume and 100% i still couldn't hear it. we had such trouble finding a copy that was both loud and subtitled i had to download my own - even actually starting a free paranmount plus trial didn't work because their website is GARBAGE and refused to load the movie for me on any browser. which meant losing one day. and then the second day i was out of town. i had to wait SO LONG to start searching for spock. i basically forgot the first 12 minutes of the film bc of those two lost days
uhura was very hot in this movie. i love how she had stuff to do. idk how she keeps getting hotter every movie but she's the most beautiful woman in the world i think. her telling that little ensign to get into the closet while calling him a good boy was maybe the sexiest thing she's ever done. i wish she had gotten to go with them the whole time!
the absolute screaming that ensued when kirk found bones sitting in a pitch black room with spock's voice coming out of his mouth. like i said i knew vaguely about this but i did not expect him to be FUCKING POSSESSED??? i need to find time to read 4000 spones fics about this specifically if anyone has recs i am soliciting them
everything was so good. the comment about poison in a bar not being logical. the failed nerve pinch. him being able to suddenly act as first officer. mwah
i like the snowy cacti on genesis even though most of those sections lagged for me personally. not like computer lag but like. psychologically. and baby spock was so cute!! teenage spock did not need to be fucking his former student who is now way older than him tho. that was wack. sorry saavik
the entire section of busting bones out of prison and stealing the enterprise is one of my favorite trek scenes from everything i've seen so far, actually. it's exciting, it's funny, it's heartwarming, the chemistry is off the charts, and they all truly feel like a family.......cathy said it best but this is what aos was missing tbh
ALSO I TOTALLY RECOGNIZED LEONARD NIMOY'S VOICE IN THE ELEVATOR SHAFT. am i faceblind maybe a little bit but my ear never fails me
very shocked to see christopher lloyd in this movie. his makeup was um questionable. but he did a great job
we went back and forth for awhile on whether or not bones realized he was possessed. i guess "you're suffering from a mind meld" wasn't specific enough. like did he know spock was IN THERE. but we didnt know for sure until jim was like "how are we doing" and bones was like "WE are doing just fine thank you but i'd rather he have just taken a kidney" which was fucking hilarious. third best best line after "i've got all his marbles" and "THAT GREEN BLOODED SON OF A BITCH THIS IS REVENGE FOR ALL THE ARGUMENTS HE LOST" he's so iconic. like it wasn't actually just revenge for the stunt he pulled in the empath.
deeply mourning the enterprise. i knew there were different enterprises and that they had to blow her up eventually bc spoilers but this is the one and only first ever enterprise TO ME. watching her go down in flames was almost as painful as watching spock die. rest in peace queen :(
absolutely FLOORED they fridged david. i didn't expect them to do that ever but i'm SO glad they did bc 1. cry bitch and 2. i didn't actually care about him. despite them finding spock on genesis those parts of the movie felt slowest to me because spock wasn't able to like, Be Spock and i just did not care about david. i like saavik but i liked her better when she wasn't fucking spock. so. perfect choice
final fight was good. i was like I DONT CARE ABOUT THIS SHOW ME SPOCK but then i gasped every time one of them almost bit it. rip christopher lloyd's character he did a great job
did i burst into tears when kirk held spock and pointed a gun at people? yeah
however what we missed was the bit where bones goes to hold him instead when kirk has to put him down. truly the mcspirk movie of all time.
bones going "i choose the danger" HE IS SO IMPORTANT i love him so much
having absolute kittens in the section where i had to wait to find out if they put spock's katra back. like obviously they were gonna. did i start crying again when spock started talking? YEAH. i knew he was gonna have amnesia but i forgot so i got to be surprised anyway. and then also cried through the credits too bc ofc i did. spock is so important. bones tapping his temple at the end was everything though
idk why everyone says the odd ones are all bad! 1 was bad and i know everybody hated 5 but 3 was REALLY GOOD. i liked it even better than wrath of khan - aside from, again, the pon farr thing. there was more interpersonal stuff than in 2 but it didn't lack action and momentum the way that 1 did. it was perfect. there's no way 4 can be better than this. no way. sincerely hoping i eat my words <3
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johnslittlespoon · 5 months
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https://www.tumblr.com/hogans-heroes/746685005077544960/the-most-powerful-one-so-far-im-crying
Have you seen this buckbucky edit yet?
BIG OL' MISCELLANEOUS ASK POST!!
1) UNFORTUNATELY (said with love). that edit made me cry like a mf, my soul is too soft for those two to stay dry eyed through stuff like that. but god it was BEAUTIFUL.
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2) ohh 100000%. it's in my post–war buckbucky playlist, it fits john's pov so well. it's so angsty, working through mental health issues in the aftermath, learning how to communicate with gale and ask for help when he needs it, just wanting to be by his side 24/7 but feeling undeserving of his love and also being afraid of how much he loves him and how much gale loves him back </3
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3) omg no don't be sorry!! i am someone who listens to a little bit of everythinggg don't sweat it. i gave it a listen and YOWCH that hurt wtf?? it does fit bucky in that time so well, our poor sweet boy. :( also i still feel so bad that my only curtbucky fic is an mcd angst one LOL i need to fix that soon <3
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4) another one i hadn't heard but nooo it absolutely is. all the angsty pine–y songs fit him so perfectly </3 he just wants to feel someone love him the same way he loves!! but also: 'i know i should be angry, but i can barely feel a fucking thing' is very plane–wing–scene :(
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5) NO. NOT FUN. i have such a hard time listening to that song as is but thinking about it with post–war john in mind has literally made it 10x more painful and now this edit 😭 i tried to make an angsty edit to it a few weeks back but i started crying every time LOL phoebe just hurts too damn bad when you pair her with mota stuff. i adore her <3
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6) SGDKJG honestly a wild day for us. she cracks me up like no one else <33 but OOO okay so i'm a strange one alright i grew up adoring anything fantasy/sci–fi, ate every novel and movie and show up, but in the past few years i've sort of lost interest in that vibe? which makes me really sad! but i've just been enjoying more slice of life stuff in terms of media i consume.
so i think if dune had come out when i was in like high school, i would've been obsessed, but even if it's not my go to genre, i still thought they were beautiful movies, perfect casts, managed to hold my attention as someone who can barely sit thru movies 99% of the time, the sound design was incredible, 10/10. no complaints.
but listen.... at first i was like "yummy feyd" as a joke. i serious'd very very fast. like i knew i'd be attracted just bc, i mean, c'mon, it's austin lmfaooo, but my brain chemistry was genuinely altered. i haven't like properly fleshed out any au–type of brainrot because i honestly didn't retain enough info about the dune universe (again. i am not a good movie watcher, i do not do well just sitting down and paying attention to one thing for three hours lol) but i do think some sort of crossover where john is in the dune world would be interesting!
let's be real, most of us would probably just wanna see john and feyd fuck nasty so. not sure it needs much elaborating on LMFAO and i'd be surprised if someone doesn't end up writing a fic like that– wouldn't be surprised if there already are some!
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burins · 1 year
Note
4, 11, 17, 21 !
4. what is the plot bunny you’ve been carrying for the longest? optional bonus question: do you ever wonder why you haven’t written it yet and experience deep existential dread?
i think the actual oldest fic ideas i have are from fandoms long gone (sherlock. it's sherlock. i had a lot of great ideas in that fandom and wrote almost none of them.) I did have a fun idea for a fatt fic about candidates who don't sleep anymore/the intrinsic horror of Integrity that sprang into my mind while listening to Dessa's Videodrome. I don't feel any existential dread about it! I have so many little snippets of things I'll never finish that if I felt a sense of failure about not writing them all I'd never be able to write again. If snippets turn into a whole fic, that's great. If they don't, I had fun writing them!
11. what’s something neat you’ve learned while doing research for something you were writing? also, how much do you worry about doing research in general?
bless you for asking this. I love to do research; it is literally the reason I picked my career! I don't worry about it so much as I think that the kinds of details that come out in researching a fic make it much richer. (although when I was writing mdzs fic I did try to take more care with research bc I was writing in a cultural setting that isn't mine, and there's a level of responsibility there!) my favorite thing i've come across while researching wasn't even research for me, it was something a friend asked in our femblem server, and it sent me down a multiple-hour rabbit hole about medieval sumptuary laws. did you know that there were laws in medieval Europe about how many buttons you could have on your clothing? (none, for anyone below a knight in rank!) these laws were often not particularly enforced but I think they're bonkers. the impulses behind these laws were generally good (they were initially intended to try to restrain nobility from draining the wealth out of their estates and the peasants who lived there to spend on gold and finery) but given that the people writing and enforcing them were, uh, the same nobility, they became a way to reify a very strict class hierarchy. history!
