#i use this blog as an archive more or less of things i like. i browse through older shit a lot. i'm thinking this as a memento or a marker

[mejomonster]

In case tumblr ever does go down, im mejomonster on twitter insta discord too. Please add me

[3nderstar]

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[alpaca-clouds]

The history of Solarpunk

Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.

Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.

And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.

The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.

At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".

Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.

These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).

In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.

Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.

And all of that was happening in 2012, where the term really started to take off.

And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.

Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.

The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.

And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.

Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.

So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.

Thanks for coming to my TED Talk, I guess.

[bogleech]

Also going to finally make a pinned post for all my stuff:

BOGLEECH - my tumblr blog is named after this website I created around 2002 and still update. Thousands of pages worth of content focusing on creature design as well as real biology. My review of the original Legend of Zelda monsters might be the most straightforward example of my articles. Links to some of the most popular content:

POKEMON REVIEW ARCHIVE: - I rate and review each and every single Pokemon, in Pokedex order, on its merits as a creature design. I also do so as someone whose favorite animals are all parasites.

DIGIMON REVIEW ARCHIVE - same, but more chaotic.

CREEPYPASTA COOKOFF ARCHIVE - for several years I hosted a yearly writing contest before it grew too big for me to keep up with. There are over a thousand user submitted horror, fantasy, sci fi and surrealist stories here emphasizing unconventional, original ideas you seldom see from the "creepypasta" community!

The original "MORTASHEEN" Monster Archive - since the early 2000's I've created and illustrated more than 800 creatures and counting for my own monster-catching world, now set for release as a tabletop RPG setting.

AWFUL HOSPITAL: SERIOUSLY THE WORST EVER (page one): an interactive comedy-horror-sci-fi webcomic I started in 2014 about a medical facility that could maybe be better.

Some of my other internet stuff:

PATREON - constant work makes my patreon updates inconsistent, but the content backlog goes back years with a huge amount of exclusive art and writing. I try to put up new exclusive stuff whenever I can.

ETSY - I design all sorts of original enamel pins like these, plus I sell zero-maintenance terrarium plants (just leave them in a jar!), original books and other things!

COLOR THE ABYSS (available on the above etsy!) - a 30 page educational deep sea coloring book! Includes a few famous favorites like giant isopods and hagfish, but mostly focuses on less popular, often much weirder animals.

UNBELIEVABLE BUGS - also regularly restocked in the etsy store, 30 of the strangest and most surprising arthropods most people have likely never heard of, illustrated by myself and @revretch, written for even the youngest kids to understand (but will likely teach you something new at any age)

My Itch.io and Ko-fi - both sell digital versions of my books, including some creepypasta collections and my first novel, "Return of the Living," about a world of entirely ghosts suddenly dealing with the appearance of ghost-hunting monsters.

TWITCH CHANNEL - I now try to stream something at least monthly, sometimes weekly when possible, from horror games to books and art.

YOUTUBE CHANNEL - archives my twitch streams and other little things.

INSTAGRAM - look at pictures of my huge weird collection of toys and Halloween collectibles

BLUESKY - I'm going to put mainly just updates to my stuff on here. SEE ALSO:

HUMANS-B-GONE - a science fiction animated series by my partner @revretch, about a world of kaiju-size, technologically advanced insects and arachnids to whom vertebrates like us are just pesky little "gubs." Also has a tumblr account @humansbgone FINALLY, HERE'S MY GUIDE AND RESOURCE TO MAKING YOUR OWN INTERNET WEBSITE IN A FEW MINUTES WITH NO KNOWLEDGE OF CODING

[yandere-daydreams]

Idk if Sex doll!au Alhaitham has been discussed yet…(honestly it probably has been, but it was likely during the times when I wasn’t keeping up to date with this blog. Tumblr’s shitty search function doesn’t help with finding out either.)

Anyway, I’d like to share my thoughts about it, if that’s okay.

-I think sex doll! Alhaitham would mostly be for professional and academic purposes. He’s not reccomended for younger grades, mostly just colleges.

-His general purposes are office/administrative related. Especially since he’s a “scribe”, he’s especially good at file management and documentation. I don’t think it be uncommon to see him assisting librarians alongside a Lisa model…or maybe helping archeologists/museums workers catalogue info about artifacts.

-I think his way of not doing anything more than what his job asks of him would stay even as an Android. I know that as a product, he’d probably wouldn’t be given leeway or time off like that; but the thought of someone trying to assign tasks to Alhaitham that are outside his designated role being ignored by him is funny to me.

