#i love background characters more than main characters

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

[bpmiranda]

Teacher/authority figure hugh please please!!

Follow My Lead (Hugh Jackman) nsfw

A/N: teacher!hugh, dancer!reader, virgin!reader, age gap, hugh is in his mid 40s in this one, 20+ f!reader, power imbalance, sir kink, unprotected sex

Landing a role in this particular broadway show was an honor beyond imaginable. You had worked incredibly hard to get to this place in your career and you couldn’t be more overjoyed, or so you thought. Apparently, Hugh Jackman was a co-director of choreography for this show and that meant you and your group would be learning the steps from him. Having been a fan of the X-Men franchise growing up, to say that you were starstruck by him would be an understatement.

“That’s very good, great job, you guys!” Hugh clapped for you and you all beamed happily, you and the girls in your line all turned to each other, giggling and sharing knowing smiles as he walked around and gave everyone a few pointers to work on for tomorrow as they filtered out. Your eyes locked with him and he gave you a charming grin as he placed a gentle hand on your shoulder. “Y/N, is that right?” He asked you, leaning in close as if this were to be a private conversation. You give him a small nod, clutching your hands nervously close to your abdomen as he leans into your ear. “You moved so wonderfully today, I truly have no notes to give you.” He whispers and your heart skips a beat as your face warms up. “Perhaps this is a bit of an amateur production for you.”

“Oh, I-I don’t know about that.” You laugh lightly, shaking your head as he looks down at you with a small smirk. “I’m so honored to be here and working with you, sir. I wouldn’t want to be anywhere else.”

Hugh’s tongue peeks out to moisten his lips and he grins at you. “Care to stay behind and run the main number through, just the two of us? We still haven’t found an understudy for the lead woman.”

Your mouth falls slightly in astonishment and you press a hand over your chest, your heart beating hard in your ribcage. “Sir, I-I don’t know what to say. I’m not sure that I’m qualified, I mean-”

“Say yes.” Hugh whispers, his hand falling off your shoulder and down your arm until he squeezes your hand softly.

A breathless sigh falls out of your lips as you nod, looking up at him with doe eyes as you whisper, “Yes.”

After rehearsal had ended, Hugh insisted that you let him take you out for a quick bite so as to regain energy. “Can’t have you goin’ hungry if we’re going to put in some work.” He teased as you walked together to a casual restaurant around the block from the dance studio. Your face couldn’t seem to reach a temperature below hot as he continued teasing and complimenting you during lunch. It simply could not register that you were having dinner with him. “I’ve never seen someone so in tune with the steps, and not even just for your own choreography. I’ve noticed you counting the steps for the main number during full show runs.” He comments and you simply wave him off.

“Oh, please, I’m sure there are others in the class better than me. I just absolutely adore dancing and the choreography you’ve written is a gorgeous depiction of the story and the feelings of these characters.” Your hand inadvertently touches his as you gush and Hugh smiles at you.

“Well, leave it to you to know about gorgeous.” He says as he takes your hand and kisses your knuckles. Again, your face warms up and you look away shyly. “Shall we get back?” He asks and you nod, almost too eager to spend one on one time with him.

It’s hard work, much harder and far more intimate than the background choreography you usually run. Hugh stands in for the part of the man who is gazing in bewilderment at the female lead before he jumps in to join her. The steps to the dance are quick tempo, fun and light hearted at the start. Hugh spins you around, he lifts you mid jump before you continue down the stage. Then the steps become slower, more intimate as the characters fall in love. Hugh’s hand runs down your back, guiding you around the stage, your eyes locked together while you breathed heavily. The man can’t let her go, he can’t have their dance finish before he confesses his love for her while she tries to fight against the fall, remembering there are other expectations of her than to simply dance, responsibilities much larger that would be cast aside if she fell head first into a romance. The music is dying down as Hugh suddenly stops, his hand still on the small of your back as you get in position for the big kiss which solidifies that the characters have fallen for each other.

