#i still do think a lot of people were just bad at understanding kim's character because they approached him like a collection of tropes

[snickerdoodlles]

never been so glad to be picky with my fics 💀 reading your 🔥 ☕ post about kim was like peeking into a horrific alternate dimension lmao

😂 (prev)

most fics aren't! by large kp fics are good! not everything is for me, but overall there are many good fics out there to be reading. i've just also been living in the kimchay tag since the filmania trailer, so i happen to have read through a lot of its fics thanks to circumstance. largely i am trying to stick with very broad and general topics for these tea asks because it's all about personal preferences of what draws me towards a fic vs what turns me off and not get into anything too specific; but when you've been reading a tag for multiple years since the tag first got started, you tend to have seen a lot more of the obscure stuff than the average reader.

[kpopscatterbrain]

Kdramas i've watched this year

Some of these are older dramas but i'm a procrastinator

Black Knight (2023): Loved this one! I have watched it probably 5 times now. Kim Woobin kicking ass is all i need!

Under the Queen's Umbrella (2022): I didn't watch this when it aired (no idea why). I was worried that the plot would be overrun by romance but thankfully i was wrong. Loved Kim Hye-Soo's performance (i cried a little).

Island seasons 1 & 2 (2022-2023): Honestly i only started this one for Kim Nam-Gil. I loved the cast, but the flow of the plot was a little off (don't know how, i can't put a finger on it). Was positively suprised by Cha Eun-Woo's acting, i think he needs more roles like this! Hot villain alert no.1! Sung Joon as a bad guy is either a blessing or a curse. Cgi could have been better.

Taxi Driver season 2 (2023): Loved the first season so of course i had to watch the second one. Love Lee Je-Hoon. Love the main characters. Love the plot and the message of this drama. A masterpiece. Waiting for season 3.

Weak Hero Class 1 (2022): Only heard of this drama wayyy after it aired (thanks tiktok) and god does it deserve every award there is! I was a bit hesitant because Park Ji-Hoon was the main lead, but boy was i wrong because his talent got me speechless (weren't we all). I cried, i cheered, i shadowboxed, i cried a little more and in the end i called my therapist. Thankfully season 2 is coming.

Bloodhounds (2023): Woo Do-whan and Lee Sang-Yi in the same drama beating people up? Yes please! The plot wasn't mindblowing, but sometimes just simple ass kicking is enough. Bromance was bromancing. Park Sung-Woong with another great villain character.

Revenant (2023): After dropping Mr.Sunshine i wanted to see Kim Tae-ri in other dramas, so when this aired i gave it a go. Her range is phenomenal! I have only seen couple spookier dramas, so i made a mistake and watched this at night (slept with the lights on). The eerie vibes and plot twists were well made. Hong Kyung had great chemistry with Kim Tae-ri and his cop role was refreshing to see after his performance in Weak Hero Class (if you know you know).

Flower of Evil (2020): Okay, this is one of the dramas i procrastinated hard on. It's been sitting on my "have to watch" list since it aired and i'm the only one to blame (i hype up a drama in my mind, then don't want to watch it because now i'm afraid it doesn't go the way i think it does and then i get disappointed blaablaablaa). This year i finally got over myself and why. didn't. i. watch. it. sooner!!!! It is all i ever wanted in a kdrama. 1. serial killers 2. a psychopath (but is he really?) w/ an effed up childhood 3. mindgames 4. marriage problems (but has a lot of soft & cute scenes) 5. Lee Joon-Gi. Also as a plus (hot villain alert no.2) the bad guy is kindaa (i'm sane i swear). I would be lying if i didn't say that i found the wife slightly annoying (might be me, but she went too much back & forth and sometimes i had to take a breather while watching), but all in all this drama will be hard to top and i fell in love with Lee Joon-Gi.

Moving (2023): Honestly one of the best dramas of the year. I don't usually really go for plots that have a lot of romance in them (if you haven't noticed), but i found this one to be really well balanced and the romance scenes weren't "cringy". Although Bong-Seok and Hui-Soo were great and had great chemistry, i looooved the background stories of the parents. Park Hee-Soon also pops up as kind of a non-villain villain. I hope there is a season 2.

Song of the Bandits (2023): Kim Nam-Gil again. 1920s Korea and gunslingers... what more could i need? After Mr. Sunshine left me with a disappointment (this might be an unpopular opinion) i craved for a drama set around the same time period, but with a little less romance (i know, i am defective). I think dramas should explore this time period more, but i understand it might still be a touchy subject. The skills of the cast were obviously great, Kim Nam-Gil killed his role like always, but Lee Ho-Jung as Eon-Nyeon shined with her performance (i am now a new fan). Hot villain alert no.3! I have seen Lee Hyun-Wook in Remarriage & Desires and seeing him as a villain made me feel things. If there isn't a second season i will cry.

The Killing Vote (2023): A "serial killer" in a dog mask making the public vote on punishing criminals and everyone suspects each other? Cyber crime? Chemistry between two cops? Major hot villain (no.4)? Sign me up. I love when crime dramas make you question your people reading skills (i have the tism so i really got none) and have all kinds of theories flying around. I liked that even Kim Mu-Chan and Joo Hyun had obvious chemistry between them it didn't overshadow the main point of the plot. I liked Seo Young-Joo's delivery and i hope he gets more bigger roles. Kim Kwon.... why does the psychopath have to be hot? He also needs more bigger roles. !spoiler! Also Park Sung-Woong killing (heh) yet another morally grey character.

The Worst of Evil (2023): Okay, first of all i have to say... the wife ruined everything (some agree and some don't). We get another bromance duo of the year with Wi Ha-Joon and Ji Chang-Wook. Loved the crime organization infiltration plot, heavily despised the romance plot (sorry Bibi baby). I was constantly on the edge of my seat and the characters started to get so morally grey that in the end everyone needs group therapy. Action scenes were chefs kiss. A honorable mention goes for Lee Shin-Ki as Seo Jong-Ryul (or Chief Seo, knife guy, the man has many names) and Bibi for her performance as Lee Hae-Ryeon.

Evilive (2023): Heavily underrated. Kim Young-Kwang doing what he does best, playing a psychopath. This combined with a bromance plot with the one and only bromance master Shin Ha-Kyun? I'm sold. The dramas literal title "villain story" really sums up the plot. Sometimes you are not sure who to cheer for. Sometimes you are not really sure about your own sanity. But to be fair, so aren't the main characters.

Vigilante (2023): Love it. Currently re-watching it. Needs more attention. Needs more episodes. I'm in love with Nam Joo-Hyuk. The best crime drama of the year, the title is all i needed to hear. Beating up criminals in well made action scenes is my favorite genre. No romance. One sided bromance? Morally grey characters (am i repeating myself now?). Yoon Ji-Tae as a beefy cop and Lee Joon-Hyuk as a slightly insane admirer? If we don't get a season 2 i will start a riot.

[miraculouslbcnreactions]

While "the network wants an episodic kids show, the authors want an epic dark complicated narrative" would explain A LOT about ML's problems, I'd still like to note that there are kids' shows that can do both, going full range from "mostly episodic with a sprinkle of narrative" (Kim Possible, MLP), to "heavily narrative but with episodic breather/filler episodes" (Gravity Falls, WITCH, the Owl House), with many variants in-between.

Even the transition from "fully episodic" to "more narratively-connected" that ML attempted to do can be done successfully - the aforementioned Gravity Falls and WITCH were more episodic in season 1 and more narratively driven in season 2.

However, I'd say there are a few other key problems that can be inferred from what we have:

The show tries too many things at once - as you have pointed out repeatedly. Magical girl and rom-com, single-hero, duo and team stories, wacky comedy and serious trauma, even trying to give several characters a redemption and a damnation arc at the same time (and failing with either). Apparently, it's not just TF vs writers: it's writers severely disagreeing with each other (see Thomas and Vincent's opinions on Chloe), and also trying to one-up the fans. Also, simply thinking too much of the work, which leads us to...

ML's total lack of self-awareness. Another famous case of a show that was almost entirely episodic is Phineas and Ferb. They use the same formula (the brothers build, Candace busts, Doof makes an Inator and is thwarted by Perry) over and over for four seasons. And by mid-season 1, the authors have been making fun of the structure, lampshading it, spoofing and twisting it, playing with "What if" episodes and never taking itself too seriously. When ML tries to be self-aware, it becomes either insulting to the fans (Animaestro), horrifically dark (Chat Blanc) or plain cringe (Simpleman). This is exacerbated by Astruc's arrogance and inability to ignore critics.

Is it possible to make a highly complex, genre-busting, yet kid-friendly story and succeed? Yes. But it needs to be better thought-out - if not from the start, then at the moment the network allows one to deviate from the formula.

And if all else fails and the story becomes too complicated and too repetitive at the same time... Well, self-awareness and the ability to make fun of one's own work can turn a sad mess into a hilariously fun disaster.

P. S. Love your posts as always, you are the main reason I'm still in the fandom!

Thank you for the kind words! I'm so glad that you're enjoying my stuff and I agree with all the things you brought up.

A big part of the reason that Miraculous is so fascinating to me is that there ISN'T a single cause of the issues. There are so many valid ways to discuss the show's problems. It's a masterclass in bad writing and what not to do!

It's why I'm able to run this blog. If it was as simple as, "here's the single reason why it's bad and here's how you fix that" or if the show never had any potential, then there wouldn't be much to talk about. But it did have potential and there is no single reason why it's bad. The causes are multitudinous as are the potential fixes! It feels like investigating some complex wreckage or an elaborate murder mystery in order to understand what the hell happened, which is really fun if you like talking about writing.

I find it much harder to discuss writing in an informative way if you only have good examples to draw from because that path risks stifling creativity. Just because a popular story did a thing well doesn't mean that story showed us the only way to do the things or even the best way to do the thing, but that's often the lesson people seem to learn. They see a thing that they like or even just a thing that audiences liked and want to copy it without understanding the full nuance of why they liked it.

A great example of this is Zuko from Avatar the Last Airbender. He was such a well-written and popular character that all these properties started copying him even though the properties in question did NOT have a setup that worked for a Zuko. Praising Zuko won't really tell you all the ways that Zuko could have failed. Meanwhile, a case study of Chloe vs Zuko or even just a general discussion of Chloe lets you actually talk about the various styles of redemption arc and what you have to do to make them feel real. It's also far more interesting than talking how Zuko could have failed because Zuko didn't fail so why are we even talking about this? It's also far more interesting than talking about a bunch of properties that did redemption arcs well because that would require you to have seen all of those properties. But Chloe is from a single property and she did fail and people understandably have wildly different feelings about what the failure was because the writing was so bad, which means that digging into her writing is way more likely to hold your interest and teach you something.

This gif really does sum it up perfectly:

[Image description: scene from the movie Knives Out where the detective Benoit Blanc exclaims "It makes no damn sense! It compels me though" to explain his feelings on an ongoing murder mystery that he's trying to solve]

As does the old adage, "failure is the greatest teacher." Of course, no one ever said that it had to be your failure!

[sharkyartz]

Ranting about orv cus family issues...

Dokja sacrificing himself for his companions is so poetic in my opinion. There's this line I think about a lot and it's the line that Jihye says and its like "If we're all just characters then why did you still die for us?" I think was the gist (I forgot the exact wording bc it changes with each translation.) I think that's such a complex thing because obviously Jihye didn't understand that they were not just characters to Dokja, even back then. They were in fact his motivation to live and keep going. He loved those characters (especially Yoo Joonghyuk) before the day he met them (except of course for exceptions to this like Anna Croft and Kim Namwoon because he hated those guys). For a while, he was the only one who loved them. He loved their stories so much it inspired him to keep going. "A story made for that one reader." Knowing this context the answer to Jihye's question is pretty clear. They were the ones who kept him living. He's just doing the same for them. The price of his life for the lives of those who saved it.

I don't think Kim Dokja really understands why that's so bad. Dokja's a character hasn't been loved too much in his life. His mother was either absent or in prison for more than half of it, his father was abusive, and he had no friends or other family who cared for him. I don't think that he knows that people love him. I don't think he can even comprehend the love of his own mother. All he knows is that he loves the story and will do anything to achieve the better ending. Even if it leads to his own end. Maybe he didn't quite expect that his companions would love him so much. In my op he's a pretty easy guy to love and get along with. He probably thinks the opposite.

Orv is so tragic in that way. A man who loves the story so much he'd give his life up over and over and his companions who love him so much who have to bear seeing him die again and again not being able to do much about it. It's so Yoo Joonghyuk of him which makes sense because that's who his role model is. It's tragic in that sense but more tragic when you look at everyone else's individual povs. Dokja's mother, Heewon, Sooyoung, Gilyoung, Yuseung, and Yoo Joonghyuk are only some who I can pinpoint to have pretty gloomy povs.

[langernameohnebedeutung]

Thinking about writing a 14 year old girl who starts out bratty and grows and changes, but thinking about the best way to write her in a bratty manner without seeming like I'm bashing on teenage girls in general, any thoughts?

Oh, that's actually something I have quite a few thoughts about!

the shortest answer I can think of is to look at teenagers you know in real life and their behaviours - that's a good start to make that character authentic. A lot of people get age milestones wrong when writing kids (personally that's why I avoid writing kids) and especially with girls, it feels like a lot of authors can only write 'basically an over-sized toddler' and 'she only cares about boys and sex'. Now, teenagers are also tricky because they are all very different. I think learning about what actual 14yo do in their freetime, what interests them, what music they listen to, what jokes they make - or to maybe look at some of the things you did at that age - can be very helpful to avoid being too "how do you do, fellow kids!

Tbh, I always feel like the biggest issue with the way people write the 'bratty teenage girl' is that she's always there to be the 'reaction character'—because she's written by adults, and it reflects how adults feel dealing with teenagers, especially teenage girls. Usually, you have a main character, typically a middle-aged man, who is doing something, and the teenage girl character is standing on the sidelines, chewing gum and telling him he's boring or uncool or be like 'urgh, old people'. At the end of the story he wins her over and, in a heart-warming scene, she will say something like, '…actually, you're not that bad,' or '…okay, maybe you are pretty cool.' It mostly just feels like the adult author feeling insecure about their own age and whether they're still in touch with The Youth, and it's been done A Lot.

Then you often have teenagers as damsels to be saved—and the bratty factor often makes them more difficult to save. That's also a very common trope that often results in people hating on the character, even though, in my opinion, that's often unfair (and very often especially unfairly directed at female characters).

If you think of teenage girl characters who work really well, I think it's the ones that sincerely reflect the experience of being a teenage girl (or a teenager in general). Or whose experiences serve as a good allegory for those experiences. Think of your classic 'teenage detective' stories where the adults just. don't. listen. In those stories, 'bratty' is often a label assigned to the main characters BY adults who ignore them—we understand the context of why they are bratty. It makes perfect sense for them to be that way. Or think of your YA protagonists who stand a little outside society, who often try to do what is right but get very little recognition for it. Or think of all those shows featuring teenagers that have aged well and are still popular with adults—shows like Avatar or Kim Possible. They are usually stories that take the problems of teenagers and the world they face quite seriously - by placing them side by side with actually world-threatening events. While at the same time, the dismissive way adults treat teenagers is a giant threat to these worlds.

Now, obviously, these were shows specifically FOR kids—but I would argue that similar rules apply when writing a teenager in any other genre, especially if you want to avoid bashing them. Take their issues seriously. Explain why they are 'bratty.' Explore what it means to be 'bratty.'

For example, right now I'm rewatching Gotham (a show not for kids), and a major character is Selina Kyle, the young Catwoman, who is living on the streets as a homeless girl. She has a flippant, careless, often mocking demeanor and doesn't really let people in. A lot of people see her as a 'brat'—but because you see her in many situations, you understand what her life is like. You see how people treat her (she's frequently referred to as 'street trash'), and you understand perfectly why she acts that way.

When she does show that she cares about someone, when she lets people in, or when we find out, for example, that she takes care of other kids on the street or the stories she tells herself to feel better about her family, it’s not just to make some adult character feel better. In those moments, we actually learn something about her, build a meaningful connection with her, and see what makes HER tick. She is more than just the 'bratty teenager.'"

Obviously, it doesn't always have to be a giant tragic backstory. That really depends on the story you're telling. Personally, I would argue that even being a teenager (especially a girl!) in normal middle-class society comes with enough reasons to be a 'brat.' There you are, 13 years old, and old men are cat-calling you on the street. You're in your training bra while the beauty industry bombards you with insane beauty standards. Your parents are divorcing, and when you want to understand why, everyone talks to you in a baby voice. You get bullied in school, someone makes deepfakes of you and shares them on Snapchat, and when you try to explain that to the teacher, you can see their eyes glaze over because they don't have a clue what you're talking about.

One very common statement I hear about teenage girls is "they do it for the attention" - which, to a point, is true. Obviously, they want attention. Everyone wants attention to some degree. But notice how this is the same language often used to ignore and neglect the needs (especially medical needs) of adult women. Teenagers also often don't have the language to communicate the complex feelings and situations they are dealing with now. Being bratty or sulking or similar behaviours are they way of trying communicate their feelings. A good way to write a teenage girl like that is to explore her character and to be true to the motives and reasons why she is acting like this.

For example, I think a lot of teenagers are in a very alienated position in society. They're in a very difficult phase in their lives: They are growing into adult problems and adult feelings, adult routines. But those are still VERY big shoes for them to fill. It is overwhelming. This is also why they make convenient main-characters for these kinds of YA novels - because these are not yet integrated into society. They often have an outside perspective. They question the status quo. And this also appeals to teenage audiences because they are in the position where they start questioning the world around them, their family, school, gender, religion, politics.

