#i know that i'm critical about a lot of things (usually of the things i love)

[multbasa]

The reason why I don't mind that Zelda doesn't wield a sword in Echoes of Wisdom is because I never cared for having a "female Link".

Some people in the past have told me "why play Princess Zelda when Nintendo could just make the main character customizable or have a female option", and honestly, I hate that idea. I think it devalues Link as a character to just make him like the Pokemon Trainer or Squid Kid, and I personally enjoy Link being a more androgynous character which Nintendo really leaned towards in BotW and TotK. If Link is divided into "boy Link" and "girl Link" then that androgyny gets discarded. Not to mention that BotW/TotK made him so bland in so many cutscenes where he barely emotes at all despite having a lot of personality in the rest of the game: making him a generic self insert will just make him more bland out of necessity so people can project onto him. I much prefer Link having his own personality like in Skyward Sword or Wind Waker etc.

I want to play Princess Zelda because she has her own cool powers throughout the series. I don't need to play a female character because it's a female character, I want to play Princess Zelda or other versions of her like Sheik or Tetra because they're unique.

Furthermore, I do enjoy having unique gameplay styles. I'm really interested in Echoes of Wisdom because it is different. The 2D Zelda games don't really have much going on in the sword fighting department compared to the 3D games: they're very straightforward. It would be interesting for them to expand 2D sword fighting in the future somehow but I don't really know what they would do besides "swing sword, block with shield, attack weak point". The ability to summon minions to fight for you and to spawn all sorts of things sounds very exciting to me personally because it's going to be a very different game than past 2D Zeldas.

I hope that in the future we see more and different Princess Zeldas to play, and personally I would love some co-op titles where I can play with someone else. (It was my hopes and dreams for both Link and Zelda to be playable in TotK when it was first teased. Running around Hyrule with someone else like my twin would have been an absolute joy especially if Zelda had her own unique moveset.)

I just prefer variety. I don't play each Zelda game because I can swing a sword, I play it for the Ocarina of Time or the Wind Waker or the Minish Cap or the masks in Majora's Mask or all the other unique aspects of each game. The sword—besides Skyward Sword—is a method to hit stuff with but it's not often the star of the show, and I am usually disappointed when other items are not useful outside of their respective dungeons. I like how Nintendo is trying to incorporate abilities into the broader gameplay rather than specific uses like in the past because it gives me more options that just "identify the specific item needed in this situation" or "hit the weak spots like this with that".

That isn't to say that there can't be criticisms. For instance I noticed that spawning something with the staff is done by pressing the Y button and there's the whole scroll through items thing. I worry that only having one button assigned to this ability means that there will be a lot of menuing. I am hopeful that Zelda will have more options for different items besides the staff because the other face buttons are free for other things. The D pad icon also leaves space for 3 different things on the left too, so I am interested to see what other abilities Zelda will have available to her. Nintendo is not a stranger to hiding things about upcoming games, so I think there is a good chance that there is some else besides the staff in this game.

Anyway, I just wanted to get this off my chest. I am a female tradesperson, so I don't appreciate anyone insinuating that liking the different playstyle is tied to sexism and the idea that Zelda can't wield a sword (she did in Twilight Princess). I just don't think that a sword and shield is something that every game needs especially in a 2D Zelda where the other abilities are generally more interesting to me.

[prettyboysdontlookatexplosions]

idk if this is still the case but when i was really In It in animorphs feelings a couple years ago because i was unemployed for the first time in my adult life / temporarily living alone in the last house my family lived in / freaking out about climate change / generally Going Through It, and like poking around the animorphs scene on tumblr, there was this notion commonly expressed that rachel and tobias were "toxic," the major piece of evidence for which was the scene in 33 where she "tries to trap him in human morph." which like first of all i'm SOOOOOO SORRRY that the fucking fifteen-year-olds secretly fighting a guerrilla war in which their greatest threat is the mind-controlling slugs they're trying to save humanity from but their second greatest threat is the diminishing hourglass of their collective sanity as they all have to work steadily harder and more desperately to not just completely lose their shit entirely from all the violence and literal 24/7 constant threat and murder that is happening, like i'm sorry two literal children who have managed in this ongoing horror show to forge a bond of loyalty and affection and care and attraction and understanding that can act as a kind of solace neither of them have any other way to access, sorry those actual murder babies sometimes have some communication problems. lmao. but also it's insane to me that people read that scene (in which they're dancing to, i'm not making this up, iris by the goo goo dolls - i mean they don't tell us the song but it's a slow goo goo dolls number that even tobias knows, so - they're dancing to iris by the goo goo dolls at a school dance that is not going well because they are both awkward about the newfound public Officialness of their relationship and rachel who is the only one of them who has ever been capable of socializing like a normal person is in a particularly bad mood because of the emotional hangover of her starfish adventure [great concept executed terribly in the previous book], and then like after two entire minutes of letting himself feel some nice emotions tobias spots the clock and starts leaving to go demorph and then rachel runs after to him to awkwardly attempt to share that she is very fucked up about how insane she has become and she wants to hold on to things like school dances and also this is all happening in a hallway by a student poster on red tailed hawks that states their lifespan of a handful of years in the wild, it's so good) as rachel trying to trap tobias in morph, when like, first of all, "good thing happening -> time to punish myself for feeling nice for 5 whole seconds " is like THEE tobias thought pattern because he's the number one kidlit trauma baby of all time, like truly the first time i dove back into the series i was struck by how well his narrative voice captures Child Of Insane Family Dysfunctionality, he is NOT a reliable narrator on this, but also second, and more saliently, like, believing this scene is rachel attempting to trap tobias in morph requires that you believe rachel, all by herself, made a plan in advance and then attempted to execute it, which is a skill we literally never see her demonstrate even one fucking time outside of the comfortingly familiar hunting ground of the mall

[kishimotomasashi]

I think my favourite AU angst scenario for Sasuke and Itachi is the one where Sasuke gets a hint somehow that Itachi has been Lying about things much earlier, so in order to discover the truth he causes some kind of bodily harm to himself in front of Itachi (usually almost fatal), which gets him to rush towards him in a panic to prevent Sasuke from hurting himself further. I've only seen about 2 examples of this in all my years as a Naruto fan but it's so good.

[gamebunny-advance]

Spite.

People that can only enjoy things through spite really baffle me.

For a while, I was following someone that ran a fanblog for something that I liked, but alongside reblogging fan art, every other original post they made was about how they would hate X, and that Y was better.

X and Y were any number of things relating to the subject of the blog, and the specifics of what they were aren't relevant to the discussion.

It wasn't that their criticisms were unfounded. They sometimes had legitimate gripes with a work, and I even agreed occasionally with some of the things they said. What bothered me is that conversely, they rarely talked about the things they did like unless it was in relation to the thing they didn't like.

It was never, "I like Y because ABC, and y'all should check it out too!" it was always, "X is horrible and bad, so I'm gonna consume Y instead!" or "At least Y is better than that trash X!"

It was just very tiring. I don't know what made them like that, but there was always a bitterness to their posts that always made me uncomfortable, especially in relation to what the blog was about. I would think a person running a blog like that would be more forward about positivity and love, but the impression I got was that they were purely motivated by spite.

But I tolerated it for a while because I liked seeing the reblogged posts and "X" was rarely something I was personally invested in. It was only recently that the "X" was actually something that I cared about that I finally decided to unfollow them. For the second time. I'd actually gotten sick and tired of this behavior long ago, but I decided to give them another shot, which they blew yet again.

I dunno. I know some people enjoy when others "spill the tea" or whatever (it seems like several of their followers enabled their behavior), and I'm not beyond hearing criticisms of a thing I like (I'm usually the first to make them). But I think I get the most enjoyment from people who also share the things they love because they love the thing, not because they hate something else.

It doesn't have to be an unconditional love, it just has to be earnest. I say all the time that being critical of the things you love is basically an essential part of truly appreciating anything in this world. But beyond the spite and criticism, I want to know that the person has something that they truly adore without it being tied to primarily negative feelings.

I just never got that from this person. There was never a post where they could gush about something without bringing something else down with it. I never sensed an earnest love from them.

But, maybe some people are just like that. Maybe their joy stems from venting their frustrations, and I can understand that. But their joy, is not my joy, and I just have a limit to how much spite I can take from one person before I just can't have them in my purview anymore.

[gendercriticalthinking]

The way that my friend felt disappointed when he found out as a kid that an androgynous character he idolized was a woman because he quote "couldn't relate to the character anymore" and the way that the creator of Celeste """discovered he was non-binary""" because he wrote a female character that he was able to relate to are branches off of the same vein of misogyny I think

[rogersstevie]

hate when i have to like. think about whether a fic is rec worthy for me or not

[sunkissed-zegras]

★ YOU AND ME, WE'D BE A BIG CONVERSATION─── PB⁵ (part 1/3)

❪ requested -> "paige x famous!reader (singer, actress, up to u) inspired by endgame by ts where p reveals that r is her celeb crush in an interview and a few days later theres a vid of r responding to it saying shes been obsessed w paige lately / its such a big deal bc r has been involved in a lot of romantic drama lately so everyone is kinda iffy abt her rn, causing her to put up a tough guard. but p sees thru the facade when they start talking and allows her to be herself, making r fall even harder 🥹 " ❫ for my disco nonnie!

─ warnings | gossip, a lot of drama and random ass names (sorry i get confused when i don't name them), mention of panic attacks, hurt to comfort, pretty sure nothing else?

⇨ missing out on updates? check out my wcbb masterlist!

"Y/N L/N, ONE OF the biggest names right now in the music industry has found herself at the center of yet another romantic scandal involving her ex and now, reportedly a new lover."

The 22-year-old pop sensation, who recently topped the charts with her latest single, was spotted last night leaving an upscale Los Angeles restaurant with actress and heartthrob, Camilla Harrison. The two were seen getting into the same car, sparking rumors of a budding romance.

This sighting comes just weeks after Y/N's highly publicized breakup with fellow musician Lauren Marie, with whom she had a tumultuous on-again, off-again relationship for over two years. The split was reportedly mutual, with both parties citing busy schedules and the pressures of their careers as contributing factors. However, sources close to the couple suggest that Marie was unhappy about Y/N's close friendship with Harrison, which began on the set of her recent music video where Marie made a cameo appearance.

"Y/N and Cam have undeniable chemistry," says an insider. "They've been spending a lot of time together, and it's more than just a professional connection. They're trying to keep things low-key, but it's clear there's something more than friendship between them."

Despite the drama, Y/N continues to thrive professionally. Her upcoming album set to release in the next couple month, is already generating significant buzz. Critics are calling it her most mature work yet, with deeply personal lyrics that reflect her recent experiences.

Meanwhile, Harrison, 26, known for her roles in blockbuster films and her good looks, has remained tight-lipped about the rumors. Her publicist declined to comment, stating that Marie is concentrating on her upcoming film projects.

──

"Okay, next question," the reporter smiled as she scrolled through her phone as Paige gave a tight-lipped smile toward the camera. "Oh! Found a good one, okay. Who is your celebrity crush right now."

"That's easy!" Paige laughed as she glanced toward the reporter. "Y/N L/N, she's beautiful and insanely talented,"

The room filled with laughter as the reporter raised an eyebrow, clearly delighted by the response. "Y/N L/N, huh? That's a popular choice these days, a lot of people are big fans. Have you met her?"

Paige shook her head, her cheeks slightly flushing. "Nah, I wish. But I'm a huge fan of her music. Every song is a masterpiece and I'm not usually into pop,"

"Interesting," the reporter leaned forward, intrigued. "You know, there are rumors about Y/N's love life all the time. How do you feel about all the speculation surrounding her personal life?"

Paige shrugged, maintaining her relaxed demeanor despite the stupid question. "I think it's tough being in the spotlight like that. People forget that celebrities are human too. Everyone deserves a bit of privacy, I'm more interested in her work and what she brings to the music industry rather than whoever she's dating."

The reporter nodded, appreciating Paige's perspective. "Absolutely. It's refreshing to hear someone focus on the artistry rather than the gossip!"

──

"Okay, quick. Who's your celeb crush right now, other than Cam," Bowen Yang, grinned at you, raising an eyebrow as the audience laughed, eagerly awaiting your response.

You laugh (and decide to ignore the comment about Cam), feeling a slight blush creep up your cheeks. "Oh, come on, Bowen, you can't put me on the spot like that!"

Bowen leaned in, his grin widening. "Come on, Y/N, the people want to know!" He pointed to the crowd as they cheered, causing you to put your face in yours hands.

You then take a deep breath, pretending to think hard. "Fine, if I have to choose... I'd say Paige Bueckers. She's incredible on the court, and I've seen some interviews with her ─ she seems like such a cool person."