17. what is your favorite line you’ve ever written?
this was such a hard question because the stuff i like the most is usually not a single line, but two or three in conjunction! i love the rhythm of a long sentence followed by a short gut-punch. also i have written so, so many lines at this point. i'm going to cheat a little and post three sentences from because i prayed this word: i want, the sad yanqing manifesto:
But Wen Qing had seen Jiang Yanli unclothed, and she had seen her angry. She thought one state was very much like the other— always there, just unseen. But then, what could any of their anger do?
(my actual answer to this question is a line i haven't posted yet from creature fic, which feels a bit like cheating, but also it's my tumblr so who cares:
Bruce’s blood was singing. It wanted a fight, and it knew there was one in the offering, if he could only push through the thin membrane that separated the skin of the world from its violent, beating pulse.
21. pick a writer to co-write a book with and tell us what you’d write about.
this is an even harder question but such a good one!!! if we're going full Dream Big here it's the resurrected ghost of ursula le guin and we write about aliens and bodies and the ways that the self and the body and the other are defined. obviously this is impossible for quite a few reasons
ask game
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phoebe-delia · 1 year
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Ask(s) to relieve your boredom 😆.
1. When did you discover Drarry?
2. What inspired you to write your first Drarry fic and please give link!
3. And for more personal. What makes up a perfect weekend?
Helloooo friend!! Thanks for this! You're so lovely as always.
When did you discover Drarry?
I discovered Drarry around fall of 2018-ish. I was lonely in college, with next to 0 friends, and on a whim started reading Harry Potter fanfic. Admittedly I hadn't been a huge HP fan up until that point, tho I'd read all the books and seen the movies. But I wanted stuff to read, and HP was the biggest fandom I could think of that I already basically understood.
I started out with Dramione because I thought that was the biggest ship in the fandom. Then one day I saw some random fic with Drarry (I wish so so much I could remember which one it was) and I was like "People are shipping Draco and Harry? Oh my god what? That's wild. What's that like?"
2. What inspired you to write your first Drarry fic and please give link!
The first Drarry fic I ever wrote is called Deliquesce. I wrote it about a year before I would actually publish it, and I just kept it on my computer for ages and never thought I'd post it. I wanted to write something because I had all these Feelings about Drarry and no one to share them with bc no one in my life shipped Drarry; few even knew I shipped it.
Then finally my two closest IRL friends convinced me to post it on AO3, and the rest is history!
Interestingly, this was also before I had my idea to do fics based on Taylor Swift songs. This was just an idea I had and I wrote it. I'm actually fairly proud of the writing in this one, though mostly for Ch. 1. I'm not the biggest fan of the little sequel I did lmao. (I wrote Chapter 2 several months later after I posted the original lol)
3. And for more personal. What makes up a perfect weekend?
-Time with a friend; maybe going to the movies
-Sleeping long but not too late because then the whole day gets thrown off and I never know when to eat and I get stressed out lol.
-Writing or doing something both creative and productive
-Doing at least 1 thing to make the coming week easier for myself, whether that's cleaning up a bit, doing laundry, buying food for the week, etc.
___
Thanks so much again for indulging me and helping me stave off my boredom! I'd love to know your answers to any/all of these if you care to share!
I'm bored; send me an ask if you'd like!
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uighean · 1 year
Text
Tag game to better know you
tagged by @ettelwenailinon <3333
what book are you currently reading?
I'm finally getting around to reading through all the riordanverse books (after dropping them when I was like, 10 & read on wikipedia that percy and annabeth kissed and I (unknowing baby lesbian) was like ew. romance. not reading that. which is hysterically funny to me now) & rn I am a couple chapters into the lost hero
also I'm technically still in the middle of an iliad reread (if you're seeing a greek myth theme then no you're not <3). and also teeechnically in the middle of war and peace but it's been ages since I read any.
what’s your favorite movie you saw in theaters this year?
haven't seen anything in cinemas this year but I am going to see barbie on sunday. I hope it's bonkers.
what do you usually wear?
see I'm living out of a suitcase rn and also mostly dressing in a work uniform (I am consistently wearing trousers for the first time in about 8 years. very cursed.) so outside of work clothes I'm kinda back to wearing dresses? which is ok. it's not giving me the bad gender vibes I was getting a couple months back. hopefully soon I'll be back to my fav combo of kilt + button-up shirt + waistcoat tho
how tall are you
uhh 5'3"ish I think? taller than @ettelwenailinon and that's the important thing >:)
what’s your star sign? do you share a birthday with a celebrity or a historical event?
pisces, & there's a bit of stuff that's happened on my birthday but I'm gonna go with the australian labor party defeating the liberals in 1983. love to see the liberals losing
do you go by your name or a nickname?
just my name! there are very very few people who I'll let shorten my name tbh. idk why I but don't tend to like it
did you grow up to become what you wanted to be when you were a child?
absolutely not! wanted to be a vet, ended up working in museums. all because of the blorbo brainrot.
are you in a relationship? if not, who is your crush if you have one?
I sure am in a relationship <333 @ettelwenailinon
what’s something you’re good at vs something you’re bad at?
oughfdk idk. pretty good at writing, pretty bad at drawing (would like to get better tho!!)
dogs or cats?
horses <3
but. cats. dogs are cute but I don't have the patience for them.
if  you draw/write, or create in any way, what’s your favorite  picture/favorite line/favorite etc. from something you created this  year?
oh man ig I'm going to do the unprecedented thing of linking to my ao3 from my main ghjkfd. non-dr who mutuals I am SO sorry <3
if you are not one of my dr who mutuals then you may not know (or you may have guessed from my vagueposting fdksjhgfd) that the stuff I love to write most is like,,, fic that's more about my historical interests than actual dr who HGKFDJ. & sure enough when I looked at what I'd done this year, all the stuff I liked best was historical fic. tossed up between a couple of them but I've got to give it to should i have bent, been reshaped
“Were ye ever proud of me?” he asked softly. “In the war? I used tae wonder that, after I’d lost ye.” Moisture was beading at the tip of his nose, and he drew the back of his hand across it, snuffling away the tears that still refused to fall. “Sometimes it felt like the only thought I ever had, when I was pipin’ in your place. If ye were watchin’, and if ye were proud of me. I thought maybe you’d come back an’ tell me so.” A bitter smile curled itself over his mouth. “But ye never did, did ye?” One hand stretched out, tracing over the lettering on the gravestone. His head was still bowed too low to see them, but he knew the words by heart. Dòmhnall Uilleam MacCruimein. “Ye never came back. An’ ye never, ever told me ye were proud.”
this was sooo much fun to write oh my god. it was mostly based around the title, bc as soon as I heard that song I was like. that's a jamie song. no I don't care it's from a video game and about a totally different character, it's about jamie's relationship with his father.
and I'm just so nuts about jamie's relationship with his family and his father in particular, the way it bounces off his queerness and relationship with his gender, etc etc etc. it's a very hyperspecific and niche fic but that's what gives me the most joy so <3
what is something that you’d like to create content for?
hmm idk!! nothing new, really. I'm very much wedded to two-era dr who in terms of writing. I'd like to make more holding achilles gifsets I think
what’s something you’re currently obsessed with?
life is really kicking my brain cell rn so not a whole lot but @ettelwenailinon talking about stuff to do with jacobitism/the '45 is driving me down the rabbithole again too & that is DEFINITELY coming out in the fic ideas I'm bouncing around ghfjkds
what’s something you were excited about that turned out to be disappointing this year?
the first thing that jumped into my mind was the sun and the star. not gonna explain that one I'm just gonna say that I could fix her but also it makes me want to kill
what’s a hidden talent of yours?
walk fast :^) powered by spite and homosexuality
are you religious?
nope! never have been. I guess I have a sort of spirituality in my world view but it's very. mild I suppose.
what’s something you wish to have at this moment?
an apartment......... finding somewhere to rent is hard :/
tagging @galacticlamps @vimbry @kiraistired @carrionthird @p0stscripter and whoever else I've forgotten/who wants to do it!! no pressure tho <3
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choptop-sawyer · 3 years
Note
Hi again 😎💫 im here to dig at ur brain again bcs i. M. Aaa sorry i just love ur stuff but. I have this kinda rly specific storyline type hc area and I'd love to hear any hcs you might get from it if its at all jr thing. But um I keep sometimes thinking back to the idea of kinda, vaguely growing up in the same area as the Sawyers, being childhood friends (and being stupid 2gether, running arount the countryside, ditching school & playing in corn fields) -
But then having to leave in your late teens to school / whatever (I mean 😎 my sappy ass also thinks abt mutual pining w Bobby but you know...... nearly unrelated.......)
