#but its so hard to apply those concepts in action
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kendalling in oil
#KENDALL!!!!!!!!!!!!!!!!!!!!!!!#art#traditional art#painting#oil paint#portrait#succession#succession fanart#kendall roy#jeremy strong#eye contact#art school is crazy because youre learning super fundamental concepts that make ur work stronger#but its so hard to apply those concepts in action#like tried to define and simplify the shadow shapes in this as much as i could#and theyre STILL mushy. but so much better than previous paintings have been#art growth is so slow and non-linear and fiddly#but i love his face so so so so much#succ critters are my muses
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"Cybertronians reacting to getting kissed", in which kissing is not something cybertronians do as an act of affection, so they're completely new to the human concept of kissing to express romantic love. Talk me one Knock Out who is so versed in wooing but doesn't know two shits about human kissing, and finding himself kissed for the first time. Or Starscream who's gonna freak out. Or Megatron who doesn't even know why you're smashing your intake against his
This is such a good question, anon, I've been rotating it in my head for a while now
Knock Out is well-versed in the drag and frag technique. He’s probably one of the youngest members on the Nemesis, still old as balls by our standards, but some rebellious youngin’ by theirs. He’s all about sliding in with a smooth pickup line and buttering you up until he reaches the “let’s get down to business” level, where he starts flashing his biolights in a “come hither and frag me” display. When it comes to human kissing, he’s… improvising to say the least. He’s seen humans make out in a wide variety of drive-through horror movies (many with questionable acting), and while he doesn’t “get” why we do it, he does his best to lean into the act and find what makes it so pleasurable by our standards. When you do kiss him for the first time, he’s already been hyping himself up for months, and whatever smoothness he tries to apply immediately disintegrates because oh fuck, your lips are so small and he has so much to give. He’s absolutely suffering despite the confident front he’s putting up. After fumbling the bag, he’ll ask you how he did. “Mid,” you’re tempted to say. But the hopefulness behind those smug optics stops you in your tracks. Starscream must have had a very confusing interface life even by Cybertronian standards. But there’s no way he didn’t get frisky back when he was Air Commander of Vos, even if the workload was immense. Although that’s probably the most action he got in his entire life, and even then the closest equivalent to “kissing” by their standards is merging EM fields and hoping for the best, a careful manipulation of wavelengths to fall into perfect sync. We humans do not possess a hyper-developed EM field, which is enraging for Starscream because what do you mean you smash intakes??? Mass-displaced or not, the only fluids he accepts in his intake are energon and transfluid, thank you very much. Kissing is a bad idea, and you’ve learned it the hard way, so good job! Now you have to deal with his drama queen ass acting like you just spit in his mouth. Worst thing is, he is interested in trying it again, but with his stipulations (aka watching him fail to figure out how to kiss you). He doesn’t even fail in a funny way, he’s so bad it’s concerning, you’re half tempted to contact Knock Out and blackmail him into sending you Starscream’s medical file.
Megatron was… surprisingly abstinent back on Cybertron. Yes, he’s been around for a long time. Yes, he used to be a gladiator at some point. And yes, it had its perks, but he was always more of a “sensitive spark” than a typical casanova. He had more important things to focus on at the time (mainly surviving the pits of Kaon and, before that, not offlining in a freak mining accident). Honestly, who knows what he did as a politician, whatever freakiness he had going on while trying to depose the government is none of our business and I am totally not typing this with a fusion cannon to my head.
He’s been through so much; fought countless beasts and fellow gladiators, avoided assassination attempts and blood-thirsty mutinies while leading a millennia-long war. Nothing can surprise him anymore. Yes, you’re a weird little freak for smashing intakes with him, but you need not fear for your safety. He’s… intrigued by your display of affection. You can mumble excuses all you want, but you’ve smashed intakes with him and it can’t be undone. Watch out for those sharp teeth and prepare a tetanus shot just in case. You have to deal with the consequences of your actions whether you like it or not, especially when he’s got a claw under your shirt and another down your pants. Your lips are bleeding and you pray it’s an accident, if he gets a taste for human blood you’re done for.
#transformers x human#transformers x reader#transformers prime#knockout tfp#megatron x reader#knockout x reader#tfp megatron#tfp starscream#starscream x reader
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The domestic fluff Optimus oneshot has to be my favorite with how many times I reread it. It's just! So precious!!!
Imagine you offer your hairbrush to him to let him untangle your hair in the morning. How painstakingly careful he would be, but also enjoying the softer texture of these strands. Being able to help you gives him joy, but having contact with you at the same time has him committing this to memory as he hopes this isn't the only time he can serve you.
Domestic fluff Optimus, my beloved. He was literally born to be a stay-at-home husband nurturing the hearth, but forced to be a Prime 😔
Oh, to have Optimus Prime brush my hair in the morning. When you ask if he could brush your hair, he’s taken aback. I think he wouldn’t even know the concept of "brushing," as Cybertronians simply wouldn’t have any use for such a word. You have to explain exactly what you mean and what you want him to do, even though he’s seen you do it many times before. Of course, he agrees — his desire to be part of your daily life dictating his every move — but as soon as he holds the brush in his servo, he’s suddenly lost, unsure how to approach it. He doesn’t want to hurt you or ruin this wonderfully intimate moment by being careless or applying too much force.
At first, he’s overly cautious. The “brushing” is more like lightly grazing your hair with the brush, and it’s hard for you to suppress a smile at the calculated precision of his actions. After a quick correction, Optimus allows himself to do more, this time fully immersing the brush in your hair. He remains careful, brushing meticulously to avoid causing you any discomfort, but with every stroke, he becomes more confident until he settles into a smooth, steady rhythm that he maintains for the rest of the process.
From time to time, he runs his servo through your hair, captivated by the softness it offers. He lets your strands wrap around his digits but takes care to ensure they don’t get caught in the gaps. Lost in the romance of the moment, in its privacy reserved just for the two of you—and delighted that this rare moment is his alone—a luxury after becoming Prime, he prolongs it as much as possible. Even when he’s worked through every tangle and your hair is in perfect condition, Optimus doesn’t stop. Especially when he hears a softly murmured “This feels nice” in the most blissful tone—those few words are enough to rejuvenate him, filling him with pride that he succeeded. He’s made you feel good and served you in the best way he could, sharing his care and love, finally able to give them form and bring them into reality. He’s created a memory he’ll return to often, striving to once again feel the softness of your hair against his servo.
And when he’s finished, he presses a kiss to the top of your head, just as you’ve shared that gesture with him so many times before—gentle, a silent thank-you for trusting him and letting him help with something so mundane. You’ve given him a new ritual, one that allows him to honor and cherish you anew.
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I do not consider John Laurens to be an abolitionist. I think he was anti-slavery, I think he was an emancipationist, but freedom in exchange for service does not an abolitionist make. The term has been muddied and made less powerful through its use in pop culture, but words do mean something. Someone calling John an abolitionist to make themselves feel better about his actions (or lack of action) does not make it true. To be considered an abolitionist, one has to make personal sacrifices. John did not. He may not have owned slaves, and it is touted that he never purchased other human beings, but could he have purchased people to then immediately free them? Yes, he could. And he did not.
I am very tired of white people propping up white men as heroes to enslaved people. If that's what you want to do, please look at people who actually did something as sacrifice to themselves: Robert Carter, the idealogical shift of Quakers, the Grimke Sisters, John Brown, etc.
Abolitionist is a big title and should not be tossed around lightly. Calling everyone who WANTED to end slavery an abolitionist dilutes the power of the word and the actions of others. Because let's be honest, it is easy to say something is wrong, it is much harder to follow through.
To be considered anti-slavery or emancipationist is not a bad thing! In fact, it represents the majority of white Americans during this time period and I think still rings true to people worldwide today: "Yes, I recognize that thing is wrong, but I am unwilling to make myself uncomfortable."
I think John is reflective of an uncomfortable truth that continues to permeate society today.
Okay, anon, for the sake of having a conversation about this I am going to disregard your tone and your vague ad hominems and address the substance of your points. I think you are wrong about some substantive aspects of the history here.
I’m just going to start this by saying I have no special interest in championing John Laurens as some exemplary or unique or heroic paragon against slavery (I plainly called him a hypocrite in the post you’re responding to). Can we list a hundred people who did more for the anti-slavery cause? Sure. Could John himself have done more? Perhaps. But you seem to be under the impression that John Laurens was one of those Americans who talked about antislavery but didn’t take action, and that’s simply incorrect.
“words do mean something” As a scholar, I agree! But we seem to be operating under different definitions here, and you haven’t provided yours, so it’s hard for me to comment on it. In fact, in a strict sense, you’re absolutely right – while “abolition” was used throughout the 18th century, “abolitionist” as a specific term was first recorded in 1791, and usually applied to an organised movement in the 19th century, so John could not formally have been a capital-A Abolitionist. But since we are clearly discussing the spirit of the concept and not its formal origins, and since most scholarship about this topic freely uses lowercase-A abolitionism, my definition (as previously stated) is someone who advocates the abolition of the slave trade and the emancipation of enslaved people.
The formal distinction between abolitionism and emancipationism is very murky to me, and the latter is an even later word, so less applicable to John. Eighteenth-century abolitionism was typically the “gradual” variety (let’s end slavery by degrees), while in the nineteenth century, the shift turned towards a more immediate and total end to the institution. I highly recommend the following chapter on the topic (DM me if you’d like a PDF):
Stauffer, John, ' Abolition and Antislavery', in Mark M. Smith, and Robert L. Paquette (eds), The Oxford Handbook of Slavery in the Americas (2010; online edn, Oxford Academic, 18 Sept. 2012).
The distinction you seem to be using is “anti-slavery/emancipationist” = “talk” and “abolitionist” = “action”, so let’s go with that. (Or correct me with the definitions you are using.)
Laurens’ own words make it clear that he was looking for a total end to slavery, even if that meant sacrificing personal interests:
I think we Americans at least in the Southern Colonies, cannot contend with a good Grace, for Liberty, until we shall have enfranchised our Slaves_ how can we whose Jealousy has been alarm’d more at the Name of Oppression sometimes than at the Reality, reconcile to our Spirited Assertions of the Rights of Mankind, the galling abject of Slavery of our Negroes_ I could talk much with you my Dear Friend upon this Subject, and I know your generous Soul would despise and sacrifice Interest to establish the Happiness of so large a Part of the Inhabitants of our Soil_ if as some pretend, but I am persuaded more thro’ interest, than from Conviction, the Culture of the Ground with us cannot be carried on without African slaves, Let us fly it as a hateful Country_ and say ubi Libertas ibi Patria_
John Laurens to Francis Kinloch, 12 April 1776
“To be considered an abolitionist, one has to make personal sacrifices.” Why? Of course, many abolitionists did face ostracisation, attacks, financial losses and even death for their beliefs. But equally, quite a few abolitionists were not slave-owners themselves, and were not making a financial or social sacrifice in advocating for the institution to be abolished. Enlightenment writers on the immorality of slavery were often even praised for their stances. In either case, I don’t see one as a precondition for the other.