There is a moment where you wonder if you’ll actually kiss, but you don’t want to mistakenly cross a boundary. “How was that, sir?” You find yourself asking, breathless from the dance and he glances at your lips. Your arms are trapped between your bodies and you settle your hands on his chest which rises and falls with his own heavy breathing.

His deep green eyes snap back onto yours and he smiles. “You’re a natural.” One of his hands comes up to your cheek and you inhale sharply as he smirks. “You’re really responsive to being led which is great for dancing.” He says, his other hand moves onto your hip and you inhale shakily. “It’s great for other things too.” His tone is heavy with suggestion and you feel your face warm up.

“Sir, I-should we-” You’re cut off by him suddenly kissing you, his lips are domineering and you all to eagerly give into him. One of your hands moves up his chest and over his shoulder as he blindly guides you backstage, your ass hits a table and he’s quick to sit you down on it. Without a thought, he pulls your blouse up and you let him take it off, shivering as he kisses your chest while undoing your bra clasp.

“You want a shot at that big role, sweetheart?” He asks against your breasts as you run your hands along his beard and you distinctly hear the buckle of his belt lightly jangling between you. Your body reacts to his words, your thighs clench around his waist and he chuckles. “It could be yours based on pure talent, but I can make certain it happens.” He whispers and you shake your head.

“I don’t need it,” You breathe out, biting your lip as you quickly lift yourself up so he can tug your leggings and jazz shoes off. “Not as much as I need you, sir.” You confess and he grins.

Hugh kisses you, hard, as he steps back between your legs and you run your hands up his shirt to feel on his toned, hairy chest. “Love how you keep calling me that.” He groans as he removes his t-shirt for you and you smile bashfully. “Such a polite little thing, aren’t you?” He teases as his fingers rub at your clit, prods at your entrance and he groans from how wet you are already. “You want this?”

“Yes, sir.” You sigh as you feel the head of his cock rub between your folds. You hook one arm around his shoulders while caressing his jaw, bringing his lips back to yours as he firmly places his hands onto the table behind you, pushing himself into your tight pussy. A sharp inhale catches his attention and he smirks.

“You a virgin?” He asks curiously and you shyly nod, looking at him with such a submissive gaze he can’t help the twitch in his cock and you whine softly. “Fuck, how’s that possible?” He grunts, pumping slowly and deeply into you, his lips attaching to your neck while you moan in his ear. “You’re so damn gorgeous.”

“Just-uh-waiting for-oh, my god-the right guy.” You whimper, holding tightly onto him as your walls coat him in a sheen of your arousal. It’s embarrassing how eager you are, how wet you get for him, but Hugh is crazy for it. Crazy for you.

“Want me to be that guy, sweetheart?” He asks, his forehead resting against yours, his lips kissing you softly as you nod desperately while your lower belly tenses. “Yeah? Want me to make you cum?”

“Yes, sir, please!” You mewl against his lips and he groans as he presses himself flush to your cervix, one hand squeezing tightly onto your hip, and you suddenly gush all around his cock. It surprises the both of you that you squirt, and Hugh can’t help the breathless gasp that falls from his mouth.

“Shit, baby.” He groans, smiling to himself quite proudly.

“Fuck!” You cry out, breathing heavily as he leans further over you, his hand pressing you into him by your back as you hang onto him and let him fuck himself into your sopping cunt. Hugh growls lowly against your neck as he quickly pulls out and unloads his release onto your thigh, his body jolts and his arms flex from the force. His hand squeezes your other thigh tightly as he milks himself onto you, groaning softly as you caress his shoulders and watch him, all dazed and high on the endorphins that cloud your mind. It’s quite a sight seeing him, the Hugh Jackman, so vulnerable here with you. “Was that-was I good?” You ask, swallowing hard as you steady your breathing. Hugh cups your face in his large hands to kiss you sweetly, making you whimper against his mouth.

“A natural, sweetheart. Is there anything you can’t do?” He teases and you laugh softly, sighing contently as he pulls away from you. “Come home with me?” He asks you as he grabs the towel he had been using during rehearsals to wipe your leg off and you nod, smiling sweetly at him.