The audience erupts with loud cheers, causing both you and Bowen to laugh. Bowen's eyes widen, clearly delighted by your answer as he clapped. "Ooh, scandalous! Paige Bueckers, I love that! Have you met her?"

You shake your head, smiling. "No, not yet. But I did see a clip of her saying some really nice things about me recently. It was super sweet."

Bowen's face lights up with excitement. "She was practically gushing over you, this is perfect, we need to make this happen. Maybe you could collab, I don't know how but uh, if anyone could make it happen, it's you."

"Thank you, I think?" You laugh, nodding. "Totally, we'll see what happens."

Bowen turns to the camera, his enthusiasm infectious. "You heard it here first, folks! Y/N and Paige Bueckers, the crossover we never knew we needed but now desperately want!"

The audience erupts in applause and cheers, and you can't help but smile at the idea. Bowen turns back to you, his tone shifting slightly more serious. "Alright, before we wrap up, I have to ask ─ how do you deal with all the attention and rumors about your personal life? It seems like you're constantly in the spotlight."

You take a moment to gather your thoughts, caught off guard by the serious question. "It's um, definitely challenging at times, but I try to focus on the positive aspects. I love making music and my fans. As for the rumors, I just remind myself that I can't control what people say or think. I stay true to myself and the people who really know me, and that's what matters most."

Bowen nods appreciatively. "Wise words, Y/N. And that's why we love you so. Thank you so much for being here tonight."

"Thank you for having me," you reply, genuinely touched by the support.

"And that's Y/N L/N!"

The crowd erupts in cheers as you genuinely smile, happy for the support, waving toward the audience.

──

"Hey everyone, welcome back to the podcast I'm Lila, and today we've got a lot to talk about. Y/N L/N is at the center of yet another romantic scandal, and there's even a new twist involving basketball star Paige Bueckers. Let's dive in!" Lila said, her enthusiasm palpable.

"Yaya, so excited," Maya chimed in, adjusting her headphones. "So, Y/N was spotted last night leaving an upscale LA restaurant with actress Cam Harrison. They got into the same car, which has everyone buzzing about a possible new romance."

"Yeah, and this is just weeks after her very public breakup with Lauren, I think that's her name? It's been a whirlwind, to say the least. But honestly, I think Y/N is handling it all pretty well. She's focused on her music, and she's just living her life. What's your take, My?" Lila asked, leaning in slightly.

Maya sighed, her skepticism evident. "I don't know, Lila. I get that she's young and living her life or whatever, but it feels like there's always some new drama with her. First Lauren, now Cam Harrison? It's starting to look like a pattern."

"But that's thing, with being in your early twenties. Figuring out what you want, who you want to be with? I mean, she's also incredibly talented and driven. Her new album is generating a ton of buzz and it hasn't even been released yet," Lila countered, her voice full of admiration.

"Sure, but it seems like she's always entangled in some romantic drama. Maybe it's just the nature of fame or whatever, but it can also come off as messy. And now, with Paige Bueckers gushing about her in that interview, it adds another layer. I just hope she’s not stringing people along," Maya replied, her tone annoyed.

Lila nodded, annoyed at Maya's words but maintaining her supportive stance. "I get where you're coming from, but did you see Paige's reaction? She was genuinely excited about Y/N. It was sweet. Plus, Y/N responded so positively on the SNL interview. I think it shows she's got a good heart and she's just navigating her way through a complicated life!"

Maya hesitated for a moment as she glanced at the camera, then continued. "I mean, look at Taylor Swift. She's known for her string of high-profile relationships and breakups, and it hasn't always been received positively. It feels like Y/N is heading down a similar path- What?"

"Come on, Maya!" Lila glared at her, clearly displeased. "Comparing Y/N to Taylor Swift isn't fair. Taylor's faced a lot of unfair criticism for just living her life and expressing herself through her music. Y/N is her own person, with her own journey. She's navigating her twenties in the spotlight, and that's not easy."

Maya just shrugged as she glanced toward the camera, before adjusting her mic. "Well that got awkward, moving on..."

──── COMMENTS

sela 🐾 | is she wrong though... love her music but why'd paige gotta get involved too? ♡ 108

↳ l/nslover | cause they like each other???

↳ 🦕 | has bro ever heard of a pr relationship 😭

↳ ari! | THEYRE NOT EVEN TOGETHER YET BROOO😭😭😭

sarah™️ | LILA GET THE HELL OUTTA THERE BROOOO 😭😭 i never liked maya tbh this is just a weird ass take ♡ 1.7k

kayla 🎀 | listen as a y/n girly i also understand maya's point of view cause.... shes kinda for the streets ♡ 879

↳ ™️ | dont call yourself a """"" y/n girly """""" if ur gonna say she's for the streets??? the fuck??

⭐️ | i was understanding maya's pov up until she started saying all that taylor swift bullshit, they're two separate artists LET US LIVEEEEEEE ♡ 2k

josie may | hardest watch of the day 🥲 maya u let us down with that dumb ass take

──

"I just kinda... wanna disappear for awhile," you confessed, your voice quiet as you pressed the phone to your ear. "Don't know why this keeps happening, you're the only that can... help me through it. Sorry if I woke you up-"

It happened again ─ over the last couple of months (ever since you'd broken up with Lauren) you'd gotten pretty severe panic attacks. You were told by everyone on your team to just stay off social media and what had you done... exactly the opposite of that.

"No, no, I was awake anyway, promise," Paige's voice echoed through the phone. You heard shuffling through the phone as you sniffled, sighing. "And I don't mind, like at all. I meant what I said, I'm always here for you,"

Your heart swelled as you managed a smile, as tears began to build in your eyes. You and Paige had only been talking a month and she already understood you more than anyone had in what felt like forever. Her steady presence was like an anchor in the storm of your life.

The constant media scrutiny and the aftermath of your breakup with Lauren had left you feeling alone, but Paige’s calming influence was slowly becoming your safe haven.

"I just... I don't know how to deal with all of it. The rumors, the pressure, it's all so overwhelming," you admitted, wiping away the tears that had started to fall. "Half of it, it isn't even true."

"Hey, it's okay, I know, I believe you," Paige's voice was soothing, almost like a warm embrace over the phone. Even the smallest affirmation from Paige made you feel all okay again, even if it was just for the moment.

"You're not alone in this. We can figure it out together, step by step."

That part made your lips twitch up in a smile, feeling yourself relax again. You took a deep breath, feeling a bit of the tension ease from your shoulders. "I just feel like I can't breathe sometimes. Like the walls are closing in, y'know?"

"I get it," Paige replied softly. She'd know about it all too well, she'd been through it herself plenty of times. "Sometimes it helps to focus on the small things. One step at a time, remember? Have you tried any of those breathing exercises I taught you?"

You nodded, even though she couldn't see you. "Yeah, a little. They help, but it’s hard to remember in the moment."

"Next time you feel a panic attack coming on, call me. Anytime, okay? We'll get through it together," Paige's voice was firm, reassuring. "You don't deserve the shit they give you, like at all."

"Thank you," you whispered, feeling a surge of gratitude. "I don't know what I'd do without you, P."

"You don't have to thank me. I care about you, and I wanna help. Plus, I like hearing your voice," Paige added with a light chuckle, trying to lift your spirits.

You couldn't help but smile at that. "Me too, especially your cute tired voice."

"Cute, really?" Paige laughed through the phone and you swore you felt like your whole world felt even again. "But uh, if you do really wanna disappear you can always come to Connecticut."

The thought of escaping the relentless spotlight, even for a little while, sounded like a dream. "Really?"

"Yeah, you can stay with me for a bit, if that's uh... what you want." Paige explained through the phone. "My friends are super chill and it's always a fun time, if you ever wanna come. Think about it?"

The idea of spending time with the basketball player you'd quickly become enthralled with, seemed almost like a dream. And getting away from LA and all the madness that came with it sounded heavenly, you were going to give Connecticut a thought.

You sighed, feeling a warmth spread through you that had been absent for far too long. "Yeah, I will. And Paige?"

"Yeah?"

"Thank you. Really."

"Anytime, Y/N. Sweet dreams."

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

[avatar-anna]

When You Fall In Love...

so i've been reading icebreaker and it's been putting me in the hockeyrry mood

part one, part two, bonus, bonus

Harry watched from the empty stands as Y/n ran through her routine for the fifth time. Her teammates had gone home, her coach asked Harry if he would lock up on the way out, and now it was just the two of them in the empty rink. There wasn't even any music playing anymore, Y/n was just skating and performing her tricks as if there was.

Every time she did it, it was flawless. Her routine was fast and intense and incredibly difficult, but Y/n performed with ease every time. She landed her tricks like they were nothing, tricks which Harry now knew the names of and could tell the difference between a lutz and an axel. She was incredible, and he was in awe of her every single time.

But even in her perfection, Y/n had yet to smile once.

Harry decided she'd had enough after she finished her fifth run-through, quickly jogging down to the edge of the rink before she could skate out to the middle again. He leaned over the barricade and kissed the top of her head. This close to her, he could see her rosy cheeks and heaving chest, a sign that her routine did wear her out, despite making it look so effortless.

"You were phenomenal as usual, baby," Harry said while he gathered her things.

"I bobbled a landing and my timing was off for a whole four counts," was her reply.

Harry frowned, not pleased by her recent negativity. Any athlete could be critical of their ability, but Y/n seemed uncharacteristically hard on herself lately, and he had no idea why. "Everything okay?" He asked, shouldering her duffle bag as they walked away from the rink.

"I'm fine."

She certainly didn't sound fine, but Harry decided not to push. Not now, anyway. Changing the subject, he said, "I got an email from the recruiter. I should be receiving my contract soon."

Excitement didn't even begin to cover how Harry had been feeling lately. Last week, he'd met with an agent of a minor league hockey team, one that was a feeder to an NHL team. He expressed their interest in Harry moving to the east coast after graduation and join them for spring training. And after giving it some thought, Harry accepted.

He was over the moon, thrilled that years of hard work was finally paying off. He'd made his passion into a career, and had the potential to really make a name for himself. Life couldn't have been better.

But where Harry seemed to be flying high, Y/n seemed stuck. She was happy for him when he told her the news, had gone out to celebrate with him that night. But something felt off between them. Harry couldn't put a name to it, but he just knew.

"That's great," Y/n said with no amount of enthusiasm in her voice. Harry tried not to take it to heart, she was clearly in a mood from her practice. She was under a lot of pressure too, he reminded himself, and sometimes had a knack for not knowing how to express herself with words.

"Is there something on your mind? You've been quiet recently," he said, hoping he wasn't overstepping her delicate boundary.

Y/n shook her head as she approached her car, sliding into the driver's seat without a word. Harry couldn't help but feel more and more like there was something on her mind, but he let it go again.

Before pulling the car out of the parking lot, Y/n rested her hand over his and leaned in to kiss him. "I'm sorry. I've just got a lot on my mind."

"It's okay. As long as you know you can talk to me about it."

Her throat bobbed, but she nodded, then turned her focus toward the road. Harry filled the silence with rambling. He talked mostly about the NHL, about his contract and where he wanted to live and how everything was happening so fast.

So caught up in trying to break the tension, he didn't notice Y/n's white-knuckle grip on the steering wheel.

*.*

"Styles! What the hell are you doing? Focus up! Let's go!"

Harry rested his hands on his knees, breathing heavily during the brief pause in the game. His eyes flicked up to the stands, searching the crowd for a familiar face, but he didn't see the one he needed the most.

Despite being recruited by a minor league hockey team, Harry was probably having the worst game of his life.

Not one pass connected, he was letting second-rate players get by him, and he'd spent more time in the penalty box than in the actual game. Nothing about this was right, and still all he could do was look for Y/n.

She wasn't there, and even though things had been weird between them recently, he was still surprised. When she wasn't at a competition of her own, Y/n came to every one of Harry's games. It had started out as Harry wanting to impress her, maybe show off a little, and then as time went on and they grew closer and their relationship became more than two people having sex in secret, he wanted her to be there just because it felt good knowing she was watching him play. All his nerves floated away when Y/n was sat in the stands, sometimes in his jersey, cheering him on.

And of course there were times when she couldn't come, but this wasn't one of those times. Y/n had purposely not shown up. He knew they'd fought before the game, but he didn't think she would abandon him just to be petty. They were past that now.

His sole focus should've been on the game he was playing, but instead his mind kept drifting to the fight.

Harry could feel Y/n pulling away from him. He finally felt like he was getting everything he wanted—a spot on a minor league hockey team on the east coast that would eventually lead him to the NHL, graduating with semi-decent grades thanks to Y/n, and of course being with his dream girl. At first, she'd seen him as some douchey athlete that was only good for one thing. He remembered seeing her for the first time their freshman year, performing tricks on the ice that he'd only ever seen on TV, and when he whistled and clapped loudly—perhaps a little obnoxiously—after she'd finished, she'd rolled her eyes at him and told him to fuck off.