Then, later on (Bobbys now Chop Top, Nubbins is..... dead I guess but also >:( maybe not, the family is up to being a mess etc) returning to town to take a break from work or whatever. N meeting up w the family again, i mean, oblivious to the bullshit they get up to but.... yk
This is a bit rambly i should probs have waited to sleep but I can't get the thought of returning to the Sawyer door wearing Bobbys tie dye sweatshirt that hr borrowed u years ago and all the impact of being a former family member bc u were also kind of an outsider or whatever but also the drama of leaving so uwu sksjd
This got so long. All i wanted to ask is: sawyer family headcanons for a childhood friend returning to town after being away for years. Rip.
THANK YOU FOR SENDING THIS god I love the image too of just standing in the doorway,, you're not home, you've changed a little bit, but you still fit into some of the old aspects you know so well they fit you and cover you.
Actually this is great because that fic that I swear exists has pretty much the same premise but!!! I can make this one less tragic than that one. 😎
(This is mostly Chop Top n you centric please don't mind)
Also this timeline is all fucky. I think that as soon as Chop came home from Vietnam the Sawyers had basically uprooted themselves and were living in North Texas because of the... Hardesty incident. But like can we pretend that that never happened they r still there in Newt? Just for this. (Hope you like it!)
Chop Top's Childhood Friend Returns
You don't think you would have turned out the way you did without the Sawyers.
They were the main element of your childhood, a mystery that you had to be a part of. A mystery, because they were closed off. Mistrustful. The sickness of small towns carried to the extreme, because they were mostly alone. The loneliness made them more miserable, the misery made them more isolated. A cycle, a legacy.
So it was a a miracle that you were even allowed to be apart of some of it, but you attribute that miracle to Bobby.
He seemed to think you were as much of mystery as what you thought the Sawyers were. Two kids looking through a small window into another world. But he liked that. He liked that you were something different, something new. From beyond that small world of loneliness that lived in the house.
You learned quickly that he had a desire for anything beyond that world. So he'd invite you out with him, when you were kids, to run free in the tall grass, when you got older, to drive with him to places unknown. He had a knack for finding these odd places, and he always brought you along with the music cranked up loud on the radio.
Bobby told you many times that he wanted to see the world. He had this lust for life that went beyond the restlessness of the young. He also said that he wanted to bring you along with him when he saw the world. You didn't ever mention how that always made your heart skip a beat when he said that.
Maybe you should have. But the past is the past and you can't change that.
You knew the other Sawyers too, but Bobby tended to avoid them sometimes. But occasionally, you got to hang out with them.
Nubbins was an enigma. You didn't think Nubbins was his real name. But that's the only one you heard from him, but the name situation was the least confusing thing. He was the most open person you knew. And yet you couldn't understand him, and decided at some point that you wouldn't ever. But he was fun. His energy was infectious, if he was filled with joy, you couldn't help but laugh with him too. That was Nubbins, so absent of any purposeful deceit that he was almost a mirror, you saw yourself around him, sometimes it was uncomfortable, but other times it was fun.
Bubba was the opposite. He seemed to be legitimately wary of you. Bobby once told you that Bubba didn't like to leave the house, ever. He stayed and did the chores. You wondered if he minded, being stuck with all the chores but Bobby said he didn't. It was comforting for him. Always having something set to do. You only saw him once. Nubbins had made him tag along when he needed him to hang some things from a tree. Bones from indeterminate animals, a clock with a nail through it. You don't think Nubbins actually needed Bubba to reach the branches (he climbed pretty well) but he just wanted his little brother to see his work. Bubba didn't make eye contact with you the entire time. He was wholly focused on his task of helping Nubbins. But he was gentle when he helped his brother, careful, and for that you liked him.
Drayton was... well. He was the one Bobby argued with the most. He was his brother, but with how much age between the two, it was almost hard to believe sometimes. Drayton was the one that everybody in Newt knew the most. People liked him well enough, but they said he was odd behind his back. He knew that. You don't think he trusted anything outside the insular world he and his family had existed in for years, and was at odds with Bobby because he didn't get why Bobby wanted anything to do with the world outside.
Oftentimes you would see Bobby after he and Drayton got into it. He'd be fuming, but he'd smile when he saw you. You'd leave with him whenever he came to you. These adventures were the most fun you had when you were there.
The other times you'd go off were when he'd convince you to skip school. Bobby never went himself. He didn't get the idea of all those kids sitting in classrooms for hours, doing nothing but writing and listening. Why do that when you can find things out for yourself? Get into some trouble? In his mind, he was saving you from a very boring thing.
You two knew the area around Newt well. The fields and the flat expanses were the best kind of playground. Your dreams were still set in them. A kind of sunshine filled melancholy.
Bobby told you things in the grass. His dreams yes, but his own thoughts. On music, on late night radio, on movies, on you. He perhaps thought of you as wonderful as voices on the radio, stars on the screen. He never told you that though. But your name was never far from his mouth when Bobby talked about the things he loved.
You and him loved each other as much as two kids who didn't know how to could. He was always on your mind now, with not much tangible objects to remember him with. A photograph taken by Nubbins, your faces blurred because you were laughing. A button, the pin on the back bent. A sweatshirt, which he tie dyed himself, and gave to you one night. The colors were faded. You never did get to return it.
The years away did nothing to lessen thoughts of him. No, they just blurred all together now, and the stream of the sunshine filled melancholy was almost endless. You needed a break. There was only one place you could think of that could help you with that.
So you came back. All things led back to this place eventually. Newt was dying, or dead. Didn't you see somewhere that when a ship went down, it took everything with it? You didn't want to stay for long. But you had to see all of them, you had to know that they were all not these strange figures you had dreamt up.
You went right to the house. You'd never actually been allowed inside, Bobby just always said something along the lines of 'Grandma and Grandpa are napping upstairs' or 'there's a mess' (never mind that he could care less usually about messes.) But you figured he had had a good reason. Maybe he was embarrassed.
When you knocked on the door, your heart was pounding. And that was all. Nothing happened, no indication that anyone was there. You waited, the sweatshirt was too hot but you didn't want to take it off.
Maybe you should come back another time. You were just about to turn around and leave when the door burst open, almost whacking you in the face. And there (you couldn't believe your eyes you couldn't this was a dream) he was.
Bobby had a hammer raised over his head, grinning, he was poised to swing it down, but then he saw you and he felt as if he was in a dream too.
It's been so long. He thought he made you up, a dream to carry him through misery, and you looked the part, even as you stood before him on the doorway. The light of the setting sun shone behind you, heat waves shimmered in the dusk, and you... you.
Facing each other, you stood, just staring. Over head the sky grew colorful, in the fields the grass whispered in the wind. Nothing had changed. Everything had changed. Bobby dropped the hammer and grabbed for your face, and he held it, fingers digging in so tight it hurt.
"H-hey you." He said, and fell to his knees, releasing your face. You numbly touched the marks his fingers left. Bobby still looked like a man who had seen a ghost.
You called his name, and his eyes looked lost, like he hadn't heard it in a long time. He looked up at you, and you could really get a good look at him. His face was leaner, he looked sickly and wiry, but his eyes were just as you remembered. You sank down to the porch to sit with him.
"Fuck... FUCK I didn't... I- I thought ya'd forgotten all about me... uh.. uhm. Fuck! I mean, r-really! Turnin' up out of the blue like you're some kinda... ghost or whatever... WHOA man... like, ya here to return m-my, my sweatshirt? You're wearin' it, you can keep it! You look better in it anyway... heh, fuck." He rambled on and on, hands tensing and twitching as if they were moving to touch you again, just to reaffirm your existence. Did he know how glad you were to see him? Did he know that you hadn't felt right for the longest time being away?
You forgot all about the sweatshirt, the hammer he had raised with a sadistic grin. You reached out and held one of his twitching hands, and he stilled and stopped talking. There was a peace now.
It didn't seem possible for your heart to feel this full. But it was. And by god, if this wasn't the best decision you made in your life to visit your old hometown, if only just for this moment.
Bobby stood, with your hand still in his, pulling you up. He smiled at you, and you knew you still loved him, and in your deepest heart, you knew he loved you too.
But this time around, maybe you and him could love each other right.
