Hello, congratulations on your milestone! 🎉
May I have (for the mix-and-match 😚) Dr.Ratio and the word-concept "bathtub"? 🫢
Take your time! ❤️❤️
this one was fun to write too (as per usual with ratio) i've written for dr ratio so much in the last two weeks i think i am becoming him.... Im slowly morphing into veritas ratio please save me... THANK YOU FOR REQUESTING this was lovely :3
my 1k event!
—°+..。゚。゚+.*.。.—
“No way. You take bubble baths with a rubber duck?”
Veritas freezes for no longer than a millisecond before whipping his head around to see you in the doorway of the bathroom. He’d been relaxing just moments ago, sinking into the hot water with his eyes closed, and yes there was a rubber duck in the bath with him but that was not by choice. It just happened to be there when he ran the bath, and he opens his mouth to argue but is quickly cut off by your endless rambling.
“Anyways, I came to wash your hair. One of your assistants told me you just left in the middle of your usual work hours, and I thought, ‘wow, how odd, the Ratio I know would never do that!’ And then I thought, what better way to cheer my dear friend up than keep him company and wash his hair! It did look a little greasy today.”
“I am not your dear friend,” he argues mockingly, but the bite in his voice falls short when you circle around the bath and set down your paraphernalia on the tiles next to you (a microfiber hair towel, shampoo, conditioner, some miscellaneous hair foams and sprays that he really does not trust you with). “You are the most insufferable person I have ever had the displeasure of knowing. Get out of my bathroom.”
“This is our bathroom now, Ratio. We’re a community, you and me.”
“It’s ‘you and I.’”
“Exactly! You and I, a community. You’re getting the hang of it now.”
Veritas sighs, surrendering any potential of a relaxing evening to your whims. This is, unfortunately, how it usually goes, and he has yet to make a real effort to stop it. A voice in the back of his head taunts him because at his core, he has zero desire to stop it at all.
“Come on,” you keep babbling, threading your fingers roughly through his already-damp hair. It’s not a pleasant sensation at all, and he winces and holds back a pained yelp. “It’s kind of like going to a spa, or whatever. I’m trying to pamper you. Be grateful!”
“There’s nothing to be grateful about when you’re trying to scalp me,” he could push your hands away easily, bat you off and make you leave. Instead, though, he gives you a minute to tame your inelegant movements into something gentler. He hears the sound of a bottle uncapping, and then your hands are back on his scalp, lathering honey-scented shampoo into the layers of his hair.
“Is this better?” you ask cheekily, tracing circles in his hair, digging your fingertips in and scratching just a little bit, hard enough to feel it but light enough that it’s still soothing. Veritas sighs through his nose, deep and heavy and sinking back into the water. There’s no mocking retorts, no quips, no sarcastic tone, just the even cycle of his breathing and the rhythm of his heartbeat thudding in his ears. If he tries hard enough, focuses enough, he can hear yours too, but it makes his stomach twist with an uncomfortable, unnameable feeling.
In your bundle of things that you brought, there’s an empty plastic cup, and you use it to scoop water from the tub and rinse the foam from his hair. Veritas feels wholly exposed, for obvious reasons among others, and the urge to kick you out still sits heavy in his chest. Right next to it is a warmth, though, something holding his sensibility hostage, something that finds this more comforting than it would be if he’d sat in the bath until the water went cold, all alone, without your hands washing his hair clean of oil and grime and the weight of his research.
You break him of his reverie, but the sudden sound of your voice isn’t as intrusive as he anticipated. “You know, you should start using this oil thing for your hair, I got it from one of my coworkers,” by now, his hair is completely rid of any remaining shampoo, and your hands are rubbing a thin layer of conditioner into the ends of each strand, “and it’s supposed to help your hair grow. I think you’d look great with long hair, Veritas, don’t you agree?”
“What, do you think about that often?” It’s supposed to be something snarky, something to shut you down before you dig too deep, but you never catch the hint—it’s your best and worst quality.
