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#i was thinking about how much i enjoy characters who go through multiple lightsabers in star wars
tiredspacedragon · 5 months
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I love Kanohi so much. I love the concept of a customizable face and thus identity, I love that each mask has its own powers that carry their own significance in addition to its shape, I love that each mask has multiple shapes to show the wearer's identity changing or speak to what aspect of themselves is most prominent.
Have some concepts:
A Matoran with a Great-shaped Kanohi who becomes a Toa. Their new identity is an extension of their old self. They become a Turaga and their Noble-shaped Kanohi is a symbol of how they were fundamentally changed by their time as a hero.
A Matoran with a Noble-shaped Kanohi who becomes a Toa. Their new identity is a departure from their old selves. They become a Turaga and their Noble-shaped Kanohi symbolizes that their trials are over and they have earned peace.
A Matoran who becomes a Toa and wears a different mask than they did as a Matoran. Their new identity is a dramatic break from their old self, one they either chose to take on to distance themselves from their past or to embody their vision of heroism, or one that was forced upon them and to which they must now adapt. They become a Turaga and their Noble-shaped Kanohi is yet another change. A new chapter.
A Matoran or other character whose powerless mask is broken or lost, so they receive a new one. The change has no effect on their abilities, but their new mask signifies their character growth. Though the mask grants them no powers now, the character's potential has changed, a new path and new role is open to them.
A character whose powered mask is broken or lost, so they receive a new one. Or perhaps they willingly trade their old Kanohi for another. Do they choose the same mask they had before, showing their conviction and stability in their identity? Do they choose a mask with a power they think will be more useful, showing practicality or responsibility, and determination to get the job done, including a willingness to sacrifice their identity? Do they choose a mask worn by someone they admire, honouring them by trying to emulate them, but risking subsuming their own unique traits? Or perhaps they choose a new mask whose powers are a better match for them or who they want to be, showing commitment to changing and embracing themselves?
A character who changes their armour and equipment, but keeps the same mask. They adapt to the needs of the situations, but refuse to lose themselves in it.
A character who could use a Great Kanohi, but opts for a Noble one instead, to cultivate the image of a sage. Maybe it's deserved. Maybe it isn't. Perhaps they even wear a Great Kanohi that is merely forged to look like a Noble one, to achieve the image without sacrificing the power.
Two characters whose mask powers work well in tandem, but one or both of them change masks and the new powers conflict or are no longer related at all, marking a breakdown in the characters' relationship.
Or the reverse, two characters whose mask powers don't pair well, but one or both change masks and now they do, signifying a growing bond.
Just to name a few.
I love how this one single aspect of character design can tell so much of their story at just a glance, and again that it's the face, the part we look to the most for expression and understanding.
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monocytogenes · 1 year
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Ask game! Ask game!
👩‍💻 share a snippet that you worked on for a long time or struggled with
Okay so--you know those moments when you set up a scenario and then you're midway through the scene going 'how the hell is my character going to get out of this?' Yeah.
So, one of things I do in my agent!Pravin fics is really think about what kinds of fights he could conceivably survive, and how he'd go about that. Video game mechanics being what they are, there's multiple instances ingame where he's shooting and stabbing dudes who use lightsabers, and I'm like--nah, realistically, I think he'd get cut in half in under a minute.
This brings us to a WIP where Pravin's facing down Ardun Kothe, the enemy spy who, along with his team, exploited that mind control shit Pravin had in his brain (that he was ranting about in the other WIP I shared with you.) In canon, the guy's an ex-Jedi who fights you with a lightsaber and, being a Jedi, has a whole smattering of telekinetic powers. So yeah I was like, nix the lightsaber, but then I got about to the part in this snippet where Pravin cusses him out and then I was like--okay, how the fuck is he going to escape, haha.
Picked at it for a while before I wound up literally reading about interrogation techniques and came up with this solution. Kothe's line about his actions being "unforgivable" is a reference to some actual dialogue, and I thought, ohhh. I think Pravin can lean on that to distract and rattle him.
Also, the ticking clock element here is on account of Pravin having called an airstrike on his own position in order to put a stop to Kothe's plans and hopefully murder him in the process. In canon another character does that; I was like 'nah, this seems like the kind of batshit insane thing Pravin would do himself given the mental state he's in.'
(A quick warning--Pravin uses some really explicit language below.)
As he squeezed the trigger, with preternatural precision, Kothe lifted a hand and caught the bolt, the energy fizzling out ineffectually against his palm. “Well, well,” Kothe said, with all the mild disappointment of a mechanic assessing a cracked repulsorlift engine, “This explains a few things.” Pravin backed up a step, keeping his weapon pointed, his hand trembling slightly. “So you found a way to overcome the restraints. Alright.” He gestured vaguely at Pravin’s bloodstained jacket. “Should I bother asking where Wheel and Saber are?” “I don’t think you’d like the answer.” Kothe sighed. “Seems I was right about you.” A laugh, half-hysterical, escaped Pravin’s throat; the fury rising to choke him against his better instincts. “Tell me, Ardun, does it hurt?”
“To be betrayed?” “No, bending over to suck your own cock, you sanctimonious cunt,” Pravin hissed before he could stop himself. “How clever you are, how smart! What else could have possibly come of mucking with my brain to make me your slave?” Fear tightened his throat in the wake of his outburst but, to his surprise, Kothe faltered a bit. “I know that much was unforgivable. But I couldn’t risk this op.” Rationalizing. He can fizzle a kriffing bolt with his hand and he’s rationalizing. A snippet of interrogation training swam to mind, much as it had when he’d stood on the bridge of that dreadnought and asked Jadus question after question about his plan: attack his pride. Invite him to justify his actions. Let him try to vindicate himself. “Couldn’t you?” Pravin snapped. “I ran from my country, I turned my back on everything, and what the fuck did I get? I risked my life, I brought Chance back to you when he couldn’t speak a word to me, and you lot raped me over, and over, and over. Like it was easy. Like you enjoyed it.” “I didn’t enjoy it, Legate—” “Then why did you keep doing it?!” he shouted. “Because this is bigger than you and me!” insisted Kothe. “Because I’ve watched war tear this galaxy to shreds, and I’d do anything to keep peace alive.” Pravin brought up his other hand to grip his pistol, a deliberately-clumsy gesture that allowed him a glance at his chrono. Six minutes had elapsed—that meant he had nine to book it out of the facility if he were lucky, four if he wasn’t. He hoped he’d destabilized Kothe enough. “Anything?” he sneered. “Anything.” “I see it now, why you failed as a Jedi, why they kicked you out. You sound just like a bloody Sith.” “That’s enough—” Kothe went for the gun at his belt. With his dominant hand occupied, the man wasn’t fast enough—a flick of a trigger, and a bolt connected with Kothe’s shoulder, punching a hole through flesh.
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x-childish-x · 3 years
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hello, i noticed there’s been a growth of obi wan requests on your page. if you don’t mind, may i also request an obi wan x reader fanfic (preferably a female reader)? my idea is that the reader is related to qui gon, maybe a niece of his that he looks after since her parents passed. after qui gon’s death, reader decides to become a jedi and she and obi wan grow closer over the years, and finally confess their love for each other after they both become masters?
Long Time Coming
Pairing: Obi-Wan x fem!reader
Fandom: Star Wars
Warnings: ansgt?, fluff, mentions to multiple character deaths, mentions of a funeral
Word Count: 2,417
A/N: This is quite long! I'm sorry if that's not something you like! Firstly, thank you for the request and support! I appreciate it so much and feedback is always more than welcome and appreciated!! This request was super unique and I had a fun time writing it despite feeling the need to absolutely perfect it, lol. Anyways, I really hope this is what you wanted and that you enjoy it!
P.S. I am out of surgery and now starting recovery. Everything’s gone well so far, but I probably won’t be posting much. Check my page for a form to send in some questions for me to answer!!
Summary: Obi-Wan's been trying to catch your attention for years and after your uncle Qui-Gon Jinn's death, you find comfort in Obi-Wan like never before.
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(gif not mine!)
"(Y/n), we're making another stop. We don't have enough fuel to make it back to Coruscant. We're landing on Tattooine," Your uncle, Qui-Gon, spoke softly through the holopad.
"I found the planet," Obi-Wan beamed at you, hoping this fact would impress you.
You smiled widely, nodding to Obi-Wan, "Keep this old man out of trouble for me, won't you Obi-Wan?"
The young boy nodded vigorously as your uncle rolled his eyes, "You're getting quite old yourself (y/n). I urge you to rethink your choice of not becoming a Jedi before you're using a cane."
"We could train together!" Obi-Wan cheered, his eyes glinting with hope as he looked up at his master, "I would do well at bringing her up to speed!"
There seemed to be something that happened off the holopad that you couldn't see. Both men turned their heads before looking back at you with nearly identical looks of remorse.
"We're landing soon. I must leave," Qui-Gon frowned, "Stay out of trouble. I'll return soon."
Over the next few days, Obi-Wan and your uncle did their best to keep in contact with you. Though it wasn't much, barely once a day, it was still something, and that very much made you smile. Each call was a relief because they were both alive. They were okay. They would be home soon. 
"A boy?" You questioned Obi-Wan.
"Yes, his name is Anakin Skywalker," He frowned slightly before leaning more towards his holopad, whispering, "I'm beginning to think Qui-Gon likes him better than me."
"Nonsense!" You laughed, "Qui-Gon loves you! It's impossible to not love you!"
Immediately realizing what you said, your cheeks flushed with heat, Obi-Wan's reaction mocking yours. You missed Obi-Wan, he was your best friend after all, and it wasn't often that Qui-Gon and he left on such long missions. 
"There was this thing," Obi-Wan spoke up, "He wielded a red lightsaber."
"That doesn't sound good," You frowned, wishing Obi-Wan was more than just a hologram before you.
He nodded before his attention was stolen off-screen, and he huffed, "I have to go. We'll be home soon!"
⋅•⋅⋅•⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅∙∘☽༓☾∘∙•⋅⋅⋅•⋅⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅
"What is this about you being attacked!" You yelped, jogging up to Qui-Gon.
He smiled at your concern, "I am fine. He escaped. We believe he's a sith, that they've returned. The good news is the boy we found will be my new Padawan."
"I don't care about the boy," You hissed, glaring up at your uncle, "I care about you being safe, about not losing you!"
Unexpectedly, Qui-Gon pulled you into his chest. Tears welled in your eyes at the action he so rarely did, your arms wrapping as tight as they could around his torso. You felt a kiss pressed to the top of your head and immediately squeezed tighter, tears rolling down your cheeks.
"Please... I can't lose you too, Uncle."
Qui-Gon winced at your words, knowing how dangerous it was to form attachments, yet it'd been impossible with you. From the moment you'd come under his care, you'd immediately bonded. There was no way you wouldn't have formed an attachment with him and he with you.
You'd showed up on his doorstep fourteen years ago when you were only nine. You had clutched your stuffed bantha to your chest with tears running down your cheeks, mumbling all about how 'mommy and daddy were gone' and 'I need you, uncle Qui-Gon'. His heart immediately shattered. The passing of his brother had reached him a few hours before your arrival, and the nanny behind you gave the older man a soft smile before nudging you forward.
You bounded forward, slamming into Qui-Gon's legs with a loud sob that had the older man lifting you into his arms instantly. You'd been destroyed by the sudden and mysterious loss of your parents. You sought comfort in your uncle Qui-Gon and his young Padawan. You'd spent years denying the chance to become a Jedi, afraid you were too imbalanced in your emotions.
You pulled back from Qui-Gon, allowing him to wipe your tears before he kissed your head once more. He moved, walking over to Obi-Wan, and you watched as the two talked before separating. Obi-Wan walked towards you, but your eyes locked on a small boy behind him who stood next to what looked like an R2 droid.
"We're leaving again," Obi-Wan sighed, frowning at your slightly red cheeks and glassy eyes.
You nodded, biting your lip before finally locking eyes with Obi-Wan, "Please take care of him... I have a terrible feeling Obi-Wan."
"I will," Obi-Wan smiled, gently reaching out and allowing you to place your hands in his before pulling you closer, "I'll make sure he stays out of trouble. He has a new Padawan to train, after all. But besides that..." Obi-Wan's voice dropped, his gaze growing softer as he squeezed your hands, "You know I'd do anything for you."
You nodded, listening as Qui-Gon ordered Obi-Wan to head to the ship, and with one last playful goodbye, you watched him leave, followed soon by everyone else. You stood on the pad, watching as the ship rose and left, the terrible feeling in your stomach growing with each second.
Nobody called you. For the next few days, nobody called you, and it only worsened the terrible feeling, making you nauseous as you waited patiently for the ship to arrive. You'd been told briefly by Yoda that they were returning, yet the pain on his face confirmed your thoughts. Something was wrong, and you weren't sure what, but you'd felt the pain and dread that filled you yesterday, and now Yoda was looking at you with remorse as he watched you waiting from his tower.
You couldn't maintain your focus as the ship landed, frozen still as you waited. You watched each person that exited, waiting for the two familiar faces you wanted to see so badly. Obi-Wan descended the ramp, his eyes lifting from the ground to lock with yours. Instantly tears filled your eyes, a hand flying to your mouth as Obi-Wan rushed to you.
"No..."
You collapsed into Obi-Wan's chest without a second thought, throwing your arms around him as sobs racked through your body. He attempted calming you, one arm wrapped tightly around your waist and the other stroking your hair. Obi-Wan panicked slightly, feeling immediately it was all his fault. Your pain was his fault. If he'd just been slightly faster he could've saved his master, your uncle.
"Please... Obi-Wan... tell me no," You cried, burying your head into his chest as his grip tightened.
"It was a sith, the same who attacked him previously," Obi-Wan whispered, not caring about the looks anyone gave you, "I killed him. I killed the sith right after. I... I'm so sorry. I'm sorry I wasn't faster."
Nobody could remove you from Obi-Wan's side, not even Yoda, who was forced to allow you to sit in while he spoke to Obi-Wan about Anakin. You were distraught and terrified at the idea of seeing your uncle's body later. Obi-Wan comforted you, an arm around you the entire day until the ceremony rolled around.
You'd separated from Obi-Wan briefly, and when you returned to Qui-Gon's funeral, Yoda himself almost cried. You stood over Qui-Gon's body, a hand gently brushing his cheek, your mother's Jedi robe caressing your body. Just for a second, Yoda believed he was seeing your mother's spirit. You looked so identical, and the soft click of Yoda's cane startled you, forcing you away from your uncle's body.
"Determination within you, I sense. Made a decision, you have," Yoda hummed, coming to your side.
You nodded curtly, your gaze on Qui-Gon, "I wish to become a Jedi, Master Yoda."
"Agree to your request, the council does. My Padawan, you will be," Yoda nodded, not needing to speak to any other members to know there would be no defiance. 
Yoda retreated to the back, watching your reaction as people filtered in, most not catching your attention until Obi-Wan walked in. You seemed to escape his gaze for a few moments, certainly because of the robe, before he rushed to your side. Yoda knew this was a potential problem, the connection the two of you held, but that was a problem for the future.
The future seemed to bring many problems for you. Your days quickly molded into becoming nothing but training. You barely spent time sleeping. Both you and Master Yoda determined to bring you up to speed. Despite everyone in the council loving your decision to become a Jedi (especially Obi-Wan), they had all disagreed with the idea of you becoming a Jedi-Knight within five short years. 
However, Yoda insisted you were ready, and you passed the trials with such ease it'd seemed like you'd been training for years. Which of course, lead to many Jedi accusing you of training illegally under Qui-Gon. But it wasn't anything like that. Yoda and Obi-Wan were amazing when it came to training you. They were patient and worked with you consistently, over and over. You knew there was no way you would've become a Jedi-Knight had you not had their help.
"So?" Obi-Wan asked when you returned to your shared apartment, "Did you pass?"
Slowly, you lifted the hair on your right side to reveal that your Padawan braid was no more. He smiled widely, leaping up and pulling you into his chest. You smiled back, squeezing Obi-Wan as he spun you around gently. 
You still weren't used to everything. Obi-Wan and you had decided to get an apartment together after Qui-Gon's passing, insisting that living together helped your coping. Of course, it was a two-bedroom, and you stayed in separate rooms, and just Obi-Wan's presence truly did help you.
Once Obi-Wan sat you down and pulled back, a huge smile on his face as you stared up at him. A moment passed as you struggled to get a grip on your thoughts. You gulped, eyes flicking around the room as you kept your hands linked at the back of Obi-Wan's growing hair. You liked it longer. You felt it suited him, not that you didn't like it short.
"Obi-Wan?" Your voice was small, fragile in the air as the slightly older boy stared at you.
"Yes?"
"Do you think he's proud of me?" 
Obi-Wan's heart melted at the worry in your eyes, the worry that your uncle wouldn't be proud of you after everything you'd done. His hands drifted from your waist and up to cup your cheeks, pulling your face just slightly closer as he leaned down. He wanted nothing more than to wipe your ever-growing tears, but that could wait. The most important thing for Obi-Wan right now was to make sure you understood that there was no possible way for Qui-Gon to be even the slightest bit disappointed in you.
"(Y/n), I have not a single doubt that he's proud of you. He was before he passed, and I'm sure he's proud now," Obi-Wan reassured you, his smile growing as you nodded, "I know Master Qui-Gon wishes he was here with us, to see you become a Jedi Knight, but regardless he is incredibly proud."
You giggled softly, leaning forward just the slightest bit, so your nose touched Obi-Wan's, "I just worry sometimes, that maybe I'm not doing enough," You paused, gasping a quiet breath when Obi-Wan nudged your nose with his again, "Thank you Obi-Wan... I... I couldn't have done any of this without you. I'd be lost, truly."
Your gaze flicked down to your connected noses and back up to Obi-Wan's blue eyes. Yet, it felt like it was the first time you ever looked at Obi-Wan. You felt like you were a small kid again, peeking out from under your uncle's robe to see two big blue eyes looking at you with a huge smile. Blue eyes and a smile that promised to be your best friend, promised to stay by your side... 'as a loyal Jedi should'. And now, as you stared into those same eyes, you felt the urge to be so much more than what he promised.
You tilted your head up, mushing your lips against Obi-Wan's and leading the kiss as he froze in shock. Was he dreaming again? Was he about to wake up alone in his bed once more? The squeeze you gave to the back of his neck told him otherwise... that this most definitely wasn't a dream. Suddenly, he was dropping his hands from your cheeks, looping them around your waist and pulling you flush against him as he took control of the kiss.
It became a dance of lips and tongue, mumbling in an attempt to convey all the years of unsaid feelings even though no real words were being formed. It felt perfect. It felt like the force was exploding through the two of you, screaming that nothing could've been more right. There was no thought of the Jedi Code, no thought of the possibility of losing your titles. The only thought being formed was how not only your lips but your mind and soul seemed to connect at that moment together.
"I... that... we..."
"I've wanted to do that for so long," You laughed breathlessly, cutting off Obi-Wan.
He smiled, nodding in agreement as he placed a kiss on your forehead, "I adore you so much (y/n). I always have."
You mocked Obi-Wan's actions, nodding your confirmation as he placed another kiss closer to your temple now. It felt perfect. The life force flowing around the two of you was bursting with light, harmonious, and balanced perfectly. There was no need for words. You could feel one another projecting all the unsaid emotions. You were one, and suddenly a large smile broke onto your face as Obi-Wan continued to press light kisses all over your face.
You weren't worried about the possibility of losing your title. You didn't care what the Jedi Code had to say, and you certainly didn't care what the council thought. You felt complete, whole. And it was the first time you'd felt that way since losing your parents. You'd deal with the consequences later, when they made themselves truly known on their own accord and when it was time for Obi-Wan and you to make a decision.
"Do you think he's still proud of me?" 
Obi-Wan chuckled, kissing your nose before pulling back, "I think he'd want to kill me."
"It was a long time coming," You teased, making Obi-Wan nod.
"That, it was."
