the swimmer (1968) is probably one of my top ten favorite films of all time. it’s genuinely one of the most innovative movies i’ve ever seen. you start off the movie with a group of people dotting over this one middle aged man swimming in a pool, telling him how good he looks, and how he hasn’t changed a bit since college. he takes to the praise but you know he’s used to getting it. then, as he gets out of that pool and goes next door to swim in their pool, you begin to realize something is amiss. you’re not exactly sure what, but the man has said he’s going to swim in everyone’s pool in the county until he gets back home and that’s a little odd. but everyone seems happy enough to greet him, so you shrug it off. they ask him how everyone is - the kids, the wife - and he responds warmly. you begin to get this idea that he’s all american, the sort who eats regularly at the country clubs and lives in a big house with nice cars. he doesn’t worry. he’s charming and life is good. he continues to go to these different houses and into these different pools, and each time you learn something new about him through the way he’s treated by the owners of these pools and the people he talks to on the way to them. people get less nice, less familiar. when he beams with joy, they worry or they’re mean. when he talks about his wife and kids, they look at him like he’s crazy. but no one outright says what’s wrong with man. you start the movie thinking this man is something of a god. he gets out of a pool dripping wet and looking magnificent in nothing but a pair navy blue swim trucks that fit his athletic frame beautifully. but gradually you realize he’s no god; he’s the most mortal man you can find and he’s losing his mind because he’s lost all that once made him great: his status, his money, his family. even the mistress he treated cruelly pities him now. it’s so so so so good
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Ok so I do really like when people draw Bubba Sawyer blushing through his mask. It's very cute. And it's an obvious way of showing it.
But also... I really like the actual thought of him blushing... where you can't see anything through the mask obviously, and he's hot af under it and it's so uncomfortable for him bc it's just like an oven in Texas as it is, which would only make that worse, so if you could see in through the holes at all, he's oh so red and flustered. Like some of the few indications of him blushing is if you can somehow see when he moves his head at the right angle, or if he pulls at the mask slightly to make it less hot, or when he kind of makes a noise and you can just tell by his mouth - either bc of him somewhat smiling a little or how he kind of nervously licks his teeth and lips - he's really happy or giddy.
Okay but also also, Bubba is super readable through his body language anyway - he doesn't simply stand there, emotionless, usually. Leatherface can be very animated and you can tell what he's kinda thinking pretty easily I feel like?? Or at least you can get a general idea of what might be there.
Sure, he can stare blankly, but that's when he's head empty and he has to focus on the job at hand or he is kind of just going through the motions. When he has a single thought in his head though, he does try to express it.
It's strained and difficult for him to talk any kind of normally, being basically non-verbal, so he resorts to big displays of emotion though every action. Hell, he screeches all the time at heightened emotion.
(rq I remember the very first time I watched the first movie and how I was actually taken back and was like aw omg what it's like he has anxiety about these people he just killed being in his house and it like stresses him out?? He's almost worried someone else is going to show up, and he's waiting for his family to get home because he's all alone and doesn't like that these people came in and surprised him, so when he just sits down and puts his head in his hands I actually felt like I could understand his thoughts a little. Especially so, after we meet his family and see how they treat him.
And don't get me started on the second movie with how you can see his visible confusion with how he just kind of nods and shakes his head and shrugs a lot. And the moments when he is joyful and concerned and conflicted and curious - they each have a reaction and distinct movement. They definitely made him act things out more in the 2nd one, but it felt like the same character.)
Anyway, I mean, if he isn't babbling incoherently, squealing loudly, or making any other sounds, he's twiddling his fingers together or touching his hands to his mask, or holding his arms to himself. He also paces and fidgets and rocks in place. Like any of those things would be a huge tip off if something was making him blush.
I just really like all those small details too, in actuality.
..... I know you can't draw this stuff as easily, but I like to think about it, y'know, just... practically.
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NOOOO RIGHT 'CAUSE LIKE... the way the Arakawa Family specialize in faking deaths already, I'm sure Jo was so on top of everything. And who better to walk Masato through it right... flight's the perfect time to get started if it's gonna take like fourteen hours...
BUT YES. YEAH. Like The Day Of he's just paralyzed with worry and caught between wanting to do something and not wanting to go against Aoki... maybe at most he chances calling Arakawa telling him to be careful, because that's not too conspicuous given his role in the dissolution, but Arakawa just gives him the old I'll Be Fine Worry About Yourself... and, you know, why shouldn't he; they've always had their enemies and he's Arakawa the Assassin, he can handle himself... he can let himself have that fleeting hope, but deep down... and THEN he finds out and has to act like he didn't mean anything to him and has to go back to his duties like nothing happened... OUGH
Can I just say. Literally such an insane fucking series of scenes in Coin Locker Baby. Because you get Jo's despondence when he's saying he might have killed Arakawa--he's being a bitch to provoke Ichiban into a fight, but it's also an admission his inaction played a part, isn't it... and then you get him expressing that he's familiar with Ichiban's need to protect Arakawa... and then you get the sheer desperation and insistence in his voice when he says he could never kill him... and then you get--I'm not totally sure how clear it is in English--but you get him actively saying his feelings go deeper than Ichiban's without really explaining how... and then you get the tinge of fondness when he's thinking back on the old days when Arakawa lived up to his name... Like. Why Did They Do That. Any Of That.