It was love at first sight.

Harry had been so careful around Y/n. He played by her rules and followed her lead, trying not to let the comments about them not dating get to him too much. He liked their initial dynamic, finding it funny when he got under her skin because she made it so easy. It became a kind of game, this push and pull that was fun and exciting and eventually led to their arrangement.

He knew that she cared about him on some level, he just needed to bide his time and show her he wasn't who she thought he was. Not entirely, anyway. And when she finally did, and they became more than just people who screwed around, everything was perfect.

They'd been through so much together. Y/n pushed Harry to be better, and he worked with her to master new tricks and nail her routine. There wasn't anyone else who understood his level of commitment to hockey, but she did, and that just made him love her more.

So when he got the call offering him a spot on the minor league team, Y/n was the first person Harry told. She'd been happy for him, and he was over the moon, his mind already making a million plans—where they'd live, her coming to his games, him helping her find a new rink to train at. It felt like the doors to a new and exciting world had opened for them, but she then she started pulling back, and Harry practically watched as that door slammed shut.

Harry pushed himself to focus back on the game, on the hockey stick in his hand and the ice beneath his skates. He felt like it took more effort than it should've to get his head back in the game, but his team managed to pull out a win, and he managed not to get benched before it happened. That didn't stop his coach from ripping him a new one in the locker room, but Harry sat there and took it, shaking his head and promising his piss poor performance would never happen again.

Exhausted both physically and mentally, he trudged out of the locker room and toward the parking lot, debating whether to take the bus home or call an Uber. Even in his senior year, he still didn't have a car, but Y/n was usually there to give him a ride home. To their home. Moving in together for their last year of school seemed like a no-brainer, and it had been amazing so far, though the last week had been kind of a disaster. Harry could feel the tension between them growing, but every time he asked Y/n about it, she'd say she was fine even though they both knew everything was not fine, and the cycle continued. He wanted to be excited, he wanted to celebrate the success he'd managed to create for himself, but he felt rather deflated instead.

To Harry's surprise, Y/n was waiting for him in the parking lot. He didn't hesitate putting his gear in the trunk and coming around to sit in the passenger seat. Y/n leaned in to kiss him immediately holding onto the sides of his face fervently.

"I'm sorry," she breathed. "I'm sorry for not being here tonight and I'm sorry for acting strange, and I'm sorry for—"

"Y/n, what's going on with you?" Harry couldn't help but ask.

"Can we wait until we get home to talk?" She asked. I want to be able to talk to you properly, and I can't if I'm driving.

When Harry nodded, Y/n must've deemed it enough. She peeled away from the rink, silent tension filling the air between once again. It had been following them around all week.

That ended tonight, though. He didn't care how much Y/n hated confrontation or hard conversations. They couldn't move forward if they didn't move past this roadblock first. Harry loved Y/n more than he ever thought possible, and stubborn as she was, he knew she loved him just as much. He would get to the bottom of this, no matter how hard she tried to fight him on the way down.

*.*

"Y/n, you know I would be ecstatic if you'd told me you qualified for the Olympics. This is a huge step in my career! Why can't you be happy for me?"

"I am! God, Harry, I am."

"Then why are you pulling away from me? I feel like I can't be excited about this around you when you're the one person who should understand how this feels."

"I can't do this. I can't have this argument with you," you said, trying to step away from him.

Harry was quick to grab your hands in his, keeping you from walking away. "What aren't you telling me? Do you want to break up?"

"No!

"Do you not love me anymore? What? What is it, Y/n?"

"God, I didn't—I didn't ask for this," you cried, feeling like a damn had burst inside you. It was out now, and now you had to see it through to the end. "I didn't plan on falling in love with you. I wasn't prepared to love you this much. You're the one who wanted to take things further, and now you're—"

You're leaving me, you couldn't bring yourself to say. You really were happy for him. All of his dreams were coming true, and he had an ambition that matched yours, which made you love him more. And now that ambition was taking him far away from you, and you weren't handling it as well as you thought you would.

"Y/n—"

"I'm happy for you, H, I'm so happy for you that I could burst. And maybe even a little jealous," you joked, though there was some truth to what you said. "But I guess I just...I guess I didn't expect to love you this much. And I don't—I don't know what to do because you're going soon and I'm..."

You had no clue, and that alone was terrifying.

At the start of all this, you never imagined falling in love with Harry. He drove you absolutely insane, and despite your physical attraction to him, you kept your distance. But he kept doing these things that made you like him, and eventually care about him, and finally made you fall in love with him. It just wasn't something you saw coming. Love was definitely not on the brain when you met Harry.

Because you knew this moment was inevitable. The moment when one of you would be given an opportunity you couldn't refuse and would pull you away from each other. Once upon a time, you thought you would be given your dream job of a lifetime—competitive skating and hopefully the Olympics—but somewhere down the line, skating stopped bringing you joy, only pressure and anxiety. And now Harry had his dream job on the other side of the country, and you were left to flounder and wonder how you would survive waking up without him next to you.

"You're making it seem like it's a bad thing that you're in love with me," Harry said quietly, but the low tone of his voice didn't hide anything. You knew he was getting upset. After all the avoidance the last week—on your part—yours and his emotions were coming to a head.

"It's not! It's just that you're leaving!" you said, resisting the urge to run a frustrated hand through your hair. "And all week you've talked about how excited to get out of here and leave this all behind and start a new chapter in your life. I mean, would it kill you to act like you're a little torn up about leaving?"

It was so selfish, and you knew it was. It was why you'd been avoiding Harry, this conversation. Harry had every right to be proud and ecstatic for leaving to play in the professional league. He worked so hard, pushed himself farther than anyone you'd ever met, except for maybe you. Your pain was clouding your good sense, and now you'd shown just how horrible you could really be.

You couldn't look him in the eye after saying what you did. Even if it was how you felt, you still felt ashamed for raining on Harry's parade. "Y/n—" he tried to say when you hastily wiped a tear from your eye.

"I shouldn't have said anything. I'm sorry," you said, getting up from the couch and scurrying off to your bedroom.

Flopping on the bed, you pulled the covers over you, trying to hide from everything happening around you. It was too much. Your senior year was supposed to be fun and full of unforgettable memories, not arguments and heartache.

You weren't sure how much time had passed before the door opened and Harry slipped inside. He slid into bed next to you, and you didn't fight it when he rested his face in the crook of your neck. Because despite everything you were feeling, this was all you really needed.

"I'm not leaving you behind," he murmured gently. "You mean too much to me."

You sniffled, and Harry pulled you closer to his chest. "You're going to be thousands of miles away."

"Says who?" he said, kissing your cheek. "Who says you aren't coming with me?"

"And do what?" you huffed, even though the thought slightly lifted your spirits. "Be one of your...puck whatevers and follow you around like a puppy? I need a life of my own too."

You were being stubborn and argumentative and you both knew it. There was some relief in knowing Harry wanted you with him, but you also didn't want to just move because Harry was. You needed purpose, you needed to feel like your life had some sort of direction in it. But it was unfair to put all of that on Harry, and you didn't know how to express how you felt without sounding insane, so instead you said nothing, and that obviously went over brilliantly.

Harry chuckled. "See, because you just said how in love you are with me, I can tell that you're frosty attitude is just an act. Now turn over and look at me."

You reluctantly turned over, brow furrowed exaggeratedly because you couldn't cross your arms over your chest. It used to infuriate you how easily Harry could get under your skin because he knew you so well, that he knew just what to do or say to pull you out of a bad mood. In this moment, you were thankful. He could see past all the harsh words and see to the root of the problem. You'd said some things that were perhaps out of order, but Harry understood. Despite everything, he understood.

"You've worked just as hard as me, Y/n. I want to be there for you the way you've been for me. You can achieve your goals too."

"I just...I don't know if I want to achieve them anymore," you said quietly.

It was the first time you'd said it out loud. Since you'd learned to skate, there had only been one goal: the Olympics. Getting there wasn't just a matter of training, it was about devoting your life to your craft, it was barely having a life outside of training and competitions and giving all your time to winning. And after spending nearly your entire life doing it, you felt yourself slowly burning out. You'd go through your routines flawlessly, but your heart wasn't in it. All you could think about was the future—the next competition, the next training session, the next qualifier. It took seeing Harry so happy about being drafted to the minor leagues to realize the fire had gone out in you. Thinking of Olympic qualifiers and training and affording coaches and costumes and picking the right music only filled you with dread when you should've felt joy.

"Oh."

"But I don't know who I am if I don't have skating."

"You don't have to compete to skate, you know," Harry said. He rested his hand against your cheek, rubbing his thumb along your temple lightly. "You can c—"

"Oh God, don't say coach," you groaned. "It's perfect. You'll be a hockey superstar and I'll be the washed-up figure skater who couldn't handle the pressure of being an athlete and wound up coaching instead."

"I know you're being like this because you're scared, and that's okay," he said. "But I'll help you find a new dream, Y/n. I promise."

You had to blink away tears because your heart couldn't take how much he cared about you. "Even when I've been a complete bitch?"

"You haven't been. I'm sorry if you felt like I was leaving you behind. I guess in my mind we would always be together, no matter where we ended up."

"God I hate how much I love you sometimes," you grumbled while flinging yourself on top of Harry and holding him tight. "It's too much, you're too much, and I can't stand it—"

"There's a compliment in there somewhere, right?" Harry asked, but you could hear the grin in his voice.

Sitting up, you perched yourself on him, your legs straddling his waist. Dipping down, you made sure your noses were brushing, but you didn't close the distance. Not yet. Your heart was racing simply because Harry had been so kind to you, because he knew you so well and said exactly what you needed to hear. It felt ridiculous to know that there was a time when he pissed you off so much you saw red, that his teasing remarks and cocky grin grated on your nerves. Now you didn't want to imagine a life without him.

"I'm sorry for saying all of those things," you murmured. "I really am proud of you. No one deserves this more than you do."

Harry's hand reached up and threaded through your hair, his fingers gentle as they passed over your scalp. "I know you are. And I mean it, Y/n. I'll help you. I know you love to skate, we just have to find a way to channel that into something else. If not coaching, maybe performing?"

"What? Like Disney on Ice?" you asked skeptically, your nose wrinkling at the thought.

Harry shrugged as his hand dipped beneath your shirt to stroke your back. "You'd be a cute princess."

"With my luck, they'd make me a tree."

"Then you'd be the cutest tree there ever was."

Shaking your head, you nudged your nose against his again. "Can we hit pause on talking about the future? I just want to be with you here. Right now."

"Course," Harry said, one corner of his mouth turning up into a crooked grin. "And then maybe we can circle back to you being my puck whatever."

"Shut up."

"Make me!"

And that was something you knew how to do better than your skating routine.

[bradshawssugarbaby]

Hurricane - Bradley Bradshaw x Reader

summary: Bradley's regretted breaking off his relationship with you for months, but when he sees you walking into the country club after his round of golf, he knows he has to fix things.

a/n: I haven't written much angst before but I'm really trying to branch out a little bit. Inspired by Hurricane by Luke Combs, and also this weird recurring dream I keep having.

pairing: Bradley Bradshaw x reader

warnings/content: buckle up bc there's a lot? angst (happy ending), parental death, depression, hurt, cancer, goose's accident + carole's reaction, carole literally never getting over losing goose, bradley being a commitmentphobe, pregnancy (i think that's it?), also entirely unrealistic bc you know what? I can't keep roo sad for long.

word count: 3.6k

taglist: @avengersfan25, @nouis-bum, @floydsmuse, @mamachasesmayhem, @jessicab1991, @atarmychick007, @b-bradshaw, @djs8891

Then you rolled in with your hair in the wind Baby, without warning I was doin' alright but just your sight Had my heart stormin'

Bradley narrowed his eyes beneath his sunglasses, the glare of the hot mid-morning sun harsh on his chocolate brown eyes. He grabbed his nine-iron from his golf bag, taking a practice swing before teeing up for his next shot. Bob, Jake, Reuben and Javy stood to the side behind him, watching as he lined up to take his shot. He hadn’t golfed in years, in fact, he’d only ever golfed a handful of times in his life, all of them back when he lived in Virginia. His uncle had taught him when he was 15, a welcome distraction when his mom became sick, and he’d gone out a few times when he was in college after a roommate of his on the school’s golf team had invited him out. He held his breath as he heard the club make contact with the small, white orb, watching as it soared through the air, disappearing somewhere onto the course. Jake let out an impressive whistle as he looked on, placing his hands on his hips as he shook his head in disbelief.

“You’ve never golfed before, Bradshaw? You sure?” He drawled, raising one of his manicured (though he’d deny it if asked) blonde eyebrows suspiciously.

“I told you, a handful of times. Not never.”