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nibeul · 4 years
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Saberstaffs: A Guide for People Creating Jedi/Sith OCs
I posted this on Instagram a while ago but I figured I should post it here too! This is basically my analysis of saberstaffs paired with some history and extra info. I’m by no means an expert, just a SW weapons nerd who enjoys rambling about things, bonus if people find it helpful :) most of the general info is backed by the wookiee for anyone curious to give it a look
The History
Saberstaffs are rare among the Order, and while a decent amount of it has to do with how hard it is to master, its origins also play a part in this fact. Originally known as the “Sith Lightsaber”, saberstaffs were created by the Old Sith Empire (as the name suggests), serving as weapons of aggression with the ability to easily overwhelm and overpower. The design had been pretty much unheard of until it was wielded by Exar Kun during the Great Sith War, the fallen Jedi having modified his original lightsaber using schematics from Sith Holocrons he had found. It was forgotten shortly after, trading off from hand to hand before eventually making its way to the Order for safe keeping (this is obviously a very simple explanation since I don’t want to dwell on it too much). The design became popularized among the Sith during the Jedi Civil War, and was even wielded by some skilled Jedi, though the Council frowned upon its use as the staff was a weapon of aggression purely designed to kill more effectively than the standard saber. The Order’s prejudice against the weapon remained a constant even into the waning days of the Republic, and as a result, very few Jedi utilized it. By the time the Invasion of Naboo rolled around, they’d faded into almost complete obscurity, so you can imagine the surprise of Qui Gon and Obi Wan when Maul pulled one out.
Schematics
The original saber staffs were much more complicated than the ones seen during the Clone Wars, consisting of a singular lightsaber mechanism that had two emitters, Exar Kun’s modified staff fitting this design. The more modern staffs, such as Maul’s, were made up of two, standard lightsabers that were melded together at the pommel in order to form one, elongated hilt. I’m actually not sure what the exact reasoning for the simplification was since the original was more effective, though I assume it has to do with the loss of the original holocrons and a change in wielding styles as the years progressed. The Council was right though in the fact that they were made for better effectiveness in combat; two ends meant faster attacks, and rapid assaults could be dealt out by the wielding with minimum movement. On the flipside, it was also good for defense—specifically in dueling, I’ll get to combat against blasters later—because it covered more area with less effort. There was also a psychological impact that comes with most unorthodox weapons, as tracking two blades is obviously a lot harder than one, and either end was often thought of as separate weapons instead of one.
Of course, there were still weaknesses, and with great killing power came debilitating flaws if put in the wrong hands. Wielding a staff without training was fatal in most cases, and it was likely that an inexperienced user would slash or bisect themselves trying to utilize one. A prime example of this comes from Antos Wyrick who accidentally impaled both himself and his daughter when trying to kill her. The minimum movement needed also came at a cost when it came to attacking and parrying because it’s impossible to simply adjust positions, as someone using a standard blade might. The sun djem contact mark could be employed by an opponent with little experience, and due to the length of the hilt, it’s hard to defend against. The best comparison to a saberstaff in terms of modern weapons would be the quarterstaff, though it’s not completely adequate because there’s only so much area for the user to put their hands whereas a quarterstaff, you have the entire length. The weight is also different as the weight of any lightsaber is condensed at the hilt while a quarterstaff’s weight would be evenly spread throughout it. Because the user’s hands have to be positioned at the general center of the weapon at all times (the hilt), power that would be possible with a quarterstaff is lost with the saberstaff.
Wielding Styles/Forms
Next, we have a breakdown of wielding styles, and to do this I’m going to be using Maul and Krell.
Maul
There’s apparently some controversy over what lightsaber Form Maul uses, though based on what I’ve seen from the show and the movie, I think that Juyo is the closest form to compare his fighting style too. Maul’s lightsaber is an extension of his body; he was raised for one thing, and that was to kill Jedi. He is, in the simplest sense, a killing machine, and his fighting style is reflective of that, martial arts interwoven with his strikes and parries, etc. etc. Maul, while obviously capable of defense, is a very aggressive, offensive fighter, and this is abundantly clear in his duels against Ahsoka, Obi Wan, Qui Gon… I’m sure there are videos floating around for each of the duels, I recommend giving them a rewatch if you’re curious. His power comes from his hips, and he relies on straight up striking power and prowess in combat in order to overwhelm his opponents. His style is pretty similar to how one would wield a quarterstaff, which is incredibly effective when it comes to melee combat against one or multiple opponents, but an open battlefield is a different story.
The biggest problem for Maul’s fighting style when applied to an open battlefield is the lack of maneuverability and the uncovered area that makes up the hilt of the staff. In a lightsaber duel, he has full coverage of his body since the blades are pretty one dimensional (I’m not sure if that’s the right word to use, but I’m using it anyways) while against blasters, there’s more open, uncovered area that he’s not going to be able to defend. I don’t recall seeing a lot of blaster vs lightsaber action with Maul, not when it came to his staff anyways, so it’s hard to determine what he’s capable of when it comes to that. I’m just applying what I’ve seen to a hypothetical situation—the bottomline is that Maul is likely a more effective duelist than anything else, and his use of the saberstaff plays into that strength.
Krell
Krell—who I know you all love—uses Jar’kai and I want to say hints of Form V based on his aggressive way of fighting while also on the defensive against dozens of clones. We unfortunately didn’t see a lot of fighting from Krell until he was slaughtering the 501st and 212th, so I don’t have a whole lot to work with here, but I do know that he used the Force in tandem with his staffs which was something that was made easier by the fact that he had four arms. Unlike Maul, Krell doesn’t face the problem of lack of coverage when it comes to fighting on the battlefield—because of his anatomy, he’s able to fully rotate the blades in a manner that covers him entirely, though something important to note about that is the change in power. The power from his strikes come almost entirely from his arms, which is clearest when he’s fighting the clones up in the tower. He’s able to cut through men without putting a huge focus on power, 1) because he’s already naturally strong and 2) because of the reach of his lightsabers. He’s outnumbered, but his sheer combative prowess with his lightsabers allows him to keep an edge during the entirety of the fight until he’s ultimately taken down by Tup.
I think the most important thing to note about Krell is that he constantly makes space, which is a tactic commonly used by staff users specifically (it’s also used when handling other weapons of course, though that’s when it comes to multiple opponents; with a staff, you constantly want space so you can strike from afar). He makes space to prevent himself from getting overrun even when severely outnumbered, and this tactic allows him to employ the deadliness of his lightsabers on an open battlefield, whereas Maul would have more trouble doing so thanks to the differences in their fighting style. Because I haven’t seen Krell in a duel, it’s hard to say how he would combat someone else with a melee weapon, though I want to say it’s likely similar to Grievous’s way of fighting. The sheer amount of blades he holds makes it easy to overwhelm an opponent, and because of his stature, he doesn’t have a need for extreme power behind each swing, which allows better maneuverability (as we see when he’s spinning his lightsabers).
General Pros and Cons
So, I’ll just finish this off with the main pros and cons after breaking everything down and giving my input.
Strengths:
• Offensive and defensive capabilities
• Faster attack rate
• Bigger surface area for deflecting/parrying
• Unorthodox/Uncommon
Weaknesses:
• Hard to store
• Exposed hilt
• Dangerous to user
• Often requires both hands to wield
In general, staffs are best for characters who are older with more than a couple years of training under their belt due to how hard it is to master and the dangers of inexperience. These characters tend to be heavily combat focused since the staff was pretty much made for killing. However, this is just a general breakdown I did for fun, so don’t let that stop you from giving your characters whatever weapons you see fit :)
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nanagoswife · 3 years
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Please, Don't Go. - Chapter 6
Summary: Flashbacks come back, but with a twist for Obi-Wan. An encounter happens...
W/C: 3.6k
Warnings: Where do I begin? Descriptions of a man burned alive, angst, murder, mention of blood and burned skin, injuries, suffocation, dark thoughts, I think that's it? (There's a reason I posted a heads up)
A/N: This does have a reference to Karen Miller’s Star Wars: The Clone Wars: Wild Space. I don’t mention the character’s name in this because it may be considered a spoiler? I don’t know. But, it’s a legends book anyways😅 anyways, the reaction Obi-Wan has is actually the same as it is with a little spice added. Anyways, I hope you all enjoy.
- - -
As he held you, you eventually fell asleep in his arms. You more than deserved it. So, he took the time to admire your sleeping form.
Obi-Wan was determined to commit every detail to his memory. The slow rise and fall of your chest, the way your hair fell around you, how warm you were against him. Most of all, he wanted to memorize how peaceful you looked despite recent events. A small smile was on your lips as you were in the comfort of his arms. It was a smile that he didn’t think he would see for a while before he came to talk with you.
That’s when he began to think about what you had shown him. There was nothing that could’ve prepared him for that. Your worries ran way deeper than just your personal situation. You were worried more about your planet, your people, rather than your family. It was truly selfless, yet he still dreaded the fact that you were carrying that burden this whole time.
At first, he started to think of situations that he may have seen that were similar. In truth, there was not much. He’d seen slavery and torture, even been a victim of torture, and there was only one scene that he had seen from you that he had once witnessed. A truly horrid image, let alone witnessed experience. It made him glad that it was only an image for you.
Pained screams filled the air. A pang of guilt pulled on Obi-Wan as he looked to his master. Their eyes met with a mutual feeling. They had both failed to keep the man safe. The two of them still advanced as they could possibly still save him.
That thought was wiped away quicker than a varactyl finishing a hundred meter race. His eyes first settled on the flames licking at the grassy ground. There must’ve been fuel around the small area before catching onto the stake where the man was. He was suspended on this stake and Obi-Wan had no time to try and see how. Instead, the man’s restarted screams broke this thought. The young man watched in horror as the flames quickly consumed the man attached. The agony filled screams, the sight of fire burning a blistering skin, and Maker, the smell.
He wanted to find the people had done this, but he wasn’t able to. The feelings he was having were against the Jedi Code. That wasn’t the only thing stopping him, though. What he was witnessing had frozen him to place and he thought about how that could be him if they captured him. No, it’d be worse. This man was only speaking against working people to death, whereas Obi-Wan would not only be defending this stance, but he’d be trying to send them to jail at the very least.
After that day, he had been plagued by the sight. Everytime he tried to sleep, he was constantly visited by the scene over and over. It had gotten so bad that he refused to sleep at a point. He was nineteen when he had seen this and nothing he had seen before this had shaken him so badly.
If he were being honest, he still was visited by these dreams every now and then. The only difference was that now he had come to terms with it and it wasn’t as horrifying anymore. Not when it was something he constantly re-lived for many years. Thank the Force that Qui-Gon helped him then, and still occasionally does.
Momentarily, he was broken from his thoughts as you shifted the slightest bit, making yourself more comfortable and burying even further into his chest. A smile crept across his lips as he watched your still peaceful expression. He pulled the blanket higher and draped them around your shoulders so that it would provide further comfort in the chilly room.
Then, he started to think about that moment again. Only, this time, it wasn’t the man. In fact, the person wasn’t a man at all. The person now on the stake was you. Accompanying the rest of the vivid details, he was now imagining your agonizing screams as the flames consumed you. He imagined how he watched you die and had no other choice but to stay in place as he was also constrained; held by two guards who forced his eyes to meet yours.
As he watched, something in him snapped as your screams had ceased. The connections, the bond the two of you shared was broken. You were gone. An unbearable pain filled him as he realized that he couldn’t even hold you one last time. You didn’t deserve the excruciating death that you had been subject to.
An anger bubbled in his chest as he thought about how those men had done that to you. They didn’t even let him say goodbye. Instead of being afraid, his anger took over him. He was determined to find the two culprits and make them suffer. Nothing but revenge filled his mind as he knew they were not far away.
In an act of blind rage, he broke the restraints that bound his hands with the force and easily fought off the two that had held him in place. Neither of them had his lightsaber, but that wasn’t a problem.
He made his way to where the two fiends were surely enjoying their recent endeavors. When he opened the doors to the building they were in, the inside was suddenly an entirely different place. The surroundings looked like some sort of hallway with multiple red shields on the way to the end. There was a glance of someone in front of him behind one of the red barriers but it quickly dissipated and the entire inside of the building changed once again.
Though he was confused as the building was once again the actual one, his eyes landed on the two men. They were quivering in terror as he advanced. There was something about it that actually pleased him.
Then, everything was a blur. All he could catch glimpses of were moments where his knuckles were bloodied, some point he had his lightsaber, and then one where he was force choking one of them.
When it was over, the two were in an unrecognizable heap in front of him. His breathing was heavy as he stared at it, lightsaber still ignited.
An overwhelming sense of grief and dread for his own actions overcame him. He crumpled to his knees and started to cry. What had he done that led you to your fate? What took over him that played out this moment? He held his face in his hands as so much conflict flooded through him.
“Obi,” he heard your soft voice accompanied with a gentle shaking motion. Opening his eyes, he looked into your eyes that were filled with concern.
“Are you alright?”
“I could ask you the same thing.”
Your words confused him until he noticed his rapid breathing. Not only that, but you brought a hand up and wiped tears away from his face. When had he even fallen asleep?
“Was it what I showed you? Because, if it was, I’m so sorry that-”
“Shh, no it wasn’t that,” he reassured you as he brought a hand to your cheek and rubbed comforting circles into your cheek. “I… I just had an old nightmare.”
You met his eyes and you immediately knew he wasn’t telling you the full truth. The two of you had spent so much time together that you could each read the other well. So, he knew he wasn’t going to get by this.
“Obi-Wan, you were making sounds. It sounded like you were in pain.”
“Okay,” he said quietly. There was no way he could keep this secret. “There was something that you showed me that I once witnessed,” he said as you gently traced patterns on his chest to comfort him. Then, he told you everything. That mission on Antar 4, then how it all shifted to how it was you instead of the man he had witnessed. The only thing he left out was what he saw when he first opened the door to the building. He would bring that to Qui-Gon.
You listened intently and continued your subtle actions that soothed Obi-Wan’s painful retelling. After he finished the dream, you pulled him to you and caressed the back of his head as his face went into the crook of your neck.
“Oh, Obi. It was only a nightmare.”
“What if this is a way the force is showing me that I’d give in? I don’t know what I would do. Y/N, I’m scared,” he blurted out, still pressed against you.
The admission almost shocked you. At the same time, you understood because it also scared you. “Obi-Wan, it’s alright. It wasn’t real and I won’t leave you in life, or in death. I’ll still be with you.”
This seemed to calm him down. His breathing became more even and he began to relax.
“I do want to ask you one thing.”
He brought his head from its spot against your neck and moved so that he met yours, “Of course.”
“Please, don’t go to the Dark Side because of me. Promise me that you won’t seek revenge or act on it if anything like that happens. I want to be your strength to continue on, not your weakness.”
Obi-Wan’s beautiful blue eyes looked into yours with immense adoration and care. Slowly, he nodded.
“I promise.”
-
Months had gone by and nothing happened. The most dangerous situations they had gone through was occasionally tripping over something. It made the two Jedi more suspicious rather than relieved.
You were also suspicious of it all. Just before this being sent into hiding, you had been attacked by bounty hunters. So why weren’t they trying to find you. It couldn’t be because you all had actually found a planet that good to hide on.
At the moment, Qui-Gon was out trying to contact your brother to find out what was going on. On top of the suspicious quiet, there had been a message saying that conflict was quelled enough that it was safe again.
“Shouldn’t this be good news,” you asked more warily as you watched Qui-Gon disappear into the bushes.
“We need to make sure it isn’t a trick. This could be someone else that would put your life more in danger for their own gain,” Obi-Wan replied. He was waiting very patiently for Qui-Gon to fade far enough to know it was safe.
You were thinking the same thing when you turned around to face Obi-Wan. For a few moments, the two of you stood and waited until he finally nodded the all clear.
Quickly, you made your way into his arms. It was simply a hug, but the two of you felt like it would give something away to Qui-Gon. The two of you were sure that he was catching on to a few changes, like sitting next to each other closely or going out to watch the stars often, but that was all.
Mainly, the two of you would wait until Qui-Gon was gone, or Obi-Wan would sneak into your room after his master was asleep.
The most unforgettable night was only a week ago. It was one of the nights that Obi-Wan didn’t have to go out to get supplies and Qui-Gon went due to contacting your planet as well.
That night, the moon was high and full and positioned perfectly in the clearing of trees that it shed just the right amount of light. That night was already special, as it was the day that your father had been coronated and married your mother.
You were celebrating on your own as you looked up at the stars. Obi-Wan was currently repairing something so he couldn’t come out. So, you sat in the usual spot against the rock, singing songs written in honour of your parents and of the events. They were played every year and were joined in a planet wide celebration. People from around the planet were allowed into the castle’s entrance yard and in the surrounding city for the whole thing.
It was a beautiful demonstration of unity. What went wrong?
“Y/N?”
You jumped as you didn’t notice that Obi-Wan was standing right beside you. You were so swept up in your memories along with humming the songs that you were unaware that he had joined you.
“I’m sorry I didn’t mean to startle you.”
“It’s alright.”
For a moment, the two of you were silent. Obi-Wan stayed standing and looked up at the same patch of stars that you were currently studying.
“What song was that?” His question took you slightly by surprise. Embarrassment filled you as well as you had never sung in front of, well, anyone. Maybe in front of your family and Kenth, but no one else.
“It’s one of the many songs played to celebrate this day. To celebrate my parents. This particular one was for them to dance to. A waltz of sorts.”
You went silent as you remembered watching your parents dance to this. It was a tradition that they would dance to this alone. No one else joined in. It was just the two of them and sometimes you and Davin would join. Only really when you were very young though. That’s when you had an idea.
“Do you dance Obi-Wan?”
“Not often.”
“Would you like to?”
The two of you met the other’s gaze. His face softened as you looked at you and he couldn’t help but nod his head. “Only if you tell me about this celebration.”
At that, you smiled largely. Obi-Wan offered you his hand and helped you stand. He easily brought you to his chest and placed a hand on your waist. You rested your hand on his shoulder and couldn’t help but trace little patterns.
“I didn’t know Jedi could dance,” you said jokingly.
Obi-Wan chuckled, “Well, we do have to mingle during social events often enough.”
“Fair point,” you chuckled.
Then, the two of you started to dance, Obi-Wan leading you to a rhythm only he knew. Like promised, you told him about the celebrations that were always held. You told him how the whole week was a holiday and how it was a festival of sorts. The whole time, you described everything from the food to the decorations. You even told some stories about how you forced Captain Baize to dance with you.
Forcing Kenth to dance wasn’t the only thing you would drag him into, though. There were games, puppet shows, and so many people who came with beautifully decorated pots, clothing, tapestries, and so, so many sweets and deserts. Since you always needed a guard, you dragged Captain Baize everywhere. Sure, he did enjoy coming with you, but he was always hesitant to start. In the end, he knew that you wouldn’t take no as an answer and that he also really wanted to see what was brought in.
As you regaled Obi-Wan with every detail, his smile never dropped and he never broke eye contact with you. He was enjoying how bright you were while recalling these memories. Seeing you like this, he committed the moment to memory. Your smile made you even more beautiful than you already were.
A snap in the distance took his attention from you. You also looked in the direction it came from. Obi-Wan separated from you and guided you behind him. His hand moved to hover over his lightsaber.
“Obi?” you whispered.
“It’s not Qui-Gon. If something goes wrong, be prepared to run.”
For many offputting, silent moments, Obi-Wan was on high alert. Occasionally he would shift you around to a position to better protect you as he sensed the movement of a being. He tried to search for more. Dread filled him as there were two more that he sensed.
Before anything could happen, Obi-Wan sent a message to Qui-Gon through the force. It wasn’t of words, but it conveyed the danger that was rapidly approaching.
“Well, well, well,” said one of the bounty hunters as he emerged from the brush. “Come on out boys. It’s only the padawan.”
You heard the others laugh maniacally as they all followed into the clearing. Immediately, you recognized them all. They were the men who had been after you all those months ago when you first met the Jedi. Their leader was Zacrick Moorlin.
Obi-Wan instinctually guided you further behind you so that his full body blocked you. If it were the last thing he did, he was going to make sure that they wouldn’t get to you. He consciously used the ship’s ramp as protection as well as he could. He wasn’t taking the chance of someone sneaking up from behind.
“Look at how protective he is. Is she really that important?”
“She’s more important than you think,” Obi-Wan snapped. “I won’t let anything happen to her.”
“Oh you won’t? Oh we’re so sorry. We’ll just pack up and leave then,” Zacrick replied scornfully. “No. We’re leaving with her dead or alive.”
You saw as Obi-Wan’s shoulders tense at the remark. Carefully, you placed a hand on his back to try and calm him. If anything were to happen, being that tense would not allow him to properly fend them off.
Your gesture worked. You could feel as he loosened and even became more attentive.
“Now, padawan, I would suggest stepping aside before we force you to.”
“That’s not happening as long as I’m alive.”
“Then we’ll change that.”
Zacrick made a gesture and the other bounty hunters pulled out their blasters, Obi-Wan igniting his saber, and they started firing shots that were easily deflected. The shots didn’t last long, but it was long enough for Obi-Wan to not notice that Zacrick had disappeared.
