#i was trying some different rendering styles on this and im pretty happy with it :3

[maravalenr]

Miku <3

[nigelgraz]

hello! i have been following you for a while now and i want to tell you that im in love your illustrations and your drawing style! (literally, im in love with your men, specially alucard) 💞💞💞 and I wanted to ask since I’ve been wanting to draw lately, do you have any advice for those of us who are just starting to learn?

have a nice day :) ♡

Hii!! Thank you so much for the kind words snd support, it makes me so happy to know you like my work this much🥹❤️❤️

My advice would be to try to find a balance between drawing fun self indulgent things AND all the boring difficult subjects and studies that might be less enjoyable and engaging to do but will help your foundation and painting skills a ton in the long run! For examples i used to pretty much only draw heads in 3/4 angle with a white background when i was starting out bc it was my comfort zone and i was pretty good at it, but i realized i was rlly lacking in all the other aspects like anatomy and backgrounds and lighting and wasn't learning anything new! Always make time to do anatomy, lighting, shading and color thoery studies and if they were too boring for you, try to combine the studies with subjects and characters you like :) personally i'm still lacking in Anatomy but i've been doing some anatomy studies with my favorite characters as the models lately and it's way more fun and motivating.

Another thing is to always look at a ton of art by different skilled artists and analyze and study their work and try to find the purpose behind their color choices and brush strokes, how they stylize features, how they draw some parts of a painting very detailed and leave the rest with minimum rendering to draw the attention to the focal point, etc. Doing this makes you see things with a fresh pair of eyes and you can even spot your own mistakes and correct them instead of repeating them over and over because you don't have any other point of reference other than your own work. I've definitely been there :'D

These are the tips that would've helped me a lot when i started properly painting, i hope they can help you too! Good luck and i hope you have fun drawing❤️

[mellohd]

I'm doing commissions!!! This is gonna be a master post with all my info, I might update it in the future click to keep reading c:

lines and sketches are the same price since my art style is messy :) ALSO only cashapp because I'm not old enough for a PayPal (and don't want to fake and run the possibility of losing an account) If there is another method that doesn't require PayPal, I am happy to try it out.

Here are some examples of each kind of render I can do! my full rendering is kinda a new thing I've been trying to do.

Just FYI, If my commision slots are full, feel free to DM anyways and I might get to you when I'm done! I'll have a status of my slot availability on my intro post :-}

Sometimes I draw in different styles, even rarer I post them. If you've seen a post of mine in a specific art style and you say, hey I like that but don't see a price I'm more than willing to negotiate something reasonable!

also, I'm pretty flexible in what to draw. Want a sketch page similar to Castiel's? Go ahead and ask! Want a ref sheet, ask! If you have something in mind that isn't listed here, go ahead and ask and if its reasonable, and I can accept comms atm, Im sure we can work something out!

My DMs are also open on Tumblr and Tik Tok, and all my socials go under the same user. Toodles!

[elvyn]

Hii, hope its alright to ask that !! I aim to have a painting style like yours, but no matter what I do, it either looks like untextured cell-shading or a painting style I dont like How do you paint? what brushes do you use? Im desperate and really want to imrpove me art </3 Your art gives me such a joy

First , thank you so much <3 I'm always happy to hear that someone is inspired by my art😭

And regarding the painting method… oh well it will be difficult for me to explain haha. I mean I usually just improvise and go with my gut, whatever that sounds like haha. I play around with colors until something clicks. And I often change brushes (I have the impression maybe too often haha) because I try to experiment and find what will be most comfortable for me to work with. But usually I use brushes that have some texture and give me the vibe of drawing on paper🤔When I'm done with rendering I put some noise to make it look better (at least in my opinion haha)

I don't know what program you use, but I work in Clip Studio Paint. There are a lot of fun free brushes! And as I said, I change brushes often, but there are a few that are always my favs, so I put them here if anyone is interested: This one I use often for lineart

I often use this set for coloring, some of them have cool textures

And this one for coloring when I want to achieve a bit softer effect Also I have some brushes converted from Photoshop; Greg Rutkowski brushes are great and Inktober 2019 Photoshop Brushes by ArtistMef too!