“John did not. [etc.]” Even though I dispute the need to make personal sacrifices as a criterion of being an abolitionist, there is a case to make that John did make, and tried to make, sacrifices. For one, he asked Henry to advance him his inheritance by letting him take custody of his enslaved people for the basis of his black regiment, thus intending to deprive himself of the financial asset those enslaved people represented. He also publicly, vocally championed his black regiment plan to Congress and to the South Carolina legislature (and possibly Georgia too), at great potential risk to his reputation and social standing. That might not sound like a big deal to us today (though just think about the things you might stop yourself saying because you don’t want to offend or alienate your friends or family), but personal reputation was critical at the time, and was one of Henry’s significant reservations about John talking so loudly about his plan. “Fame” was also important to John personally, but he was willing to sacrifice it and to “make himself uncomfortable” (in your words) in the name of his cause.
Was John’s proposal of gradual freedom through military service the most ideal, most enlightened, most fair and humane way to achieve his goal? No. Was he trying to come up with a solution that had at least some minuscule chance of succeeding in the context he was operating in – mid-war, in the most slavery-invested state in America, trying to take advantage of the military crisis to do some good for both his revolutionary and antislavery causes? I think so. Even for this, he was considered naive and idealistic, but he made the attempt at least twice anyway – and seemed to have actually swayed some more people to his side the second time around.
I’m not sure what else you would have expected him to do. Sure, he could have stood up there and told the assemblymen to free all their slaves, but that would have achieved precisely nothing.
“could he have purchased people to then immediately free them? Yes, he could.” No, he couldn’t, and I’m not sure why you think so. First off, John didn’t have any of his own money. He didn’t take a salary for his service to the army, and relied on Henry to fund all of his expenses. Henry’s own finances were drastically limited (he had poor access to his credit and much of his wealth was locked up in property and – yes – enslaved people), and would certainly have not advanced his son thousands of dollars for this purpose.
John himself did not own any enslaved people, and it was not in his power (by law or force of arms) to make other people free theirs.
What he could and did do was use his influence and reputation to advocate in the personal and political arenas he had access to. Lafayette got his anti-slavery views from somewhere, and it’s not farfetched to credit some of that to Laurens; Lafayette went on to be an outspoken anti-slavery advocate. Hamilton was initially quite involved in Laurens’ anti-slavery efforts, though any conviction he felt about it seems to have vanished in later years. If John had lived, he may have been able to make Hamilton into a powerful advocate for that cause.
“Calling everyone who WANTED to end slavery an abolitionist dilutes the power of the word and the actions of others.” Sure. That’s why I’d never consider Henry Laurens, George Washington, Thomas Jefferson, the Rutledges, the Pinckneys, or any of the hundreds of others who wrote about wanting to end slavery abolitionists.
I think the obvious final point to make here is that John died aged 27, having spent the entirety of his adult life either in Europe or in the middle of fighting a war. These are not the conditions that enable the sustained political, financial, personal and social effort that is required for effective abolitionism. Even so, John took it upon himself to advocate for enslaved people to those around him (his father, Washington, Lafayette, his slave-owning social circles in London, Hamilton, and certainly countless others), and to risk his reputation through direct political action.
One 27-year-old could only do so much to effect continent-wide systemic change. But he certainly did a lot more than many people of greater wealth, power and influence, and it’s hard to doubt the sincerity of his beliefs. Societal changes, especially ones with such far-reaching consequences, need passionate advocates and time to build momentum. Abolitionism was a new movement, and Laurens was on the forefront of it, as imperfect as his efforts may have been.
#anon i don't particularly care how you feel about laurens#i just care about the facts and the historical context#i DO agree that people whose activism ended with saying “woe is me! slavery sucks!” were not abolitionists#but laurens actually Did Things About It#(which it sounds like you're not aware of...?)#and the fact that he often failed doesn't obliviate the effort or the conviction#i also don't believe you have to be the guy who did The Most to be considered part of a social movement#anyway now i need to go do some real work#john laurens#henry laurens#marquis de lafayette#18th century history
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I’ve found myself back into Naruto after being somewhat indifferent to the end of Shippuden. Was not a huge fan of that final arc.
Anyways I remember initially being annoyed and/or disappointed with some of Sasuke’s actions towards the end of the series. Don’t get me started on him immediately trying to fight Naruto after they ended an entire WAR. Grrr!!
But I’m able to articulate better why I found the whole ‘let’s get Sasuke back’ rhetoric in Shippuden so frustrating. This might get long so bear with me, might as well format this as a zany essay while I’m at it.
Mission get Sasuke back — The terrible, no good experience of having your trauma ignored
It’s been a while so I could be wrong, but I feel like team 7 never address how absolutely valid Sasuke’s desire to leave is? Kakashi touches on it when he tries to reason with Sasuke pre-defection but I don’t think it ever got through.
In Sakura and Naruto’s case, they want him back, they say they want to be a team again, but none of them ever considers his perspective?
The inherent racism against the Uchiha
Their approach is pretty tone deaf honestly. Sasuke’s a victim of violence. His people were massacred. At the start of the series it’s only been like 5 years since it happened. Sasuke has no one. He also can’t trust anyone. Prior to the massacre the village ostracised them and feared them. In Sasuke’s lifetime, the village has never been welcoming to his identity as an Uchiha.
To top it all off this hatred was incited YEARS earlier by non other than the village’s own second Hokage. It’s pretty vile how much passive and oftentimes—straight up overt—racism is directed towards the Uchiha and no one ever calls it out?
Honestly after Sasuke learns the truth from Itachi, why would he ever feel at peace in the village again? How could he ever return there knowing what they allowed? Does he even fit in there? Did he belong in the first place?
The loneliness of processing his people’s oppresion
These are some complex issues. Sasuke starts tackling them at 12 when he first leaves and only really process it by the end of the war. He spends his adolescence seeking revenge, when he gets it he spends the remainder of the series grieving. He’s mourning, he’s searching for the truth, he’s trying to grasp anything tangible in this awful world he’s inhabiting.
I cannot stress how MAD I get when Sakura and Naruto are like come back, we miss you, what about our bond 🥺 Like guys priorities?? Sasuke is single-handedly tackling systematic corruption and discrimination, give him a minute.
All things considered, he handles those issues in lik four years. He’s pretty efficient.
Overall I don’t think Sasuke’s problem was ever about losing his morals or succumbing to rage. That played a role of course. But the crux of his issue was him fighting for himself, his people and getting justice for something that was largely brushed aside.
I think it’s disappointing that we don’t see more support from team 7 or the village. No rage on Sasuke’s behalf? Not even a brief acknowledgment that the previous leadership was cooked and unfortunately dropped the ball on protecting his people.
Does forgiveness even apply here?
Naruto is a series about forgiveness and redemption. Which can be so beautiful. However I get the sense they want Sasuke to move on from anger and that’s so not possible given what he experienced. There’s a reason reparations is a big part of reconciliation. Konoha was never going to do that under its current leadership.
Konoha is a system. If Sasuke opposes that system then it’s simply him paving a better way for himself. I don’t get why that concept is hard for them to understand. This village is so cooked that the Sannin peaced out of there as soon as they could. Didn’t even come back post Kyuubi attack.
Naruto is a forgiving character, but as someone who also got done dirty by the village it’s sad that he didn’t understand why Sasuke couldn’t drop all of his grief and plans, to simply return to being one of Konoha’s soldiers.
Anyways there’s a lot of nuance missing here that I didn’t go into detail about. Sasuke objectively did some horrible things. Shippuden is him processing trauma realtime, it’s not a surprise that he’s messy, raw and self-destructive. I switch between being so frustrated with him then feeling so sad about his circumstances.
They could never make me form a one-dimensional opinion on you Sasuke! You’re worth thousands of think pieces.
#naruto#naruto shippuden#sasuke uchiha#itachi uchiha#uchiha clan#uchiha massacre#sasuke retrieval arc#kakashi hatake#team 7 naruto#konoha#anti danzo#cannot stress that enough#hiruzen sarutobi#obito uchiha#sannin#Konoha politics are cooked#sakura haruno#naruto uzumaki#naruto analysis#Sasuke analysis#character analysis
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Oh for fuck's sake, are we having the curse-shaming argument AGAIN??? Every time I think we're done unteaching this nonsense.....
Arright, quick rundown of the points, more or less in order, because I've already had this discussion a hundred times:
One - There is no universal moral or ethical code in witchcraft. Not every witch is a Wiccan or follows Wiccan principles. Not even all Wiccans follow every Wiccan principle, and that includes the Rule of Three / Threefold Law. The Wiccan Rede is ADVICE, not a set of hard and fast rules or divine mandates. You don't get to tell other witches what types of spells they should and should not cast.
Two - If you think the Rule of Three / Threefold Law means, "Whatever you give out comes back to you times three" or if you think it only applies to baneful magic, you don't understand the rule. The original rule, as stated by Robert Graves in "The White Goddess" (you know, the fictional novel that Gardner used as a model for Wicca) states that whatever a witch is dealt, they should deal back three times over. In fact, the passage cites a particular initiation ritual that involves symbolic flagellation, NOT a code of ethics for witchcraft.
It was picked up by later authors as "Whatever You Give" and popularized by media like The Craft and Charmed and authors like Silver Ravenwolf in the 90s when the modern witchcraft movement was having its' millennial boom. (This is a gross oversimplification, but that's when the concept became common enough in pop culture that non-witches were starting to become familiar with the term.)
Three - Karma has absolutely nothing to do with it. Karma is not instant or sentient and the bastardized version of the concept that's been worked into much of modern witchcraft literature more closely resembles the Christian concept of sin and judgment than what karma actually is. Remove the word from your vocabulary when you're talking about magic. The universe does not give one single flying fuck what you do with your spells.
Four - The word you're searching for when you talk about these concepts is CONSEQUENCES. Every action you take, every spell you cast, everything has consequences and everything has a price. This isn't a divine mandate or a cosmic law either. It's a simple fact of life. BUT. It doesn't mean that baneful spells are morally or ethically wrong or that they're going to blow up in someone's face. The only reason a baneful spell might be more likely to rebound is that it's one of the only types of spells that witches actively ward against.