Before Obi-Wan could search for his energy, the other two began firing again.
“Y/N, ru-” he was cut off as he turned to see that Zacrick had you, an arm around your neck.
There was a knife in the bounty hunter’s other hand and fear pulsed through Obi-Wan. That knife was too close to your stomach.
“Let her go,” he said through clenched teeth.
“Obi, it’s okay,” you said, your breath being squeezed out of you as the arm around your neck tightened.
Obi-Wan couldn’t help but let his face soften when he looked at you. He wanted to comfort you as much as you were trying to comfort him. Zacrick looked between the two of you and was hit with a realization.
“Oh, so the two of you care for each other, do you? Isn’t this perfect.”
Panic rose in Obi-Wan’s heart as the knife was brought up to your arm and was placed just under the sleeve of your short sleeved shirt.
“In that case, you get to watch.”
The whimper you made as the knife dug into your arm sent a pang of pain through him. He was about to do something until he felt an electric pulse shoot through his body.
“Like he said,” one of the other bounty hunters said, “you’re going to watch.”
His head was forced up by his hair and he had no choice but to watch as your blood began to spill around the knife. He saw as Zacrick tightened his arm around your neck, cutting off all air.
Moments later, your eyelids fluttered closed. Once you lost consciousness, the bounty hunter carelessly let you fall to the ground in a heap.
Obi-Wan didn’t care, he was going to get to you. Surprisingly, they let him go to your unconscious form. He took you in his arms and immediately examined the cut on your arm after checking your pulse. Relief flooded him as the cut wasn’t too deep and your pulse was still even. The relief only lasted a second as anger overtook him. They could’ve killed you. They could have cost you your arm.
After placing a brief kiss to your forehead, he carefully laid you to the ground before standing. His breaths became quickened as only anger filled him. How dare they do this? How could they be so careless? Why did they force him to watch?
As he turned towards the three bounty hunters, fear filled their eyes. Suddenly, he used the force and lifted Zacrick in the air as he crushed his windpipes. It felt amazing. The force seemed to have a new electric flow through him. It rippled in him and made him feel stronger.
“Obi-Wan!”
The voice startled him. Qui-Gon was running out of the forest but stopped a few feet away from his padawan.
“Control your feelings, padawan. Let him go,” Qui-Gon said sternly.
That’s when Obi-Wan snapped back to reality. What was he doing? Revenge was never something he should’ve acted on. No matter what this man had done, this was not the course of action. The worst part was that he liked it until Qui-Gon snapped him from it.
As the bounty hunter was let down to the ground, all three of them quickly ran. If that was how only one would act, they didn’t want to see what both of them could do together.
Obi-Wan was breathing heavily, almost as if he were choking himself and not the bounty hunter.
“I- I don’t know…”
“We’ll discuss it later. For now let’s make sure the princess is alright.”
Obi-Wan nodded, he was almost distraught. The thought of making sure you were still alright brought him out of it.
This was not going to be an easy conversation.
@stardancerluv @where-fantasy-meets-reality @jaydenwoo @madmax2003
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may i req 74 ( “What are you doing?”) whump and found family with Plo and Fordo, my lad?
Who is Watching You’re Back?
74: “What are you doing?”
Characters: Fordo and Plo.
Summary: Ever since he got assigned to the Kel Dor who happened to accompany him on this mission, he noticed things others seem to ignore.
A/N: This is an AU I have been going around in my head and I wish to test it. The Clones aren’t by neither the Jedi, Republic or the Kaminoans. They are Mandalorians and were taken away from Kamino early and have a treaty with Republic. The Jedi, on the other hand, belong to the Republic ever since Darth Malgus’ raid on Coruscant, as they failed to protect the Republic. I hope you enjoy.
The group moved through the dense forest as they proceeded to their target, the Separatists’ comm tower. Fordo has lead countless missions behind enemy lines to get back at Separatists for their Buir and to save his vod for any oncoming assault.
“Thatch,” he called to his comms, as he spied on the comm tower. “What is the amount of resistance?”
There was silence in response, as they waited for the scout team to report.
“Says there are six on the highest platform, six at the entrance.” The voice of Grounder replied.
“How many inside the tower?” Fordo asked.
“Twelve more inside.”
“Seems easy,” chimed Dare through the comms.
“What of our special “help”, Ori’vod?”
Fordo frowned behind his helmet. He didn’t know much of the Kel Dor Jetii that Wolffe dropped on him, but from his loose statements of being a “di’kutla Jetii” on their first meeting, he didn’t say much else. His records show that he was involved in both the Hyperspace War as leader because the previous Jetii died to an ambush, and the Yinchorii Uprising as a servant to the Republic’s whims. He had good reputation as the Republic dog he was, but he never talked much as he preferred to stand at the side during briefings with his vod. Or he would await in the hanger bay or training deck for occupying his time. He was strange compared to how the others were described by working on a ship or meditating alone.
“Kel Dor,” he called into the comms, “what is your position?”
He was only greeted with static. Not the first time a Jetii greeted him with static as response, as he worked with a Shistavavan Jetii who never talked.
He sighed. “Let’s move forward.”
The group moved to the target as Thatch snipped out the ones in front before they could react. They halted at the door while Fordo kicked the droid in the faceplate and shot the other in the chassis.
“Wire, open it up,” Fordo said.
Wire approached the panel, but before she could do anything the door opened to a bunch of dismantled Battle Droids and a single Kel Dor with a brandished Lightsaber.
“How did you get in?” He asked, as he entered.
The Kel Dor deactivated his Lightsaber and hung it belt before clasping his hands behind his back.
“My apologies, General.” The Kel Dor responded. “I merely saw a vantage point to the west of the platform and entered there.”
Fordo huffed and turned to his vod. “Wire, disable their transmissions, inform Cody and Rex that we’re ready.”
“Yes, Ori’vod.” Wire nodded, as she turned to the console.
“The rest, let’s head to the platform.” He ordered, as he walked to the stairs. “You too, Jetii.”
The rest of group made there way up the steps, passing by the occasional droid as they went. Fordo didn’t bother with them, as his concern fell to the Kel Dor’s twitching talons. He frowned from behind his mask. ‘Is he always this twitchy?’ He wondered absently.
They were greeted with a beautiful skyline over looking the forest and the occasional bird flying by from the west. The Kel Dor stood next to Grounder as they scan the area, he noticed him grabbing the railing tightly.
Fordo felt the familiar tap of Thatch, as he turned ti see him point to an oncoming battalion of Super Battle Droids coming from the west. There were also a few tanks accompanying them.
“Grounder, ready the rocket launcher for those tanks,” he ordered, as he grab his pistols.
“What of the rest?” Grounder asked, as he set up his launcher.
“We’ll handle it. Wire, where’s the reinforcements?”
“On there way, but Vultures droids are blocking them.” Wire replied through the comms.
“Then we’ll hold out.”
The group grab their weapons and ready for the assault. Grounder fired a rocket to the nearest tank disabling them, but in turn alerting them of their position. Thatch snipped several on the ground though more took their place.
“If only we had bombers,” Grounder grits, as he fired at the second tank, “then we could take a load of them out.”
“We’ll just have to hold, vod’ika.” Fordo replied shooting down the others.
A blur passed by him as the Kel Dor jumped off the platform and toward the battle below, but the sound of crackling came off of his body while the smell of burning ozone filled his nostrils.
“The Kriff is the matter with him?!” He shouted, as he watched him fall.
Suddenly there was an explosion of electricity that went around the droids. The shockwave went about three feet away from the intisl blast radius, disabling multiple droids in the process. The only thing that was left the smell of burning ozone that filled the air.
Fordo stared blankly as he had never seen anything like that before. Is this what Republic was hiding from them? A Jetii who can shoot lighting. He shook his hea as he fastened his cable to the railing.
“Let’s move.” He ordered, as he jumped off and down to the battle below.
The Kel Dor blocked the on coming blaster fire, as they others reached the ground. Several grazes hit his arms as he attempted to bloc the overwhelming fire, flinched at the ones that suddenly came behind them. He turned to me Fordo’s pistol aimed at the nearest droid.
“We need to talk,” the General shouted, as he walked up beside him.
“Yes, Sir.” The Kel Dor replied automatically, while blocking the shoots
“Hey, Fordo,” called from the comms, “need some help?”
“Get down here, Warthog.” Fordo order to his comms.
Then a line of ships fired down on top of them and at the droids. Then they came back around to fire bombs at those in the rear, cutting off further assult to the ground team.
A gunship landed next to them with blue and animalistic designs. The group ran towards it as Wire followed behind them with the Kel Dor blocking fire for her. They shut the doors as were all accounted for.
“Take us up, Sky.” Fordo called up.
“Alright, Ori’vod.” Sky called back.
Fordo felt the familiar jostling of the ship, but he couldn’t his eyes iff of the twitching Kel Dor as his fingers with crackle with electricity.
_______________________________________
When they reached the Resolute, they stepped off of the gunship. Wire rubbed her arm, as the graze bleeding through her greys, while Grounder and Thatch went to put down their weapons. Fordo walked up to Cody and Rex, they greeted them at the hanger.
“It was successful, I hope,” said Rex as he held his grey a blue helmet under his arm.
“You can say that, vod’ika,” the eldest replied, removing his red and black helmet. “Wolffe never said his Jetii can do lighting, though.”
“What?” The two said in unison with bewildered expressions.
“Di’kut Jetii,” he called, over his shoulder, “come here.”
The Kel Dor walked up beside him with hands clasped behind him, his shoulder straightened and his tilted up.
“Tell me, what did you think you were doing jumping down into battle like that?” He asked firmly.
“Apologies, sir,” the Kel Dor said, bowing. “I merely was providing a solution. I will take the according punishment for my mistake.”
“Punishment?”
The Kel Dor stiffened, as he slowly straightened. He shuffled from foot to foot nervously. Was he always this nervous?
“It is forbidden to use such an ability that I am capable of, sir.” He explained. “If are were to, there must a punishment or it is informed to the Republic.”
“Indeed.” The posh voice of General Tarkin echoed in the hanger bay, followed by another Besalisk Jetii behind him. “The asset is forbidden to use such abilities outside of those that are instructed to them.”
“Is that really necessary? Surely the Jetii has a name.”
“Yet you insist on calling him a Jedi, but never bother to ask.”
Fordo glanced at the Jetii, who stepped back a bit. He never once said his name or neither did he ask. Names are important to his vod as they choose them after Buir run away with them twenty years ago, but he never bothered to ask him.
“What’s your name, Jetii?” He asked gently.
“It doesn’t matter, sir.” He replied flatly.
“No, what is it? You’re name.”
“Plo, sir. Plo of clan Koon.”
He smiled at the clan name. ‘Seems very far away from his clan..’ he thought, as he reached out his hand.
Plo stared blankly at the offer before going to reach, but another hand grabbed his.
“What do you think you are trying to do, Guard?” The Besalisk barked, tightening his grip on his wrist.
“I..I was simply…” Plo stammered, gazing up at the taller Jetii.
“He was being polite and giving me a hand shake.” Fordo cut in.
“Apologies, General, but Kel Dor have the ability see thoughts by touch. He doesn’t do handshakes.”
Fordo tightened his hand into a fist as he brought to his side. He glared up at the Jetii as he glared back at him. His vod murmured in Mando’a insults behind him.
“We shall take the beast with us,” Tarkin states, as he scowled at the Plo. “He shall be punished accordingly for his blunt miss use of his abilities.”
“That isn’t necess—,” the eldest tried to cut in, but they already turned to drag off Plo with them.
“Kriffing Republic scum.” Rex muttered, as he glared at the group.
“Tell Wolffe to comm me if Plo ever returns.” Fordo states, firmly as he walks away from his vod. He didn’t feel right abandoning Plo like that.
—————————————————————
The next time he saw the Kel Dor was on another joint mission a few months later. He walked into the bridge as his vod’ika talked while the Jetii stood off to the side. The Togruta and the two human Jetii stood close to each other near one of the modules while his vod’ikas surrounded the map. What caught his wmeye was Plo, who stood in the far corner clasping his hands, his bandaged hands.
“What kriff?!” He shouted, as he walked up to Plo. “Why didn’t you tell me, Wolffe?!”
Wolffe and the others glanced Fordo, as he approached his Jetii, grabbing his hands. The Jetii stiffened at the outburst.
Wolffe frowned. “I asked as well. He wouldn’t say.”
Fordo frowned as he inspected the injuries, as the fingers were in the splint for obvious broken bones for one reason… he used the lighting.
“What did they do to you…?” He whispered, running his hand against the bandages.
“It is alright, sir,” Plo whispered, as he tried move his hand away. “It is alright, I am fine.”
Fordo frowned. “Someone has to watch your back.”
“Others need their backs watched, sir. Mine is fine.”
That was one thing they had in common, they preferred look after those younger than themselves over watch themselves. Fordo made a vow to adopt this Jetii, if it’s the last thing he does.
__________________________________________
A/N: I hope you enjoyed. I really wanted to try this AU with Clones being actual Mandalorians and leading battles while the Jedi served as their guards. I hopevI achieved with what you wanted. I am still doing more requests if you are interested.
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Chapters: 1/1 Fandom: Star Wars - All Media Types, Star Wars Prequel Trilogy Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Obi-Wan Kenobi/Anakin Skywalker Characters: Obi-Wan Kenobi, Anakin Skywalker Additional Tags: Pre-Relationship, Whump, Angst, No Beta We Die Like Clones, alternative universe - different masters, Miscommunication Series: Part 5 of Whumptober 2021 Summary:
Whumptober 2021
Day 5 - I'VE GOT RED IN MY LEDGER
betrayal & misunderstanding & broken nose
“What was it you said about him. That he was a ‘nuisance that trailed around your Master like a lost Tooka.’ That you’d ‘drop him back off on Tatooine if you could’. Don’t worry Obi Wan I’m sure all of us would be resentful about your Master’s supposed chosen one if we were in your position.”
“I’m just gonna go,” said a small voice.
Of Course Obi Wan had resented Anakin at the start. His Master had tried to throw away their new bond to take on Anakin instead. But he'd grown on him over the years. They had grown close. Not that Obi Wan had told his other friends that.
.
.
.
Obi Wan was sure he would never enjoy being in the council chambers. As an initiate when he feared not getting a master at all they were a place of potential failure. A place where his dreams could die. Where he would be rejected.
When he was a Padawan those very fears had become true within this chamber. His Master had been willing to throw away their new bond for the nine-year-old slave boy they had found on a mission to Tatooine. The council had rejected the move, reminding Qui-Gon Jinn of the responsibilities he had undertaken when accepting Obi Wan as a Padawan but he had never forgotten the feeling of rejection. Of his despair when he felt he was being cast aside.
“By the right of the Council, by the will of the Force, Knight Kenobi, you may rise."
A  Lightsaber flared and with a swing, his Padawan braid fell to the floor.
Obi Wan reached forward, picking up the braid before standing. The council was arrayed around him. They were smiling, Master Yoda in particular looked pleased, almost smug. As if some sort of plan had been seen to fruition.
Qui-Gon was stood in front of him, looking uncharacteristically emotional. Obi Wan smiled at him before presenting him with the braid. As difficult as the early years of their apprenticeship had been, as much as their relationship had never truly been repaired from that mission he could not help but appreciate that his Master had stuck with him ever since. That he had fulfilled his promise. That he had seen him through to Knighthood.
“You may go Knight Kenobi.” Master Windu said with a knowing smile. “I can sense your friends are already outside ready to celebrate.”
Obi Wan bowed to the council before turning and leaving the chamber.
As suggested there was a crowd of Senior Padawans and young Knights waiting just outside the door.
“I can’t believe you’ve done it!” Bant squealed, throwing her arms around him.
Obi Wan raised his eyebrows. “Did you have that little faith in me going into the trials?”
She pulled back, hitting him in the arm. “I didn’t mean it like that and you know it!”
Obi Wans face broke into a smile.
“I only meant that you’ve been self-deprecating ever since you became a Padawan and I am over the moon that you have finally proved yourself wrong.”
“You have subjected us to multiple monologues about how you were never going to be good enough to be a Knight” Greef agreed ruffling Obi Wans hair. “It did seem that you were you’re own worst enemy. None of us ever thought you’d have a problem, you always worked harder than any of us did.”
“Speak for yourself!” Bant laughed. “None of you have to spend hours on the wards in the Hall of Healers.”
Greef grinned at her “I apologise greatly Bant, please ensure that I still receive top notch treatment when I am dragged in after a mission.”
“You would be better off not having to come into the chambers at all.” She retorted.
Quinlan threw an arm around his shoulders. “Where are we going to celebrate then. I owe you revenge after the state you got me into after my Knighting.”
“I think you only have yourself to blame their Quin, no one said you had to do shots of all the spirits in that bar.” Obi Wan laughed.
“You issued it as a challenge. I do not say no to challenges.” Quinlan said his arm tightening around Obi Wans neck.
“And that challenge,” Bant interjected “Resulted in all of us back in the temple within hours with both of you making acquaintances with the fresher floor. Can’t we have a slightly quieter one this time?”
“Never! Quinlan crowed before tilting his head considering, “But then again, if we stayed out longer it might be possible to see what happens when you get beyond a couple of drinks Bant. No, I’ve changed my mind. We’ll do it your way.”
Obi Wan smiled as they began to bicker. It had been too long since they had all been at the Temple together. He had missed it.
“Congratulations are in order I hear.”
Obi Wan winced, turning towards Bruck Chun.
“Thank you Bruck”
“You must be very happy, not to have to put up with that brat from Tatooine trailing after you anymore. You can get away from him now that your not with a Master that cares more about him than you.”
“Piss off Bruck!” Greef growled.
“What, I’m just saying I’m impressed. It must be difficult to get knighted when your Master is more interested in someone else's apprentice.”
He smirked.
“What was it you said about him. That he was a ‘nuisance that trailed around your Master like a lost Tooka.’ That you’d ‘drop him back off on Tatooine if you could’. Don’t worry Obi Wan I’m sure all of us would be resentful about your Master’s supposed chosen one if we were in your position.”
Obi Wans friends had gone quiet. Grey-faced.
“What Obi Wan, not willing to remember everything you complained about him. How you wished he was never found and was left in slavery.”
“I never said that!” Obi Wan snapped. “Yes I said I resented him, yes I said complained. I may have wished we never went to Tatooine and that I never met him, but I never wished he was still a Slave.”
Bruck looked triumphant.
“Obi-“ Bant sounded pained.
“I’m just gonna go.” Said a small voice.
Obi Wan whirled round. Anakin was standing off to the side, he hadn’t noticed him after he left the chamber, mobbed as he’d been by all his former creche-mates. Anakin's face was carefully blank. Obi Wan had never seen him display fewer emotions. Obi Wan could normally read him like a book, but now he couldn’t tell anything. It was like Anakin was shutting down.
He turned to leave, slipping behind the crowd and walking down the corridor.
“Anakin, Ani wait!”
Obi Wan pushed through the crowd, Brucks voice echoing behind him.
“Looks like you’ve managed to ruin another relation there Obi, what is it with you being unable to maintain any sort of connection.
“You absolute dick!” Quinlan shouted jumping at him.
Obi Wan ignored the sound of the scuffle, trying to chase down Anakin.
He had walked quickly, the door on the turbo-lift already closing. Obi Wan caught sight of his face before the door closed. It was like a knife being driven into his heart. Anakin had never looked that upset before, even in the early days when he was homesick. And it was all because of him.
Anakin was nothing if not predictable, and had a small list of places he tended to go when upset, so Obi-Wan had assumed he would be able to find him quickly.
He was wrong, Anakin wasn’t in his quarters and Master Koon had not seen him. He wasn’t in the quarters he shared, well used to share with Qui-Gon. He wasn’t in the Speeder or Starfighter hangers. He wasn’t in the mechanics' office. He wasn’t in the small area in the basement where the Temple kept their mouse droids.
He couldn’t find him.
Obi Wan let his feet take him towards the Room of a Thousand fountains. Anakin wouldn’t be there, he had always hated meditation. That was one of the things he used to complain about. When Anakin had first come to the Temple he used to disrupt Obi Wans attempts to meditate all the time, but over the years he had grown almost fond of the disruption. He expected it. Not that he’d ever told anyone.
He headed towards his favoured spot, an area near one of the waterfalls.
It was already filled.
Anakin sat with his back to him. He was sat in a meditative position but Obi Wan knew he wasn’t meditating. His body was vibrating with repressed tension.
