#i love ur muses

[nihilara]

　— 　 WHAT TAROT CARD ARE YOU?

𝐓𝐇𝐄 𝐇𝐄𝐑𝐌𝐈𝐓

It’s a skill, to look inside yourself, one you have mastered.

The endless corridors and shifting thoughts are mapped to very carefully. This all takes time, of course. And those twisting hallways are so very difficult to map. It would be so easy to get lost. You know this space so well. Wouldn’t it be a lovely place to stay? So well-known and comforting. Why go back? How nice, how easy, to dissolve, to hide from the rest of the world and all the people in it. Why bother, when you are so good at looking inside yourself. Like enlightenment, the self. Retreating this far inwards is like retreating just as far out, into the vast ether. So comforting. The thing that was you looks at the thing that was the old woman.

There is no you anymore. Goodbye.

tagged by: @deathsmaidens tagging: @sosordid ( lloyd & daejeon ) , @paramythas ( vali & io ) , @mesmeraze , @girlfox , @efloresce , @longerhuman , @halothes / @artisaen , @scrtilegii ( robin ) , @waelahst , @knghted , @fateswallow ( EVE ) and YOU !! take this and tag me.

[attleboy]

fanart for @raggedytiger's human ragapom designs because they are ADORABLE and very much on the mind... :D

also this bit from a thing didn't make the cut but i saw ur latest art and i'm proud of getting "pomni doesn't know how to smile" right (i drew these like a couple days back... i prophesy)

also a bit of commentary on the 1st one bc the brain is buzzing... i imagine meeting while in a video game then moving to real life would make little “human” details like freckles or wrinkles or scars very mesmerizing... it'd be pretty grounding cause a game isn't likely to render little details like that, yknow? it's a special reminder you're here and real and they'd probably appreciate that :)

[shivroy]

kendalling in oil

[rippedlovelines]

the merits of the twinyards learning to show their love for each other in slow stilted actions r a lot. for me. to me. little things. aaron buying andrew his favorite sweets because he remembers his picky eating tendencies; andrew throwing a blanket over aaron passed out in the living room after pulling an all-nighter. opening up more during their sessions w bee, angry accusations n cold statements melting into talking abt hurts n what shaped them growing up which becomes even conversation n learning abt each other more ( to bee’s not so small delight.)

the glares n perpetual scowls aaron once wore in andrew presence turn into smth more knowing n relaxed. he thinks one day he’ll be able to forgive andrew for tilda’s death; knowing the reasons behind it now, how andrew did it for his sake. (when he tells andrew that he thought he was going to die, during the days he was locked in that bathroom, his voice is raw. andrew’s face shutters. then, he says in what is possibly the closest thing to regret aaron has ever heard from andrew, “If I could make what you experienced during that time less painful, I would.” n really what’s done is done n there’s no going back, but aaron needed some sort of closure, smth, anything ! so he turns away n tries not to shake from all the emotions of what he’s feeling. andrew sits there n waits for him to return to normal.) andrew begins to make eye contact w aaron, he stops looking thru him—choosing to acknowledge his existence, instead. he sees how aaron is making an effort, clumsily attempting to prove that he isn’t letting andrew go, in spite of everything. (“ I’m not going anywhere. I hate you, but I’m still not going anywhere.” aaron says defiantly during one session where andrew said smth abt aaron going on his merry way after graduation. it shocks andrew. he stills suddenly n it’s v hard for him to look away from aaron’s blazing eyes. “Do what you like.” andrew replies stiffly. it’s acceptance n permission wrapped up in one.)

they learn how to mend the fragments of their broken past so they can both move forward. aaron releasing his resentment of andrew slowly but surely. andrew allowing himself to think of aaron as more than someone who will disappear one day, someone permanent in his life. they talk to each other !!! they meet up to do things—in complete silence sometimes, with small comments here n there in other times. after graduation, andrew goes to play on the east coast while aaron does med school elsewhere. it’s a big change. it’s difficult, often times. aaron will look next to himself with words on the tip of his tongue, then realize andrew is not around. andrew will look behind him as he traverses the streets of nyc, hand outstretched as tho to hold onto smth, a shirt perhaps, forgetting that aaron is not there.