Teenagers want to have an identity for themselves, make their own decisions, and explore who they are—but very often, the adults around them still treat them as kids, limiting them without even bothering to explain why. Much of the environment created for teenagers is out of touch with their interests—it's often condescending, lecturing, and not very empowering. Every time they have new hobbies - Pokemon Go, Fortnite, some new band, they are always mocked relentlessly by the same adults who don't even know how to entertain them. Some kids on youtube are eating tidepods and suddenly their entire generation is being blamed. The same messages are repeated over and over at teenagers and they're preached to in this way regardless of their own experiences or behaviour. If you are a teenager, no one cares about YOUR life, situations, or struggles—which, at this time, can be quite serious. You want to take charge of your own life, start captaining that ship—but very often, you stand by while some adult does it for you, telling you not to start smoking (it's dangerous!! Don't listen to your friends!!). (again, doesn't it make sense why teenagers see themselves in girls fighting dystopian governments?)

When kids become teenagers, their parents often stop being the most important go-to people in their lives—this is when their friends become their social bubble, and they share many things ONLY with them. So, the things adults often mock about teenagers (like 'But daaaaad, I reaaaally want to go out tonight!' or 'Muuuuum, I really need that One Direction tattoo!!') genuinely are that important to them. 'But everyone is going!!!' really is a valid reason in their eyes. And they often experience adults who not only don't understand but are extremely mocking toward them. Another reason why they might seem bratty to adults - when their behaviour might seem perfectly sensible to them.

Also, consider that when teenagers are portrayed as dumb or naive, that's usually the adult perspective on kids being less cynical and experienced than adults - and that's why they get angry when you say no to something or get bored and annoyed when you lecture them. They might genuinely believe that a new top or a trip to the clubs will help them win new friends, or that this boy might really like them if they do what he says. It seems real to them because they haven't lived through it yet. They have hope that these things will work, and they're a lot less worried about risks because they haven't seen things go wrong as often as adults have. (Just recently, I walked down a narrow street on a steep hill that I used to skate down at breakneck speed without any helmet or protection as a teen—where I could never have slowed down or avoided a car—and back then, it hadn't even occurred to me how dangerous it was. As an adult, I had a 'how am I still alive??' moment seeing that place.)

You know how we often say, 'Be nice to toddlers and babies, this really is their first time on a plane/in a car/in a supermarket'? The same applies to teenagers when it comes to things adults find childish. Wearing THAT outfit or going THERE really is that important to them. And do you know who they hang out with? Who some of their most important social contacts are? Other teenagers, who also think THAT is important. That romance book with its familiar tropes or those song lyrics we've heard a thousand times really are That Deep for them—because it’s new to them

They also don’t live within the same contexts as we do—they don’t have jobs, they go to school, and they don’t get money or immediate rewards for what they do. Is a teenager sulking during a trip or on holiday? Well, they worked just as hard at school this year as you did at work, but they don’t get a say in where the trip goes, most of the time. When they mow the lawn, they don’t really care what the garden looks like—because it doesn’t impact them. So of course they roll their eyes when you ask them to. They live in a world where they constantly do things without seeing any direct benefit, while the things they do find rewarding are often mocked or forbidden by adults

So yeah, one way to make a bratty teen sympathetic is to explore why she is bratty and to show her side of events.

Also: You can explore what makes her less bratty! Perhaps she's nostalgic for simpler times or she really loves animals or she moved and misses her old home or she is passionate about a hobby or music or drawing. These things might make her more approachable to people who also respect them and we see the personality beneath the brattiness.

And also you can explore what bratty means! There are many different flavours of "bratty teenagers". Some are already well-established tropes like the rich brat* or the goth kid. But the real challenge to making a bratty teenager likeable, imo, is to give them a distinctive personality and to make their bratty behaviour reflect real life motivations. In which way is she bratty? Does she disagree with everything you say? Perhaps there is a bigger thing she feels she's not listened to about. Is she reclusive? could be there are a lot of arguments happening around the house she wants to avoid. Does she have specific opinions and viewpoints she stands in at all times? Or is she contrarian on principle? Are there people she's particularly bratty towards? How does she act around her friends, teachers, strangers, neighbours, parents etc. I think the more you explore that the more she becomes a person and the more she becomes a person, the less it feels like you're bashing or mocking teenagers.

On the other hand, you could also write a character who really is a huge dick or even a villain. There's also many flavours of that - anything from the pissy older sibling to the mean girl bullying people in school to the Creepy Kid. (Think of characters like Joffrey from Game of Thrones, that's how far you can go with an evil brat villain even in adult story.) In these cases, I would also explore why they are who they are - even if the answers to this might be less sympathetic.

If you do that, you could also include other teenage characters with very different personalities to show that you are not making general statements about teenagers but that this is just one character you are describing. Or you could give her parents who act similarly. Or maybe it's a question of schooling - that's another popular trope for teenage villains, they might be a reflectin of a dysfunctional social environment like their school or the place they live.

*the thing about the rich brat trope: As someone who worked as a teacher at a boarding school for very wealthy kids, I often have issues with the very shallow depictions of this that basically boil down to "this kid gets everything they want so they suck". There are some very specific forms of neglect that are common among rich people and tbh, I think if you want to go in that direction, I would also look at what life this kid lives and WHAT they are lacking.

[allur1ngs]

could you give more information on hyo? we all know bada + bebe because they’re of course real but since hyo is an oc, we don’t know a lot about her. like her hair color/style, height and age, hobbies and personal things like that <3

okay, here's an official deep dive on Hyo!!

this is her official face claim, kim hieora's appearance in bad and crazy!! (i actually haven't seen the show...lmfao)

full name: kim hyo

she's 5'8, making her slightly shorter than bada and lusher, has dark brown (black in low lighting) hair, fair skin, and is 25/26 years old (i haven't decided yet hehe).

style: she loves a super laid-back and casual style when she's not wearing her normal suit, which is basically almost never...

hobbies: ...she doesn't really have time for any... but if on the off chance she takes a day off (literally once in a blue moon) she enjoys reading!! she's an avid reader and loves history!! she did very well in her studies, but history was always hyo's strong suit!!

likes: she LOVESSSS chocolate. that might be her only weakness. she likes sweets in general but not to the extent that she likes chocolate. she also likes cold showers and cold weather.

dislikes: disappointing bada. i feel like i've beat this point into the ground but it's such an important part of hyo's character!!

i'm going to go into a small rant so you've been warned but...

i'm not sure if anyone picked up on it from AWOOL, but hyo is the daughter of chung-hee, bada's bodyguard when bada was younger. hyo always looked up to her father because he was so dedicated to his work and she thought that the idea of protecting another person is such a noble cause/job to choose in life. so when she grew up she idolized her father greatly, and the few times she met bada while she was young, she also grew to idolize her too. bada has always been strong and independent, even before the death of her mother, so when hyo got to see how she took charge in her life without being arrogant and using the influence of her parents, hyo was like "yeah, i want to be just like her."

adding onto that, the lees basically kept hyo's family afloat. they paid her father an incredible sum of money for his work, and before that hyo grew up very poor, so she was basically taken out of poverty by the lee family.

(let's also not forget that chung-hee and mr. lee were also best friends since like childhood, so naturally hyo appreciated him a lot)

so after her father retired, bada--still recovering from the lingering affects of her mother's death and having no trust in almost anyone, somehow managed to trust hyo (because she was chung-hee's daughter)--who was now much older, to become a part of bebe.

hyo wasn't bada's bodyguard although she wanted to be--lusher got that privilege--but the second you stepped into bada's life she was assigned to protect you, and after that hyo felt like that was her calling. to protect the person most precious to bada like ji-ah (the man who killed bada's mother) didn't do. because of all that, she greatly respects you and thinks of you as a little sister she has to protect with her life.

okay rant over🤗

other things hyo dislikes includes, traitors--i'm sure you can guess why--snobby rich people, which in her line of work are literally everywhere so..., and people who disrespect those who have given them so much. in bloody knuckles, you'll see a bit of hyo's frustration with reader come out when she realizes that she lied to bada. she does, to an extent, understand and sympathize with reader's reasoning, but she sort of grows cold with her after that.

and before anyone starts to get any ideas, because i'm sure they will...hyo would never NEVER date reader or bada!! she thinks of reader as a little sister (not to mention bada is in LOVE LOVE with her and hyo would never betray bada like that), and bada is hyo's boss and someone she idolizes, she would never be in a relationship with either of them in the canon. and even out of canon bada is NOT hyo's type at all

okay that's all i can think of for now so let me know if you'd like to know more :D 🩷

[aangarchy]

Netflix atla live action review ep 7-8

Home stretch baby. I figured since i love the source material i should just be able to enjoy it, or at least be entertained by it somewhat. But even that was just not possible. I pirated it after the first three episodes just bc i didn't want to give netflix the satisfaction of a view.

It's not so much the acting, the costumes or even the bad/mediocre cgi, it's the writing. It's an absolute shitshow, a mess of the highest caliber. For someone who claims to love the source material, it really seems like Albert Kim didn't understand why a lot of the things in the original worked the way they did. Things that are important for character growth got removed, and lore that we normally don't see til later on in the show (or even in a completely different story within this universe!!) got crammed in. For no good reason too bc it doesn't really add anything, just gives us another obstacle or useless exposition that's supposed to explain another useless thing they added.

Both of the last episodes take place in the north pole. This makes sense somewhat because in the original all three of the last episodes took place there. The reason they did this in the original is to have room for all of the stories that still need to take place (pakku, zuko, spirit world, koh, waterbending training, sokka and yue etc.) However in this version, even though minutes wise we have more time, we have less story. Like way less. Also episode 7 proportionally is much shorter than 8 and it really gives issues with pacing.

Let's start with what annoyed me most. Where is the waterbending training? Where is it? The season's title is Water and Aang bent ZERO water this entire season unless he was in the avatar state. Katara "trains" yes, but it's mostly practicing moves she found on the scroll (which gran gran just gave to her? Why didn't this woman give it to her sooner???). She gets NO guidance from anyone, and the way she gets better at bending each time is because a BOY told her encouraging things. A BOY. In the OG we get Pakku saying "raw talent alone is not enough", which makes sense because bending in this universe is an extension of martial arts, and you have to train to become good at martial arts. This LA show however treated bending like a magic power, basically giving some mumbo jumbo about balance and a clear head and think of the people you love to become a better bender. And while yes, your mental headspace also is important (as highlighted in the original where zuko couldn't bend anymore bc he had no aggression left) it wasn't the only factor, it wasn't even the main factor.

When we arrive at the North Pole, Pakku and the chief of the North both expect Aang to help with battle strategy in order to stop the attack bc they're already aware it's coming. Aang tells them he doesn't really know how (wtf were they even expecting it mean that is a whole 12yr old) and they turn away going "guess we can't count on the avatar" like? Dude?? If they have such good intel that they already know the fire nation is preparing an attack, and that the Avatar is alive, how tf did you not hear that the Avatar is also 12 years old and far from a master of the four elements? Idk this weirded me out.

They removed the deserter episode, which means Aang doesn't renounce firebending, which means we get no storyline of Aang dealing with his conflicted feelings surrounding firebending because fire gives life, not just destruction. Katara also doesn't find out she can heal naturally. We just get told that healing is just a thing all waterbenders can do if they train for it. Katara's necklace has no significance at all in the story currently. Yugoda doesn't recognize that Katara is Kanna's granddaughter. Katara's gran gran being from the north originally doesn't play part in the story at all. Katara doesn't even once utter the words "this necklace used to be my mother's". Idk why that bothers me so much but it does. They also removed her rage at not being allowed to fight. Sure this show's Katara also goes to fight Pakku, but literally everytime she speaks she just sounds reasonable. She fights him not because she's So Enraged at not being allowed to become the master she's meant to be, but because the script demands it. She says it so matter of factly too. She's like a mellowed out shell of who Katara is supposed to be. I feel like this overall for her character in this show btw. I don't blame Kiawentiio bc i saw clips of her performance in other works (anne with an e notably) and she's good. This genuinely just seems like poor writing and directing. They removed all of Katara's passion. She's not warm, she's not feisty, she's not angry, she's not nurturing, she's also not flawed at all. I hate to say it but in this version she's giving Mary Sue, especially bc she just learns waterbending on her own, and then gets called a master out of nowhere. That's not how that's supposed to work. You're supposed to earn the term master.

Let's talk about Yue. Amber Midthunder is a great actress, but damn, that wig. Their budget was over 100 million dollars and yet they couldn't give my girl a lace front? Her wig was so structured and stiff, and if it were any other context like cosplay or a drag show this would have been perfect. Now it just looked really unnatural and instead of the hair being platinum it was gray. Yue's character got given more to do here. They changed the story to have her break her own engagement, but it's implied that the reason she did this is bc she met Sokka in the spirit world and... fell in love? Idk it was a bit weird. Both Suki and Yue were inexplicably entranced with Sokka. In the OG it's implied that Yue likes Sokka bc he's so different from the boys in the north, kind of like a city girl falling in love with a country boy. But here it feels different, he doesn't stand out at all compared to the other boys, and Hahn isn't a dickhead like the OG. I will say i like that Yue is a stronger character here. She takes charge of her own destiny and she is the one to realize that she can save the moon spirit, and wasn't told by someone else that she could do it. I am confused by them making her a waterbender, but i'm not mad at that change per se. I liked her sacrifice scene, her own acting was great. Sokka however... i genuinely burst out laughing, like so loud. The zoom in on his face, the expression, it was too much and too little at once. Overall, Yue's story was okay. Was it better than the original? Debatable. But it wasn't bad and that's a win.

We get Avatar Kuruk way earlier than we originally got him. I'm still kind of confused about the whole "you can talk to past Avatars but only in their shrine with their statue" thing, because if that's the case how in the hell is Aang ever gonna ask advice from Roku (or Kyoshi, since the writers clearly have a bias towards her and want to make her the main Avatar guide ig) without having to travel all the way to the shrine? Can they only talk in the one specific shrine or can we take a miniature set of Avatar action figures with us just in case we ever need advice? Also this lore abt the shrines and statues is flawed at best bc later on Kuruk shows up for Aang during the fight, while they're not present at the shrine. Either way, Kuruk was far from the go with the flow Avatar he was characterized as in the original. I know that we got some insight into Kuruk's story in the Kyoshi novels, and turns out it's a lot darker than expected, but Kuruk never let that change his character. He always remained chill, or at least kept up the facade, and i don't think OG Kuruk would be the type of man that is angry about how his life turned out. In this version, Kuruk is this scared, mean, bitter man who is really unsatisfied with his destiny, which he lashed out at Aang for. He seemed really angry at Aang to for no good reason. We're also not supposed to know this part about Kuruk's life yet. It's too much information and de waste time learning about his life story, the only reason we learn it in the first place is to explain the Special Spirit Killing Knife. Also the actor for Kuruk.... yikes bro. Idk which hallmark movie they pulled him from but he and his stupid polar bear hat looked like ass the whole time.

So there's this weird part about Kuruk having a Special Knife that is able to kill spirits. Idk if this is a thing from the Kyoshi novels that also made it into this show bc truth be told i haven't made it far into those novels yet at all, but it was strange to me. Somehow Zhao has this knife. We don't know how he ended up getting it (did the fire sage give it to him? I didn't see it but i might have missed it) and we pretend that this is the Only Thing that can kill spirits even when the spirits are mortal. Doesn't that negate the fact that the spirits are mortal, if they can only be killed by a Special Knife? Also there's this weird convoluted part about how the spirits actually live in the spirit world and only cross to the physical world once every ice moon to know what it feels like to be "mortal" and choose a different "mortal" form each time and this time they happened to be fish. But still, they can Only Be Killed By The Special Knife. Huh? What's the purpose of this added extra lore? I saw someone say the underlying point is that it shouldn't be this easy to kill spirits but.... that's the whole idea behind the Ocean and Moon spirits having permanent mortal forms? Them being mortal and choosing a form as insignificant as a fish, constantly circling each other to represent the precarious balance between Ocean and Moon, a balance that can be thrown off very easily. The whole point was that they're fragile so why add all this extra exposition for no reason? Why make the spirits harder to kill if in the end you're still just gonna have a guy stabbing a wet bag and not some rough spirit killing battle?

Zhao also just gets told by the fire sage that killing the moon is a thing he can do. I don't like what this changes about Zhao's character. Zhao is supposed to be this cunning man. He's scary, determined, strategically inclined, but alas overconfident and willing to go too far which ends up being his downfall. His ambition is what led him to do his own research by visiting a spirit library to find any weakness he could potentially exploit, and that's precisely what he found. In the original, Zhao always fought for his own career. His own accomplishments got him the tools to try and beat Zuko in the Avatar race. But in this version, Zhao just keeps getting handed things. He's a slippery snake that plays friends with Zuko and then tries to steal the glory from under his nose. He gets handed the archers, he gets handed the information on the moon spirit, he gets handed a war balloon (which completely ruins the surprise of the fire nation suddenly having air power at the invasion), and he gets helped by Azula of all people. It makes him look a bit chumpy in this story, and it really worsens his villain qualities.

On a completely other note, this LA seems to have a thing for making adults yell at a 12yr old Avatar for leaving the world behind, and it doesn't make any sense, because in this story Aang left on Appa for a joyride to clear his head. Aang didn't purposely leave. He had every intention of returning after an hour. Yet every adult in this show, even the past Avatars that know damn well Aang didn't flee from his responsibilities, yells at him bc he accidentally got encased in ice. And somehow this Aang gets made to feel worse about it than OG Aang even though he deserves it way less bc this Aang didn't actually run away! I don't like what this changes about Aang's character. In the OG, Aang has one fatal character flaw and that's avoiding responsibility. He runs away, and has problems with taking accountability for what his actions cost the world. He goofs around, plays games and likes to have fun to avoid having to face his destiny, all while carrying the guilt and blame for the century war. It's a huge part of Aang's character journey. The guilt he feels isn't misplaced bc Aang knows he ran off, and he knows that the world is in its current state because of his decision. In the end he takes responsibility by showing up to the fight with Ozai alone. In this LA, even though by all means Aang shouldn't feel responsible, he ends up taking responsibility right away. He goes to Kyoshi Island, not to goof around and ride giant koi, but because he knows he can talk to Kyoshi there. Kyoshi yells at him for leaving (again, why? She knows he didn't run away) and gives him a vision about the watertribe getting destroyed. Instead of panicking about it (like OG Aang did after finding out abt the comet) he just accepts that he needs to go and help. And while this Aang does get to have fun moments (i especially loved how in the first episode he sees playing watertribe children and immediately joins them, that was quintessential Aang), he just seems very down and serious a lot of the time. He's scared of people getting hurt and is very worried abt the safety of his friends to the point where he agrees with Pakku and tells Katara she shouldn't fight. It's not Aang at all bc OG Aang was rooting for Katara when she fought Pakku. To sum it up: i think the casting for Aang was perfect. A cute southeast asian skater kid that loves to have fun and genuinely just looked the part? Brilliant! I am genuinely not upset at Gordon's performance at all (although sometimes i wish he'd enunciate a bit better). But the writing messed up the character so much that i couldn't even feel the joy for having the perfect looking Aang. I will say Koifish Godzilla (Koizilla if you will) looked dope. What did confuse me abt the Koizilla scenes is that sometimes there was no music (which is a choice i often like bc it gives the scene extra gravitas) and then sometimes there was a majestic score playing in the back, like they couldn't choose how they were gonna execute it and just picked both. I know that's nitpicky but it bothered me nonetheless.