“Was it true?” Anakin said without turning to him. “Was what Brock said true, did you say those things about me?”
Obi Wan sighed. He sat next to Anakin, staring into the water.
“No… It wasn’t… That. That is not how I said it!”
Anakin closed his eyes before nodding.
“So that's a yes.”
Obi Wan felt constricted as if he could barely breathe. He felt like something was collapsing, that he was losing something significant. A bond that he had never truly accepted, but was now being ripped away from him.
“Anakin it was years ago.” He said frantically, “When you first came to the temple. I was hurt from what my Master said and I took it out on you to my friends. It wasn’t true!”
“I thought you were a superhero.” Anakin said dully, “I worshipped you. I thought you were the ideal Jedi, the role model for me to aim for. You were the one person here who I knew. The one friend I had. And all that time you were complaining about me. Laughing about me to your friends. Resenting me.”
He looked at Obi Wan. For the first time, he saw the passion that Anakin was so often caught up in directed at him. It wasn’t just sadness it was deep anger.
“Was I truly that oblivious? That the whole time I spent following you, trying to get a small part of your attention you were hating me. That you didn’t want me around. That I was making your life worse.”
“Anakin-“
“You could have told me to back off. I would have done it. I would have done anything you asked me to.”
“You can’t mean that.” Obi Wan said desperately.
“I do,” Anakin said with such surety. Like it was something that had never been questioned. That it was a simple fact in his life. “Well, I would have done, before.”
Obi Wan couldn’t accept it. This couldn’t be true, he had to find a reason why this wasn’t true.
“Anakin you were only nine when you came here, surely you can’t commit yourself so sure when you're that young.”
“Why Not? Clearly, you committed yourself to how much you resented me. You never told Bruck otherwise”
“Come on Anakin, I was thirteen years old being bothered by someone four years younger than me that would never shut up. How was I not supposed to be resentful!”
Obi Wan regretted the words as soon as they came out of his mouth. They were harsh, not at all what he meant. Why couldn’t he talk to Anakin? Why could he only hurt him?
He wasn’t shocked when the first connected with his nose. He would have done it to himself if he was able.
Anakin left, storming out of the room shaking his fist.
Obi Wan stayed sat, holding his nose to stop the bleeding. He felt bereft. Like something had been irreparably broken.
This had supposed to be the best day of his life. The day that he finally achieved all the dreams he had ever hoped for. But it no longer felt like it.
He felt adrift. It was far too quiet. He felt desperately alone. And the worst thing was, he knew it was entirely his fault.
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Here we go again with my recap ramblings! Had to do a bit of nip/tuck for this one, it’s a bit lengthy.
My opinions, as I've stated before, are based on my limited knowledge of the Star Wars universe. I have NOT seen anything outside of the movie franchise, so please bear with me...
- First off I would like to express my appreciation for this episode going balls-to-the-wall with Ashoka, instead of spending an unnecessary amount of time working towards her introduction. Considering we spent two episodes just GETTING to her, the fact that it was like "BAM! There she is!" was very refreshing.
- Also I would like to thank Filoni for establishing her badassery UP FRONT, instead of having her do some sort of "Surprise! These are my special skills!" maneuver. The concept hit home on the first try, and it hit HARD.
- I know people are iffy with Rosario Dawson (I'm not that caught up on her to know the details myself), but she does bring a certain......presence, I guess......to this episode, but just as the character, not really HER specifically.  She seems more powerful when she's silent, versus when she speaks, her portrayal of the dialogue seems kinda monotone for my taste honestly. (I think it's worth mentioning that, while I understand people wish for Ashley, it would involve "black face" makeup on some levels to achieve Ashoka's skin-tone, I don't think it would've worked, no matter how skilled the makeup artists are)
- The ghastly forest makes me think of the lighting technique they used for The Half Blood Prince film
- As I've said, I have not seen the Clone Wars series, so I'm not familiar with Ashoka's animated fighting techniques, but I do love how practical she is with the lightsabers in a dark setting, turning them off to avoid too much attention, and only turning them back on right when she's ready to attack to really take her enemies off guard
- Din narrating to the baby has me in my feels a bit, this dude is really going through the motions isn't he? He's trying so hard to keep it together, acting like he's fine that his whole world is about to change in a way he's not fully prepared to handle.
- Can we take a moment to discuss how observant the baby is? He may not know about circuitry to help with ship maintenance, but he has the wherewithal to know when he's headed to a place that's potentially harmful. Episode 7 in season 1, when Din mentions going back to Nevarro? The baby immediately tries to adjust the ships trajectory to avoid going to a place of which his only memories consist of him being experimented on and possibly almost killed. And NOW? Now he recognizes that the name of the planet Din is taking him to will be where they separate, so OF COURSE his first instinct is to, not only avoid leaving Din's side at the pilot's seat, but to also seek out one of the few tangible objects that brings him comfort: THE METAL BALL FROM THE LEVER........baby boi is so smart, we do not give him enough credit
- Baby REALLY didn't want to leave his papa.......also DIN LET HIM KEEP THE BALL PLS
- Din walking through the town reminded me of the Two Towers when the party arrived at Rohan and Gimli was like "You'll find more cheer in a graveyard"
- I have to wonder what was going through Din's mind upon seeing the prisoners in the electric cages. I'm sure he was disgusted, but everything presented in this series is VERY deliberate, ergo Din was meant to see this to IMMEDIATELY establish that this magistrate was someone he wouldn't want to be allied with, a feat that could've been established with the intro into the town alone, but it seems that the best way to really drive home just how terrible these people are is voyeurism.
- The town versus inside the magistrates gated home? Night and day. The contrast is intriguing, how "dead" the town looks but inside the second gate there's life, somewhat flourishing.
- If Din KNEW that the magistrate was referring to Ashoka, than he basically tricked her into helping him find her under the guise of making a deal. If not, than he figured it out during their first fight upon seeing how she maneuvered around him. Either way, we stan one smart cookie.
- Lang reminds me of Number Two from the Austin Powers series
- BATU BATU BATU BATU
- I love the fact that Din is including the baby in his bounty hunting process, not just telling him they've reached the coordinates, but also letting him know to start looking, IT'S BRING YOUR SON TO WORK DAY......(but like EVERYday for him tho.....)
- Okay but like LOGICALLY I KNEW THAT BESKAR CANNOT BE DAMAGED BY A LIGHTSABER BUT MY HEART STOPPED FOR A SECOND
- DIN PACING LIKE A NERVOUS DAD IN THE DOCTORS OFFICE, POOR BABY
- I have to wonder how the baby "talks" via the Force, is it full "sentences"? Clipped "sentences"? Or is it kinda like Renesmee from Twilight where she "inserted" visuals into another person's head? I know they can "feel" each other's thoughts, but I've always wondered exactly HOW they "feel" them...
- I understand people are a little put-off by the lekku, and that cosplayers have done it "better", but we have to remember that cosplayers aren't doing (multiple) fight scenes, the head-piece has to be practical in its design, as well as authentic. There are stunt-doubles, and having to create multiple versions that not only can withstand constant movement, but also won't break easily. Not to mention when you try to do a live-action based off an animated series, it almost ALWAYS looks "wrong" on some levels (live-action anime? it's awkward af, no matter how hard you try...)
- About the Grogu controversy: I'm on the fence, but will most likely come to love/appreciate the name. Is it within the realm of what I was expecting? Nope. Is it possible that we are ALL projecting our own ideas of what name the baby "should" have had, so much so that almost ANY name they would've given him would've sounded "wrong"? VERY distinctive possibility......this is Star Wars after all, names are meant to sound "weird".  Grogu sounds like a Star Wars kind of name, in fact it's kinda fitting for a species that looks reptilian-ish
- THE BABY HEARING DIN SAY HIS NAME FOR THE FIRST TIME, THE WHIPLASH IN THAT HEAD-TURN, BUT LIKE.....I love the slight parallels to Grogu's and Din's name-arc: They both went DECADES without hearing their own names, and the reveal's are so contrasting, Din hears his name during a time when he's in danger, the baby hears his while having a heart-to-heart. I'm curious about how Din was feeling in this moment, thinking about how long Grogu must've gone without hearing his own name, and how Din longs to have someone say HIS name with an almost reverent tone
- YODA NAME-DROP.....but also Grogu looked at Ashoka when she said the name, I wonder if he knew Yoda
- Some people have mentioned Ashoka's lekku not being long enough for her age, I'm wondering if they compensated with the "wrinkles" in it? Can lekku have wrinkles?
- Grogu trying to be good for his papa, but also NOT wanting to use his powers because he KNOWS it would mean that papa has to leave him (and Din's little head tilt to get him to cooperate) I JUST....I CAN'T
- Ashoka telling Din to connect with Grogu, and Din shifting around all like "LOOK ITS BAD ENOUGH I HAVE TO LEAVE MY SON WITH YOU, CAN YOU NOT MAKE THIS HARDER FOR ME???"
- FATHER AND SON GAME OF CATCH AND DIN'S EXCITEMENT WHEN GROGU CAUGHT THE METAL BALL, MY OVARIES CANNOT TAKE THIS MUCH FLUFF
- Subtle Anakin reference, given what happened to the younglings after he went dark, it's a good thing Grogu was taken.......but by WHO???
- Din calling the lightsabers "laser swords" and Ashoka's little grin like, she WANTED to correct him, but she was enjoying Din's dorkyness???
- Din trusted her enough to let her borrow his pauldron??? I HAD A MOMENT
- DIN GUNSLINGER DJARIN
- Did my eyes fucking DECEIVE ME?? DID ASHOKA CUT THE SPEAR IN HALF????? Like this is the second time I'm watching this, the first time I noticed it I was like "No fucking WAY", but I'm seeing it AGAIN, IT WASN'T A TRICK OF THE EYE....so beskar is only lightsaber RESISTANT??
- Lang vs Din was like Johnny Ringo vs Doc Holliday, "You're no daisy!"
- More name-dropping. Did Ashoka kill Elsbeth? They never show her after the exchange.
- Din could've jetpacked his way back to the ship, but chose to walk instead. The way he avoids actually waking up Grogu at first, holding him for a bit, then taking the time to get him ready. Din baby who are you fooling? You're not ready, and you never will be.
- DIN STICKING HIS FINGERS OUT TO LET GROGU HOLD HIS HAND
- Ashoka knows okay?? She KNOWS that Din and Grogu are meant to stay together
- Din calling out Ashoka for trying to weasel out of the deal vs calling out Bo-Katan for changing the deal: No malice in his voice, he barely put up a fight, then sounded relieved after she gave him an alternative, one that could lead to the baby deciding NOT to become like the Jedi and instead choosing to remain with this buir
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Tagged by the always lovely @annnesbonny, thank you
How many works do you have on AO3?
172
What’s your total AO3 word count?
866,426 words which is quite a few. I'm currently trying to see if I can hit a million by the end of next year but it's not so much a set goal as it is a game I'm playing with myself
How many fandoms have you written for and what are they?
There's mostly DCTV ones (mostly Flash but they can all be grouped as one thing), MCU and Agents of SHIELD, Doctor Who, a couple of The Adventure Zone ones, there's one Justice League 2017 film one and a few Flash Comics ones which are both more DC, a Good Omens one, Sherlock, one Librarians which is actually in a fic collection not tagged with Librarians because it was only the one fic out of all of them, I did write Harry Potter and Merlin and one Percy Jackson once way back when on FFN but they didn't make it over to AO3, so I think 13 unless you put all the DC and Marvel things together?
What are your top 5 fics by kudos?
Crossed Wires (DCTV, Barry/Eddie, I wrote this one in an hour after getting stuck for days trying to come up with something to fit the prompt)
Mis-sent (DCTV, Barry/Cisco, also a prompt fill for a ship week, it's a wrong number/college AU texting fic, figuring out the format was interesting)
"Just sleep in my damn shirt" (DCTV, Barry/Eddie, this was a prompt fill that didn't even get a proper title?)
Milk and Sugar (DCTV, Iris/Caitlin, this turned into a very long series, it was an accident but is also my little baby)
Flash Red; Vibe Blue (DCTV, Barry/Cisco, this remains the only fic I have stopped writing halfway through so I could run to Tesco, buy yeast, and bake bread because I was writing about baking bread and couldn't think of anything else until I had a bowl sitting in the airing cupboard. I made bread multiple times because of this fic.)
Do you respond to comments, why or why not?
I do, I don't always know what to say, I often feel like I'm bad with words and knowing what to say to people, but I very much appreciate the comments so I do want to thank people at least
What’s the fic you’ve written with the angstiest ending?
Ashes to Ashes, it's the end of Inifinty War/very beginning of Endgame fic for the Marvellous Ladies of DC AU so there's a lot of character death (but it'll get better later)
Do you write crossovers? If so what is the craziest one you’ve written?
I haven't for a while but I have, the Percy Jackson fic was a crossover with Doctor Who where Rory Williams ends up helping various Roman demigods during his two thousand years hanging around as a plastic Roman but that was just on FFN and I don't think I still have it saved. I forgot the Star Wars/MCU one (that makes 14 fandoms total, and was also only on FFN) which was Mace Windu's lightsaber poked him in the eye as he fell out the window after being zapped by Palpatine and he fell into a portal and became Nick Fury which was inspired by a conversation with my brother
Have you ever received hate on a fic?
I had a few "constructive critisim" comments that were just critisisms which is why I don't think I have anything on the FFN account anymore. I panicked.
Do you write smut? If so what kind?
I do not, smut is not my thing.
Have you ever had a fic stolen?
Not to my knowledge
Have you ever had a fic translated?
Someone asked once but I didn't hear anything after that so I don't know if they finished it or not
Have you ever co-written a fic before?
The Marvellous Ladies of DC mentioned above is a collaborative AU with @agentmarymargaretskitz
What’s your all time favourite ship?
I guess Westallen? That's the one that most commonly tends to slip in in other fics, and I do enjoy other ships featuring Iris and Barry seperately but also sometimes that just turns into poly with Iris and Barry together again
What’s a WIP that you want to finish but don’t think you ever will?
I have had a Cynco role reversal featuring comic stuff too in the to write folder for so long that could be a long fic but keeps being put behind other things and not written so I might just stick what I have up in the AU Snippets collection
What are your writing strengths?
I have had some compliments on bits of dialogue recently which was nice
What are your writing weaknesses?
Spelling. I think I might need to work on descriptions more, I often feel like I mostly write dialogue and need more of the inbetween bits.
What are your thoughts on writing dialogue in other languages in a fic?
I think it depends? Suddenly switching languages can be quite jarring when you're reading, especially when it's to a languge you don't know and there are no translations so for something like that when the POV character is speaking in another language they're fluent in I would probably write in English and use the descriptor tag to note it's in another language, but if it's someone else speaking another language and the POV character isn't fluent I might use the jarring switch intentionally? If they understand some then you can incorporate translations into the text because they're going to be trying to translate what's being said either aloud or in their head and they probably will miss out bits of the conversation and misunderstand so having the character (and the reader) missing part of the information is kind of the point? And little bits, nicknames, the odd word, swearing in French so the pardon my French is used literally and using it to drop this other character actually speaks French too, that's fine, it's just the big paragraphs switching.
What was the first fandom you wrote for?
It was a Doctor Who/Sherlock crossover (because I got into fanfiction because my friend sent me several to read) and I panicked about publishing it for months. I did not tell that friend I had published any fics.
What’s your favourite fic you’ve written?
I feel bad picking favourites, but I did enjoy writing Ghosting which is a DCTV Cisco/Hartley fic, that was for the Hartmon Halloween event and was different to what I usually write so was fun to play around with and see what works and what doesn't (and considering I started by saying "I'll do no research for this because they also don't know what's going on" I ended up reading a lot about plastering), and I had some really lovely comments on Ghosting which did all make me cry a lot.
The Milk and Sugar 'verse is possibly cheating because it's a series but I was working on that for a long time so I think I'll always have a bit of a soft spot for that one (and it gave me an excuse to read so much science, that series has sources). The Superhero in the Bath, The Night Shift, and Flash Red; Vibe Blue (all DCTV Barry/Cisco) were fun to write too, The Superhero in the Bath has one of my favourite openings, The Night Shift's literal kiss of life is probably my favourite kiss I've written (and my favourite "can I count this as a pun or not" bit), and the bread I made while writing Flash Red; Vibe Blue tasted good too, the recipe was on the yeast pot, it's my go to bread recipe now, it lives in my head. Outfits (DC, Hal/Barry/Iris) was for the DC Poly Week and was my favourite out of those prompts because it was just a little bit of fluff (fun fact about the DC Poly week, 4 out of 7 are Hal/Barry/Iris fics, if you read it as one 'verse it's snippets of their relationship in reverse order), Museum Visits (DC, gen featuring Barry, Iris, and a tiny Wally) was just short and sweet, Double Back (DCTV, gen from the Flash & Hawkgirl series which is Iris/Kendra with a side Barry/Cisco) was really fun to write (the whole series is but that fic is based on Flashback which is one of my favourite episodes) and Vibe and the Flash (DCTV, gen from the Tess Lives AU which features Barry/Iris) had a bit that wasn't planned but showed up while I was writing and I'm so glad it did (the thing those two have in common is I guess I enjoy writing Eobard Thawne being a dick), I really don't think I can pick one favourite, I think, even if there are hard points and some are from a while ago and I would probably do differently now, I've enjoyed writing everything I've written, it's why I wrote them.
Tagging @agentmarymargaretskitz, @starstruckpurpledragon, @incendiaglacies, and @squireofgeekdom if you would like?
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planet-crait · 4 years
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A Saltier analysis of the Art of Star Wars Rebels (Part 2)
So…..after my initial post you can find here more issues with the book where pointed out to me/I just sat looking through it noticing even more issues so….consider this a part two to my original post going over even more issues I have with the Art of Star Wars Rebels. Obviously there will be salt so if you enjoyed the book a lot and don’t want that view tainted please don’t click on below the cut. Also beware major spoilers for Rebels. 
So first off we’re going to kick off with talking about some items that were very strangely missing from the book. Now full disclosure @findswoman​ really was the one who noticed this issue but it seriously deserves mention and I am stunned I missed it but, why are Loth cats and Loth Bats not ever mentioned in the book? 
Loth Cats are a near constant presence within the series, they play some minor roles even in destroying a droid and helping distract guards. Loth bats similarly inspire the gliders that the kids use to rescue Hera! Said gliders make it into the book
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Why aren’t the loth bats, the inspiration for said gliders, even in the book as well?
Another potentially controversial criticism I have is for the cover for the deluxe edition itself. 
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Some people may love it which is fair but personally I am not as fond of it as I am of the original cover. I get that they were trying to get a feel of the holocron in the cover but it just doesn’t vibe with me at all and I feel like they could have done something more special for the deluxe cover. 
Speaking of holocrons, they do not get a proper showcase within the art book. Here is the page where it is mentioned and notice how it talks about the map, not the holocron itself. 
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Hell, you barely see it in the image in the book! Why? The holocrons are a big deal in the show, why are they not getting showcased when items that only make an appearance in one episode do? Even if other media showed off the holocrons, this is the art of Star Wars Rebels, if it was important to the show, it deserved a place in the book. Instead they waste space on things that were not important or even really shown in the show. Like Tatooine gets two full pages in the book:
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Some of those images almost look like shots from Episode 4 which brings back the question of what the heck is this doing here? (Which I found myself asking way too much when looking through this book). Again this book should be a celebration of Rebels, not all of Star Wars. Those pages could have been used to show off key elements from the show that for unknown reasons got cut from the book. 
There is just a lot of what feels like filler or wasted space in the book, for example Rex, Obi-wan, Vader, Yoda, Bo-Katan and Palpatine get two pages devoted to their characters while other main characters from the show get only one page or only half a page like in Choppers case. Zeb, Kallus, and Hera also all do not get their alternate season designs shown off in the book while Kanan, Sabine and Ezra do. Hell Rex even got an extra half a page to show off designs that never made it into the show and seemingly only exists to push Filoni’s headcanon that Rex was there with Han Solo. 
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Why are the main characters not allowed to be the unashamed stars of this book? Why did the editors feel the need to waste space with characters who are not the stars and have their spot to shine in other media? Original characters for this show should get full and multiple pages for their characters, not characters who have appeared in other media and probably appear in other art books. 