Five - Witches have a right to use magic for persuasion, defense, justice, retribution, binding, prevention, or outright harm if they so choose. If you don't like those types of spells, then don't cast them.
Six - Moral puritanism is a cancer that will destroy us all. Get off your high horse, drop the holier-than-thou bullshit, and remember that being a witch does not make you immune to propaganda.
Thank you for coming to my Toad Talk.
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Hello! I hope your having a nice day/afternoon/night. I’m a writer who has a oc with ASPD. I’m doing research and i saw most sites have ableist things and stereotypes about ASPD, and I didn’t want to add that to research. I was wondering if there are any sites or things that gives accurate info and not ableist
Hi!
I am not aware of any actual websites that provide decent info about ASPD beyond the diagnostic criteria and basic treatment info, to be honest? I don't think anyone has actually made a website for compiling info like that!
The thing with ASPD is, that theres not that many (publically available) research articles and those quickly keep repeating the same information, which you often already know from the diagnostic criteria. So in order to really grasp what the condition can look like beyond the stereotypes (which are valid and real presentations too), you sorta need to deepen your understanding of overall psychology.
If we take the impulsivity symptom as an example, you can look at how impulsivity works on an emotional and behavioral level. What makes a person act like that? How does it work neurologically? What can triggers be? How do children get taught to not act impulsively & to instead think about their actions and regulate themselves? How are different kinds of impulsivity responded to socially? What aspect of impulsivity can cause distress for people and how can it interfere with their daily lifes?
Once you understand a certain characteristic like that intrically, you can connect that to what you may already know about how ASPD forms and what sort of "core reactions/lack thereof" ASPD runs on. Theres patterns that, if you connect them with the characteristics mentioned in each symptom and take into account how trauma can influence a persons characteristics, it will just sort of make logical sense and tell you more about what presentations are possible yk?
What I'm trying to say is, that ASPD specific research will only get you so far, especially with ableism making it hard for people, who aren't that familiar with the subject, to differentiate between accurate info and ableism.
At some point you unfortunately just need to get an overall grip on how brains work and how what goes on in them translates into behavior and you need to do that research outside the disorder context in order to get good less biased info. And then you need to do the work yourself and see how the puzzle pieces logically fit together.
I mean...theres no website or article, that tells me that chucking my cup against the wall can be because of my ASPD. But if I do the thinking and understand that ASPD can cause impulsive behavior and sudden bouts of aggression and I understand that theres gonna be some sort of trigger for that, thats probably connected to trauma in some way, I can conclude, that I may have been stressed, that I may have been disregulated or may have somehow been reminded of a traumatic memory/moment and thus reacted impulsively and aggressively and let it out on the only object I currently had: my cup.
No idea if any of this makes sense, but the point is: learn about human brains and learn about them until you can apply psychology related concepts on your own without needing a scientist to give you a list of examples! Thats the point at which you can actually even extract useful info out of ableist articles, because you can spot the ableism. Its a lot of work, but after that you can understand most disorders pretty well and your OC will be accurate portrayal, because you know what humans act/think/feel like.
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okay but i actually kinda wanna know ur take on stridercest being canon compliant O_O <- autism stare
oh hey i am also hitting you with the autism stare. ill try to get my thoughts down in a way that makes sense to more than just me hahaha
bear in mind that im an epilogue lover and i think Meat/Candy are really valuable pieces that further all of the characters and are also hard canon in the sense that we're looking at just 2 post-game universe outcomes out of an uncountable number (the book in the picnic basket representing post-canon fanfic). i think the characters actions in the epilogues make sense and are satisfying to me. yes even jane (i love alpha jane and i will not do her the disservice of 'cleaning her up' w/o showing her work for it. thats not how you depict a character who grew up with fascist programming). i could totally go on a whole tangent about this specifically but thats another post lol we'd be here forever and its also not stridercest
but okay. canon stridercest. under the cut cause it got kinda long
basically it has to do with the cherubs and how their relationships and mating rituals are pretty obviously incestuous leaning even though cherubs dont have the human concept of Siblings or blood family. the cherub who predominates will search across paradox space to mate with another cherub who closely resembles the cherub they predominated which is like textbook Freudian sexuality. theres a lot of Freud and Jungian stuff in HS imo even if im kinda [wobbly hand gesture] at the validity of these theories applied to real life and real people. but theyre super fun tools and lenses to use in fiction and i mean. gestures at all of dave
so the incest aliens cherubs. the whole reason why im talkin about them is bc Caliborn is so incredibly interested and invested in the Striders in particular. caliborn as both Lord English and Lil Cal shapes earth NOT OVERTLY but more so embeds himself in earth society, but again, the Striders lives in particular. dave is full of incest jokes. hes even apparently got a list of his friends arranged in order of how likely theyd incest-elope with each other (thank you epilogues for this amazing factoid). he seems to think about it often enough to, yknow, Do That. have a good solid think about that and construct an organized list about it. bearing in mind dave makes jokes about stuff thats a) bothering him, or b) generally camping out in his brain. hes not even really aware of it most of the time (as we see in one of the openbounds where hes all 'why am i thinking about puppets???' after seeing dirk for the first time in that dream bubble. he is thinking nonstop about dirk at that point and going off his only frame of reference for ANY dirk, which is his bro. his bro who was most likely deeply warped by Lil Cal)
sorry for the long blocky paragraph lol. but now onto the next thing
Caliborn as Lil Cal is the centerpiece in the beta strider apartment. dave cant escape him and beta dirk grew up with him. what the fuck do you do when youre childhood comfort item is also the most evil creature across all of paradox space? if youre a dirk you try to fight it. but how long can you keep fighting something like that. its safe to say that bro was affected by Caliborns particular brand of perversion and sfw kink. i dont think i have to say how insidious abusive and toxic he is about those things. and looking at the truth of beta bro (16yo alpha dirk) you can start to see just how warped beta bro became. beta bro is a false dirk (still a very Real dirk but not the Truth of dirk. beta bro has been toxified and made infinitely worse by an absolute evil influence over decades of life. in 80s fuckin texas. presumably in the system. anyone would be fucked up after that)
so for this analysis/theory im stating beta bro as a false persona. using jungian terms he is apha dirk's shadow
both dave and dirk live with a fake, carefully manicured version of their bros. they live with personas (or shadows of their guardians on the walls. hello platos allegory of the cave). they dont actually know e/o and they dont until the striunion
alpha dirk especially grows up embedded in the Public Persona Of Dave Strider 400 years post mortem and completely alone with unlimited internet access. hes a self admitted expert on his bro and we dont get to see a lot if any of his early childhood but i can hazard a guess at how much he clung to that persona of his bro. he fuckin idolizes dave. he LOVES dave. right off the bat he is in some kind of love with dave and i think if you try to argue against that then thats you slippin. i think youre a fool and have to reread homestuck because i wholeheartedly believe the striders loving eachother is part of the win state
once again this is speculation cause we get barely anything about alpha dave, but from what we already know about him im guessing this bro-persona is
achingly effortlessly cool
oozing masculinity (toxic or not, not really interested in categorizing that although toxic coolboy masculinity IS something the striders contend with & is an important facet in their lives)
a skilled fighter
a dedicated moviegoer (hes a director need i say more. this one is probably the only genuine thing about his on-screen persona)
and now lets look at jake. someone whos grown up on pretty much nothing but movies, whos doubtlessly been influenced by hollywood and its idea of gritty 'main character' masculinity through that, and who also clings to more old-school ideas of manliness (think victorian/edwardian era gentlemanly-but-loves-a-good-scrum kinda manly. moustache twirly with a monocle kinda manly. basically everything that grandpa harley is)
but okay lets look at what jake wants to be. lets take a look at his teenager persona
achingly effortlessly cool (his own 'hollywood star' kind of cool also def influenced by his favourite characters like lara croft who is indeed achingly cool. you see him succeed in inhabiting this hollywood star persona on earth c)
oozing masculinity (the old school manly mans-man kind)
a skilled fighter (two pistoles always. harder to aim cause you cant use a free hand to make up for kickback. that takes skill)
a dedicated moviegoer (again one of the only genuine parts about his persona. his questionable-to-wretched tastes aside. but bearing in mind that the SBaHJ movies are intentionally bad which is what makes them loop around to good. such is the nature of intentionally 'bad' art. jake fuckin lives in this perpetual bad-good art loop. okay enough with the art tangent keep focused man cmon)
because dirk has obviously way more contact with jake i dont doubt he sees through jakes own (admittedly way more flimsy) coolboy persona but the point still stands i think. different flavours but the same kinda guy. dirk has a type and i dont think its a stretch to say that hes looking for aspects of the bro-persona he grew up looking at in other boys, much like the winning cherub looking for the one they lost in the cherub theyll mate with
also wtf is with dirks obvious boner for dave chasing him across paradox space to decapitate him huh?? the last few sentences in Meat are about that very thing. he wants to fuc fight dave sooo bad. haha remember how the cherubic mating ritual is one of the most violent and long running spectacles in paradox space? i sure do
#stridercest#davedirk#dirkdave#alphacest#my t#thank you if you read all this HAHAHA#i am dedicated to my craft (autistic) (indulgent)
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I hope you don't mind me sending this early because it's late at night where i live and I'm about to fall asleep 😭😭😭
Fandom: JJBA
Character: Okuyasu Nijimura
Pairing: Romantic
Type of fic: Concept, plus if you want the reader could also be in the duwang gang?
(If you don't write for him you can ignore this obvi 🤍🤍)
Honestly, been a hot minute since I've written for JJBA or watched Part 4 so if anything is off I'm so sorry. Here you go though :) I need to write more for this show... I missed it. (For those who don't know, I started yandere writing through JJBA on Wattpad. Although I don't like most of my old work for it now.)
I may add it to my next fandoms since this sparked my interest again 😅 Maybe even bring back some old JJBA fics if I feel I liked them enough, although most of them are female reader so... we'll see. Anyways! I hope you enjoy the new content I bring to the table!
Yandere! Okuyasu Nijimura Concept
Pairing: Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Delusional yandere, Clingy behavior, Jealousy, Violence, Possessive behavior, Stalking, Threats, Attempted murder/Murder implied, Abandonment issues, Mentioned kidnapping, Dubious/Forced relationship.
Okuyasu is a very driven character.
He acts through his heart and is often very impulsive.
He even complains about the fact he has no girlfriend in the show.
I feel Okuyasu can both be a very intimidating yandere while also being extremely sweet.
Especially if you are part of the Duwang Gang.
I feel Okuyasu would be very sweet, considerate. and caring for his darling.
However I also feel he'd get easily carried away.
His emotions drive him too much at times which can lead to some problematic situations.