-if Alhaitham is acting as a companion doll in someone’s home, I can only imagine that he’s incredibly annoying. Alhaitham normally chooses to ignore social etiquette, and as an android it has to be even worse.

tw - unhealthy relationships, slight infantilization, slight stalking.

i think he'd absolutely be marketed toward researchers as a sort of lab assistant who acts like you're the lab assistant, if that makes sense. he specializes in archival work and bureaucracy, but he's a bit of a jack-of-all-trades and it's not uncommon to see him alongside more outdoorsy androids like cyno and albedo when you're out doing fieldwork. he's also especially loved by students for his,,, strict attitude toward studying. you wouldn't think the ability to say 'i'm not touching your dick until you finish your thesis' would be such a popular feature in a literal sex doll, but, y'know, what does it for you does it for you, i guess.

you're not a student, though, or a researcher - just a librarian for a big enough branch to warrant writing off a helper android as a business expense. you probably could've gotten away with bringing on lisa or nahida, but you were able to find a second-hand alhaitham for a price you couldn't turn up and figured dealing with the occasional comment on your organization skills or catalog maintenance was better than wasting an extra thousand dollars on a robot that'll be reading to children twice a week. he works well enough, too, even if it does take a few days for him to get used to the idea that you won't be using him for his, uh, intended purposes. it just doesn't feel right, considering he's basically one of your employees - something he's surprisingly indifferent about, considering how judgemental he's rumored to be about, well, everything.

you do take him home at night, though, since the alternative is leaving him in a dark building alone all night and trying to live with the guilt. he's a polite enough houseguest, even if does occasionally let out a disapproving huff at your admittedly less-than-steller diet, but he does have a few... bugs, you guess, for lack of something better to call his little lapses in decorum. he's overstepped his boundaries a few times - taking pens and reports out of your hands because you 'have a tendency to mess these things up', checking on you in the middle of the night when he's supposed to be charging - but he'll never indulge your attempts to confront him, just clicking his tongue and shaking his eyes. sometimes, he brings up your stress levels, mentions off-handedly that orgasms are known to reduce overall tension, but denies that he's done anything wrong when you ask him to change his behavior. he's good at that - justifying himself, bending his protocols until he can get away with practically anything. you'd be lying if you said you weren't a little worried, knowing the awful rumors that spread about second-hand andriods, about how demeaning alhaitham can be when he's supposed to be little more than a platonic assistant.

you'd be lying if you said you weren't a little worried that, one day, he'd find a way to justify disregarding your autonomy altogether.

[psychoticallytrans]

This post is specifically meant to help kids and emerging adults that were not taught what you might not want to share online.

The purpose of not sharing personal information is to make it more difficult to connect up information about you, and especially to make it difficult to connect the "you" online to the "you" offline. The reasons one may want to do this range from maintaining safe relationships outside of an abusive relationship, to making it harder to put together enough information to break into their bank account, to being actively concerned about doxxing and swatting.

For any of these reasons, if you're not completely sure you will be fine having that information on the internet indefinitely, it's best not to share it in the first place. The internet is full of turmoil, but we all know that some posts never die, and that others are archived.

Here's some information that is generally considered a bad idea to share publicly or privately online, with the exception of applying for jobs or working with online financial and legal systems, and some strong alternatives.

Your full legal name, or any particularly distinctive part of your legal name. My first name has less than six hundred people with it in the States. I use a nickname on this blog for a reason. Nicknames are a great alternative to legal names.

Your birthday, especially if you also share your exact age. That allows for people to look for you based on your exact birth date, which is a very powerful piece of information. Unlike your legal name, there's no way I know of to change it. Consider not sharing this at all. For age, "minor" or "adult" are all the information a reasonable person should need.

Your precise location. Big cities, like Tokyo, New York City, or London, have a high enough population to act as a bit of a smokescreen, but as a rule of thumb, stick to stating a local with at least a million people in it. I often just use my time zone, since it's the main thing people need to know online.

There's other information that is questionable to share openly online, particularly your personal phone number and email, but those are the three big pieces of information that it's generally not a good idea to share either publicly or privately. This is because they can be plugged into background checkers and other databases to try to find you offline. The more information you share, the more someone can narrow down who you are. If that is something you are concerned about, consider following these guidelines about what not to share.

I encourage people to add onto and spread around this post.

[commanderyes]

The Commander Says Goodbye

I’m not going to lie, I’m extremely anxious as i’m writing this, out of what these news could mean to a lot of people, and my heart feels heavy enough it could drop down my ribcage any minute from now and squish all my other organs. But I’ve been dancing around this topic for a long time now, and I think i’ve finally reached a point where i can’t ignore it anymore, for my own sake.

I hereby announce Commander Yes has come to an end.

As I’ve mentioned plenty of times before, here and to many other people, when I began this comic all the way back in 2018 I was in a really bad, really low place in my life in every sense of the word, and it was a spur-of-the moment decision to cheer myself up, because Path of Fire had just released and my enjoyment of the game had reached fever pitch and I had been playing Guild Wars 2 alone since as far as launch, and none of my other friends had ever really gotten into it. I guess I just, dunno, cried out into the big maelstrom of the community, one voice amidst millions, because i wanted SOMEBODY to look at what i did and revel in the nerdery with me.

And somehow the snowball began to roll and people wanted more and more of what I could do, and I was being actively reached out to, and, well, some time after that I landed my first ever job, I discovered a lot of things about myself, and I found myself in communities that welcomed me with open arms, and many of the people in there have since become among the best friends I could’ve possibly encountered, kindred souls who i’ve shared joys and sorrows for many years and who I can’t imagine living without anymore.