“You did say less than five,” Bob shrugged as he cleaned his glasses before replacing them on his nose. “Less than five suggests you haven’t really hit a course.”

“Not to mention you said in years. That was the swing of a man who’s at least hit a driving range a few times,” Reuben pointed out to the course in the general direction of where Bradley’s ball had landed as Javy, Bob and Jake nodded in agreement. 

“I wish Nat had tagged along, she wouldn’t ride my ass this hard,” Bradley huffed, shaking his head. 

“Nat doesn’t golf. You know that. She acted disgusted that I even asked,” Jake shrugged.

“Maybe it was how you asked,” Bob suggested as he disguised his jab at Jake as a helpful criticism.

 “Just take your turn, Robert,” Jake hissed, rolling his eyes dramatically as Bob smirked.

Bradley normally would have joined in with a quip of his own directed at Jake, but his heart just wasn’t in it. His heart wasn’t even in the game. The only reason why he’d agreed to go golfing with the guys for their usual monthly game was because you left him. He needed to get over you and move on - it’d been six months and with no deployments coming up, he had nothing to focus 100% of his attention onto. Reuben had noticed it first - Bradley was withdrawn on nights out, his usually chatterbox self now quiet, calm and keeping to himself, barely breaking eye contact with his beer bottle. Then came Natasha’s barrage of questions - he knew she meant well, but God, it was hard to listen to. 

He didn’t want to admit it to himself, but he knew why you left. And it was entirely his fault. You’d gotten upset because he’d stopped spending as much time with you, kept getting cold feet about committing to your relationship. He’d never tell you why he couldn’t commit - it was too hard for him to explain to anyone, really. In fact, he was fairly confident that Reuben was the only other person aware of it. 

Bradley wanted to be the partner you needed - he really did. He wanted to be the doting, affectionate boyfriend who’d whisk you off somewhere beautiful, propose to you, start a family with 2.2 kids and a dog, cart the kids around to sports practices on weekends - the American dream. He knew you deserved that much. And yet, no matter how badly he wanted to give that to you - he couldn’t. He’d told you he didn’t want it - he didn’t want to get married, he didn’t want to have kids, he never wanted it. He watched you fall apart the minute the words left his mouth, and it killed him inside. He wanted to hold you close and tell you he was making a mistake, tell you it wasn’t true and he didn’t mean it, but he couldn’t. 

He couldn’t, because he was terrified. 

Growing up without his dad was one of the hardest things he could have experienced, he was sure of it. He was too young to truly remember how his mom reacted when she learned her husband had been killed in a training exercise, but he remembered her crying a lot, feeling paralyzed by loss and guilt, angry with the world for taking the man she loved away from her. He remembered as he grew up, she never remarried, never went on a date, never even as much as looked at another man. His dad was her everything, and losing him crushed her. 

When she got sick, Bradley was a teenager - old enough to understand what it meant for her, what her odds of recovery were, and old enough to be realistic about the future. When they found out she wasn’t going to get better, he’d half expected her to react the way she did when his dad died, but instead, she seemed almost at peace with the idea. She’d spent 14 years of her life missing his dad, and she knew that, even though she was horrified by the thought of leaving Bradley on his own, she wouldn’t have to spend another minute missing her husband.

Bradley decided then that he’d never want to put someone through that. He’d never be able to hurt someone he loved like this - leave them widowed before they turned 30, alone with a toddler at home to raise on the opposite side of the country from their family and friends, with nothing but a military pension and an apology over his death. 

It was at 16 years old that Bradley decided, if he wanted to become a pilot, he was going to have to spend life alone, and for the most part, he was ok with that. 

That was, until he met you.

He tried to deny his feelings, pretending you were just a casual fling, some fun sex here and there between deployments and missions and nothing more. That was, until three months in, he accidentally told you he loved you. It wasn’t a lie, he did love you, but it caught him off guard when he said it - he didn’t mean to blow his cover and let his guard down like that. And when you said it back? He knew it was game over. 

He tried his hardest to push his fears aside, he tried SO hard. He was getting older and beginning to realize he didn’t want to spend the rest of his life alone, especially as he neared the mandatory 20 years of service cutoff for aviators. He’d grown almost fond of the idea of settling down with you, seeing you with a ring on your finger, picturing you with a baby in you, his baby. He wanted it. He wanted all of it. But, the fears and anxiety he had reared its ugly head, and he couldn’t bring himself to get past it. 

It was on their last mission, when he had to eject and landed in the middle of a snowy mountain, unsure if he’d make it back home to you. His mind raced with thoughts of how you’d react if he didn’t make it home - how you’d crumple to the floor when you saw the two uniformed officers on your doorstep, the blood-curdling scream you’d let out in pain when you heard them say it, tears staining your pretty little face as you were handed that folded American flag - he couldn’t bear it. He couldn’t stand the idea of putting you through everything his mom had gone through. Not when you were so young and had everything ahead of you. When you could find a man who wasn’t putting his life in danger nearly every damn day, risking himself and risking a chance he might not come home to you. 

This golf trip was meant to take his mind off you. Reuben had mentioned it in passing to Jake and Bob, who exchanged worried looks with one another. Javy had overheard Nat’s line of questioning when he and Mickey returned to the table with a fresh round of beers, both of them offering Bradley silent looks of sympathy as they nodded in agreement to Nat’s advice. Bradley was struggling, in over his head with emotions and regret and sadness, but he knew he’d fucked it all up. And he knew that even if he tried, you wouldn’t want him back, and who could blame you? 

Bob had suggested he reach out to you and apologize, and for a while, Bradley considered it. He strongly considered calling you, going to your house, begging for forgiveness and begging you to take him back, but after how you reacted when he broke things off with you, he wouldn’t even take him back. He’d been a dick in every sense of the word, and now, he had to try and move on, adjusting to life without you in it. 

The next nine holes passed by with little conversation from Bradley and worried glances exchanged between his friends. He wasn’t in the mood for talking, he’d explain, shrugging the concern off before focusing back on the game. Bradley was thankful for his friends’ efforts, but it was beginning to feel like nothing would help him move on. 

He slumped down into a chair at a table in the country club after their round of golf, sipping back the beer Jake bought him. He caught himself downing the liquid quicker than he should have, but at this point, being drunk would at least provide him with that much needed numbness he craved. He could hear Bob bickering with Jake over golf scores and who truly won, prompting an eye roll from Javy as he pulled the crumpled scoresheets from his pocket and placed them on the table. Reuben noticed the glazed over look in Bradley’s eye and clapped a sympathetic hand down on his shoulder. 

Bradley was about to thank Reuben for being there for him when he saw your face. You were walking into the country club with a couple of your friends, laughing and smiling as you spoke. 

God, he loved that smile. 

He gulped back the rest of his drink before placing the glass back down on the table, the sound of Bradley slamming the glass down a little harder than he intended prompting Jake to spin his head around as he saw you.

“Oh..shit,” he murmured as Bob and Javy both turned to look discreetly towards you.

Bradley’s eyes widened as you walked past the bar, revealing a very unexpected new figure. He blinked his eyes a few times to ensure they weren’t playing tricks on him - positive that this had to be some kind of optical illusion or something. It was impossible. You couldn’t be.

“Pregnant.” Jake whispered as he leaned into the table, “She’s pregnant,”

“Did you know, Bradley?” Bob inquired as he pushed his glasses back up the bridge of his nose.

“N-no.” Bradley choked out, feeling the walls closing in around him as the room started to spin.

Without hesitation, Bradley rose from his seat and made his way over to you, despite the protests from Bob and Reuben, the two voices of reason to Javy and Jake’s voices of impulse. Bradley approached you cautiously, clearing his throat for a moment to garner your attention. You spun your head around, your cheeks rosy and your skin glowing with that pregnancy glow everyone always talked about. Bradley had never really believed in that kind of stuff, but you were proving him wrong. 

“Bradley?” you asked, your face paleing to a shade of ghostly white. 

“Can…can we talk, please? I need to talk to you,” Bradley rambled with desperation written on his face.

You huffed a sigh, nodding your head slowly as you excused yourself from your friends, who were now whispering and exchanging uncomfortable glances with one another. Bradley followed closely behind you as you stepped out into the fresh air, finding a discreet corner of the parking lot to discuss everything from the last six months. 

“I…Is it mine?” Bradley whispered, almost afraid to hear the answer as his eyes wandered to the bump that was evident under your sundress.

You sighed again, following Bradley’s gaze down to your abdomen, a protective hand resting on your bump as you nodded slowly, humming in confirmation.

“Why didn’t you tell me?” He frowned, shaking his head quickly, “I-I, I would have helped you.”

“Bradley,” you said, narrowing your eyes and shaking your head quickly, “You told me you didn’t want this. You dumped me and told me you never wanted to settle down or have a family, you didn’t want to be with me anymore, and being in a long-term relationship wasn’t what you ever wanted. You told me you didn’t love me. So please, tell me why I should have told you?”

“Because,” he said softly, his heart aching as he heard your side of things, “I didn’t mean any of that. I was wrong.”

“Oh, you were wrong? Tell me, were you always wrong, or are you only wrong now that you’ve seen me six months later, heavily pregnant?” 

Bradley was speechless. He gazed down at his feet, kicking at the pavement in his golf cleats. He sighed as he thought for a moment, taking a second of quiet reflection to compose his thoughts before speaking. He wanted to get this right. He couldn’t afford to fuck it up again.

“I was always wrong. I was wrong when I said it, and I knew I was wrong,” he shook his head vigorously before looking up to meet your gaze, “Did I ever tell you about my mom?”

“You told me she died when you were a teenager, and you didn’t really mention anything else about her. Or anyone in your family, for that matter.”

“Right,” he nodded his head slowly, taking a deep breath before beginning to explain. “My dad died when I was 2. He was an RIO, a Radar Intercept Officer. You know Maverick, right?”

“Mhmm,” you nodded slowly, a look of annoyance flashing across your face as you listened to Bradley, you were used to his excuses, and you were really hoping this wasn’t another one. 

“So, Maverick was my dad’s pilot. Best friends. Did everything together. He was flying when my dad died, their plane lost control, had to eject, my dad hit the canopy. Died instantly.” Bradley paused, taking another deep breath as he felt himself getting choked up, “My mom, she, uh, she was really young. My dad was 25, my mom was 23. He was her high school sweetheart. She was devastated. I was too young to remember a lot, but I remember her hurting, and being sad all the time, unable to function some days because she just missed him so much,” he explained as tears began to roll down his cheeks.

“Bradley, I’m sorry,” you sighed, shaking your head as you sympathetically rubbed his bicep to comfort him.

“I just…when she died, she was…peaceful, I guess, because she knew she wouldn’t have to miss him anymore. She wouldn’t be lonely. She never remarried or dated after him, she couldn’t bring herself to. She’s buried with her wedding ring still on her finger. I couldn’t bring myself to take it off her,” he took another deep breath, exhaling sharply before looking up at you. 

“I couldn’t do that to you,” he finally said, blinking back the tears that threatened to spill over again, “I couldn’t leave you like my mom. Heartbroken and alone your whole life. She never moved on, and I didn’t want that for you if we got married. God, I would have given anything to marry you. I would have taken you to the courthouse and married you on the spot if you would have agreed to it. But, I couldn’t risk breaking your heart. Not like that.”

“Bradley, you’ve always come home in one piece,” you said softly, fingers still stroking his upper arm soothingly.

“But I almost didn’t. I had to eject and all I could think about was you getting that knock at the door and going through what she went through, and I couldn’t do it. I couldn’t do that to you, or…or to a baby.”

You shook your head, processing everything that Bradley had just said as he poured his heart out to you. He’d never opened up like this to you before, but you could tell each and every word was genuine. As much as you hated him for leaving you, you couldn’t deny that you still loved him with all of your heart. 

You missed him. 

You missed waking up to him after the two of you had fallen asleep watching a movie together. You missed the way he yelled at the tv when watching baseball, how passionate he got over football games, how he’d pick the olives out of his nachos like a toddler and put them on your plate. You missed how he couldn’t eat apples unless they were baked in a pie, how he’d scarf down an entire red velvet cake if you didn’t gently stop him, then regret it hours later. You missed the way his big brown eyes would stare at you, a look of pure adoration on his face like a lovesick puppy whenever you spoke to someone else, as if he was hanging on every single word that fell from your lips.

You burst into tears, throwing your arms tightly around Bradley as you shook your head. “God, you’re an idiot, you know that?” you murmured, laughing softly as you hugged him.

“I know, I’m the biggest idiot. I still would marry you if you let me. I wanted to have kids with you, I want to be around for this one,” he nodded, gesturing his hands at your bump. 

“Really?”

