The audacity of existence.
How dare you be concieved. To be blessed with the touch of angels, you golden haired goddess. How dare you force your reflection upon mine. The audacity to mirror me.
YOU.
I hate you. You are my purgatory, and hell resides within your dastardly light. You are the anthesis to my existance, my purpose, my life. Tormet me by image alone.
Do you know how much you have pained me? How much the mere sight of you, has distorted me? Ruined me? Hurt me? Questions your existance has plauged in my mind?
Look at you, my loathsome copy. You are nothing like me.
So then why?
Why does the universe kiss you gently upon a flushed cheek then heckle and spit on mine? Why are you the beloved golden duckling whilst i remain the unwanted black swan?
Why is it me who must rid myself of my body, blood, and mind. Discarding me of myself to end you? I have done nothing short of effort. I have given myself all to destroying you, to riding the world of you. Yet they love you. They do not love me.
We resemble eachother more than anyone else ever will. It is cruel a fate, to be devoted entirely to destroying a twisted reflection of myself. Burdened by both our images, drowning me in hatred made for both us. Yet you remain free, whilsy i remain prisioner.
It feels, as i seek to destroy you, i destroy myself. So i do. Over and over again. Yet you remain unscathed, bright and beautiful. Whilst i remain broken, left to rot in the mud. Helpless. Afraid. Alone.
Thinking.
What must i do? Who must i be to be kissed by the same light that dared to birth you?
Must i purge myself of all things to simply taste a fraction of it? How will i outshine you? Must I transform my body till there is nothing of me left, just to feel your light crushed beneath mine? Must i erase myself completly? Must i become you? Must i be you? Must i place my hands against your neck? My lifeless material crushing your ugly flesh to finally hear the last of your breath. Must i feel everyones glare peirce through my unending spine, wishing nothing but breaking every metal bone instead of me?
Must i take their love and desire and rip it from their broken hearts, forcing them to kneel before me and drag your dead light upon me? Must i become king of all things, living, dead and unalive, before i get a fraction, a mere TASTE of your life?
Is that what the world desires of me?
Is THAT what it takes?
my loathsome copy. Your existance is what destroys me. You are everything without me but i am nothing without you. Yet i am made to end you. To destroy the only thing, the only purpose i have in life.
You all look down upon me. Even my creator, cant seem to look at me without seeing you. Forever i am compared to you. Forever i think of only you. Forever i am destroyed by you. Forever i am devoted to destroying you. Forever i am afriad. Forever i am chained, cursed to this wretched body, reflecting you.
YOU.
I hate you. I loathe you.
....
What a cruel existance to be born, you and I.
I hope when i choke you death, you'll burn me alive.
73 notes
·
View notes
y'all need to get a grip. you blab all day about how much you hate bigots and hateful people and how evil it is to dehumanize anyone and then you turn around and say "kys" and "i think [x] should all just kill themselves" and other disgusting, violent and childish trash
so many people on here are just full of hatred and vitriol and turn into frenzied sharks anytime the target 'deserves it' and they think they can get away with it and not be called bad people. then they whine about how sad it is that we can't all just get along and if only all the evil people in the world would stop doing evil things wouldn't that be nicer
you're just as vicious, hypocritical and fanatically puritanical as the caricature you have made in your minds of the people you think you have nothing in common with. if you've ever told someone, ANYONE to kill themselves you're not advocates of justice, you're not artisans of peace, and you certainly don't have any moral high ground that would allow you to pass judgment on others
438 notes
·
View notes
don't wanna derail the post I saw this discussion on- it was all in the notes anyway, so it certainly isn't op's problem. I'm gonna say this with so much love:
Calling somebody a 'theyfab' is not punching up. If someone's being transmisogynistic, say that, or call them a bigot. Naming the tangible harm done to you will always be the most effective thing to do.
The cis people who created that term made it with the explicit intent to mock and insult people's identities. No matter what you mean when you say it, this is its origin and to most people, its only meaning. It describes nothing about the discrimination you face.
People afab are marginalized, especially if they're queer. You cannot "punch up" on a fellow oppressed group. I understand the specific vitriol that they inflict on you hurts.
You don't need a word to call somebody, you need and deserve adequate justice for the tangible harm done to you; and my heart aches that nobody queer- especially trans women- ever seems to receive that.
I'm aware I can't make anybody do anything, so I'm not gonna try to tell you not to use that word. I just want to say it can't ever address, undo, or heal any harm done to you. It can only redirect it.
154 notes
·
View notes
Excerpt on Midnight Cowboy from an interview with John Schlesinger in Literature/Film Quarterly, 1978:
Riley: When I've shown the film to students, they have very mixed feelings about the ending. How do you see that? What is that moment to Joe? Is it affirmative, or is it despairing?
Schlesinger: I don't see it as a despairing ending. I feel that it's a catharsis to the whole film. It's a catharsis of a boy who has been lost and who has these strange memories of being picked out for sexual prowess and how important that seemed to him. He has this whole experience of going to New York and finding that the fantasy is total bullshit and that the reality of life there is one of eking out some kind of existence, and then he finds the relationship that he strikes up with Ratso. Some people have said it's a homosexual relationship, but it really isn't per se. It's about the need of one human being for another. I daresay that Ratso- if anybody had found him attractive, man, woman, or dog- would have been anxious to express it physically perhaps. That's why he was so hostile towards it all. But I think that having made a commitment to Ratso, Joe realized the whole ludicrousness of the situation. On the bus he ruminates about the possibilities of what he's going to do, and I think in the back of his mind his taking Ratso to Miami is a kind of gesture. I think he knows it's hopeless. That's what I remember discussing with Jon Voight, that Joe knows they aren't going there for a life together in the future. He knows that Ratso's probably not going to survive the journey. At the end when he sits there with Ratso, I don't think Joe's saying, "Now what am I going to do? I'm lost." I think he's already released himself from the fantasy, he already knows that he's going to be okay.
It certainly never struck me as we were doing it that we were making something that was meant to send the audience out in deep depression feeling that Joe Buck is totally lost, because I don't think he is.
Riley: As a matter of fact, he's saved.
Schlesinger: Yes, and I think he's saved by that relationship, by discovering something about the possibilities of a human relationship in the midst of this very unlikely one. That's exactly what attracted me to the material.
72 notes
·
View notes