Okuyasu gets to know you when you join the friend group either through Josuke or Koichi.
Okuyasu may even be the type of guy to fall in love fast when he finds the one for him.
As stated before, Okuyasu allows his heart to guide his actions.
The heart wants what the heart wants!
While this behavior can make him sweet at times, it has side effects.
Such as making his jealousy and aggression more intense due to his impulsive behavior.
He doesn't always think his actions through and with a stand as strong as The Hand, that's a dangerous combo.
I don't imagine Okuyasu is good with flirting but his actions certainly show he has attraction towards you in the friend group.
He's very honest in his actions and openly compliments you but he's also respectful.
I no doubt feel Okuyasu pursues you slightly out of jealousy due to Koichi's relationship (Which has its own problems).
Okuyasu seems like a yandere you'd be able to control for the most part with Josuke but there's times he gets out of hand.
He takes dating advice from others on ways to impress you.
Then he tries to apply that to pursuing you.
Okuyasu feels like he'd be a clumsy stalker but still would.
Okuyasu also seems like he'd be a bad liar and feel horrible doing it, which means Josuke or Koichi would pick up on his tendencies quickly.
It's hard not to when they keep catching Okuyasu making puppy eyes over you.
It's like there's not a time he stops looking at you.
He's always just daydreaming about you and often lets his crush over you control him.
I'm sure Okuyasu means well but he would come off so strong in his obsession.
He can't help complimenting you and often gets jealous when you give away your attention to someone else.
Ah here it is, the problematic part.
Due to his impulsive behavior, Okuyasu would definitely get aggressive towards anyone he feels are taking you from him.
He's been shown to threaten those he doesn't like in the show and has tried to use The Hand for lethal force too.
It would take you to calm him down since I feel Okuyasu cares for you enough to calm down.
He doesn't want to look bad in front of you, after all.
His emotional behavior extends into other aspects of his obsession too.
If you gave this man anything of sentimental value, like a gift or a hug, it excites him and probably nearly sends him to tears.
Okuyasu holds so much love towards you and has no idea how to vent it.
He feels he can finally have a partner if he just plays his cards right with you!
Okuyasu is so optimistic and hopeful, too.
He thinks one day you'll get together, even if you don't show any signs now.
I feel if he ever asked you out and you rejected him he'd act fine, shuffle away, then start sobbing.
However, afterwards with some encouragement, he just thinks he needs to wait a bit longer before asking again!
Honestly, Okuyasu may accidentally guilt you into dating him as he's persistent.
He just knows you have to be together!
When you eventually do start dating, Okuyasu does whatever he can to please you.
He is completely head over heels for you when you finally give him a chance.
For the most part he is very sweet.
He asks others for advice on what gifts he should surprise you with.
He's often physically affectionate.
Okuyasu's biggest problem is his emotions towards those he doesn't like.
If he felt someone was flirting with you, even if you were just talking, he'd probably beat them up if not stopped.
Okuyasu can be clingy by following you everywhere.
He hangs out with you with the rest of the friend group, he even plans little dates with you alone.
As said before, Okuyasu means well, he just easily gets carried away.
If not kept under control then he may become a disastrous yandere.
For example, wiping away someone undesirable with The Hand.
I want to say Okuyasu wouldn't kidnap, he seems like he'd know better in a way.
Although if he was really pushed he may do it by accident, like in an attempt to get you to not leave him.
For the most part I feel Okuyasu would just be clingy and follow you around.
He really just acts like a puppy at times around you.
It's cute until people start going missing... and he just never wants to let you go.
Okuyasu may also have abandonment issues due to what happened in his past.
Which would make breaking up nearly unbearable or downright impossible.
Okuyasu would go into denial to the point of accidentally forcing you to stay.
He'd do anything for you!
Don't just let him go!
I feel like I want to say more about him yet I'm also out of ideas.
Overall Okuyasu certainly means well in his obsession but that same driven behavior causes dangerous problems.
From stalking, threats, potential murder, and maybe even kidnapping... Okuyasu just wants to please!
If isolating you will keep you guys together... Maybe he has to do it?
All he knows is he depends on you... he can't have you leave him!
He'd do anything for you to please you... just as long as he can have you as his.
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Hi there! I just found this blog and omg I've found my people lol. I just read your response to an ask requesting how one of our yautja boys would react to their human going down on them for the first time, which was incredibly hot and also hilarious, and I had to ask - do you envision the same sort of reaction from a female yautja? Because not to get too into it here in your asks unprompted - but if there's one way this gal wants to go out its with her head between Those Thighs TM
You and I are in the same boat, friend. (Says a creepy voice from the shadows as I rise from the grave with this post lol)
(My take on this with a male yautja can be found here.)
I kinda feel like a female Yautja would be a lot more calm, a lot more logical, and way more permissive from the jump. A Yautja female doesn't have to worry about an appendage being gnawed off, and she certainly doesn't have any perturbation about your oral structure, as dull and unthreatening as it looks. I don't think female-receiving oral is a big thing for Yautja, (though it's far more probable than its male counterpart) but maybe they engage in tongue action from time to time with their own species. I do, however, think that the idea of lips, blunt teeth, and a wider, much smoother tongue would interest a female yautja enough to make her want to try it from the minute the topic is raised...
Mature content below the cut
Terrifying could be a very fitting adjective for your situation for some. A less seasoned human in the fine art of romancing deadly extraterrestrials would probably have bowed out long before now, before a massive, clawed hand could find purchase on the back of your fragile, tiny head.
She's 8 and a half feet of nothing but thew and venom. More muscle than you've ever seen packed onto a curvy frame, with muscular pectorals and the nicest ass and hips you've ever seen. And it's all wrapped in a pretty package of dappled greens and browns, textured skin pulled over the planes of her body in such a right way that it isn't fair.
She's absolutely gorgeous... you know, in her own viscerally terrifying way.
Currently a grunting, growling mess, all teeth and fire-eyes as she writhes beneath you, she's even more alluring. Like a needy predator with deadly claws, she grinds just this side of too hard into your face with a rolling insistence that sparks at your need to provide and please her, wanton enough to inspire a succinct pride within you that you are the source of such a massive, intimidating galactic predator's pleasure.
"Right there." She grits through her teeth, somehow making it sound like a plea and a demand in one. Tree trunk thighs tighten around your head, careful not to pop it like a too-ripe watermelon, and she goes completely still.
Convergent evolution - if such concepts can be applied interplanetarily- is a magnificent thing. Darwin, or what dust is left of him after those centuries past, should be doing backflips in his grave...
In two beats, she's gone, mewling to the stars on the other side of the tempered window in wild bursts of feral pleasure, praying to her brutal gods in a fraternal echo of any human ever to be in her position. Every muscle, previously taut enough that it felt like you could be doing unspeakable things to a boulder, whips along the complete axis of it's motion, spasming in wild bursts of pleasure. As she comes down, panting and growling, she goes limp, only exerting enough energy to haul you up along her frame so you can rest atop her.
On your lips, linger the alien taste of her release, like something not quite familiar enough for a name or a likeness. Gently, she caresses you, tapered claws trailing up and down your back as you rise and fall in time with her massive chest.
"You..." she pants, and you're struck anew with pride at how unraveled you can get her, gruff and unmovable as she usually is. "You are quite skilled with that mouth of yours."
Compliments as such are not unheard of from her but they do fall sparingly and so you soak this one up with a grin. Those shark-like eyes that you've grown to love wander over your face, mapping the topography as if trying to discern for herself what makes your facial structure so pleasurable.
"Consider my ego stroked," you joke, and those eyes swipe up to bore into yours.
"You would like something else stroked." It's not a question, it's a statement she knows to be true and she gives you no time to answer before she rolls and she's on top of you.
Already breathless, you chuckle and bloom beneath her, body spreading under her wandering claws that you know from experience she can use so skillfully...
#This is.... a very late answer#anon if you ever see this I'm sorry I made you wait 15 million years lol#yautja#predator#female yautja
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have u heard of "cosmic bliss", it's been on my mind a lot recently. It's kind of hard to put into words, but this overwhelming love of what others see as monstrous is fascinating, and the idea of experiencing it is often more horrifying than cosmic horror itself, but in a way we all sort of experience it in little ways day to day. And there's this thing that seems to be especially common when it comes to vampires in fiction, this idea of willingly letting them bite you, and I can't help but wonder what's going on in those people's minds, it seems foreign to me, but I want it, I yearn for that sort of trust. That's the part of being cupioromantic that's most confusing, I yearn for the emotions behind these things, and I don't really know how to put those ideas into words, but it feels oddly divine, the same ideas apply to worship after all. Does this make sense?
I entirely understand and feel mildly embarrassed to come up and offer the information that I’ve had the opportunity to feel it already. It’s fucking insane, but strangely pleasant. My entire world spins around the fact that I can define anything I’d want to in words, and anytime I’m stripped from this power I become irritable and angry and afraid, but there’s this specific feeling.. where it’s like all my worries are erased and there’s nothing but goodness. It seemed strange at first, I couldn’t define everything, I wasn’t happy, but nonetheless it just made me calm. And out of all the common and uncommon things, I’m very inclined to yield and submit to the things that are out of my power, I’ve come to terms with my momentary morality, and don’t really see any problem in my lack of ability to stand up for myself (I can if I need to.. just haven’t had to yet) but if an abomination of visual mass full of inhuman features and limbs and full of actions I can’t really understand were to stand before me, explain it could make me feel better beyond what I could possibly imagine, I would allow it to. I’d cower before a cryptid and reach out to a siren with my un-enchanted brain merely for the purpose of natural love through pure feeling of pleasure, and the only place I draw the line is with my physical body being compromised or being hooked up to a machine. My mind is the greatest thing I can offer up and a currency beyond words, and I protect it like this fragile little animal, but if I’d see an Angel, I’d blindly throw my sanity into its hands and face the unpredictable mercy it could have. Reality doesn’t end there, and im just so deeply intruiged and invested by this concept that the only thing I can say out of this is that I totally understand cosmic bliss to a deeper degree. Of uncertainty and fear, I’ll still go to the unknown. Caving, sky diving.. this is just far too human-risk in nature, but mountain climbing, scuba diving.. isn’t it beautiful? To allow yourself to disappear under the effect of some kind of drug produced for your worth, to disappear from your integrity and become an animal of pain and pleasure. Isn’t that one in the same? Isn’t vulnerability the greatest thing we can offer up to another? There’s something else in my mind I can’t yet just conjure up into words, and that’s what makes me a bit more autopilot in certain behaviours and situations, but cosmic bliss is no stranger to me and no exception to the beauty of existence. Hell- I’d love for more to feel if! But this could easily turn to blind faith and mass suicide through cult practices, but that’s not what I’m talking about..