If other side characters like Tristen and Usra Wren or Ketsun where getting these full or two pages I wouldn’t be quiet as annoyed because they are all original characters for the show, but those characters only got half a page while again, characters from other media like Saw and Mon Motha got a full page. I will say this until I am blue in the face but the original characters created specifically for Rebels should have been the true stars of this book, instead they are getting gypped and the short end of the stick while other characters the team thinks is more popular are given the spotlight. (I am not showing the pictures because, as is, this post is getting ridiculously long but I will happily share them in a reblog if anyone wants to see this).
They even included characters who never appeared in the show in the book
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This is the very definition of wasted space. This page could have been used for undercover Chopper designs or season 3 or 4 of Hera and Zeb designs or one of the many many things that never made an appearance in the book that by all accounts should have been like Kanan’s lightsaber or Zeb’s bo-rifle. Instead we get stuff of Director Krennic.
Even things that had their fair share of content, still managed to miss the mark in some cases. 
The Ghost in total has about six pages devoted to it which even includes concept art for it that was never used which is not a problem at all. In fact I love that! This is what I bought the book for, to see concepts and art for things that were at some point going to be in the show but were cut for one reason or another. The book would have benefited if it contained way more concept art for things like this like for example what Filoni imagined Lasan to look like or other concept designs for Zeb or hell talk about Kallus’s early days when he was originally a Chiss. Interesting stuff like that which wasn’t explored in the show but still exciting and interesting. 
My big issue with the Ghost sections (yes sections) is that instead of putting everything related to the Ghost together for some reason the pages are split into two different sections within the book. 
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(Don’t ask my why they decided to throw concept art of the millennium falcon to go with that little tidbit instead of more concept art for the Ghost, just know this is on my shitlist too)
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These are pages 48 through 51 of the book. The next time the Ghost appears is way later near the end of the book
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Pages 150 and 151! Some of the split concepts for things can be explained by the fact that the book is split into several sections: Beginning, middle, and end of the show. However this does not give a satisfactory explanation as to why the Ghost’s concept art is split across two sections and not even evenly! Why not put all of the information for the Ghost all together in one section so if someone was looking for something specifically for reference or something they don’t have to look through the whole book to find it because the info is all over the place?  Directly following the later pages is the Phantom II so maybe the logic was they didn’t want to just toss the Phantom in without any other context? Which….doesn’t work cuz the Ghost honestly feels thrown in for no real reason. The Phantom II being separated from the Ghost and The Phantom would have been fine because the Phantom does come in later so it being in the section devoted to later parts of the series would have been fine. 
Of course, I can’t really say there is a section for the Phantom, that one image you saw back on page 50? That is the only reference the original Phantom ,something that was in the show for two seasons, get’s. One image and maybe a second but it feels more like an image of the back of the Ghost and not one of the Phantom. Meanwhile the Phantom II get’s two pages entirely to itself. Why the difference? Both ships were in the series for two seasons, why not some images of the inside of the Phantom or more shots from different angles? Why does only the Phantom II get these?
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I really cannot fathom why they skimped out on one ship and gave two pages to another when both had equal importance. 
Now I mentioned before that the layout of the book may have influenced the decision to split the pages talking about the Ghost, but personally I am not a fan of the layout of the book. It makes things confusing and doesn’t flow well. Here is the table of contents:
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At a glance this seems fine and a nice nod to the series having four seasons, but notice there are no sub categories like textbooks that have key concepts in the chapter and what page they start on. So if you wanted to focus on character models? You would still have to spend a lot of time flipping through the sections to find what you were looking for. Personally I would have rather the book be divided by content: Characters, props, and environments. That way all things that are alike would all be group together instead of broken up into four sections across the book. Of course other art books could be laid out like this and people may like this method. This particular point is a bit more nitpicky and me being a person who was far more interested in character concept art then anything else. 
I briefly touched upon this in my part one analysis of the book, but this issue rears its ugly head again in the issue of things not getting good labeling leaving the reader having to read the mini paragraphs or searching the book to figure out what it is or what is going on. 
Want to know where this is?
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Or this?
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Or even this?
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Me too, too bad the book can’t be bothered to tell you anything about these. When I was searching for anything to tell me what these images among many others in the book where, I noticed this
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Which for a bit I couldn’t figure out what  it was, notes accidentally left in? Some obscure reference to what it was supposed to be? Looking at other pages I noticed repeat notes that looked the same so I was starting to get even more confused until when looking through the cover pages, I finally spotted this:
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Which okay fine they shorthanded the artists names in the credits right be the art….but then I noticed that not every piece of art in this book has any sort of credit along with the fact that quite a few have no label for what it's supposed to be. And while one could argue that those places are iconic enough to be recognized I have to disagree. Not everyone knows or follows all Star Wars Media that is a fan of the show. Not everyone has a great memory of the episodes within rebels or places that most would think are familiar. There is no reason to not put in a small label next to the artist credit so fans know what it is supposed to be. I could guess or try to look it up but I shouldn’t have to, the book should tell me what it is!
Even worse is the inconsistency on if an artist gets credit for the art they made. Like this one here:
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No credit or anything, we have no clue who created this piece or why there is nothing here to indicate who did, and that is not fair to the person who created this piece. (I checked the next page as well even and there was nothing)
Also yes that image above the artist’s credit is another concept art from episode 4 which was slapped on there for who knows why. Again this should have been more art from Rebels. This is not, nor should it be, the art of Star Wars. It is the art of Star Wars Rebels. No concept art from other media has any business being in this book. 
So many aspects of this book feel rushed or slapped together with no real rhyme or reason even though it was delayed in its release and then released early! Why? It just doesn’t make any sense and isn’t fair to the fans of this show who adored it and wanted to get this book to learn more about the show that for many fans, including myself, got me into Star Wars. We deserve more respect than this. 
This book truly feels like a quick cash grab, not the thank you to the fans of the show it should have been. 
Again I cannot stress this enough, if you like the book that is fine. But you cannot blow off and ignore the voices of people who are not satisfied with this book and expected so much more from it then it gave us. 
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the-awful-falafel · 4 years
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Rick and Morty - S4E6 "Never Ricking Morty" Podcast Summary/Breakdown
So y'all probably expected this based on how often I've been talking about these official companion podcasts. I recommend listening to them yourself either on the official Adult Swim YT channel or the official website, but I thought I'd go ahead and make bullet point breakdown of some key points for this particular podcast, because trivia and behind-the-scenes knowledge really appeal to me. And this episode is pretty divisive in the fanbase, so I think this podcast will assuage some fears even if you still personally dislike it in the end.
For some reason, the title of the podcast calls this S4E7 instead of episode 6. It wasn’t commented upon, so I assume either it was a typo or it was 7 in the production order and got swapped shortly before release.
The interviewed staff involved in this episode were Carlos Ortega (character design lead), Erica Hayes (director), James McDermott (art director), and Jeff Loveness (writer)
The idea of this episode was conceived in October/November 2018 as a "one-up" of anthologies and clip shows. They didn't want to do a straight anthology because many other TV shows had already done that, so they tried to go more experimental and bold and basically went balls-deep with the metanarrative as a result
It was a substitute for Interdimensional Cable (which they were going to do instead but it fell through for unknown reasons)
"We had to go so far up our own ass, because if we didn't go far enough, people would be mad that we didn't."
The writers intentionally mocked themselves as much as the fans, pretty much, and it was meant to be all in good fun
The artists really enjoy designing all the weird aliens in the show, as well as getting to reuse/repurpose them when applicable. Apparently next episode (Promortyus) is going to be reusing a lot of designs for something (but they obviously can't say due to spoilers)
Compared to other episodes, "Never Ricking Morty" went pretty smoothly once it got to the art stage. That doesn't mean it was easy, but there weren't a ton of revisions they had to do
There was a joking spoiler about Rick becoming pregnant later this season. At least I think it's joking.
While writing this episode, the writers came up with a huge whiteboard list of complaints about the show, misconceptions about the show, etc. to consult for the meta jokes. Loveness later clarified that it wasn't quite about attacking "complaining" though, and it wasn't meant to be mean-spirited
The Bechdel test skit came from them realizing they hadn't done much with Beth and Summer this season, which definitely can be considered a flaw. Therefore, as part of their self-mockery, the writers decided to force them crudely into the episode as a joke, while also making fun of men who write women characters poorly and reductively.
The Jesus Christ / Rick suddenly being Christian part was written in response to the writers asking themselves "what would kill Rick and Morty as a show?"
Jeff Loveness said this in the "Inside Never Ricking Morty" video as well, but he really loved the "old man is really ripped and ready to kick your ass" trope and is partially responsible for it becoming a running gag this episode along with "cum gutters". Apparently cum gutters return in season 5 (also said jokingly, so who knows)
One of the Q&A callers called multiple times, with different phone numbers, and kept asking about potential crossovers for some reason
"A lot of people are saying that the show is fucking with their fans. Is that accurate?" "I think some of those fans deserve to be fucked with a little bit."
They point out how some fans feel entitled to the idea they should be pleased by the show all the time, and the writers feel like the show should ideally surprise the viewers in a good way, but you still may not like every episode and that's alright
At the same time, the episode wasn't meant as an attack on the fans, it was more of a "we'll do this our way, be experimental, and push the envelope of what we can do" message they were sending. Jeff Loveness promises that there's "good stuff coming up" that he thinks the fans will be happy with, presumably in late Season 4 or even Season 5
"Just because we showed it this way and you'll probably never see it this way again, that doesn't mean we're dropping these storylines completely." There you go, everyone! The ongoing story threads are still happening at some point, and the message of the episode wasn't about dropping continuity or mocking people for caring about it. Although if you were hoping for resolutions similar to what was shown in this episode (Evil Morty w/ a giant army, Tammy VS Summer with lightsabers), those scenarios are almost certainly not going to happen canonically based on this statement. Let's hope that what they do come up with is both unexpected and awesome.
The episode is intended to be non-canonical, similar to past once-a-season clip show episodes like Interdimensional Cable
Story Lord was inspired by characters like Mysterio and Q, and the writers created him late in development as a type of villain they hadn't done before. Dan Harmon also put a lot of self-mockery into the character with how much he loved narrative structure and the story circle. The character artists even initially asked if Harmon could be the design for the character but that received an immediate "no", as it was perceived as being too on-the-nose.
Jeff Loveness was surprised the Rick/Birdperson musical made it to the final episode since it seemed like the sort of thing that would be cut or lost in development. He was also surprised the Jesus thing stayed in mostly untouched
The Story Train was intended to be an actually purchasable product by the time the episode aired-- the writers were emphatically excited about that being the culmination of the joke in the writers room-- and they were surprised that it didn't go through by the time the episode aired. They guess it's due to the coronavirus pandemic interrupting merchandising plans, but they're ultimately unsure because the decision isn't discussed with them
The artists do receive some limitations on how much gore they're allowed to depict, but they can show as much blood as they want, so for the most part they can still be creative with gruesome violence (like the Tickets Please guy ripping in half in this episode)
The artists are credited for elevating most of the fight scenes in the show, sometimes with only vague script direction which they use to be very creative
In response to a viewer calling in and asking the question about whether Pickle Rick will return: "I think there's a conversation to be had about: do we want these things to return or it better to do a one-off story?" So my take on this is that not literally everything will factor into the continuity-- they put thought into what ideas have more long-running potential and they build those up. Which is kind of obvious but the question was silly anyway. (They're still ambiguous about whether or not Pickle Rick will come back, by the way)
They aren't going to do an outright Star Wars parody in Rick and Morty because other shows have already done that, but they can still parody what Star Wars represents rather than doing a "branded commercial" for it. Apparently there is a lot of that specifically coming up this season (although indirect in the way they're describing). I assume this is referring to the upcoming "Star Mort Rickturn of the Jerri" episode, so I’m curious about how they’ll reference Star Wars in that one.
The COVID-19 reference this episode was thrown in last minute, presumably with just alternative dubbing and changing the lip sync animation. They say that sometimes episodes are still being worked on up until the moment they release on television. Referring to a previous episode as an example, the character of Shadowjacker from the dragon episode was thrown in last-minute
With the exception of James McDermott, most of the staff interviewed had no control or participation over the commercial product placement work, such as the Wendy's/Pringles commercials. They don't mind them for the most part and find them funny
The writers try to avoid being too topical because the scripts take so long to turn into animation that any references will become outdated by the time it releases. Therefore, they try to be "timely" in the sense that they're writing about things that are happening in the world, but in a more abstract/thematic sense. Jeff Loveness implies that the next episode Promortyus will have a lot of that
In response to another viewer Q&A: There is no Rick and Morty movie currently planned. They wouldn't mind one, but nothing is really in development at the moment
The staff say they're excited for the next batch of episodes and seem pretty proud of their work on this season
They don't plan on making a Rick and Morty musical episode at the moment, as they feel like other shows like South Park and the Simpson have done it excellently and don't feel like they're capable of doing it better. The Rick/Birdperson bit in this episode was the most we're going to get
The code inside the broken-off throttle lever was intended to just be a bar code decal (to show it's a toy) and doesn't actually mean anything. James McDermott jokingly said it's "where the bodies are buried"
The Rick army / Evil Morty scene was huge from an animation standpoint and they almost couldn't do it due to how ambitious the shot was. They were going for a "Lords of the Rings", faux series-finale vibe, where they "give the fans what they THINK they want". Justin Roiland insisted they do it
There are definitely more big animation setpieces planned for the future
And that’s it! I’ll probably do more of these for the future episode podcasts, if anyone is still interested.
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kcaruth · 4 years
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Star Wars Jedi: Fallen Order Review
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Before the dark times, before the mouse empire, LucasArts published several fun, memorable Star Wars video games, from Star Wars: Bounty Hunter to The Force Unleashed series. After Disney’s acquisition of LucasArts in 2012, the Mouse House stopped all internal developments at LucasArts and laid off most of its staff in 2013. Signaling its turn to the dark side, Disney awarded EA (voted worst company in America multiple times) a multi-year license to create Star Wars video games.
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EA rebooted the Star Wars Battlefront series (2005′s Star Wars: Battlefront II has to be one of my most played video games) and released the new Star Wars Battlefront in November 2015. Critics acknowledged the game’s great graphics and visuals, but it quickly became apparent that the game lacked content. The hero and villain rosters were very limited, and the game only included content from the original trilogy, not the prequels.
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Then came EA’s disastrous Star Wars Battlefront II, the repercussions of which shook the gaming world. Released in November 2017, Battlefront II had some promise. It was the first game since the Disney takeover to feature a single-player story mode that was canon to the film series. The game also contained content from the prequel, original, and sequel trilogies. Additionally, EA greatly expanded the hero and villain rosters. However, EA showed it true colors with the game’s loot boxes, which could award players significant gameplay advantages if they purchased them with real money. Essentially, the game turned into a pay to win system, thereby making players who did not purchase loot boxes feel so disadvantaged that Battlefront II virtually became pay to play.
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Although Visceral Games, the studio behind the Dead Space series, was developing a single-player Star Wars game, even getting to the point in the development process where they could tease everyone with in-game footage, EA canceled the game and shut down the studio. Not counting the Lego Star Wars games and mobile games, EA’s Battlefront games were the only new Stars Wars video games on the market, an astonishing reality compared to the rate at which LucasArts used to produce games for the franchise.
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Eventually, EA finally came to its senses and assigned a single-player action-adventure Star Wars game to Respawn Entertainment, the studio behind the Titanfall series. Former Santa Monica Studio employee Stig Asmussen served as game director, and heavy-hitting talent like writer Chris Avellone, perhaps best known for his work on Fallout: New Vegas, joined the project. Finally, Respawn released Jedi: Fallen Order in November 2019 to much critical acclaim.
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Now, with that long-winded background introduction establishing the recent state of Star Wars video gaming out of the way, let’s get into the real reason why everyone is here. What did I think of Jedi: Fallen Order? I am usually well behind on newer video game releases, but our current state of affairs with the global pandemic has afforded me a bit more time to dust off my controller. Having just beaten Fallen Order earlier this week, I have plenty to say about the game. (I even made a pros and cons list! Can you tell I have also been spending my time watching the misadventures of Leslie Knope and company in Parks and Rec?)
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At its core, Star Wars is about family, friendship, and good versus evil, so let’s start by talking about this game’s characters and plot. (Don’t worry; I won’t spoil anything from the story.) Fallen Order nails the spirit of Star Wars. Set five years after Revenge of the Sith, players control Cal Kestis, a Padawan forced to keep a low profile after the Jedi Purge. Cal lives on the planet Bracca, where he works as a scrapper salvaging ships from the Clone Wars. Kudos to the game here. I stopped a couple of times just to admire the visuals of Bracca. It was definitely a “wow moment” seeing TIE fighters shriek by overhead and watching a Separatist ship descend from the atmosphere. One day, Cal taps into the Force for the first time since Emperor Palpatine’s Order 66 to save a friend from certain death from a workplace accident. Unfortunately, an Imperial probe droid records the incident, alerting the Empire of a Jedi fugitive. Two Inquisitors quickly arrive on the scene to track down the Jedi. Introduced in the animated series Star Wars Rebels, the menacing Inquisitors are an evil organization of Force-sensitive beings, some of them former Jedi, who have been tortured and turned to the dark side by Darth Vader and the Empire or otherwise willingly joined the organization out of hunger for power. They are tasked with hunting down surviving Jedi in hiding and others exhibiting Force potential. Somehow, Cal has survived this long even though he still carries around his lightsaber with him everywhere! When the Inquisitors corner him, he literally just pulls it out of his pocket! How has no one ever noticed it before? Did none of the Imperial probe droids floating around the planet ever take a snapshot of the weapon? Plot holes aside, two new characters, Greez and Cere, rescue Cal from certain doom at the hands of the Second and Ninth Sisters and ferry him off world.
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Cere is a former Jedi who held the role of Seeker in the Order. A Seeker located infants with Force abilities who could be taken to Coruscant and trained in the Jedi arts (think the good version of the Inquisitors). Greez is a starship pilot with a bad gambling habit, a green thumb, and an insatiable appetite. Cal finds a small droid named BD-1, who reveals a message from Jedi Master Eno Cordova, detailing the existence of a hidden Jedi Holocron containing a list of Force-sensitive children across the galaxy. In the wrong hands, this list could lead to the children’s demise. Cal and Cere want to use the list to rebuild the Jedi Order. Thus begins the race between the Empire and our crew of ragtag misfits to secure the Holocron.
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Overall, the story is good, great even for recent Star Wars standards. It fits the Star Wars cannon very well, and I loved the nods to the Clone Wars, mentions of obscure characters, and the foreshadowing of future events. Some moments elicit chuckles from the appropriate Star Wars humor, while others go to some truly dark places. The way the game tackles Order 66 earns it extremely high marks from me. The developers need to be applauded for bringing in new and relatively unknown planets that we have not really had the chance to explore before. There is no Hoth, Jakuu, or the like to be seen here, thankfully. Star Wars is a big galaxy; it is about time we saw different parts of it. We have spent more than enough time on Tatooine. The planets we do visit feel alive. Each one has a different color palette, climate, weather pattern (although the developers may have been a little heavy-handed on the fog in a few of the locations), and, of course, flora and fauna.
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Cal fights everything from annoying rat creatures to ram-like slugs, from giant venus fly traps to trampoline spring-plants. Players can even collect plant specimens on different planets and plant them in Greez’s terrarium, which was a nice little way to take a piece of each planet with you on your journey. Oh, and the spiders. Cal has to kill tons and tons of spiders. Again, this is Star Wars! There is a whole galaxy at your disposal full of creatures that look like whatever your imagination can dream up, and the best we get is different species of spiders? That is probably nitpicking, but it felt like it was worth pointing out.
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When it comes to the Empire, however, the variety is fantastic. Of course, the run-of-the-mill standard stormtroopers are here, but there are also variations like shock baton-wielding scout troopers, flame troopers, and the dangerous Purge troopers, essentially the special forces of the Inquisitors. The chatter between the troopers is great. Before they spot him, Cal can overhear them talking about their notorious accuracy, the planet’s hostile wildlife, or even mundane topics like food rations. Once Cal starts fighting them, they often taunt him, full of confidence in their abilities, but then they come to the realization that they are facing off against a Jedi. The confidence in their voices gradually turns to panicked fear as Cal slices through their numbers. By the time Cal gets to the last trooper standing, that trooper will regularly plead for his life or confess how scared he is. Every once in a while, the Empire will even throw AT-ST walkers at Cal, which are a fun enough challenge, though the strategy to defeat them becomes clear within a minute or two, and players are never forced to change up their tactics. I do love that after Cal destroys the walker, the trooper will crawl out of the wreckage and start shooting at him. Nice touch!