I guess that's all I can explain, I hope it helps at least a little 😭Also, I think it's best to observe different artists you like and study them. You can also find a lot of free, pretty good guides on yt, I personally learned a lot from them. Aaaand, (even though I don't like hearing it haha), you have to practice and have patience. Over time, you will slowly see better and better results! So good luck! <3

[wizardlizard32]

Been silent for a while so I thought Id give an update

Brain has been absolutely FLOODING with ideas for different projects I wanna make like stories and games as well as fanart pieces I realized I never did that I really wanna do and its been so much that Im having a hard time functioning as my brain is constantly dividing itself (Dont worry Im still happy just overwhelmed with thinks ;v;)

I've been experimenting around with softwares to see whats best for me to continue animating in/most comfortable and sadly scrapped some Ideas but I have settled on my next animation a big reanimation project for Sonic adventure where I try to reanimate all of gammas cutscenes. This is definitely gonna be a longer project but I have already started doing sketches to get an Idea of how to render em in my own style heres a little peak at that .

Im also doing a bit of a fan piece on the side of my favorite souls borne boss ever Pontiff Sulyvahn or as I call em MY BOI POPE SULL. Legit a great antagonist and just hands down the coolest fromsoft boss heres a look at that too.

I actually have more dine than this but not a lot more?

Anywho for game Idea stuff Im still workin on my little Weaver knight project I'm almost done Sir Apells reference sheet then I will be moving on to other characters and regions like "The Storied Knight" or "Craneus the fountain of scholars". This project always gets me super giddy and Ive even started thinking of a sequel game called "Voyager"

Heres some looks into these.

The whole Idea of the first game is to literally weave your way through levels with different types of thread that do different things enemies that can only be defeated with weaving and puzzles that work around the different thread types

And then we have story Ideas these are jumbling around in my brain the most sadly I dont have any art for the most of them that I havent shown already but the list goes

Tales of Uvanos - I really cant share much on this one without giving away its big twist but... Magical fantasy setting with some """fun""" takes in things like Dragons Magic and Bird People ;v;

Endless wilds - Monster hunter/Ghibli style post apocalypse with """"Magic"""" being more like an extremely unstable element on the periodic table than actual magic Robot tries to raise a Human child who thinks shes a Bird also sinister somethings crawling back up from a long gone age.

Unnamed scifi project - pretty simple people fight eachother in giant mechs theres a dinosaur alien dude antagonist simply named Shred who I do have a sketch for <:D

Prefantasy - FANTASY WORLD BUT SET IN THE CRETACEOUS PERIOD the people are trying to figure out the mystery of "the growing star"

I will eventually give all these original projects unique tags when they start getting really fleshed out but until then I got nothin.

Anyhow thats all I got for now hopefully this brain dump helps me get back to a functioning state so I can get back to work on...well ALL THIS O/_ [,,,,,,]

Anyhow sorry thank you GOODNIIIIIIIGHT

[jocia92]

… So much of an actor’s craft is figuring out the “I want” of their character, but that’s got to be a little different with Tom since he states that he literally cannot want anything. What challenge or opportunity did that pose for you?

I think he wants to improve. I think he wants to calibrate according to Alma’s needs, wants, and desires. I think he’s very ready to learn and to understand. That was the kind of primary objective: listen, learn, calibrate, improve. That’s almost the track of each scenario. He just gets a little better each time, and the process gets a little faster. But certainly, in the beginning, he’s just delivering this sort of 20 classic chat-up lines that he’s been uploaded with and getting it all wrong. It’s fun to watch the machine learn and chart that progress.

On a practical or philosophical level, how did you approach the process of humanizing a character that’s an algorithm, or did you at all?

It was very much about charting with Maria exactly when we want to see the machine, when we want to see the human. Even playing with that ratio was really interesting and fun. It’s not so much about watching him play the machine, but watching a character try to play the human. Certainly, in the beginning, in some of the not quite so successful human moments, shall we say, we deconstructed what we regarded as the conventional human behavior in that. We looked at a lot of screwball comedies, like Cary Grant, Jimmy Stewart, Katharine Hepburn movies. [We were] taking a move or a gesture, breaking that down, and just doing two of the things. It just suddenly looks very odd and wrong, and you’re like, “Oh, this is what a human does in this moment!” But it’s just off. It was really as much about looking at the human.