And all the while I kept making the comics, and with every entry posted every week I’d keep having people stopping to comment on them, and whether they were dumb jokes or personal takes on the story, they’d all share how much what I do kept hitting them in the kokoro, and to this day whenever I play anywhere in the game I still get people who recognize me and thank me for doing what I do. It was wonderful, it IS wonderful, and seeing that response motivated me to keep going, because what did still mattered to people, out there.

But I did always say I planned to keep doing these comics until I ran out of energy for them, and I think i’ve finally reached that point.

Because ever since I actually landed that job I’m exhausted and sleep-deprived every other day, so much so that I only have time to work on the comic on saturdays and sundays, and it gets harder and harder to just sit and draw, and at that point it was just more work, and while I still enjoy and play Guild Wars 2 a lot, it no longer consumes my time and attention like I’ve used to and i’ve been having fun with more personal projects, and honestly the direction the story is taking these days does not sit right with me and it’s hard to find inspiration in that, and this might be borderline selfish but every year I find people care less and less about the comics and it really takes a hit to you motivation when hardly anybody responds after you’ve spent a whole weekend trying to squeeze a five-page comic out.

And, well, I have been doing these for six years straight, and I think that’s a good run. I’m tired, and ready to move on, at long last. Let it be someone else’s turn.

But that’s the beautiful thing about this community, isn’t it? Even if I’m hanging up the hat, there are a whole lot of fantastic artists out there, as we speak, still cranking out works of art, deserving of all the attention they can get. And think of all the artists yet to come! For every story that ends, another story is just about to begin!

The world keeps on spinning, one way or another.

I’ll be closing my patreon shortly after this, but the reddit archives and tumblr blog shall remain for people to browse whenever they feel like (or until they both go in flames, i guess, what social media isn’t about to these days)

I still don’t think I ever was that much of a big deal, but all the same, to everyone who’s ever supported me and helped me be the person I am right now, to everyone who’s been there from the beginning, to all the devs of this game that has captured us for nearly a decade now, to all my fellow players and artists out there

Thank you.

See you out there, fellow commanders. Still the stars find their way.

[mostlysignssomeportents]

Rebecca Roque’s “Till Human Voices Wake Us”

I'm touring my new, nationally bestselling novel The Bezzle! Catch me in TOMORROW (Apr 17) in CHICAGO, then Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

"Till Human Voices Wake Us" is Rebecca Roque's debut novel: it's a superb teen thriller, intricately plotted and brilliantly executed, packed with imaginative technological turns that amp up the tension and suspense:

https://www.blackstonepublishing.com/till-human-voices-wake-us-gn3a.html#541=2790108

Modern technology presents a serious problem for a thriller writer. Once characters can call or text one another, a whole portfolio of suspense-building gimmicks – like the high-speed race across town – just stop working. For years, thriller writers contrived implausible – but narratively convenient – ways to go on using these tropes. Think of the shopworn "damn, my phone is out of battery/range just when I need it the most":

https://www.youtube.com/watch?v=XIZVcRccCx0

When that fails, often writers just lean into the "idiot plot" – a plot that only works because the characters are acting like idiots:

https://en.wikipedia.org/wiki/Idiot_plot

But even as technology was sawing a hole in the suspense writer's bag of tricks, shrewd suspense writers were cooking up a whole new menu of clever ways to build suspense in ways that turn on the limitations and capabilities of technology. One pioneer of this was Iain M Banks (RIP), whose 2003 novel Dead Air was jammed with wildly ingenious ways to use cellphones to raise the stakes and heighten the tension:

https://web.archive.org/web/20030302073539/http://www.wired.com/wired/archive/11.03/play.html?pg=8

This is "techno-realism" at its best. It's my favorite mode of storytelling, the thing I lean into with my Little Brother and Martin Hench books – stories that treat the things that technology can and can't do as features, not bugs. Rather than having the hacker "crack the mainframe's cryptography in 20 minutes when everyone swears it can't be done in less than 25," the techno-realist introduces something gnarlier, like a supply-chain attack that inserts a back-door, or a hardware keylogger, or a Remote Access Trojan.

Back to Roque's debut novel: it's a teen murder mystery told in the most technorealist way. Cia's best friend Alice has been trying to find her missing boyfriend for months, and in her investigation, she's discovered their small town's dark secret – a string of disappearances, deaths and fires that are the hidden backdrop to the town's out-of-control addiction problem.

Alice has something to tell Cia, something about the fire that orphaned her and cost her one leg when she was only five years old, but Cia refuses to hear it. Instead, they have a blazing fight, and part ways. It's the last time Cia and Alice ever see each other: that night, Alice kills herself.

Or does she? Cia is convinced that Alice has been murdered, and that her murder is connected to the drug- and death-epidemic that's ravaging their town. As Cia and her friends seek to discover the town's secret – and the identity of Alice's killer – we're dragged into an intense, gripping murder mystery/conspiracy story that is full of surprises and reversals, each more fiendishly clever than the last.