“Maybe,” you admit, heft in your words, a density that needs to be cut open and examined. He’s good at that—good at looking and prying, but he’s the worst if he’s next to you. You’re nowhere near as thorough of a researcher as him, but he thinks (with a sense of embarrassment) that when the subject is him, you’re the most qualified person around. “Wouldn’t it be nice? With your hair all down to your shoulders, maybe. And if you really think it’s a hassle to take care of, I’ll just do it for you.”
He’s perfectly capable of taking care of his own hair, thank you very much, but the idea of having you wash it for him, brush out the tangles in it every other day is appealing to a starving man like Veritas. He aches, and the skin at the nape of his neck itches.
“You’re saying nonsense,” he says, and he can feel the way his brow has tightened and he instinctively goes to chew at the dead skin on his lips. “My hair is perfectly fine the way it is.”
“Oh, I don’t doubt that,” you respond, “just giving you options.” Your hands finally leave his hair, and suddenly the water in the bathtub feels frigid and icy, and Veritas represses a shiver. “Your hair is squeaky clean. Now, get out of the bathroom! It’s my turn to hang out with the rubber duck.”
“Would you—?!” Veritas turns to glare at you, but the impish grin on his face makes him falter. You’re incorrigible. “The duck isn’t mine! And you have your own bathroom. Stop invading my space.”
“Sigh,” you say aloud, because you’re corny and theatrics are written into every part of your personality. “Oh, grandest Ratio, I really did think we were friends, but you wound me so deeply! All this time has meant nothing to you! All this new shampoo that I bought just for you, gone to waste…”
“For gods’ sake,” he mutters, reaching for a set of pajamas that you’d so conveniently taken from his own dressers and brought with you while on your mission to wash his hair. “Turn around so I can get dressed and then you can use the bathroom. So annoying.”
“Not annoying enough to kick me out, though,” you say, and you’re completely right, and Veritas will admit that one day, but certainly not today.
—°+..。゚。゚+.*.。.—
gen taglist: @tragedy-of-commons @lasiancunin @hanyi-writes
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So i literally haven't written fic in like 15 years, so im not sure what happened here. Sorry if it's horrible but i have to get it out my head, so to tumblr.com it goes. (No beta, written on my phone at work so it may be a little rough)
Chimney/Eddie - kind of platonic, kind of not? Set 5B, post madney return to LA/break up, pre-jonah.
"You miss kissing?"
Chimney abandons the baseball game TV, his head swinging over to stare at Eddie. "I'm sorry?"
Eddie keeps his gaze forward, but it's obvious the game isn't his focus as he picks at the label on his beer bottle. "Kissing," he says again with a shrug. "I know the issues Shannon and I had are completely different than you and Maddie. But I remember when she first left . . . Sex complicates things, but kissing was an easy way to feel close to someone."
Chimney thinks of rolling over in the early morning hours, his body reaching out to place a gentle kiss and curl around someone who wasn't there. "Can't say I've thought abut it that much . . . But, yeah, I do. Any reason you're sharing that particular thought with me?"
Eddie shrugs. "I don't know. Therapy was a bitch today. Frank's was poking at the my time after I was discharged. Got me thinking." There's a silence - though not an uncomfortable one - as Eddie gathers his thoughts. "I don't want to be in a relationship right now. I'm not in any place to be in one. But I miss being close to someone like that."
Chimney gazes at his friend, a thoughtful expression on his face. "Me, too. How do you feel about some platonic making out?"
Eddie finally looks at him, an eyebrow raised in challenge. It's not full force Diaz-sass, but he's looking more like himself than when Chimney first saw him after getting back to LA.
"I don't know, man. Think you can manage not to fall in love with me?"
"You wish Diaz," he says with a grin and leans in to meet Eddie over the empty pizza box.
It all feels very high school - not terribly romantic, but also fun and a little messy. When Chimney leaves later that night with kiss swollen lips and slight stubble burn he can't help but feel bit lighter. He's also looking forward to the game next week.
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@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO
Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later
So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.
The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something!
...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.
And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that
Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.
I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.
When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3
And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3
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