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Hey i really love your blog!!! I just plucked the courage to actually send u an ask fhdjhd but GOSH i love your video edits and your gifs and your meta article posts, you're so articulate and you can explain/describe moments in a way that makes me go "oh wow, i cant believe i haven't seen it that way before!!" Haha ANYWAYS i'm just here to say that i completely agree with what all u said, Free creators might do a lil fanservice here and there for the 25 ships that exists within the fandom's circle, but rinharu's storyline is clearly the most romantic one! And i'd argue it's the one closest to being canon esp after part 1, i mean the fact that they put such an explosive emotional outburst right at the end of the second to the last movie means a lot. It's like reinforcing the fact that this series has always been about them, and everything that has happened only happened either because they met or they grew appart and miss eachother. I kinda feel like maybe.. juust maayyybe there's a chance KA wants to make the ship canon, since it's the last movie and they want to end it on a highnote maybe (bcs honestly i think the only reason they've been holding back is purely bcs of the merch sales, since they don't have a problem showing a wholesome lesbian love story in kobayashi maid dragon) butt i could be wrong, maybe i'm just overly optimistic and delusional, they could somehow ruin it and give an ending that panders to all the ships again 😅🥲, but at least there's a clear-cut guarantee that part 2 would dedicate a large portion of it fixing rin and haru's fight!!! Oohh how can i wait another 6 months now!!😭😭 (sorry for the long ask btw!! 🙏🙇‍♀️🙇‍♀️)
OMG thank you so so much!! For watching my vids too! ❤️❤️❤️ It really means a lot to me! Ahhhh wow, thats the longest ask I've ever recieved! 😍 I'm trying to explain myself so hard lol I'm glad its appreciated, bc sometimes I'm like "I don't fucking know how to say this" xD
Well, you know me, I only care for one ship, which is the only one with confirmed info that they're both actually gay and have mutual feelings for each other. There are some other ships in free! I'm fine with (those do not include Rin or Haru in them xD), but I just mostly don't care, bc after reading all the stuff, you can see that in some of those to one the other one is actually like his second option, which I just do not like. Others I just don't even see, bc again to me who witnessed great close male friendships and having two sisters who I'm very close to, I just do not see anything romantic in that.
It's not just Free! tbh, it's like any sports anime these days. They see two guys walking together, it's a ship. And like no one cares if they're just bros. Like I'd get i they did some fanservice fanservice, but like I never saw anyone in Free! crossing the line the way rinharu do. I can without thinking much name you 10 rh moments that no matter how hard you think can't be explain as being bros, but can't name one when it comes to others. I just find some ppl shipping everyone with everyone weird sometimes. It's like western fans see like some eastern actors or singers slap each other ass lovingly and they're like "oh they're fucking" I'm like "yeah, ofc all 500 of them, you're absolutely right". And Free! doesn't do anything even like that, I just do not get sometimes like what moment even brought on some ships. I'm genuinely confused. Albert and Haru? You fucking fell from a sakura tree or smth? I'm...
I'm especially confused when it comes to guys, whose character type is who I call "I only want this one and if I can't have it, then I'm ok" xD. It just always surprised me, when they try to pair up them with someone else, it's like a complete ooc.
I'm also not into this whole "well, if there are gays in this anime, than everyone there is gay". I'm like... huh. It's like with KNB and MDZS I had same feeling. It's like you have already couples there who are canon/borderline canon, why do you need another 10 who don't even interact or just don't even go there? I'm always so confused in those situations. Or like wangxian is married and some are like "no, I actually don't like it, let me write a fic when they're with other ppl". Lan Zhan... being in love or having sex with someone else? Yeah, that's not Lan Zhan, dude, you're writing about someone else. Might as well change the name at this point.
But last time I went to twitter someone had a thread about how if they make s4 of Free! they should mainly explore there Momo's angst (and no, it wasn't a joke), so I'm already like, I'm just.. nothing will surprise me no more. But I'm forever gonna be confused.
Yeah, I eel you about "going there". I mean seeing part of it, it just kinda cemented my confusion, bc I do not get how it can be considered platonic. We were just discussing since yesterday with @freeseafirefly how I now even more perplexed and do not understand how they will resolve it without going into relationship territory. It's just our point here is that like... no one forced them to go there (I mean its not like this whole fandom has some wild expectations or anything already), we were waiting or our usual friendship and swimming and maybe tiny conflict about struggles of pro-careers and some usual rh implications (maybe all the rh gay in dramas as always). Not some pure fanfiction coming to life here haha.
Like why I'm laughing is bc I twice used in my "fics" bringing up him leaving Haru as a force to push the confession, bc there's no way if he adresses this it won't lead to this. And now we not only have this (bc Haru just basically layed it out there), but an actual scene of him playing on their feelings for each other and a literal image of Rin leaving and "taking Haru's heart with him" to the point when he's for the first time in his life openly crying on the ground. And it's not like this scene can be interpreted as anything else, the whole fandom talks same, bc the whole fight was just about them, what Haru said was just about them, there's a literal boom of his heart getting out of his chest, before he falls and now he's heartless.
So our question is like... why go there?
It's like some say that they might still resolve it with "they're special to each other" and swimming, but still like we already knew that, there was no reason to go that far is what I'm saying. And to think that it was planned since forever giving the clues is like... ???
The whole spoon theme also throw me on the loop because like, lets be honest, it's wedding themed. And that part of the interview about part 2 there also made me go...?????? Because I mean, huh?
This is just all in all very interesting turn of events to say the least. I do not see the point of all of this if its not what I think it is, esp after seeing tweets like "even I see a rh wedding and I'm mh T_T". It's just all very unsubtle, that's why we're confused.
Like who knows, maybe we'll really by some magic turn of events get lucky and they really decided that since its the ending, it's okay to go for it. But I also don't wanna to hype myself much, I'm already really happy with it, just bc again, this scene already proves all of my points.
And yeah, I'm sure they'll pander to everyone, bc it's the end and etc and we have to handle everything on the good note and there's a whole line of ppl who's obsessed with us, esp with Haru xD, but like bromance pandering and romance pandering are different things, you know *wiggles eyebrows* and u know who always gets the second one.
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stealingpotatoes · 4 years
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I am OBSESSED with your Desmond lives AU!! I want Shaun and Rebecca to be able to give Desmond all the hugs, I want Desmond to be able to choose to be an Assassin, to be able to help save the world again. Also, I am very curious about how you would resurrect Desmond, because I’ve had similar thoughts on such an AU, but I currently stick it near the end of Valhalla with the stuff that happens there. If you ever feel like expanding on it, I'd be super excited to see more!!!
first of all, AH THANK YOU!!! Yes those are ALL points that are very important to the Des Lives AU! Second of all, thank you so much for this ask in general!!! I was hoping someone would send an ask like this so I’d get an excuse to talk abt the AU more lmao XD!! I made this AU back in March last year, so there’s no Valhalla stuff in it, and it’s set right after/ during the Odyssey DLCs. 
The long story short for my Desmond Rez (rezmond, if you will) is “shroud of eden, abstergo, and some Isu bullshit”. The long story long, however, is uh- you know what? I’m going to use this opportunity to explain the vague story I worked out last year -- but dw, I WILL get to the full ressurection explanation I thought through. However... I’m gonna have to tell the story in smaller parts because I’m lazy and can’t be bothered to write the whole thing out right now. So rez comes later and not in this post. 
also uh-- before we start: I’m going to apologise for like… everything about the way I wrote this. It’s sort-of half fic, half that-way-your-friends-colloquially-tell-stories-that-you-can’t-keep-up-with. Mainly the latter. If you can make sense of this babbling, well done.
 Anyways, without further ado, welcome to:
POTES TRIES TO EXPLAIN HER DESMOND (SORTA) LIVES AU: PART ONE
On the 21st of December 2012, Desmond Miles dies. 
It’s not for nothing -- his sacrifice saves the entire world from a solar flare -- but he is dead. big ripz. The Assassins, his family, do not manage to recover his body. Abstergo gets it first. The Assassins hold a funeral as best they can. They mourn (all in their own ways), they keep fighting (for his memory), and they try to move on (they can’t). 
On the 21st of December 2012, Desmond Miles died -- so when he shows up in a city in October 2018, almost 6 years later, it’s a bit of a shock for everyone. What’s even more of a shock is the fact he’s glowing like an Isu and has some abilities he DEFINITELY didn’t have when he died.
So Desmond wakes up in the middle of some city in he doesn’t know where (yeah ok i just never really worked out where the secret lab would be), with 1. no idea of how he got there and 2. no idea why his arms are glowing like that. He doesn’t get much time to think about it because then there’re a load of Abstergo goons with guns surrounding him. Des may have no idea what’s happening, but he knows one thing: when u see an Abstergo, it’s on sight. So he’s fighting them -- which is admittedly not fun or easy when you’re in the middle of a road and only have your fists as weapons. It’s not going well and then someone definitely manages to shoot Desmond which is very bad -- but then Des feels some very weird (but not unfamiliar) feeling and when he looks up from the bullet wound, every one of the Abstergos are on the floor???? He doesn’t think to check if they’re dead, just legs it out of there lmao. 
