#i will die of death

[batsyvie]

minor across the spiderverse spoilers!

peter b parker being so soft and loving to mayday, kissing her little head at every chance he can get, was SO worth it😭😭😭that man deserves to have his cute little ending and if anything happens to him in beyond the spider verse, i will DIE

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[nova-rpv]

death leech shadoo.....

design by @galaxylover06

[elllteo]

What's the matter? Lives flashing before your eyes?

[konakoro]

The world was so ungrateful to you...

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[ofswordsandpens]

Percy, who had finally accepted to bear the burden of the great prophecy after agonizing over it for years only for everyone to repeatedly tell him in the final book that he's not the hero and its not about him:

[heyimboredtalktome]

[morganpdf]

Lost my fucking mind at a red light today

turning off reblogs bc im tired of terfs in my notes. anwyays trans people are sooo much cooler and sexier than cis people but especially terfs. bye

[wolfythewitch]

God there's something about the idea that Hector was wearing Achilles's old armor when he faced him to die. when Achilles saw Hector he saw a mirror of himself, and he knew exactly where to aim

[ourflagmeansgayrights]

actually can we stop talking about “deserve” when it comes to characters dying in fiction. not everything is a fable with a moral lesson to be learned. romeo and juliet didn’t “deserve” to die. bambi’s mom didn’t “deserve” to die. izzy dying in the finale doesn’t mean ofmd is saying that certain types of queer people “deserve” to die. fictional death can serve more narrative purposes than just punishment for the character doing the dying.

[stars-in-a-jam-jar]

I don't think Buddy asks Helio any questions.

Kristen asked 'Why do bad things happen to good people?' because she believed in all the good things she was taught, but noticed the strange disconnect between the world as it was and the world as it was taught to her. So she thought, surely, if I can't come up with the answer, Helio will have it. And she hates him for dodging her question.

Buddy is far more deluded than Kristen ever was. And he is far, far angrier inside as a result, even if he deliberately conceals this fact from himself to protect himself from the inevitable mental breakdown this would cause. Buddy is not as altruistic and giving and caring as Kristen is. He wouldn't question why he was betrayed or dig into a question like 'Why do bad things happen to good people?' Those aren't the answers he needs, because of course he'd be betrayed by someone outside the church, that makes perfect sense. Of course bad things happen to good people, we simply live in a fallen world.

Or, well. He used to live in a fallen world. Now he's dead here. In Helio's divine domain.

I think Buddy, as he wanders through fields of corn to the big farmhouse where Helio is chilling out, privately thinks about the fact that Kristen Applebees' horrified expression was the last thing he ever saw before a sharp pain in his throat. I think Buddy assumes Helio knows he's thinking this and apologizes for bringing thoughts like that into paradise. I think he thanks Helio for recognizing his devotion and bringing him here once he died and dutifully deceives himself about his own rising emotions at contending with the fact that he's dead now.

After all, he was raised to die. He was raised to want to die.

To want to be here with his god whenever it was he called Buddy to him. So he doesn't feel upset, no, of course not. He's just a little surprised at how sudden it was. (How completely random. How unceremonious and unfair.) He's a little bit worried how his grandparents would react to the news is all. (He cracks a joke that maybe he'll see them here shortly after they do get the news. He doesn't laugh at it.) He had his own plans for how he'd spread the good word in life, but of course, Helio had other plans. (Nothing Buddy ever wanted really mattered. He knew that, he knew the will of Helio was the real thing that mattered, and everything else was just a small list of preapproved extracurriculars in the syllabus of his life.)

He can't be upset about this.

He shouldn't be upset about this.

This is his reward.

This place and these people and this god are his reward for a life of service and devotion and walking in the light.

It's not his place to be upset about his own reward. Kristen got upset when she went to heaven, when she met Helio, and look where that got her.

Look... look where that got her.

He thinks he hates her. For looking at him like that. All the ways she looked at him. Like he was something pitiful and contemptible. Someone she needed to threaten away from her little brother. Someone she has to double and triple check if he's going to revive her when he's under magical oath to do just that or lose his connection to a divinity she threw away after being chosen.

And then. In that last moment, she looked at him and he saw grief and horror and caring. Like his death was awful and unfair and tragic.

And he thinks maybe he hates her for that. For challenging him every conversation they had and looking at him like she knew something he didn't. Like she was above him. Like killing your own god twice in life is a preferable fate to living for the promise of eternal sunlight and cornbread in death. A promise which was kept to him.

Kristen was promised to Helio, too.

And he can't unsee her face. He can't move along and focus on what truly matters (Helio, the church, spreading the word, doling out divine punishment when needed) because he's reached the end. There is nothing left. Only this bright sunny cornfield and a god who... is nice. And who cares about him, personally. He got Buddy's name wrong the first and only time they held audience.

He thinks he hates Kristen, and he hates that that hatred isn't immediately squashed out of his soul just by being here. In paradise. Where he belongs. Where every follower of Helio belongs. Where he never has to have anyone look at him the way Kristen did ever again.

I don't think Buddy Dawn asks Helio any questions. Because how do you ask the god you devoted every waking minute of your life to, 'Why do I hate it here? Why does this feel like hell?'

(There's a part 2 now that the next ep is out >:3)

[marisatomay]

i’m a bit bummed at how little recognition NOPE has received this awards season i will say it

[swedenis-h]

Aaanywayss here’s a redraw of my favorite scene from Goncharov 1973

[vebokki]

go go demon gang

[attyattlaw]

ace on gouache more like gouace(??)

anyway happy birthday