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With all that said, the story is not perfect. In fact, once or twice it just feels dumb. For example, Cal goes on this grand mission seeking out an important leader in hiding, and when he finally encounters him, they exchange maybe one full sentence before the leader gifts Cal a rebreather so that he can swim underwater. You are telling me I conquered various obstacles and enemies, traversing across multiple planets all to get...a rebreather? This whole section could have been cut out and streamlined so that the storyline goes directly to the main setpiece of this planet I am talking about. Have one of Cal’s crewmates give him a rebreather and send him on his way instead. Regardless, at least the back and forth traversal gives players another chance to board the ship, ascend from the planet, and blast off into hyperspace. Seeing that never got old.
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Respawn and its writers did a great job with these characters, including one of the Inquisitors (the other one is just kind of...meh). I enjoyed getting to know my crew, but I wish they had a little more to do in the game. In reality, they just stay on the ship 95 percent of the time while you are out running around on your mission (not that I entirely blame them...it is a cool ship). The conversations between these characters were usually good, but sometimes Cal would not mention huge, seemingly significant events or people he ran into to his crew! For a cinematic franchise like Star Wars, this game could have used a couple more cutscenes. The game often feeds the plot or a character’s mindset to players by making them idly stand near a crewmate and tapping R3 a handful of times to get them to cough up a couple of lines of dialogue.
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As is to be expected from a Star Wars product, the game’s music is terrific. Gordy Haab and Stephen Barton composed the score and recorded with the London Symphony Orchestra and the Bach Choir of London. Mongolian folk metal band The Hu also wrote and recorded a song that is featured during a couple of prominent portions of the game. The song lyrics were written in Mongolian and then translated into a fictional Star Wars alien language. The music compliments and elevates the game’s setpieces, with one standout part reminding me of Thor: Ragnarok. A couple of times, the game goes full John Williams to really make some moments hit home, and boy does it work! Hats off to Respawn for putting in this much effort in regards to the music for the game.
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Getting into the gameplay, Fallen Order is an amalgamation of several other games. Dark Souls, Zelda, Uncharted, Metroid, Castlevania, Sekiro, heck even Sonic...they are all here in some form or fashion. Unfortunately for Fallen Order, it does not elevate the features it borrows from those games. The biggest reason? The bugs. Oh my goodness the bugs. How can a blockbuster release like this have so many bugs? Maybe it had something to do with EA or Disney wanting to push the final product out before the release of The Rise of Skywalker the next month, but the amount of bugs in this game are simply unacceptable. While none of them led to a complete game crash, I definitely caught myself grumbling, “I hate this game,” with my frustration levels constantly reaching the scorching temperature of Mustafarian lava, especially considering Fallen Order’s inexcusably long load times. Seriously, the load times after dying are so long that I had enough time to run to the bathroom, heat something up in the microwave, or make a cup of tea (to help relax me from this rage-inducing game) before the game finished loading. How can I lift off from a planet and travel through hyperspace faster than the game can respawn me after dying? It is not just dying, by the way. The game developers think they cleverly hid load times behind elevator rides, but that did not work either! At least throw in some elevator music or comm chatter if you are going to make me stand there for so long!
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One time, I fell through the level to my death while walking on what was 100 percent solid ground. Speaking of solid ground, or should I say the lack thereof, enemies continued to fight me while clearly hovering in thin air when they should obviously be plummeting to their death. Woe is me if I tried to reach them, though, because my Jedi character must not have that ability, leading to, that is right, more death falls for me as the enemy looked on from his invisible sliver of ground above. If I was lucky enough to have an enemy remain in my relative vicinity and not stand off a ledge, that enemy had a chance of pinning and glitching Cal against a wall, leaving me trapped until I died from the beating. The enemy who kills Cal glows gold until players shave off a piece of that enemies health, which is great, but that means players cannot see that enemy flash red when he uses an unblockable attack. How could Respawn not notice this error when it is such an important component of the combat? For all the aggressive enemies with magical glitching powers, there were also those that would have a change of heart mid-combat and go pacifistic on me. I found this especially common in the later game and on one planet in particular with ranged enemies. They would fire at me, I would block their shot back at them and injure them, and then they would just stand there staring at me. It was really bizarre and made me uneasy turning my back on them to explore the area. I also experienced my health and Force bars completely disappearing from the screen. The first couple of times it happened, I thought it was intentional and meant that Cal could not die for that sequence of the game. Wrong! So much for thinking I was momentarily invincible with unlimited Force powers. This bug was especially crippling during big boss fights, as you can imagine. Respawn throws in some quick time events once in a while where players have to press the correct button in a very short amount of time. For the most part, I did not mind these, but one exception got my blood boiling. Cal is fighting a giant creature and ends up free falling. The game requires Cal to land in a very, very precise spot and pull of a quick time event. I cannot count the number of times I fell to my death during this part because of how finicky the game was being. Cal conveniently stumbles across every single icy or muddy slide in the galaxy during his travels, a way for the game developers to disguise a way to get players from point A to point B quickly, but these slides are also quite particular with when players jump and where they land. Another good portion of my deaths came from Cal not making a jump on one of these slides when he clearly had the distance or him seemingly landing and making the jump only for him to glitch and then fall backwards into a never-ending dark chasm. The game developers may have thought players would enjoy these slides, but I came to dread them.
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The worst game bugs by far, however, dealt with frame rates and level textures. Not contained to one section or even one planet, unfortunately, garbage frame rates wreak more havoc across the galaxy than the treacherous Empire. I am telling you the frame rate is absolutely abysmal in this game. I can forgive a drop in frame rate if it happens a couple of times, but it is like it is a built-in gameplay feature of Fallen Order. It was maddening! How can Respawn expect me to properly block or dodge if the game cannot even keep up with my movements or camera adjustments? Texture pop ins and clipping were also recurring issues. One time, I noticed a soldier’s helmet load in late. Another time, a Wookie’s fur took a while to fill up the character model. (By the way, the Wookies in this game look horrendous.) Sometimes, it would get so bad that the game would just pause completely so that it could load in the content of the area. I honestly thought the game had crashed and was about to reboot the console before everything stuttered back into place and Cal got moving again.
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I have done a lot of ranting about the game’s flaws the last few paragraphs, so let me get back to some things I did like. The combat works well. I cannot begin to tell you how satisfying and occasionally outright hilarious it is to Force push a trooper off a ledge, especially when he is standing there trying to intimidate you. I had so much fun simply blocking stormtroopers’ laser bolts right back at them. Best of all, I started taking every opportunity I had to pull enemies toward me, especially ones perched up on higher vantage points, and stab them straight through with my lightsaber. The lightsaber boss fights were a highlight of the game. Players feel the weight of every strike and every struggle when the blades cross.
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In addition to Cal’s lightsaber, he also has his Force powers at his disposal. He starts out with Force slow and gradually adds other abilities, such as push and pull, as the game progresses. Players may question how Cal, a Jedi, can struggle with a squadron of stormtroopers or the local wildlife, or they may ask why he does not start with all of his Force abilities, but it all makes sense when you consider that Cal has to rebuild his connection to the Force. He has not used it since he was a child, after all. It makes sense that this amateur padawan who did not complete his training runs into a tough time in combat. When Cal does unlock new Force abilities, the game cleverly flashes back to show Cal’s master teaching him that ability during his training before Order 66.
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Players can further bolster their Force, survival, and lightsaber abilities through a skill tree. Skill points accumulated from defeating enemies grant players access to increased health, stronger stim potency, increased lightsaber damage, and mass push, to name a few skills. Even later on in the game when most of your Force abilities have been unlocked and Cal has found a couple of fun new gadgets, the game still feels balanced. Cal never feels overpowered like Starkiller in The Force Unleashed games. Even when they are maxed out, his Force push and pull do not appear to have much of an effect on bosses. At most, they will briefly stagger them, whereas when they do it to Cal, he will comically tumble over like Palpatine when Yoda Force pushed him across his desk in Revenge of the Sith.
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I will argue that a couple of Force abilities become outdated later in the game. At one point, I forgot I even had Force slow because I had not used it in a while. I only remembered it while I was trying to solve a small puzzle to escape from an area and had exhausted all other options. Can you blame me for always wanting to Force push enemies off a cliff instead of slowing them down?
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I appreciate that the game developers allow players to adjust the difficulty at any time. I started out at a higher difficulty and found myself dying before I even left the first world, Bracca. However, I persisted. That is, until I faced off against Oggdo Bogdo and his trash hitboxes. Players can stumble upon Oggdo Bogdo very early in the game. Oggdo Bogdo, a carnivorous amphibian creature, is a boss variation of the more common lookalikes of him. There is a similar optional alpha creature boss encounter on most planets Cal visits. No matter how hard I tried or how many different strategies I employed, Oggdo Bogdo proved to be too tough for me, and after waiting through countless death loads and having to run back over to Oggdo Bogdo’s location time and time again, I decided to lower the game’s difficulty, allowing me to finally slay this ugly creature.
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Like Sekiro’s sculptor’s idols or the bonfires in Dark Souls, Fallen Order relies on meditation circles as its save points. Cal can rest to full health and restore his Force meter as well as restock health stims. Meditation circles also allow players to access the skill tree and spend skill points. These meditation circles implement a good risk versus reward system. If players choose to rest at a meditation circles, all of the enemies he or she has defeated since the last rest will respawn. I regularly found myself weighing the pros and cons of my situation, questioning if I should heal and get more stims or push on so that I did not put more enemies in my path.
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While I am on the subject of these meditation circle save points, I have to point out that Fallen Order does not have fast travel. Instead, it encourages players to backtrack and explore previously inaccessible areas that they can now open with their newly unlocked abilities. This was fine for a while, but I quickly grew tired of it when I noticed how much of the backtracking had me slowly climbing, traversing across narrow walkways that Cal has to carefully balance on, or shimmying over narrow cliff edges. This is padding by exploration. While the vine and rope swinging was fun, especially with Force pull, I stopped enjoying climbing up a conveniently placed arrangement of vines and the like by the halfway point of the game, if not earlier. I will admit that I believe Fallen Order contains just the right amount of playtime, but this stuff had it teetering on the too long side. This is compounded by one important world that players have to visit multiple times that feels too big. The developers’ creativity and excitement got a little out of hand here. Just pull up the map of that world to see how unwieldy it is. When I completed the story on a planet like this, I felt exhausted rather than triumphant. Why can’t I hail my crew to come pick me up in the ship where I am rather than having to run across the entire planet again to get back to the landing pad, fighting the same enemies I already cleared out a couple of hours ago? The game developers do provide a few shortcuts that players can open, but the amount of time they end up saving is negligible in some cases.
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I was disappointed that there is no real endgame content. Sure, players can continue to explore or fight enemies for the heck of it, but the developers could have done so much more. After players unlock every ability in the skill tree, the skill points they collect after that become meaningless. I will confess that I chose to rush past enemies to get to my next destination rather than waste time or energy fighting them for the 50th time after I had filled out my skill tree. Why not unlock fast travel after players beat the story? How about adding in a fighting arena where players can test their maxed out skill set against waves of enemies? Heck, let the players unlock dark side Force abilites like Force lightning or Force choke after they complete the story so that whatever they do then is not canon. I would have continued to gather skill points for that!
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Now I mentioned Cal’s droid companion BD-1 earlier, but BD-1 deserves a special shout-out. BD-1 is spunky and lovable. Not only does BD-1 shoot Cal stims to heal him, the droid also provides hints for puzzles, scans enemies to suggest tactics to take them down, plays recordings that push the story along, and helps Cal navigate the worlds by hacking locked doors or carrying him across zip lines. Additionally, BD-1 projects the holomap of each planet, which is vital to keeping track of where Cal is in relation to the ship or his destination. The holomap itself is decent. Color coding helps players see what is inaccessible and what is unlockable, but for the bigger worlds with multiple levels it can be quite a burden to scroll across. Not to knock BD-1, but I grew impatient waiting for the droid’s animation that it goes through every single time Cal finds a hidden chest. Cal opens up the chest, BD-1 jumps in and rumbles around, and then jumps back out with whatever was inside it, all while Cal repeats the same lines of dialogue, like “Woah, buddy!” or “Careful now.” or “What did you find in there?” There are 107 chests in the game. Let that sink in.
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These chests are one of the rewards for exploration. They contain items that players can use to customize Cal, his lightsaber, BD-1, or the ship. While this is motivation enough at the beginning of the game, this customization serves no purpose beyond cosmetics. It comes down to which poncho or paint job players find more aesthetically pleasing. I love that the game developers let players change lightsaber colors, but I wish these different ponchos and lightsaber parts had some sort of effect on the gameplay, such as restoring more of Cal’s Force meter or refilling a small amount of health after defeating an enemy.
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Force echoes serve as another reward for exploring. Cal uncovers lore from past events by reaching out through these Force echoes. They rounded out the worlds nicely and added to the feeling that they were lived in, real places in the galaxy. The final element of exploration is BD-1′s scans. While you are running around, BD-1 will occasionally crawl down off Cal’s back and scramble over to something the droid wants to scan. These unlock data entries on the planet, its flora and fauna, the Empire, or other characters. This is all fine and dandy, but the level of exploration the game developers expect players to do with all of the backtracking involved needs to reward me with more than just basic lore, especially when some of the entries feel like the writers did not even try when they wrote them. Is an entry on a storage crate telling me that the Empire stored materials in it really worth stopping to scan? I think not. Instead, the game developers could have really motivated me to explore more by throwing in a few interesting side quests or fun Easter eggs. Maybe players could stumble upon active Imperial transmissions and overhear characters like Tarkin or Thrawn. Maybe players could find an abandoned Imperial camp and watch Imperial or Rebel propaganda over a holofeed that was left on. They could have even hidden a squadron of battle droids that were forgotten from the Clone Wars. So many possibilities!
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Jedi: Fallen Order is far from a perfect game and has so much unrealized potential, but I would not trade away my time with it. For every flaw, I can point to a positive, and vice versa. At the end of the day, I got to be a Jedi, and that is good enough for me.
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misscrawfords · 5 years
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The Rise of Skywalker: Part One
I have lots of thoughts and feelings about TROS. Most of them negative. For three days I’ve been alternating between raging and crying. Finally, I’ve felt able to start writing.
This is a negative review. If you loved the film then this might not be the post for you. I am very sensitive to what happened after TLJ. And I want to reassure anyone reading that I would never turn criticism for a film (which is absolutely a valid response to seeing something that you disliked and are trying to understand) into personal attacks against the actors or creators involved or, worse still, fans who liked it. If you liked TROS, can’t bear to hear any criticism of it, and still choose to read my posts about it, then that is on you. (I really shouldn’t have to say this but this is a hellsite.)
This post contains spoilers for TROS... and Jumanji 2. Go figure.
Things I liked:
·       C-3PO and everything he did. This droid is the character I identify with most in the entire SW series (which probably says some uncomfortable things about me but this is not the time!) and he had such a big and important role and his quips were genuinely great and funny and I loved everything he did. Apart from – but more on that later.
·       Ben Solo. Uh, other people have talked about his little shrug and his “ow” and his smile – oh god, his smile. Ben Solo is amazing. It’s a shame that – but more on that later.
·       I didn’t hate Rey Palpatine. I mean, I literally wrote this story when I was 13 when I made Hermione Voldemort’s daughter as a way of explaining her inner darkness and had her team up with Harry (with whom she had a telepathic bond) to destroy him. (You can read the story here if you really want to.) So it would be pretty hypocritical of me to hate this plotline. I enjoyed seeing angry, feral Rey on screen, I enjoyed seeing a female hero confronting her capacity for destruction and darkness. I was okay with the idea of a final face-off between a Palpatine and a Skywalker and how this is a way of bringing final balance to the Force. This was pretty interesting and I’d be up for this. I much prefer Rey Nobody but as a concept I’m not actually against it. Unfortunately the execution – but more on that later.
·       I really enjoyed more of Finn and Poe. I love both of them as characters. I mean I can’t think of a single bit of dialogue that was meaningful between them or what they accomplished in particular for they had some fun moments.
·       Finn and Jannah’s conversation about being ex-stormtroopers was a lovely scene, a moment of much-needed quiet and reflection and bonding in a film that was far too hectic and crowded. Shame it went nowhere.
·       Reylo kiss? I mean, that was cool.
·       Unironically, I loved Hux. He was snarky and his revelation of being the spy because he just hated Kylo that much got the biggest reaction in the cinema of the entire showing. Admittedly it was derisive laughter as we all realised what a clusterfuck of bad writing this film was, but still. It crossed over into so-bad-it’s-good territory. Hux gave me considerable pleasure in a film that otherwise made me very angry.
·       My favourite scene in the film was when Rey and Kylo fought on Pasaana over the transport ship with Chewie (apparently) on and Rey blows it up. The cinematography was amazing, it was a visual representation of both balance and building on the lightsaber breaking scene in TLJ while upping the stakes considerably and Rey’s reaction of visceral horror when she realised what she had done was truly shocking and unexpected. To have Chewie killed off so suddenly like this for no reason except that he was in the wrong place at the wrong time and the stakes are high and this is a desperate war with casualties – genius. A perfect way to make Rey and Ben even more similar – both having killed father figures – and have Rey confront her dark side as she wrestles with what she has done and the consequences of having a non-unified relationship with Ben while also being in a position to truly empathise with him – this was exactly the content I had signed up for. But it was the moment that it was revealed that Chewie was still alive that I realised what I’d only suspected before then: that this film was terrible and I would not be able to trust any emotion it was inviting me to feel.
Fundamentally, I think that this film is incredibly poorly written and emotionally dishonest. It is telling that I saw Jumanji 2 earlier in the day and out of the two films, the only point at which I cried was when Milo decided to stay in Jumanji as a horse. Why did I cry? Because Milo and Grandpa’s relationship had been gradually built up over the course of a film that was not afraid of quiet moments and building a narrative of a relationship that revealed what it needed over the course of several meaningful scenes. It allowed Milo’s decision to stay to be both a tragic loss but also a happy ending for him. Truly bittersweet and in a way that everyone can relate to. The loss of a dear friend to illness is a horrible but human thing to contemplate. To be able to set this friend free through a metaphor of a beautiful death and afterlife is genuinely moving and hopeful. Unfortunately TROS did not manage to give me any such emotions or elicit a single tear.
At least not till afterwards. I’ve subsequently cried a lot, some of it over the tragedy of Ben and Rey in a film that promised hope, but mainly for myself and the other (mainly) young female fans who have poured all their knowledge and intelligence into analysis of TFA and TLJ and who seemed to understand the story that was being told and who had been promised more of this story in the interviews and trailers released prior to this film – and who are now feeling like absolute garbage as this film throws out its own mythology for an incoherent, self-serving mess that in many ways defies analysis. The only thing I feel really capable of analysing is how much it doesn’t work, as opposed to what the film is trying to do. Where is the symbolism? Where is the metaphor? Where is the hero’s journey? Where is the heroine’s journey? Where is nuance? Where is everything that was set up in both TFA and TLJ? IDK, I can’t see it. It’s a kick in the teeth.
So, no matter how many individual things I was able to enjoy at the time when watching TROS, they end up being meaningless because the entire film was so bad. I can’t feel pleasure thinking about the good bits because they were mired in context (or lack of it). I can’t feel genuine sorrow about the fate of Rey and Ben because the execution of that fate was so poorly done. I don’t even mind that Ben died. It was always an option and the story of redemption followed by death is a very common story, a very Christian story. Though the death of Christ to save us from our sins, is crucially followed by resurrection. I mean, literally everyone can and does die. That doesn’t make you special. If you’re going for a Christ metaphor, you kind of need resurrection too. But I’m not sure that was exactly what they were going for with it; it was a mess and the execution made little internal consistency.
It may be that if I watched the film again, my problems would be lessened and I would see new things in them and they would make sense. I’ve read some twitter threads of people who are making connections and finding explanations on a second or third viewing. But the problem is that I shouldn’t need to see a film more than once to fundamentally understand it. I don’t mean picking up on new and interesting features and subtext which a good film, like a good book, rewards you with on multiple viewings. TLJ does that. But you should be able to follow what the ultimate meaning of a film is when you see it first.
If that is the case, then the ultimate meaning of TROS is that the good are good, the bad are bad, change is rewarded with death, a character who was once alone ends up alone again, plot coherency is sacrificed for whatever explosion or cool backwards-reference is needed at the time, death is not the end except when it is, there is no cosistency and consequently no emotional impact. And apparently it is a happy and hopeful ending? The tonal disconnect with the story being told and the way it was shot and the music being played and the clear intention of the people making the film is utterly jarring.