Speaking of Koizilla. Wtf was that thing they added about Aang "succumbing" to the ocean spirit and being "lost"? They didn't even explain it at all, but both Yue and Iroh talked about how Aang would be lost forever now. We don't get a why, we don't get a how. And "lost" is such a vague word for it too. Like would his spirit be lost and only his body remain? Would he be completely swallowed up by the ocean? Would he remain Koizilla, forever rampaging at the ice wall? They added this for extra tension i guess, but it doesn't really work when only minutes later Aang is able to return no problem bc Katara talked him out of it, so we don't even get to find out what "he'll be lost forever" means. Also: the scene with Katara talking Aang out of it was cute, but the execution was weird. Originally Katara gives this speech when Aang goes Avatar state at the southern airtemple. I like that they still kept Katara's speech to Aang bc it highlights their bond which is especially important for later on in the show, but I don't like how now Katara had to give this really heartfelt emotional speech to Aang in front of everyone else at the northern watertribe. It's supposed to be quite an intimate moment between her, Sokka and Aang as a new family, they're supposed to promise they won't let anyone harm him, which eventually calms him down. Here though Katara's just yelling these words at him in front of everyone and all the intimacy is gone. It also doesn't work as well bc we barely got any time of the gaang bonding. They spend episode 3-6 apart most of the time, so really they shouldn't feel this bond towards each other just yet. Because this LA removed a lot of the side adventures, we don't get the feeling that these kids have known each other for months.

Another thing they removed is Appa and Momo as characters. In the original they each get their own moments, we even got one whole episode with Appa as the main character (which won an award btw). Here though, Appa is solely used as a transportation animal and Momo... honestly i don't even remember what he does but i think it's mostly a small comedic bit? Also he hands the acorn to one of the characters. This is a bad change bc in these episodes Momo gets hurt so bad he nearly dies, and it has no emotional impact at all bc he's just an accessory in this story. I felt no emotional attachment to Momo and he just has no personality. I wonder how this choice is gonna play out when we get the kidnapped Appa story bc so far it's not looking good.

Anyway, for positives. I warmed up on Dallas's performance a lot, i wasn't that mad at Ian Ousley's performance and there were moments where he genuinely made me laugh. The cgi for the creatures was decent, but for the backgrounds it looked horrible. I liked that they showed how devastating the Seige of the North ended up being, with the unnamed kid and Hahn both dying. I liked the effect showing those two had on our main characters. I liked when Aang, Sokka and Katara all worked together taking out that one firenation ship. I liked the way they showed Sokka and Yue bonding. I really warmed up to the costumes as well, i still wish they dirtied it up a little to make them look less new.

There's probably some more positives but they're really minor compared to the negatives and also my brain is just done atp. I'm never gonna rewatch it for more analysis either bc i don't think i'll survive it lol. I might make another post abt my opinion on the show as a whole? Like an overall summary? Bc this shit is VERY long and i do apologize. If you made it this far, uhm. Thanks for caring abt my opinion so much that you sat down for like 10 minutes to read my angry yapping? I appreciate it.

Anyway bye

[augment-techs]

Hope this isn’t being rude but you don’t like Tomberly? Or rather the fans of the ship? Is it okay to ask why? Genuinely asking.

....Well, I'm gonna get eaten alive for answering this, but I'm so bored right now I also do not care. How to put this.... It's not necessarily that I find Tomberly to be an inherently bad pairing, or find that the people who have this for their OTP to be especially unpleasant in every facet of their being. No, it's more like...a very specific type of Tomberly shipper that can--and HAS--ruined my day because they cannot FATHOM these two characters, SPECIFICALLY, being in a relationship outside of each other and making it the entire rest of the fandom's problem. Like, in the 90s, I could understand it. I was in kindergarten, but it was literally one of the first ever kid show pairings that delivered a kiss and felt like they were perfect. Fine, great, awesome. But it is 2023. They are now the ONLY Rangers LIVE that have kissed, and a lot (and I do mean A LOT) of these shippers feels like that's destiny, it is written in the stars: They were Meant to Be. They Are The Best. There Will Never Be Another True Pairing. They are the LOUDEST and MOST ANNOYING about this when literally anything in media shows the characters in another, different romantic relationship (Tommy) or perfectly happy and fulfilled being on their own (Kim). And I am stuck with that one scene from the Birds of Prey/Harley Quinn movie just BLASTING in my brain every time one of these fans crosses my dash with a snide remark about Tommy/Kat in ANY narrative, or making heart eyes at Kim just standing next to Drakkon in the comics in any dimension ever:

And this is not even bringing up how they are generally dismissive of other characters outside of these two, because where one goes, the other follows. (Examples: Trini, Zack, Jason, Kat, Tanya, J.J., Hayley, Bulk and Skull--not getting into it with these two, but it is a PROBLEM--and on and on and on.) Not to mention they have a tendency to dismiss any flaws (Kim being selfish, a little manipulative, dismissive of other people's feelings, too into her looks, sometimes being too one-track minded vs Tommy's lack of any personality outside of being a Ranger, being secretive and dramatic in the early days, constantly picking fights, making everything a big deal, being a doormat, being too submissive, being jealous) as just bad writing/bad acting, instead of just... Understanding that maybe there is a POINT to this? These are the inconvenient shippers mind you. These exist in every fandom, it's just a little harder to avoid them when you're in a SMALL fandom. And I have my own biases; as a consummate multishipper I see characters are beneficial only if they can branch out into BETTER characters, with better options and plots ahead of them than just Good Girl Meets Rugged Guy, They Kick Ass, They Fall in Love, They Live Happily Ever After blah blah blah blah. Also, and I cannot stress this enough: I am almost exclusively a fan of the PR COMICS. And the comics are doing their best to make all their characters multidimensional and slightly different from what we had in the 90s. Which means I can look back at the live action MMPR series and say, "Both Kim and Tommy Were a Dumpster Fire, I Don't Think I Like Them Very Much," and happily skitter back to their current comic selves and say, "You're a dumpster fire, too. But that's okay~ You're teenagers who make mistakes and are still growing into yourselves and can make new choices. Nothing is set in stone and the multiverse exists. What are you going to do about it?" * * * tldr; I don't HATE Tomberly. I don't HATE their fans. I am a multishipper who believes in options and not dunking on any other possible relationships they might have outside of each other. I like Kat Hillard, I like Matt Cook, I like Tommy, I like Kim. These are not mutually exclusive and I am okay with anyone as long as they're not needlessly cruel to other fans and what they like. I might find Tomberly boring, but so what; I also thought every relationship in FRIENDS (outside of the basic Chandler/Monica), Beverly Hills 90210, the Superman Animated Series, and the ENTIRETY of GLEE (that wasn't roasting Rachel Berry) was boring. I don't like it, I skip it and move on. If I happen to be a little snide myself in posts about them...

[alloveydovey]

Dramas I watched this past month!

Overprotected Kahoko (jdrama) 8

I'm on a quest to find good jdramas because when they're bad, they're crazy bad, but when they're good, they become instant comfort. The vibes in this one are 100% there. Overprotected by her mother, a 22-year-old meets her complete opposite, and in the midst of falling in love, she decides she wants to become a real adult… all this around her messy (yet charming) relatives. It was a small cute, and heartwarming family drama. I don’t really have much to say other than that I love Kahoko, she’s the cutest.

Queen of the Ring (kdrama) 7?

FL puts on a ring that has the ability to make her crush see her as a beautiful girl. I watched this one because I loved Kim Seul Gi in Splash Splash Love and Ahn Hyo Seop was enough excuse to check it out. I kinda hated it but enjoyed it at the same time? It makes me mad to see how they judged everything by looks (especially both ML and FL) but let’s be honest, It was realistic. It was a bit hard to believe, though, because I didn’t think the FL was ugly at all. What didn’t convince me about this one was that most of the love story happens while she’s wearing the ring and so it kinda ruins it for me.

Jitenshaya-san no Takahashi-kun (jdrama) ?

Kinda good girl x bad boy trope? Except the bad boy isn't really a bad boy, he just looks like one.

I can’t really rate by number because it was too short and, to be honest, I got what I expected. Soft and simple. He fixes bikes and fixes her, they later begin to hang out and get closer. No serious drama, just two people starting a relationship.

Touch Your Heart (kdrama) 7.5

A rom-com drama with Lee Dong Wook and Yoo In Na’s amazing chemistry from Goblin sounds so good on paper. I feel like I should have watched this one right after I watched Goblin, but I never did.

Even though the chemistry between them was still there and strong, the show and both characters felt a bit stiff? They could have used them a lot better but were given a kind of meh storyline that bored me a little too much by episode 12. Still, they had their moments, and… it’s them 🥹 it’s impossible not to like (despite everything else).

D.P. Season 1 (kdrama) 10

I’ve been putting it off because, even though I knew it was going to be good, in drama world, I go to romance lol.

I 100% watched this because of Jung Hae In (and I was low-key curious about Koo Kyo Hwan after watching him in that episode of Attorney Woo.) Neither of them disappointed. In fact, they gave more than what I was expecting. Their dynamic and acting was impeccable. I really have nothing to say about this one because, yeah, it's a 10/10.

W: Two Worlds (kdrama) 8.5

Nothing beats a 2016 kdrama lol. I started obsessed with this one (even though I remember never adding it to my watchlist because I thought it wouldn't be my cup of tea, silly me). The storyline was extremely entertaining, although all in all, I'm not 100% sure it made sense.

I literally feel like I've lived so much watching it. I was on episode seven, and so many things had happened that I had no idea how they would continue it, and yet things KEPT HAPPENING, and plots kept getting twisted. Perhaps that's the reason why I binged the 12 eps of the drama, but it took me a while to finish the three last episodes. At some point, things started to lose sense, and I couldn't understand what was really going on, which resulted in me getting bored. All in all, it was a worth-it drama though. The romance was 11/10 (kept me on my knees) and the soundtrack 10/10 (old dramas have such bangers man)

Perfect Marriage Revenge (kdrama) 7.5/8

I usually don't like watching these types of drama because sinister family members who do shit just to hurt the leads make my blood boil. Like there's no way someone is THAT evil. I did enjoy this one, though. It was nothing out of the ordinary, but I really liked the love story, the ML's family, and the evil people getting what they deserve.

[arceespinkgun]

Do you have any speculations as to why the interesting dynamic between Shockwave and Starscream in the Marvel Comics and Regeneration One has never really been explored the same way again?

Oh, this is a really interesting question, and something I've never thought about before! I think I'd first say that if you're talking specifically about Regeneration One, that wasn't concluded until like, 2014, right? So no media that came out prior to that would be able to allude to it. Also, opinions range on that series from, "Meh" to "It's really bad," so I don't think anybody wants to reference it. In the big crossover event that was going to end IDW's run of TF, there were going to be some deep-cut references to things like Regeneration One and Transformers vs. G.I. Joe—with Regeneration One Starscream even appearing on one of the planned covers—but there's no telling that any other character from the Marvel comics universe would've even been in that event or even referenced. I wouldn't be surprised if Shockwave and Ravage, who were on the Ark with Starscream at the end of that series, would've been dead/not mentioned.

Now, as for their dynamic in the rest of the Marvel comics, I think it's just that people don't remember this aspect. Fans probably remember (as they should!) that Starscream killed more people than Unicron did or that Shockwave was introduced by defeating all the Autobots simultaneously and immediately usurping Megatron. Marvel comics Shockwave has been considered by many fans to be the best version of the character since the very beginning of this fandom, that's very true! But I doubt it's because he and Starscream were friends. So I think that's probably why it hasn't been revisited. When I show comics' pages that showcase their dynamic on here or other sites, people are usually intrigued, but also really surprised, because they didn't know/remember!

...Oh, also, I think another factor might be that people found stuff like Shockwave's inconceivably immense hatred for Starscream in the first run of IDW, and I do mean "inconceivably immense" given that he literally reshaped history just to humiliate Starscream, a lot more memorable (I still don't understand what the impetus was for this by the way, I've put it in the same category in my mind as all the other extremely weird stuff from that continuity, like that time the Combaticons worked for a fictional son of Kim Jong-il). I think that's too bad, personally, since I really like their dynamic from the Marvel comics but really hated the one from those.

[watchinglikeafangirl]

I hate to say it, but Pit Babe episode 11 is so messy.

It's revealed Charlie isn't really dead which didn't shock me since it was kinda obvious. There were multiple scenes when Charlie says he's ready to die for Babe, so he kinda did... But where did that uncle come from who takes care of Charlie?! Why introduce a new character? We already have too many characters. It's not ideal to introduce some bad guy two episodes before the finale.

Also, this episode is a lot about JeffAlan, so we don't see much of Charlie, Babe, Way and Tony. The whole pacing suffers because JeffAlan's pacing is really bad. It's slowburn but then they hit us with ten scenes and that's supposed to be their whole love story. Sorry, but that could have been written so much better and I'm not invested at all.

North, Sonic and Kim are there once and don't appear since they have no purpose any more. It's not like these three characters were essential to the story but still, they turn into unnoticable sidecharacters and I don't like it.

Babe and Charlie are the main couple, Charlie is the protagonist but they are barely seen. Charlie sleeps and drinks Lactasoy while Babe walks around with an angry face, trying to avenge his supposedly dead boyfriend. I really hate how Charlie didn't include Babe in his plan. There could have been another way and just saying "he doesn't understand" is such an unfair and pathetic understatement, it actually hurts. I feel like Charlie forgets Babe was raised by Tony as well and keeps on thinking he should exclude Babe from everything. But that's not how realtionships work and I do not want to believe the series will be giving us a happy ending for these two when Charlie lied to Babe so drastically. Charlie made Babe believe he died, made Babe break down at his grave, made Babe so depressed he didn't eat, made Babe mad at the world and over all, he made Babe's grief unnecessary and unimportant. Charlie doesn't show that much remorse while holding on to a plan that made his partner say a final goodbye that ISN'T FINAL. I cannot say how much I hate how this all turns out and how much I hope they don't get a happy ending because Babe certainly does not deserve a boyfriend like that. I'm sorry, but it's so beyond me how Babe will accept any apology.

And then, we finally have a PeteKenta scene and some flashbacks I hoped would appear but never thought I would see. The fight scene is very mid, they pull the same stunt three times BUT when I saw that tear rolling down Kenta's face, I was hooked. And now I'm invested. Their relationship and Kenta as a character have so much potential but there's no room since there are too many characters and too many storylines happening at the same time. Kenta is a very conflicted person while Pete knows his believes. It's interesting to see Kenta struggle because Pete questions his morals and I would say, the time they spend apart didn't do them any good. I can only speculate and I'll leave that for next week. There's not much to say from one scene. They never really talk except for the flashback, so I cannot say how much they changed each other back then...

But honestly, what happens in this episode? What happens over all? The series has a bunch of filler scenes and this episode is by far the worst. Nothing happens. The plot can be seen from a mile away and we're fighting against Tony since day one. Babe says "we hit a dead end again" but have we seen him collect evidence until now? He talks like he's been onto Tony since day one but all we have seen him do is trying to beat the Red team, racing in general, having a relationship and staying at home because of his injury. When did he collect evidence? I know, he went with Charlie and they had a bunch of stunt scenes. But I mean before that, in the beginning of the show, he doesn't do anything but living "on the run" in the same house.

I like stories where the bad guy needs to be outsmarted and people investigate but the problem is, the series always TELLS us they are investigating but they barely SHOW us. I can't believe them if it's not something I see. This episode makes pretty clear this so called investigation would have been nothing if Pete wasn't there. Babe had no evidence on his own, so I ask myself, what's the story? What's the plot? Or did the story suffer under BabeCharlie's screentime? I can't explain it to myself but I have issues with the pacing from day one.

My issue is, it's been teased since the first episode that Tony is the bad guy who will be ended once the series ends. The series makes it look like it's inevtably going to happen and it's going to happen soon since Tony is becoming stronger and needs to be ended ASAP. But the problem is, nothing in that matter happens and Tony keeps on being powerful for way longer than the series initially told us.

If we look at KinnPorsche for example, we knew Vegas is the villain. It's obviously about him but the difference is the showdown in episode 10 and the finale at episode 14. He is the villain throughout two plots. The first one leads to the second one but still, it keeps the excitement. Episode 10 is the climax of KinnPorsche. It's thrilling, it's exciting and it's interesting how the "twist villain" is revealed. Pit Babe for example doesn't have such an impactful climax. Tony is barely shown, so we cannot understand how evil or scary he is. There's no first showdown where everyone reveals their true colors and go home thinking about a way to outsmart each other next time they meet. None of this happens and right now it feels messy and stuffed and boring. There's no action or excitment, just relationships that are not really connected to the plot and the story in general, so it feels pointless.

