dhmis is great because imagine a series centered around three roommates living in a small incredibly isolated house in a story run by a strange omnipotent woman with unclear motivations who amuses herself by tormenting the roommates over and over again in various awful ways by dangling something new and exciting in front of their faces and then making it backfire horribly thus traumatizing them all and often maiming and killing them and they can't escape because they're nothing but puppets in her little show and they're chained to a narrative that will not let them go and one roommate is a naive kid with a sadistic father who traumatizes him horribly when he isn't neglecting him and also eats people and another roommate is almost aware of his situation but will never be able to save himself or his friends and is constantly rejected by his own kind and only wants to leave the tiny house but nothing, no one, will play along and the third roommate is caught in the middle, not a naive child but not quite meta aware, and thus is doomed to fall victim to the same traps over and over and also they're literally the only three people in their entire world besides the evil things that keep intruding in their home and terrorizing them and they can't call for help. ok and now imagine they look like this
7K notes
·
View notes
You know what? The xmen film franchise isn’t perfect. Xmen will never be perfect. But I’m glad that it exists.
There’s something so specifically heartwarming/gut wrenching about watching the new Deadpool and Wolverine film, and seeing all of these discarded characters given another chance. We never would have gotten any of that without the shit show that was Fox’s Xmen films, and I’m happy that I got to sit through shit films like Apocalypse and Origins: Wolverine just to have glowing moments like the og sabertooth actor taking action one more time. The scrapped Gambit film became a beautiful cameo for Channing Tatum and it couldn’t have been better
I’m glad that every deadpool film lead to this, because no other character could have bridged this into the MCU in this way. I’m happy that the MCU exists, even if I don’t follow it much nowadays, because without it I would not have gotten to see yellow suit wolverine on the big screen. Thank you Hugh Jackman for coming back (even if Disney‘s gonna make you do it until you’re 90) thank you Ryan Reynolds, Channing Tatum, Jennifer Garner, Wesley Snipes, Dafne Keen, thank you to everyone involved in the making of a film which was more of a celebration of the X-Men and the insane, broken, but beautiful history they have. Thank you to every actor who ever played an X-Men character ever. Thank you to both Jubilees from different timelines even though it made absolutely no sense
Thank you for existing, X-Men franchise
346 notes
·
View notes
i love ryomina
no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.
it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.
ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.
minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.
the two of them complement each other and tell a beautiful story from start to finish.
minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.
it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.
november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.
it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.
how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.
ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.
he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.
SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.
and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!
so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.
messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!
even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.
march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.
and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.
p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.
ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!! god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!
i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙
128 notes
·
View notes
Listening to His Theme--from Undertale obvs--right now & I can't help but think how much Lancer having an emotional rendition of his own theme later down the line is NEEDED. Asriel's theme is just so powerful & exemplifies the tragedy he's been through, all the pent-up emotions & feelings he has & was never able to express. His Theme is one of the most emotional & impactful tracks in Undertale imo.
And you know what, Lancer needs that sort of song. Not right now ofc, but later in Deltarune. I'm under the firm belief that Lancer is MUCH deeper than some think he is as WELL as what Lancer HIMSELF shows. There's so much more to him, a LOT of it very tragic. Lancer needs a His Theme, he needs that emotional moment where time seemingly stops in place. Lancer needs to show others how hurt he truly is inside, and an emotional rendition of his theme song would simply be perfect.
6 notes
·
View notes