#i know i missed a few

[goryhorroor]

my favorite trope: found father 

[driftingvoid-155]

On a scale from 1 to 10 Rank all of your Michaels for hug ability!

(If you feel silly)

Mermaid Mike: 6/10. He will hug you back but he also smells like fish.

It Runs in the Family/ Serial Killer Mike: 1/10 unless your Jeremy or his siblings, chances are you’re getting stabbed.

Vampire Mike: 4/10 fifty fifty chance he either reciprocates or bites you. Depends on his mood.

Plush Mike: 10/10. Very huggable. Full of fluff and squishable. He might wiggle around and grumble a bit but he secretly loves hugs.

Living to Die Again AU Mike: 5/10. Man is skin, bones, and a little bit of metal. Would not be the most comfortable hug. Especially bc he’ll probably give you a weird look the entire time bc he’s confused why anyone would hug him.

Ennard Mike: 3/10. Like hugging metal spaghetti. Very pokey.

Medusa Mike: 8/10. Bonus hugs from all the little snakes. Small chance you might be turned to stone.

[angelpuns]

I love when I get to contribute to trends even though I don't have a peepaw (yet)

Here's everybody's lil (big) guys!!

@3mutantsinatrenchcoat

@gemini-forest

@justdrawingsforme

@bettertwin1

@koolaidashley

@elliwoods

Kid Leo admires the big Leos a lot- he wants to be a cowboy too!!!

Also bonus:

[itsheartbeat13]

Something I don’t think enough people recognize when it comes to making shows more diverse, there is so much going on behind the scene that you literally can’t “just add them.” 

Alex Hirsch had to wait until the end of Gravity Falls to show that Sheriff Blubs and Deputy Durland were in love so that way the show didn’t get prematurely cancelled. And even still, that was censored in other countries. 

________

The Owl House has a bisexual afro Latina protagonist that falls in love with a white lesbian. They kiss several times on screen and say “my awesome girlfriend.” It also has Disney’s first nonbinary character (Raine Whispers), their bisexual love interest (Eda Clawthorne), and an aro/ace woman (Lilith Clawthorne). However, because like five people said that TOH wasn’t the “Disney brand” the show is prematurely cancelled. So even with everything that TOH did, it only won battle but lost the war. 

________

The art crew for Encanto had to fight to make Luisa buff. And when they were finally able to make her buff, Disney didn’t make as much Luisa merchandise because they thought little girls would want Mirabel or Isabela’s since they’re more “feminine.” (I think the same thing happened with Namaari when RATLD came out but I’m not sure. So don’t quote me on that.)

*Also, Luisa out preformed. So that’s a win. 

________

Bubblegum and Marceline couldn’t kiss until the series finale of Adventure Time because it would’ve been cancelled. So throughout the entire series, the crew always just had to imply undertones about their past. Since HBO produced Obsidian, they were able to kiss on screen.

________

Korra and Asami’s relationship had to tempt down so that way Nick could continue airing the show and they weren’t allowed to kiss until the comics. 

________

Turning Red got so much unwarranted criticism because not only did Mei’s mom say “pads” but she showed them on screen. (I’ve said it before and I’ll say it again, if that made you uncomfortable, that’s a sign that we need to do this more and not less.)

________

Some countries marked She Ra as 18+ because Catra and Adora kissed on screen. (Once again, I’m not sure if this completely true but Nate Stevenson had to fight to actually show them kissing on screen instead of a fade to white.)

________

Steven Universe is the gayest show I’ve ever seen in my life which was both good and bad. It was good for obvious reasons. Example being that it was the first show that introduced to me nonbinary people in a way that wasn’t “haha, look, she uses they/them pronouns. She’s so funny and quirky.” 

And it’s bad because it put a target on it’s back. SU has been censored so much that it’s honestly a miracle that we got an ending. And in most of the countries that censored SU, they usually portray Ruby as a man. So I can’t imagine how bad the censors were when the wedding happened and Ruby wore a dress and Sapphire wore a suit. 

________

Also, you have to remember the outdated idea that gay/trans topics are “too mature” for kids to handle (there’s an episode of Adam Ruins Everything that talks about this). So it’s easier for shows with an older audience (like Arcane) to have queer/trans rep.

Not to mention, if you ever go on Insider’s website to look at the queer/trans characters in cartoons [here], most of the characters are revealed to be queer only online and not in the actual show.

________

All of this BS because God forbid that kids find out that other people exist. 