[thotja]

thoughts on Predator: Eyes of the Demon

overall not as ground breaking as I was hoping for (granted im a weird transsexual fag IRL so i guess i have a lot of expectations that are unlikely to be met by the average sci fi author), but still some decent stories! i'd say 6.5-7/10 overall. rating for each of the stories under the cut (to keep this post from being like. a mile long):

• "The Titans" by Tim Lebbon – underwhelming plot but i enjoyed their poetic rivalry. 6/10 • "The Distance in Their Eyes" by Stephen Graham Jones – good little story with a twist. Didn't think much of it at first but I keep thinking about it. 9/10 • "Aftermath" by Bryan Thomas Schmidt – ENOUGH. OF. DUTCH. let the poor guy rest! that being said, the way we get a tantalizing 3 paragraphs or so of "baby's first hunt" is SO charming. would have been more if it was focused on HIM not dutch but it was ALL about Dutch so. 3/10 • "Proving Ground" by Linda D. Addison – yautja-centric! and focusing on political maneuvering! yippee! sadly still kinda whatever. 7/10 • "Lion of the Himalayas" by Ammar Habib – human focused but a much needed change of setting and at least was unique. One of the better stories imo! 8.5/10 • "The Fix is In" by Jonathan Maberry – another capitalist-military future story (i hate this genre btw) but i'm obsessed with the single surviving yautja tricking a group of humans just to hijack their ship since his was irrevocably fucked. kudos to you, bro! 5.5/10 • "Bitter Hunt" by Kim May – this one just raised too many questions it didn't have the length to answer. why was your son going around killing women and children??? at least u killed him yourself. i would be sooooo embarrassed in her shoes. i would say if it got more space to flesh itself out, it could've been great. but this version we get is solidly a 6.5/10 • "Field Trip" by Robert Greenberger – THE INFAMOUS BIRTH AND NURSING STORY!!!!!! i think i have the most beef with the world building in this story out of all them. like. why the fuck were her novices such misogynists??? hello?????? like ZERO respect / understanding of reproduction. u were a baby once too you know?! funny setup, annoying teen boy type behavior, questionable mom choices too (if she didn't want to have da baby on earth then why sign up for this job so close to your due date?), but ultimately, the reason i chose this book in the first place. so 10/10 for getting me, keeping me, and making me mad. • "Cannon Fodder" by Gini Koch – girl power! would have been better if they were lesbians at the end. 6/10 • "Little Miss Nightmare" by Peter Briggs – I like this writer's style the most out of all the other authors featured. I thought his human characters were at least interesting. AND the yautja featured was more of an anthropologist vs being exclusively there to trophy people. so she had more curiosity. I think a lack of curiosity in people's yautja characters is the most disservice they can do to them. 9.5/10 • "The Trophy" by A.R. Redington – NOT HOW IT WOULD'VE GONE DOWN. TAKING LOTSA POINTS FOR THAT. 2/10 (objectively not a bad story. but makes me mad) • "The Monster" by Michael Kogge – hey I've been there! really funny to have bigfoot fight predator, but underwhelming-ly written. 6/10 • "Ghost Story" by Joshua Pruett – I suspect you are not a geologist. 5/10 • "Sly Dark in the Daylight" by Yvonne Navarro – really funny to have a Bad Blood be the main yautja in the story. human centric of course but at least it was a different setup than typical "yautja hunting humans" type thing. Kinda addicted to the ending but also not how it would've ended in my opinion. 6/10 • "Dead Man's Switch" by Scott Sigler – yeah yeah engineered super beast hunting facility attracts yautja. of course. 6/10

[miraculouslbcnreactions]

Tell me, do you think Amelie shows any of the signs of a woman who was mistreated by her husband, or at least do you think she did before season 5?

That is really, really, really not something you can tell just from a few casual encounters with a person, especially since we didn't meet her until after Colt was dead and we never saw her in another romantic relationship. Every victim will act differently and have different triggers. I have no doubt I could find Amelie's perfect match among real victims because there is no set pattern of behavior they're required to follow to be real victims.

All that being said, I think this ask may just be poorly phrased, so I'm gonna talk about the general way the abuse was handled by the story, which was not great.

As I talk about this more, please remember that we are discussing characters in a story and not real people. I would never be this critical of a real person because a real person is not a piece in an ongoing narrative. A friend revealing that they were abused without any prior indication of this fact is perfectly normal as victims are often very good at masking their symptoms. A character doing the same is often bad writing as stories allow you to get inside people's heads, to see people in private moments, or even just when no one else is looking at them. If the writers never take a moment to use those kinds of tricks to set up a big reveal like an abusive parent, then the reveal comes off like something the writers made up at the last minute, which is bad writing.

So, if you're asking if the show set up the reveal well, then no, I don't think it did as nothing we see in the show would make you guess that something was off about Colt. Like you could argue that it makes Amelie's overprotective and indulgent nature make sense, but lots of people spoil their kids without going through abuse, so that behavior didn't need to be explained. It was perfectly logical as-is.

You could also argue that the abuse explains why Felix is a bully, but plenty of people are awful to others without ever going through some sort of trauma. Felix being a bully could have just as easily have been the result of a pampered upbringing where he was given everything he wanted.

Colt's reveal can be argued to recontextualizes Amelie and Felix's behavior, but that's about it. It doesn't take questionable behavior and make it suddenly make sense. Like I'm still baffled as to why Felix did all the crap he did in his titular episode because he was never cruel just to be cruel again, so what was going on there? Why the dramatic character shift in season four and five?

For the show to have actually set up the reveal of Colt's abuse, it would have needed a really blatant example of Amelie or Felix being triggered OR some sort of line that established that something was off about Colt or even just a line to establish that Felix changed after Colt's abuse started since it's implied that it only showed up after he realized he was sick/dying.

For a trigger, just look at how Marinette was written in Derision. That actually was a good example of PTSD (or at least, my second hand understanding of it). The reason why I'm so critical of that episode is because PTSD doesn't magically turn on and off like that. It's not the kind of thing that shows up for a single episode and then disappears. Marinette should have been having moments like that long before Derision AND long after it, especially since the show has written in a lot of moments that would have made for good times to trigger her and establish that something was off. She's been to that pool with Adrien before. She had Kim ask for her opinion on a present he's giving to another girl. She saw an image of Kim down on his knees with a gift.

Any or all of those should have drawn out some kind of negative, trauma-based reaction from her if the writers wanted us to believe that this fictional character who they have full control over has ongoing trauma. Unless the writers are really saying that all those questionable jokes were her being triggered and then just.... I hope I don't have to explain how utterly disgusting that is.

For an example of a line, they could have done something like having Adrien apologize for missing Colt's funeral only for Felix to say something about Colt not deserving to be mourned or really anything to indicate that he wasn't exactly sad that his father was gone. They could have also had Adrien comment on how much Felix had changed since they were kids and how he could never imagine his cousin being so cruel.

To be fair, they kinda do that one with Adrien initially dismissing Felix's behavior as being the result of his father's recent passing, but it's hard to tell if that means that Felix used to be kind or what. That's especially true because Adrien's been show to tolerate a lot of bad behavior and Felix is canonically made from jealous (Yes, I'm serious, this was a line in the play: His jealousy came to life). So Felix has probably always been jealous of Adrien and will probably always be a jealous person because I guess that's just what he was made to be?

Moving on!

I wanted to highlight that the writers do know how to do this kind of discussion-based setup, as we saw back in Frightningale:

Mayor Bourgeois: But sweetie, there's no way we can cancel the shoot now. Chloé: (pulling out her phone) I'm going to call Mom and tell her how all my dreams have been crushed! (feigns sorrow) Mayor Bourgeois: (stammers anxiously, then grabs Chloé's phone and starts punching in a phone number) Let's not disturb our beloved Queen for such a little matter; right, my little Princess?

Even if this line is kinda weird since Audrey probably wouldn't have even answered the phone.

Any time the writers actually commit to a plot point, they set it up in a way that a little kid could pick up on because of course they do! This is a show for little kids. I think the writers do genuinely want it to be entertaining for the intended audience.

This is why the Colt thing is so weird to me. It's a pretty freaking serious thing to add to your show out of nowhere and I have a sneaking suspicion that it's never going to be mentioned again, which is less than stellar writing. It very much feels like something the writers added to hand waved away Felix's bad behavior, but I'd argue that this is actually a terrible lesson to teach kids.

Being kind to those who have gone through trauma is always a good lesson to teach, but Felix has attempted to assault Ladybug, tried to malign his cousin's good name by impersonating him, and betrayed the entire world by empowering a terrorist even though he could - and should - have immediately gone to Ladybug and told her who the terrorist was. These are not minor faux pas and trauma is not an excuse to traumatize others, otherwise we'd end up with a world full of traumatized people doing whatever they wanted because trauma!

There is a lot of nuance to this topic, but at the very least, Felix needed to do some serious apologizing to make his redemption feel earned. We should not be teaching kids that a sob story is all it takes to justify the kind of shit Felix pulled as that would mean that Gabriel and Chloe's actions were also fully justified because trauma! Might as well lump Lila in there, too, because I'm pretty sure that she's an orphan? Whatever is going on with her backstory is nothing good and we really need to be seeing some clearer messaging around who gets redeemed and why. It's why I've reblogged so many posts about Felix and Chloe being near identical in their actions. The issues is not that Chloe needs to be redeemed. The issue is that there is no reason why she wasn't and Felix was. There is nothing a child can point to in order to understand who you should give a second chance to and who you should run away from for your own mental health.

[theadusa]

All Dramas I watched in 2022

This is all the dramas I watched this year. I actually watched so many, more than I typically do. I wasn’t really going out a lot so I just watched dramas to spend my time. My goal next your is to not watch as many, lol. There were alot of good dramas this year, and I hope you enjoy my thoughts on all that I watched. Also as a warning I try to  put spoiler warnings as much as possible.

Spring is  Green at a Distance ( 2021, Ko Yeon-soo) 

Main leads: Bae In-hyuk, Kang Min-ah, Park Ji-hoon 

Episodes: 12, 60 min

Thoughts: I had high expectations for this drama. I have only heard good things, and how heartbreaking this drama was. I put it off, for this reason, in February I thought I was in the right emotional space for it. Due to all the hype, I was underwhelmed but I do still suggest it. Nam Soo Hyun (Bea In-hyuk) is the heart of the show and is such a fun character. Kim So-bin (Kang Min-ah) is the most relatable female character I have seen in a while, her anxiety is actually debilitating and not just played to make her seem cute. It is a heavy show, but it has light-hearted moments sprinkled throughout. Rating: It is pretty good, just be careful of building expectations.

All of Us are Dead (2022, Chun Sung-il)

Main leads: Park Ji-hu, Yoon Chan-young

Episodes: 12, 53 to 72 min

Thoughts: This one weirdly took me by surprise. I typically don’t like horror/gore stories, but I love zombies as a metaphor. And when going into the themes of the show it is heartbreaking. When understanding how young they are, the people who they are taught to rely on become neglectful when they need them the most. This is a story about the tragedy of a Government that does not serve the people, both young and old. And the human desire to survive. I do highly recommend this show, however, I am not looking forward to season 2. Rating: a Zombie metaphor done right.

Move to Heaven (2021, Yoon Ji-ryeon)

Main leads: Lee Je-hoon, Tang Jun-sang

Episodes: 10, 42 to 62 min

Thoughts: Like the last two, this show was very much hyped. It was a sweet slice-of-life show about the process of grieving. I lost someone recently so it was comforting seeing people mourn in different ways. Lee Je Hoon was incredible in this as always and gave a moving performance. It isn’t my favorite show I watched this year but definitely worth a watch. Rating: Grieving takes time.

Familiar Wife (2018, Yang Hee-sung)

Main leads: Ji Sung, Han Ji-min

Episodes: 16, 60 min

Thoughts: This drama is definitely under a man’s rom-com genre. Which is essentially a man taking a rough lesson in learning that he actually needs to be a decent person to his wife. You hate Cha Joo-hyuk (Ji Sung) for the first half of this drama, well at least I did, he was selfish, greedy, and couldn’t understand that he was the problem. I was shocked to see that people actually didn’t like Seo Woo-jin (Han Ji-min), like, she was ballsy and trying her best given the circumstances. This drama is definitely a cute show to put in the background or a fun pick-me-up. I wouldn’t put it on a must-watch list, but I wouldn’t discourage anyone from watching it. Rating: If you could change your fate… would ya?

Secret Royal Inspector and Joy (2021, Lee Jae-Yoon)

Main leads: Ok Taec-yeon, Kim Hye-Yoon

Episodes: 16, 60 min

Thoughts: I originally watched this as it was coming out. I am a big fan of Kim Hye Yoon, and I was just done with Vincenzo. I however dropped it for a period, and finally picked it back up in February. This drama is funny and has found family vibes. The romance between the two main characters is also cute. It does drag a bit in the middle but it isn’t so bad. Rating: Guy Ferri in Josen 

Coffee and Vanilla (2019,  Shimoda Yuko)

Main leads: Fukuhara Haruka, Sakurada Dori

Episodes: 10, 23 min

Thoughts: Let me save you some time and don’t watch this show. I think this might have been the worst show I watched all year. The ML is awful, he is literally a walking red flag and not in a fun way. The FL is just stupid. I don’t have much to say except I hated every second I watched it, also just too many semi-sexy scenes with such a manipulative undertone, so it can be a bit triggering. Rating: Speed run on every toxic troupe

Dali and the Cocky Prince (2021, Son Eun-hye, Park Se-eun)

Main leads: Kim Min-jae, Park Gyu-young

Episodes: 16, 70 min

Thoughts: This drama was sweet, and definitely picked me up from the last drama I watched. I like both actors and have been watching Kim Min-jae for a while now. The show is sweet and cute. It is a typical opposite attraction and focuses on when passion meets love. It has found family, a sweet and supportive couple, grief, and growth. Also, the relationship between the ML and the SML is actually so funny. It is just a heartwarming show that is easy to watch. Rating: Don’t watch hungry

Into the Ring (2020, Moon Hyun-kyung)

Main leads: Nana, Park Sung-hoon

Episodes: 16, 70 min

Thoughts: This show is probably my favorite show I have seen all year, if not my favorite of all time. I love the cinematography of this drama and all the shot setups. It is quirky and fun. Se-ra (Nana) is such a fun and lovely character, who is truly interested in her community. I love political comedies, especially those that focus on small-level government. I also love Seo Gong-myung (Park Sung-hoon), he is unironically my dream man. It's cute, fun, and heartwarming, and everyone should watch it. rating: 10 out of 10 would watch it again

Marriage not dating (2014, Joo Hwa-mi)

Main leads: Yeon Woo-jin, Han Groo

Episodes: 16, 60 to 65 min

Thoughts: This show is typically the most recommended in terms of contract marriage, which I get, it definitely hits all your marks. Two people who despise each other are forced to have a marriage contract in the most contrived way possible. It is definitely a drama that was made in 2014 and has all the problems of that time. The man is just a little too toxic and the woman is a little too stupid. But you just can’t turn away. This show is also an example of why not all assembly drama characters need to be friends, that’s all I am going to say about that. Rating: The best part of this drama is the grandma.

The One and Only (2021-2022, ​​Moon Jung-min)

Main leads: Ahn Eun-jin, Kim Kyung-Nam

Episodes: 16, 70 min

Thoughts: This was a disappointing drama. I typically like underrated slow-paced dramas, and they have a strong theme of female friendship. The friendship was great, the romance was meh, and the plot was all over the place. Like it is an interesting concept to have a dying girl kill somebody, and an assassin as the witness, but I don’t know I was so underwhelmed by the whole thing. Rating: could be less underwhelming, and less simple  

I Remember You (2015, Kwon Ki-young) 

Main leads: Seo In-guk, Jang Nara

Episodes: 16, 70 min

Thoughts: Fun fact about me, for some reason I made a goal to watch everything in Seo In-guk’s filmography and this one was up next. This drama is also known as Hello Monster, and it is one of those dramas that gets recommended. It is definitely before the 2016 era, in terms of how this drama feels. It is interesting, and I surprisingly liked it despite the appearance of Park Bo Gum. And I just really liked Seo In-guk being all moody and snarky in this tbh. Rating: A contrived drama is exactly what I signed up for.

King’s Affection (2021, Han Hee-Jung)

Main leads: Park Eun-bin, Rowoon

Episodes: 20, 70 min

Thoughts: Rowoon is in his chaotic bisexual era, and I think that is great. But this show is similar to Mr. Queen, in the fact it is so gay but it also refutes its gayness. But the first 10 or so episodes are so good. I love seeing Rowoon being a love fool and just the politics of it all. But then it got boring, and I got busy so I dropped it. I then picked it up again, cause I just needed to watch the last 4 episodes, and my god. They were a drag to get through. I do think the ending is fine. I don’t highly recommend it to anyone, but if you want to watch I won’t stop you. Rating: Identity crisis and bisexual panic the drama. 

Something in the Rain (2018, Kim Eun)

Main leads: Son Ye-jin, Jung Hae-in

Episodes: 16, 70 min

Thoughts: This drama, no joke, took me several years to finish. Years. I started it back in 2018, I remember waiting for it to finish so I could start it. And I loved it! Son Ye-jin is such a good actress, and Jung Hae-in is able to keep up. They felt so real, and I loved the moments when the camera would let them have a private moment. If you love any Meg Ryan rom coms you would like this. It does get kind of triggering in the middle, just with the whole family situation. And Son Ye-jin’s character is so complicated, circa women from 90s romcom complicated, and I just appreciate how sometimes she is sometimes wrong but isn’t vilified. Just this drama was so real. Rating: it is just like the month of November. 