But as good as the storytelling, the characterization and the mystery are, Roque's clever technological gambits are even better. This book is a master-class in how a murder mystery can work in the age of social media and ubiquitous mobile devices. It's the first volume in a trilogy and it ends on a hell of a cliff-hanger, too.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/16/dead-air/#technorealism

[cloudmancy]

which is worse: d20 tumblr or d20 twitter?

this is such a funny question. frankly I prefer talking with my existing friends over discord over either of them but here's a breakdown of my experience with them

d20 tumblr

feels like a more isolating experience because of the way tumblr is set up in general as a platform. I follow relatively few people here, so all my interactions are from people engaging with my art (love you mwah) or asking me questions. nearly every time I go into a d20 related tag I regret it

I think frankly I disagree with 90% of the opinions on d20 here but because I don't have to see it I can just post my art and go

feels relatively static like there's not a good way to get everyone talking about a specific transformative fandom thing instead of only what's happening in canon because it's a looser more disconnected community

allows for longer posts and the search system on my own blog is great though. I love directing people to go through my tags or archived art

d20 twitter

incredibly, astonishingly, bad at recognizing jokes for people who are fans of a comedy show

way easier to interact with people which means most of the friends I make are from d20twt...

very easy to get everyone talking about one specific thing (ie fhsonas) because of how interactive Twitter is as a platform and how quickly word spreads

downside of this^ is that every time I express an opinion someone disagrees with they tend to assume that this is a majority opinion rather than like, 3-4 popular gay asian artists speaking their mind? when I complained about fhjy 18 battle on here I got interesting and thoughtful reblogs and everyone kept it respectful meanwhile on twitter people started making vaguetweets about how people who hated the episode were morons. stuff like us joking that oisin's grandma's whole mahjong group got murked getting 200 likes VS people directly shitting on us getting 1.7k likes and people going "wait... people are mad about oisins grandma for REAL?! she was going to kill people !!" getting 2k likes. clearly there is some sort of strange authority people put on your words whether or not you're actually just trying to have fun with your friends

I did talk about this more on twitter but I am not a fan of the CRitterfication of d20twt either. feels like much of the fandom is now watching because they're megafans of the cast rather than for the story which leads to some really big toxic positivity bias and the implication that criticism of the show == direct attack on the crew and therefore on THEM because parasocial attachment. I don't think it helps that for a majority of them d20 is their first big fandom experience aside from like... kpop or tswift because they have not developed a lot of the detachment from canon + not being parasocial + ignoring opinions you don't like if they're not directly addressed at you mechanisms that people who've been around have. sorry I'm not trying to fandom elder or whatever here I'm 21 years old but I think it's incredibly hard for me to interact with people whose entire understanding of canon depend on siobhan thompson's opinions like this

tldr;

d20twt has way less reading comprehension and critical thinking skills. better for making friends. I interact almost entirely with 30-40 of my artist friends. (my) d20tumblr experience is more chill and feels like I'm doing a seminar and people come up to ask me questions afterward. more isolating but easier to do my own thing. I do recognize and am fond of a lot of you but I've made one (1) entire friend who I can talk to off platform and not just see on the dash/my notes and that's just the nature of how tumblr works as a platform (it's terrible for conversations)

[allyriadayne]

will someone explain to me what the deal is with asoiaf lore? i'll see someone talking about something and it will come from martin responding to a fan letter from the 90s? and this is canon?? like who found and compilates all of the stuff he has said besides released books and interviews i guess. i've never been a fan of a series like this, is this common?

this has me genuinely in tears sorry 😭😭😭

okay serious now. i genuinely don't know if this is normal or expected in fantasy book series, at least i don't think it's that common in modern fantasy where the fashion has gone other ways from the expansive sword & sorcery type from the 20th century. i could not tell you if other fantasy authors are as involved as grrm is because i haven't been involved with any other fandom like this either (maybe lotr fans can say something different), but considering the years between publications (let this one be the last 🤞), the massive fanbase and fame of the source material, i think it's normal that his interviews, comments, and fanmail has been archived in the internet.

strictly speaking, everything outside asoiaf (books 1-5), fire and blood, and the dunk & egg books is not considered canon. BUT if the info comes from people like elio and linda like twoiaf book, or like the calendars, cookbooks, official art etc it's considered semi-canonical, just like anything grrm says /outside/ of the books. famous example, it's like when jk rowling said dumbledore was gay /after/ the books were done. it's semi canonical bc it comes from the author themselves, it doesn't affect the main body of work so it can be taken or discarded.

the thing is, martin has done A LOT of interviews and answered A LOT of fanmail and worked closely in answering doubts from the westeros dot org site for their rpg games set in westeros (girl, the dream) during the more than 30 years since the publication of agot. all this is considered semi canon and this archive is called "so spake martin" (SSM), which i think was started by elio & linda in the 90s and it's still collecting info. if you go to the awoiaf wiki, esp in the main series characters you'll see this citation (from tyrion's page):

most will be things like "martin has said tyrion has similarities to richard iii" (i mean duh) but other will be really neat like saying tyrion has been trained in arms, which while not something new (he does fight more or less ably during the blackwater battle) it's interesting to point out when it's a detail that may be lost in the series. it goes from character trivia to how casterly rock is different from the show. most fans take what he says seriously but i know there are people that only consider what's in the book and that's it, which is fine. in any case, most of these is used to enrich theories or character analysis, it's why you will see trivia from a fanmail from 1996 or whatever. i myself haven't read SSM completely one by one but i do like to peruse the wiki often, even if it's not complete.

i've seen a few blogs on here who also "collect" grrm's words like nobodysuspectsthebutterfly's "so spake martin" tag (mostly analysis but really interesting read if u don't want to go thru the westeros org page) or georgescitadel that has specific info about characters or themes in asoiaf.