But!!!

the two of them call each other once a year,month, week— the occurrences gradually becoming more n more frequent. 3 years pass by. andrew is in town for a game. afterwards, he meets up w aaron for a drink. it’s quiet. not uncomfortable. they take each other in n note how separation n time away has made the other different. aaron is in a good mood , hair shaved close down, face full, n nothing like the raggedy n hollowed boy andrew met years ago. aaron in turn observes how andrew’s eyes r half-lidded w smth one would call happiness if it were anyone else, but it’s js content for andrew; his arms tattooed beneath his armbands, n a looseness to his shoulders that aaron could not have ever believed andrew to posses once upon a time. after some small talk n a small congratulations from aaron for andrew’s team win, andrew slips a piece of paper out of his jacket pocket n shoves it at aaron, face blank. it’s a new team contract. it’s in the same city as aaron’s med school :) aaron decidedly does not smile, but sources say his lips quirked up a bit. they order cheesecake. everything is fine. they r brothers. they walk out together.

[ssluggart]

my contributions to the sonic magma tonight with @guiltypandas and @alvalorenzz :]

[crybaby-bkg]

cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

[mappingthesky]

not a prompt necessarily but I’m always down for planymphia angst 🙏🙏🙏

in response to multiple asks i’ve received for planymphia angst… here is this <3

i know baby, no attachment

None of this had been in the plan.

It was the first thing they’d talked about that first night in Jane’s apartment; Neither of them were looking for anything serious. They were both unavailable, incapable of making any promises. Not now. Not yet. It would be clean, simple, no strings attached. Just two people using each other. Innocently, admittedly using each other, but using each other nonetheless.

They’d been on the couch in Jane’s dimly lit apartment. Jane was an obvious sort of gorgeous. It was the first thing Nymphia had noticed about her, what drew her in on that first night they’d met: she’d been wearing something meant to lure you in, hypnotized by the clinging of her clothes to her body, the wave of her hair, her eyes tightlined and sharpened like knives. Jane was almost lethal to look at, all done up and primed to kill; the most magnetic friend-of-a-friend Nymphia had ever been introduced to. She was somehow even more gorgeous now, sitting on the couch in her casual clothes, her face aglow in the light of the television, her auburn hair pulled up into a messy top knot. She was painfully, effortlessly attractive, and, much to Nymphia’s surprise, only so much of a smooth talker. She came off suave at first, all punchlines and quick remarks, but after a while Nymphia could start to see her thinking. Jane would be in the middle of a sentence, flying through it, hurtling towards some revelation, and then she’d catch herself. She’d pause, freeze on a word and scoff at it, like she was considering whether whatever she was about to say would be worth the sentiment. And then she’d go a bit shy, averting her eyes and playing with the pilling on the upholstery, giving away just how carefully considered she was. And just when Nymphia was starting to think that Jane was completely nervous to her core, that Nymphia might actually have the upper hand in this situation, Jane would bring it back. She’d pick her head up and let the words go, say something so stunningly direct and devastating. It left Nymphia a little breathless, a little too endeared, a little too eager to kiss her.

They could have guessed at the chemistry, but it didn’t come close to the real thing.

What happened when Jane’s skin hit Nymphia was the sort of collision that produced suns and planets and supernovas, flinging particles off into space with enough pressure to form entire worlds. Nymphia could practically see the stars behind her eyes, fluttering shut when Jane was hovering above her, hand between her legs, finding some undiscovered place that Nymphia didn’t know had been there all along, waiting to be found. Jane turned Nymphia’s body into something more than it was before, transforming her irrevocably. Jane was a comet crashing through her atmosphere, and Nymphia was awe-struck, staring at the sky and watching the sparks shower. You can’t be prepared for such life-altering things, it's what makes them so devastating.

What neither of them could have predicted was the ease of what came after - the lying in bed, talking about it. The debrief. Nymphia was a bit too happily fucked, and unwilling to share the extent of her satisfaction. She was worried she would come off easy, inexperienced somehow. Jane, however, was endlessly attentive. She wanted Nymphia’s experience of the encounter, all the details - what she liked, what satisfied her the most, what she wanted more of. Her sheer desire to please was enough to pull the details out of Nymphia. She was rewarded when Jane allowed her to relive it, this time through Jane’s eyes. Jane’s gaze was far off with remembering, a smile playing at her lips as she recounted her experience of Nymphia in such erotic detail, every telling arch and shudder, and the whole thing was so overwhelmingly flattering that it sort of made Nymphia want to do it all over again.

Nymphia had known better than to pack an overnight bag. She thought she had, anyway.

Her eyes were closed and she was nearly asleep when she’d mumbled, ‘I should be going soon.”