//
Elsewhere, in an Assassin safehouse in an undisclosed location (can you tell I just didn’t think about the geography of anything), Mr Shaun Hastings is chilling on a balcony after a mission well done. Good for him. Then Rebecca Crane (queen ilu) yells “Shaun?” from inside. 
“Rebecca?” 
“Come inside. Now.”
Shaun immediately does so because he assumes it’s important or they’re under threat. “What happened? Have we been compromised?”
Rebecca doesn’t answer. 
“You look like you’ve seen a ghost,” Shaun says, mostly joking and with a little smirk -- though Becs looks spooked. 
“Desmond’s alive.”
Shaun’s not smirking anymore. “What?”
“Desmond’s... he’s alive.”
“What are you talking about? Are you high?” he’s totally about to look at her eyes to see if they’re all dilated and druggy. 
“No Shaun, I mean it!” Becs harshly shoves her tablet into his hands. 
Shaun doesn’t really know what he’s expecting to see when he looks down at the screen. What he’s not really expecting to see is Desmond Miles, who’s been dead for six years, fighting a load of Abstergo people -- while lined in Isu markings (also he’s not wearing a shirt forgot got to mention). ??? But wtf??!?! Desmond’s dead. That’s...
“It’s security camera footage from [the city]... About two hours ago.” Rebecca then swipes through more footage with shaky hands and explains that Des very violently burst out of an Abstergo facility in the city with glowing eyes and light leaking out of him (almost like an Apple of Eden). Then the glowing eyes and shining lights shuts off abruptly and Des is standing in the middle of the road looking very confused at his precursor-ass arms and chest. But Shaun is barely listening to what she’s saying and barely even looking at the screen. 
“Where did you get this?” Shaun asks with a hollow voice, not looking up. 
“The Initiates.” (bc who else)
Shaun looks at it again, then at Rebecca, and he’s mildly aware of the fact he’s slightly tearing up; “That’s fake. That can’t be him. He’s dead, Becs. We both saw the…” They both saw the autopsy footage the ac4 researcher got from Abstergo -- or at least, tried to watch it; they shut it off as soon as Shaun ran to the bathroom to throw up and Rebecca quickly joined him. They spent the rest of that night crying and drinking way too much. 
“He died.” Shaun concludes firmly. 
And so Becs is all like “yeah but what if he didn’t?? We need to find him. We need to investigate this.” There’s a determination in her eyes and Shaun knows he’s not going to be able to convince her to drop this -- not that he would. Desmond might be alive, and there is no way they’re going to leave him again. 
They’re both standing there in pure shock and confusion, not saying anything. 
Rebecca’s comm device lights up and starts buzzing, snapping them out of their general ????-ness. Becs goes to her desk to grab it, glances at the caller id and then shows it to Shaun. It’s William Miles. 
The two of them share a Look. They know what he’s calling about -- what else would it be? There’s a stilted moment of neither of them doing anything before Rebecca finally accepts the call. “William?” 
“How quickly can you and Shaun get to [city]?” William sounds shaken -- probably the same way Rebecca and Shaun are -- which is a very weird way to hear the Mentor of the Brotherhood sound. He’s seen the footage, hasn’t he? 
“In a few hours,” Rebecca replies. 
“Good. You need to get there as soon as possible.” 
Everyone’s silent for a few moments. 
“Is this about Desmond?” Rebecca asks. Dumb question. 
There’s a pause. “You’ll be briefed on the ground.” And then he hangs up before Shaun or Rebecca can yell at him.
This is all moving very fast. Shaun and Rebecca share another look. Guess they’re going to [city].  ???
// 
Fast forward several hours and Rebecca and Shaun are in The City [might just have to make the city london bc it’s the one city i actually know well -- however for plot reasons we’ll see later, a swiss city might be better… moving on!]. They get to an assassin base and meet up with Galina Voronina and 2 local assassins. Idk if you’ve read the comics, but to sum things up quickly, Galina and her team were investigating and then ended Project Phoenix -- so Galina now really wants to find out if the whole Desmond thing has anything to do with that. 
Galina also wants to help Shaun and Rebecca get their friend back. They’re her friends, but equally she just lost one of her teammates to Abstergo (while ending Phoenix like 2 months ago, in the comics) and is uh- idk how to say it but she wants to help Shaun & Becs who have a chance to get their lost teammate back.
What follows is cool gang-gang trying to track down any trace of Desmond. You’d think it wouldn’t be hard to find a person who literally glows, but Desmond’s had centuries of Assassin training and knows how to hide lol.. which is making the Assassins’ job harder lol. 
What’s making it even harder is the Assassins know they have to be quick because they know Abstergo is gonna be looking for Desmond too -- and they have way more resources and stuff. That being said, they’re also currently dealing with the fact one of their building and a decent amount of their guards just got absolutely mullered by weird-glowing-desmond. 
The third issue with their entire thing is that they have no idea what they’re going to find when they find Desmond -- or if he even is Desmond. Is he going to be the man they knew but with weird powers? an Abstergo isu-clone? evil? they don’t know, and so they know they’ve got to be wary with him. 
The Assassin gang spend some time (a couple of days at the very most) trying to track Desmond down. Rebecca is using all the tech she can get her hacker mitts on to find a trace of him and equally throw Abstergo off Des’ trail. 
Soon enough, they get a solid lead -- don’t ask for the specifics, i don’t know them. But they get a lead, and it winds them up in an abandoned apartment building or also abandoned building site or something (a building in the city where there aren’t any people, basically). 
Galina scans the place with Eagle Vision and she’s like “There is something very strange about this place.” (someone?) But she doesn’t see a person-shape anywhere. The 5 of them are hopeful but somewhat on edge. 
They go about searching for any sign of Desmond. Galina’s pretty sure her Eagle Vision is just… Messing Up A Lot lol. Like something’s trying to heck with it. So she’s not quite sure it’s working correctly when a load of red figures appear somewhere below them. 
She becomes a lot more sure when the red figures come into sight and START SHOOTING AT THEM! IT’S ABSTERGO!! CRAP! they found them!!
The assassins get down and a really cool fight scene w them vs the Abstergos in the building/ building site starts playing out. Woo Shaun and Rebecca electro-hidden-blade moments!! The fight splits the squad up and Shaun and Rebecca are away from Galina & the others -- but they dispatch the Abstergo guards near them.
They’re about to radio in that they’re all okay/ check if Galina & co are also good when they hear a slightly-too-loud footstep. They whip around to see an Abstergo guard aiming right at them, too far for either of them to get him before he shoots them. crap crap crap.
They would have been shot -- if someone hadn’t come up behind the Abstergo guard and snapped his neck (ouch). 
The Abstergo drops to the ground, revealing the person who saved them and… Shaun and Rebecca stare in shock. 
They’re both looking at Desmond Miles. 
Desmond Miles, who is very much alive (and wearing a hoodie that is 100% stolen). And… with a load of glowing yellow lines on his face. But it’s Desmond -- it’s Desmond for sure. Holy shit.  
Desmond doesn’t seem so shocked, only relieved to see them. Then his expression turns into serious confusion; 
“What the fuck is happening?”
///
ok sorry leaving it there for now! hope you enjoyed what is here will continue soon
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ahhhsami · 3 years
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Feeling spoiled by the rapid fire updates you were putting out haha. But really I’m excited for the next update no matter when it’s coming. Also I had a question. I really like how you did the a/b/o stuff bc sometimes I’m like 😬. But what made you do “non tradition a/b/o” versus like just a gp story? Anything specific?
I'm glad you're enjoying it. I actually have the next chapter written, it's going through the last edits!
That's a really awesome question. I've always enjoyed reading ABO, but just like you, there are certain things that I'm not a huge fan of that are pretty pervasive in the genre, mainly dub-con/non-con. There's also knotting and more influence of pheromones, both of which I don't mind. There's also the strict hierarchy and expectations of ABO roles. None of these fit into the story that I was creating in my head. I obviously lean heavily towards writing Modern AUs, so why not shift and take ABO into a more modern approach as well? So that's what I've done, I've taken ABO and adjusted it so that it suited my style and the story that I wanted to tell. Traditional ABO just didn't fit right. And neither did a GP story. So to create the world I wanted, a non traditional ABO setting was the best option.
