Slowly trying to get into F1 (bc i am nothing if not a sheep and a follower) and i wish it would be as easy as "oh i only like it bc the drivers are hot" but ????
Sorry who are we talking about here exactly?
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i know not many people would want to read a 10,000 word article about the minecraft end poem and how the author, Julian Gough, was never fairly compensated for his work and has made it public domain.
But it's a very well-written and heartfelt read, and he makes it very clear that none of this is a cash-grab and despite the fact that he is essentially a starving artist in this capitalist society, he only mentions his financial struggles despite Minecraft's huge huge success at the bottom of this article and not in the tweets so as to not dilute his message.
Anyway, I just think it'd be cool if those who are able to could support him in some way whether it be subscribing to his substack or donating to his paypal (that's linked in the article, you can ctrl + F to find it easier), that's all.
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Okay I need a billford fic where Bill's therapy includes having to make amends to Ford, thus Ford is brought to the Theraprism. It's going extremely badly in the beginning, neither Bill nor Ford wants to cooperate, Bill doesn't think that he did anything wrong, Ford just wants to go home, et cetera. Eventually, after several sessions spanning several months they start to bond, open up to each other, and Bill allows himself to be vulnerable for the first time in like forever, he even ends up apologizing to Ford in tears, only for Ford to dissipate at the end of one of Bill's sessions. Then a bunch of therapists walk in with wide smiles, clapping and congratulating Bill for making such progress thanks to the Theraprism's new hologram project.
Bill just stays on the ground staring at the white tiled floor of his room where he saw "Ford" disappear.
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Can you imagine jon/Martin finding out about tma and getting to see the fandom and how thousands of people love their tragic story and love them despite it all.
Like Jonathan sims, who ended the world. Who is so crippled with guilt and self loathing. Sees how many people love him and have written ESSAYS about how it wasn’t his fault. Jon who isn’t human anymore but clings to it with every ounce of strength, finding out that there’s an entire fandom who loves him even (especially) as a monster, who celebrate and draw him with as many eyes as possible. Jon finding out that thousands of people love him even with all his sins.
Martin, who’s been alone his entire life. Who doesn’t think he’s worth worrying over. Finding out how many people would die just to get a cuppa from him. Him finding out that the entirety of the fandom just wants to experience a Martin hug. That there’s an entire fandom of people who think he deserves so much happiness and friends and love. Martin who gets to see people realize how clever and intelligent he actually is, who credit him where credit is due and then some.
Just them finding out that thousands have heard their story and flaws and love them
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I desire women carnally, and that's okay. I want to kiss, bite, and eat women. I want to consume and be consumed.
And that's okay.
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Shaking, screaming, crying, foaming at the mouth thinking about if Torchwood and The Umbrella Academy existed in the same universe...
Especially if Jack and Five ever met and realized that they were both old men doomed by their narratives
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Do you ever just think about how the headboard on Kevin's bed on the Nest doesn't budge. Of all the hints about what his life there was like that's the one that gets to me the most because it's so deliberate. Because even though he's probably physically stronger than Riko or at least evenly matched, Kevin wouldn't fight back. But he wasn't given the choice to anyway
honestly i think putting neil in kevin’s side of the room is such a telling choice during the castle evermore scenes. we spend so much of the first and second book hearing about how much kevin fears his so-called family, their haunting of the narrative as bloodthirsty hounds who can sniff out his fear, and when we actually get to finding out why that is we see it from someone who was immediately shoved into kevin’s old place. riko wasn’t just hurting neil because he wanted to (“i’m going to enjoy hurting you just as much as i enjoyed hurting kevin”), he was making sure neil knew he was inferior by putting him in direct contact with the roles kevin and jean played in the nest, using him as a substitute for the one that got away. neil gets a speedrun of some of the worst moments of kevin’s life, and he gets not a single breathing moment for it before he has to be shoved back into exy, like kevin was
i wouldn’t dare presume nora sakavic’s intentions on anything at this point, but i like the idea that neil’s stay at evermore was supposed to tell us all we needed to know about kevin’s time there, without kevin ever having to actually recount the years (he wouldn’t, even if he could): that it was horrifying, and that being in his shoes will never be as glamorous as neil previously thought. i like the breaking of neil’s expectations for kevin; i like how it makes neil realize the life kevin led was not better. and that’s the point, isn’t it? when neil is lying in kevin’s bed, handcuffed to kevin’s headboard, his legs pinned under kevin’s only friend, getting hurt by kevin’s brother, that’s what neil realizes: this is not better. it might be different than life on the run, but it is not better.
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