“Cross my heart,” Bradley said with an expression of complete seriousness on his face, “I wanna know everything about them. Everything. I wanna know what you’re having, what name you’ve picked out, what your cravings are, how you’ve been feeling, when they move, what does it feel like? I want to know how far along you are, and how they’re doing, if they have my nose or your nose, or if they’re gonna be tall like I am, I want to know what helps you sleep at night when you’re pregnant, and what their favourite song is. I want all of it, honey.”

“Ok, ok, slow down, breathe, Bradley,” you chuckled, shaking your head. “Take a walk with me?”

As you and Bradley walked around the pedestrian pathway on the golf course, smiling as you spoke fondly about the baby, answering all of Bradley’s questions. 

“Well, baby’s a girl, I don’t have a name in mind for her yet, I’ve been craving oranges and Sprite, anything sweet and citrusy. I’ve been ok, better now the morning sickness finally dissipated. It feels like bubbles or something when she kicks, it’s like a fluttering, almost? I’m 28 weeks along, so I have about three months left. She looked like she has your nose on the ultrasound, there’s a 50/50 chance on her height, I sleep pretty much sitting upright because I get bad heartburn otherwise, and I play her music all the time. She likes Elvis and The Beach Boys, just like her dad.” 

Bradley’s smile spread wide across his face, a small laugh of disbelief escaping his mouth as he nodded along with your words.

“That’s great. A girl? Really? You’re gonna have a daughter running around,” he said softly, almost as if he was daydreaming about what the little girl would look like.

“We are going to have a daughter.”

“You’re gonna let me be there? After everything?”

“Bradley, as much as I hated you for what you did and how you ended things - I never truly hated you. I loved you, more than anything. I still do.”

He held you tightly, burying his face into your hair as he kissed the top of your head, murmuring softly against your hair. 

“God, I love you so much, honey. I promise, I’m never going to do something stupid like that again.”

“I know you won’t,” you laughed, shaking your head as he looked down at you, “I know you’d never leave Carly and I again.”

Bradley froze in place for a moment as he stared at you, his voice barely above a whisper as he spoke. 

“What did you call her?”

“Carly. I thought, I don’t know, after you told me about your mom just now, I thought maybe you’d like to name the baby after her? Carole’s nice too, I just figured Carly gives her a name that’s her own too, they share the same root.”

“Carly,” he nodded slowly as he repeated it, “I love it.”

Bradley took your hand in his, his large fingers enveloping your hand as he held it tightly, as if he was terrified of letting go. He made that mistake once before, he wasn’t about to do it again. 

[veronicawildest]

Nakshatra series: Observations from different Nakshatras

Disclaimer: These observations are based on my personal experiences with individuals I know (including celebrities).

Ashwini:

The Ashwini girls I know have youthful, baby faces (e.g., India Eisley, Kim Chiu, my classmate). They are much softer and more likable compared to other Nakshatras ruling under vimshottari lord Ketu due to the Laghu Nakshatra quality.

Ashwini men are more impulsive compared to the women. I must add that the men of this Nakshatra are also quite cocky.

Ashwini individuals are smarter than they are often given credit for, especially in academics. They are usually overachievers and can accomplish anything they set their minds to.

Bharani:

If you have a Bharani friend, they are dedicated and loyal friends.

The romantic and sensual traits often associated with Western astrology Taurus actually belong to Bharani. While Aries are typically assertive and action-oriented, they are not usually associated with laziness. It is beacuse of the individuation and selfishness correlated to the first sign of the zodiac, Aries.

It is true that Bharani individuals love ancient mythology and history, particularly about Egypt and themes related to death.

Bharani individuals often have a resting stern expression on their faces.

Krittika:

Krittika doesn't get credit for how funny they are.

They're also fashionable, and both genders of Krittika natives are able to attract the opposite gender (sex appeal to them).

The Krittika symbol is a knife, so there's no wonder why they're blunt and cut-to-the-throat. That's why some of them have a reputation for being "rude".

Krittikas also love politics. The ones (that I know) who are actually interested in helping some people.

Rohini:

Most of the Rohini individuals are actually physically GORGEOUS. Their charm is because of their looks and style.

The reputation of "Geminis (western astrology) are opinionated and talkative" actually applies directly to Rohini natives. They like to troll people and have the last thing to say on things. (Azalea Banks)

Rohinis are actually humorous too. They have this vibe of not taking anything seriously and being innocent.

Rohini and the connection to possessiveness/obsessiveness of their partner or someone romantically. (My mom has this placement, Most of my parents' arguments stem from the fact about jealousy of my dad because of some random man)

Mrigashira:

The Mrigashira men are actually very reactive to humor if you get what I mean. It's connected to their expression and body language (Ishowspeed).

Mrigashira have actual sex appeal oozing from them, and the natives of this nakshatra have many admirers.

If a woman has this nakshatra (despite the fact that some of them are villainized by women), they actually advocate for things like "women's equality, women's rights."

Mrigashira doesn't have any problem being with the opposite gender than any other nakshatra.

They don't like to admit this, but they love drama.

Arda:

Arda natives are underestimated in that they can adapt to such social cues and reach heights despite many people hating them. Taylor Swift and Drake are Arda natives who are some of the most influential people (as of when I'm writing this observation), yet other people tend to hate them because they don't take them seriously. The backlash stems from the fact that "Taylor only writes breakup songs from her teenage years when she's 30" or "Drake is too mainstream compared to his peers in the rap/hip-hop community." Something like that. (The ones I quote are the ones I've seen on Twitter.)

Their words can actually hurt a lot. Ardas are actually good roasters. Many comedians are Arda natives, and their comedy often comes from criticism and humiliation of others (pointing out insecurities, etc.). Claire Nakti has a survey about comedians, and this nakshatra is one of the prominent ones in comedy.

The Arda natives that I observe personally have thick eyebrows. The deity has a correlation to eyebrows (I usually can't remember, I'm sorry).

(PART 2 WILL BE SOON!!!!)

[muniimyg]

5: the oblivious // series m.list

note: okok... i'm sorry i have to taint them. i jus think... HE DESERVED THIS !!! ahwuhaksjf srsly i tried so hard to keep this fic pure n fluffy ,,, mebe next time LOL

warnings: jk fingers oc in the library :') ,, dirty talk ,, oc cums !! implied smut thru/out their convo ?? yeah ...

taglist request: send a request with the title of this fic “aao” // DO NOT comment here or on the masterlist . it gets confusing and i prefer answering and tagging through asks !!!

🏷️ permanent taglist: @joonsjuice @taetaecatboy @pb-n-juju @miss-rainy-days @firesighgirl @whoa-jo @vantxx95 @pamzn @kakixaku @casspirit0705 @tae165 @defzcl @sopebubbles @leefics @ggukkieland @bebebutbetter @yoongimentita7 @boraength @era-genius @4ksj @vampcharxter @miss-jupiter @floweryjeons @taegijns @jeonqkooks-main @rrosiitas @jkslvsnella @parkinglot-nights @kissyfacekoo

//

“Hey, you.”

Before you can turn your head, it’s like your heart already knows who it is. Actually, it’s pretty much a given on who it is. 

Jungkook catches up next to you, snaking his arm around your waist. He pulls you close and kisses the top of your head, followed by a tight hug. He squeezes you until you squeal free from his grip. 

“There’s a kinder way of greeting me that doesn’t involve squeezing my guts out,” you criticize him half-heartedly. "What ever happened to just saying hi?"

He chuckles. “It went down the drain after the first time I kissed you."

“You always wanna kiss me, huh?”

Pretending to be offended, he shoots you a glare. “Now, now… Don’t act like you didn’t come running back for a goodnight kiss—”

“Okay, okay,” you yield. “I get it. Can you—”

Without hesitation, Jungkook takes your tote bag off of your shoulders. Along with your books in your hands, he tilts his head towards the library, assuming that's where you're headed. You nod in response. Like second nature, he offers you his hand.

You take it.

With a smile, he adds, “Let's go. I got it, mi.”

Confused, you tilt your head at him. “Mi?”

He then scrunches his nose at you. “Figure it out.”

You huff but mutter an “okay, fine.” Although, you don't really think about it. You have a feeling you already know what he means.

With that, you continue to walk towards the library. As you do so, Jungkook walks beside you, happier than ever. He smiles brightly when you ask him about his day. To which he replies that it was the same old same old. He states that the only exciting part about today was that he got dismissed early from class because his professor had an appointment. Hence, him being able to catch up to you on time. On Monday's, you're usually at the library by 2PM sharp. He usually joins you at 3PM, making today an hour more special than usual. You laugh, joking that he's too into you. Jungkook doesn't deny it. Poorly, he utters under his breath; “like you wouldn’t do the same…” 

You laugh because you heard it. 

But more than that, you laugh because it’s true. If the tables were turned, you’d be in his position. You’d be the one looking for him. In all honesty, you don't know when that started... But it has and you wouldn't have it any other way.

Jungkook likes the mood right now. It’s a lot like the end-of-spring weather today. It’s playful and sweet. Moments like these are exactly why he gets so many butterflies when he’s around you. Maybe it’s because he finally feels like things are moving forward between you two. Maybe it’s because he feels your effort. Maybe because it’s finally happening. 

You have butterflies too.

They say love is only really made up of two things: choices and timing. With your entire heart, you can't help but feel hopeful that this is that.

This is it.

When you two make it in front of the library, Jungkook holds the door open for you. Happily, you head to your spot only to find it taken. 

“Oh…” you frown. “That’s—”

“Do you want me to ask them to move?” Jungkook suggests. "I can do it."

He says it nonchalantly like it's no big deal.

That's the difference between you and him. For many things, Jungkook's approach is much more confident and not personal. You on the other hand... Would rather eat the wrong order than correct the workers. It's difficult for you to feel like you aren't inconveniencing others. It's easier for you to suck it up and move on.

With wide eyes, you shake your head. “What? No. That spot—”

“It's yours if you want it... I know you want it. I can get it for you." He repeats himself. "Just tell me to, baby. I got it.” 

Your heart is touched by the way he validates your feelings. More than that, your heart is touched by how he understands and protects what matters to you. There's kindness in his actions. There's thoughtfulness and in a way, it makes you wonder just how well he knows your heart. Though it's just a spot in your favourite library; it's also where you feel the most safe. That's all he really wants... To be with you wherever you are the happiest. He wants it so bad. He just wants to sit with you.

When that realization hits, you can't stop it.

Your heart skips a beat.

“It’s… Okay, fine. Y-yeah, it is my favourite spot but it's also whatever," because wherever you are is my new favourite spot. "We can sit somewhere else—”

His eyes light up.

“I know a spot.”

“You do?”

“Mhmm.” Jungkook nods towards the other end of the library. Before you can think twice, he takes your hand and tugs you to follow him.

And so that's what you do.

You hold his hand tightly.

You follow him.

You set your butterflies free.

Jungkook leads you to the corner of the library. It’s a little secluded, bordered by bookshelves, and only lit by one big window. Your usual spot is right in the heart of the library. Where the high ceilings look magnificent at every time of day, and the busy atmosphere motivates you to keep going… This part of the library is sleepier. It’s hidden. It’s a little—

“I-is this where you go to make out with your girls?” you attempt to joke your nervousness away. 

Jungkook grins. “Jealous?”

“Only if it’s true.” 

He shakes his head, completely impressed with how you answer him. It’s times like these where he has no doubt that he likes the wrong girl. This is it. You’re the best match for him. He won’t have anyone else. 

He refuses to. 

Jungkook pulls you down to his lap, and as you settle in, he kisses your neck. Out of reflex, you hesitate when someone walks past you two. They chuckle at you two as if they know the spot... As if they know Jungkook.

You clear your throat and shift away.

Instantly, he notices and sighs. He isn't disappointed or annoyed, he knows you're shy. He knows you need reassurance. He knows to listen to you.

“___, if you think this is some fuckboy move I’m pulling… You’re right. But it’s not my move. It’s Jin’s.” He confesses. “I’ve never made out with a girl in the library. Never felt like it… Like, it’s just so boring and like… The lowest level of an exhibition kink.” 

“What’s the highest?”

Jungkook blanks out. 

“Don’t edge me like that,” he warns you. “Don’t ask if the answer has nothing to do with you and me.”

More than his head and heart, Jungkook feels like his dick might go crazy.

You laugh, as you get up from his lap and sit on the chair beside him. He groans and keeps his hand on your wrist as you move. Jungkook only lets go when you reach over for your bag and begin to unpack. 

He watches you as you prepare your notes in front of him and turn your laptop on. In complete disbelief of the direction of the conversation, he can’t take his eyes off of you. 

It’s like he’s in a trance. He doesn’t know if he’s even blinking. He must be, right? You’re the only thing that he sees. The only thing he can think of lately... And to see you so close to him? It feels surreal.

He’s so lucky. 

He’s so in love.

There’s no other way of putting it.