Jane just chuckled. “You’re half asleep already.” Her fingers trailed up the curve of Nymphia’s thigh. “Just spend the night. If you want to.”

Nymphia's eyes were suddenly open, “Yeah?” Jane traced stars onto her hip.

“Mhm,” Jane hummed, eyes flickering up, then back to the curve of Nymphia’s waist.

Nymphia closed her eyes, savored in the feeling of Jane on her skin. A long moment passed.

“D’you cuddle? Or is that against the rules.”

Jane’s hum was an amused look at you asking so soon. She was already pulling Nymphia to her chest.

That first night turned into a three-day sleepover, because of course it did. Nymphia and Jane stretched themselves over the long arc of the weekend, sharing the sort of welcome, unexpected ease that you can’t put down, the kind that you’ll happily destroy your routine over and resign yourself to picking up the pieces after the fact. One weekend became another, and then occasional nights at Nymphia’s apartment with the door shut and her duvet crumpled at the end of the bed. And then they added the weekday rendezvous: Nymphia meeting Jane at her place after work on Thursday evenings, promising not to keep her up late and failing miserably, leaning her head on Jane’s shoulder in the morning as she locked the door on her way out. And then Nymphia was bleeding into Jane’s week, her Tuesdays and Wednesdays, her breakfasts and dinners, her late-night ice cream cravings and subsequent walks to 7-11. And then it was all too regular: Nymphia and Jane, Jane and Nymphia.

It's been a few months now, and there are so many things Nymphia loves about Jane.

She loves how Jane drives with one hand on her thigh, or with her fingers in her mouth. How she looks over to the passenger seat with that special look that's reserved just for Nymphia, and makes her feel like the only person she's ever wanted. She loves how she listens to her music loud, sings along when she’s drunk and tossing her hair, or when it's Sunday morning and she’s at the stove and there’s a record spinning in the living room. Nymphia loves how unabashed Jane is, how bold. How she never hesitates when it comes to the people in her life, how to be loved by Jane is to be fiercely defended by her. Nymphia loves how Jane kisses her in the middle of her sentences, especially when she's talking too much. She loves that Jane is so rough. How she can fuck her like she hates her. She loves how Jane can be so tender. How she can fuck her soft and slow, as reverent as religion. How Jane can make a mess of her, then put her back together again.

There are so many things Nymphia hates.

She hates that Jane is so impulsive, how she strikes so thoughtlessly, how she has to return to the wounds later to draw the venom out of them. How Jane is so stubborn, so set in her ways, so inflexible. How there’s two Janes - the one she’s with now, the one she is around her friends. The one who doesn’t kiss her, hardly touches her aside from a possessive arm around her shoulder or a tap on her knee. How the real Jane, Nymphia’s Jane, emerges as soon as they’re alone together, the one who will see her downturned gaze on the way home and coo what can I do, princess? Hmm? What can I do to see that pretty smile? Nymphia hates that she forgives Jane so easily, that she crumbles every time, that she loves Jane completely and entirely and beyond any measure of hurt that she could unknowingly inflict upon her.

She hates that she’s still sitting at this party, long after Jane promised they’d leave. She hates that Jane’s friends clearly like her; they laugh at Nymphia’s jokes, compliment her shoes, send knowing glances and winks across the room every time Jane so much as mentions her name. She hates how, when they ask what they are, Jane is all too quick to brush them off.

It's obvious that Nymphia’s upset by the way she pounds up the stairs, by the way she wordlessly digs through her purse for her keys, by the way the anger and the hurt and the disappointment emanate from her like poison.

“I just can’t believe they asked that,” Jane scoffs. Nymphia says nothing, gritting her teeth as she turns the key in the lock.

It should be obvious, but Jane is a bit too self-absorbed to notice.

“Like, we don’t even know what we are,” Jane says, and Nymphia feels sick, because she thought she did. “Why would she put me on the spot like that? In front of everyone?”

Nymphia pushes into the apartment, beelining for the kitchen.

“I mean, it was weird, right?” Jane continues, relentless. “Why do they need to know so bad?”

“Yeah,” Nymphia’s voice is hard, laced with venom. She chucks her keys onto the counter with a little too much force. “Why would they?”

“Right,” Jane doesn’t notice. “It would be nice if they could just let us-“

“I don’t know why they could possibly be so confused.” Nymphia interrupts, working off her thigh-highs.