Ah fuck it - just directly ask me something. I love this topic. Do you want me to go on about my view on this or a vague view of its relevance and significance of an impact on humankind and the sorts?
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Spoilers! Digimon Adventure 02 The Beginning [Dub]

Here's my full System Restore write-up of Digimon 02 The Beginning. Spoilers below!
In this movie, an adorable, sympathizing Digimon gives a poor, desperate kid the chance to make his humble wishes come true. Clearly they’re the villains of the piece.
Depending on whether you approach The Beginning from the perspective of Lui or the Zero Two cast, you’re going to find it to be a story about one of two things. Looking solely at Lui and Ukkomon, there’s a lesson in how wishes are fulfilled. You’re only going to get what you want out of a relationship if you express your needs clearly and understand the motivations of those trying to provide them. That applies double if they can magically grant wishes, as any good Monkey’s Paw derivative would illustrate. The Zero Two kids face a tale about the nature of fate. Not the dread over an inevitable tragedy as the last parts of tri. and Kizuna explored. Instead, the dread of learning that something wonderful originated from something awkward and manufactured, and how an origin point can be more uncomfortable than a fixed destination.
It’s a bombshell to both us and the established cast: the digidestined were created not to help a digital entity maintain order, but to help a abused four year old feel less alone. There are some staggering questions that arise from all this. Did Ukkomon empower Homeostasis to choose digidestined? Would the Digital World have been defenseless against its evils if Lui hadn’t made the wish? Why couldn’t Ukkomon get anyone together for Lui’s eighth birthday? Even if everything that came before this remains in continuity (and it’s supposed to), it twists the initial contact between child and Digimon into something forced rather than a divine destiny. That’s what the kids have to grapple with, and grapple they do.
What they come to realize is that even if their fated partnership had such shallow origins, they themselves made it genuine. They’re the ones who put the work into creating and maintaining these bonds, the same as any other relationship. The preservation of past canon reinforces that, allowing them to look back to Willis and Ken and even Lui himself to understand that such partnerships, well-intentioned as they may be, have the capacity to go wrong. Theirs didn’t (or at least they got better), and that’s still something to cherish. In this way, it’s still a struggle to accept fate the same way Tai had to in tri. and Kizuna, but coping with the past rather than the future.
Meanwhile, contrast that to Lui and you can understand his cynicism towards the concept of digidestined. Grateful to have his life turned around and unwilling to question the implications of Ukkomon’s actions, he doesn’t put the effort into maintaining a partnership because he never had the impetus to. Without the stakes the other digidestined faced, he’s allowed to continue living his fantasy, only realizing the implications when he sees other kids and Digimon risking their lives because of the wish. Feel to mark that as a possible clue to some of the above questions. Either way he goes to the other extreme, rejecting the wish entirely, inflicting some gruesome body horror, and making Ukkomon very sad.
In this regard, and our astonishment that Kari calls this out so bluntly, Lui and Ukkomon are simultaneously the story’s protagonists and antagonists. Lui’s wish and his initial refusal to rein in his partner are as responsible for this mess as Ukkomon was, while both seek to work together to find a more organic solution to make young Lui’s life better and not realize the wish’s final apex. The Beginning is very naive about the power of communication. Sympathetic as it tries to be towards Lui’s mother, a random stranger grabbing her out of nowhere is unlikely to suddenly reform an abusive parent. And it’s hard to envision a way Lui could have successfully articulated his wish better after it was already set in motion. But this movie follows a series where Davis reforms a former villain just by talking to him enough, so don’t act so shocked.
The movie certainly communicates its feelings about this world’s continuity. Its way of honoring everything that came before it while simultaneously being cavalier about how it’s incorporated is either incredibly frustrating or the most zen thing we’ve ever seen. Kari and TK know of Homeostasis and mention it by name, so they must know of the original five digidestined. But using that to question Lui’s claim of being the first would be distracting and fruitless, so we don’t see it. The epilogue is more intact than ever, with Davis consumed by ramen, Kari helping with a daycare, and Yolei hitting on Ken. But it also treats the notion of giving everyone a Digimon partner as a nightmare scenario with little elaboration. Not that it needs any after Savers and Ghost Game, but Zero Two’s ending relies on the idea of making Digimon accessible to everyone. And despite its close links to Kizuna, when the kids wonder if killing Ukkomon will end everyone’s partnerships, it never weighs on their minds that they may already have a shelf life. In fact, the destruction of the D3s suggest that the bonds are again limitless, possibly reversing mechanics we just learned about.
So why is it all right? Both the elimination of the digivices and the final narration suggest that even if the Digimon Adventure timeline is unbreakable, it is malleable. Events can swerve in different directions, new revelations can upset what we used to believe, contradictions can co-exist, and the rules and logic of the world can be made and broken on a whim. We have to allow ourselves to put our assumptions and expectations aside for the sake of a good story. We still seem headed towards the epilogue, but the surprises Kizuna and The Beginning throw at us suggest we should stay on our toes as we await whatever comes next. Remembering how dull it once seemed to be stuck traveling a narrow path to 2027, isn’t that what we should be wishing for?
My Grade: A
Loose Data:
Suppose we should start out with thoughts on the dub, which is mostly faithful and generally solid. Davis, Ken, Veemon, and Hawkmon are back in peak form, and Yolei sounds more natural and expressive than she did in Kizuna. TK, Patamon, and Cody are fine, while our substitute Wormmon does his best. Kari and Gatomon have the same voices from tri. and Kizuna but sound a little shakier this go-round. Armadillomon’s the same actor, but an shockingly stark downgrade in his direction. As the leads, both of Lui’s actors and Ukkomon absolutely deliver standout performances. Good luck getting that birthday song out of your nightmares.
As far as the script goes, some things like Hikarigaoka and a couple attacks don’t get adapted to dub equivalents, but everything’s pretty understandable. The conversation about switching to D3s is the only one that seems unfocused.
That “Journey 1, Route 1” bit at the start makes it feel like there’s some bigger plan in motion for more Digimon Adventure stories. But it also feels like whatever that’s supposed to be about should have started with Kizuna.
Even if the story is not really about the Zero Two kids, Davis, Ken, and Yolei certainly make their presences felt. Davis Davises his way into getting everyone on board working with Lui and with Veemon offers the motivational speeches. Ken keeps him in check and tries to inject reason to his madness, even if Davis’s introspective side shouldn’t come as that much of a surprise to him. Yolei is back to offering pure personality in her dealings with Davis, even calling out him and Ken’s “flirting” (which Davis blushes at!). Kari and TK occasionally bring up interesting points. Cody… he got them into a computer room?
It doesn’t matter for purposes of this movie and nobody is in a position to deliver answers, but they bring up Ukkomon’s connection to a higher power a lot. A connection to Homeostasis makes the most sense, but there were an uncomfortable number of helixes flying around when Lui dove into Ukkomon at the end there. That’s not usually good.
The effects of Ukkomon melting and later dying track well enough if you realize Lui isn’t actually changing the past. But his mother dropping dead is alarming since she wasn’t physically unwell when Lui made the wish. Her death suggests that Ukkomon taking control of her means it actually killed her years ago. Hope those classmates are all right.
We get the sudden canonization of the ol’ “digidestined count doubles every year” thing that was only a rough guide that even Zero Two proper didn’t actually follow. It still can only be seen as a loose estimate given its inevitable march to the “everyone on Earth is a digidestined” scenario the kids fought so hard to avert, and there are so many surprise digidestined cropping up before the Zero Two kids (Menoa and Meiko are just the recent ones) that it’s a disservice to steer the audience to any hard numbers. So it’s a strange choice to mention out loud, especially when Miyako or Ken just dropping the raw estimate would have sufficed for that scene.
It’s worth pointing out that Lui convincing his mother to stop abusing her kid is happening inside Ukkomon, so the improbable effectiveness of that act could well be one last bit of wish fulfillment before they hash things out. Wonder what would have happened if Davis actually had intervened in the first leap.
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yeah not denying that, but one of the basest aspects of being on the aspec spectrum is the lack of attraction not lack of expression
aromantics still get married despite the cultural belief marriage is romantic same applies to many other western culturally believed romantic things because to them they lack romantic attraction aromantic within aspec community means lack of romantic attraction. terf definition is lack of any intimacy its a negative statement meant to push exclus bs
believing someone cant be aspec because they enjoy physical contact is terf rhetoric, its exclusionist rhetoric that 'real' aspecs should be completely cold stone touch averted people which is just a negative stereotype which is mostly spread by terfs it all goes full circle into 'not something i understand thus it cant be real or valid' rather than the fact that people understand and feel stuff differently, terfs say for lesbians to be attracted to transwomen they cant be real lesbians, because they arent, vice versa same is used for aspec people sorry if this isnt articulated correctly its also late where I live
comparing this to terf rhetoric is so absurd to me because terf rhetoric is based on the idea that gender doesn't exist/is intrinsically tied to a person's genitals. no one is saying that romance doesn't exist -- or that aromantic people don't exist. it's a false dichotomy.
a more accurate comparison would be me telling you that your line of logic would dictate that you think that CBT doesn't work, because that's actually what it's sounding like to me. the argument that i keep getting put back on me is that behavior and cognition have absolutely no relationship to one another -- or that a person's environment doesn't influence them.
this is why i said:
i was also speaking in generalities. are there tiny little micro cultures throughout the west where this is a thing? where those expressions of intimacy are completely removed from any romantic intent? sure. but in general, 99 times out of 100, if you find yourself yearning for someone’s physical intimacy, you’re experiencing a romantic longing for them in a western context. this is how you were raised culturally, and it takes A BIG EFFORT over MANY YEARS to unlearn that and decouple those two concepts.
what i'm talking about is how culture influences people's thoughts, desires, and behavior.
what you're talking about is... i don't know, assuming that i think aromanticism is a complete lie 100% of the time all the time. but i say right there in that quote that it is a thing. people have these experiences, and they're real.
however, i acknowledge that i then went on to say:
very often, i see people use “aromantic” as a stand-in for “i don’t want a relationship” – but that’s not what it is. but to experience that longing, to experience that yearning – that is a romantic feeling. even if you don’t want to be committed to that person. even if you have no desire to devote yourself to them at all. it’s still romantic in nature, because culturally, those things are romantic. and i have a really hard time believing that random 20 year olds on the internet have managed to completely decouple themselves from their cultural upbringing and totally decontextualize these actions to such an extent that they exist in their own micro culture. more often than not, these are young people who are intimidated by intimacy and sexuality and don’t really feel comfortable with who they are yet, so they slap the word “aromantic” on themselves because they don’t want to be bothered with romantic pursuits – but that doesn’t mean that they’re wholly disinterested in romance. there’s been a pushback in recent years against anything surrounding the words “romance” and “romantic” and that is really what my initial statement was about. “romance” has become almost a dirty word in some fandom spaces, because of people’s own personal discomfort with vulnerability and flaws in themselves and others. if it’s not romantic, then it’s less vulnerable, and so people strive to be as invulnerable as possible.