Representation is important but please, just be aware of the actually struggles that go on that you don’t see and be thankful that this is where we are now because even though it might seem like it at times remember that this is actual progress. We need to keep pushing studios to do more. I’m sure that there’s millions of untold stories that would be made if not for this prejudice. 

[royalarchivist]

Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.

Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.

At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.

Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.

Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.

via @QuackitySubs

[stressfulsloth]

I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.

The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?

The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.

Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.

My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.

[poorly-drawn-mdzs]

Game night ruined.

[First] Prev <–-> Next

[orbital-inclination]

Horrortale Sans fandom flavors I’ve noticed Bastard TM - the most problematic fave TM - "my axe is my buddy. I never leave without him.” - nasty - all the mental illnesses - would feel perfectly at home in a campy horror movie, frankly - morbid sense of humor

the Puppy - scary on the outside, big softie on the inside - friend shaped - trying so hard not to relapse - it’s PTSD time baby! - frequently depicted with short term memory loss - either his motif is “lonely hunter in the woods” or “the way to a man’s heart is through his stomach and I took that personally” and sometimes it’s both.

Yandere lite - obsessive, possessive and permissive - all the mental illnesses X2 - red flags buT HE LOVES YOU - he loves you so much - gives off so many kicked puppy vibes - just wants attention :(

[ikanebula]

Happy Jack-O'ween!!!!!

[sopuu]

goodnight 🤍

[arthursfuckinghat]

I'm at that part of chapter three my friends, so let me be a reminder that Colm O'Driscoll's plan to lure in Dutch after taking Arthur failed because nobody came looking for him.

He would have died being held captive any longer, he barely escaped.

The gang did not come for Arthur.

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[tariah23]

aisjsjjensnJAJAJ

[smileyaly]

Happy Vday to these DW couples..absolute gender.

[shitouttabuck]

oh my god nina!!! 8 for the bedsharing prompts if it takes your fancy <33

thank you sweet peach this scratched an itch !!!

bed-sharing prompts: whispering “Oh, you are going to be very embarrassed when you wake up.”

Eddie’s not old—he’s not even 30, despite the near-constant jokes about his senior citizen-isms he seems incapable of shaking. And he wouldn’t even say he’s a man of creature comforts. He just likes familiarity, and routine, and his own goddamn bed.

Quarantine has brought a lot of change: being away from Chris, living in a single-occupancy apartment with three other people, and sharing a bed with all six-foot-two of Evan Buckley.

Currently, this means waking up at some wretched hour and squinting in the moonlight filtering in through half-open blinds, because the aforementioned best friend has stolen Eddie’s pillow from right under his head yet again.

Eddie groans quietly, easing his neck out of the crick it’s cramped in. He glares at the enormous lump snoring serenely beside him and pats the mattress blindly for his pillow. Eyes adjusting to the dark, he’s greeted by the same sight he’s woken to at ungodly hours thrice this month already: Buck with his gigantic thieving arms wrapped happily around Eddie’s goddamn pillow as he clutches it to his chest, dead to the world.

“Fuck’s sake,” Eddie mutters, reaching out and tugging the end of the pillowcase to no avail. Buck’s vice-grip doesn’t falter even in sleep. Eddie’s usually able to coax it out of his grasp without waking him, but it takes a minute, and their last shift had been a full-body workout from hell, and Eddie just wants to go the fuck back to sleep with a single measly pillow supporting his exhausted head. Surely that’s not too decadent a luxury to expect.

He tugs again, harder and meaner than he normally would. The pillow inches out of Buck’s hold, and Eddie grabs a firmer handful to yank it away, grunting triumphantly when it pops free.

“Hrmmph,” Buck grumbles, crease appearing between his eyebrows. Eddie stills, holding his breath as he gauges Buck’s proximity to consciousness. He thinks he’s in the clear, but then Buck murmurs unhappily and rolls ever-so-slightly towards Eddie.

“S’your turn to be th’ li’l spoon,” he slurs, and Eddie freezes even further. “’M th’ big spoon t’night.” He pats half-heartedly at the mattress between him and Eddie, jaw going slack again after a few seconds.

Eddie grins, just barely containing the snort that bubbles up at Buck’s sleep-talking. There’s enough distance from Ali and even Abby, post-train debacle, that means he can wring weeks’ worth of teasing out of this. Whichever one of them it is Buck’s dreaming of, Eddie thinks multiple nights of interrupted sleep allow him a little good-natured—if merciless—ribbing.