Jane misses a beat. “Wait. Are you-“

“I can’t fucking imagine why they’d think that we’re together.” Nymphia lets her boots drop to the floor, one gut-wrenching smack after the other.

Jane blinks, brows knit together. Nymphia straightens up, fumbles with things on the counter that don’t need to be fumbled with. “Are you upset about this?”

“Why would I be upset?” Nymphia picks up a stray mug, sets it down again. “You just told all of your friends that we’re nothing serious. Why would I ever be upset about that, Jane?”

“I didn’t say that, Nymph,” Jane starts, already on the defense. “I said that we’re something.”

“Oh, right. My bad.” Nymphia scoffs. “We’re something. Let me know when you’re ready to illuminate me on whatever the fuck that means, Jane.”

Jane recoils at Nymphia’s profanity, unfamiliar with her frustration. She’s never seen her like this- so hurt, so ready to retaliate.

It's not funny. Jane shouldn’t laugh. She really shouldn’t, but she’s viscerally uncomfortable and horrifically unprepared for this situation, so she does anyways. “Are you really angry about this?”

The whole thing is white hot and embarrassing, and Nymphia has tears in her eyes when she turns and whips her purse to the floor.

Jane jumps. “What the fuck?” She’s wide-eyed, both hands held up in shock. “Nymphia. Are you serious right now?”

“I don’t know Jane,” Nymphia bites. “Are you serious?”

“What?”

“I kinda thought you might be,” Nymphia steps over her bag. “Y’know, because you cut me a key to your fucking apartment. I thought maybe that constituted we were more than,” she curls her fingers in the air, “something”.

Jane shakes her head, jaw tight and temple pulsing. When she speaks, it's in a lower voice, almost ashamed. “I don’t want to talk about this right now.”

“You never want to talk about it!” Nymphia’s voice cracks, a desperate wail. Jane’s mouth opens, already halfway towards defending herself until she looks at Nymphia and sees her bottom lip quivering, the spilling over of her tears. Jane looked back with a concerned, almost panicked expression, lips frozen and slightly parted.

“Do you love me, Jane? Do you even fucking like me?”

Nymphia surprises herself with the question. She’s so amped up, so high on adrenaline that she lets it all out- the culmination of weeks of words she’d bitten back, suddenly pouring forth from where they’d been collecting in a lump in her throat.

“No, seriously, do you? Because I can’t fucking tell. I think you do, because- because you say all these beautiful things, and you spend so much time with me, and you take such good fucking care of me. So you must fucking love me, right? But when your friends ask, I have to sit there and listen to you tell them that we’re something. Like it’s so fucking confusing to you. Like it's a goddamn secret. Do you know what that feels like?”

Nymphia is fully pacing now, walking the length of the kitchen over and over again. Jane follows her with wincing, pained eyes.

What Nymphia hates, more than anything, is that she doesn’t hate Jane at all. Not for any of it.

“I’m fucking in love with you, Jane, alright?” Nymphia whines, hands whipping through the air with frustration. “I’m so in love with you, and everybody fucking knows it. Your friends, my friends, my mom, everyone! But no one seems to have any goddamn clue if you love me too. And you know what? I’m not sure if I do, either.”

When she finally expels the last of the words from the hole in her heart, Nymphia looks up through her tears. She can barely stomach the sight of Jane, lips parted and wordless, unsure of what to do with the outpouring of Nymphia’s heart. She stares at her, eyes twisted in pain, then looks to the ground, like Nymphia’s words have slid off her and collected in a puddle at her feet. Nymphia just cries, a pained and exhausted whimper on her lips as she pushes past Jane and into the living room. She collapses on one end of the couch, pulling her knees to her chest and hiding her face behind one hand, hot tears sliding down her cheeks and into her mouth.

Jane stands in the center of the room with her back turned, still facing the phantom of Nymphia’s words that may very well haunt her kitchen forever. Her head is spinning, because how the fuck did this happen. Nymphia is openly sobbing behind her, and the sound is so gut-wrenching that Jane is nauseated.

Nymphia makes a horrible, shuddering gasp for air and Jane finally breaks, crossing the room and dropping to her knees on the floor where Nymphia sits. She doesn’t even look at her, just sobs, and Jane can physically feel her heart fucking breaking.

“Nymphia,” she says, placing her palm on Nymphia’s knee. “Nymph. Hey.”