As for the GP, there's a lot of layers as to why it didn't fit. I've seen stories that their main reason for existing is to fetishize the idea of a woman having a penis. In these cases, they don't address the ideas of intersex or trans struggles and identities. If I were to do a story like that, I'd want to make sure that it isn't just a fetishization and that the character's thoughts, experiences, and struggles were explored fully. This is something I don't know much about and don't have the confidence in writing. If I were to do a story along those lines... I'd make sure to do a lot of research (and even then it still isn't enough compared to lived experiences). For example, in past fics such as Roommates or even Chef's Table, there was a lot of time and effort put into accuracy, whether it be about PTSD/Anxiety/Depression (luckily I already was studying Social Work at the time so knew a lot about the subject matter, but still wanted more) or the process in which a dish is traditionally made, it's always been important to me to have more depth to my pieces through this manner. But research wasn't all of it, there were still lived experiences that I was drawing from to ground the fics and make the stories more realistic and believable.
If I do continue to write more ABO, I'll probably stick with my non traditional setting because it's been enjoyable to write and I think it also fits a lot of my reader base more as well. It's been really cool to get messages from people saying that they've enjoyed it, even when they haven't liked ABO in the past. On top of this, I think as a writer it's always good to take chances and break from the norm to write the way you want to. This is something I've grown to realize over the past... 6 years, almost 7, of writing fanfic and I think it shows in my more recent fics compared to the ones I wrote when I first started.
This was a lot longer than planned ¯\_(ツ)_/¯
PS: Maybe one day I'll live stream myself reading my old fics and cringe hard core.... My misery can become peoples' entertainment 😂
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genshins1mpact · 3 years
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okay so i know i mentioned on here before that i have a bunch of dreams when i sleep and how i had that cute one with xiao & mingxiao before right?? 👀
forgot to share it sooner bc life but anyway i had a funny/cute dream with diluc the other day (i'll try to add a read more bc this got a lil long but it doesn't always work on mobile so i'll try & fix it asap if so!) but yeah this kinda turned into a whole fic of its own lol,,
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☆ the dream itself is here, under the cut! ☆
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basically, to not have to explain all the lore about my oc/self insert and all that again, the tldr of it is that i landed on teyvat similar to traveler but didn't really have anywhere to go so after gaining his trust and becoming close, diluc sort of just takes me in and lets me work at the tavern + lets me stay in a spare room at the winery. so yeah we often walk to/from work together if he's working at angel's share that day, and i guess everyone just assumes we're dating?? ...except for me, that is, who still thought he was in love with jean (bc of the whole stormterror thing).
one night, kaeya's been hanging out in the tavern all night, venti's already left or passed out or smth, and then once things close up, diluc and i get ready to head off, but apparently this is the first time kaeya's seen us head off together/in the same direction, and immediately decides to start teasing. he's all "ooh look at the two lovebirds, you've moved in together already? how'd you ask her out, i didn't know you two were a thing, congrats bro so glad she likes you back" kinda stuff and then i just start laughing and telling him to knock it off, wouldn't want jean to overhear and misunderstand. and they're both just like ......wait what? and i'm all "oh cause diluc likes jean right? i thought the were like an Unspoken Thing yknow??" and both stare at me as if i've grown like 3 heads and started doing a one-(wo)man barber shop quartet. lightbulb goes off in kaeya's head that i don't know jack shit & we're not a thing (yet) and diluc is just thinking like "i can't believe you're literally this oblivious, holy shit". hence kaeya's teasing The Sequel, where he just starts complimenting my uniform and says i look like a cute little maid or whatever and diluc is silently fuming behind me. he mutters something along the lines of "how oblivious can you possibly be?" and all but throws his coat/jacket over me to try and cover me "bc it's cold" (yeah yeah sure, jealous much? haha), then asks me how i never noticed how he felt about me. so i'm there having an earth teyvat-shattering moment of revelation that it WASN'T jean he liked, and that he didn't do all those nice things for me bc i'm friends with her, but because he liked...me????
kaeya smugly walks off with a little "you're welcome", after a his shenanigans, and i'm still trying to process things bc i'd never seen diluc that way, always assuming he'd liked someone else so i never really looked at him that way. we kind of quietly resume our walk back "home" and im clutching his jacket close to me, then we both try to speak at the same time, he tries to ask for my response/reaction and i was trying to ask for some time. he's kind of confused and almost looks hurt, but agrees to give me some time to think, since i explained the whole "not seeing him in that light" and didn't want to answer on a whim. that i didn't want to mistake gratitude for all he's done for me for affection and stuff so he was like hey good point i wouldn't want you to feel like i forced you into this, and no you're not gonna get kicked out/fired if you don't like me back, it's okay. diluc mentions having to be away for 2 weeks cause of a work trip and that i can respond then.
in the meantime, a bunch happened like a trip to liyue with aether & paimon, a whole girls' talk over tea with jean & lisa over the situation, and got my own lil serenitea pot so i potentially had the option of moving out now if i wanted to. i decided to my day off from the tavern to go out on a little adventure, just journey around and test out the teapot home and all that jazz. ran into noelle and we hung out/trained for awhile together and invited her in for for a tea break and stuff, like it was just really cute and fun. but apparently diluc came back a few days early and was freaking out when i was nowhere to be found, no one had any idea where i was, and was just really concerned something might happen to me. then noelle arrives through the gates and overhears him asking lisa stuff and goes all "oh she's over by (idk where i was maybe that bit of land between mond & liyue?) and he thanks her for the info and runs off to find me. he finds the teapot (somehow) on some rock but doesn't see me and i come back out of my lil abode bc someone outside kept saying my name and then i felt the teapot shake (he'd picked it up). cue a dramatic reunion in the rain bc when isn't it pouring and trying to kill me in teyvat in true romcom fashion i guess.
diluc is all "do you have any idea how worried i was about you? all alone out here? any of the abyss mages could have hurt you or taken you away or-" just rambles on and meanwhile im having this sort of Oh You're Back and I Think I'm Feeling Things realization (absence makes the heart grow fonder lol). so there's just this kind of strong, desperate hug moment and everything's quiet, save for the pouring rain and faroff occasional lightning strike. and i whispered something along the lines of "i think i'm in love with you" and his eyes widen before responding smth like "i think i'm in love with you too" with a fond smile, the first genuine huge smile i've ever seen on him (pls picture him like in the manga and not his in game ._. face PLS-🤣). cue another romcom cliche reunion hug + kiss scene in the rain, in which we take shelter from the rain inside the serenitea pot bc of how bad the storm kept getting.
(aether has tubby but i have chummy, kinda looks like the teapot salesman, and i usually just call her chums.) so we're greeted by chums who kind of is like staring daggers at diluc bc i showed up with a guest unannounced, drenched, and we're holding hands. she's overprotective in a very Mom Friend kind of way but she just means well. we change into some baggy share clothes i have and then i scrambled up something to eat (since we can apparently cook & forge in our lil pot i love that so much-) anyway so we decide to get some rest bc it's late and have the Oh No There Was Only One Bed conundrum until we agree to just share and sleep on opposite sides bc nbd right? i turned in my sleep and essentially was hugging his back whilst asleep, and he just turned over at some point and hugged me too, and booooiiii was this fire boy WARM, he felt like a personal heater and after all that rain, i slept like a log. diluc woke up before me cause he's used to an earlier schedule and slips out quietly to speak to chummy, asking if she knew where the supplies were cause he wanted to surprise me with breakfast (and man can he cook! goodbye kfc, hello good hunter). chummy is still kind of not vibing with him, until he apologizes for "intruding" and explains everything that's happened, to which chums kind of softens up and realizes he's sweet and just wants to do something nice, not go around raiding the house. woke up alone and went to look for the source of the smell, and kinda just clung to him, making diluc blush. don't remember too much more after the cooking thing though besides going for a stroll around my teapot layout, meeting all the pets that chill there, and kinda just having a relaxing day off together. the winery staff was probably freaking out wondering where we were, but we were just kinda in our own world (literally?), enjoying the peace before returning to all the chaos that is teyvat. cutest damn dream ❤
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thegeminisage · 2 years
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hey! i checked your writing masterpost and didn't see anything about this, so i thought i'd ask-a friend of mine and i are interested in writing a fic together, but both of us have previously only wrote stuff by ourselves. do you have any tips on writing collaborative work?