[tontoemojis]

Hello there & welcome to tontoemojis !

Call me Tonto or Timón or { Molten } Freddy , it/its pronouns or no pronouns { sometimes varies between me & us , or talks in 3rd person when referring to self } . Timón is an autist , mentally & physically disabled hispanic artist 🤟 , I talk & type weird eccentric . Nonhuman schizophrenic hippie scary animatronic 🦥 , NPD BPD C - PTSD & more . Semiverbal part - time AAC user & low supports , probably . ➕️ more about me

This blog is one a sideblog mainly to post some little emoji doodles & my own personal AAC or disability related stuff . Askbox is always open for everyone that wants to request emojis of all types or wants to help me practice AAC !!! . All interactions come from @animatronicthing .

➡️ MY AMAZING PFP WAS DRAWN BY @k9emote MY BABYGIRL !!! , GO SUPPORT HIS ART NOW .

I process language very difficult , it may seem like I have short vocabulary or weird talking , it is hard for me to understand everything so be patient with requests . Askbox & Tumblr are shitty & sometimes they delete random asks , if your ask has been ignored it probably is because I am in the process of making your request or Tumblr deleted it .

I don ’ t like arguing , I normally just block & live my life as happy as I can . No set DNI for this blog either .

You can help me & support my blog right here , it would help a lot :3 👉 Ko-fi

Free Palestine , Ukraine & Congo 🇵🇸 🇺🇦 🇨🇩

👤⠀About the emojis ;

All kinds of emojis are made here , from yellow { or any other color } guy to basic core words . The language can also vary . Literally anything can be requested ; NSFW , wordmojis , animals . ONLY exceptions are complex characters from media which are done in commissions . Do not repost my emojis on sites like Pinterest or etc . You may use emojis here for AAC , discord servers , personal use , NOT COMMERCIAL USE .

There is a looooong wait for emojis . Please be specific when requesting , I have no idea what you mean when you say ““ emojis of x thing ”” what are those emojis that you want ??? , no idea …

You can use my emojis without credit although credit is very appreciated , just do not claim them as yours . if you are gonna repost my work add credit . if you are going to take inspo from my emojis please tell me I would love to see !!! . Do not recolor , trace or edit my emojis , just request it & I can do it myself ; less work for you !!!

Emoji commissions open !!! , check my emoji commissions here { link } .

I am in the process to make an archive of all my emojis , you can find it here !!! here link { link } .

🗃⠀Tags of the blog ;

#nsfw tag — post with NSFW related emojis , from sex to gore to other stuff . BLOCK IF YOU DON'T WANT TO SEE THESE .

#tonto's AAC — our own personal AAC stuff .

#tonto text post — post us talking .

#tonto's art — post us our doodles .

#silly friendos — Tonto ’ s friends . That's it !

[cuties-in-codices]

Where do you find these manuscripts? Is it like a website or do you find it randomly??

hey, thanks for the curiosity! lenghty answer below the cut :)

1)

medieval manuscripts are typically owned by libraries and showcased on the library's websites. so one thing i do is i randomly browse those digitized manuscript collections (like the collections of the bavarian state library or the bodleian libraries, to name just two), which everybody can do for free without any special access. some digital collections provide more useful tools than others (like search functions, filters, annotations on each manuscript). if they don't, the process of wading through numerous non-illustrated manuscripts before i find an illustrated one at all can be quite tedious.

2)

there are databases which help to navigate the vast sea of manuscripts. the one i couldn't live without personally use the most is called KdIH (Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters). it's a project which aims to list all illustrated medieval manuscripts written in german dialects. the KdIH provides descriptions of the contents of each manuscript (with a focus on the illustrations), and if there's a digital reproduction of a manuscript available anywhere, the KdIH usually links to it. the KdIH is an invaluable tool for me because of its focus on illustrated manuscripts, because of the informations it provides for each manuscript, and because of its useful search function (once you've gotten over the initial confusion of how to navigate the website). the downside is that it includes only german manuscripts, which is one of the main reasons for the over-representation of german manuscripts on my blog (sorry about that).

3)

another important database for german manuscripts in general (i.e. not just illustrated ones) is the handschriftencensus, which catalogues information regarding the entirety of german language manuscripts of the middle ages, and also links to the digital reproductions of each manuscript.

4)

then there are simply considerable snowball effects. if you do even just superficial research on any medieval topic at all (say, if you open the wikipedia article on alchemy), you will inevitably stumble upon mentions of specific illustrated manuscripts. the next step is to simply search for a digital copy of the manuscript in question (this part can sometimes be easier said than done, especially when you're coming from wikipedia). one thing to keep in mind is that a manuscript illustration seldom comes alone - so every hint to any illustration at all is a greatly valuable one (if you do what i do lol). there's always gonna be something interesting in any given illustrated manuscript. (sidenote: one very effective 'cheat code' would be to simply go through all manuscripts that other online hobbyist archivers of manuscript illustrations have gone through before - like @discardingimages on tumblr - but some kind of 'professional pride' detains me from doing so. that's just a kind of stubbornness though. like, i want to find my material more or less on my own, not just the images but also the manuscripts, and i apply arbitrary rules to my search as to what exactly that means.)