Over these past few months, you’ve made it incredibly difficult for him to deny his feelings. He can’t even suppress them anymore like the good subconscious fuckboy he is. You have not only captured his heart with your gentleness, but you have him mesmerized with every single part of yourself that you give to him. As time goes by, he isn’t sure how much more he can hold out before a kiss turns into something more or how many words he has left to use before the words “marry me,” escape his lips. It’s just so easy with you.

It’s so easy to feel loved and be in love. 

“Stop staring at me,” you hum as you read through your articles. You don’t even glance at him, but you feel it. You feel the desire to. You should give in… Right? Maybe—

“God, you have no idea how hard I’m trying.” 

You turn to look at him, lips curved into a small smile. “T-try harder… Like me.”

This time, Jungkook is caught off guard. Maybe you aren't as oblivious as he once thought you were.

“What do you mean?” he asks, moving his seat closer to you. You sit back and lean in towards his body. It's as if the work you prepared to focus on has completely lost its significance.

It has.

“I think you’re handsome,” you admit. You say it so gently that it comes off a little timid... Sure nonetheless. “But you don’t see my eyes popping out of my head—”

“You think I’m handsome?” Jungkook chuckles, feeling flattered with the way you're trying so hard to get past this nonchalantly. Nice try, ___. He plans to milk this out as much as possible. “What else?”

You scrunch your nose at him. “A little annoying to be honest. This is my study time, and you’re acting all cute.”

“So you think I’m handsome and cute?”

Rolling your eyes, you push away from him playfully. “I think you know know what you are.”  

Instantly, he hates the distance you put in between you two. You were just close to him… Why move away? He moves closer to you. You giggle as you feel him moving your hair from your neck. Sweetly, he kisses your neck and behind your ear. 

“Just means more coming from you… You know? Makes me happy when you think of me.”

“I always think of you,” you breathe, pushing him away again. He gives you a lazy smile and you squish his lips together into a pout. “Are you done? Stop staring at me. Stop trying to make out with me. Stop—”

“Why?” Jungkook tests you, removing your hands from his face. You’re tongue tied. “___, if you’re in love with me, fess up now. Aren’t we supposed to be doing that honesty thing?”

“That was more for you than it is for me…” you remind him. “Now, get it together or get out.”

“You can’t kick me out of the library. You aren’t the police. If you are, show me your handcuffs.” Jungkook demands. “Plus, this is my spot.”

With an annoyed tone, you sit up and argue back. “You took my spot—”

“Shhh,” he cuts you off by pressing a kiss on your lips. Your lips chase his as he pulls away. You let out a whine and furrow your eyebrows together.

One more, please.

One more kiss.

Jungkook settles back to his seat and takes his books out. Ignoring your pleas, he places his hand on your knee (like he always does) and hushes you one last time; “___, get it together or get out.” 

Jungkook’s hand on your knees somehow made it up your skirt. 

Let’s not talk about it. Instead, let’s just accept that this is what’s happening now.

Even so, you admit that a part of you should have seen this coming… Nevertheless, you aren’t mad that it’s happening. You’d be lying if you never went through your ovulation and didn’t think about Jungkook… Besides, he’s been so good to you. He deserves this!

God, did he deserve this. 

He has wanted this for so long. Aside from being mindlessly in love with you 24/7, he has thought about it. Of course, he has. At the end of the day, his heart can't be the only thing that's in(to) you. He's a nice guy, meaning he’d rather service you first.

Mark his word but the day you and him actually do sleep together and it's you doing things to him...

It will be unforgettable.

It will be incomparable.

It will be everything.

For now, this is it. His hoodie sits on top of your lap as his fingers are up your pussy. You two are still in the library at his spot. Everyone has left to eat dinner. The only ones at the library are the workers and the try-hard students in the main rooms.

Besides… You’re close. 

Really fucking close.

As his fingers pump inside you, you squirm in your chair. Leaning your forehead against his chest, he rests his chin on top of your head and utters; “take it, baby. You can do it. Make me proud.”

“I c-can’t,” you cry, feeling it in your bones at this point. His fingers curl inside you, and you practically jump out of your seat when he adds his thumb to rub onto your clit. 

“Wish it was my mouth,” he whines. “Can I do that next time, baby? Can I suck your cunt? So fucking swollen right now... You thinking of me eating you out, baby? Wanna lick that pussy so bad.. Ahh, fuck.”

“M-mnhmphh,” you moan at the thought. “Kiss me, p-please…”

You tilt your face up and pursed your lips at him. Jungkook lowers his head and kisses you, deep and slow. It’s a contradiction to how he picks up the pace and fucks you with his fingers. You gasp, mouth opening for him. He catches your tongue and sucks on it. 

Pulling away, you grab a handful of his shirt and tug on it. Holding onto it, you pant and feel the tingles in your body intensify.

“That’s it, ___. Clench around my fucking fingers,” he hisses. “Be an angel and cream them, yeah? Fuck my fingers back if you want. I’ll let you.” 

You shake your head. “N-no. You started this, you finish it.”

He grins. “What my girl wants, she gets.” 

He keeps going, fucking you with his fingers. They curl, searching inside your pussy as if there’s something to fucking find. Actually, maybe he’ll find your dignity in there. You must have lost your mind to be fingered in the fucking library!

Your thoughts are cut off when he pulls his fingers out and rubs your folds. You almost cry when you feel him pinch your clit. 

“Jungkook,” you whine, feeling yourself climax. 

“Jungkook,” he mocks, as he feels your upper body collapse against his. 

As you feel yourself cum, you gather the strength to stick up for yourself. “S-shut up.”

He laughs, and kisses the top of your head as he pulls his fingers out. He murmurs between kisses; “Good job, baby… Did so good. Proud of you.”

Your heart flutters as you catch your breath and straighten your posture. With Jungkook’s free hand, he reaches in his bag for the little packet of tissue (that you had packed in there a few days ago because you noticed he had a runny nose) and nonchalantly wipes your mess. 

“Your fingers—”

Jungkook shoves them in his mouth, sucking on your cum. As he cleans them off, you glare at him. 

“Don't—oh my god," you huff. Suddenly, you feel embarrassed about everything that just happened. Jungkook laughs and leans forward. He kisses your cheek, asking if you're okay. You nod and feel yourself beginning to blank out.

"You're nasty."

He cups your face and kisses your lips. “Yeah, yeah... But, baby, I wasn’t the one that came in the library.”

[thebibliosphere]

"But you're so successful without it."

Content warning: This post contains mentions of suicidal ideation.

I got a message earlier tonight that I'm not going to post, but I did ask the person involved if I could talk about what we subsequently ended up talking about in DMs because I feel it's important.

Basically, it was along the lines of "My kid got diagnosed with ADHD and really wants to try meds. I know from reading your blog that correct treatment for ADHD can be really beneficial, but I just don't think she's severe enough to need them."

The message then went on to ask me, as someone who is unmedicated with ADHD, for some tricks and tips on how to be successful without medication because clearly, look how well I'm doing without them. I mean, look at my blog, look at my book(s)! Surely if I can do all that without ADHD meds, other people can too. Surely there's a trick. A skill. Something you can learn if you just try hard enough...

This is not the first time I have received a message like this. In fact, I probably get about 2-5 messages like this a week.

Usually from other people who also have ADHD/suspect ADHD but don't want medication because they don't think they need it/don't want to need it, and yet can't figure out why they're struggling so much, and ask me how do I do the thing(s) and cope so well and get so much done, etc., etc.

So I'm going to tell you what I told this person tonight in case it helps someone. Yes, I have ADHD. No, I am not medicated due to severe health complications, and yes, I get a lot done. From the outside, I am sure it looks incredibly productive and successful. But I'm going to let you in on what that success feels like.

It feels like dying.

It feels like my brain is on fire; every nerve in my body scraped raw; every part of me wired and exposed to the noise of the world. There is no quiet; there is no calm. And even when my brain does fall silent, it's another kind of death. The inside of my head is sludge, flowing uphill like treacle, weighing me down, pulling me under in the riptide of my inability to focus. I can see what needs to be done, I can see it so clearly, yet sometimes it's like I don't control my own body. Not enough dopamine. Not enough brain chemicals for the message I'm screaming in my head to make my limbs do the simplest of tasks. Like, feed myself. Take a shower. Answer that email. Text my friends back. Go to bed when I'm tired. Write a best-selling novel...

A novel that almost killed me and not because of my other ailments, but because of my unmedicated ADHD.

I didn't realize it at the time, but I was already operating at critical mass when I went into final rewrites/edits. Every coping mechanism I had fell apart. Like training wheels falling off a tricycle, leaving me to wobble unsteadily until the main wheels fell off, swiftly followed by the handlebars until all that was left was me peddling frantically trying to keep my balance and not getting anywhere. I didn't realize it then, but I was heading towards a complete mental collapse. And even when I dragged myself across the finish line with the above and beyond help provided by my friends and editors, I was so burned out I couldn't enjoy my success. Worse, my success made me suicidal.

It took me until very recently, almost two years later, to be able to read Phangs without feeling suicidal. My brain associated it with the trauma of experiencing complete ADHD burnout but having to complete a monumental task anyway.

I had to go into intensive therapy to recover. I am still in intensive therapy for it.

It took me even longer after that to be able to sit down and write without harming myself. I still struggle with it, and I tell you this in all honest sincerity in the hope it makes you realize what it costs me to be "successful" and unmedicated.

And this wasn't the first time I've had to deal with this, either.

I struggled all through high school, all through college, all through every career job I ever had, knowing there was something wrong, but not quite being able to put my finger on it because hey, I still got stuff done, so it couldn't be that bad, right? Surely everyone went through life feeling this way? Right?

...right?

It wasn't until I got my ADHD diagnosis as an adult that I realized what was happening. Why I struggled so much. Why life was so hard. In many ways, it was like the sun coming up. An internal dawning of realization and acceptance, but also rage.

So much rage.

Rage at how much I'd had to struggle because no one noticed because I was quiet and undisruptive. Rage at a system that forced me to learn in ways that were not intuitive to my brain. To always being told, "doesn't apply herself" while it felt like I was clawing my brain apart trying to do what people wanted from me. To a work-life balance, that rewards all the things that make ADHD actively worse. Rage. So much rage it hurts. And to top it all off, I can't be medicated for it. I finally know what's different, I finally know why my world feels raw and turned inside out, and I can't take any of the medications that might help me.

Do you know how angry I wake up every day that there is a possible solution just within my grasp, but my health conditions prevent me from trying them? Do you know how much it hurts? How much I grieve for the person I could be if I was able to have help beyond therapy and coaching? How much happier I could be...

Not productive. Not successful. Happy.

So ask yourself, what do you want more? A child who has to go through all of this and resents you for prolonging their suffering? Who winds up hating themselves by internalizing the false concept that if they just try hard enough, they can do whatever they set their mind to.

Or do you want to help them?

Or if this is you, why are you afraid to help yourself?

Please, don't use me as an example to harm yourself or others. Yes, I am successful without medication. But the toll is high. Too high.

Rid yourself of the idea that you need to suffer more to be allowed help. You don't. They don't. No one does.

[phoenixyfriend]

How to Call Your Reps About Gaza

I make a lot of posts telling you to call your reps! Anyway, here's the overall shape of how to argue to them.

Disclaimer: I am not in politics. I do not have experience as a staffer. I am just someone who cares a lot about where things are going, and wants to help. Also, this is specific to the US, because that's where I'm based. Hopefully, people with expertise can add more suggestions on.

Find your elected officials.

My Ko-fi: this took me two days to write up, so uh. If you've got a few dollars, send them my way so I can keep doing this sort of thing, and maybe move out of my parents' house sooner.

General tips:

Be polite, or at least civil. Do not swear or shout at whoever answers the phone. This will quite possibly get your number blocked. Fifty civil calls over the course of several months will do more than one where you shout. You can be frosty, you can say you are disappointed, you can say you find the actions of your reps to be reprehensible or morally bankrupt, sure. But keep calm and aim criticism at the rep, not the staffer.

Keep it short. The staffers who answer call centers are busy. They usually start trying to hurry me off after about two minutes. I've yet to manage a call longer than four or five minutes. Pick one or two topics for the day, and focus on those. Cycle through them every time you call. Stick to just one from day to day if it's a large, ongoing issue like Gaza.

Plan for voicemail. I get voicemail more often than not. My House rep usually has a staffer free, but the Senators are almost always voicemail. This will give you a minute and a half max. Be ready to get your point squeezed into that.

Only call your representatives. The important, powerful word here is "constituent." You will be ignored or even counted against if you are from a different district or state. The first thing you start with is your name and address. A staffer will ask for the information they need. On voicemail, leave your full name, your city and state, and zip code before you go into your message. Do not lie, either. They look these things up in the system when you call. I'm not sure how--I think maybe they have access to a database of registered voters--but every time I call, they ask for my last name and address and at some point say, 'oh, yep, I've got you right here,' which indicates a database of some sort.

