#i love social games

[bastart13]

I caved and read Remarried Empress because of your post and honestly I strongly agree that the fandom is very nasty towards Rashta. I mean yeah, the story is very much set up to frame her as a villain no matter what she does since the Empress is the main character, but I feel like Rashta also has some strong points as a character and she's reacting like anyone would to some of the offences she receives from the Empress (imo the story rationalizes why Navier is mean towards Rashta a bit too much for my liking). Idk, I know it's popular to pit women against each other in romance stories so there's a scapegoat, but it's a bit infuriating when most of the fandom demonizes Rashta when she's literally just a gal who's out of her depth.

I am in desperate need for a story along these lines where you can have women in opposition to each other but neither are demonised. Please... I just want a story with flawed women who the fandom appreciates for their complexity....

I've said it in the comments of another post, but it always bears repeating that Rashta was born a slave! Slavery is one of the greater evils of society! She was physically and mentally scarred, sexually abused, had her baby stolen from her, and hounded by her slaver even after gaining freedom! Of course, she's doing everything she can not to go back to that! Like, I know suffering doesn't automatically justify your actions, but y'know, I don't blame her for trying to win the protection and love of literally the most powerful person in the country.

Navier has every right not to like Rashta, but dear god, the fact that slavery exists while she's the Empress is not a good look for her, and Navier is my favourite character!

If the author really wanted a story about a manipulative homewrecker getting her just deserts, she should have been anything other than a former slave. Otherwise, you need to treat both Navier and Rashta as two sympathetic characters in a morally-grey conflict.

In the end, Soveishu is the villain of The Remarried Empress. He refuses to tell Navier he thinks she's infertile. He refuses to tell her he loves her romantically and wants that relationship. He refuses to understand Navier's situation, and he puts Rashta in danger without care, abandoning her the moment his ploy to make Navier jealous blows up in his face. Unlike Rashta, he doesn't have any sympathetic motivation to justify his actions. He just wants Navier to be his obedient wife, accepting whatever he does without respecting her intelligence by talking to her. Soveishu is not treated like a good person, but frankly, the narrative doesn't treat him like the central antagonist he is. No, that spot goes to Rashta because she's a homewrecking harlot who's too poor to belong in high society, despite everything to the contrary.

[ionlydrinkhotwater]

See one of the unrealized beautiful things about Jean and Neil's friendship is that the more they hang out, the more their boyfriends have to hang out, too. Andrew and Jeremy actually have a lot of potential as friends, Andrew actually likes nice people, i think Jeremy is capable of getting Andrew to talk with him, they are both blonde Californians with dark taste in partners, they hate cops, they have weird relationships with their siblings, but they take mental health seriously, and they dont make Exy their whole personality. While Jean and Neil are having a complicated crime filled lovehate, "we are brothers from the same messed up family" friendship. Jeremy and Andrew could actually develop a really nice, uncomplicated friendship where they babysit the others' bf when they are in town.

[ilikedetectives]

"Yes, my love? Are you done talking to your friends? Can we leave?"

[petorahs]

[kevinsdsy]

the trojans social media au (pt. 27): the jean and shawn texts were actually included before but with min instead but then someone asked if min isnt actually a girl AND NOW I DONT EVEN KNOW???? so if anyone knows PLEASE elaborate😭 also when i did some stalking to find out min’s pronouns i found out min is literally in an established relationship with xavier so either way it wouldn’t have made sense… 😭

ALSOO in my mind the shane’s tweet is about kevin day and i kinda want to have them flirting around a lot when the summer olympics era of the au starts but idk maybe y’all will literally hate it and think it’s weird especially bc im trying to keep this as accurate as possible but also i’m a bisexual kevin truther but then again idek if anyone read these little notes at the end so maybe i’ll do an individual post for this take but i’ve put down some headcanons for now

so many notes today BUT the out of pocket shawn tweet (OSHA) was inspired by a tumblr post @amberlouigi sent me saying it reminded them of shawn hehehe and shawn’s tweet about jean’s lore was inspired by an inbox from anon so ily’all thank you <333

[xinyuehui]

⸺ Once you go past 30,000 leagues, all is quiet in the deep. There will never be another Lemuria.

Love and Deepspace · Jan 18th 2024 Official Release

[foolishlovers]

anything can be a good omens au if you’re unhinged enough

[ewwww-what]

Just watched boys night. Will never be normal again.

[i-will-say-what-i-believe]

Eddie suffered enough for 5 seasons🥺

NOW, its time for the tables to turn😁

And for karma to hit back😁

Eddie befriending people EASILY when he WANTS TO shouldn't come off as a surprise considering he:

1) Won over the entire 118 the moment he stepped into the firehouse 😏😎

2) Befriended Buck in a single day even when Buck was being territorial😏😎

3) Is well-known at the LAFD underground poker games😏😎

4) Befriended the entire 126😏😎

5) Made besties at the dispatch😏😎

6) Now, this😏😎

[vriskira]

akimina.... save me akimina....

[jeanmoroses]

tsc social media au part five !!

barkbark is real in my heart (sorry if it doesn’t make sense chronologically i’m tired)

i love katelyn mackenzie

[feelingthedisaster]

what was more relevant? the renaissance or kevinsdsy's trojans social media au?