Love Rain (2012, Oh Soo-yeon) 

Main leads: Im Yoon-ah, Jang Geun-suk

Episodes: 20, 60 min

Thoughts:I actually tried to watch this when I first got into dramas in 2016, and I found the flashback episodes boring (I still do). I am trying to watch every single thing in Seo In-guk’s filmography so I gave this another try. It gets a little more entertaining once you go to modern day. However, it isn’t the most interesting or good drama that you can watch. Rating: Sometimes bitchiness lasts a lifetime…

Find Me in your Memory (2020, Kim Yoon-joo, Yoon Ji-hyun)

Main leads: Kim Dong-wook, Moon Ga-young

Episodes: 16, 35 min

Thoughts: This show was decent, it was interesting to see how the two leads connect. I loved the atmosphere. I really like dramas that are set between winter and spring. It is such a pretty time. The romance between the leads started out rough but I grew to really like them. I think it is a sweet, definitely melodrama, and I do think it is worth a watch. Rating: Once upon a memory…

Sell Your Haunted House (2021, Ha Soo-jin, Jung Yeon-seo, Lee Young-hwa)

Main leads: Jang Na-ra, Jung Yong-hwa

Episodes: 16, 70 min

Thoughts:  I first watched this show in 2021 when it was coming out, and I quickly became obsessed. I, however, dropped the show around episode 12 for personal reasons. I eventually picked it up again, and I still really liked it. It is perfect for any spooky occasion, but at its core, it is a show about grief, and how to let go of that grief. This is something that I had to deal a lot with, and this show deals with it in an interesting way. However, if you are looking for romance, you will only find a vague silhouette of it here. Rating: watch out for the ghost. 

Twenty Five Twenty One (2022, Kwon Do-eun)

Main leads: Kim Tae-ri, Nam Joo-hyuk

Episodes: 16, 70 to 75 min

Thoughts: We all heard of this show, we all sob to it, and we know it all too well. This was an absolute masterpiece. Na Hee Do (Kim Tae-ri) is an optimistic girl with mommy issues, and Beak Yi-jin (Nam Joo-hyuk) is a down-on-his-luck boy coming into adulthood at the fall of his family. They in turn start to rely on and comfort each other, as they navigate the turn of the century with all its uncertainties. SPOILERS: These two characters are magical to see on screen, their love for each other is so great no distance can stop it til it does. This show was so good, but the ending seemed to have shoved me off a cliff, not only with the breakup but how everyone ended up. There were so many ways to get the ending they wanted that felt more deserved. Have the entire group fall out of touch or idk. The most devastating was where Yi-jin ended up, he was the most relatable for me. I also had to give up my entire future due to my family and seeing him and his depression was like looking in the mirror. And we never fully see him recover, he was just given more pain and trauma. END. But I do like this drama and highly recommend it but be warned of the tears to come. Rating: What I thought would forever be Twenty five, twenty-one… comes to an end on 9/11

Forecasting Love and Weather (2022, Seon Yeong)

Main leads: Park Min-young, Song Kang

Episodes: 16, 70 min

Thoughts: I am a Park Min-young stan first and a human second. That’s why I even finished this drama, also I used it as an emotional rebound off of 2521 so I ended up baring this drama. Anyways it was incredibly boring. I almost fell asleep for half of it. TBH, I would skip this one. It has a bad case of the annoying second leads taking up so much of the screen time that it feels almost forced. Rating: I think we all knew that a show about the weather would be this boring

You are my Spring (2021, Lee Mi-na)

Main leads: Seo Hyun-jin, Kim Dong-wook

Episodes: 16, 70 min

Thoughts: This is another show which I started when it was airing but dropped, cause I was busy with work. I liked it a lot, it differently had good winter/spring vibes, and I really like Seo Hyun-jin. I did go into it expecting a depressing story where the leads lean on each other and heal. And I wasn’t wrong, you also got an added plot of intrigue which does get boring after a while then picks up a bit at the end. I did like it, and probably most of its disjointed parts probably because I had such a long break between the start and finishing the series. Rating: the Balck cat will guide you.

Business Proposal (2022, Han Seol-hee, Hong Bo-hee)

Main leads: Ahn Hyo-seop, Kim Se-jeong 

Episodes: 12, 60 min

Thoughts: Now this is my true pick-up after 2521. I actually never read the webtoon, I just started it cause I heard so much hype around it. It is so good, it's cheesy and it knows it. The chemistry between the entire cast is off the charts. And you care about every single character. Also, Kim Se-jeong is literally born to be on screen. This show was such a pick-me-up, and I highly recommend it to anyone. Rating: This is one Business proposal you can’t refuse. 

Our Beloved Summer (2021-2022, Lee Na-eun)

Main leads: Choi Woo-shik, Kim Da-mi

Episodes: 16, 60 to 70 min

Thoughts: This drama is so good. I watched it as it came out but I did drop it around the 9nth episode for similar reasons to the others. But this one is so slow-paced and so nice to watch. This one also had a love triangle that I didn’t mind too much cause I really liked all the characters. And without it being said, Choi woo-shik and Kim Da-mi’s chemistry is out of this world. The fact that Choi Woo-shik joined the project ‘cause Kim Da-mi was in it, is literally everything. I just really love this drama so much! Rating: My beloved comfort show <3 

Private Lives (2020, Yoo Sung-yeol)

Main leads: Seohyun, Go Kyung-pyo

Episodes: 16, 70 min

Thoughts: If you can’t tell I was in the mood to finish what I started in terms of dramas. I also started this when it came and loved it. I love Go Kyung-pyo for those that don’t know. I dropped this as always cause I was going through a rough period in my life, but I thought I would pick it up again. This drama is super interesting and refreshing, however like most dramas that rely heavily on intrigue it kind of wobbles near the end. Rating: I would do anything to just see Go Kyung-Pyo….

A Man Defies the World of BL season 2 (2022, Izumi Kawasaki)

Main leads: Atsuhiro Inukai

Episodes: 3, 24 to 29 min

Thoughts: This was a hoot to watch. Which was expected. I watched the first season and loved it and now I finally got to see the second one. Where the protagonist semi-gets a love interest. It is such a fun and easy watch. Worth like the 2 hours you spend on it. Rating: How can an opening song be so fun?

Youth of May (2021, Lee Kang)

Main leads: Lee Do-Hyun, Go Min-si

Episodes: 12, 70 min

Thoughts: Pain is the word to describe this show. The chemistry between Lee Do-Hyun and Go Min-si is off the charts, and their budding romance is sweet. Do be warned it is a tragic tale. A tale of the Gwangju uprising in 1980, I would highly recommend doing research on this uprising and the devastating massacre caused by the dictatorship government at the time. The show is devastating and heartbreaking, there are tedious parts in the middle, with Kim Myung-hee’s friend but it is definitely worth the watch. Rating: Will stick with you forever. 

My Girlfriend (2019, Hu Xiaoshuai, Wei Xiaobao)

Main leads: Xu Weizhou, Qiao Xin

Episodes: 28, 37 to 42 min

Thoughts: This show was cute and predictable, and I really enjoyed myself while watching it. However, I actually can’t remember anything about it to actually form an opinion. It is a good watch when you want something in the background, nice and easy. Rating: I too am cursed by the love gods

Save Me (2017, Jung Shin-kyoo)

Main leads: Ok Taec-yeon, Seo Ye-ji, Jo Sung-ha, Woo Do-hwan

Episodes: 16, 60 min

Thoughts: This show has been on my watch list since 2017, Netflix took it off their service and I had to go watch it somewhere else. I finally had the gumption to do so recently. The reason I wanted to watch it in the first place is because of Woo Do-hwan. I really liked him as an actor, and still do. This show is such a good thriller, your heart breaks for the people involved, and tbh I have a fear that I would accidentally get recruited into a cult so this applies to me. Definitely worth the watch, though it does get slow in the middle. Rating: Beware the cult…

Full House (2004, Min Hyo-Jung)

Main leads: Song Hye-Kyo, Rain

Episodes: 16, 60 min

Thoughts: This is one of the shows when you start getting into kdramas it is constantly recommended. I actually never watched it, I did my time with Boys Over Flowers and Playful Kiss. However, after finishing 2521 I urged myself to watch it because they mention the manga so often. Anyways it was so bad like they were just arguing all the time. I didn’t understand why we the audience should root for them. They more often than not felt like petulant children. How can a show be so recommended, but so actually awful? Anyways save yourself and just watch anything else. Rating: How is the most romantic thing the 3 bears???

Clean With Passion for Now (2018, Han Hee-Jung)

Main leads: Kim Yoo-jung, Yoon Kyun-sang

Episodes: 16, 70 min

Thoughts: This show is just boring. I did not care about any of the characters. Like it was good somewhat for the first like 5 episodes, and then it felt like pulling nails. The romance was cute, however, I just wasn’t interested. Rating: snooze town, population me.

Crazy Love (2022, Kim Bo-gyeom)

Main leads: Kim Jae-Wook, Krystal Jung

Episodes: 16, 70 min

Thoughts: Now this is what enemies to lovers should be. These two characters literally commit war crimes against each other, but it evens out and they turn into the sweetest lovers. This is such a fun show! Kim Jae-Wook and Krystal Jung have such amazing chemistry. It does slow down a bit in the middle but the cast of kooky characters keeps this show exciting and eventful at every watch. The romance is fun, the characters are simultaneously awful and delightful. The show is great and such a great pick-up during an April slump. Rating: I too enact physical and psychological warfare with my boss

Devilish Joy (2018, Choi Ji-Yeon)

Main leads: Choi Jin-hyuk, Song Ha-Yoon

Episodes: 16, 60 min

Thoughts: This is such a refreshing drama. It harkens back to the times of Ye old kdrama Melos that we all dearly love. It does have an Amnesia plot, but it actually adds value to the story. It's such a fun drama, and I actually really liked the romance so much. It is so good and heartbreaking, just like any old-fashioned melodrama needs to be. Rating: Will you remember me?

Falling into your Smile (2021, Jia Chang)

Main leads: Xu Kai, Cheng Xiao

Episodes: 31, 45 min

Thoughts: This show was okay. I mainly put it on as background noise, but I found it pretty boring overall. It has cute moments here and there, but sometimes I found the ML so annoying. If you want something that is easy to watch and low stakes this is the drama for you. Rating: Welcome to the boring world of Esports

Tomorrow (2022, Park Ran-i, Park Ja-Kyung, Kim Yu-jin)

Main leads: Kim Hee-sun, Rowoon, Lee Soo-hyuk, Yoon Ji-on

Episodes: 16, 70 min

Thoughts: This show similar to Move to Heaven has a death of a week storyline or heartbreak (my heart) of the week storyline. It does deal with heavy topics of death, so if you are sensitive to that I would skip this one. It was really well done, and because of its sad setup, it has lighthearted moments which help not to bog down the show. It is well worth the watch. It also has the afterlife bureaucracy that I think kdramas do so well, which is great! Rating: I will love you in every life

Who Rules The World (2022, Yin Tao, Yu Yonggang, Shi Zhanli)

Main leads: Yang Yang, Zhao Lusi

Episodes: 40, 45 min 

Thoughts: This is a material arts and romance drama. I watched it while it was coming out so the 40 episodes weren’t as daunting, and I had time to forget a lot of the plot holes. It is decent, I liked this because of Zhao Lusi. The romance was a little more developed, and the martial arts were fun, albeit with a lot of CGI toward the end. I wouldn’t highly recommend this drama. It was alright. Rating: The politics weren’t actually too bad in this.

My Liberation Notes (2022, Park Hae-young) 

Main leads: Lee Min-ki, Kim Ji-won, Son Seok-Koo, Lee El

Episodes: 16, 64 to 80 min

Thoughts: This is probably my favorite drama of this year if not of all time. It is so good, the cinematography, the story, the writing everything. It is so special. I just love the soft-spoken moments, how people are so flawed but they just want to live peacefully. Son Seok-Koo and Kim Ji-won were such a delight on screen. Yeom Mi-Jeong (Kim Ji-won) is one of the most relatable characters in my entire life, all of them were. This show deeply understood me like no other media ever could. Rating: What if we Worshiped each other?

Again My Life (2022, J, Kim Yu)

Main leads: Lee Joon-gi

Episodes:16,  60 to 75 min 

Thoughts: A little-known fact about me is that I will literally watch anything with Lee Joon-gi in it. This proves this point. This show was obviously not made for me. I thought the plot was too predictable, the male lead a little too perfect, and the woman a little too into him. This show sometimes made me stop and ask did a man write this? It is okay, just not my cup of tea. Rating: Apparently they want to make a season 2?

Radiant (2019, Lee Nam-kyu, Kim Soo-jin)

Main leads: Han Ji-min, im Hye-ja, Nam Joo-hyuk

Episodes: 12, 60 min

Thoughts: This show is actually one of the most original kdramas out there. The themes and plot are both heartfelt and new. I loved every moment I watched this. While it was incredibly devastating to me personally. I would argue this is one of Nam Joo-hyuk’s best performances. I would say for the others but I haven’t watched that many of either actress's back catalog. But Im Hye-ja was such a marvelous lead, and I wished there were more older leads in shows. It is so good. It is great. Rating: Makes me cry like a baby.

Best Lover (Kim Sang Rea Yoo Chul Yong, 2016)

Main leads: Lee Da Hae and Zhou Mi

Episodes: 12, 40 Min

Thoughts: I hate this drama so much. I wanted to watch this as a cute little drama as background noise for finals. It was a contract marriage, which I always like, and Lee Da Hae isn’t a terrible actress so I gave it a go. Also one note it is a Korean-Chinese drama so the characters will be talking in two different languages and no one mentions it. You will get used to it, anyways…Oh boy, where do I start? I’ll start with the FL Choi Hwan Yeong (Lee Da Hae), she was actually the highlight of the drama. She went through the most emotional growth and seemed to have actual importance to the plot. My problem starts with the ML Xie Cheng (Zhou Mi). First off Zhou Mi is a terrible actor- at least here I don’t know him very well- which I can forgive, but the character was also awful. So he was terrifyingly lifeless, and his smile started to creep me out a bit. He often berates the FL for being selfish and messy while being the most selfish and messy. And he never acknowledges any wrongdoing, and worse the narrative never acknowledges any wrongdoing on his part. I was done when [SPOILER] after she witnessed him kiss her stylist that looks like his first love, she runs away. He tracks her down and then berates her telling her that she is embarrassing him and she is entirely selfish, which makes no sense when he is playing with two girls outside his relationship with the FL. Also, any moves he made on anyone were also borderline non-consensual. Like she was hitting him to get him to stop kissing her [END]. But overall The FL is fun, but the ML is trash and doesn't deserve her. I just think I need two things from the ML, 1. Groveling at the FL’s feet, 2. Just an apology for once would be nice. Anyways save your time and watch Crazy Love (2022) now that ML knows how to grovel. Also, I didn’t go into the weird plot and editing choices, and just sound mixing cause my god we can be here all day. Rating: Best Lover? More like Worst Lover, am I right?

Love All Play (2022, Heo Sung-hye)

Main leads: Park Ju-Hyun, Chae Jong-hyeop

Episodes: 16, 70 min

Thoughts: The style of the show is great, it reminded me a lot of Into the Ring which I love. The fishbowl straight-on viewpoint gives the show a nice stylistic cinematography. The story, however, I go back and forth on. I actually really like the characters even Park Tea-yang ( Park Ju-Hyun) whom many didn’t like. I found her relatable and very human, however frustrating that is. I did find Park Tae-Joon’s (Chae Jong-hyeop) mother to be annoying. And the relationship is kinda immature at times albeit cute. Rating: the park twins for the win.

Dear My Friends (2016, Noh Hee-Kyung)

Main leads: Go Hyun-Jung, Kim Hye-ja, Na Moon-hee, Go Doo-shim, Park Won-sook, Youn Yuh-jung, Joo Hyun, Kim Young-ok, Shin Goo

Episodes: 16, 60 min

Thoughts: Noh Hee-Kyung is a known writer for writing very realistic people. This show definitely falls under this. The show has an assembly cast of older people and their lives. I love how you can see a generational divide, and how the main focus is between mothers and daughters. This relationship is at the core of this drama. I just have so many feelings about this drama, and I hope everyone watches it. Rating: I hope to keep those dear to me.

Our Blues (2022, Noh Hee-Kyung)

Main leads: Lee Byung-hun, Shin Min-a, Cha Seung-won, Lee Jung-eun, Uhm Jung-Hwa, Han Ji-min, Kim Woo-bin, Bae Hyun-sung, Roh Yoon-seo

Episodes: 20, 60 min

Thoughts: This show had several weaving storylines about the residents of Jeju. Some of the storylines and characters you liked better than others. It is complicated and kinda messy but overall I had a really fun time watching this drama. It was nice watching every week and seeing what people were saying. The drama has a very slice-of-life, lowkey vibe to it. I also just really like kdramas set in the countryside. A note about the teen pregnancy storyline made me so anxious. Fun fact about me: I am terrified of teen pregnancy despite not being a teen. Rating: Fish market rivalries for the win

From Now On, Showtime (2022, Ha Yoon-ah)  

Main leads: Park Hae-jin, Jin Ki-Joo

Episodes: 16, 60 min

Thoughts: I could not tell you why I watched this show? I don’t even like Park Hae-jin, I didn’t think he was that enjoyable here either. Jin Ki-Joo was great, and the ghosts had good comic timing. The story was so-so. Idk. Watch it if you have nothing better to do but there are better kdramas out there. Rating: I keep thinking the title is the Show Must Go on, but it is not.                                          

Melo is My Nature (2019, ​​Lee Byeong-Heon, Kim Young-young)

Main leads: Chun Woo-hee, Jeon Yeo-been, Han Ji-eun

Episodes: 16, 70 min

Thoughts: She is the moment. This show is everything to me, the first episode alone will build you up and break you down better than most feature films do. There are many scenes that I can’t get out of my head. I originally watched this back in 2019, but I had to stop because at one point it got too emotionally intense for me. So take care while watching this. But this is one of the most beautifully written dramas about womanhood, and female friendships I have ever seen. It touched something deep inside me, and I loved every moment. Rating: I also love the subplot with the actress and her manager 

My Mister (2018, ​​Park Hae-young)

Main leads: Lee Sun-Kyun, Lee Ji-eun

Episodes: 16, 90 min

Thoughts:  I have been recommended this show so many times throughout the years, but due to how sad it is I avoided it. Which, yeah. It does have a hopeful note letter on it. And I love how the focus isn’t romantic but platonic And it is about two souls meeting during a rough period, it is just completely beautiful. I love Park Hae-young’s writing. I am sad I put this show off so much. Rating: if you have daddy issues you might really like this. 