HIIII this is such a good question wow <3 i hope u don’t mind if i just throw out a bullet-point list as stuff comes to me instead of putting it in a more organized order!! obviously everyone is different especially wrt creative stuff so take it with a grain of salt but cowriting @cambionverse 11 yrs (holy shit) with my beloved @callowyn leads me to give u the following advice:
USE GOOGLE DOCS. like yeah fuck google or whatever always keep personal backups yadda yadda but i cannot stress enough how helpful it is to literally be able to see each other cursor’s in real time when you’re speaking about a particular section. it’s also fun to watch each other work, sometimes lovingly, sometimes lovingly but also with loving antagonism. there have been times when i’ve written faster bc i knew cally was watching and if i stopped typing she’d get bored or type dick emojis into the paragraph or something because she is <3 a menace
write down everything. the older and busier you get the truer this is. i can’t tell you how many times cally and i have decided on a plan of action only to forget it by next week’s writing meetup, and then be RELIEVED to discover a set of notes (or baffled when it turns out the notes were too vague to be useful). google helps with this bc you can leave notes all over the place. make as many notes as you can. no much thing as too many. make outlines. make an entirely new doc to take notes on what you talked about. save chat logs, if you’re not using something that saves them automatically. you will thank yourselves later.
the triangle my beloved. if you’ve been through the writing masterpost you may have seen this bad boy. i did not invent this, but i do live by it! idk it seems like really great advice. the nice thing about cowriting is that sometimes you can shore each other up on the “knowledge” point (knowing what you’re doing) because you can brainstorm together, but your projects can stall if you’re not matching each other in “enthusiasm” (commonly misinterpreted as “inspiration,” blegh, don’t get me started) and “time” (time to work separately AND TOGETHER, which busy adults sadly do not often have ASK HOW I KNOW or maybe don’t actually it’s so tragic that we’re always so busy). (”time” can sometimes also mean “spoons” or “energy” for people who are mentally ill or work demanding jobs.) some people write better solo and trading things back and forth some people write better when they hang out in the doc together so they can’t goof off but if one of you doesn’t want to work on it because they aren’t excited or can’t work on it due to time constraints the other one of you can’t pick up all the slack by themself. like with any collaboration you will sometimes need to be very patient with each other and very honest with each other (in a nice way!) so nobody is stringing anybody else along. if you can’t or don’t feel like doing something, just say so, and be nice about it when your friend can’t or doesn’t feel like doing something either. remember, you’re friends before you’re cowriters.
decide on who gets what workload. cally and i are very lucky to have complementing skillsets - i’m pretty good at laying down a first draft quickly, but i absolutely despise editing. she’s slower on the first draft, but she edits wonderfully and likes doing it much better. everyone will be different. sometimes she drafts scenes i’m not really excited about and i edit scenes she’s tired of looking at. maybe you’re better at porn but your friend is better at angst. maybe you’re good at dialogue but your friend likes to write action scenes. it’s good at have a rough plan going in, but don’t feel weird or bad about altering it as you see fit. especially if there’s like, only stuff left that one of you is “supposed” to do - the other can jump in and help finish up. on that note...
keep a checklist? this sounds weird but it’s been very helpful for cally and i when we unfortunately go a long time between writing sessions. at the top of the doc is just a little bullet pointed list like this one full of things like “fix the plothole in this particular scene” or “take a character out of that scene” or “rewrite this part” or “make that part sexier” or whatever. it helps keep track of where you are and what you’re doing because it can get chaotic with even just two people in the doc.
WRITE IN ORDER (or something). speaking of chaos!! so, a fun story that will haunt me until the end of my days is how in envesseled there’s this guy aaron birch who we introduced in i think the second chapter. but because we wrote some of the scenes before we actually GOT to the second chapter and because both of us were doing things separately, we wrote every time he came up in the narrative like it was the first one. “aaron birch, who claire and ben had met in the grand canyon on an angel hunt” was an explanation that showed up not once, not twice, but SIX TIMES. ironing out those mentions to make them consistent was a nightmare, because we had to read through like 50k to find them all, highlight them, and then edit the scenes around them to make sure what we got was the mostly-final product. i know not everybody CAN write in order, not everybody likes to, but when you’re cowriting, ESPECIALLY for longer fics, you need to do SOMETHING to check for consistency and make sure you don’t have two totally separate ideas about where the exposition’s supposed to go, even if it’s just a chronological readthru now & then. the sooner you catch errors such at plotholes and exposition snafus the less horrific they will be to fix.
decide on a process. so, this is my process, which you don’t need to read, but in general it goes brainstorming, outlining, reoutlining, blocking, drafting, editing. some people start with writing, some people start with inspiration boards, whatever. if you two have a different process from each other, deciding which order to do things in might be tricky - maybe you can get on voice chat and work on the inspiration board while your more outline-loving friend takes down notes for the brainstorming file or something. but you won’t start without a plan. if you’re like me you may even find satisfaction in writing it down step by step so you can cross it off. first inspiration pictures. then an outline. then doing this bit, while my friend does that one. you get the idea. don’t go overboard or anything, though - the point is to help you get started, not just put it off with productive procrastination forever because you aren’t sure how to do it. 
just fuckin go for it & have fun!! as with anything, the more you cowrite with your friend the better you will get at it. there may be kinks (hah) at first and mistakes will be made but eventually you will settle into a pattern. (the longer the fic is, the more time you have to get this down pat.) and of course, fic writing is done for free, for fun, and so is hanging out with friends. so make sure you’re having a blast doing both cuz that’s the entire point!!!!!
this is pretty unorganized but i HOPE IT HELPED. good luck to both of you, i bet you’re gonna ace it <3
[fic advice masterpost]
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kimnjss · 4 years
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Oh would you look at that, JK started using his brain again. I'm halfway proud of him and Jimin, YN still got some work to do here.
Like JK knows he fucked up too and Tae had a right to leave. That makes me happy because though we never saw JK go in last fic, you can tell he's the type to be able to rip you apart if he feels the need to. And I imagine he said some very below the belt shit. But he knows that and knows he was being a dumbass.
And Jimin has finally saw the light. Which honestly this is faster than I thought he would. But I guess that was the quick way to get to do it. And I'm happy he has Tae, who honestly feels like the only one in his friend group actually helping and there for him sometimes. Like, while I often joke about Yoongi still needing to make it up to him part of me if I'd fucked up like that would still feel the need to do so. It may have been 2 years, but all he did was help him pack and be apologetic for what, a little over a week. Nah I'd feel compelled to help even if it was the bare minimum.
And to explain why I say YN still needs some work is because JK is doing it for her. She would still be playing this game, and will probably still play it after this part, if he hadn't shared. And even after all that JK had to leverage his own stuff to try to get her to do it. Part of me feels like he mentioned his own fuck up with Tae as a means to show her how her own reactions have fucked up so shit even if only for herself. But I lost faith in him being that bright this part, so doubtful. Either way she doesn't actually appear to want to try without a shove and that's not going to work if she's not going to make the effort on her own to fix her own hang ups and confront Jimin. Especially because Tae and JK (assuming they get back together) are going to be wrapped up in themselves as they work through their own shit.
Also you don't have to answer this, but did YN and Jimin not visit each other? Or at least YN. I know Jimin was making major moves while teaching for people to want him to go on tour, but a pop in at least once feels like it would have been warranted. Especially because it would have been her seeing him and also maybe catching the eye of people in their industry herself if she happened to participate or hang out.
Whew... that was much longer than I intended 😬
jeongguk was the least bit nice when he was fighting with taehyung. but it definitely went both ways. the thing with them, though, is because they were so close for so long they learned a lot about each other and what makes them insecure nd all that. and unfortunately, things like that didn't stay out of their fight. so while jeongguk didn't want him to leave and begged for him to stay, he couldn't really be mad at him bc he was in the wrong.
jimin not seeing the problem with him nd yn comes deeply from her acting like there is no problem. she was just ignoring him and making it seem like she was mad at him so he figured she would just get over it. he never knew to what extent until he was seeing her break down the way that she did. yoongi staying out of it is sort of his way of helping, when yn is involved he knows how jimin gets – so he feels it's best to stay out of the way to not risk fucking everything up again.
yn is still very closed off and jeongguk being there to push her is definitely huge with her decision to talk to jimin. she doesn't want to be seen as vulnerable, especially in jimin's eyes bc she believes that he has so much power over him. she'd rather go on hurting quietly instead of facing her problems. that is a different issue right there, stemming from the insecurity that she gained when jimin started sleeping around – he's really the only one that can make her feel truly secure again.
she didn't visit him at all while he was away! they decided that no contact would be best (yn decided, jimin agreed) so they didn't really talk much while he was working. at the start, there would be random messages where one of them couldn't hold back from saying 'i miss you', but nothing beyond that especially after jimin started to get busier. they hadn't talked for months before he was hitting her w the 'we should see other people'
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hes-writer · 4 years
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I'm the anon who wrote about the reality-AU ask.
And I have a different view from what you wrote, because for me there where 2 major things:
1. Reader wasn't a strong woman
2. Harry was definitely an arrogant, selfish prick to reader.
I will start with 1.