so let me explain.
people who are so staunchly against the concept of "romance" in fandom spaces who are very young and likely have a poor self-image and little life experience -- which are the very specific people i'm talking about; i'm not talking about aromantics in general, i'm talking about this very specific subset of people -- need to be careful that they're not co-opting a very real term for a very real thing that exists and using it as a band-aid over their own damage.
that's why i continuously use the words "yearning" and "longing."
and if they do that soulsearching and come to the honest conclusion "no this is really me, i'm really decontextualized from my cultural upbringing" -- then that's great, and i support them. but i'm willing to bet that, for a lot of these younger people, they find themselves yearning for romance while not wanting it to happen to them in a practical sense because some other xyz reason -- and then lashing out against romance in response.
like let me tell you a story. i have been celibate for about 15 years due to a very traumatic experience i had at 18. i could very easily make the argument that i'm aroace based on my lack of desire for sex or a relationship. one of my go-to lines when people ask why i don't have a boyfriend is: "if i wanted to be that responsible for another living creature's emotional state, i'd get a dog." in fact, a coworker of mine was convinced that i was aroace based on what i told her about myself, and she tried to convince me of it. and eventually, i just had to get firm with her and say: "it is just. TRAUMA." and walk away from the conversation.
but how many people -- especially young people -- don't have that insight about themselves -- or don't want to accept that part of themselves? it's easier and more appealing to accept the thought that you could be aroace because, if you are, then there's nothing "wrong" with you. the damage isn't there.
aromanticism is real.
asexuality is real.
these are real things that people experience in life.
but so are trauma and emotional damage and negative self-image. and they're ugly, awful, terrible things that no one wants to be burdened with. some people don't recover from them. and i don't blame a single person for grasping for a perceived "out" that's offered to them. if i was younger, rawer, closer to my own damage -- maybe i would've let my coworker convince me i was aroace, too.
and so i posed the question of where this backlash against romance was coming from, since people in fandom want to see expressions of romance in media so badly (but without the romance part)? because, culturally, in the west, what they're asking for are expressions of romance. and that comes from somewhere.
this is not a black-and-white issue. there's layers to this. it's nuanced. the conversation keeps getting boiled down to "is or isn't" and "inclusion or exclusion" but i feel like that's just not helpful. to blindly accept what people say on its face doesn't help anybody. this is why people are fucking fighting all the goddamn time.
i wanted to know where the backlash against romance was coming from, so i looked at it from a macrocosmic perspective. i took into account culture and psychology and stigma against mental illness, because i don't think it's productive to just broad-brush say "IT'S ALL JUST AROMANTICS!!1"
we need to be able to talk about these things, man. it's important.
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Laughing Jack X Soulmate reader whose family member he has just killed
TW: Implied gore. Angst. Existential dread. Regret. Death of younger sibling. Death of reader. No happy ending.
He has heard it countless times, a claim so wild and hard to comprehend that it is impossible to define. They say that within a moment your whole reality will change. The way in which you see the world will flip itself upside down, for everything in front of you shall no longer appear how it used.
According to them, this supposed concept of “color” does not apply to him. He has met a few of them so-called “lucky” individuals and every encounter he has had so far has always begun in a similar way – confusion.
They have always looked at him with disgust, pity, and uncertainty. His existence appeared as though it was a fragment of the past, of the days before they met the one who they were destined to be with. He remained colorless.
Jack has pondered this idea countless times, how could he remain the same in appearance if they have never seen him before? The whole idea made absolutely no sense to him, to everyone else he was normal, or at least as normal as he could be despite being a creature that is one of its kind.
Truth be told, Jack has always believed that, unlike all others, he did not have a soulmate. How could he have one when his existence is not rooted in reality, but rather in imagination? Or at least, this is what he used to believe.
Reality can be bittersweet, however on that day, it was a poison. He has heard of bad encounters, and for the love of God – he lives in a mansion full of outlaws. His co-workers realizing that they just attempted to murder their destined partner was a common story he killed countless times. It was troubling indeed and it complicated their relationships. However, that could never compare to killing the loved one of your lovers while they were looking. You can’t make that look like an everyday accident. They already know what happened.
His mind entered an instant state of panic. Questions started racing in his mind – what can he do? What should he do? Jack knew exactly how badly he messed up. Yet there is nothing he can do. The colors spread all around you as soon as your eyes caught each other.
You were on the floor, on your knees, in the exact same place, in the exact same position that you were in a mere second ago before you knew of the special connection you both have. However, you were silent – obviously in shock.
“I’m sorry…”
He threw those words in your face as the corpse of your younger sibling lay on the living room floor. Those words could have never undone the harm he has done. You remained frozen.
He took a deep breath,“… but, you have no choice but to come with me, it’s either that or death” Jack knew the rules well. No witnesses, no survivors, no clues. He gave you the illusion of choice before he ended your life in an instant.
Today has never happened, or at least that is what he keeps telling himself. He saw the disgust on your face, whether it was at his white and black appearance or at his cruel actions is a mystery, he will never get an answer to.
Either way, it's time for him to drown himself in despair. Guilt. Self-hate and blame. Not at himself, not at you but at the entire universe. Why couldn't he have met you before he became this? Why couldn't love overpower your fear?
Why weren't you the first one he has encountered?
#creepypasta#creepypasta headcanon#creepypasta headcanons#creepypasta x reader#laughing jack#laughing jack x reader#angst#creepypasta soulmate au
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I didn't want to derail your very lovely post with something I understand is a personal choice and doesn't really matter, anyway, but I'm wondering while we're on the subject of you-don't-have-to-do-it-all, why are we taking on extra things that God never asked us to do—like not taking the word g-o-d in vain?
That's not God's name, that's a signifier that didn't even exist when the command was given. It's not the name we aren't allowed to say. It's like writing H@shem or the Al-ighty. It seems like a Christian influence.
this is a really good question and it pretty much boils down to not erasing His name. there are so, so many interpretations of everything in judaism, including how we address g-d in writing. the beautiful thing about this religion is that we can choose what resonates with us and not be judged for it. what it boils down to is not that we shouldnt write g-d's name, but rather that we should not deface or destroy it. if one of His names, rather than a signifier, is written out, then there is always a chance of it being erased. however if He's just alluded to then that problem is avoided. the same concept doesnt really apply to speech bc when you say something out loud it's there for good and there's no going bac
i no longer write out g-d and i use words like Hashem or Him as signifiers as a sign of respect because names have power. I only use the word ad-nai during prayer and i make sure that when i speak to g-d, rather than just about Him, i do so intentionally and with a proper focus.
there are also jews who write out g-d in full and those who switch between methods. those are absolutely valid ways of writing His name as well, but the "-" or Hashem would be the most common ways to refer to Him. what is not common is a religious jew writing out g-ds name or any signifier referring to g-d without some reason or forethought put into it no matter what format they choose. very rarely is it just put down on paper with zero reason.
also btw not taking g-ds name in vain is a honestly huge deal in judaism, but that's actually a completely different concept. the english translation really doesnt explain this concept very well imo, and it is absolutely hard to explain a very non-christian idea in a language influenced by Christianity. in short, not using g-ds name in vain is about avoiding cruel actions that desecrate his teachings. some examples would be using g-d's name and social influence to collect money that is claimed to be for donations but is actually for yourself, using your status as a leader (such as a rabbi) to abuse children, abusing your spouse, etc. g-d's name is a very powerful tool that holds so much meaning and using it for personal gain or to hurt others is what we as jews avoid.
i can sort of understand why this may seem like its influenced by Christianity. its not, the concepts of not taking His name in vain are totally different in those two religions, but these are very very difficult conversations to have in english. hebrew is genuinely the best language to discuss judaism in because it has words and phrases for concepts that just dont exist in English. sometimes close comparisons are all that's there and those can be extremely far off as well.
i dont usually do this but this is long as fuck so:
TLDR: a lot of jewish people use signifiers to refer to g-d so any words used to refer to Him cannot be erased. not taking the l-rd's name in vain is in regards to not using his influence to cause harm or for personal gain.
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Recently, I said I wouldn’t be discussing Kotoko’s case. Mostly because I believe I’ve already interrogated everything regarding the information provided already.
However, I never said I wouldn’t discuss her ideology.
So, let’s talk about Kotoko’s ideology and why she’s pivotal to Milgram’s progression and Jackalope says this,
Firstly,
What about Kotoko is too good to be true?
Well, her ideology of course. It fits far too well with what Milgram is trying to examine. Something the experiment the series gets its name from tentatively touched on. Fascism.
Particularly the Milgram experiment was done to,
CommonLit | The Milgram Experiment: X
Now I feel it's important to say out of the gate that by bringing this up I'm not stating I believe Kotoko is a nazi. While fascism has ties to Nazism not all fascists are nazis.
I'm toeing the line here and trying to use extremely specific wording as not to be misinterpreted. Because simply boiling down Kotoko's character to that concept alone would be a disservice.
When it comes to discussing Kotoko's ideology and how we've interpreted it I feel it's important for others to understand and recognize that fascism does not exist in a convenient vacuum where one can always tell that it is that from a glance. Poison comes in many forms and sometimes it can taste delicious going down.
One could frankly assume by me saying Kotoko has a fascist ideology that means I'm saying/believe she's a nazi. Because people tend to like to attach terms with things, they already have a firm understanding of and nazis are the most prominent type of fascists.
Many may go well I can tell a fascist when I see one. I wouldn't be tricked into falling for or supporting that sort of mindset. I have a firm understanding of right and wrong. I'd never knowingly support someone who's an exclusionist, bully, homophobic, ableist etc. Because I know better.
However, that's hard for me to believe from an outsider perspective considering Kotoko did have the highest Innocent verdict of trial one.
Firmly affirming that her crime was forgivable. That and by proxy her ideology that people who offend will always be offenders and there's no room for redemption or reform regardless of the scale of the transgression was correct.
Something she goes to no lengths to hide during her first trial song.
"I can’t forgive the evil hurting the weak."- "I hate all the evils in this world, I feel like I’m about to break." -"I’ll teach you the pain you caused. It’s a tie after saying sorry? What are you hoping for? Shall we replace the poor soul, and the miserable delusion. "I didn’t mean to offend”, “I won’t do it again” How many wins in a row?"