Nymphia shakes her head, face contorted with tears. She flinches at Jane’s hand like it fucking hurts, and Jane winces as the guilt slices through her. She exhales a sharp puff of defeat and drops her head in hurt.

Nymphia just cries and cries, and the reality of the situation sinks in Jane’s stomach with every sob. She’s sick to her stomach with concern, worried that Nymphia might actually fucking hyperventilate, and then she’s gently begging the girl to breathe. She goes to reach for Nymphia again and pauses, scared to reach out, scared to hurt Nymphia, scared that she’ll recoil from her again. It’s then that Jane knows, for the first time in all of her life, what she wants. She knows, right as it threatens to slip out of her hands.

“I’ve never done this before.”

Jane hears her own voice. Her words hang in the air for a moment, floating like smoke between Nymphia’s shaky, shattered breaths. Jane looks up.

“This,” she says, a tentative hand on Nymphia’s knee. “What you and I have. I’ve never-”

The words are hard for Jane to stomach. They don’t pour out like Nymphia’s do. They catch in her throat, feel wrong in her mouth. She’s not sure they’ll be enough.

“I’ve never had this with anyone,” she says. “I’ve never wanted to. Not until now.”

Nymphia wipes at her eyes, shudders a bit as her breathing quiets.

“I, um,” Jane glances down, scared to look. “I don’t know how.”

Nymphia finally looks at Jane, so small and nervous and crumbling at her feet. She wants to take her hand, to show her, to be endlessly patient even if it kills her. The desire is so enormous, even now. She almost hates herself for it.

“I know I’m fucking it up,” Jane says to the floor, her voice tiny and wavering. “I’m sorry. You don’t deserve that.”

“I just need to know,” Nymphia whispers.

Nymphia swallows hard, and then Jane looks up and its so fucking harrowing, so moving, because Nymphia can see the guilt in her eyes, the desire, the glimmer of words she can’t figure out how to say. She watches as she considers, catches herself, lets it go.

“I do.” Jane says. Nymphia’s heart plummets, because she knows what she means.

“I don’t want to say it now,” Jane says. “I don’t want it to be an apology. I want you to know I mean it. Is that okay?”

Nymphia nods and Jane mutters over and over I do, I do, you know I do.

It's beautiful and tragic and overwhelming, and Nymphia wants to crash into Jane, to merge together and surpass the need for words entirely. It's too soon to know yet if it's for better or for worse, only that she does it - that she reaches out and takes Jane’s hand.

“I don’t know if I’ll be any good at it.” There’s a hint of a smile on her lips, a bit of Jane laughing at herself. “But I want to try.”

Nymphia just nods and feels more tears streaming down her cheeks, and Jane’s crying too, and then they’re crashing into each other. Nymphia is leaning down and throwing her arms around Jane, who is sitting forward and clinging to her like she’s scared to let her go. Like she caught a shooting star in her bare fucking hands.

It's a whisper against her hair, but Nymphia hears it. “Can I try again?”

Nymphia could hate herself for it for all of forever. She’s prepared to. Jane doesn’t know what she’s doing, and she doesn't either. Nymphia nods anyway.

It's a new world, one of their own making. It's unexplored, uncharted, and they’re venturing into it together, hand in shaking hand. It's dangerous. She’s doing it anyway. She might hate herself for it. It might be the bravest thing she’s ever done.

[mothoscope]

hello lgbtq community

[wistrea]

starter call ☆ feel free to give this a like if you want me to write you something up from kira. specify verse if you want, and muse if you're a multi!

[sunnysssol]

I love a cool-headed Matt as much as anyone else but good god the potential in him being an anxious "Lord if this day doesn't go to plan I will actually blow my brains out live on Instagram" type A personality...

[intertexts]

rough timeline shit......

[scndor]

" for you i know i'd even try to turn the tide. " SANDOR & WHO???

[quinn-pop]

happy birthday to my number one idol, kotori!!

strangely i could ramble forever about all my other ll favorites but when it comes to kotori i just think she’s neat?

she’s been my favorite from the beginning, she’s half the reason i started sewing (and the entire reason i’m still sewing) and i miss carrying my entire sifas team with party kotori

original:

[playbarbies]

oops my hand slipped @skunkks

[darabeatha]

/ What I always find funny in interactions is when assigning muses their respective servants, by cooking compatibility and chemistry and all that stuff, and at the end its like;;; yeah see that guy?? Hes on ur team now, and ur either blessed or cursed, no in between

[evilstalks]