You’ve mentioned things like The Philadelphia Story as shaping the film and its central relationship. Was that to ground it in reality or further ensconce it in the warped reality of cinema? Grant and Stewart are recognizable to us as people, but things like that mid-Atlantic lilt were entirely manufactured for the screen.

That was a very key point for Maria in referencing Cary Grant. The hair color that we chose for Tom was very much like Cary Grant’s hair color, being a shade darker than is possibly human. And the skin tone being slightly artificial for Tom. You’re right, Cary Grant is often very heightened and mannered sometimes, and it works in the situation in the style of the thing that he’s in. But we quite liked the idea that Tom has been uploaded with some outdated versions of what a romantic lead was supposed to behave like.

It’s striking just how thought-out things had to be down to how Tom responds to dead air space in a conversation. What was the process behind those small moments that can make or break the believability of a character?

It was very fun to play with, and probably quite frustrating for a lot of the human actors. Maren was giving a beautifully naturalistic performance, and the conventional responses that there should be from her scene partner weren’t there. We deliberately strip those away—sometimes without telling her, sometimes without needing to tell her. It’s just the way that Tom was, so it was about pushing those moments into a space that became a little uncomfortable: not jumping in on the lines where you might normally jump in, sometimes coming in hard, sometimes offering a delayed response, sometimes none at all. Playing with those, and watching how comfortable or uncomfortable that made them both, was really fun.

Did that frustration, built in by the process, bleed over for Maren into the character of Alma, do you think?

Maybe for Maren. Certainly, for me, it was frustrating in that I would have to remember not to respond in the way that I might normally and remove some of those things. [I had to] really break down exactly what Tom is thinking, what his programming is doing in that point, how he’s responding and calibrating, and whether we see that or not. Choosing moments to show the human, to show the machine. Along with Maria, that was one of the great joys of the role.

How did you settle on the physicality of the character? Was it at all helpful to have done something like Beauty and the Beast in a mo-cap suit to be hyper-aware of how your own movements translate to the screen?

Very much so. In fact, in pretty much every role I’ve done since Beauty and the Beast, I’ve incorporated not always a movement coach, but I’ve definitely looked at movement theory and physicality in a totally new way because of the challenges of that role. And, I have to say, dance plays a huge part in that. Whether it’s incorporated on the screen or if it’s something that just feels as if it helps the role, I often find that a dance studio is a very fruitful space to discover things about your character’s physicality. Learning the rumba for this role was incredibly helpful because it’s a very precise, technical, almost robotic dance in terms of the laser precision that’s needed to get it absolutely right. I had a fantastically exact teacher in Berlin who was teaching me the rumba the whole way through the shoot. We shot that [one scene] quite near the end of the shoot. Just to have those lessons, that kind of physicality, and that poise with me the whole way through the role was really useful.

How did the role being in a non-native tongue affect the characterization of Tom? Was it all easier to make him seem slightly unreal given that the words might not come quite as naturally as they would in English?

I think it was a deliberate choice on the part of Maria to look for a foreign actor who could speak German. She needed somebody who could both get their heads and their mouths around the very technical German that was required, which, even for a German is pretty complex, but also who had that sense of otherness. I’m sure they could have tailored the screenplay to any number of nationalities, but I was very happy they came to me and made him British. It definitely helped with, as I say, the fact that he’s listening, learning, focusing, trying to improve…that was literally all I was doing last summer, every day.

How do you lock onto the frequency of German comedy, which isn’t always something people associate with that country or people? How is it different than doing something like the more mannered British wit of Blithe Spirit or the broad studio comedy of Eurovision Song Contest?

It’s not a country known for it, but I think they should [be]. I find Germans very funny. They have a very interesting sense of humor. What’s particularly delightful is the way that they can tackle really kind of big, sometimes weighty, issues with a certain wit and lightness of touch, which is not common to all countries. Physical comedy, I think, is fairly universal. I think there’s something almost farcical about some of the physical stuff that we managed to get in this. It was really fun to make people laugh in a foreign language. It was surprisingly delightful. It felt very unifying, somehow, to be able to get a joke across in any language.