Milgram goes further making it clear through Jackalope in the second trial commencement notice and Mahiru's second interrogation that Kotoko's actions are heavily tied to her beliefs and ideology. Something she cannot let go of. If one were to just compare Kotoko's mentality to that of Nazism the focus would simply go to the idea that she is protecting the weak. Something that those sorts of fascists weren't known for doing.
This is why I'm making a point to state I don't believe Kotoko is a nazi and I do believe she thinks her actions are having a positive impact. However, I believe the ideals she shapes her actions around directly align with and can be labeled as fascist.
One of the reasons why fascism is so insidious and easy to fall into is because it can take many forms and look right up until the moment it begins to negatively impact the person viewing it.
This is why there's been so many videos on the concept and how to recognize it.
The Philosophy of Antifa | Philosophy Tube One hour and seven minutes and five seconds long.
Triumph of the Will, or, "Yes, You Might Be a Fascist" | Cinema Antifa Time 11:29 to 19:11. Twenty-two minutes and fifty-three seconds overall. The part time stamped goes over a list of features that tend to crop up when fascism is being applied. I'll go into that list later but yeah Kotoko's behavior and some of her second song's lyrics align well with this list.
Overall fascism isn't synonymous or specific to one movement. It is just an ideology and practice that can be shaped to fit the means the individual using it are trying to achieve.
"From the beginning I've never asked for your understanding! My actions, one by one, are bringing earth closer to peace. Useless weaklings should just shut up and let me protect them!"
It's also telling that her first song Harrow is about her protecting the weak from the evil. Yet her second trailer voice line is her lashing out at the weak. Meaning the weak are only important to her if they are able to be used to support or excuse what she wishes to do already.
Secondly,
Can you prove Kotoko has an ideology? And if so how do you know for sure it's fascist one?
When it comes to the f-word or any forms of isms. No one really likes to consider it outside of its more popularly known application. At points people may even default to believing that the word is meaningless. Stating that the word has been over applied and connected to almost everything at this point.
However, not everybody who doesn't get along with people who happen to have different religious beliefs, ethnic backgrounds, sexualities, or genders is a bigot. Sometimes people just don't get along. Just because people fight sometimes, or one person jumps another, it doesn't mean it's motivated by any external biases.
People can argue and it not be that deep.
However, that's not the case with Kotoko and Milgram blatantly states this.
Jackalope bluntly stating that he's,
"Never seen anyone so ideological and aggressive."
Why do I think Kotoko's ideology is fascism?
Okay , okay. So, there's some evidence and downright statements that Kotoko's behavior may be the result of her ideological beliefs. So, some could accept that she has an ideology but does having an ideology alone make a person a fascist?
People are entitled to their own beliefs after all.
Well, firstly with the way Amane's verdict is veering into Guilty-
No, they're not and consistent voters have made that abundantly clear.
Amane's case is kind of sad when you think about it in conjunction with this information. Because the voters are actively persecuting her for having religious beliefs that deviate from the standard while voting someone who could, and I believe does have this ideology Innocent. Possibly even doing so twice in a row.
Something I feel would really highlight how history is doomed to repeat itself in perpetuity if people fail to remember and engage with it critically. However, I'm getting ahead of myself.
Pettiness aside-
It's not as though Milgram was really trying to hide Kotoko's ideology. People just extended an immense amount of the benefit of the doubt with her case and took a lot of things at face value.
Milgram put her ideology on full display right out of the gate and has continued to.
From having Jackalope comment this,
"Prisoner 10, Kotoko. You can tell just from her aura that she’s not your everyday person…… You come across people like that sometimes."
To highlighting how she views those who do not agree with her as inhuman and those who'd agree with her as genuine human beings.
X
Q.03 Do you think any other prisoners who committed the same sin as you deserve to be forgiven?
Kotoko: Of course. Haven’t I already said that I believe my actions have been correct?
Through doing this she creates a us vs them situation where if someone were to say she was wrong they'd be the wrong one. However, unlike with Amane and Futa this actually worked for her.
"Eat this! Don’t act like you have no idea! We won’t forgive you! You’re the crazy one! Ban-Ba-Bang!"
"If you claim what I did was a mistake. I believe you are the one in the wrong."
Q.09 Which of the other prisoners do you think resembles you the most?
Kotoko: That’s a hard one. I’m only able to answer based on my guess on what they did. But I think the one that probably resembles me the most is Futa? Though he’s also the person who resembles me the least.
"I won’t stop until you say “sorry”!" - "It’s a tie after saying sorry? What are you hoping for?"
Milgram has been doing everything in its power to highlight Kotoko's ideological beliefs at this point without blatantly turning to the camera and yelling what they are. Even though it did that too in a way.
Well okay fine she thinks people who believe she was wrong aren't human but like you pointed out the others have voiced that if we view their behavior as wrong then we're the ones who are incorrect. Plus, someone would have to be a very inconsiderate, uncompassionate person to think she should have just let things continue as they were. It makes sense for Kotoko to believe that anyone who would persecute her for protecting others is wrong or inhumane. What should she have done, just ignore it? All these systemic failings and wrongs?
"I can’t forgive the evil hurting the weak. It’s unforgivable, I won’t allow it, I sweared."
Q.12 What is your motto?
Kotoko: “There’s no other way that could let us live, so I walk this path.” [TN: Quote from Mushanokouji Saneatsu.]
I too can quote people known for writing news articles in support of the second world war and being the younger brother of the Japanese Ambassador of Nazi Germany from memory.
A perfectly normal thing to be able to quote off the top of one's head verbatim.
No, red flags or dog whistles here.
Alright well that is odd, but it could be highly coincidental. That guy is a well-known writer and poet after all.
Besides Kotoko's focus is on protecting the weak from the evils of the world. The most well-known example of fascism is the exact opposite of that. They showed clear disdain towards disabled people, people who didn't practice the same religion as them, and people who did not look like them.
They were judgmental exclusionists who didn't care about anyone outside of their in group.
Kotoko isn't-
21/10/24 (Shidou’s Birthday) Shidou: ……oh, Yuzuriha-kun. It’s unusual so see you around this early. Wishing me a happy birthday…… probably isn’t the what you’re here for, huh. Kotoko: No, it is. Happy birthday, Shidou. Though it’s not like I bought you a present or anything. But while I’m here, I’d also like to ask you something. Has anything changed for you recently? Having nightmares, hearing voices, feeling anxious…… anything like that. Shidou: Not especially, no. ……ah, so this is about how Kajiyama-kun and Shiina-kun have been strange recently? And she’s been trying to hide it, but Amane too…… We’ve been living in these conditions for a while…… it’s not unusual for there to be an impact on us mentally. Are you worried about them? You’re a very caring person. Kotoko: Hmm, so you noticed? If nothing’s wrong with you, then that’s good. ……if I’ve understood properly, that means you’re safe…… Once again, happy birthday, Kirisaki Shidou.
21/12/15 (Kotoko’s Birthday) Haruka: Ah…… H-happy birthday, Kotoko-san. Kotoko: ……thanks. You’ve definitely changed a bit. Do you remember before? You could barely even talk to me. Haruka: I-is that so? Now that you mention it, I, I maybe have got a bit better since then. ……m-maybe I’ve got more used to being around people. There’s other people here who are interested in me, and, um, in particular Mu-san pays a lot of notice to me…… I… I’m enjoying myself here…… Kotoko: ……hmm. It’s just a theory I have right now, but I get the feeling the outcome of Milgram’s judgements are having some influence on our mental state. Well, I only noticed because I happened to be last up though. Good for you, then. This must mean that you’re fine. ……I’ll accept those birthday wishes.
22/12/15 (Kotoko’s Birthday) Mikoto: Ah, Koto-chan. It’s been a while. Both of us have kinda split off from the group, but how’ve things been? A lot’s happened, but for now let’s try to get along. I mean, it’s your birthday today, right? I got the feeling nobody else was going to do anything, so I came to celebrate. Kotoko: ……how carefree. It doesn’t matter, a villain like you won’t be forgiven next time either. And when that time comes, it’ll be the end for you. I’ll make sure of it myself. Mikoto: Ahh?? Just try and do it, you nutjob. I’ll crush anyone who hurts me…… You’re gonna be totally beaten at your own game……! [TN: The word “me” here uses first person pronoun “boku”.] Kotoko: Hm. The border between the two is getting a lot vaguer. Your entire existence is a crime. And I will see you’re punished for it. That is what Milgram, and Es, and I have chosen.
"I said before that I’m willing to follow your judgement, but you were soft on them. There’s some more that I wouldn’t have forgiven. If only I was the guard instead. Well, no use in complaining." X
Okay, fine that all looks sort of bad when framed in that light- and laid out in that way. All together.
But "I" personally don't interpret it as bad thing. Everyone in Milgram is a murderer. She has good reason to be on guard and keep to herself. Kotoko wasn't attacking innocent people she was killing criminals.
People who were skirting around the system, evading the law, and offending repeatedly. Getting rid of those sorts of people would make society better overall.
I mean child kidnapers and frauds cause damage to-
Okay, now you're just poking fun at Kotoko enjoyers.
Okay yeah, I am slightly but I'm also recommending you watch or read Death Note too just to better appreciate this joke. Sorry, sorry for that one, it really was just a low hanging fruit and far too good to pass up.
I can't lie I'm having a great and terrifying time writing this up right now. I only thought it'd be like ha, ha look at all these similarities between Kotoko's mindset and fascism isn't that odd.
Then I stumbled upon the fact that the person she directly quotes from memory in her first trial interrogation is a recorded supporter of World War 2. That's sort of really terrifying not going to lie. However, that just shows how much Kotoko has always been like this. To an extent this whole post has been writing itself because this is just a as soon as you see it you can't unsee it thing.
I really didn't think I'd find this much. I thought I'd go in an be like hm maybe I'm reading too much into this and there would be very little information within Milgram that supported this framing. However, there's weirdly a lot of stuff that does. Just all the way down this is how she is. Some have to admit that sometimes Kotoko's defense of her actions being we're stopping the bad guys is weirdly comparable to Light Yagami.
I mean no one has to but come on? It's kind of funny- It's at least funnier than the scary implications of her mindset and what that mindset garnering over sixty-percent support from people says about society as a whole. Let me tell you the Death Note comparison is certainly a lot funnier than that. Because the second thing is actually an issue that needs to be interrogated further.
Still, even after all this one could easily say despite everything, I haven't concretely stated why I believe Kotoko is a fascist. That all of this is just my subjective interpretation of the information provided mixed with a bunch of really weird coincidences.
