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#i say i'm the only one back here

friesian · 3 months

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i'm not going to say much about it, mostly on account that i do not consider myself a part of the gw2 community anymore, but you guys have a serious problem with poc speaking up for themselves and telling you when you've done something wrong and inheriently a bit racist. your first reaction should be to sit down and shut up, genuinely. a lot of you would do some good to examine who and what you're sympathizing with and why your first instinct is to exend a loving hand to your white community members, while swatting away and 'critically examining' the poc ones. have some goddamn introspection.

#you guys know what you did. seriously.#watching kami get chased off from space to space for being 'dangerous'? come the fuck on.#this is honestly the straw that broke the camels back for me. i'm tired of seeing it.#genuinely examine your biases of who you're willing to listen to vs. who is 'a manipulative danger to our community'#i'm glad i'm not a part of this damn tumblr community anymore. fucks sake.#save. this is only one example. and i've only been here for a year. but i feel like this one example should serve it's purposes enough #the fact that i've seen this problem occur more than once over the year-or-so i've been here should ALSO say enough.

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miraculouslbcnreactions · 2 months

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I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.

#ml writing critical #ml writing salt #adrien deserves better #ml season 5 salt #btw I had no idea how well this example would work until I pulled up the Winx club scripts and started laughing #Like damn! I could not have picked a better one if I'd been actively looking to highlight what I was talking about!#I just picked the first one that came to mind #Thank you Winx for being textbook perfect in how Magical Girl Team Shows tend to handle these plots #Seriously go read through those transcripts! It's such a perfect example of what I'm talking about!#Look how everything about Sky is focused on Bloom even though he's the one breaking off an engagement and damaging his family relationships #Not saying this is poorly written btw I'm just pointing out the difference between writing a main character and a love interest #If Sky was a main character then we'd have gotten a lot more focus on him trying to pick a path for his future #But he's a love interest so his future is already written in stone and what's written there is a single word: Bloom #look! I can use his Twitter feed to make points too!#But I would never JUST use his Twitter feed #I only use it when there's backing in the actual text which there very much is here #Anyone want me to talk about what these plot lines would look like in a show where romance was top dog or is that obvious?

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moongothic · 11 months

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Many people have pointed out (in relation to Crocodad) how in Japanese the etymology of the word "wani" (crocodile) is a bit complicated to say the least and in mythology could mean a variety of things, including a shark, sea monster or a dragon

Which, of course, is quite an interesting coincidence. Crocodile does often get referred to as "wani" not just by Luffy but some other characters, and so it would be just a little funny if both of Luffy's dads were sorta kinda called dragons

There's also people pointing out how Zoro's mother was called "Tera", similar to terra (earth) and Sanji's mother was named Sora (sky). So if Luffy's birthing parent was named after a water-dwelling creature, well, it'd be cute and round out the monster trio's birthing parents in a funny way, since we'd have earth, sky and the sea

But what really is fucking me up about the whole wani-thing is the Myth of Toyotama-hime

So the TL:DR; of the myth is

The pregnant princess Toyotama came from the Ryuuguu Castle deep in the oceans onto land to give birth to her child, telling her husband that when she would give birth, she would revert back into her true form, requesting him to not look at her while she gave birth. But her husband could not keep that promise, so he peeked in on his wife, only to witness a giant wani giving birth. The sight of this horrified the husband so much he fled, while Toyotama princess was so hurt by what had happened that she returned to the sea, abandoning her child.

Indeed, this myth bringing up wani pregnancy is just. An interesting coincidence for Crocodad speculation

Of course, we know Oda borrows from mythology (fucking, Fishman Island's castle is literally the Ryuuguu Castle), so if Crocodad Real, it's genuinely plausible Oda could('ve) take(n) inspiration from that very myth

Thing about it is that though...

Like, if we're assuming Crocodile never fully realized he was trans until he got pregnant, then him transitioning either immidiately or as soon as he could after giving birth would make sense. Dude seeks out Iva-chan and gets the t-juice*, so on and so forth, but my question is like, would that have been before or after delivering the baby to Dragon (so he could then pass it onto Garp)

*(Or hell, maybe Iva-chan was there helping deliver the baby, helping Crocodile crack his own egg etc, maybe the secret Iva-chan is holding over Crocoboy's head isn't that they knew Crocodile is trans and could out them, but knowing Crocodile gave birth to god know whose child)

Because like

How did Dragon find out about his partner transitioning?