[reviewkpop]

UNLOCK by DAY6

tl;dr, I don’t remember where I was when this first came out because I was on a break from kpop social media but, however, I do remember where I was when I first listened to I Just (the only song to ever exist), as it was an extremely transformative experience for me. This is such a well-rounded, clear, diverse album that keeps Day6′s usual style while adding extra juicy elements for the more hard-rock inspired Japanese market. 

Vara’s rating: ✭✭✭✭✭ 

without further ado here’s why I love ever single song on this album, written like ive been imprisoned inside stan twitter for 5 years and can’t get out unless i review this album

Live Your Life: day6 japanese songs hit differently they really do. this one is an a1 prime rib example. the rolling drum (?) woosh sound right before the chorus is so sos os nice and all of the parts of this song are different feeling but still fit together completely seamlessly as expected. LISTEN, HOW THEY HAVE A GUITAR SOLO? WITH THE WOAHHHs at EVERY chorus. jae’s guitar is the backbone of this album and our society as you will read about further on if you ever get to my review of i just…….. and this song is NO different. also the lyrics are so pure. thank u kings of confidence. i gotta also talk about the outro to this song its so fucking beautiful. all the voices singing together is such a chef kiss mwah

Breaking Down: ive seen a lot of ppl (more than i expected?) cite this song as their fave day6 song and i mean valid. its day6’s harder rock side.. its reminds me a lot of how can i say and its very very good if thats your thing. also everytime mr k does the IM BREAKING DOWWN live its . very lovely thank you. its so so angsty i can feel the angst for miles with this one. when jae says “hearts never break the same” mkmfdnjgajk. yeah. this is one of the songs where u think its over but it ISNT!!!!!!! the guitar muting in the bridge fake outro whatever is so delicious i am a sucker for a good guitar muting rhythm technique can someone pls tell me what thats called im illiterate anyways it STARTS UP AGAIN the hecking guitar solo….. ladies and gentlemen…..

Stop the Rain: instrumental wise, this is a really really fun song… the scale up and down or whatever it is with synth + guitar in the verses and at the end of the chorus… very spicy indeed. i honestly think wonpil is the star of the show in this one bc its a really not aggressive but beat heavy?? song and wonpils softer voice really contrasts it nicely i think. i also love love LOVe the second verse with the minimal instrumental (of course i do) and then it goes into guitar solo mode.. i feel liek this album more than any other day6 album goes the hardest with the guitar solos thank you jae. also this song has wooaahs. guitar solo ✅, instrumental space ✅, woaaaahs ✅ but theres no guitar muting we’re almost there..

Say Hello: this song makes me smile. the punchy guitars, bubbly drums, wait actually the first time wonpil says “my girl” i teared up a little ouch…….. :((((((((((((((( so cute…. the bright lil woo ooooh ooohs in the chorus SO cute… its such a dreamy song and the lyrics are so nostalgic feeling its such a sweet song in general its abt like letting go but finding peace with it and wishing the other person well and its a really beautiful meaning. omg its like the opposite to hi hello njsdfdnkj theory?????

Everybody Rock: we are now in the ROCK zone everybody now . now COME ON keep it going now !!!!!!! 1 2 3 go!!!!! i absolutely adore the way the guitars fade out in the verses when the vocal lines start and its just a lil bass a lil drum. if theres one thing i love more than guitar muting its silence in music.. it really really makes songs great when theres some space left over i truly believe that. anyways this song has both thank u kings. jae’s prechorus with differnet members joining in is so nice as it gradually builds up more and more. extra important detail all the lives i can find of this they look like theyre having so much fun. also dowoon….. i truly believe i can be a rockstar bc of him. im in tears. the ending just lets it all sink in the extra 8 bars or whatever of extra instrumental very very nice addition thank you