Research at least a little bit about their opinions. If they already agree with you, then it's much easier to leave a quick "I support you and want you to know that" to combat anyone who's arguing from the other side. If they don't, then you're best off finding out what specific issue they have so you can know the best kind of comment to leave.

Look up specific bills or arguments. I get daily emails from GovTrack about bills that are on this week's docket or have been voted on in the past day. IDK about anyone else, but being able to say that I disagree specifically with HR 815 or something makes me feel powerful, and possibly like I will be taken more seriously. Sometimes you can start with articles like this one, which include links to specific bills on the official congress website.

Email after if you can. Reportedly less effective, and takes longer, but you are more likely to get a written (canned) response, and it reinforces whatever you called about.

Basic structure of a call, at least as I've been doing it:

"Hi, my name is ____ ____, and I am a constituent from [city, state], [zip]. I am calling to express my opinion on [topic]. I am concerned about [short argument with a clear impact on the topic]. I ask that you support [measure or fellow congress member]/vote [yay/nay on specific legislature]. Thank you for your time, and I hope you keep my opinion in mind."

For this post, the topic can be stated as the war in Gaza, military funding for Israel, or unrest in the Middle East, depending on which you think your elected official will respond to best. That said, the structure should work for whatever your call is about.

Arguments to use against your elected official... or your on-the-fence cousin:

I'll be honest, some of these are not going to do much against your representative. They know the arguments, and have been going over them with each other for months. You just need to have one locked and loaded that they consider relevant instead of a nonstarter, in order to back up your opinion as 'founded' instead of 'nonsense, can be swayed with a good marketing campaign.'

I'll include explanations if I don't think something is self-evident (or needs more evidence to tell your cousin), but in most of them I'll provide some suggested verbiage that you can tweak as needed, and for a few of them, that's really enough.

THESE ARE FOR THE TOPIC OF CONCERN, ONLY. You still need to end each one with "I ask that the [official] votes to [action]" at the end. Give them something actionable (example from Feb. 13th). My go-tos right now:

Both chambers: Reinstate funding for UNRWA

Both chambers: Place mandatory restrictions on any aid to Israel, with contractual threats to cut funding if Netanyahu and his government continue to disregard civilian life

Senate: Put support behind Bernie Sanders and his motion to restrict funding to Israel until a humanitarian review of the IDF’s actions in Gaza has been completed (S.R. 504) (Tabled by the Senate on 1/16, but it is being brought back in as conditions continue to escalate)

House: Put support behind Rep. Rashida Tlaib’s petition for the US government to recognize the IDF’s actions in Gaza as ethnic cleansing and forced displacement, and put a stop to it.

House: Put support behind H.R. 786, introduced by Rep. Cori Bush, calling for an immediate deescalation and cease-fire in Israel and occupied Palestine.

What Not to Say

"There is no threat to Israel." I've talked about this elsewhere, but the short version is that this will be basically laughed out as you not knowing what you're talking about.

Anything generically antisemitic. (I mean, it might work on some of the white supremacists, but do you really want to encourage that thinking? No, so don't do it.)

Facts that you "heard somewhere" but cannot find a reliable source for. If it's being reported by the New York Times, NPR, or the BBC, it's probably trustworthy by government standards. If it's not a super common statistic, cite the journal you got it from by name. Remember, you aren't arguing to tumblr mutuals. You are arguing to your elected official or your 'I don't really pay attention' cousin. When it comes to this, big name news sources are better.

Unrealistic demands for complete isolationism, permanently abandoning Israel to its own devices, supporting Hamas, etc. Again, you will not be taken seriously. Pick an argument they might actually listen to, and use it to press them towards a possible solution. You want them to believe that if they adjust their position, they will be doing the will of most of their constituents, and thus more likely to get reelected.

The Ethics Argument

Third-party reporting has stated that that nearly 29,000 Gazans are dead since Oct. 7th, as of 2/18/24. The vast majority of those are civilians, and over half are children. Palestinians in Gaza are facing an acute hunger crisis threatening to become a full-blown famine.

The International Court of Justice has found that there is credible reason to believe that the state of Israel is committing a genocide against the Palestinians of Gaza.

This does not mean that every single Israeli is complicit. It does mean that the government, particularly Netanyahu and his associates, has been reprimanded by a large, diverse coalition of countries, and has consistently refused to listen to that court since.

This argument will possibly work on your cousin. Less likely to work on your elected official. They already know the numbers. I just wanted to get it out of the way first.

The Re-Election Argument: Michigan vs New York

Meanwhile, this is possibly the most effective. Again, this is not an argument of ethics. This is an argument of "how can I make my elected official do what I want." We do not use only the purest moral argument. We use what works.

What to say to your elected official: Michigan, as a swing state, was won by democrats on the power of the Arab-American vote in the 2020 election. We (either party) are at risk of losing Michigan due to the current Congressional approach to the Gaza conflict, as that demographic is now polling as likely to abstain from voting entirely. The risk of losing several congressional districts due to the Jewish vote is a real one, but the risk of losing the the executive branch is greater, especially after what we saw with Suozzi. Supporting Palestine might lose us parts of New York, but supporting Israel will lose us Michigan.

Explanation: Something that has been taking up a lot of time and space in the election coverage is the situation in Michigan, and more recently, there has been attention paid to the special election of New York's third district, AKA the "who gets to replace disgraced George Santos" competition.

Michigan is traditionally a swing state. While 2.1% doesn't sound like a lot, that is some 211k-278k people (depending on your source), and while not all of them can vote... Michigan was won by about 154k. Arab-Americans are not the only relevant demographic, but they sure are an important one, and they are vocally opposed to the situation. Approval has dropped from 59% to 17%. From that same article:

As Axios notes, Biden won Michigan in 2020 by 154,000 votes, but there are at least 278,000 Arab Americans in Michigan. Biden took Arizona, a state with an Arab American population of 60,000, by only 10,500 votes. In Georgia, Biden prevailed with a margin of 11,800 voters, in a state that has an Arab American population of 57,000.

Democrats cannot afford to lose these states. Pressure your congresspeople about that, especially if you live in one of those states. I assume most Arab-Americans in said states are already calling every day; the rest of you can join in.

Meanwhile, most Jews (considered the most pro-Israel demographic by strategists) in America are concentrated in a very small number of electoral districts. Of the twenty most-Jewish, ten are in New York, which is why I put it up in the section header.

One of those districts was won by a Republican in 2022: George Santos, New York's third congressional district. Following his scandals and ousting, the seat was up for a special election, and the two candidates were Tom Suozzi, a democrat who held the seat previously (he decided to run for governor, and lost), and Mazi Pilip, a Nassau county legislator who was of Ethiopian Jewish background and had been in the IDF. She ran on a campaign that leaned strongly pro-Israel and anti-immigration, and when Suozzi won, she interrupted his victory speech to accuse him of supporting a genocide against Israel due to his rather centrist, rather milquetoast stance on the conflict during his election campaign.

Now, Suozzi's win probably had more to do with Pilip being anti-choice than her pro-Israel arguments, but he still won.

Democrats can better risk possibly losing a few seats in NY than definitely losing three swing states.

"But I don't want Dems to win their districts after what they've been--" Nope. Listen to me. Surveys indicate that Republicans are on average more pro-Israel, because Trump and Netanyahu are buddy-buddy, and we do not have a viable third option.

Also, again, this is about convincing Dems to be better. "If you do not vote to put restrictions on funding to Israel, I will not vote for you in November" is a lot more powerful than "I will not vote for you either way, because of what you've been doing, but you should do what I say anyway."

The Re-Election Argument: Risk of Escalation

So, that thing I said about Trump and Netanyahu?

Yeah, so, while Biden is giving Israel military aid while cautioning them to slow down and be careful, Trump is... complicated, but suffice to say he's much closer to Netanyahu on a personal level than Biden is. Biden's relation with Netanyahu is reportedly pretty frosty, while Trump's is based on relations through the Kushners.

Just from wikipedia:

Netanyahu made his closeness to Donald Trump, a personal friend since the 1980s, central to his political appeal in Israel from 2016.[21] During Trump's presidency, the United States recognized Jerusalem as the capital of Israel, recognized Israeli sovereignty over the Golan Heights, and brokered the Abraham Accords, a series of normalization agreements between Israel and various Arab states.

Trump's been more all-over-the-place recently, badmouthing Netanyahu for being what Trump perceives as a loser, which complicates understanding what his approach is. It's kind of incoherent right now.

Given Trump's general history of being pro-Israel, though, and the attempts by House Republicans to push through a bill of unconditional funding for Israel. It failed, but notable is that the more recent bill passed in part because it was paired with aid for Ukraine and Taiwan (something Dems are much more invested in having happen).

What to say to your elected official: If Trump is reelected due to his current appearance of being more critical of Netanyahu, there is evidence from his presidency to indicate that he will support Israel much less critically if elected. While he claims to want to settle the Middle East, it seems incredibly likely that he will worsen the situation for Palestinians, and ramp up retaliatory strikes to groups like the Houthis in a manner that will impact non-military parties, igniting tensions that are already tenuous.

The Disrespect/Wild Card Argument

This particular argument is best used against the Very Patriotic Politicians who are more concerned with the US's image and Being The Alpha Nation than with other things. Basically, this might work on Republicans.

This isn't really something I believe in, as a matter of foreign policy, buuuut it might work on your rep, so. Consider it!

What to say to your elected official: With Israel's recent actions in ignoring Biden, blocking US-sent aid like those flour trucks that got stopped at the Rafah border because they'd be distributed by UNWA, and generally Disrespecting The USA and Being Unpredictable is not only making the US look bad for being unable to wrangle a smaller country, but also making it so we are less able to wrangle other countries in the future, because Israel cannot be predicted and might set someone off.

The Europe and Reputation Argument

What to say to your elected official: The United States is losing credibility as a world power known for its military and ability to manage international disputes on behalf of the UN, because it is seemingly unable to influence Israel, and losing credibility as an upstanding moral state that is not doing foreign coups and banana republics anymore, as it appears to be tacitly supporting Israel's ICJ-labelled genocide, which is a really bad look with the other Western Powers.

I'm not entirely sure who this might work on, but there's gotta be at least a few politicians who are really concerned about America's image, more than about actually doing the right thing. Figure out if your politician is one of them.

If necessary, you can bring up how Trump is threatening to pull US support for NATO if Russia attacks someone.

The Middle East Stability Argument: Iran-backed Militias

What to say to your elected official: I'm concerned that the continued support of Israel, and thus the funding of their actions in Gaza, will increase the instability of Iran-backed militias, as we have already seen with the Houthis and Hezbollah. Entire Muslim-majority nations are showing increased displeasure not only with Israel, but with the US by extension. We cannot afford another war in the Middle East when we haven't yet pulled all our troops from the last one, not with the recent and recurring economic recessions. Any situation would also very likely be complicated or inflamed by the growing tensions among Eritrea, Djibouti, and Ethiopia regarding Red Sea access as well.

Use this on the ones that claim to be pro-military or pro-veteran. See what they said about HR 815 before the foreign military funding amendment was added.

The Middle East Stability Argument: Egypt

What to say to your elected official: Egypt's government has been unstable since the Arab Spring, and even now the military government is incredibly unpopular. With that existing instability, the addition of economic strain from the reduced usage of the Suez canal, the international disputes occurring because they're the main throughway for aid into Gaza, and the threat of a sudden influx of nearly one and a half million Palestinian refugees should Israel continue to push south... Egypt is looking at a possible near-collapse as we've seen in nearby nations suffering similar instabilities.

Explanation: It took several years for Egypt to really start recovering from the revolts in 2013, and it has applied for four IMF loans in recent years. The current government is unpopular to such a degree that they are looking to build an entire new capital from scratch in the middle of the desert so that they're less open to the risk of civilian uprisings; one of the primary causes for civilian dissatisfaction is economic issues.

Due to Houthi attacks at the Bab al-Mandab Strait, traffic through the Suez canal is down massively, and since the canal "represents almost 5% of the GNP and 10% of GDP and is one of Egypt’s most important sources of hard currency." (src) Various sources are reporting that trade through the canal is down 40-50%, which is putting more strain on the already unstable economic and political situation.

Finally, Egypt's population is about 110 million, but the governorate that shares a border with Israel and Gaza, North Sinai, has a population of barely 500,000. A push of one and a half million starving, injured people will, very suddenly, nearly quadruple the population of the governorate, and require extreme aid response from Egypt's government to keep alive and prevent a larger crisis in North Sinai and neighboring governorates.