To famously quote Macbeth:
It is a tale Told by an idiot, full of sound and fury, Signifying nothing.
This post is already too long so I will go into my criticisms in more detail in a further post. Stay tuned!
Read Part Two here.
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gffa · 5 years
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Master and Apprentice | by Claudia Gray I said to myself, okay, don’t go on about this anymore, move on to something else for awhile!  But, at the same time, I still don’t feel like I’ve full articulated what I wanted to say, how I wanted to present everything, so it still itched at me.  (Also, I really like talking about what I like talking about, as do most nerds!  XD)  So, I have the audiobook on in the background, I’m enjoying Jonathan Davis’ reading, his Qui-Gon voice with the Space Irish accent is a delight, and I’m just casually enjoying hearing the story over again and I come to the above. There’s also an interesting bit not long before it, The original scheme must’ve been to report the two Jedi “missing under unknown circumstances,” in order to cover up their assassination. But not even the Hutts were brazen enough to openly kill Jedi Knights.  We’ll come back to that. Now, I’ve done a fair amount of talking about this book, for establishing meta:
The Jedi’s role in the galaxy and why they can’t just ignore context.
Qui-Gon’s statements and why they’re so hypocritical in this book.
Qui-Gon’s actions are part of a bigger pattern of behavior.
And there are some interesting Dooku parallels and connections.
The Jedi are fucked no matter what they do.
Further meta that also establishes what I’m talking about here:
Padme trying to make effective change in the Republic while it’s her full time job to be a politician is incredibly difficult in Queen’s Shadow.
The Republic is a place just waiting for people to abuse their power and many just cannot understand intrinsically motivated people, from Mace Windu: Jedi of the Republic.
The Galaxy Far, Far Away, really doesn’t get what the Force is, why people would be devoted to it, and really kind of fears it.
The state of the Jedi’s position in the GFFA is hella complicated.
Force-sensitive children are in danger in the galaxy just for existing.  Jedi stuff attracts pirates just for being Jedi.
Trying to serve the greater good doesn’t always make you popular.
Playing vs Not Playing The Game isn’t so simple.
Not mine, but a fan-fucking-tastic breakdown of the Jedi’s role in the galaxy that lays it out so well.
Dooku: Jedi Lost contains a scene where the Jedi are trying to get the Senate to do more and it goes exactly as well as you think it will.  He directly says that they don’t have enough Jedi to police the Outer Rim!
This is in addition to how we see the Jedi try to resist things Palpatine and the Senate want, but get slammed back down for it, in the comics like Obi-Wan & Anakin and in The Clone Wars itself.
That’s a lot of reading, I know.  But this is a book where multiple storylines are winding together, that not much exists without context, and I’m linking the above because it’s all part of the background for why this specific moment is sort of the epitome of what I’ve been yelling about, in addition to that the GFFA is a complicated place. Why the above quotes?  Basically, I’ve been yelling a lot about how these three books--Queen’s Shadow, Master and Apprentice, and Dooku: Jedi Lost--may, on the surface, seem to be showing how the Jedi failed or lost their way or whatever, but in actuality when you read them all together and consider the consequences of what some characters are calling for, it paints a rather startlingly detailed picture of how there was no real way out of this and stepping too far to the right or the left would have left people utterly fucked. Add in other elements from the comics and you realize why the Jedi were in an incredibly precarious position just by the mere existence of their abilities, even beyond what others were.  And that, ultimately, trying to burn down the current system was not the answer and Qui-Gon himself knows it.  He doesn’t leave the Jedi--despite that he could take his own advice, could just run straight at the Czerka Corporation on Pijal, he could run straight at Watto on Tatooine, but doesn’t.  Because the numbers aren’t on his side and it would ultimately, in the grand scheme, fail.  In this book alone, he saves the day through the might of the Republic, that being part of it and working within the system is what allows for a lasting happy-ish ending for the people there. Let’s say the Jedi did what Qui-Gon wanted, that they just went in lightsabers blazing.  What happens then?  (And I want to pause and say, consider it in this vein:  Imagine the US Army just unilaterally deciding, without oversight of the people they’re under the jurisdiction of, just completely on their own, to invade another country to go do whatever they wanted there.  They can’t negotiate with them, because it’s not backed up by legal authority.  They have to go in with physical might.  Imagine the US Army just deciding, on their own, to go invade North Korea because they decided they didn’t like something that was happening there.  Even if we agree that the thing that justifies the invasion absolutely bad, the thought of going in without checks and balances is fucking terrifying.)      - Queen’s Shadow shows us that the Senate would blacklist anyone who went around them, would make anything they tried to do ten times as hard.      - Queen’s Shadow and Age of Republic - Qui-Gon Jinn both show us that the Senate and the galaxy at large doesn’t trust anyone who does things with genuine intrinsic motivation.      - This is double for those with a connection to the Force that the rest of the galaxy doesn’t understand why they’re not misusing that ability for personal gain. I mean, Revenge of the Sith also shows us that the galaxy was very willing to stand by while the Jedi’s Temple burned and their children were murdered. What would happen is that the Jedi, who are under the jurisdiction of the Senate because that’s the only way they’ll actually have the authority to do anything, because no way is anyone trusting them not to abuse their powers if they don’t have oversight, would at best be kicked out from their granted authority to go around helping people, and at worst the rest of the galaxy would band together to hunt down the Level 100 Psychic Space Wizards They Don’t Understand And Instead Fear Them and murder them/lock them away for “safety”. But, hey, maybe they could run and hide, take their children with them (because they couldn’t keep their Temple or stay on Coruscant) and hide from literally the entire galaxy that would either turn their backs on them or outright hunt them for sport or auction them off to experiment on or torture, but, as Qui-Gon notes, the Hutts don’t openly come after Jedi Knights.  You take away the weight behind the Jedi?  Where they’re 10,000 in a galaxy of quadrillions?  Where there is one Jedi for every seven to twenty billion people?  It’s suddenly going to be open season on Jedi and they can’t take on an entire galaxy. And the salt in the wound is that it wouldn’t even do any good, because, as Qui-Gon notes, it would just be replaced with a new set of crime lords in a few months.  And then the Jedi wouldn’t even be there to help anyone else at all ever. The only way to effect any real change is to do so with a system of government in place to support it so that, even when you’re not actively right there, those who would oppress and hurt others know that they couldn’t get away with it.  The Jedi do not have the numbers to police the entire galaxy themselves.  Any change they make has to be Republic-approved or it’s just going to be undone within months (or less).  They’d love to go in with lightsabers blazing, but it wouldn’t change a single thing, they’d be fucked, and Qui-Gon himself knows it, that’s why he stays and tries to work within the system.  Even if it’s an uphill battle to try to work within the system (and we see that the Jedi do try to talk to the Senate, talk to Palpatine, etc.) that’s the only way forward, because burning down the system wouldn’t work (at this point, it’s still better than every other feasible alternative) and going around it would fuck them all over, very much including the people they’re trying to help.
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kenobios · 5 years
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rotj: my thoughts
positives and negatives. spoilers ahead
so, i wasn’t gonna write one of these but i felt i needed to get some stuff off my chest so i can move on. i was just gonna pretend this movie didn’t happen but i think i can come to eventually accept that it did now that i’ve had time to digest everything.
POSITIVES:
- honestly... from my first viewing there isn’t a lot i like. but i’m sure this will improve the more i watch the film and actually have the chance to form an opinion on more things within such a hectic onslaught of information. - i laughed. c3po and that little fixer dude were genuinely funny (to me). dio (sp?) was super cute too. tbh i never cared much for droids (my obi-wan is coming thru here) but i actually enjoyed them so that’s a win for me - very pretty film. visually spectacular.  - fast-paced. not boring for a second (to me). kept me entertained. - rey’s yellow lightsaber. i actually liked this even tho it doesn’t match up with current canon (yellow being for temple guards). it reminded me of bastila and i was just waiting for her to show it off as a double-sided saber... which i didn’t get but it still looked like it was built for it so i’ll take the win. - the idea of palpatine being powerful again but it would have been cool to see a younger version of himself - rey and ben teaming up and the intimate moment they shared which felt genuinely beautiful and was one of the highlights for me
now here’s the ISSUES i have off the top of my head, some of them having been mentioned on this blog before:
- the trio. everyone else has already said it. forced and uncomfortable. it felt like they were setting up a love triangle for the first half of the movie as well, which was weird. when they had poe and rey have those ‘moments’ or when they bickered with each other i was like ‘they better not be tryna spring up some hanleia dynamic on us for the last film between these two’ especially while also baiting finnrey (which is never touched upon again after the first half of the movie, yikes)
- towards the end of the film, i turned to the person next to me and said “this reminds me of a video game plot” - i couldn’t pinpoint exactly why that was, but it was just a feeling. and not a deep, thorough video game plot either. another reviewer said something similar. it’s just... very shallow, expository and it feels like it’s dragging you and the characters through very railroaded and forced missions/battles. i mean at the start they’re really just looking for something, going to someone, that person says they need to talk to someone else for the thing, they go to another person, etc. which is a type of mission device used in games as well. it also felt to me like one of those japanese otome games where rey is the bland female character that all the male characters fall for (poe, finn, kylo) and she gets her pick of which one she wants to romance, which was cringe.
- i didn’t hear the characters. i only heard what they were forcing the characters to say in order to progress the plot or explain the plot. the characters themselves became faceless inserts for exposition. so many times i heard a character say something and thought... that was a jarring piece of dialogue that seems both out of character and unnatural to say at that point in time.
- although i said being fast-paced could be a positive, it was largely a negative for me. at one point it felt like slide transitions were happening at minute intervals. a major plot point would be revealed and then no time is given to process, it’s onto the next major scene. this left everything feeling very rushed and messy, which i believe is due to half the film being cut for time constraints.
- each character is either twisted into an unrecognisable character, or ignored/not given the time they deserve. rey? blank slate female protag with a famous bloodline and who barely reacts to the things going on around her (leia dying, ben dying, she disregards her ‘friends’ on multiple occasions). like others, i always defended rey’s abilities, but this film is too much. she has been made a mary sue. finn? rendered nothing but the ‘friend’ pining after a girl and only briefly gets time with his own story which is never fully explored in this film by any means. poe? turned into a grumpy, seemingly jealous ‘friend’ with a shady past that felt like they were trying to make him the ‘han solo’ of the trio rather than going with what we already know about his character. leia? now this is hard, and i respect what they tried to do, but i still felt like her death could have been done a bit better rather than the quick ‘shock’ moment it was. also the stuff with luke training her is a no for me. way too shoe-horned and part of what made leia cool to me was that she was a skywalker but didn’t need to be a jedi. her powers were elsewhere. kylo? don’t get me started. rose? who? she may as well not have been in this movie with the way they ignored her character and showed how little the other characters care about her. it broke my heart.
- rey palpatine? though i’m a rey kenobi fan, i was happy with rey nobody. i liked what it stood for. i didn’t mind the idea of rey palpatine in theory, but the way they force-fed this to us in the film rather than building it up left a bad taste in my mouth and i’m going to have to pass on it. if they wanted to have her related to palpatine, they should have just made her a clone imo. it would have matched with what was being built up prior (in tlj with the clones in the cave), it would have explained her ties to the dark side, it would have completed the palpatine/skywalker poetry, and it would have still been congruent with her being a ‘nobody’ since that’s essentially what clones are seen as in star wars. also we wouldn’t have to think about the fact palpatine got laid. laboratories were already set up in jakku by palpatine. cloning itself was shown in rots anyway (snoke) so? 
- although i’ve wanted ben to be redeemed... it still felt too rushed in this film. also, he does display some toxic tendencies as kylo ren towards rey (trying to manipulate her to go with him) which didn’t sit well with me but i didn’t really see ben/kylo ren in his scenes sometimes anyway, since he was also forcibly used to give exposition to us/rey. i did like his scene with his mother and father in the film but i just needed more than that to really feel his redemption rather than the quick switch we got. 
- i originally wasn’t okay with the whole ‘bringing someone back to life through the force’ thing since i always liked the idea palpatine was just saying that to honeypot anakin, but decided i’m willing to accept it as a unique ability they had for each other due to their force bond. but then... ben dies anyway. and it’s done in such a way that leaves you feeling ‘wtf just happened?’. it was random, forced, didn’t feel necessary and it just... happened. no one reacted to it. he wasn’t referred to or mentioned after this. the last skywalker goes out just like that. poof. okay. so was this a shock death or was jj genuinely trying to appease people who didn’t think ben deserved redemption or to live? either way ben lived such a sad, cruel, manipulated life that his death seemed unfair and we’re all supposed to think this movie is hopeful and celebrate a few minutes later? i don’t think so. in fact, everything that happens after that scene feels incredibly uncomfortable because of the massive tonal shift.
- the kiss. ok don’t hate me. i enjoy reylo. but i honestly think the kiss wasn’t exactly... needed? maybe it was just because everything else felt so forced but it felt a little forced in this scene for me. for me, the hug ben gave rey just beforehand spoke more volumes of their intimacy. i did mention their intimate moments above as a positive, so i still like this overall moment (in addition to the moment rey heals him). but the hug spoke enough to me that it would have been nice to keep it more subtle yet obvious enough (thanks to their acting) that they cared deeply for one another. but then again, this is what i felt before i knew ben died, so. idk. i guess it would suck for ben to die without having kissed rey? how about just don’t kill ben off. have them hug instead of kiss and then leave us to fill in the gaps as they both live. how about that.
- the rey skywalker thing is embarrassing. and rey ended up alone in the desert... just how she started. i just can’t. by the time this came on the screen i was ready to leave. i only stayed because i HOPED there would be an after credits showing her on the falcon, or her training finn to be a jedi, or her speaking with any of the force ghosts (luke or ben or anakin).
- speaking of which. why were there no force ghosts in the scene where she fights palpatine? we just get voices? that scene really lacked impact and the whole fight sequence just felt blah. palpatine came back super strong and then he was gone in moments. there should have a) been force ghosts or some kind of visual presence of the jedi to help rey whether physically or just boosting morale and b) ben should have fought palpatine with her.
- why is rey alone in the desert? i honestly didn’t think this meant she was going to be a hermit until i came online and saw that’s what everyone else thought. but just... why? why is she not passing on the jedi ways she fought to keep alive? or the knowledge she has gained/kept in the sacred jedi texts she stole? surely not. surely that is her plan. surely ben saved her not just because he loved her but also because she can carry on the skywalker legacy NOT by dying alone in a desert but by training new jedi. (which, again, SHOULD HAVE BEEN FINN AS THE FIRST NEW JEDI!) or better yet, a new type of jedi that don’t follow toxic ways but that incorporate both the light and dark side of the force like she does? and calling THEM skywalkers? but nope. instead she ended up back where she started. except with less personality this time.
- i can’t talk enough about how cool it would have been to have jedi!finn at the end. talk about coming full circle from the promo baits they had for TFA of finn with the lightsaber. AT LEAST GIVE US THIS.
- the whole movie just felt like a massive disrespect to the previous film. everything rian built was trampled on, retconned or ignored. say what you want about tlj and rian, but this is what happens when you ignore or try to retcon the preceding film whether you like it or not. everything feels messy and the plots get screwed up. this movie would have been largely different (better) had they not tried so hard to pretend tlj didn’t exist. even if you didn’t like it, take the plot and mould it into something you do like. don’t just toss it aside and lose all sense of continuity between the films. i don’t blame jj for this exactly, but rather the disney committee that were too afraid to acknowledge tlj’s existence due to the reception it got from fans and thus felt the need to have jj ‘fix/retcon’ things rather than build upon/improve things.
- oh yeah hux. that happened, i guess. i thought it was weird and it kinda sucked that they did that. who cares about the new guy? general pride or whatever? no one. surely making general hux more menacing couldn’t have been THAT hard. but no. we get a rather silly death instead. alright. at least he can forever be known as the petty king of star wars.
- there’s probably more. i could write an essay but i’m getting tired of complaining already so i’m leaving it here. if you happened to read this far and want to talk about it with me some more, my DMs are open!
overall, i just hope some canon content is going to be released, either in the form of a book or a comic, that explores more of this following the movie. i want to know more about finn’s story. i want to see whether rey does stay on tatooine or whether she trains jedi. i want to see whether she communicates with ben through the force, or just, y’know, any closure on that would be nice. i want to see the director’s cut with the other half of the movie. then, perhaps, i will know peace.
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youremyonlyhope · 5 years
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The Last Jedi
Here we go. The most controversial Star Wars movie ever (unless Rise of Skywalker has reviews that are just as mixed. I haven’t read any so I don’t know how it’s been received yet.) I actually really really enjoyed the Last Jedi, but I haven’t rewatched it since I saw it in theaters.
Also, unrelated, but literally just a few hours ago I met Oscar Isaac. I was doing a caroling event where I work, and he came by with his son to watch. During one of our breaks, he asked if his son could try the microphone and he held him up so he could whisper and sing stuff into the mic. It was adorable.
I seemed to be the only person who recognized who he was, though one of my co-workers said he had thought so too but he wasn’t sure until I confirmed it. So I went up to Oscar and said hi, asked if he was Oscar Isaac, shook his hand, and thanked him for coming. He says that it was great and that his son loves to sing.
I always joked that I’d bump into Oscar one day since he lives in Brooklyn, but I didn’t think it’d actually happen. And not while I’m wearing a Star Wars shirt and Star Wars socks (which he obviously couldn’t see since I was bundled up in a coat and a scarf and boots but whatever). And definitely not the day before I’m supposed to see the Rise of Skywalker.
I’m still freaking out oh my god. Ok. Time to rewatch the Last Jedi.
