For @sansebastinae and @boisinnot, my fellow saint seb truthers :)
+ the usual
Yayyyy finished a drawing! Haha only took me...2 weeks. I kept going back and forth on whether I could finish it tonight, and I really wasn't going to. But then I looked at the unfinished version on a different screen and was like oh? Not too bad actually?? So I finished it :) First of all, ofc, here is the process. Kinda weird seeing it for smth like this, it makes me feel like I'm the painter in rennaisance au, not Mark dhjfkf
Ah I was gonna draw a silly renaissance au comic to accompany this(read: lighten the mood), but it's 5 am and I've still not really drafted it well, so! I'd like to finish it at some point bcs I wanna draw more chibi comics, but when I finish smth, I can't help but immediately want to post it, so part 2 will have to wait. I'll show you the outline though so you can at least imagine 😭
^ So many renaissance and beyond paintings of Saint Sebastian are always the most horny thing ever. Like pre/early rennaisance, yeah he was naked and all that, but they were pretty chaste, and uhhhhh suffering?? Well the newer paintings are suffering, but in a different way, if you know what I mean.
So I feel like Mark's the type to be overly pedantic about it, and refuses to make borderline porn of a saint, I mean, god forbid, Seb!!! But then he just. Does anyways. Because he can't control his lust for Seb even when drawing him half dead. I just imagine him holding the paintbrush in a death grip like "must not be horny. Must not draw him sexy. Must make him chaste." And then he ends up with the one seen above. Seb is all smug about it. "Wow you'd wanna fuck me even while I'm all bloody and dying? 🥺"
Mark: "oh I'll make you bloody, alright."
But god so funny to imagine Seb doing all these different slutty poses, like arching his back as much as possible, the cloth nearly falling off at all times, etc etc. And Mark finally lands on this pose bcs he hopes the suffering will outweigh the horny. It doesn't. Also Seb is genuinely serious once he actually gets into the pose, focus mode on. And honestly that's even worse for Mark, bcs it's so much more arousing to see Seb in his element, focused. Tbf I think Seb could be drinking water, and Mark would still find some way to sexualize it. Don't look at his sketches!! They're just filled with Seb doing all kinds of random activities.
Also! Here is the painting I referenced this off of, must give credit where credit is due ofc
The Dying St. Sebastian by François Fabre
Also this isn't really relevant in the context of this drawing specifically. But I looked thru a bunch of Saint Sebastian paintings while trying to find one I could reference, and I came across this middle ages one that actually looks so much like boy king seb 😭 I guess it really is meant to be!
St Sebastian between St Roch and St Peter by Pietro Perugino
Lmao but do you see the difference between early rennaisance and later work???
40 notes
·
View notes
2024 reads / storygraph
The Truth of the Aleke
fable-like novella set in a desert world
set 500 years after the previous book
about a junior peacekeeper in the city of truth, who is sent out to defend the city against the cult that has been attacking them for years, only to find out that things are more complicated than he’s been told
about conflicting narratives and unlearning propaganda
17 notes
·
View notes
At this point I'm just staring at it. It's...it's so big. Thick. It's just a little smaller than my forearm. When they talk about fingers just being able to encircle the shaft, this is the dick they're talking about. There are RIDGES on this thing. It's HEAVY. The kind of dick he's too nervous to show you the first time heavy petting gets a little too heavy. The kind of dick that "if I don't stretch you with my fingers and tongue first, you will be split in half" applies to. Completely justifies the statement "the quiet ones always got the biggest dicks".
But if he even attempts to tuck it away, I'm biting him. I waited too long for this dick to stop now. So what if I can't walk tomorrow? I think that would make it worth it 😌
12 notes
·
View notes
I remember someone saying "there's no such thing as a good racism allegory" and it's been bouncing around in my head for a while. I'm someone who typically thinks anything can work if given the right circumstances, but then I really started thinking about it and I believe they're right
Because if you want to talk about racism, you should just talk about racism
(This is unpolished and ramble-y, so strap yourselves in)
Racism is deeply ingrained into our society, no matter where you live. Imperialism and colonialism has ensured that no corner of Earth has been left untouched. Choices from hundreds of years ago are still being felt today. There's practically no end to the discussion of its effects on the world and its people
So, why should anyone feel the need to dress it up in cat ears?
I've consumed a lot of media where writers have consciously echoed in part some aspect of racism in their fantasy story: Bright 2017, Dragon Age, RWBY, the MCU, Harry Potter, Detroit: Become Human, etc. The biggest thing they have in common is that the narrative is told to side with the victims, but it somehow always ends up against them
It always sides with the status quo
It's confusing, maddening even, because the narrative oft goes out of its way to show how horrible the system is and how these folk don't deserve their treatment, so why are we going back to normal as if it's a good thing? Why are the people actively working to improve the system decried as annoying at best and monstrous at worst?
Then you look at the people who write these storylines. The beliefs they hold, the people they vote for, which charities and organizations they give to, and it all makes sense. Centrists (at best) trying to look progressive are the ones who need to dress racism up in cat ears and rainbow freckles. They set aside the long, brutal histories and crushing systemic realities to play pretend that racism is Not That Bad and is only done by Those Bad Individuals
That's why Velvet's ears are tugged instead of culled. That's why the Mantle drunkards say mean things to Blake instead of attempting to assault her. That's why everything surrounding the SDC's labor practices is so vague as to be useless while the biggest evidence of their malice is hand-waved away by a writer who says the victim "had it coming" as if someone can deserve being branded by being too much of a brat
These stories aren't meant to make the audience question why our society works off the bloodied backs of the exploited or demands we take good, hard looks at ourselves and how we've been duped into believing so much garbage about entire swathes of people. They're meant to satisfy the people who only feel bad that these things are happening because they (white folk) look like the bad guys. It's a self-congratulatory wank about how "I'm not like THOSE guys, therefore I'm a good person!"
And then there's the characters meant to convey this story in the first place: always inoffensive, mostly aimless, "not like the other girl" types that pander to that delicate palate. Blake - a conventionally attractive, pale skinned girl in fashionable clothes - used to be passionate about equality but only in the right way, and demonizes anyone who does not conform to this mindset despite having no reasoning to back it up while never once demanding better of the privileged people around her even when they do racially insensitive things
The biggest downfall of these racial allegories, be they about cat girls or orcs or elves or robots, is that they do something that marginalized folk have been forced to endure since the dawn of time: literal dehumanization. There are tangible differences between humans and whatever the allegory is, which undermines the very fundamental fact that black/asian/queer/neurodivergent/disabled/whatever folk are unapologetically, undeniably, exceedingly human. By dressing up their plights in cat ears or spottled blue skin, you're creating theater not for the people who actually live through these struggles as a means of connecting with them and providing them a safe outlet for their feelings, but giving the people who benefit from passively allowing the system to enforce said struggles a pat on the head for not being the grand wizard
I don't really know where I'm going or how to end this, so I'll just sign off with if you're going to talk about racism, just talk about racism
28 notes
·
View notes