Did pre-T Crocodile tell him he was transitioning while handing over the baby? Or did he just leave without an explanation and allowed Dragon to just Take In The Change after it had happened whenever they saw each other again (if they ever did, for all we know he could've just walked away without talking to Dragon again and Dragon just found out either from Iva-chan directly or from seeing him on the news)

Or did Crocodile transition first and then deliver the baby to Dragon without any warning, again, just giving Dragon one hell pf a surprise

In any scenario, how did that even go down?

And we have to ask the sad question of... is Dragon a Bisexual King or not? And would Crocodile have been... afraid of Dragon's reaction? (This would've been a younger Crocodile mind you, who would literally have been just coming out of his shell, and that shit's scary man)

Because if Toyotama Princess is any indicator, this wani's relationship did not end well after her truth was revealed

Like, let's say Crocodile transitioned first and then showed up without warning as a man to Dragon to hand over the baby. Thing is, while we know VERY LITTLE about Dragon still, I can't imagine him being like violently transphobic or even lashing out at his partner when he'd come out. But I could imagine him being so shocked he'd be left utterly speechless.

And I'm not entirely sure which would be worse; Dragon outright but "kindly" telling Crocodile he's not into men and breaking the poor bastard's heart, or Bi!Dragon being too shocked to say anything, letting Crocodile to just jump to conclusions based on his reaction (and maybe then causing Dragon to jump into further conclusions (that Crocodile must actually be into women)), unintentionally causing a divorce out of sheer misunderstanding and literal lack of communication

And the sad part is, considdering Dragon is a very secretive man, who according to the Crocodad Theory can't even have told his partner his full name mind you... The miscommunication seems very plausible to me?? Does it not?

Or, maybe Crocodile delivered the baby to Dragon pre-T and told him he's going to Iva-chan without further explanation, jumping into conclusions, afraid to hear what Dragon would say. So he just leaves without explaining before Dragon gets to say a word. And Dragon just accepts it. Assuming he's the one getting dumped.

Either way, whatever might've happened can't have been good, can it

Also, considdering Garp is a fucking idiot (affectionate), and Luffy clearly inherited The Stupid from his grandfather, I would not be surprised if Dragon was also actually a bit of a himbo underneath that serious face he puts on (either that or Crocodile kept on smoking while pregnant)

Which could also turn what would otherwise be a tragic miscommunication into an absolute comedy if Crocodile and Dragon ever met again and the two realized that they're both idiots who jumped into conclusions and ruined their marriage by refusing to talk about their fucking feelings to each other. This is an absolute trainwreck of a family

But considdering the things Crocodile has done by this point*, would it ever even be possible for the two to reconcile?? Because, althought Dragon is pro-overthrowing corrupt governments especially if they're affiliated with the World Government, from what I can tell, he's still against unnececary violence (Vegapunk even comments that Dragon "hates war" in a flashback) and needless loss of life. And Crocodile caused just that.

*And I don't even mean the failed attempt at taking over Alabasta, I mean the drought Crocodile caused that caused countless people to starve to death and then caused the civil war which had already taken lives and permanently disabled people BEFORE the Strawhats ever even get to Alabasta. Like Crocodile's bomb may have been a dud but he still caused people to die for no reason, and I can't imagine Dragon being fine with that. But then again, Robin and other Baroque Works members also contributed to the loss of life and their sins have been neatly swept under the rug so IDK

And like. We don't know if Crocodile moonlighted as a Revolutionary for like 10+ years after Luffy was born and slowly went out of contact or if he just left immidiately. But theoretically, the two might not have even seen each other in like almost 20 years

That'd be a long time to carry a broken heart

How the fuck would you even heal from that

Also like

Crocodile did seem a little suicidal at Impel Down if I'm being honest

Like.

He had a dream of becoming Pirate King. But he lost to Whitebeard, and his dreams were ruined.

Dude had a master plan to take over a country that took him almost a decade to pull off, only for it to get wrecked in the final hour by a literal child.

His useless underlings then come and try to break him out of prison

And he chooses to stay

When we finally see his face for the first time in Impel Down... His mouth might be forming a smile, but those eyes aren't

And he even says it himself

"I didn't think there'd be anything for me to do if I were free"

Is it not like he has given up on life entirely..?