He shifts onto his back, shoving the pillow under his head and shutting his eyes with a sigh, but the movement has Buck mumbling again. His face is mashed into his own pillow, words barely intelligible when he says, “Y’re littler than me. C’mon, lemme be big spoon.”

The snort sneaks out of Eddie then, just a bit. He barely knew either woman, but he can’t quite picture them indulging Buck in this line of conversation. It’s—sweet, if deeply mortifying for Buck himself to know anyone else has heard it.

Buck snuffles discontentedly, forehead scrunching as he reaches out in search of the pillow, still asleep.

“Oh, you are going to be very embarrassed when you wake up,” Eddie whispers, wondering if there’s more entertainment about to be provided and if it’s worth getting up to unplug his phone and catch the tail end of this on video.

“Urgh,” asleep-Buck responds, patting the bed a little more insistently when he’s unsuccessful in his pillow-retrieval endeavours. “Wh’re—c’mere. Eddie. Y’re li’l spoon.”

This time when Eddie freezes, it’s such a sudden locking of every joint in his body that his neck cricks in the opposite direction. He barely feels it, singularly focused on Buck’s latest garbled complaint, because—is Buck awake? Is Buck dreaming about him?

He’s frozen so still he doesn’t realise Buck’s questing hand is now well in range of Eddie himself, and he jolts back into his body when Buck’s strong, calloused fingers wrap around his wrist.

“C’me back,” he whines, tugging at Eddie while shuffling closer at the same time. Eddie holds himself carefully still, hardly daring to breathe as Buck slowly but surely plasters his long, long body along Eddie’s side, hitching one leg over Eddie’s thigh before flinging an arm across his torso and dragging him nearer.

“Mm,” he hums, brow smoothing out. His cheek rests on Eddie’s shoulder, face smushed but seemingly satisfied. Eddie’s arm is trapped between his own side and Buck’s stomach, and he worms it under Buck’s body almost on autopilot, more to get comfortable than anything else. This leaves him basically cradling Buck to him, and Buck gives one final happy grunt before burrowing his face into Eddie’s neck and going limp, a dead weight over Eddie’s right side.

Eddie makes his fingers relax where they’re clutching the back of Buck’s t-shirt. This is—fine. Normal and fine. So Buck isn’t dreaming about cuddling an ex-girlfriend, he’s dreaming about holding Eddie. They’ve been living out of each other’s pockets more than usual recently, leaning on each other a little heavier through a global pandemic and missing Christopher. Eddie’s told himself it’s because of constant proximity, and maybe it is, but whatever the reason, if Buck’s subconscious is embracing that vulnerability in this way, that’s fine. He’s an affectionate guy, and while it’s relatively new for Eddie to be on the receiving end of that from another man, he’s not one to shy away because of someone else’s archaic ideas of masculinity.

And—hold on. Y’re littler than me? Was that what Buck said? Eddie huffs indignantly, and then huffs again for different reasons, feeling his cheeks heat. He doesn’t know why, but he pulls Buck a little closer.

It’s still normal and fine, he finds, turning his head to press his nose into Buck’s curls. That surprises him a little, that there’s no freak-out of any kind accompanying—whatever this is. Buck smells like vanilla, because he used Chim’s fancy shampoo that’s actually Maddie’s fancy shampoo because both of them are missing her something fierce, and he’s definitely drooling onto Eddie’s neck, and now that he’s not sleep-talking he’s back to snoring like a motorcycle, and Eddie’s slipping under before he can marvel any more at just how normal and fine it all is.

When the moonlight is swapped for sunlight, Eddie stirs to Chim singing along to radio in the kitchen downstairs. Buck blinks awake right alongside him, cheek imprinted with creases from Eddie’s collar and turning pink as he hastily peels himself away.

“Oh, um, sorry,” he says, voice rough with sleep. He contorts his body in surprise trying to roll off Eddie’s arm. “Did I—sorry, Eds.”

Eddie works his arm back under Buck, easy and deliberate. “S’fine,” he yawns. “It was my turn to be the little spoon.”

In his peripheral vision, Buck turns a brilliant red, and Eddie gives him a reassuring squeeze before taking great joy in telling him just how embarrassed he should be about the contents of his dreams.

(Buck’s mortification is blessedly short-lived, since the contents of Eddie’s dreams are equally embarrassing in the very exact same way, as it turns out.)