I Just: i am truly sorry in advance for this im not gonna stop talking. musically,, this song is pretty simple (except for the guitar in the chorus, i’ll get there) but tonally, vibe-wise, on the feel good scale, this song is a 35 million absolutely fucking fantastic song. i love this song perhaps a little too much. i would like to speak briefly on jae’s guitar fill. if i could name my firstborn child after a sound byte it would be that one and you all know it very well. if i ever meet jae im gonna personally thank him for this and ask if i can get his guitar’s autograph. the fact the guitar gets louder in the last chorus with the vocals overtop of it too yum.. this song makes me miss a lover i nevr had or something but also feel like im falling in love and rolling down a grassy hill and staring into a sunset at the same time its like every single possible positive emotion for me. THE HEYYYY AHHHS . make me so inexplicably happy i love them with all my heart. ALSO you know how i said i love silence this song has it too!!!!!!!! with the faded guitar right before the last instrumental break !!!!!!!!!!!!!!!!! also again not to be a young k stan but u know i need to plug the 18125 i just nagoya young k fancam its in my genetics i will not apologize. he looks so happy i love . i listen to this song on a daily basis and you cannot stop me from doing so. if i get cloned and u have to figure out which charlie is the real one see which ones heartbeat starts getting faster by hearing the guitar riff then youll know.

Nobody Knows: the beginning of this song is the true modern mona lisa. i could listen to the guitar and drum before any vocals hit forever i am not gonna lie. this really reminds me of old 5sos in a way and i really like it.. gives me a lot of nostalgia from being a 14 year old (no i’m not a 5sos stan but listen to their new album it’s really good). absolutely very fun but probably also really sad if the lyric “please i dont wanna cry” says anything … yep ok. i forgot how much i love the bridge of the song listening to it now its really different to the rest of it its so so nice. very very good. i dont listen to this one as much as some from the album but i still love it a lot,, theres something about it thats a little haunting in a good way its like that buzzfeed unsolved episode where the ghost named apple tater visits them.

Falling: this song gets you because you think its gonna be a full soft ballad but it still has a rock heavy influence! this album is a LOT of more hard or classic sounding rock and i really like the direction they took it in! can i please talk about the bass riff RIGHT before the end of the verse its those little extra bits that are added in that make a song so much better and thats prime example. I’m not the biggest fan of the chorus of this song for some reason i feel like theres a little bit of something missing but the haunting synth that kicks in and gets more prominent all the way through the song is very very nice and adds to the whole acoustic rock (somehow??? they have the Range) vibe.

If ~また逢えたら～: this song was their debut japanese song and she has a very special place in my heart. it reminds me of a very specific time in my life. also its a fun one bc i always try to guess whether its the instrumental or the original version when it comes on shuffle (i have both saved lol). i love love LOVe the guitar at the between vocal lines in the chorus its so fucking juicy… you know what else we have is rapper k which as u know i go crazy over.. the instrumental version is young ks rap karaoke version. very very good. i think this passage from my old review of this (if you know, you know) sums it up ladies: and i honestly think youngks rap part just brings the song back to day6′s style!! like i dont think many other bands would have brought it down to that u know??? and i love it…. the instrumental in this is also so crunch !! its so aggressive but like the type of aggressive that snowstorms are on a weekday… bc they basically just showed up without warning, rendered us immobile,, but all in all we’re PUMPED that it happened.

Baby, it’s okay: this song is not my favourite song of day6’s, i think it’s lacking in some oomph for my ears, HOWEVER !! and this is a big however I really love the bridge and the lyrics and that makes up for it. also the “i want you to be happy” and “ill always be here for you” is so adorable truly.

anyways we all know this day6 has no bad songs, unlock is no exception.