“Yes, sir.” You say, earning a chuckle from him.

While writing this one, I realized I enjoy the sir kink a whole lot more than I thought🤭

🏷️: @dontfeedthebigbadwolf @peterparkernotfound @httpsells @evasmlp @ayatotiddies @thatlittlered @seasonofthenerd @littlemisscantloveyouback @scorpiosaintt @simpingfor-wakasa @spencerswh0r3 @thatweirdtheaternerd12 @shybluebirdninja @iamburdened

[doodle-do-wop]

Kesler and Juline where cannonly childhood lovers, I think Juline had a temper and a hard time controlling her ability, and that Kesler was her alchemy tutor and wears dorky glasses similar to Milo Thatch. 

Do you have any Kesline headcannons thoughts anything at all

I’m working on a kesline teen fic and you have posted about them like three times in the last month which is more than most people do, yes there is a slight possibility of any of your head cannons ending up in the fic if they fit

Hi ya!

I have so so many headcanons

Elves show affection with loved ones (best friends, family, lovers, etc) by pressing foreheads together. The longer it lasts, the deeper the affections are.

Friends and family will do it for about the same duration as a normal hug

Lovers and friendships that are beyond love will obviously last longer.

Also I love childhood lover trope and that is canon now, Shannon is wrong. They were childhood lovers. Juline nearly failed her mid-term so badly due to her somewhat newly manifested Froster abilities being affected by her emotions making the beakers freeze over. It was a whole thing.

Kesler and Juline had known each other for years, like years!

Kesler fell first, Juline phased through the entire planet falling for him

Juline has had a fascination with human stuff for ages. Kesler just thinks it's funky but if Juline's blabbering about floppy disks he doesn't care what a 'computer' is, she's talking and he's listening.

Juline has constantly cold hands, Kesler holds them to keep her warm

Kesler likes baking, its like alchemy but you can add as many tart berries as you want, say less

Eda makes awesome pastries, Juline makes...interesting soups

will you survive? Will you need an elixir? Is it moving or is it just the smoke giving you hallucinations?

Jokes aside, Juline likes making soups that dont look appealing but taste amazing

its a prank and a good meal

They like to dance occasionally to some of their favorites (human music included) and will drag the kids into mini dance parties (this does mean Dex can dance, i eat canon for breakfast)

(once again ignoring canon) Kesler has slightly more rounded ears than most elves, Juline's are pretty pointed

they've cried over Gnomeo and Juliette (they're just like them fr)

Juline used to be shorter up until their third year of Foxfire, the girl shot up like a goblin i swear

Like how Dex shot up in Nightfal (i think) Juline was just tall

Random Juline and Kesler Firefox hc under cut, I was too proud of them to let them stay in the drafts shelf

Juline

peak annoying little sister

youngest of three

her and Eda are the only ones who kept in touch

their eldest sibling has always been distant so there was never really a connection between Juline and them

her and Eda shared a room up until their second level of Foxfire, they were just that attached to the hip

neither of her parents are Frosters, her mom is a Conjure like Eda but her dad is a Guster

Eda is older by just two years meaning she manifested first with Juline buzzing to manifest next, hoping to either be like Eda or a Guster, maybe even a Hydrokenic or maybe one of her great great grand somethings will do her a solid and-

she manifested as a Froster

she was not happy about it

kept freezing everything, left little frosty footprints everywhere, brought the room temperature down constantly no matter how wrapped up in cloaks and tunics she was

tying this into your headcanon of Kesler being her Alchemy tutor, Juline nearly flunked her alchemy midterm, scraping by the skin of her teeth

she had been docked major points for frosting some of her tools and even putting out the fire she needed multiple times due to nerves

Now onto Kesler

- as the youngest of his family, Kesler has at least three people telling him what to do at all times

- and none of them could agree

- he and his siblings were born more or less close in age (if you count close as 4-8 years)

- his youngest older sister was in Foxfire along with Kesler which means whenever Kesler had any trouble in class she was right there to both brag, and help (it was her job to be both unhelpful and very helpful, it's sibling law)