The Middle East Stability Argument: Normalized Relations

What to say to your elected official: I am concerned that Israel's continued attack on Gaza is jeopardizing any chance of normalized relations with the Arab states in the future. American has put a lot of work into trying to get these various countries to normalize with Israel, and our funding of the current attacks on Gaza are sabotaging all that effort.

This one can be combined with the Iran-Backed Militias argument: Israel, in pursuit of revenge against Hamas, is setting itself up to be in more danger long-term, rather than less.

The International Trade Argument

What to say to your elected official: I am concerned about how the war in Gaza is impacting international trade and shipping costs. With the Suez Canal down to half its usual capacity and the Panama Canal raising costs and dropping capacity in response to the water restrictions, along with rising fuel costs in Europe and Asia, global trade is incredibly strained. We are being relegated to the Cape of Good Hope, Cape Horn, and the Malacca strait for much of intercontinental trade, and the macroeconomic projections are looking very bad for America.

The Domestic Economics Argument

What to say to your elected official: Many of the plans for Israeli military funding cause damage to other parts of the budget. For instance, a recent plan put forward by the Republicans of the House suggested IRS cuts in order to move that money, a plan which would impact the US budget negatively in the long term; we need those 14 billion being spent domestically, not supporting an overreaction/possible genocide in Gaza.

Explanation: In general, pick something receiving budget cuts that your congressperson will care about. I care about IRS funding, and saw it mentioned as a target in an article, so that's what I've got in my suggested verbiage up there.

The fewer people that are working for the IRS, the more they focus on auditing poor people (simple, easy taxes) and the less they can effectively audit rich people (complicated, time-consuming taxes), which means rich people are more likely to get away with evading millions or even billions in taxation. So yeah, you want more funding in the IRS if you are poor. They are already auditing you. You want them to audit the big guys.

The Russia and China Argument

What to say to your elected official: I am worried that the current focus on funding Israel without restriction is causing us to lose sight of the international threat posed by Russia and China. Russia is actively invading Ukraine, which continues to put massive strain on the European economy with regards to oil prices, especially with the Suez situation, and China has been testing missiles near Taiwan, and thus testing US responsiveness to those threats, for months now. We cannot afford to support an internationally unpopular war if we want to remain ready for Russia and China.

This is less likely to work on Republicans, since Trump is friendly with Russia, but hey, give it a shot if they're one of the ones who aren't fully in his camp.

EDIT 2/22/24: I'm a bit unsure of this tactic, but I'm putting it out there with hopes that someone with more political experience can offer feedback:

"Congress, and the US government in general, has promised to sanction Russia for the alleged assassination of one man within a week of the suspicious death, after five months of refusing to enact even slight consequences on Israel for the deaths of nearly thirty thousand, half of which are children. This is ethically questionable at best, but for the interests of elected officials, it is a very bad look. The mismatch shows a massive bias by the American government in regards to Israel's ongoing mass murder, with over two million facing famine as a result of Israel's aid blocking, and America's reputation on the world stage, as well as individual politicians' reputations domestically with constituents, is plummeting."

-------------------------------------

Finally, my ko-fi again. I spent a long time on this and I'd like to move out of my parents' house sooner rather than later. If you appreciate my time and effort, please feel free to donate a couple bucks.

[satoruxx]

MORNING CHILLS.

✧ PAIRING: diluc ragnvindr x reader | 1.2k words

✧ SUMMARY: fluff, lots of domesticity, established relationship, clingy diluc, clingy reader, lots of clinginess overall, this is way too cheesy, an absurd amount of sweetness really, but anyways domestic mornings !!

✧ RHEYA'S NOTE: this is my entry for the summer santa event hosted by @solarisfortuneia and i got assigned to @pvbbyb0y !! i’m so sorry it’s late but i’m really hoping you enjoy this hehe :D i had a lot of fun writing it (diluc my beloved mwah)

despite wielding a pyro vision, diluc ragnvindr runs cold in the mornings.

you'll probably tell him he's absurd, clinging to him for warmth whenever you can, but he knows in his gut that it's true. he's usually warm, except for the early dawns, when he's roused from sleep and even the slightest shift of his skin against the sheets makes him shiver.

he used to hate the mornings for this exact reason. he hated being pulled from the comforting warmth of his dreams only to realize that there was nothing but cold and emptiness in the bed he slept in. he hated the feeling of ripping the sheets away from his body, hated the feeling of goosebumps rising over his flesh, hated the feeling of his bare feet touching the cold wood of the manor's floors. he hated it all.

he tells you as much one morning, when you're still hazy with sleep and slow to process his words.

"isn't it strange that those with pyro visions aren't always warm?" he asks quietly, voice thick with sleep as he speaks out into the silence. you attempt to crack an eye open, but the sunlight filtering in through the curtains makes you flinch, and you opt for burying your face into his arm instead.

when you answer, your voice is muffled against his skin. "what are you talking about?"

he sighs, quietly, so that he doesn't break the peace. he's been scared of doing that lately. "i'm always cold in the mornings..."

there's a silence that lingers in the air before you're snorting out a laugh, shaking your head. "no you aren't."

diluc sits up a little, so that his back can rest against one of the pillows. the sheets slide down his body a little, and he almost hisses as the cool air hits his skin. he eyes your disheveled hair, confusion evident in his tone. "yes i am." he replies simply.

you finally pick your head up to glare at him critically, unlatching yourself from his arm. "you're ridiculous, no you are not." you say, groggily adjusting yourself so that you can rest your face against his chest and drape your arm over his waist. "you run so warm all the time. it's the most pleasant thing ever."

he pauses, looking down at you with interest, his calloused palms coming up to thread through your hair like it's routine. "oh? what do you mean by that?"

"i mean," you stress with a sigh. "that you're so warm and so comfortable and it makes me feel clingy."

you say all of this with a grumpy pout, and diluc can already tell your only goal right now is to go back to sleep. the thought makes him bite back a grin, because it's almost funny how you can say these sweet things with such an exasperated expression. he doesn't really have an answer to give back, and instead he smiles to himself, fingers coming down to drift over the skin of your arm.

there's another comfortable silence between the two of you and diluc's thoughts travel through his head slowly, lazily.

"i hate the cold, you know?" he muses, gaze trained on the folds of his bedsheets with disinterest.

"is this another horribly concealed jab at captain kaeya?"

he laughs despite himself, shaking his head even though you can't see him with your eyes closed. "no, this isn't about kaeya. i just don't like how the cold makes me feel." he answers as his laughs die down, fingers still tracing patterns over your skin. "especially in the morning, when i have to get out of bed."

"why's that?"

he pauses, smiling to himself and leaning down to press a kiss to the crown of your head. "because you're warm, and when i get out of bed i can't hold you, so it makes me cold."

a tired giggle escapes your lips, and you shake your head against his chest playfully. "i hope you know that was extremely cheesy, diluc."

he shrugs, choosing to keep the rest of his thoughts to himself. one day, he'll find a way to explain it to you properly. how cold he's gotten used to feeling in an empty bed and how he always believed that cold would remain with him, lonely and isolating and oh so frigid. he'll find a way to tell you that he now hates getting out of bed because he can't bring himself to let go of your addicting warmth, in all of its loving and welcoming glory. he'll somehow find a way to let you know that it's almost torture for him to rip himself away from your embrace every single day.

but for now, he'll keep those thoughts to himself.

he moves to get up, and immediately your eyes shoot open, grip tightening. he laughs quietly, as though this doesn't occur every morning. "you know i have to get up, my love."

"you don't." you say simply, tugging his hand ever so slightly. "you could just stay."

his shoulders drop, a helpless smile on his face as he reaches over to smooth down your hair.

“and who would take care of the manor?” he asks, tilting his head as a few strands of fiery red hair fall across his eyes.

"adelinde runs the place better than you do."

"oh, she does." diluc chuckles, pressing his lips to your temple. "but that doesn't mean i don't have to attend to my duties too."

the look you give him is criminally endearing, and his sigh comes out more indulgent than anything else, powerless in front of you. he moves to get back into bed, and you make yourself comfortable against him again.

he doesn't even have it in him to be angry, instead just letting his fingers stroke your hair and lull you back into that sweet sense of security you claim to feel in his arms.

and all diluc ragnvindr can do in that moment is smile to himself, feeling slightly helpless but oh so warm and fuzzy.

he waits until he's sure you've fallen asleep again to finally get up, the telltale sign of your breathing getting slower so familiar to him it makes his stomach flip. your words echo in his head, and a smile tugs at his lips as he forces himself to turn away from you and get himself ready for the day. truthfully, if you opened your eyes again and asked him to stay, he'd get back into bed with you in a heartbeat. because you look so warm all cuddled up in his sheets like that, lips parted and hair mussed like it's the most natural thing in the world.

and archons above he was starting to feel cold all over again.

[douwatahima]

sorry to invoke james somerton again but i just watched his "apology" video and the way he addresses the criticism to his utena video has been scratching at my brain. for this who don't want to watch (which is so so fair), here's what he says:

"we ended up making a lot of videos we didn't want to make because people were asking for them and so there were a lot of videos we made that we didn't want to make and i think those videos are very clear on which ones those were. one of them never got officially released, it was released to patrons. some patrons have shared it to other people before all the videos went private and a lot of people hate the analysis nick and i did on it and so maybe it's good that that never got properly released because maybe it would have hurt people and i don't want that."

so, not directly saying he's talking about the utena video…but he's talking about the utena video lol. the thing that really gets me is like…look. full disclosure. i used to be subscribed to james somerton long before this whole thing blew up. i wasn't necessarily a big fan of his video style, but he talked about a lot of media i enjoy and i liked his analysis (that wasn't really his, but i didn't know that at the time) so i followed him.

the thing about him was he was always asking his followers for shows he should do videos on, especially anime, and then not long after making those posts he would post videos of "things to come" including like…every anime people suggested. not all of these shows ended getting videos made, but the point is james really set himself up as the queer anime video essayist; constantly promising videos about every show people told him they wanted.

and a lot of people loved that about him! a lot of the big names talking about anime on youtube are people doing season by season breakdowns or people talking about big shonen titles, and here was someone consistently pushing out long form analyses on less talked about shows! great! but to find out that not only was a lot of what he said plagiarized, but also that a lot videos were just shat out to appeal to his audience without any care or passion? just to get more views and more money on patreon? that's literally crazy when you're talking about something usually as involved as video essays.

on top of that i'm about 95% certain him doing an utena essay was a patreon tier goal (hence why that video was released there first). he literally heard queer anime fans asking him en masse for a video about one of the best queer anime of all time, decided to set it as a patreon goal, and then literally boxed himself into doing a video on an anime he didn't care about because he promised it to the people who payed him to be the "queer anime guy".

and the thing is he 100% didn't need to do that. he didn't need to "make a lot of videos he didn't want to make because people were asking for them". i follow a ton of video essayists who get requests for videos all the time! that doesn't mean they have to, or even should, make them if they're not passionate about the topic! video essays, when actually done well and with integrity, are hard work. that's why most good video essayists take a lot of time between videos! to think that this guy just took every possible suggestion, dangled them like carrots in front of his audience, that made a bunch of passionless, mediocre videos to solidify his station as the queer video essayist to watch is just…upsetting and disheartening tbh.

anyway if you want some actually good analysis of revolutionary girl utena, my favourites are "is revolutionary girl utena still relevant?" and "why revolutionary girl utena still slaps" by stushi, and "the shadow play gays" podcast (note: this podcast is run on the same feed as another podcast called "bitter jurors". you may have to scroll back a bit to find "shadow play gays", it started in 2021 if that helps, but i promise you it's worth it).

[slugtranslation-hypmic]

I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)

Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.

It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.

Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.

That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.

It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.

Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.

Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.

Wrong Ways to Be a Man

Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.

Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."

(TDD chapter 10)

This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.

However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.

(BB/MTC+ chapter 6)

This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.

Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.

We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."

(DH/BAT chapter 4)

However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.

In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.

(BB/MTC+ chapter 25)

Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.

The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.

Right Ways to Be a Man...Are Infinite!

But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.

Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)

Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.

(DoD chapter 1)

Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.

This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.

(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)

It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.

(DoD volume 4 bonus comic)

Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!

In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.

Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.

There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.

(FP/M+ September 2022 oneshot)

Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.

Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)

All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.

Right Ways to Be a Woman...Are Just as Infinite!

But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.

The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)

Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.

What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.

To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.

(FP/M+ chapter 4)

(FP/M+ chapter 14)

In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.

But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.

(BB/MTC+ chapter 12)

Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.

We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.

(BB/MTC+ chapter 4)

Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.

Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.

(FP/M+ chapter 4)

The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!

The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.

As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.

Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.

(BB/MTC+ chapter 16)

Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.

Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.

Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.

It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.

Intersection with LGBT+ Topics

Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.

Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)

The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.

The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.

With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.

(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")

While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.

Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.

In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.

All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.

TL;DR: Oh no, my rapidly approaching deadline. :)