5)

whatever tool or strategy i use to find specific illustrated manuscripts-- in the end, one unavoidable step is to actually manually skim through the (digitized) manuscript. i usually have at least a quick look at every single illustrated page, and i download or screenshot everything that is interesting to me. this process can take up to an hour per manuscript.

---

in conclusion, i'd say that finding cool illuminated manuscripts is much simpler than i would have thought before i started this blog. there are so many of them out there and they're basically just 'hidden in plain side', it's really astounding. finding the manuscripts doesn't require special skills, just some basic experience with/knowledge of the tools available. the reason i'm able to post interesting images almost daily is just that i spend a lot of time doing all of this, going through manuscripts, curating this blog, etc. i find a lot of comfort in it, i learn a lot along the way, and i immensely enjoy people's engagement with my posts. so that's that :)

[farfromstrange]

Lizzi’s Valentine’s Special & Follower Celebration

Dear Everyone,

Valentine’s Day is just around the corner, and I thought, since this silly little blog hit over 1.1k followers yesterday, I want to give you something special.

First of all, though, I want to thank you. I’ve been on here since (and I checked with the archive) July 19, 2022. I can't believe that it has been almost two years. I started watching Daredevil after watching Spider-Man: No Way Home in December of 2021 and hearing Matt Murdock say, "I'm a really good lawyer," after catching a brick. So, I started watching the show, and that was during a time I was really miserable. Mentally and physically, I wasn't in a good place, but after watching Daredevil for the first time and falling in love with Charlie Cox as a genuine person and an actor, it felt like I found a reason to keep going.

I started writing fanfiction again, which I kind of neglected because I felt like this hobby of mine wasn't going anywhere. I wasn't inspired at all until I watched the show. If I hadn't, I probably would not have gotten back into writing and using it as an outlet for my feelings, and I probably wouldn't be where I am today. Thanks to Charlie's portrayal of Matt Murdock, and watching his interviews, I felt like I could do the things that I love again and follow my dreams. He's the reason I chose to major in English. And while I owe him that much, I owe you guys here on Tumblr and AO3 even more.

When I first posted here, I didn't think people would even be interested in what I had to say and write. But then more and more people started visiting my profile, you guys started following me, and it kept me motivated to keep writing, even when I'm miserable, and I sometimes only post once every blue moon.

I feel so honored that you guys chose to follow a silly little blog run by a silly little 20-something-year-old whose first language isn't even English (but made it her entire personality), and who chose to write about traumatized dark-haired characters portrayed by Charlie Cox. I'm overwhelmed by the love you continue to show me, and every time one of you chooses to reblog or comment on one of my works, saying that it resonated with you, I feel like I'm doing something right. I'm sharing my ideas, my own experiences, my wishes, and even my deepest, darkest dreams through my writing like it's a fucking diary, and you eat it up every single time.

I'm just so glad that this community exists, as chaotic as it sometimes is, and that you chose to stick around, even when I suck at keeping promises sometimes. You keep teaching me new things about who I am, my writing, and how important it is to put myself first. I don't know if you've heard it lately, but you guys are incredible and I appreciate the hell out of every single one of you.

Thanks to Tumblr, I made lifelong friends (especially looking at you, @blackshadowswriter) and found like-minded people that made me feel less alone. That alone was worth making this account and continuing to post on here.

You may think that I'm being dramatic, but for someone who has never really experienced the kind of validation this community gives me, I want to celebrate this milestone. It means more to me than I can even put into words. Thank you, from the bottom of my heart. I love you all so much! Please, don't ever forget how amazing you are.

That being said, I've got some exciting things planned.

The other day, I found a folder in my Docs titled "the vault". I completely forgot about it because I usually keep my WIPs in a different folder. As it turns out, I made that folder for fics that I originally never planned to post, or ones that I'd finished but wasn't happy with. It’s many, but it’s a few. Some are deeper than others. I also jotted down rough ideas and outlines last year that I stuffed in there, some of which I've actually shared with you but never started working on. Until now. And the contents of that vault are what I want to give to you now.

INTRODUCING: The Vault

6 stories from the vault. 1 bonus fic. 7 days.

I went through a myriad of emotions while I wrote these. For some, I actually bled my soul onto paper. For others, it was merely a brain fart that led to their existence. They're sad, horny, and at times angry, but some of those were originally written for me, and only me. Those that weren't started as a few sentences in a folder before I forgot they existed. Either way, I don't want them to catch dust. And I wouldn't want to share them with anyone else.

Starting February 14th, I will be posting one fic every day until February 20th. My “The Vault” works are Matt Murdock x Reader works, but I've made an exception for the bonus fic. I won't tell you what they are about, but I will give you a list of installments and what kind of fic they are so you know what to be excited about (and maybe which ones are not your cup of tea).

-> The number at the end tells you the date I will be posting it on, but I put it in chronological order as well.