So, what moral and values? I honestly don't understand that part because for me moral and values mean one thing and I don't see they fitting the situation.
Regardless, MC wasn't a strong woman for several reasons.
She allowed her pain get in the way of her child's life several times, she literally got with the first guy that showed her love when she wasn't ready nor emotionally stable, if we take in mind that she met him at halfway through her pregnancy and in 2 years ish she was already living with him and allowing her child to call him "dad". So she clinged to Connor as a substitute and staple to the family she had planned having with Harry, just like Harry clinged to Camille's offer as a way to have what he dreamed having with Y/N. None of them put their child's best interest first, otherwise she would have found a way to deal with her pain while allowing him to be part of Halo's life and he would have found a way to accept that he would never have what he wanted bc of his mistakes in the past.
And the clearest sign of that is her conversation with Harry in the last chapter. She did love Connor, but he was only there because Harry blocked her. If he hadn't, he'd have seen the text and be involved in his kids life. So, I know you said something about being emotionally available as a parent and that's my argument for that. Harry wasn't emotionally a dad bc that chance was taken from him out of spitefulness and he still tried to be there, he made a mistake but he never gave up. He was robbed of it countless times bc MC was never healed properly to let go of her personal feelings and focus on Halo, bc I can guarantee you that if given the chance, Halo would forget it and choose to have a relationship with Harry.
Which brings me to my previous point... He wasn't Halos dad, MC made him her dad because she didn't want to deal with Harry when she knew that he had a right to at least be informed about the baby, regardless of her relationship with him. In the story you make it known that he blocked her and that's how she couldn't tell him, but she kept in touch with his family + he contacted her at some point. So, she uses her own actions against him and he let's her out of guilty, showing a bit of manipulation from her side. Both of them were toxic and manipulative. Just bc you were hurt, doesn't give you a right to act as you please, speacially when a child is involved. That shouldn't even be put to argument and I'd have agreed with you more if you hadn't tried to classify MC as a victim at all costs, even when she was the wrong one.
If this was real life, a girl behaving like her would be concerning, so why in a fanfic she's considered strong? Because she standed up for herself and for her daughter? I mean, did she truly stand up for her child? Can we truly say that? Or did she allow her own barriers and insecurities surround them and keep Harry distant? Wouldn't a healed and strong woman be capable of dealing with her ex for their's daughter sake, speacially when she's in a happy and healthy relationship?
Parents are allowed mistakes. None of them know what they're doing and the greatest majority of the world is filled with people who weren't mature enough to be parents, yet somehow were allowed to.
She was unfair and subconsciously used her child to get back at Harry for all the pain he caused her.
He left her, so she didn't tell him about their baby, then when he found out she monopolised his entire relationship with his daughter and did some pretty illegal stuff, and when he committed his first mistake with the child she cut him off completely without taking in account what her daughter wanted.
Have you watched the show The Duchess on Netflix? I think its a great example of my point here, in case you don't understand it.
Also, forgot to say that she was toxic again when she kept threatening him over wanting to be with his kid. Like, we spend tons of times telling people to be responsible with their art, as it can be a door into introducing kids to things. We also spend a ton of time telling boys that they should care about their babies and be there for them. Then you come and write a fic where the guy gets threatened and manipulated when trying to be with his 🤷🏻‍♀️
MC definitely had her right to commit her own mistakes, as I said, parents will do it countless times. But I think that's a bit unfair that she gets as many as she wants bc she got hurt previous to baby being born, yet Harry barely gets one when trying to figure himself out after finding out about his kid. You mentioned that a judge would never give Harry any custody bc of what he did and that was a bit dumb, sorry. Law is based on justice, balance and protecting the victim with fairness and justice, therefore Harry would have been granted at least the benefit of the doubt as his mistakes were minor and the victim in this story is Halo, not MC✌🏽
This is a long one.
Morals and values are not fitting in the situation.
Morals are personal beliefs that a person upholds and values are something that are regarded as important. I think that everybody uses them in most of the things they do so they definitely fit the situation.
She literally got with the first guy that showed her love...
I wouldn’t say that MC clung unto Connor and got into a relationship with him right away. The first couple of instances—they were just friends and weren’t officially together until Reign.
None of them put their child’s best interest first // Reader wasn’t a strong woman
I agree that both parties didn’t act on the best interest of their child but that doesn’t necessarily mean that MC wasn’t a strong woman. Sure, she wasn’t ideal in the context of being a mother—but she mended herself enough to give Harry a chance when he found out, even setting up limits while she was at it.
Wouldn’t you think that that takes courage? Besides the preceding fact that it is courteous to tell someone that you’re having their baby (no argument there), especially to someone who has cheated and betrayed your trust, you are sweeping the pain away. MC was letting Harry back in even if she personally didn’t want to. Harry was a huge part of her life so I think reminiscing on their relationship would never cease; they have a kid together. All the good and bad of their time together will always be present in her mind.
Harry was robbed [of being a dad]
You think that Harry was robbed of being a Dad, I can’t convince you otherwise. You said it yourself though, ‘if Harry hadn’t blocked MC, he would’ve seen the text and he would’ve been a dad to Halo’.
But he did—and the following points of your argument are, in a sense, irrelevant because what you’re pointing out is what could’ve happened if Harry didn’t do what he did. These are the consequences of his actions. “He blearily remembered bitterly blocking her number just as she texted “I need to tell you something,” <- That scene was the turning point of MC’s decision and frankly, a showcase of Harry’s immaturity. MC said she had something to tell him and he retaliated by blocking her.
As well, you mention, ‘if given the chance, Halo would forget about it’—there’s a lot of assumptions in your argument because these aren’t part of the original story. These are what you think should’ve happened.
He blocked her [...] but she kept in touch with his family
MC kept in touch with his family on the pretext that they wouldn't inform harry that the baby was his. This was because of a misunderstanding due to a post on Camille's IG page. H seemed happy with his new relationship. MC didn't NOT tell him out of SPITE—it was because she didn't want to ruin his relationship with Camille.
Harry contacted her at some point // Just because you’re hurt doesn’t give you the right to act as you please
Yes, Harry did contact her—to call her a ‘whore’ and stated that she ‘probably slept around’ during their relationship. [ie. Harry: Why not? Scared that y’gonna have to admit that everything you put on was an act? How can y’move on so fast and give me shit about it?”] I’m guessing that’s probably not the best way for H to ask about MC’s pregnancy and I can imagine that the sheer rudeness and projection will deter most people.
His dialogues were an attack on her personality (that she was a liar and disloyal), on the validity of her emotions (that she was faking them), and on her identity as woman solely because he was crumbling under the truth that he was the one who messed up. I mentioned before that Harry’s insults were a projection as a result of his defence mechanism. Meaning that he was—to some extent—aware that MC hadn’t cheated but convinced himself otherwise to feel less guilty. Therefore, at the end of Halo, he judged the credibility of their child.
If this was real life...
And this is a fanfiction.
Once again, MC might not have been the ideal representation of a strong woman, but she stepped up when Halo was introduced.
Imagine going through a break-up with your SO of two years while you’re pregnant because he went behind your back FOR A YEAR, amidst hormonal changes, still going to work, and trying to find yourself when someone has taken so much of you—that’s traumatizing. Healing isn’t linear. Just because you’re wounded doesn’t mean that you’re not strong.
She was unfair and subconsciously used her child to get back at Harry
MC was honest but she wasn’t truthful. Her intentions were human nature yet keeping Halo away from Harry wasn’t very truthful of her—in legalities and such.
I don’t think MC monopolized H/H’s relationship. She gave Harry a chance to bond with Halo, and they did. As mentioned, MC had set limits and boundaries when discussing Harry’s presence in their daughters’ life. It was a legally binding, word-of-mouth, agreement that Harry assented to.
[he was] threatened and manipulated
In that sense, Harry’s hostility towards MC in Reign was threatening her decision to have him around [ie. You’re not something I would take the time to handle,” // You’re a goddamn mistake is what you are,’]
I understand your concern and I apologize for that. I’m not explicitly saying that this one piece of fiction is satirical in the sense that it’s the opposite of what society chants because that would be vile of me to do. Every circumstance is different though—it really is a choice of preference, validation and weighing out the subject matter.
You mentioned that a ‘judge would never give Harry custody’ and that was a bit dumb...
That line was never part of the story.
"Take it up legally if you'd like. Want to have a custody battle? Bring it on. Let's see whose side the judge is on after they find out that you cheated on me while I was pregnant with Halo."
Suggesting that the conclusion can be one of shared-custody wherein MC has more time with Halo (80/20 visitation schedule).
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