Kiss Sixth Sense (2022, Jeon Yu-ri)

Main leads: Yoon Kye-sang, Seo Ji-hye

Episodes: 12, 60 to 75 min

Thoughts: This show is literally the most childish show I have ever watched, but it is most definitely for adults. I was actually looking forward to watching this ‘cause the concept seemed so fun but, it was kind of eh. It is only 12 episodes but there are better shows out there to watch, and I found the love triangle/ rectangle exhausting and just immature. Rating: If you can change your fate… Would ya?

Rooftop Prince (2012, Lee Hee-myung)

Main leads: Park Yuchun, Han Ji-min

Episodes: 20, 70 min

Thoughts: I have to be honest I had covid while I was watching this. I remember enjoying it. I also remember I had to do squats while watching it for some reason. But The cast is fun, I did find the ML to be lacking in comparison to the other assemble but it is a fun and easy watch. Rating: apparently Choi Woo-shik is in this???

Beautiful Gong Shim (2016, Lee Hee-myung)

Main leads: Namkoong Min, Bang Min-ah

Episodes: 20, 70 min

Thoughts: Let it be known most media I watched in July I had covid so, that is the vibe of this. I remember hating the sister, thinking the love/hate relationship between the leads were cute. That’s about it. I don’t see many people talk about this drama, I think it is definitely worth a watch, but don’t go in with too high expectations. Rating: How many squats can I do?

Night of Love with You (2022, An Ji Er)

Main leads: Liu Xie Ning, Guan Yue

Episodes: 24, 9 min

Thoughts: Love, Love, Love! This show is disappointingly short, yes is it messy. Yes is there so many plot holes, but the potential is enough. The concept is fun and it takes the concepts of the Villainess Mawha’s into a webshow format, which is so fun. I highly recommend this show for quick and light watching experience. Rating: Sometimes the unexpected is expected, and the expected is unexpected. 

Link: Eat, Love, Kill (2022, Kwon Yi-young, Kwon Do-hwan)

Main leads: Yeo Jin-goo, Moon Ga-young

Episodes: 16, 72 min

Thoughts: This show was such a vibe. Literally the cinematography, and the aesthetics as a whole is so nice. The acting is great, Yeo Jin-goo and Moon Ga-young always deliver and they did not disappoint not one bit. There was the weird sister thing at first, but once that was gone it was so sweet. I highly recommend this show to anyone and everyone, especially if you have mommy issues. Also I just love when kdramas have three generations of women I feel like there is something so relatable with that for me. Anyways great show, great aesthetics, great acting, gets a little bogged in the middle but keep going.  Rating:The Korean take on the 2010 film Eat, Pray, Love, Jk. 

Jinxed at First Sight (2022, Jang Yoon-mi)

Main leads: Seohyun, Na In-woo

Episodes:16, 61 to 63 min 

Thoughts: I was actually super excited about watching this, I really liked the first like 4 episodes. It just went down hill from there. The fantasy element was super interesting, and the set up for the world, but they never quite follow through. I was confused on a couple like- familial relations- that they kinda answered later. It was just messy overall plotting, the acting was subpar (sorry), and its just a bad script. I wished it was so much better than it was. Rating: I wrote a separate post praising this drama, and it literally turned out like this.

The Producers (2015, Park Ji-eun, Kim Ji-sun)

Main leads: Cha Tae-hyun, Gong Hyo-jin, Kim Soo-hyun, Lee Ji-eun

Episodes: 12, 80 min

Thoughts: This one actually shocked me with how much I really liked it. Kim Soo-hyun’s dumbass looks literally is everything to me. I just loved every second. SPOILER I just wished the romance between Cindy (Lee Ji-eun) and Baek Seung-chan (Kim Soo-Hyun) came to full fruitution but it didn’t really… while kind of END. Cindy was by fair my favorite character, I just love a bitch with a heart of gold. Ye-jin (Gong Hyo-jin) lowkey kind of annoyed me, I found her to be a bit of a pick me. I especially hated the relationship between Ye-jin and Seung-chan. Rating: surprisingly Funny…

Better a Lie than a Truth (2022)

Main leads: Niu Yu Kun, Simon Chen

Episodes: 7 + Bonus, 26 to 30 min

Thoughts: This troupe was made for me. I love contract relationships/marriages, I could watch them all the time. I think because it is a web drama there were some contrived and confusing plot and timeline issues, but overall I still liked it. It was nothing groundbreaking and could have been easily toxic but I loved it still. I like the FL, I thought she was charming, and I liked the fact she did not hesitate to beat a bitch. The ML was pathetic and head over heels for the FL which is great, though he definitely needs therapy. Rating: contract marriage for the win

Cafe Minamdang (2022, Park Hae-jin)

Main leads: Seo In-guk, Oh Yeon-seo

Episodes: 18, 70 min

Thoughts: This was such a fun drama to watch. Seo In-guk was charming and funny as always. Oh Yeon-seo’s character was such a fun character also. If you are a fan of the American sitcom  Psych then you would love this show. It has shenanigans, mystery, and a lovely fond family. The cast was energetic and played off each other well. The mystery was fun and interesting. I would highly recommend this show. Rating: The most handsome Shaman I have ever seen

Today’s Webtoon (2022, Cho Ye-rang, Lee Jae-eun)

Main leads: Kim Se-jeong, Choi Daniel, Nam Yoon-su

Episodes: 16, 62 to 70 min

Thoughts: Do not watch this for romance there is no romance in this just very good chemistry. I think I have already said this but I will say this again Kim Se-jeong is a delight to watch on screen. She just has this energy that you want to continue to watch. However this felt pretty disappointing mainly because I started watching cause I thought it was a romcom it is infact nothing of the sorts, so with a change of genre reference I think I would have enjoyed this more. It does bog a bit in the middle but It picks back up in the end. Rating: I was really expecting a kiss…

Once Upon a Small Town (2022, Baek Eun-kyeong)

Main leads: Park Soo-young, Choo Young-woo

Episodes: 12, 30 to 40 min

Thoughts: This one is cute and sweet. There is nothing much to it except for that. The romance felt kind of childish, but there is an innocent charm in that. There is a lot of comparison to Hometown Cha Cha Cha mainly do to its setting of the Korean country side but it is far less melodramatic. Rating: Shockingly the love triangle isnt that bad. 

Never Twice (2019-2020, ​​Goo Hyun-sook)

Main leads: Park Se-wan, Kwak Dong-yeon, Youn Yuh-jung, Oh Ji-ho, Ye Ji-won, Park Ah-in, Song Won-seok

Episodes: 72, 35 min

Thoughts: This is an assemble sitcom with main focus on Park-ha (Park Se-Wan) and Hae-jun (Kwak Dong-yeon) romance. It is adorable and funny, and it has a cute child in the mix. At times it can be devausting but thats the heart of any good comedy. This show I feel like is underrated so definitely show this one some love. Rating: Rich man and poor woman, but this time murder is involved. 

Jugglers  (2017, Jo Yong-hae)

Main leads: Baek Jin-hee, Choi Daniel

Episodes: 16, 60 min

Thoughts: It's a cute and quick workplace drama, and unlike a lot of workplace dramas it isn’t that toxic. The ML never really throws around his power over the FL, and they try to even it out by making her his landlady, which is definitely a power dynamic. I quickly devoured this drama, ‘cause I did homework while watching, so I didn’t really get the full experience of this drama. I do highly recommend this drama, I liked the characters, and especially the main couple. Rating: Don’t f*** your coworkers, but this is the only exception.

Arang and The Magistrate (2012, Kim Jin-man)

Main leads: Shin Min-a, Lee Joon-gi

Episodes: 16, 60 min

Thoughts: This has been on my list since like 2017, and I have made attempts but nothing stuck. I have been trying to go back into the back catalog of kdramas and it is October so I thought, “Why not?” The show was okay, I feel like the cast was great but the story lacked or maybe I am just not used to a 2012 kdrama budget. I thought it was enjoyable, and I am glad I got to watch it. It has your typical magic/ghosts which is always fun for this time of the season. I also really liked the ending. I thought it was cute, even if those types of endings are frustrating.  Rating: This was honestly a double win for me cause both Shin Min-a and Lee Joon-gi were in this drama.

The Witch’s Diner (2021, Lee Young-sook)

Main leads: Song Ji-hyo, Nam Ji-hyun, Chae Jong-hyeop

Episodes: 8, 40 to 55 min

Thoughts: This show is pretty quick and isn’t anything too special. I enjoyed sort of, and I do really likes its aesthetics. I just don’t think I payed enough attention to the story overall to fully enjoy it. It is pretty quick, and if you have the time this isn’t a bad watch. Rating: Be careful of what you wish for… 

Little Women (2022, Chung Seo-kyung)

Main leads: Kim Go-eun, Nam Ji-hyun, Park Ji-hu

Episodes: 12, 77 min

Thoughts: I am still collecting my thoughts. I truly enjoyed every part of the show. I loved the usage of the Little Women archetypes in a thriller setting. It was new and it was fresh. I loved the complicated relationship between all three siblings and their fight for their survival. Kim Go Eun as In-ju was absolutely stunning as always. Also, her chemistry with Wi Ha-Joon is off the absolute charts. This was such a good woman running the show, and we just need more of these, TBH. I would highly recommend this show to anyone and everyone. Rating: Don’t let the poison sting you on your way out.

Black (2017, Choi Ran)

Main leads: Song Seung-heon, Go Ara

Episodes: 18, 85 min

Thoughts: I want to say honestly this has been on my list since it came out in 2017, but I had very little desire to watch. But remember it is the time of year when I will be watching all things spooky, so I thought I will give it a whirl. And before I give my opinion, I have two confessions: one, I have watched this through a rough period of homework, and two, I am not the biggest fan of Go Ara. The plot was confusing ( probably ‘cause I was doing homework). But I think I just didn’t have the best overall experience due to the setup, and just how long each episode is. Rating: 90 minutes for each episode of Grim reapers messing around.

 Possessed (2019, Park Hee-kang)

Main leads: Song Sae-byeok, Go Joon-hee

Episodes: 16, 60 min

Thoughts: SPOILER: For a comedy, the ending was very sad. And I for one have mixed feelings about it. END. I have been trying to watch halloweenie shows throughout the month of October, and tbh I don’t enjoy many thrillers in drama format. I tend to really vibe with character-driven shows. But this one starts off strong, and if you can get through the midway boredom, it isn’t too bad of a show. The characters are charming and have a lot of chemistry together. Take my opinion with a grain of salt, I have also been studying while watching. Rating: Maybe the true killer was the friends we made along the way…

Scum’s Wish (2017, Yoshihiro Izumi)

Main leads: Miyu Yoshimoto, Dori Sakurada

Episodes: 12, 24 min

Thoughts: I couldn’t tell you why I started this drama. This drama hurt in an unexpecting way, this drama haunts my inner soul. It reveals something about oneself, something you never want to admit. Hanabi (Miyu Yoshimoto) is a relatable character, in fact, she is actively desperate for love. And she is so lonely she is willing to take comfort in any warm body. Mugi and Hanabi are just using each other, but because of this awareness, they are able to create a deep relationship. Don’t get me wrong, this drama disturbed me. I think it will haunt me for a long time. These characters are children being manipulated by adults for sexual pleasure, and it's sad and heartbreaking. These characters are awful all around, they use each other and throw each other away. But I was 17, maybe 3 or 4 (?) years ago, and I could see my younger self in some of the teenage characters. I don’t think they handled the topic they were dealing with fully, but it was definitely an interesting perspective. I would never recommend this drama, and if SA (particularly with teenagers and adults) please keep away. This show was a visceral horror to watch. And I had to binge it quickly because they were taking it off of Viki, but this drama is to be consumed slowly and in small chunks. I feel disgusted now that I have seen it. I am now planning on doing a spiral cleaning while watching a nice movie. Rating: It’s complicated…also jail for that one teacher.

Girl From Nowhere (2018, Kongdej Jaturanrasamee, Aticha Tanthanawigrai, Tinnapat Banyatpiyapoj)

Main leads: Chicha Amatayakul

Episodes: 13, 37 to 50 min

Thoughts: This show has been on my list since 2018 when it came out. I am actually a big fan of Thai filmmaking, and oftentimes it gets overshadowed by more East Asian films. This show absolutely doesn’t disappoint, the horror isn’t in Nano (Chicha Amattayakul), a seemingly immortal being here to punish the wrongdoings, but the horror is within those she punishes. And at the core of being human, we have the ability to be cruel, if it means we can survive. I highly recommend it, even though Netflix will take the show by the end of October. Rating: Hi, it’s me. I am the problem, it’s me. 

Girl From Nowhere 2 (2021, Kongdej Jaturanrasamee, Aticha Tanthanawigrai, Tinnapat Banyatpiyapoj)

Main leads: Chicha Amatayakul, Chanya McClory 

Episodes: 13, 37 to 50 min

Thoughts: The second season kept up the same chaotic energy as the first. Starting off strong with Mpreg. This season we are given more characters besides Nanno, we are introduced to Yuri, a girl turned immortal who is more revenge focused than Nanno. It is such a good show, and I loved the ending. I am curious if that is the end completely ( which is fine cause it is a solid ending, but they left it open-ended enough for another season). This show is so good and I highly recommend it. Also note, please listen to any trigger warnings.  Rating: Double the trouble…

Mr. Bad (2022, Lee Ching Jung)

Main leads: Chen Zhe Yuan, Shen Yue

Episodes: 24, 45 min

Thoughts: Was this drama contrived? Yes. Was it cliche? Yes. Do I fully enjoy it? Absolutely. This one kinda breaks my month-of-a-horror vibe, but I will make it up by watching another horror-themed show in November. But this show is cute and light-hearted. The main couple has nice bickering moments. And except for the main leads' occasional jealousy (TBH it was actually decently tame compared to others I have seen), their relationship is really cute and healthy. For dramas like this don’t expect much, cause like always it does get kinda contrived in the end. But overall it was a fun and cute drama to put on in the background. Rating: It was the Fairy all along…

Inspector Koo ( 2021, Sung Cho-y)

Main leads: Lee Young-ae, Kim Hye-jun

Episodes: 12, 70 min

Thoughts: This has been on my list for a while, and is my last spooky drama for the month of October. I am going to watch at least one more thriller/horror drama to make up for Mr. Bad in November but I am going to be watching romance to settle my bones after such a spooky month. This drama is good, I like the characters. It was very Killing Eve-esque. And TBH a theater major would be a serial killer. Also, the OST was so good. Like it had me jamming through this entire series, and it is only 12 episodes so it doesn’t really bog down. Rating: I love dysfunctional women. 

My Girlfriend is a Gumiho (2010, Hong Sisters)

Main leads: Lee Seung-gi, Shin Min-ah

Episodes: 16, 60 min

Thoughts: This show looks and reads like a Hong sisters drama from the early 2010s. It is exactly what you would expect. Shin Min-ah is very fun in this and doing her goddamn best. It is fun and cheesy and I could not tell you the plot point of this show if you asked me. Rating: I watched it physically, I didn’t watch it emotionally.

Gaus Electronic (2022, Kang Go-eun, Seo Han-na)

Main leads: Kwak Dong-yeon, Ko Sung-hee, Bae Hyun-sung, Kang Min-ah

Episodes: 12, 45 to 48 min 

Thoughts: This one picked up like 4 days before the final episodes came out. And man the way that I went through the episodes. It is literally so funny, and I love sitcoms so this was right up my alley. I love all the cast chemistry, and I love how they played off each other's dumbassery. I also loved the women in the drama, they were all individuals and were allowed to be just as ridiculous as the men. I also loved the Beak Ma-tan (Bae Hyun-sung) and Geon Kang-mi (Kang Min-ah) storyline. It had all the trappings of the poor girl and rich man romance narrative but they subverted it beautifully. And Beak Ma-tan is so funny. I love it when a character doesn’t understand what genre they are in, it is such A funny thing to witness. Rating: It is so funny

 My Secret Romance  (2017, Kim Ha-na, Kim Young-yoon)

Main leads: Sung Hoon, Song Ji-Eun

Episodes: 14, 45 min

Thoughts: I actually started this way back in 2017, I actually remember when it came out. I ended up dropping it, for an excellent reason. Reason: It sucks. After Business Proposal aired people were suggesting it as a similar drama. They are not wrong, it has the same makings. Weird Boss- employee relationship, cheesy, long-term friend second lead shorter than most kdramas. However, Business Proposal is definitely the better of the two. The ML is so pushy and obsessive, and the FL doesn’t actually have any desire whatsoever. TBH I didn’t even know when or why she started liking the ML; he was suddenly kissing her. Not great, the only reason I got through it was because I was writing an outline. Rating: Just watch Business Proposal again or there are so many other rich man, poor woman boss-employee kdramas out there… Jugglers come to mind… So many…

The Killers Shopping List (2022, Han Ji-wan)

Main leads: Lee Kwang-soo, Kim Seol-Hyun, Jin Hee-Kyung

Episodes: 8, 60 min

Thoughts: This show is super interesting and new if you are tired of romance or sad or serious thrillers this might be a good change of pace. It is a whodunit-style drama, following a group of local groceries trying to solve a serial murder case, that uses their store to deliver things to their victims. The mystery wasn’t that shocking, you can guess it pretty early on, but it is fun enough. I do recommend it just not that highly. Rating: I think there should be more whodunits in the world… I mean in media

Kingdom 1 (2019, Kim Eun-hee)

Main leads: Ju Ji-hoon, Ryu Seung-ryong, Bae Doo-na

Episodes: 6, 45 to 57 min

Thoughts: This show is gory so be aware before going in. It is so good though. I watched The first episode back in 2019 and loved it. However I am a big romance fiend, and this has none so I dropped it. But it is good and very prevalent in today’s culture. I love Bae Doo-na's character Seo-bi. It is just such a good performance. I highly recommend this drama to anyone that likes Korean thrillers. Rating: Koreans know how to do a zombie metaphor, they really do

Midnight Diner s1 (2009, Yarô Abe & Takurô Oikawa)

Main leads: Kaoru Kobayashi

Episodes: 10, 25 min

Thoughts: I decided to watch one episode anytime I was up at midnight for whatever reason. And it was nice, this drama is an anthology of many different characters' lives, and we are just getting little peaks of those who are up at such a late hour. Who would eat at a bar at Midnight? A lot of people. A gangster, a businessman, a stripper, two young lovers, and I guess us ourselves. The people it follows aren’t always the greatest people but at the end of the day, they are human. And human beings are one of the most complicated things on this planet. And this show allows for that complication. Rating: a nice meal on a rainy evening…

 Love in Contract (2022, Ha Goo-dam)

Main leads: Park Min-young, Go Kyung-pyo

Episodes: 16, 60 min

Thoughts: This was my most anticipated show of the year. There are three things I love: Park Min-young, Go Kyung-Pyo, and contract marriages. This show has all three, and it should have been great, it had the recipe for success and blew it. The script was messy and didn't trust the leads. They just didn’t have faith in Go Kyung-pyo to lead for some reason, so they kept insisting on the second lead Kang Hae-jin (Kim Jae-young) unnecessary plot and air time. He was so bad as a second lead, and he fulfilled the real antagonist of the show. They retconned a lot of things. It was overwhelmingly disappointing. They had great things going for it, like the chemistry between Go Kyung-pyo and Park Min-young; Kang Hyung-Seok as Woo Kwang-Nam is such a fun character. Also, I so wanted Woo Kwang-Nam to get with the manager, and finish his arch. I’m just sad and disappointed about this show. I can not recommend it in good faith. Rating: I am Sang-eun and Jiho Shipper first, a Hea-jin hater second, and a Kwang-Nam and manager truther third… obviously a human being fifth 

 Kingdom 2 (2020, Kim Eun-hee)

Main leads: Ju Ji-hoon, Ryu Seung-ryong, Bae Doo-na

Episodes: 6, 45 to 57 min

Thoughts: So good, this is the continuation from the first season starting where we left off. It is such an exciting show and keeps your attention. It is action so things do move fast. I typically don’t like shows like this but it is worth the watch. I also wonder if there will be a season 3? Cause they set it up for one but I haven’t heard any news. Rating: Just as good as the first part.