INSTALLMENTS:

1. If You Need To Be Mean (angst, hurt/comfort) 14.

2. Mismatched Bridesmaid (fluff, smut) 15.

3. Weed Cookies (humor, fluff, cw: accidental drug use) 16.

4. the grudge (songfic, angst, hurt/comfort, cw: death of a parent) 17.

5. Halloween (Smut) 18.

6. I Want To Fuck A Priest (Smut, cw: priest!Matt) 19.

BONUS:

7. Now That We Don’t Talk (Part 2 of Is It Over Now?) -> Frank Castle x Reader (smut, angst) 20.

A few more words: You are free to send me an ask if you want to know more, but be prepared that I won't be answering in much detail. I don't want to spoil the fun. I would, however, not mind talking about them as vaguely as possible (if you’re interested).

Thank you all. For everything. And I hope you stick around to read these little gems.

With love from yours truly,

Lizzi <3

[nihilnovisubsole]

i think i followed you Back In The Day, seven years and seven blogs ago, for something related to mass effect (zaeed? maybe? who could say) and it's wild to come back to this site years later and find you thriving, surviving, growing-- playing ffxiv! love that game. curious how you'll feel about some side characters in shadowbringers, but i won't spoil which ones.

i do have real questions, though; writing tools. not pens or software, but personal structure tools and/or guidance. what does a beat sheet look like, for you? do you have a favored way of outlining or note-taking on your own thoughts when putting a story together?

and... i'm really curious how you hold a big story together in your head while you work on it in pieces, especially for something like dangerous crowns. there's this larger story i've been chasing around for a while, and I can't quite wrap my head around how to write the political/espionage plot for it without feeling like i've actually written a children's pantomime. the best i've got so far is "research real life events and use those as my outline" but after a point it becomes hard to keep track of all the variables of who knows what about whom, who is planning x when y, etc, etc. the characters don't need to know all that-- and may never know some things-- but i feel like /I/ need to understand what's happening on the macro level so i can move the world around them appropriately.

short version: how do YOU wrap your head around writing complex plots?

hey, anon! i started endwalker this week after a long... uh... glamour detour, so don't worry about spoiling things. i spoil myself for a lot of stories on purpose anyway. let's just say i've been attached to one too many characters who got killed.

anyway. writing. i've always handled plots the same way: clear documentation. if i don't note it down, i'm not going to remember it. i've used the same table outline since around 2014. it varies in detail for different projects, but the core format stays. i know it's kicking around in my blog archive somewhere, but it's worth reposting once in a while because people like to ask about it. here's what it looks like, featuring plot points cribbed from an endeavour episode:

i used this format for an outline at work a while back, and the team found it easy to follow, which was a big day for my ego. keeping track of plot structure is even more chaotic at work because we have multiple writers who all need to stay on the same page. we have very meticulous notes on what the player should know at which point, when we're introducing new information, and what we know, but shouldn't tell. we're also not above leaving notes like "this character has to convey X," "this character has to learn Y here," or "this is a clue that they're planning Z." it can be super on-the-nose. all that matters is that it makes sense to you. because you're right - if you get too lost, you can write yourself into logic holes of tremendous proportions. ask me how i know!

[as a sidenote, researching real-life events as a starting point has really grown on me in the past few years. my lead on coh3 had me do it. he said we were dealing with real people's history, so we couldn't be cheap or play fastball - we had to be accurate to pay it respect. even if you're not writing historical fiction, it just gives you insight into how people behave.]

i would argue that the plot of dangerous crowns is actually not that complicated, maybe to its detriment. there's kind of a genre struggle going on. at voltage, we were taught romance fans came for the relationship beats and valued them above all else. in fact, leadership told us players got irritated - which meant less sales - when the plot was too complex and took time away from the making out. political thriller fans, by contrast, expect relentless twists, high stakes, and harsh consequences, and sometimes see the relationships as superfluous.

but whatever. the point is, when you look at dangerous crowns' structure, it's a pearl necklace: a chain of anchoring events. the "pearl" scenes are where Big Plot happens. they're the reason you want to write the story, and probably the ones you have the most vivid daydreams about. the scenes in between are the string. not flashy, but important because they connect the pearls. they build tension and add logic, cohesion, and context. take the opera and hector's failed assassination. those are pearl scenes. that's a burst of drama i really wanted the story to build up to. i also had other flashbulb visions. livia by the fountain questioning herself, marcus' macbeth moment, the temple riot, things like that. so the question was, how could i believably travel between these pearl scenes? how could i make these big showcase moments connect smoothly?

if you're having trouble holding the story together in your head, i would ask, "what are your pearls?" what are the anchor points? outline those. it might not look like a necklace yet, but you'll sort of see it taking shape. and then, once you can see where your heart's-desire milestones are, you'll have a clearer idea of what can't fire until you set it up first. two other neat things can happen here. you could find the rhythm of your pacing, or realize you have a lot more plot meat than you thought you did. even if you don't, you have some road. and if you can't think of the string, sometimes you just have to start writing the pearls and see what comes to you.

good luck!!

[choicesficwriterscreations]

CFWC Hiatus

Hey, y'all. Effective 3/10/2024, CFWC will be on a temporary hiatus. It may be for one week, possibly two.