ALSO. GOD. I've gotten so much shit the past couple days because I said I want to lock Jo, Kume, and Tendo in a room for five minutes For My Entertainment. Reading those tags felt like coming home honestly 😭 Like, even Ichi was ready to kill someone over Arakawa, and Jo was out here threatening to disembowel people [in the dub]. And I Think They Should Be Allowed To. As A Treat. So FOR REAL the biggest "I'm so glad we get to talk" 😭😭😭
On that note genuinely so funny that I took an extra ten minutes re-rendering the video because I forgot to put the "flashback" part in Arakawa's subtitles at first but then nobody read it 😭
But it's also something I've been mulling over because I'm delusional. Getting actors as high-profile as Nakai and Takei back for just A Flashback is kinda crazy to me because Arakawa and Jo's screen-time took up a full four percent of the entire game [over ten percent of the cutscenes] originally. But then if it's multiple flashbacks equivalent to that... what exactly is going on here that the past is so intertwined...
And Because My Brain Is Evil there is the fact that technically speaking, Yokoyama only said that line was from a flashback, and specified Arakawa wouldn't be appearing in the main story. Now of course a normal person would interpret that as him reassuring the audience he won't appear in any present-day scenes, but part of me was like. Oh So A Side Story Is On The Table [<- it's not it's fucking not it will not be in a million years]
JUST. WHAT ARE YOU GUYS COOKING WHY IS THE KITCHEN DOOR CLOSED WHY ARE THE WINDOWS BLACKED OUT
ANYWAYS that's enough from me for today I am [as always] glad you enjoyed One Missed Call and Kyouen, ABSOLUTE bangers
YAYA THATS WHAT IM SAYIN YOU GET IT. UNSURPRISINGLY BUT YOU GET IT ಥ▽ಥ
no but thats what i MEAN like i already was jokin with myself like 'jo and arakawa probably had A Thing right lmao' BUT THEN THE WAY JO TALKED BOUT ARAKAWA AND OBVI THE GENERAL FACT HE COULDNT KILL HIM REALLY JUST MADE ME (。・∀・??) AND REAALLLY LOOK AT EM CLOSER THE SECOND TIME AROUND like genuinely for what. it will fuck me up until i'm dead and gone SOOO unnecessary and yet they did it..
wack that people wouldnt want to see kume and tendo stuck in a room with jo like. from what i know everyone is a part of the We Hate Kume gang so. cmon. kume will be shredded into candy floss within five minutes. it'll be fun (๑❛ᴗ❛๑)
OK BUT NAKAI AND TSUTSUMI'S STATUS WAS A BIG REASON WHY I DIDNT THINK ARAKAWA NOR JO WOULD BE BACK FOR LAD8 THAT'S SO VALID TO CONSIDER THAT its that idea that just has me especially wondering what the plan is. im not expecting them to have MAJOR parts (or in arakawa's case too many flashback segments) but they MUST have a SUBSTANTIAL amount to warrant bringing them back right..
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sometimes seemingly small shit will stick with you forever. when I was a teenager, my parents were drunk all the time and neither could nor would give me rides to places I wanted to go. so if I wanted to go see friends, do an after-school activity, or get a part-time job, I had to rely on the kindness of my friends/acquaintances (or, in reality, their parents) to be able to leave my house. and I hated being at home, because of the aforementioned constant drunkenness of my parents.
I'm 31. it's been almost 15 years since I've been in that situation. if I get stuck somewhere, I can call my husband. worst case, I have a cell phone and money and I could do a rideshare. more importantly, I drive now and I have my own car. I'm never stuck anywhere. I don't have to rely on the kindness of people who aren't responsible for my well-being. I'm safe, I'm safe, I'm safe.
and yet one of my most frequent stress dreams is being stuck somewhere. not having a ride home. having to walk in the dark and cold after school. being stuck with drunk people and having no escape. getting lost by taking the bus.
my parents were pretty shitty, but even still, I have to wonder - if they knew then that I'd still be having nightmares about this in my 30s, would they have tried harder? could they have? I don't know. addiction is a monster and addicts often make for shitty parents.
I just wish I could go back in time and give myself a ride. I guess I can do that now. but that doesn't stop the nightmares.
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update: new fictional character that i find hot is rooster aka bradley bradshaw
went to the cinema with my family yesterday and watched top gun. do not know the plot or what happened i was only interested in this man i was only paying attention to him. sooo horny cause of this guy rn i said what i said
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