However, that's the point of fascism, it's not meant to be recognizable until it is too late. It's fluid, flexible, ever changing and evolving. It changes to fit the environment, the goals of the party involved, and the people they wish to bring into the cause or exclude.
It doesn't always have the same tells in every instance it occurs. So, people can get tripped up by the deviations or even agree with the goal being strived for. However, it does have tells and Kotoko's behavior aligns with a lot of them.
Remember that second video which listed the core fundamental ideas that all fascist movements may build themselves from. Kotoko's behavior aligns with so many of them that again I just have to recommend you watch it but I will list the ones that stood out to me,
"4. Disagreement is Treason Because of this faith in tradition, which is inherently syncretic and self-contradictory and therefore can be easily deconstructed by an analytical mind. People defending that tradition hate when you point out its flaws." "5. Fear of Difference Disagreement is a sign of diversity of thought. Ur-fascism hates diversity. Because it can only operate through consensus. By force, if necessary. So, it always makes an appeal against the intruders. Who are these intruders? Honestly, it's entirely arbitrary. Anyone who doesn't fit."
"You'd understand, if you're a human."
Q.14 Are there any prisoners you don’t get on with?
Kotoko: Mikoto. He’s loud and bothersome.
20/07/01 Mikoto: Hey, hey, Koto-chan. I’ve been thinking this ever since I first heard your name, but don’t you think the names “Mikoto” and “Kotoko” kinda sound like siblings? Kotoko: No. Mikoto: Don’t say that! Let’s get along well from here on as the Koto-Koto combo! Kotoko: I’m not doing that.
Kotoko has shown that she disliked Mikoto from the start. Even refusing to wish him happy birthday before his trial even came up until he kicked up a fuss about it.
20/10/06 (Mikoto’s Birthday) Mikoto: ■■…… gh…… Gah…… ■■…… aaa…… nh…… ■…… ■■■■■……!! Kotoko: …………hm. Have you finally calmed down? Kayano Mikoto. ………… So, you want me to wish you a happy birthday? I don’t really mind, but is that really something for you to be saying to me? Mikoto: You’re the last person I need to have the whole group. If there was just one person left it’d be bugging me all night and I’d never get to sleep, right? At times like this you have to abandon your pride and just say something, right~? Kotoko: Ok, here you go. Happy birthday. ……if this is what will help you sleep soundly. Mikoto: Oh, thanks! Now I don’t need to worry~
Literally everyone told him happy birthday but her. They are in a panopticon. It's incredibly difficult for her to have not known it was his birthday if everyone had gone up to wish him happy birthday already. She just chose not to say. I don't know why she dislikes Mikoto specifically, but she does.
Even going as far to say taking care of him isn't just Milgram or Es' choice but her own as well. We've also gone over that Kotoko has a group. So, this is further illustrating that she's considered Mikoto's existence and intrusion in that group since before he was voted Guilty.
"7. Obsession with the Plot To ease this frustration, Ur-Fascism reminds the frustrated class that they are united by the virtue of having come from the same place. And what better way to unite than by forming a common enemy. The nation must always be under seige. There's always some shadowy force working from the inside and the outside to fundamentally change our way of life. Who is this force? Again it's arbitrary but usually it's some kind of foreigner."
Harrow "I can't forgive the evil hurting the weak." - "Whose fault is it? This is getting ridiculous. What should the punishment be? Want to find. I feel like I'm going crazy after straining my nerves. The person that can't be saved is now understanding the abnormality." - "It's ok to dislike, right? Losing it, losing it- What should I hope for? Good night. 'HARROW, HARROW'. Laugh and I can get to like myself."
"8. The enemy is strong & weak. The populace is taught two mutually exclusive ideas. One that the enemy is humiliating us through their wealth and power. Two, that they will easily be crushed by our wealth and power. Through this dichotomy the enemy is both strong enough to pose a threat but weak enough to defeat. Dangerous but impotent."
This is displayed through Harrow by having the criminals Kotoko attacks be strong enough to evade regular law enforcement or take advantage of the existing flawed system. Yet, weak enough to be taken care of through Kotoko's methods.
Something put on full display by having Kotoko triumph over this criminal that the police couldn't even catch in the end on top of showing her deliver justice to the bad guys repeatedly. Not just once overall.
"9. Life is Live for Struggle The belief that there will always be an enemy. So, life is always understood as permanent warfare. There is always a conflict, always a new battle. Therefore, pacifism is working for the enemy."
The ultimate message from Harrow is that the system we have now is flawed and it's up to the people, the real humans, to fix it. By any means. Through taking it into one's own hands if one needs to.
Q.04 When did you start learning martial arts?
Kotoko: When I was in primary school, I think? Without enough power, justice won’t be upheld.
Q.05 What do you do to pass time in the prison?
Kotoko: Training and meditation.
Q.12 What is your motto?
Kotoko: “There’s no other way that could let us live, so I walk this path.” [TN: Quote from Mushanokouji Saneatsu.]
Q.15 Which is more important, the objective or the means?
Kotoko: Objective. Does that not go without saying?
Q.17 Tell me what the merit is in working with you.
Kotoko: I will act according to your will. I can also act as your guard. Have you forgotten that you were about to die before?
"10. Contempt for the Weak Not just physically weak or morally weak this is a form of mass elitism. Everyone in the nation looks down on the other nations of the world. Everyone in the party looks down on everyone not in the party. Within the hierarchy of the party, everyone is taught to look down on their inferiors. And the leader looks with contempt on everyone because their authority is based on the weakness of the masses. After all, if they weren't weak, they would not need a leader."
Q.20 What do you consider “evil”?
Kotoko: The persecution of the weak and innocent.
"Useless weaklings should just shut up and let me protect them!"
If these people were not weak, they would not need to be protected.
Q.14 Are there any prisoners you don’t get on with?
Kotoko: Mikoto. He’s loud and bothersome.
"Your entire existence is a crime. And I will see you’re punished for it. That is what Milgram, and Es, and I have chosen."
"11. The Cult of Death or Everyone Can be a Hero The hero, in myth, is an exceptional figure who through struggle and sacrifice makes society better. In Ur-facism everyone is taught to be exceptional and of course the ultimate act of a hero is sacrifice. The belief that through glorious death we can reach transcendental happiness. In Eco's words, 'The UR-Fascist Hero is impatient to die. In their impatience, they more frequently send other people to their deaths."
Harrow
"Every time death comes the soul moves forward." - "Shall we replace the poor soul, and the miserable delusion?" - "Newly born “HARROW HARROW”. It’s ok to dislike, right?" - "Laugh and I can get to like myself."
Deep Cover
"So, I became your fang. I've chosen the awaited hero. I've engraved the answer. Why? Why stop me? Don't stop."
"12. Machismo This is the principle of permanent war and suicidal heroism brought into sexuality. Masculine sexual dominance is valued, and everything else, from femininity, to submissiveness, to chastity, to homosexuality- To anything outside of the ideal of dominant masculinity is shunned."
Q.10 What do you think of the term “femininity”?
Kotoko: A means. It’s something you can choose freely depending on the scene, not something you have to adhere to.
"13. Selective Populism Ur-Fascism relies on the people to function. But unlike in democracy, which works for individual rights, where individuals impact political decisions through the quantitative voting process Ur-facism treats the people as a qualitative function. As monolithic voice of the common will. Since no group is a monolith, and every populace is made up of a diverse number of voices, and as mentioned before facism needs consensus and abhors diversity- the leader serves as the sole interpreter of this will. So, the people only exist to serve as a rhetorical device commonly used to undermine democratic institutions that for one reason or another no longer represent the will of The People. And this, combined with the aforementioned, racism and xenophobia, serves to narrow the definition of who The People are. Eco speculates that in the future a TV or internet populism could also serve this function."
"The leader serves as the sole interpreter of this will. So, the people only exist to serve as a rhetorical device."
"I can’t forgive the evil hurting the weak. It’s unforgivable, I won’t allow it, I sweared." - "From the beginning I've never asked for your understanding! My actions, one by one, are bringing earth closer to peace. Useless weaklings should just shut up and let me protect them!
"Hm. The border between the two is getting a lot vaguer. Your entire existence is a crime. And I will see you’re punished for it. That is what Milgram, and Es, and I have chosen."
22/08/05 (Kazui’s Birthday)
Kotoko: ……Mukuhara Kazui. Thanks to you, I wasn’t able to properly serve justice to those who did something unforgivable. I’m currently acting as an agent for our prison guard Es. Don’t get in my way next time.
Kazui: Oi oi, don’t be silly, Yuzuriha-chan. There’s no way I could just look away from your outrageous display of violence. Anyway, even disregarding the fact violence against those voted guilty isn’t a part of Milgram’s system, what you’re doing is just acting recklessly based on a broad interpretation. As long as I’m free myself, I’ll stop you.
Kotoko: ……what a pointless argument. Hmph. Since Es forgives you, I have no choice but to forgive you myself too. If you're to keep to your words, then you’d best do what you can to keep being forgiven. If you’re not, then next time you’ll be one of my targets.
Kazui: Oh, how scary. That girl truly is frightening. ……well then, I wonder what the guard will decide to do with me. That’s the one thing I really can’t make out. Honestly……
Deep Cover
"Don't stop! I need a good reason to give justice! Give me my next purpose!"
Kotoko constantly uses the people around her and their struggles as an excuse for her behavior. Despite admitting she's never had to face any of the persecution or judgment she's more than happy to hand down to others.
Q.18 Have you ever personally been persecuted in the past?
Kotoko: I haven’t. But are you trying to say that if you haven’t had those experiences you can’t hate evildoers?
Now she's just using her relation to Es and their apparent agreement to justify her current behavior. Even if as Kazui pointed out attacking the prisoners because of their verdicts is not part of Milgram's system and she didn't even bother to ask what Es wanted her to do in their agreement.
She just made up these terms stating she'd take being voted Innocent as confirmation that Es wanted to work with her. Regardless of if she was voted innocent due to some other reason entirely or not. So far, all the prisoners' interrogations have highlighted that they aren't entirely aware of why Es made the verdict they did but they have some speculations based off the voices they'd been hearing and how they interpreted those.
So, she's truly just working off of her own interpretation of Es' and the audience's judgement.
Yeah, that's all I've really been able to gather on this idea and my thoughts on it. I don't know how comprehensive this will come off as and it may have spelling errors, but I hope people like it and use it to interrogate Kotoko's behavior can come off from a different angle. Because it's not as simple as a good deal of people have made it out to be.
#gunsli rambles#not tagging this because honestly don't want to deal with it but i wrote it so it's going up
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