A long time ago in a galaxy far, far away... This was the first Star Wars movie I’d seen in theaters in like 12 years at this point. Seeing those words on a giant screen again was amazing. “Certain that Jedi Master Luke Skywalker will return and restore a spark of hope to the fight.” I love that line. I love any and all comparisons of Luke to hope. Yes I am biased. But also, restoring the spark is exactly he does in the end so yes, I love it. It’s just now hitting me that we’re picking up exactly where we left off. Having 1 night between the two movies is every different than having 2 years. ...Was that whatsherface from Game of Thrones, Catelyn’s creepy sister? (IMDB says yes) *BB8 beeps* “Happy beats here buddy, come on.” BB8 sort of said the thing! Also, OH MY GOD I JUST MET OSCAR ISAAC AND NOW HERE HE IS ON MY SCREEN WHAT THE HELL. Was today even real? Oh General Hugs. “Skinny guy. Kinda pasty.” Knowing Oscar and Domnhall are friends makes this better. Oh BB8. Very honorable of Billie Lourd’s Lieutenant Connix to make sure she’s in the last ship leaving the base so everyone else leaves before her. I forgot about the chain reaction of bombs destroying their own Resistance ships... You know, Paige dying while dropping the last of the bombs was already emotional. Rewatching it after you know she’s Rose’s sister makes it worse. First Binary Sunset of the movie. General Hugs has a very good upset face that makes me not feel bad for him at all. More like I want to punch him. Snoke can use the Force across the galaxy... forgot about that. I realized I didn’t mention this in the last one, but I remember the crew complaining that when they filmed the end of Force Awakens it was a cloudy day, but then when they went back to the island for TLJ it was super sunny. And now that it’s been pointed out, I noticed it immediately. Luke throwing the lightsaber. I can’t remember if I was spoiled for this but I feel like when I watched it, I wasn’t that thrown off by it. Something else I didn’t mention at the end of Force Awakens is that I LOVE this set. The stone houses are amazing. Oh porgs. Also, that porg looking into the lightsaber always gives me anxiety. The first words we hear Luke say in 40 years are an annoyed “Go away.” which at least is less whiney than the Tosche Station. Oh Chewie’s like “DUDE. WE NEED YOU.” “Wait... where’s Han?” Awww. Throwing in a little Vader’s theme in there. More temper tantrums. People getting mad at Luke calling a lightsaber a laser sword (in a purposefully mocking way) even though George Lucas himself called them that in some interviews. Yes, it’s not a laser sword, but Luke is trying to show how ridiculous he thinks the idea of him taking down everything is by calling a lightsaber that. I remember being like “Luke... no let’s not just milk that thing... oh ew” I do love the shot of Luke using the giant stick to cross to the other cliff and kill the fish. God that’s a steep hill. “No one’s from nowhere.” “Jakku.” “Alright that is pretty much nowhere.” That’s funny. “It’s time for the Jedi to end.” Remember when that line in the trailer made the fandom literally break down? I love knowing that behind the scenes, Carrie had to slap Oscar a billion times. Also, I do not blame Leia at all. So many people were mad about Leia and Holdo demoting Poe, but Poe was too fearless in that moment. Yes, he destroyed the ship and it worked out, but they lost so many people and they already didn’t have many to begin with. It was worth it, but at a very high cost. So I don’t blame her. Heyyyyyy it’s that girl from that Black Mirror episode and what was that other show? Chewing Gum or something? (IMDB says yes it’s Michaela Coel) See and Poe’s already learning a little by asking permission. Of course... later on he doesn’t ask permission... but whatever. Leia’s Theme... causing me pain. Oh, Kylo didn’t kill his mom. We’re supposed to be happy about that? The bar is on the ground. The utter horror I felt the first time the control room was destroyed and Leia was pulled into space. Oh I love the moment when Leia flies in. Because I’d heard that in the books and comics, we get to explore Leia’s Force abilities and stuff but we don’t get it in the movies besides “I feel that Luke’s in trouble.” Which sucks, because she is the “other” if Luke didn’t work out, so she’s just as strong as Luke if she got trained. They should have just trained both kids honestly, why did they pick the boy? Not saying Obi-Wan and Yoda are sexist... but they’re probably sexist. Also, foreshadowing. I actually noticed the hologram of the ship and Leia flying through this time. Oh Chewie. I like the porg that literally has his jaw dropped in horror. Knowing now that the dice were kind of a symbol of Kira (was that Emilia Clarke’s character?) and Han’s relationship makes me not like them as much. Still, cute throwback that they’re still on the Falcon. We can just ignore they weren’t there in Force Awakens (I kept an eye out and didn’t see them) The way Luke laughed when he said “R2!” I just... my heart. “Nothing can make me change my mind” *R2 plays the Leia hologram* I literally just went “AWWWW” out loud because I forgot that that’s why R2 started playing it. Oh my heart. That hurt the first time. Luke standing over Rey, but offering to help her. Parallels. Oh Admiral Ackbar. I love Holdo’s dress. I love the draping. Someone teach me how to make it. “Thank you for making me aware.” Yeah Poe, she already knows. Stop mansplaining. This is literally a case of mansplaining, why would Poe think he’d have to explain to a commander that there’s no fuel? Yeah it’s a little harsh, but is Holdo wrong? All of these fanboys complain about Canto Bight, but forget that it was Poe’s idea. Then they go and say Holdo was too mean should have put Poe in charge. Guys. Poe’s impulsive. We love him, but he’s the ultimate Gryffindor with no fear and will just do anything without considering consequences. I do wish Holdo had been more open like “I have a plan. You don’t need to know all the parts of it. Just let me do what I need to, ok?” instead of “Just follow my orders.” but still. Oh poor Rose. “Doing talking....” Oh she’s so cute. “I’ve had to stun 3 people trying to use this escape pod.” We love a girl who can fight. Yeah. Once again. Not mad at Rose. Finn does have some selfish tendencies, he’s well meaning but ultimately selfish (or at least, only thinking of Rey). So I do not blame Rose for stunning him.
And now I will take a nap since I have to go to a show tonight. And then I will finish the last 3/4-ish of the movie when I get home later.
Annnnd I’m back!
See. Rose has good reason to be mad at deserters. Ok so it wasn’t Poe’s idea to go to the Star Destroyer it was Finn’s. I will give him that. But still Poe went along with it. “That... wasn’t exactly my...” Oh 3PO. I wish Maz had had a bigger scene. More Lupita please. I have one question: from what angle is this hologram filmed? And how does the camera follow her? I guess it’s multiple hologram cameras, but still, it followed her as she rolled and ran around. Also, did Finn call Maz or did Poe call her? Because as far as we know, only Finn knows her. It seemed like they both had the idea to call her, but that Poe had it first. Did Finn tell Poe about Maz? I’m glad they showed Finn handing Poe the binary tracker thing, since for a second I was like “What if Rey had popped up next to Finn on the Star Destroyer?” I’m glad Rey’s first instinct is to shoot Kylo. “Can you see my surroundings?” “You’re gonna pay for what you did.” “I can’t see yours.” Why do I remember that line so vividly? Why does it make me feel so unsettled? Rey, my sweet Rey, I wish you had just told Luke that you saw Kylo. I love Luke’s explanation of the Force. And him messing with Rey was funny. I love when Rey’s reaching out and feeling life, death, peace, violence, etc. And I love Luke saying the Force doesn’t belong to the Jedi, because it doesn’t. The Jedi failed years ago. “You didn’t even try to stop yourself.” Luke’s horrified. But also, Rey’s just like an extreme version of Luke. Yoda knew that Luke’s emotions could make him vulnerable to the dark side, Rey’s already vulnerable. Yeah, I don’t blame Luke for being scared of Rey after he feels like this is Ben all over again. Oh my god. I love the porg that has a metal piece over its head. That actually made me laugh out loud. Poor Chewie.
I just had to refresh tumblr because my draft wasn’t saving. It brought me back to my dashboard. Where there was a spoiler for the new movie and it wasn’t tagged. PLEASE tag your spoilers people.
The water hitting Kylo still confuses me. Say what you will about the Canto Bight plot... the costumes are AMAZING. The costumes literally make the whole side plot worth it to me. Literally I was just in awe by all the costumes during every single scene. And the set! The set’s fantastic too! I literally just paused every single second to take in all of the costumes. Do I care if the Canto Bight trip ended up pointless? Nope! Because it gave me some of Star Wars’ best costumes. Oh... to be an extra in the Canto Bight scene... Just show up... And put on a beautiful outfit... And do nothing else but pretend to drink, talk, and gamble... That’s the dream. Oh hi Mark Hamill! That was cute that they let him voice that little thing. I remember noticing the thing and being like “...is he important?” and nope, it’s just Mark doing an extra voice. Oh I love the Fathiers. Aww and it’s the little Force sensitive boy. I have thoughts about that kid that I can get into later. The way BB8 jingles with the coins. I love it.
Rey: *Does a move with her stick* Rey: *Does the same exact move with the lightsaber* Fanboys: She’s too good too fast! Mary Sue!
As I said throughout all of the Force Awakens, she’s just applying the skills she already had. If anything, a lightsaber’s easier since it’s half the length and she doesn’t have to worry about the back of it hitting her. LOL, remember when we thought this shot was an epic shot of Luke training her? Good times. Oh that poor fish nun. Everything Luke says about the Jedi is true (also did I not say they failed earlier in the post? Luke agrees with me). Rey’s right that a Jedi got Ani to come back from the dark side, but the Jedi’s system enabled him to turn in the first place. Soooooo yeah. Oh Luke. Don’t blame yourself. Kylo was already basically gone. Sure, seeing his uncle standing over him with a lightsaber definitely didn’t help... but it’s not the only thing that made him turn. Who is this captain of the medical ship? He looks familiar. (IMDB says he’s Danny Sapani. I probably recognized him from the Crown) Oh BB8. Finn, did you learn nothing from Rey? Put the cover back on the vent! Awww the Fathiers have such sad eyes... I love the Resistance ring. Can I buy one? Ok. The shot of the bubble egg lady singing felt like it was much longer the first time, but it’s really only a split second. I. LOVE. THE. CANTO. BIGHT. SET. I know it’s a real town in like Italy or somewhere near the Mediterranean. I want to go. I love it. I love that the first thing Luke does when he decides to use the Force again is to seek out Leia. Oh poor Adam became a meme after this. He just has a very wide and bulky body, ok? God Luke looks so scary in Kylo’s flashback. “Let the past die. Kill it if you have to.” That reflection scene is so visually stunning. So in a way, it’s like Luke is failing Rey like he failed Ben. He’s not helping her in the way she needs, so she’s being lured by the dark side instead. I love the walls falling around Luke. “Did you do it? Did you create Kylo Ren?” Rey, he already told you earlier that he believes it’s his fault, so the answer from him is yes. I can’t remember if we hear this story of Luke and Kylo one more time after this or not. “Then he’s our last hope.” Ok ew. No. Kylo is not allowed to be compared to hope. Only Luke, Leia, or Obi-Wan can be. Oh for a second I thought that torch was a lightsaber. YODA!!!!! I think I had been spoiled for Yoda showing up. It was definitely still exciting though. “The sacred Jedi texts!” Oh Luke. Oh memes. Not as whiney as I remembered. “But that library contained nothing that the girl Rey does not already possess.” Because Yoda knows she stole the books. Oh Yoda. I love Yoda. Oh Rose. Ok, so I will give it to Poe that at this moment it doesn’t seem like Holdo has a good plan. Abandoning ship isn’t necessarily cowardly, but on the surface it does seem like it puts them in more danger. Literally earlier today I watched a video about the layout of the Millennium Falcon, and the escape pods were mentioned. And I thought to myself, wow that must be something from the novels since we’ve definitely never seen that in the movies. Welp... I was wrong... Rey’s in one now. I was about to be like “Do they not care that an escape pod just docked?” before I saw Kylo. LOL the iron coming down like a ship. I feel like I remember being completely terrified when Rey stepped in front of Snoke. Oh BB8. Bumping into stuff. I remember being super relieved that DJ (has he told us this is his name yet? I can’t remember) gave back the medallion. Captain Phasma! Hey girl hey! Leia shooting Poe is still funny to me. Also Lieutenant Billie Connix is smart.  I love the scene of Holdo and Leia saying goodbye. Also, Holdo’s purple hair with her bright blue eyes is super striking. Good choice. Snoke puts down the lightsaber. Unknowingly sealing his fate. Literally when Snoke reveals he connected their minds, I was like OF COURSE. Because the whole time I’m like neither of them are strong enough to do this. “She was more interested in protecting the light than she was seeming like a hero.” See. And that’s the flaw in both Poe and Finn. And Rey to an extent. They’re thinking about the big picture, but in context of smaller things like seeming like a hero, saving Rey, saving Kylo, etc. But Holdo’s thinking of only the big picture. I knew DJ betrayed them, I just forgot how badly.
And here’s another annoyance (which I was sorta trying to touch on earlier). Everyone hates the Canto Bight plot, yet they complain about Holdo trying to take charge. If Poe just let Holdo take charge and ignored Finn and Rose’s idea, then her plan would have been a complete success. No Canto Bight, no DJ to betray them, all the transports make it to Crait unnoticed, and the First Order eventually destroys a ship that’s empty except for Holdo. They complain about Holdo, but don’t think about the fact that Holdo could have prevented another plot they hated if the main characters had just listened to her.
And then Snoke hits Rey and literally puts the lightsaber back to where it will kill him. Ok literally I just misread a caption that said “Lord Vader” as “Lord Voldemort” and I was very confused. Taking a second to say that I love this set of Snoke’s throne room. Been thinking it forever, but Kylo picking up the lightsaber off the ground and seeing the reflection in the smooth red floor is amazing. Kylo igniting the lightsaber through Snoke is amazing. Also, I typed “Ben igniting” before literally freezing for a second and being like “...ok that’s a lot to unpack” I guess when he does something good my brain thinks of him as Ben instead of Kylo. ALSO, arm #16 and #17, I love that Snoke’s arms were cut off too in true Star Wars fashion. And I am VERY excited to see this fight scene again. I told myself not to pause at all during the Kylo and Rey team up fight, but I paused literally a second into it because Binary Sunset yes.
And my idiot brother and my mom are texting in the family group chat so it’s popping up on my screen throughout this scene. Ugh.
All of these red knight weapons are so cool. And I forgot about the one that gets chopped up... Oh my god one is a sword that transforms into a whip. LOVE. IT. And I love the quick lightsaber ignite through the head. Love it. Woah how is there still 44 minutes? I remember this battle being much closer to the end. I was wondering when the red walls went away, but I rewinded and saw that they had been slowly burning away after Rey made something hit them. Nice touch.
Ugh my brother and mom will not stop texting.
“You have no place in this story.” Wow Kylo, harsh. Oh shoot I forgot about the lightsaber breaking until they started their Force tug of war with it. I’d always wondered what would happen if someone lightsped through something... I want to say that I realized what she was doing before they told us, but now I realize that they basically told us what she would do when the First Order guy said “they’re preparing to hyperspeed.” so I guess I just caught on to the obvious hints.
God that moment still gives me chills. The silence. The way it sort of goes black and white. The multiple angles. So good.
I know for a fact that I spent the rest of the movie from this point on with my hands over my mouth in a constant stake of shock/fear/anxiety. Oh BB8. Some people thought this was ridiculous. But I had just spent the last few months rewatching the prequels before seeing this, and compared to the stuff R2 does, BB8 clumsily controlling a walker is nothing. Oh how I love Gwendoline Christie. I FORGOT THAT WE SAW HER EYE IN THE MASK. I hope Phasma survived. She’s so awesome. Ok my quality is like horrendous right now so I’m gonna refresh. LOL I FORGOT ABOUT GENERAL HUGS NEARLY ATTEMPTING TO KILL KYLO. Oh I forgot how much I love Crait as a set location. OH AND THE ICE DOG THINGS! LOVE THEM! Poe petting BB8 when he comes back kills me. I like those space age two person laptops. “People believe in Leia.” *Binary Sunset plays* My heart. Ok for a second I was like “This first person camera is like a war movie” and then it turns and we see the trench and I’m like “...ok... ok fine but that was very literal.” The red footsteps. Just... guys this set is so AMAZING. Ugh, these red streaks of dust behind them are so amazing. And when Finn passes in front of the camera, it gets covered in the dust and blurs part of the lens. Just like the Rathtar goo in the Force Awakens. I wonder if that’s going to be like... the thing of the sequels. One shot that has the camera lens partially covered by something. Also, I just wasted time trying to figure out if there’s an official name for that or not... oh well. The winding stripes left behind as they weave around... just... amazing. YEAH! GO CHEWIE! GO REY! Oh my god I forgot about the porg roaring. “Oh, they HATE that ship!” I’M DEAD. Look at the salt and how it forms the crystals in the trench. I love it. I FORGOT ABOUT THIS SHOT OF THE CAVE FULL OF THE RED SALT. I LOVE THIS SO MUCH. I remember when the trailer had the first shot of the gorilla walkers, and I didn’t notice at first that there were normal AT-ATs next to them, and then I realized these things were twice as big as AT-ATs and I was horrified. See, and now Poe has learned that you can’t always be a hero and is making a good decision. I forgot about Finn’s speeder literally melting as he gets closer. I don’t understand the people who were mad that Rose stopped Finn. I for one was HORRIFIED at just the thought of Finn dying this way and thankful she stopped him. “That’s how we’re gonna win. Not fighting what we hate, saving what we love.” The kiss is pointless but I love the line and sentiment behind it. Oh god. Ok. Here come the emotions. Binary Sunset is playing. I was a wreck. And a little of Han and Leia’s Love Theme as she sees the dice. I remember actually noticing that in the theaters and half-sobbing. Oh god the forehead kiss. Oh and he winks at 3PO as he walks by. My heart. This is the specific shot of the gorilla walkers and the AT-ATs in a line that freaked me out. That shot of Luke standing up against all the First Order walkers and ships. Amazing. That shoulder brush though. Kylo’s so dumb, he literally just watched that lightsaber get destroyed, he HELPED destroy it. He should have known something was up, it couldn’t have been repaired that quickly. Purposeful shot of Luke’s feet not moving the salt. That Matrix back bend though. “I will have killed the last Jedi.” He said the title. Also, is that the only time it’s said? Because they say it a lot in Force Awakens but I don’t think so yet in this movie.. “And I will not be the last Jedi.” Ok so now it’s said again by Luke. Purposeful shot of Kylo’s shoe leaving a footprint as he runs to Luke. I’m pretty sure I probably shrieked when he tried to slice Luke in half.
I just now remembered that I’d actually kind of wondered if he’d be a Force projection or something when he first showed up. Because I’d just watched Return of the Jedi like a week earlier and saw Obi-Wan do it, so I wondered if Luke was doing it too. Especially when Poe said Luke was distracting the First Order. It passed my mind and was confirmed when Kylo couldn’t hit him. And here’s where I started to feel like my world was crumbling...
Oh god. My eyes are wet. It hurts. But when I watched it the first time, I really felt like my world was absolutely falling a part and ending forever while I watched Luke die. With the stupid binary sunset in front of him just like when he was a teenager and when he was a baby. One of the first things he ever saw was the binary sunset. I was like “This is beautiful, but that doesn’t mean I’m not completely in pain and dying.” That shot from above of Kylo with the stormtroopers, mirroring a shot from the prequels of Ani. Nice. So do they still have that connection even if Snoke’s dead?
HEY! Hey. Those dice were still visible to Kylo even after Luke was dead... was Leia Force projecting them to Kylo? It wouldn’t take as much work as doing it to everyone else at once from lightyears away. One person, your son, would be easier. So maybe... maybe Leia’s the one continuing the projection of the dice. I’m gonna stick with that theory thanks.
Awww BB8 asked Rey about his antenna, just like when they first met. Remember when people were like “Are Poe and Rey gonna be a thing?!?!?” and of course I’d much prefer that over Reylo thanks. The books! Somehow, that obvious shot of the books goes over so many people’s heads. So many complaints about the books getting burned, when they literally show us that Rey saved them. I had never noticed the bunks in the Millennium Falcon either until I saw that video earlier, and I’m glad I got to actually see one in use since Rose is sleeping in one.
Oh GOD the entirety of the Resistance can fit on the Millennium Falcon... that is NOT good.
I LOVE the scene of the kids retelling the story of Luke. I must have already gone in depth about this 2 years ago, but I love it. Luke became a legend in the end. He didn’t necessarily want to be one, but he’s become one. It was exactly what was in the opening scroll, he restored the spark of hope. That subtle use of the Force by that little boy. With Binary Sunset playing. And I love that last shot of him holding the broom up like a lightsaber.
I nearly forgot that they put in “In loving memory of our princess, Carrie Fisher” at the end. That’s what got me to finally cry. 40 straight minutes of covering my mouth in anxiety, then feeling like my world was crashing down around me as Luke died. Having it dedicated to Carrie made me just start sobbing so hard. Watch that happen again tomorrow.
I remember when I left the theater, at first I was like “What if the boys is Rey’s brother?!” but then... I realized that a huge point of the movie went over my head for a second there.
The fandom got so caught up in figuring out who Rey’s parents are, whether it’s Obi-Wan or Luke or Leia or even Palpatine, that they were mad when Kylo said they were no one. But like... guys... not every single Force user is related to the Skywalkers or anyone else we already know. There were hundreds of Jedi in the prequels, because anyone can be Force sensitive. Obi-Wan’s parents were nobody, Qui-Gon’s parents were nobody, Mace’s parents were nobody. They didn’t come from long lines of Force users (at least in movie lore), BECAUSE THE JEDI WEREN’T SUPPOSED TO HAVE KIDS. The Skywalkers aren’t even a long line, it’s just 3 generations at this point. So literally none of the Jedi of the past came from powerful Force users (or at least from ones who got the chance to become Jedi) since that literally goes against the code.
Luke found at least 11 other Force sensitive kids to train alongside Ben, their parents were all definitely nobodies since he’s the last Jedi. Ben is an anomaly, Luke and Leia are anomalies, the Jedi don’t have kids! The fandom got so caught up in figuring out who Rey could be related to, that they forgot that for millennia the individual Jedi were not related to anyone.
Anyone can be Force sensitive. Anyone can be a Jedi. Rey is an example of that. That little boy is an example of that. That’s why I love that the little Force sensitive boy was the final shot of the movie. He was meant to reassure and remind us after the Rey parentage reveal that anyone can end up Force sensitive. They don’t need a famous/powerful parent. They can come from anywhere and be anyone. And I love that that’s the final note of this movie.
Some people were not reassured. Some people couldn’t handle the idea that Rey’s powerful just because she’s Rey, not because she’s someone’s daughter. She HAS to be related to someone to be that powerful, right? But every Jedi before her who was just as powerful wasn’t related to anyone, so why does she have to be?
ANYWAY! I was actually worried over the last 2 years that I’d rewatch The Last Jedi and not like it as much as I did in theaters. I still like it a lot. Even the Canto Bight scenes get redeemed by the costumes and the set being so amazing. But I love the message of don’t be a hero, this is bigger than just you. And I love the message that even if you’re “nobody” from “nowhere” you could still be Force Sensitive and you could still be a Jedi. I love Luke’s send off, I love that he does end up reigniting the spark and being a beam of hope again. I love it.
And I’m excited to see the Rise of Skywalker tomorrow.
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