And sure, he does ask to be let out so he can get revenge on Whitebeard, but was it out of a genuine belief he could actually take down the old man or just a slightly more fun way to die than rotting away in prison for the next few decades?

You know the saying, "to be loved is to be changed"

Frankly, the same goes for the reverse. Being unloved, or believing yourself to be unloveable will change you. For the worse

#OP Meta #Crocodad #Sir Crocodile #I know I keep on saying I don't believe in Crocodad anymore and here I am back on my bullshit again #This asshole is the only thing keeping me from falling apart rn just please let me have this #I'm just so fucking intriqued by the storytelling potential here #Of what the fuck happened #If it's real #The tragedy could be absolutely devastating #Or you could have an insane One Piece slapstick reunion #I am extremely fond of the idea of The Disaster Family mind you #Because they could be so fucking funny (especially if you included Garp) (Holy shit can you fucking IMAGINE)#Like yes emotional reunion between Crocodile and Luffy yes sure #But please considder #Luffy somehow finding out and then demanding for an explanation from An Extremely Reluctant Crocodile #Who can't really do much because he doesn't have it in him to hurt his baby boy but also The Baby Boy is an unstoppable MENACE #The slapstick would be hysterical #Also I am pro-Bullying Crocodile #Moon posting #On a slightly less downer of a note to end on #While Crocodile might've given up on life before Marineford he certainly found a reason to live during/after Marineford #This was supposed to be a short post how did it turn into borderline fanfic

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chimerafeathers · 3 months

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there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

#mypost #i'm majorly out of practice for doing any real critical cohesive writing lol #trying to put this into coherent words has been such a mess so here's a vague gesture at my thought process about it #it's both my favorite and the most frustrating thing to see #because i've seen SO MANY people say they dropped the show after a couple eps thinking they know what it's about and where it's going #a cute but ultimately unsustainable gimmick #people for whom the characters and the food/biology infodumping weren't enough of a hook #but i wouldn't change anything about the structure to put a more obvious plot hook in the beginning #because it would give the game away TOO much #i LOVE how the audience has to acclimate to the characters' attitudes about death #only for our assumption that it's all normal and fine in this world to be thrown back in our faces #how we're left to notice the winged lion appearing in statues and carvings and coins and armor in the background #long long before it's ever brought up as a real entity by the plot #the history of the kingdom laid out in plain view but nevermind that. magic painting food!#i've seen the language around falin and her resurrection cause so much confusion #but of COURSE the characters involved wouldn't directly say 'we need to get her corpse to revive it'#bc pragmatically they already understand that as their goal. it doesn't need to be stated out loud; it's just how this process works.#but also they don't SEE her as an object. a dead body.#they need to 'save her before she's digested.' 'the spell couldn't reach her in the dragon's stomach.' 'hang in there falin'#death isn't real to them. not really. and so it doesn't quite feel real to the audience either #not until they find her skull and that realization slams home #like......i keep comparing it to gravity falls #which is episodic and goofy in the beginning but also has a much more obvious plot hook to keep people interested #(a main character entering a secret bunker indicating that he's lying about his ignorance of the town's mysteries)#the main characters in gravity falls are AWARE that there is a mystery to be solved and are trying to find more information #but i don't think that approach would work as well for dm!#laios's goals were never that lofty. not until they HAD to be because the situation demanded it of him #it's the characters trying to solve one personal problem and finding themselves entrenched in something vast and dramatic #that they weren't even fully AWARE of when they set out. and we the audience are on that journey with them!#it's SUCH a good structure i wouldn't trade it for anything. but also. tragic to see people give up and dismiss it so fast.

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the-sky-queen · 4 months

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The Mind Electric - Animatic

Starline AU belongs to @totaleclipse573

My goodness I'm so nervous to post this but I'm gonna be brave and do it anyway. Inspiration struck me like a lightning bolt yesterday and I rushed to make this as fast as possible. I have visions in my head for how I would do the whole song, but I'd only want to do that if I could use the actual audio. (I couldn't figure out how to just record it off of YT (there was a specific edit of the song I wanted to use) which is why I ended up singing the section of the song I wanted. If I ever figure it out, I may possibly reupload this and/or do the full version. *shrug*)

The editor kinda ate the quality a bit so separate pictures along with the original sketches are under the cut!