- vara  

[all-star-brad-hand]

so i finally pretty much saw star trek beyond and i feel like talking about it just a lil tiny bit

first of all i like...i dont know. i had no interest in it and i wasnt expecting it to be good, so i guess im biased. but then at the same time, i was underwhelmed somehow? like i mean the way people kept talking about how much closer to and inspired by tos it was...i didnt get that feeling at all.

the script was just so......so underwhelming. the villain did not interest me, the black and green glowy dudes who looked like super soldiers from stargate did not interest me. the giant space insect cloud thing was a decent idea but it was ruined by the music stuff. i did not give a flyin pop tart that the enterprise crashed, but i never cared for that current design anyway so i am not qualified to talk about it lol. whatsherface with the black lines on her face had the interesting language quirks, which i thought was cool, we dont get enough of that tbh. the references to tos reminded me overmuch of the stuff they did with enterprise season 4, which in my view was just “here’s 500% more tos references” (and i will really really never understand why so so SO many people say that stuff is some of the best star trek ever filmed but that is a discussion for another day).

didnt find the comedy funny, altho i admit that i am extremely extremely picky about what i find funny so 99% of things wont make me crack a smile (for example when i saw tfa in theaters i was straight faced at literally everything the rest of the audience laughed at). but i mean that thing where spock is explaining something and nobody understands it and then uhura or whoever chimes in “we can do the thing and kick ass” like oh my goodness that sounds like something from a cbs crime show what on EARTH. the stuff at the beginning with the angry aliens was particularly frustrating because of how much potential it had, like jeez when kirk was like “ah yes this weapon fragment is...uh...a treasured symbol of. .. . peace” that was great!!!!!! and then it just devolves into the aliens screaming and kirk making faces!!!!!!!!!!!!

i think the issue here is that these reboot movies have no leg to stand on except the characters, and they dont really have any leg to stand on themselves. and i mean, if you like the characters and enjoy them then i am happy for you. ive done it myself man, i took freakin vlad the space knight who got two lines and died from aldnoah zero and turned him into a favorite character of mine, same with cutler beckett from pirates of the caribbean, so i know that ppl can single out characters who might not be really well developed and enjoy them anyway. theres nothing wrong with that and i aint sayin there is. its just that i cant do that with these characters, not at all. they didnt get three seasons of a show with gene coon writing their interactions, they didnt get movies like wrath of khan that emphasized their bonds. they got named after and vaguely based on the tos characters, thrown into two movies that i personally think are both kind of lousy (i know ‘09 is considered one of the Good Star Trek Films but i am not quite in that camp myself), and then now we have this movie where kirk and spock and mccoy are like kinda getting development now and mccoy says “MY GOD MAN” and “MY GOD SPOCK” and they were out there for three years but we didnt see any of it and stuff. like the guys who wrote this were trying, and i will give them that, but it doesnt work for me because it just...should really never have been done in the first place.

well i guess THAT last opinion is very arguable, im sure even paramount would disagree strongly with me since theyve made some decent cash off these films lol. but its just...after seeing beyond, i think it was too late to try to recreate the bond of tos in these films. not after into darkness in particular. and i mean they are trying SO HARD with the original cast photo and the thing with everyone reading space the final frontier at the end but it just doesnt work for me.

i think its worth adding that im also of the opinion (which i guess is another divisive one) that the best of tos and the best of the tos movies had a certain tone to the dialogue and interactions which is not reflected here (a certain tone that im very very biased about because it involves lots of witty ass dialogue and i absolutely love it). that may be due to how the characters and world differ from tos, but if thats the case, it sort of renders two things moot: a) the attempt to match the tos tone and b) the usage of the tos characters in the first place (tho thats a problem i oughta take up with jj abrams i suppose). it could also stem from the writers’ personal styles, in which case it would just be a matter of my personal opinion preferring other styles to theirs. but either way thats one of the things that is most strongly dissimilar to tos about this movie, whether or not there were any attempts made to match it. the only line i caught that made me get the tos vibe was the thing i mentioned earlier with kirk talking to the angry aliens, and like i said that vibe was lost very quickly.

its a personal thing of course, but after into darkness i just gave up on any sense of obligation i felt for these movies being Part Of Star Trek. and i mean, even WITH that, with the lack of caring and lack of expectation and lack of just plain LIKING that i felt, i found myself underwhelmed. that honestly surprised me because i was expecting to either begrudgingly like it or totally hate it and i was just left saying “oh...thats it? okay”. it wasnt a violent reaction of dislike...more like when i watched tangled for the first time and sat there like “jeez this is what everyone says is one of the best disney movies??? it wasnt BAD but jeez”. so i guess ultimately im kind of praising the movie because it sure didnt hit me like into darkness did!