 Shadow Beauty (2021, Bang Soo-In)

Main leads: Shim Dal-Gi, Choi Bo-Min, Lee Na-Gyung

Episodes: 13, 19 to 25 min

Thoughts: This show has been on my to-watch list for a while now, but I could never bring myself to watch. I heard it was good but the plot never quite interested me. It is an engrossing plot about a girl who isn’t considered beautiful but pretends to be beautiful online. It talks about beauty standards and the cruelty of people. No one in this show is that great of a person. But that is okay. It wasn’t my favorite show, but it isn’t bad and is so short. Rating: may the real Genie please stand up…

Psychopath’s Diary (2019-2020, Choe Sung-jun, Kim Hwan-chae, Ryu Yong-jae)

Main leads: Yoon Shi-yoon, Jung In-sun, Park Sung-hoon

Episodes: 16, 60 min

Thoughts: I dropped this show a while back, but I decided to pick up again. It was fun, quirky, and decently thrilling. Yoon Shi-Yoon is hilarious as a pushover down on his luck Yook Dong-Sik. Also, he had immense chemistry with Park Sung-hoon. Another thriller in the book with unexplainable romantic tension between the killer and the protagonist. It is worth the watch, the 16th episode is kinda pointless. They wrap up everything in the first 20 minutes, so they are just filling the last 40 with whatever. Rating: This could have been gay…

Triad Princess (2019, Neal Wu, Emma Chen, Cheng Han-wen, Huang Shi-ting)

Main leads: Jasper Liu, Eugenie Liu

Episodes: 6, 35 to 47 min

Thoughts: This show is a 2019 Taiwanese Netflix short drama with only 6 quick episodes. This show follows a Gangster’s daughter who is a fan of a celebrity, and she becomes his bodyguard. Lo and behold he is also obsessed with gangsters, so obviously they fall in love. I actually watched this show up til episode 4 before dropping it back in 2019 to now finally finish it, so do with that information as you will. It is okay overall nothing to write home about. Rating: I don’t have enough of an opinion to write a witty one-liner. 

Welcome to the Show (2011, Choi Moon-Kyung, Woo Chul-won)

Main leads: Im Seulong, Sulli Choi, Nichkhun

Episodes: 1, 80 min

Thoughts: So apparently this was supposed to be a series, around the fictional lives of actual kpop idols set at an award show that they have. Sorta like an unfinished  The Producers, it even has IU. It was okay, I had a hard time finding it and ended up watching without subs, but I got the gist of it. Rating: I understand why it was canceled.

A Love so Beautiful (2020-2021, Choi Yoo-jung, Jang Yoo-yeon)

Main leads: Kim Yo-han, So Joo-Yeon

Episodes: 24, 21 to 25 min

Thoughts: I watched the original Chinese drama back in 2018, and I really liked that so I thought why not give this one a go. I would just watch the original, the cast had far more chemistry. Even though this followed the plot of the original to a t, it seemed more kiddish, somehow. It might have been because the male lead is much younger  (and looks like it) than everyone who worked in the school days, but once a fast-forward seemed comical. Anyways it is short and sweet and you can probably watch it in a day or two if you have nothing going on. Rating: The original is always better. 

Sound of Your Heart (2016, Lee Byung-hoon)

Main leads: Lee Kwang-soo, Kim Dae-Myung, Jung So-min, Kim Byeong-ok, Kim Mi-Kyung 

Episodes: 20, 15 min

Thoughts: This show was such a fun show to watch. It was funny and light-hearted. I never realized that Jung Somin has such good comedic timing. It is such a good show for a quick pickup, and I highly recommend it. I also believe that Netflix has a season 2 that I might check out. Rating: Sometimes life is ridiculous..

Goedam (2020, Hong Won Gi)

Main leads: Various cast

Episodes: 8, 10 min

Thoughts: This show is an anthology of a spirit haunting different people. It is so short you can watch the entire thing in under an hour. If you want a quick spooky show this will do the trick. Rating: Is it a metaphor for our modern surveillance culture?

Soundtrack #1 (2022,  Ahn Sae-bom)

Main leads: Park Hyung-Sik, Han So-hee

Episodes: 4, 36 to 57 min

Thoughts: I wanted something that had wintery vibes and this is definitely it. It is such a cute drama with such good vibes. You also have Park Hyung-Sik in his most natural environment, pining. And man does he put his heart and soul into it. It is such a good winter drama, everyone should watch it to get cozy. Rating: This is a puppy dog and a black cat couple.

Queen of the Ring ( 2017, Kim Ah-Jung)

Main leads: Kim Seul-gi, Ahn Hyo-seop

Episodes: 6, 30 min

Thoughts: This show is interesting in concept, but at the same time kinda uncomfy. This show is labeled as a fantasy cause we are pretending that Kim Seul-gi isn’t pretty. I do think that the main couple despite the lying and deception is kinda cute. However, the ending comes about in a very unnatural way. I think the writers didn’t know how to achieve their desired ending. Rating: I am glad they didn’t villanies Mi-Joo.

Revenge Note 2 (2018, Han Sang-im, Kim Jong-seon, Shim Min-sun)

Main leads: Ahn Seo-hyun, Samuel

Episodes: 16, 60 min

Thoughts: It was okay. If you are like a young teen, you would probably enjoy this a lot more. Tbh the first one was better, I realize why I dropped this years ago. Also, it has a weird ethical question about the leads and revenge. Rating: eh…

Glitch (2022, Gin Han-sai)

Main leads: Jeon Yeo-been, Nana

Episodes: 10, 60 min

Thoughts: Jeon Yeo-been never misses. If she is in a project you absolutely know it will be well acted. This story is so new and interesting, and the mixture of mystery and sci-fi is just marvelous. It is a pretty short drama, so you can probably watch it in a couple of days or so. It is definitely one of the better dramas I have seen recently, I highly recommend it to everyone. Also, this is another one where it is so gay, but it never fulfills itself. Rating: is it Aliens or a cult or both…..

Nightmare Teacher (2016, Hyun Moon-Sub)

Main leads: Kim So Hyun, Lee Min Hyuk, Uhm Ki Joon

Episodes: 12, 15 min

Thoughts: This was actually surprisingly good. I had little expectations for this show with how short it is. It is a pretty interesting watch, with psychological horror missed into. Kim So Hyun is always a good watch, I really have no complaints. If you just want to watch a quick horror, this would be your guy. Rating: The teacher is an ick

Midnight Diner 2 (2011, Yarô Abe & Takurô Oikawa)

Main leads: Kaoru Kobayashi

Episodes: 10, 25 min

Thoughts: With my continuation with the series I am still watching when I am up at midnight. This show is such a comforting watch, and it is a reminder of the human condition. It shows every side of a person which can only be revealed in the late hours. I just love how people’s stories are weaved through one another. I highly recommend for just a comforting watch. Rating: What keeps you up at Midnight. 

Welcome to Waikiki (2018, Kim Ki-ho)

Main leads: Kim Jung-hyun, Lee Yi-kyung, Son Seung-won , Jung In-sun , Ko Won-hee , Lee Joo-woo

Episodes: 20, 70 min

Thoughts: I watched this up to the 10th episode way back, but I kept seeing tiktok edits to this show that I decided to pick it up again. This show is more of sitcom style with an assemble cast, so if you like sitcoms you would love this show. It is funny, and relatable. All the characters are stupid but in an enduring way. Rating: I actually love when babies are in dramas ‘cause I think they are cute. 

The Great Shaman Ga Doo Shim (2021, Joo Brothers)

Main leads: Kim Sae-ron, Nam Da-reum

Episodes: 12, 20 min

Thoughts: This show is quick and simple, it also has the kid who is the younger version of everyone in it. It is actually pretty good for a quick webdrama. I don’t think it is a must see and you are missing out if you don’t watch, but it is pretty good. The cast is strong for how young they are, the script is okay, and it does keep you interest for the time it has it. Rating: Catch that ghost: Highschool edition

 Meow the Secret Boy (2020, Joo Hwa-mi

Main leads: Kim Myung-soo, Shin Ye-eun

Episodes: 24, 28 to 38 min

Thoughts: This show from concept is incredibly strange. Don’t get me wrong I like cats, but the FL falls in love with the cat she rescued. And even weirder they meet when he was a kitten/boy and she was grown. I know cats age faster, it was just weird, and people took a human cat much better than I ever would. Anyways it is kind of cute, but it is incredibly weird in its inception. Rating: I actually liked the SML in this one. 

True Beauty (2020-2021, ​​Lee Si-eun)

Main leads: Moon Ga-young, Cha Eun-woo

Episodes: 16, 73 min

Thoughts: I watched it while it was coming out, but I just had to drop it. I don’t like love tringules, and the entire focus of this show is the triangle. I know this is an unpopular opinion, I actually like Suho and Ju-kyung as a couple. I wasn’t head over heels over the SML, but I did like his character. I just really wanted this show to be gay, like I know the Webcomics it is far from it, but come on. Park Yoo-na (Kang Su-ji) and Moon Ga-young chemistry is good, also I think at one point Ju-kyung calls Su-ji the ideal boyfriend. And then they had to make Su-ji the typical jealous SFL which is so annoying. Rating: Please just recommend me Lesbian dramas

Lovestruck in the City (2020, Jung Hyun-jung, Jung Da-yun)

Main leads: Ji Chang-wook, Kim Ji-won, Kim Min-seok, Han Ji-eun, Ryu Kyung-soo, So Joo-yeon

Episodes: 17, 28 to 40 min

Thoughts: This show is in a style of a documentary, though they have out of documentary moments, that follow several young people and their relationships to one another. Somehow everyone knows everyone, and they are all dating one another to a certain degree. I liked it to a certain extent, however I found Ji Chang-wook’s character to be annoying and a crybaby. Like I understand his heart was broken but he was obsessive. I did like Kim Ji-won in it but I always like her. Rating: Its short and okay. 

More than Blue: The Series (2021, Hermes Lu, Emma Chen, Fei Kung-yii, Tsai Fang-yun)

Main leads: Gingle Wang Fandy Fan

Episodes: 10, 42 to 50 min

Thoughts: I have watched neither films that this show is based on, so my only input on the story comes from this series. It is incredibly sad. I knew this going in, I genuinely thought it would be the cold of winter sad, but it is not it is the heat of the summer sad. I find that more devastating. The back-and-forth storyline confused me at first, but it does add a sense of mystery that can be enjoyable for the viewer. Overall it is a sweet, and sad love story. Rating: Forever isn’t enough.

That Winter, the Wind Blows (2013, Noh Hee-Kyung)

Main leads: Jo In-sung, Song Hye-Kyo

Episodes: 16, 60 min

Thoughts: Oh, wow. I have so many thoughts, and they are all over the place. First off, it's really good from a genre perspective. This is a classic Melo, it has everything you want. Because of this, it is refreshing, cause you just don’t get Korean melodramas like this anymore. And honestly, I am not a big fan of Song Hye-Kyo’s acting, but I thought she did alright. But oh man this show, um, the romance is technically not incest which is a bad start. Like it is a family melodrama, but oh boy was it painful to watch someone fall in love with someone they thought was their own brother. Like a fair warning to all. Rating: It was a melodrama.

Midnight Diner 3 (2014, Yarô Abe & Takurô Oikawa)

Main leads: Kaoru Kobayashi

Episodes: 10, 25 min

Thoughts: The show is still quiet and sentimental throughout its run, however, I feel like this season we spend much more time outside the cafe, which is interesting. And you build up the cast of outside characters more. I do thoroughly enjoy the continued soft-spoken moments and the aesthetics of quite the nightlife of the show. I do think this show is best seen at night. Rating: a little midnight treat.

Seonam Girls High School Detectives (2014 to 2015, Shin Kwang-ho)

Main leads: Jin Ji-hee, Kang Min-ah, Lee Hye-ri, Lee Min-ji, Stephanie Lee

Episodes: 14, 60 min

Thoughts: This show was definitely made with a younger demographic than me in mind, however, it does show someone jumping off a roof. It has Lee Hye-Ri doing what she does best, and the rest of the cast trying their best with the script they had. It was definitely fun to see bigger stars, back when they were picking up whatever role they were offered to them. The show itself is a boring mystery, and the script has the inability to create tension throughout the whole. If I wasn’t in the midst of school where I need background noise to function I would have dropped this. Rating: It is a win for the lesbians, sort of… not really

Fanletter, Please (2022, Park Tae-yang)

Main leads: Choi Soo-young, Yoon Park

Episodes: 4, 60 min

Thoughts: This drama is decently cute and simple. It is very fluffy, and weirdly enough good for a quick pick-me-up. It easily could have been so devastating because kids with cancer are incredibly sad, but they easily balanced the sweetness with the devastating circumstance. The show is short, sweet, and actually decently acted. The setup is wild but we don’t question anything in dramaland anymore. Rating: Lies always lead to the most extreme possible outcome ever. 

Will it Snow For Christmas? (2009-2010, Lee Kyung-hee)

Main leads: Go Soo, Han Ye-Seul

Episodes: 16, 65 min

Thoughts: If you ever want a slow burn you got it in this drama. It is definitely fun to see a young Kim Soo-hyun, but this drama is the definition of melo. It is also kind of hard to follow especially after the time skip but its interesting, and has a good slow burn. Rating: Will it snow I don’t know

Behind Every Star (2022, Park So-young, Lee Chan)

Main leads: Lee Seo-jin, Kwak Sun-young, Seo Hyun-woo, Joo Hyun-young 

Episodes: 12, 60 to 76 min

Thoughts: Apparently this is based off of a French drama, which I can definitely see elements of it. I go back and forth on this drama. I thought it fun seeing actors cameos on this show, and I really liked the main couple. But it can be kind of boring and overall unmemorable. Rating: I would react the same way if I find a man in my bathtub. 

Midnight Diner: Tokyo Stories (2016, Yarô Abe)

Main leads: Kaoru Kobayashi

Episodes: 10, 25 min

Thoughts: This is like the revamped version of the original. It is definitely interesting seein the quality changes over the several seasons. This season has more emphasis on the food I feel like- ending each episode with a recipe, a slight call back to season 2. The vibes are usual contentness and loneliness felt only at midnight. Rating: I think writing in my journal while writing this is great.

The Crowned Clown (2019, Kim Seon-deok, Shin Ha-eun)

Main leads: Yeo Jin-goo, Lee Se-young

Episodes: 16, 70 to 80 min

Thoughts: This show is such a vibe visually, and I think for me that is the most notable thing. Yeo Jin-goo does such a good job at portraying the two princes. And the story is interesting enough. I think I would recommend this drama to those that are interested in Korean historical dramas but haven’t fully taken the plunge. It has a nice balance of politics and romance, and the politics don’t completely take over the narrative. Rating: a solid mad clown. 

Revenge of Others (2022, Lee Hee-myung)

Main leads: Shin Ye-eun, Park Solomon

Episodes: 12, 60 min

Thoughts:This show is definitely the thriller of the year, right behind Reborn Rich. The cast is great, and the characters felt so alive. There was a decent size cast and we understand and felt the motives of all the characters. It was heartbreaking in its set up, and fulfilling in its revenge plot. Also, Shin Ye-eun and Park Solomon’s chemistry is off the charts. Rating: if you are going to listen to me about anything, it should be watching this drama.  

May I Help You? (2022, Lee Sun-hye)

Main leads: Lee Hye-ri, Lee Jun-young

Episodes: 16, 70 min

Thoughts: I Really enjoyed watching this drama week by week. It has a nice mellow vibe, with an underlying grief. This show can be really sweet at times or really devastating, and it balances these two emotions well. The main couple is sweet, and you are rooting for them from day 1. Overall I am really satisfied with this drama and how it ended. Rating: May I help you… find a good drama. 