- Kesler got his love and knack for Alchemy from his grandfather who wasn't too shabby himself but Kesler was a natural

- he loves his siblings but hanging out with his grandfather doing random alchemy experiments was just their thing

- Kesler was terrible with Elementalism so much so his sister would occasionally take the long route to her classes to check on him in the Healing Room

- you could tell if Kesler Dizznee was within twenty feet of you if you could hear the tell tale sound of glass rattling in a bag

- he was in the same class year as Juline (I ignore canon) so when Juline Dizznee needed a tutor guess who was signed up as the sacrificial lamb

[greenscreen-dress]

Brain wouldn't shut up until i drew Joey and Lauren as the iconic Malfina and Clark. Witchcraft SMP is very very fun :D

(closeups of the sillies below, quality is very crunchy bc phone doodles & poor canvas size choices whoops)

[aroaessidhe]

2024 reads / storygraph

Where The River Meets The Soul

cosy-ish fantasy, romance

follows a herbalist who decides to find a magical bloom with healing properties which has become rare in recent years, after her sister is diagnosed with a terminal illness

she travels to the city, and along with a friend and an heiress, discovers that reuniting two reincarnated ancient soulmates will restore the bloom

but when she encounters corruption and betrayal, and finds herself getting feelings for one of the soulmates, things get more complicated

ace MC, genderfluid LI

[suffarustuffaru]

Reading your tags about how people miss the very obvious "there's some fucked up shit boiling underneath" regarding Otto, just gave me a sudden realization. Otto is the only character I know in fiction where they act all innocent and drive up the "clumsy", "just in the side-lines" and "straight-man (heh)" persona. When. Like no one's in the EMT camp is buying it. They know he's way more capable than he let's on. Meanwhile, the tomfoolery is completely brought on by the Western audience.

Like Otto is failing miserably to make other characters believe that he's not up to mischief, Roswaal even thinks it can bring his downfall. But the audience, who even sometimes *sees* his fucked up thought process, is buying it.

*head in hands*

no u bring up so many good points bc ive been really thinking about this for a while T^T its such an interesting phenomenon in the difference in perception otto has between the japanese speaking half of the fandom vs the english speaking half which can be explained by—yeah. media illiteracy mainly. im also putting my head in my hands anon T^T

because—okay sorry wkdndn im gonna get into meta again but hear me out bc this pattern of the fandom underestimating otto is interesting bc i kind of sort of i cracked the code maybe??? o.o i think the nature of otto is a character is that youre SUPPOSED to underestimate him at first, just like what happens sometimes in universe. i mean wayyy back then i definitely wasnt expecting him to get more depth added to him in arc 4–which was a pleasant surprise—which is also the reaction the vast majority of people have to reading/watching arc 4, along with the other vast majority reaction which is being a bit endeared to ottosubas friendship and respecting otto for being a good friend. and then its easy to underestimate otto bc of 1. all the chaos going on in rezero at any given moment and 2. hes almost always overshadowed by other characters doing worse shit or being more insane than he is and 3. otto of course damn well knows hes easy to underestimate and counts on that. thats what he did against roswaal in arc 4. plus—i mean even aesthetics-wise hes 100% DESIGNED to be easy to underestimate. his outfit and physical features make him look either friendly or frazzled or soft. so i think that the point is that we were supposed to be kind of fooled—at first.

because yeah, we’re endeared to otto. we respect him for helping subaru the way he did. we think that hes a nice person and we now support his actions especially after feeling sympathetic towards him after learning his backstory. (or at least the average audience member will think this wjdndn.) but like—you dont even NEED to look at any side content at all for it to dawn on you that theres something Wrong. with him. like all you need is main route arcs 3-8 aka ottos entire screentime thus far, because at arc 4 its so easy to overlook otto unless youre thinking a bit deeper (for example—he gets violent with subaru. like yeah its entertaining, its played for laughs a bit, yeah subaru needed to be snapped out of his own head, but was it 100% necessary??? why did otto have this response??? bc if you just look at the main timeline otto really decided to beat up subaru first. and bc this tendency is now Less Funny in arc 8).