[the-physicality]

thinking this labor day about all the athletes in women's sports who didn't have a stable league, who were only making decent money from a spot on their national team, who had to fight to get even a fraction of what they deserve. who spent their prime without a club league or the infrastructure to propel the sport. who came of age after title 9 in the usa [forcing schools to fund women/girls’ sports], the ones who fought for cbas and are only seeing big change at the end of their careers or after their careers concluded. who didn't have the media attention before, but are now showing just how much they can sell out stadiums and arenas. the players who played year round because overseas teams paid athletes what they were worth. athletes who endured and reported harassment but the league never took appropriate action. athletes who never had the media attention or ability to monetize their talent but who had careers that were just as impressive as the stars of today. who did it without the help of the science, technology, and medicine we have today. who set records with less support and fewer games in a season, which will be broken by kids who have had personal trainers since high school. athletes who played great games that are no long available to view, their talent no longer archived and accessible for young or new fans. athletes who still don't have a league or are just getting one in 2024. athletes who took it upon themselves to create change for which they will never reap the full rewards.

[lala-blahblah]

I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.

And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.

A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."

I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto

I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.

Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.

He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.

Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.

They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.

He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".

Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.

[starcurtain]

The Kinda Unhinged Ratiorine Fic I Want to Read

In an (admittedly very contrived) AU situation, Dr. Ratio finds out he's about to be cut out of his (mostly estranged) family's inheritance forever because of his complete lack of interest in continuing the family line. Which, all factors considered, does make perfectly logical sense. Investment of capital should go to the branch of the lineage most likely to benefit from it, and Cousin Tiberius has five sons and daughters already. Let the house and the trust fund go to them.

But the library.

There's absolutely no way Veritas could bear to be permanently parted from the staggering assemblage of paper volumes under his collected family's auspices. Not only would being separated from tomes so full of memories be heart-wrenching, but think of the devastating blow to his research! There are records in those archives that no other mortal eyes have ever gazed upon!

So there's only one solution for it: He needs to pass on his family name, immediately.

(Andddd the rest is under a read more because what is brevity?)

Problem 1: Veritas Ratio is very gay.

Problem 2: Statistically, single men have the lowest chance of being selected for adoption placement, and this Child Welfare Agent is looking at his alabaster head very, very strangely.

Think, Ratio, think. What is the most efficient way to solve such a tedious quandary?

The obvious first step is to increase his likelihood of being selected by the adoption agency, and the quickest way to do that is... Eureka! How elegant a design! He just needs to enter into a (temporary) committed and stable partnership to demonstrate a degree of domestic dedication and home-building prowess!

Problem 3: ...Where in the universe is he going to find a stable and committed man willing to marry him?

Ratio does not exactly possess the world's most endearing personality. He might... never have had any form of romantic relationship lasting past a one-night stand even, because it turns out most people don't like being scored a 2/10 on their technique during intercourse.

So he's probably not going to find a stable and committed man.

But... He might at least find someone willing--for the right price.

Enter Aventurine (stage left). He's as expensive as they come, the greatest reward saved for the highest bidder, but despite his festering ambitions, he's still trapped as nothing more than a high-class escort, owned by a company the IPC has on the books as selling everything but what they actually trade in: Avgin slaves.

Sigonians... The reputation--and sleazy men's curiosity--precedes him, and though he only has to get on his knees for the truly bold nowadays, he hasn't yet been able to make the ultimate gamble, pull the last string needed to finally gain his freedom: the freedom to live his life as he pleases--and to enact every ounce of vengeance he's been storing for decades like cards up his sleeves.

Until now.

Until an absolute madman shows up at the underground headquarters waving around an offer that no average person would possibly make: He wants to buy Aventurine and wed him.

(Because marrying a Sigonian thrall is a safe and sane thing that safe and sane people do.)

The offer is far too good to be trusted: A real marriage certificate but a perfectly fake marriage, a no-fault divorce once an adoption is finalized, and a guaranteed sponsor for his citizenship documents. A year or two of fake homemaking, this Veritas Ratio claims, and then Aventurine can walk away a completely free man, no strings--no chains--attached.

Well, Aventurine of the Myriad Stratagems has always held one skill dearer to his heart than any other: a crystal clear knowledge of when to fold--and when to go all in.

(...Problem 4: Amber Lord help him, Aventurine's new husband is the most irritating man in the entire universe.)

Alas, if only that was their biggest problem. Somewhere between learning to navigate the citizenship process, the adoption process, a truly unacceptable level of systemic racism, and also, increasingly, each other, Ratio and Aventurine discover that the circumstances of their lives might be far more entangled than they ever could have imagined from the beginning, and the same shadowy parties that profited off Aventurine's existence might have a vested interest in parting Ratio from valuable research secrets--permanently.

While struggling to maintain a charming and loving facade and struggling not to kill each other behind the scenes, Aventurine and Ratio also end up having to out-roll and out-plan a particularly dangerous enemy; something they can really only do together.

Or, tl;dr: Dr. Ratio chooses the most efficient but most unhinged method of finding a husband that intelligence could possibly contrive, only to determine that marrying a guy whose track record for unexplained deaths matches his track record for card counting really is the encyclopedic opposite of "committed and stable." Ridiculously enough, the trouble they get into is almost entirely Ratio's fault, the only one who is remotely convincing in front of the Child Welfare Agency is Aventurine, and sometimes it turns out the guy you married for the library ends up being the guy you married for life.

[kevinsdsy]

the trojans if jean would ever try to open up to them/j & ooc