Running CFWC takes a lot of time, and honestly, I'm burnt out. It's impeding the time I have to work on my own writing, and lately, it feels more like more of a chore than something that I enjoy doing. When that happens, it's time to take a step back.

This is not permanent - CFWC will be back up and running soon. I will also use this time to consider how things can be streamlined or scaled back so that it is less taxing going forward.

Please continue to mention @choicesficwriterscreations during the hiatus. Upon my return, fics/art/profiles CFWC is tagged in will be reblogged and saved to the archive. But I will not be checking main tags for works - so if we're not mentioned, it won't be included.

I'll be around on my own blog if you have any questions, but I will not be checking CFWC during this break. Thank you in advance for your understanding!

[cosmerelists]

What Radiant Order Non-Stormlight Characters Would Belong To

As requested by anon. :)

If non-Stormlight Archive characters had the opportunity to bond spren, what orders would each of them belong to?

(I’m a Edgedancer, by the way, per the quiz!)

1. Vin: Windrunner

As pointed out by @itmakesssenseincontext (here), Vin literally thinks The Words that make someone a Windrunner, as she vows to only use her power to protect those unable to defend themselves. So. Like. If there had been an Honorspren around, she’d be a Windrunner already.

2. Steris: Elsecaller

The Elsecaller order is about self-improvement, and it attracts people who are quote "less flamboyant" and more serious, like scholars. Their spren are logicspren. I think this order would suit Steris very well!

3. Wayne: Edgedancer

This is per WOB! I mean, I do see it. Wayne’s power is essentially Super Empathy, as he can make himself understand other people’s perspective in order to pretend that he is one of them. Plus, he literally cannot forget the man he killed, creating elaborate and unhealthy rituals to remember him forever. I guess he does have healing powers too; I dunno if that’s part of the reasoning. Per Brandon, the other Edgedancers would find Wayne “strange,” but come on. Wayne & Lift would get on like a house on fire and would possibly literally cause that.

4. Sazed: Bondsmith

This is one of those that just felt right to me immediately, and then I just had to sit and try to figure out why. I think partly it's because Sazed literally bonded two very disparate Shards together into one, which feels very Bondsmith of him. But Sazed also cared a lot about connecting people and helping people understand other cultures, so there's that as well. I suppose the other one I could see for Sazed would be Edgedancer, given that he makes it his mission to save all otherwise forgotten religions. But I'm going Bondsmith as my number one choice.

5. Shai: Lightweaver

WOB has Shai as an Edgedancer, which I found shocking. I mean...the artistry? The literally becoming other people in order to be ready for various situations? The one last-ditch personality whose entire purpose is to craft an intricate lie to hide Shai from herself??? To me, Shai is a Lightweaver through and through. But per Brandon, Shai is an Edgedancer. So I guess it depends on who knows this character better. A random person who blogs or the literal author.

6. Wax: Skybreaker

As a lawman, basically. Plus, there's the whole conversation between Miles and Wax where Miles tries to convince Wax that if the law is unjust, you have a duty to oppose the law and Wax is like, "Nuh-uh shut up." (Since that so mirrors Kal and Moash, I can understand teh Wax as Windrunner argument, but we can't have ALL the protagonists be Windrunners!)

7. Marasi: Truthwatcher

This is almost certainly just me--I so strongly headcanon Marasi as an investigative reporter that I can't even remember the truth anymore. Ironic, I guess, given the subject of this entry... If I wanted to try to justify this, I guess I'd say Marasi does have a canonical interest in discovering the truth...but yeah, I don't expect many to agree with this one!

8. Rashek: Skybreaker

Had to include this one, as it's a WOB. Not a very good one, per Sanderson, but a Skybreaker nonetheless. Let's all imagine Nale having to deal with Rashek, shall we?

9. Vivenna: Stoneward

Vivinna does feel very Windrunner to me, given her bro chemistry with Kaladin. But the Stonewards are about being where they're needed, about being dependable and good team players, about making the best of a bad situation. I think of Vivenna showing up on a whole new planet, seeing a city without leadership, and being like, "Sure, I'll take over the city guard and forge a team of incredibly loyal guards until it's time for me to move on and go to the next place I'm needed."

10. Ranette: Dustbringer

Mostly because of the tinkerer angle--dustbringers are interested in knowing how things work, plus their power is inherently destructive and so requires careful control. And Ranette, you know, makes guns 'n' stuff.

11. Bleeder: Willshaper

The Willshapers are about freedom--for themselves, and for others. They want to free those who have been unjustly imprisoned. And oh man. What Bleeder wanted was to free herself and others from Harmony's influence, from the way he could literally take her and others over. So she wanted freedom for everyone and would do anything to obtain it.

12. Kelsier: Edgedancer, Dustbringer, or Willshaper

Sorry to end on a WOB, but I'm fascinated that Sanderson can see so many possibilities for Kelsier. An Edgedancer in his desire to change the world back into a green paradise for Mare. A Dustbringer or Willshaper for self-mastery and determination. Honestly, I'm most fascinated by Willshaper, due to the comment that they believe any law is a form of oppression. That extreme form of freedom really feels like it suits Kelsier, to me.