but even if youre just looking at rezero face value, when you get to arc 5 its starting to get even more clear that ottos weird in the head. like we already saw him being very good at scheming and planning in arc 4–in arc 5, we find out about otto hiding the tome for a year. we find out WHY hes been hiding the tome for a year. the tome then leads the witch cult into priestella, so like—in the sense, otto is RESPONSIBLE for arc 5. but theres STILL a tendency sometimes for the audience to continue underestimating him even though by this point we’re getting more clues and many characters around otto, like you said anon, KNOW hes very capable. i keep wondering why this is, but arc 5 is, again, FULL of chaos and different storylines happening at once, so its so easy to almost kind of forget otto there in the background until he occasionally pops up again. plus otto serves an additional role as comedic relief sometimes—he spends all of arc 5 being bitchy and whiny (i say this affectionately HAH) about his camp being full of disasters, for example, so i think the natural response from the audience tends to be “aw otto!! what a silly guy!!” sometimes. you know? so its like. i think at this point some people tend to be like “yeah fair that otto was wary of roswaal and thats why he saved the tome…. anyway ooooh whats going on with these other plot points” wobsbss. its so fascinating bc—ok this might be my own personal experience but anyone reading this pls tell me if you agree or not—i dont think ive seen a lot of people actually even MENTION otto bringing the tome into priestella attracting witch cultists. and the english speaking fandom LOVES to go into certain characters’ wrongdoings so why gloss over otto????

the only explanation i have for this is that from arcs 3-4 underestimating otto is. kind of the point of his character UNTIL you get to arc 5 and the clues in the main story start seeping in even more. and also the western audience DOES have media illiteracy a lot. theres that too. just look at rezero content on youtube or reddit or fanfic sites or other things of that sort T^T but no yeah i think ottos nature as a character exacerbates it. youre supposed to start asking questions about him. youre supposed to start connecting the dots and then SUDDENLY its now EXTREMELY obvious in arc 7-8 and even while theres so much chaos going on its basically shoved in your face. arc 7-8 is just delivering on all the leadup that was arcs 3-5.

and i think that youve gotta be media illiterate for sure to NOT get that otto is not squeaky clean and innocent BY ARC 8. i think that ottos the deconstruction of the loyal best friend trope, and also a mirror into what subaru couldve been like if he decided to be more ruthless instead of jumping right to forgiveness and saving everyone, except sometimes that flies right over the audience’s head wkdndnd. it confuses me bc ive seen some people completely miss the point or completely agree with otto and overlook the Bad Parts of it or, you know, STILL think ottos perfectly sane—like T^T please.

and yeah so back to what you said about otto Not being underestimated In Universe—its such an interesting detail bc hes ALWAYS been simultaneously pathetic and Very Competent wjdndnd. but yeah no all of his friends have seen various hints and clues and evidence of what hes capable of. like even though he hid the tome from them successfully and even though hes hiding info now its INEVITABLE that its gonna blow up in his face one day. like you got characters like garfiel who literally saw otto punch the wall and break his hand in an unhinged fit of rage, julius who got snapped at by otto and while julius is a Bit naive definitely knows somethings off there, anastasia whos smart as hell and definitely knows not to underestimate otto, and roswaal who, like you said anon, literally went out of his way to stop otto from breaking his hand in another unhinged fit of rage and warned otto that he will literally be destroying himself if he keeps going on like this. its this fascinating dichotomy bc otto is NOT fooling anyone around him but at the same time his current schemes are mostly unnoticed—for now—which yeah i havent seen that in a lot of media!!! its an interesting balancing act bc people around him realistically know hes competent after seeing the Proof of that for the past couple arcs, but otto is still finding ways to try and Win…