Midnight Diner: Tokyo Stories 2 (2019, Yarô Abe)

Main leads: Kaoru Kobayashi

Episodes: 10, 25 min

Thoughts:  This is the last season of this series. I will miss the midnights I spent with the show. The people in the show are all questionable, but they feel real. We are kept up at night for multiple reasons. Despite our negative qualites we all deserve warm company and good food. Rating: There are more people than you would think.

Reborn Rich (2022, Kim Tae-hee, Jang Eun-jae)

Main leads: Song Joong-ki, Lee Sung-min, Shin Hyun-been

Episodes: 16, 70 to 80 min

Thoughts: Man Song Joong-ki the past couple of years really said, I am sick of capitalism. This is probably the thriller of the year. It is so good an interesting. I think this is a must watch, and if you are new to kdramas this is probably a good one to watch. It had similar vibes to Again My Life but this one actually stuck the landing. Rating: The ending did confuse me, so I had to rewatch the last episode… ooops. 

Alice in Borderland (2020, Yoshiki Watabe, Yasuko Kuramitsu, & Shinsuke Sato)

Main leads: Kento Yamazaki, Tao Tsuchiya

Episodes: 8, 41 to 80 min

Thoughts: This show is so good. I have been putting it off, but with the new season coming out I just had to watch it. The characters are almost all incredibly flawed, but you are endured to them anyway. Arisu an awkward game-obsessed outcast becomes a hero alongside Usagi in the most deadly game ever. This show does have a graphic SA scene in the later half of the series which I wasn’t warned for, so just be warned. I do think it is worth a watch, but there is a lot of graphic violence. Rating: We built this city….

Summer Strike (2022, Hong Moon-pyo, Lee Yoon-jung)

Main leads: Kim Seol-hyun, Im Si-wa

Episodes: 12, 43 to 52 min

Thoughts: I actually didn’t see much promotion for this serious. But I love introverted couples, plus Im Si-wa plays the soft boy character very well. The couples in this are cute, and the vibes are immaculate, however the story is lacking somewhat. In the last 3 or so episodes it turns into a thriller, though viki does label it as such and there are hints of it in the beginning, it just feels out of place with the hometown vibes. Rating: If I had a nickel for every time a chill hometown vibe drama turns into a thriller I would have like 3 nickels which isn’t very much but it is weird it happened thrice. 

Alchemy of Souls (2022, The Hong Sisters)

Main leads: Lee Jae-wook, Jung So-min

Episodes: 20, 60 to 70 min

Thoughts: Wowza, I understand why it is considered the drama of the Summer. It was actually so good. I wish I was able to see it when it was coming out, but now I don’t have to wait after that ending. It was so good, and I’m so excited to start the second part. Jung So-min doesn’t disappoint, plus her chemistry with Lee Jae-wook. It will definitely be different without her. The story and worldbuilding is also so interesting with very little complaints from me. Rating: a Wolf in Sheep's clothing.

Alice in Borderland 2 (2022, Yoshiki Watabe, Yasuko Kuramitsu, & Shinsuke Sato)

Main leads: Kento Yamazaki, Tao Tsuchiya

Episodes: 8, 41 to 80 min

Thoughts: Man what a ride. This season is arguably better than the first. It was such an interesting watch. I was so confused for a while at the ending but it all worked out. I just think this is such a good show, and if you have the stomach for it, you should watch. Rating: Alice, the white rabbit, and the queen of Hearts… 

I am currently watching Alchemy of Souls: Light and Shadow. If there any shows that you think I should watch in the upcoming year please feel free to recommend me some. I hope you have a wonderful New Year!

[the-one-where-casey-watches-tv]

Better Call Saul episode 6.07 "Plan and Execution"

Before I watched this episode, I had been musing about which one I was going to write about and coming up short. I loved the show, but no one episode really stood out to me. And then I watched “Plan and Execution” and realized that everything from the very beginning had been slowly leading to this. I had no idea that the Better Call Saul train had been taking the scenic route for six and a half seasons towards the moment when a shadow passes behind a crazed Howard, leaving Saul and Kim gripping each other in blood-draining fear. I’ve really never seen a slow burn like this, a show so carefully crafted from the start around one episode that was still six years away.

Breaking Bad certainly took its time as well. It took me a minute to get into that show because I thought the first two seasons were sad and boring, but after seeing the whole thing I’m adamant that they were completely necessary. All the flashy, crazy moments hit so hard because of all the pent-up significance that had been building throughout its slower beats. But as it picked up the pace, Breaking Bad almost felt like it passed in waves. Huge, multi-episode sequences of thrilling heists and hand-wringing climaxes followed by a couple slower episodes of Walt picking up the pieces at home.

I wouldn’t describe Better Call Saul as flashy. I think that’s why I lost a lot of my viewing buddies that had gotten on the Breaking Bad train with me as I plowed through the seasons. And Saul didn’t have waves, so much as one massive tsunami slowly rolling in. But, like its characters, Saul is even more intense, meticulous, and just plain niche than its predecessor. I don’t even know how to describe these characters to people who don’t know them, they are so weird. And “Plan and Execution” is so masterful because we don’t even fully understand just how intense and weird they are until this episode plays out- and I’m not sure we would have followed them this long if we did.

Before “Plan and Execution”, I was convinced that Saul could do no wrong. I hated Chuck with a passion, he was so mean to Saul and anything questionable that Saul did was a direct result of Chuck’s mistreatment. Kim had some misgivings when he died but I was super sure that he and his terrible personality brought it all on himself. I still think that, but what they did to Howard wasn’t so cut and dry- and that’s why we never got the full scope of what exactly they were planning until it was already in motion.

We saw the planning board with the sticky notes and little bits along the way- the baggie of baking soda at the country club, the little performance with the hooker in Howard’s car. It was classic Saul and Kim schemes, and Howard wasn’t fooled for a second, so it seemed harmless enough. They’d justified it to themselves and to us by reassuring each other that Howard would be able to bounce back from whatever it was they were ultimately planning, and they would settle Sandpiper and get the old people their money back- the case that first made Saul so endearing in the early days.

The first half of this episode is thrilling in a good-naturedly exciting way. It’s ‘the day’ that their whole plan comes to fruition. D-Day, they’ve called it, but we don’t know what it entails. They’ve done a whole photoshoot with a guy that’s been made up to look like someone else- truly all we understand at that point- but in a pure coincidence Saul runs into whoever it is they’re trying to impersonate and sees that the man has a cast! Saul frantically calls Kim saying the whole thing is in jeopardy because they didn’t have their actor in a cast. Whenever the photographs come to light, whoever sees them will know they’re fake as the man in them doesn’t have a broken arm.

So Kim, on her way to a career-altering meeting, turns the car right around and helps Saul manically get his actor and his little community college film crew back together to re-shoot under the time crunch of all time crunches. “This is where I need to be,” Kim even declares. They snap the photos- the man, now in a cast, walks behind Saul sitting on a park bench and the two hand off a yellow envelope. Still don’t know what the photos are for, but now we know what they’re of. The gang rushes off to the dark room to develop them, and the second the pictures are ready, Saul and Kim carefully drip a substance over them with gloved hands. In the exhausting conclusion of this last-minute hail mary, Saul literally books it as fast as he can down the street and flings the envelope with the photos in the window of a waiting car.

Moments later, everything makes sense. They had given the photos to the PI Howard hired to follow Saul, who we now understand was in Saul’s pocket the entire time. The PI gives the photos to Howard, who pulls them out of the envelope with his bare hands. He doesn’t know yet who the man is that Saul is exchanging the folder with in the photo, but he heads into this Sandpiper meeting feeling like he has the upper hand.

Francesca had already called HHM a few days ago, acting as a relative of a Sandpiper resident, and got the dial-in number that was distributed to everyone involved in the case. Saul and Kim used it to listen in over the phone as the moment of truth arrives. Everyone files into the conference room, with dozens of other people listening in over the phone. Howard and Cliff on one side, Sandpiper’s spokespeople on the other, and finally, in the middle, the neutral, court-appointed mediator- who happens to have a broken arm.

Howard’s jaw drops and he stops the proceedings, declaring that the man is “in cahoots with Jimmy McGill”. The man obviously has no idea what he’s talking about, and the accusation makes no sense. Why would Saul do this? As everyone looks around with mounting befuddlement, Howard’s insistence grows to a crazed level. That’s when someone notices his eyes. They’re super dilated. Listening over the phone, Saul mimes reeling in a fishing line. Howard is adamant now that this is all a ploy enacted by Jimmy McGill and if someone will just go get the photos out of his desk drawer- GO GET THEM RIGHT NOW- everything will be explained.

Someone does, but the photos are different now. Completely irrelevant and innocuous, with the mediator nowhere to be seen. Saul and Kim have abandoned the phone for sex now, riding the high of their successful mission. Howard, meanwhile, is honestly ruined. They said he wouldn’t be, but the dude is wrecked. Disheveled, pleading with Cliff to believe in him, his sanity, and his sobriety. In maybe the saddest possible answer, Cliff suggests that the reality of the situation doesn’t even matter. Howard’s actions have ended the case, regardless of Saul’s involvement or lack thereof.

Meanwhile, in a situation that no longer seems to concern Saul at all, Lalo has survived the attempt on his life and is proving just how far he’s willing to go; I’m not sure there’s a limit. He’s been living in the sewers, camping out in the storm drain across from the laundry and watching it through a pair of binoculars. It’s as creepy as it sounds, right? But we don’t just see that chilling image, we see what a day in the life of this routine actually looks like. He drives to a truck stop, pays for a shower, and rests methodically in his car, using an egg timer to keep himself from sleeping too long. Then it’s back into the sewers to spy with a packed sandwich meal. This is all by choice. In fact, this terrifyingly intense commitment to get to the bottom of what Gus is up to is the only reason his life was ever in danger.  Nutty guy.

He's vlogging into a camcorder to document “proof” that Gus is betraying Don Eladio. This lets us in on his plan to infiltrate the laundry that night- that is, until a nearby cockroach sparks a thought that changes his mind. He doesn’t say what he’s thinking, but it’s like watching someone play a game of chess and finally think ahead to the move where they realize the other player is going to win. He has a new plan now, but we’ll just have to wait and find out what it is.

Back in Saul and Kim’s world, Howard is knocking on their door. They let him in- they knew this was coming- and they gaslight him, not admitting to a single thing. Saul breaks a little by reassuring him that he’ll “land on his feet”, a slip we know Chuck would’ve pounced on, but this isn’t even about getting away with it anymore. Everyone in the room knows they did it, and whether they admit it or not, the weight of this bizarre thing they did hangs in the air. Why did they do this?

“I mean, what do you tell yourselves? What’s the justification that makes it all okay? I sided with Chuck too often? I took away your office and put you in doc review? All of the above? ‘Howie has so much and we have so little. Let’s take him down a peg or two.’ This isn’t just pranks. This goes beyond throwing bowling balls at my car. This took planning. Coordination. How many weeks? Or was it months? It couldn’t have been easy. So tell me why? Why go to this elaborate plan to burn me to the ground? … You are perfect for each other. I was sure you did it for the money, but now it’s so clear. Screw the money. You did it for fun.”

Howard’s tirade is about to be interrupted, so we won’t get to hear what Saul and Kim have to say to this, but he’s able to make enough of his point that we realize he’s right. This isn’t like what they did to Chuck. Saul’s license was on the line back then, and frankly, Chuck had it coming. Howard never did anything wrong. He even tried to make amends. I understand the seed of resentment that Saul had for him, the seed that was never going to let him accept his job offer, but it didn’t warrant anything like this. They had nothing at stake here- in fact, they sacrificed a kind of insane amount to pull it off.  

But there’s no time to sit with this now. If you clocked it like Saul and Kim just did, the candle flickered, just like it did when they let Howard in. A shadow passes behind Howard and pure terror washes over Saul and Kim. They grip each other in wordless fear and Howard recognizes that they have seen something beyond him. It’s Lalo.

This has got to be one of the coolest moments on TV ever. Their reaction is some really standout acting, and the whole sequence gives me chills. If you were watching this show with a Saul and Lalo level critical mind, maybe you saw this coming. I did not, and I’m honestly glad I didn’t. It’s one of those moments that makes perfect sense once it happens but that I would never have guessed on my own. I remember having a thought somewhere around season 5 that it was interesting that Saul and Kim’s legal and scamming life had gone largely unaffected by the cartel activity that has been running parallel just a shoulder’s width away this entire time; but it was a fleeting thought that had escaped my mind by now, the moment where everything that had ever happened on this show collided in Saul and Kim’s living room.

Everything is turned upside down and sideways. First of all, Saul fully thought this guy was dead. And everything about Lalo and Howard in a room together just feels incongruous. World’s colliding. Howard and Saul are both at a complete and utter loss. Kim, who at least had the leg up of knowing that Lalo was still alive, tries to muster the courage to handle the situation, but what is there to even do? She tries to tell Howard to leave, but before anyone can really wrap their mind around what’s going on, Lalo shoots Howard in the head (like the episode of Breaking Bad that I covered, “Plan and Execution” has a fun little double meaning). Laid back as ever, Lalo looks up and says, “Let’s talk”. Roll credits.

The one thing I’ll say about this episode- I think they played this card too early or stayed in the game too long after showing their hand. I think the same thing about Gus’ death in Breaking Bad to a lesser extent, but sticking around and pushing his luck was so in character for Walt that it didn’t bother me as much. This felt pretty decisively like the end of the story, which I think is confirmed by the fact that the show transitioned almost entirely to it’s post-Breaking Bad timeline very shortly after. There definitely needed to be a beat of resolution on both fronts, and I did think we got the perfect amount of Jesse and Walter to scratch the Breaking Bad itch without going overboard, but there was just something flat about those last few episodes.

Better Call Saul has a distinctly different feel before and after this episode. Everything is different, and I don’t look at Saul and Kim the same way anymore. For so long I saw him as the anti-Walter, the ‘bad guy whose heart’s in the right place’, and now it all just leaves a bad taste in my mouth. And that’s great storytelling to take me by surprise and change my mind about someone like that, but it just felt like this episode left it all out on the field and there wasn’t much more to say afterwards. Definitely nothing that warranted this season being longer than the rest, especially considering the present-day storyline ends with Saul just confessing to everything and going to jail for a really long time. It’s a pretty simple ending for a guy we’ve gone to such lengths to establish is anything but.

What say you? Did you see Lalo coming a mile away? Am I too hard on the way the show wraps up? Do you think it’s weird that I called him Saul instead of Jimmy?

[meherya]

Okay I’ve fully formulated my thoughts on Little Women (2022)

It started off as intriguing, the way everything fell apart for the sisters... The set up with Hwa Young’s death and the bankruptcy case for In Kyung set the stage... but then... it was just... Personally, the whole back and forth mind games stuff was boring as hell, and the show lagged between like ep 3 and ep 8.. Stuff moved way too fast at times, and most of the characters (In Joo) made the dumbest decisions over and over again and really didn’t learn from her past mistakes... Like in the end, why would you not tell Do Il that Sang-A texted you? Do you still not trust him? Like in the beginning it would have made sense but in the end? Dumb bitch juice is her bread and butter I’m guessing. Also the stylist must have hated Kim Go Eun or something, always had her dressed like she’d lived on the prairies as a school teacher in the 1940s (the big auction outfit was saur bad I’m sorry).

I understand the point of her character was like “you won’t break my soul” or whatever but I still think the writers did her dirty, Kim Go Eun played her being kind of a ditz well but I think we got a glimpse of how good In Joo’s character could have been when she held Sang-A at gunpoint in Singapore. If only the writers had made In Joo learn how to play the game herself rather than having her pushed around from one plot point to the other. Like I’m never gonna get over everyone knowing the big plan to outsmart Jae Sang/Sang-A when they threatened Do Il EXCEPT her bc they were like “yea she’d ruin it” LIKE PLEASE 😭

I think that would have to be my biggest gripe with the show, overall I don’t think In Joo should’ve been the main focus.. In Kyung’s storyline was much more interesting, like finding out she’s an alcoholic and was raised by the wealthy great aunt, not to mention how she was willing to get mauled by a dog to expose Jae Sang which did tie in with the 70 billion won that was embezzled by those crazies. For In Joo I think the narrative did her dirty, she’s really only ever being pulled along the current by the people around her whether it’s Do Il or Sang-A like she really wasn’t making much of her own decisions after she got caught with 2 billion won.

Other than that, they would introduce plot points and drop them like it was nothing... What was up with the whole great aunt’s debt that In Kyung has to deal with? What happened to Do Il’s dad? His mom? The ending ties up loose ends sure but in an unbelievable type of way. Those videos from Hwa Young’s apartment... if the Jeongran society was so thorough with their clean up how did those recording devices go undetected, they got some random dude’s blackbox and fucked the cctv up so how they miss that (also the fact that there were multiple angles lmao). Some stuff in the show just straight up didn’t make sense, how did Sang-Woo manage to save the video of him being murdered by Jae-Sang... what’s this new technology? I know a lot of it has to do with the suspension of disbelief, like ik there’s some hallucinogenic flower involved too like obvi stuff isn’t gonna be REAL but... I had trouble suspending by disbelief because the writing wasn’t tight enough for me to do that.

Continuing with what doesn’t make sense..... Wasn’t In Joo sentenced to a year and 6 months? How did she come out and Hwa Young still has the same injuries as she did when she was in court. Also the whole orchestrated accident thing by Jae Sang... but also Sang-A was also in Singapore to fuck with In Joo? Idk like shit was not adding up to me.

Romance wise idk I never thought Do Il and In Joo were going in that direction, like till the end Do Il scoffs when that lady says “ur in love with in joo” like please... I think his actions contradicting his earlier words about dancing for the money has largely to do with the fact that after In Joo delivered his mom’s message he was like hmm maybe revenge is better than money. I genuinely think In Joo and Hwa Young had more chemistry than them but I digress. As for In Kyung and her neighbour idk she spends a good portion of the show being uninterested and in the end they’re kissing like okay I guess.

I say all this to say.... how is this even remotely close to Little Women 😭