which—again, the anger and violence is an extension of arc 4 otto!! this is the same guy!! hes always been like this!! ottos kind of stayed the same, deep down, this whole time and as an audience its ONLY shoved in our face with a big gigantic spotlight on it FOUR ARCS LATER, but it was hinted to all this time. and like you said anon—we LITERALLY see ottos fucked up thought processes. literally what sane person thinks any of that shit. its spelled right out for the reader HAH T^T which—yeah. media illiteracy…. and also this whole ask was a longer way of just saying that otto is VERY easy to see at surface level if youre media illiterate. but at the same time it should be very easy to figure out otto is A Bit Fucked Up bc tappei underlines it in bright red print!!! i think people sometimes just hang onto soft awkward silly otto and forget about the rest T^T either that or they dont think he cares about subaru at all. which. that phenomenon of thinking characters that do care about subaru Dont Care is also interesting to me bc why????? we’re at arc 8 and you STILL dont get it??? o.ooooo

but yeah apart from that….. i said this earlier but yeah sometimes some people agree with ottos realism in arc 8 which is. understandable, but the whole point is that he is EXTREME. with it. hes Not in the right here, but the same crowd that wants wanton revenge in rezero is gonna agree with that kind of stuff T^T ottos been lurking in the background so much so that tappei made it meta by doing the whole “walking in darkness” part of his character, so i guess people just. dont see ottos ACTUAL worst traits and instead think he would ditch subaru at the first opportunity or something. but at the point we are now, arc 8 ottos problem isnt that hed ditch subaru. his problem is that he would sacrifice the world for subaru. his problem is that he gets extremely angry at subaru for trying to do good. his problem is that hes trying to micromanage everything around him and is willing to sacrifice anything necessary to get what he wants. but sometimes people dont get that bc otto doesnt look sound or seem like a character thatd do that. the Underestimation part of his character is doing too well on. certain audiences. please T^T the soft and awkward and silly parts ARE part of his character just like all the Darker parts are!!!

additionally im also wondering if western audience perception of otto is also clouded by the fact that otto looks and sounds more feminine / androgynous and he doesnt have the appeal of Overt Power either……. he cant Really be waifu-ified… and he cant be used as a weird self insert like subaru…. and you Have to look at him closer to understand him…. and for some reason people dont tend to hate on him so aggressively, if anything people cant even see his actual canonical flaws half the time wkdndn so if youre not paying attention otto CANT be aggressively hated on bc theres nothing there if ur not looking at it….. and if youre not paying attention otto seems more “boring” compared to the others…… (not that people arent allowed to not have otto as a favorite character bc thats totally fair but im talking about the tendency to think hes Saner than he actually is.) but yeah these are just my guesses. i have no clue the western fandom is a little T^T some people unfortunately cannot read.

anyway. big thank you to the japanese fanbase for understanding ottos character more and making so much wonderful fancontent for him T^T also i think that we as a collective fanbase should stop underestimating otto in general bc its exactly what he wouldnt want and i think itd be really hilarious. <3333 make him explode with rage please

[puhpandas]

I keep thinking about how on earth they would canonize ggy bc like. at this point if they have to sacrifice Gregory screentime of just him to make something we already know actually canon, I would rather just take the screentime, but on the other hand they have to canonize it if they want to do anything at all with that plotline, and that makes me wonder if theyll stick with it as canon in the games at all or just leave it as background knowledge if u read the book 😭

[byanyan]

aaaand tonight i'm thinking about how byan was originally meant to be this irredeemable little shitbag who was a problem just to be a problem... but now they're a lot more sympathetic and much more just this traumatized kid who's been done so dirty their whole life. like, they're still not a great person or anything, but it's a lot more out of necessity than actual nature...

[mariocki]

Lo voglio morto (I Want Him Dead, 1968)

"If the Confederates and the Yankees sign a truce, the two of us are ruined!"

"And so?"

"So, they have to keep killing each other until we've sold everything. Everything, right down to the last cartridge!"

[cuteniaarts]

Digitalised + coloured + redesigned version of my Suiren and Vaatu sketch from two days ago, as promised!!

Coming up with Suiren’s design was a very long process of trying and failing because after you’ve drawn 9+ different versions of one character, the creativity starts to run a little dry, but I’m actually really proud of this one, she looks absolutely adorable <3

(Also yeah I did mostly just scribble Vaatu’s pattern because who has the energy to draw the all out accurately. Not me, that’s who, I’m chronically tired. People who draw him on the regular have my utmost respect. He’s still a funky little guy though :D)

Bonus, Raava incessantly screaming inside Suiren (and being completely ignored because Suiren is tired of her) while all this is happening:

[littledreamling]

A Funeral for a Living Ghost

An excerpt from my upcoming ficlet about religion and mourning and the process of letting go

Hob Gadling had a bad habit of attending his own funerals.

It had started in the early 1500's. He had taken something of an extended vacation, traveling to the Holy City of Rome, finally restored to its former glory after languishing for years while the Papacy resided in France. When he had returned to London after twenty or so years, his beard grown in and his hair significantly lighter from the southern sun, he had been welcomed back by his neighbors as his own son. He had been forced to, on the spot, spin a tall tale about his dear father, who had met his demise under the hooves of a draft horse. The entire town, good Catholic Christians that they had been, had insisted on a funeral. Last rites and all, they had said, and Hob had been too touched to refuse. The majority of the attendees hadn't even known him; they had simply known of him, had heard stories from their parents about their old friend, Robert Gadling.

There hadn't been a body to bury, for obvious reasons, but he assured his neighbors, to the best of his ability, that the body of his father had been laid to rest in Rome. Not home soil, but holy soil nonetheless. Still, his neighbors insisted that there be, if not a funeral, a service. A commemoration of his life, of everything Robert Gadling had done for his community and once again, Hob was too touched to refuse.

The church had been quiet; the kind of quiet you could feel in your soul. It was the quiet of respect, of mourning, of a great and terrible sorrow. In that quiet, Hob Gadling found himself thinking of his own father, the father he truly had lost, and found that the stinging tears prickling at his eyes were as real as any he'd ever shed.

For the first time, he had allowed himself to mourn his friends; those he had known, the parents and grandparents of those who filled the pews of the church, those he had seen be born, those he had seen take their first steps and babble their first words, those he had attended weddings and funerals for. He had allowed himself to mourn that version of Hob Gadling, the name he would never wear again, the person he could never be again, the life he lived until he could live it no longer. He had mourned, and then he had left.

[srdcovka]

unless bobby retires we are NEVER getting ravi begins episode, im sorry to my catholic father but he needs to leave for the true star RAVI PANIKKAR to shine

[spacejammie-eimmajecaps]

YOU CHANGED YOUR PFP ?!?!!!

To me that's like. Changing your face. It will take me DAYS to recognise you again

On another note MATSUHANAAAAAAAA!!!!!

I did, for the first time in almost 4 years. I've actually been wanting to for several months but it takes me a while to process change so I had to work up to it (and tbh I'm feeling sooooo unsettled about it lmfao it's going to take me a while to get used to it)

Changed my ao3 pfp to the same thing because matsuhana my beloved<3

[apollos-boyfriend]

everyone once in a while i’ll go “hm. am i woobifying cpurpled too much by drawing him with these things (hair clips, mlp plushes, etc)” and then i’ll remember cbench mains do the exact same thing and are regarded as popular and really good/canon designs and i feel a lot better

[noxianwilled]

the whole opposition of ideals between those two, too. he says it doesn't matters, and that striking from the shadows would have ensured her safety and not put her in needless risk, while being a mercy that the target would die painlessly and quickly. but even before kat says anything it's obvious that's not as important to her. the dude didn't want a peaceful death, and he died fighting and knowing his work meant something - what she says she hopes is how she dies when she eventually dies.

[aroaessidhe]

2024 reads / storygraph

Shigidi and the Brass Head of Obalufon

follows an unhappy nightmare god in the Orisha spirit company - the corporate structure of gods & spirits in the modern world who deal in prayers and belief

he meets a succubus who convinces him to go freelance, and they travel the world getting their own sustenance and building a relationship

but the elder gods aren’t finished with him, and he’s tasked with stealing an artifact from the British museum, with the help of a human magician from the succubus’ past

nonlinear storytelling